id stringlengths 24 24 | title stringclasses 442 values | context stringlengths 151 3.71k | question stringlengths 12 270 | answers dict |
|---|---|---|---|---|
5a56dfd96349e2001acdcfc3 | Ministry_of_Defence_(United_Kingdom) | In October 2009, the MoD was heavily criticized for withdrawing the bi-annual non-operational training £20m budget for the volunteer Territorial Army (TA), ending all non-operational training for 6 months until April 2010. The government eventually backed down and restored the funding. The TA provides a small percentage of the UK's operational troops. Its members train on weekly evenings and monthly weekends, as well as two-week exercises generally annually and occasionally bi-annually for troops doing other courses. The cuts would have meant a significant loss of personnel and would have had adverse effects on recruitment. | What percentage of the troops take part in other courses? | {
"answer_start": [],
"text": []
} |
5a56dfd96349e2001acdcfc4 | Ministry_of_Defence_(United_Kingdom) | In October 2009, the MoD was heavily criticized for withdrawing the bi-annual non-operational training £20m budget for the volunteer Territorial Army (TA), ending all non-operational training for 6 months until April 2010. The government eventually backed down and restored the funding. The TA provides a small percentage of the UK's operational troops. Its members train on weekly evenings and monthly weekends, as well as two-week exercises generally annually and occasionally bi-annually for troops doing other courses. The cuts would have meant a significant loss of personnel and would have had adverse effects on recruitment. | How often did the MoD members train in 2009? | {
"answer_start": [],
"text": []
} |
56f991b19b226e1400dd15b6 | Ministry_of_Defence_(United_Kingdom) | In 2013 it was found that the Ministry of Defence had overspent on its equipment budget by £6.5bn on orders that could take up to 39 years to fulfil. The Ministry of Defence has been criticised in the past for poor management and financial control, investing in projects that have taken up to 10 and even as much as 15 years to be delivered. | By how much did the MoD go over its equipment budget? | {
"answer_start": [
91
],
"text": [
"£6.5bn"
]
} |
56f991b19b226e1400dd15b7 | Ministry_of_Defence_(United_Kingdom) | In 2013 it was found that the Ministry of Defence had overspent on its equipment budget by £6.5bn on orders that could take up to 39 years to fulfil. The Ministry of Defence has been criticised in the past for poor management and financial control, investing in projects that have taken up to 10 and even as much as 15 years to be delivered. | When was the overbudget amount discovered? | {
"answer_start": [
3
],
"text": [
"2013"
]
} |
56f991b19b226e1400dd15b8 | Ministry_of_Defence_(United_Kingdom) | In 2013 it was found that the Ministry of Defence had overspent on its equipment budget by £6.5bn on orders that could take up to 39 years to fulfil. The Ministry of Defence has been criticised in the past for poor management and financial control, investing in projects that have taken up to 10 and even as much as 15 years to be delivered. | What are some of the criticisms that have been directed at the MoD? | {
"answer_start": [
210
],
"text": [
"poor management and financial control"
]
} |
56f991b19b226e1400dd15b9 | Ministry_of_Defence_(United_Kingdom) | In 2013 it was found that the Ministry of Defence had overspent on its equipment budget by £6.5bn on orders that could take up to 39 years to fulfil. The Ministry of Defence has been criticised in the past for poor management and financial control, investing in projects that have taken up to 10 and even as much as 15 years to be delivered. | What is a long-range estimate on fulfillment of some of the equipment orders made by the MoD? | {
"answer_start": [
124
],
"text": [
"up to 39 years"
]
} |
56f991b19b226e1400dd15ba | Ministry_of_Defence_(United_Kingdom) | In 2013 it was found that the Ministry of Defence had overspent on its equipment budget by £6.5bn on orders that could take up to 39 years to fulfil. The Ministry of Defence has been criticised in the past for poor management and financial control, investing in projects that have taken up to 10 and even as much as 15 years to be delivered. | Past projects ordered by the MoD have taken what type of time frame to fulfill? | {
"answer_start": [
287
],
"text": [
"up to 10 and even as much as 15 years"
]
} |
5a56ed8e770dc0001aeefc58 | Ministry_of_Defence_(United_Kingdom) | In 2013 it was found that the Ministry of Defence had overspent on its equipment budget by £6.5bn on orders that could take up to 39 years to fulfil. The Ministry of Defence has been criticised in the past for poor management and financial control, investing in projects that have taken up to 10 and even as much as 15 years to be delivered. | For how long did the MoD go over its equipment budget? | {
"answer_start": [],
"text": []
} |
5a56ed8e770dc0001aeefc59 | Ministry_of_Defence_(United_Kingdom) | In 2013 it was found that the Ministry of Defence had overspent on its equipment budget by £6.5bn on orders that could take up to 39 years to fulfil. The Ministry of Defence has been criticised in the past for poor management and financial control, investing in projects that have taken up to 10 and even as much as 15 years to be delivered. | How long has the MoD existed? | {
"answer_start": [],
"text": []
} |
5a56ed8e770dc0001aeefc5a | Ministry_of_Defence_(United_Kingdom) | In 2013 it was found that the Ministry of Defence had overspent on its equipment budget by £6.5bn on orders that could take up to 39 years to fulfil. The Ministry of Defence has been criticised in the past for poor management and financial control, investing in projects that have taken up to 10 and even as much as 15 years to be delivered. | How long has the MoD been poorly managed? | {
"answer_start": [],
"text": []
} |
5a56ed8e770dc0001aeefc5b | Ministry_of_Defence_(United_Kingdom) | In 2013 it was found that the Ministry of Defence had overspent on its equipment budget by £6.5bn on orders that could take up to 39 years to fulfil. The Ministry of Defence has been criticised in the past for poor management and financial control, investing in projects that have taken up to 10 and even as much as 15 years to be delivered. | What has the government had for 10 to 15 years? | {
"answer_start": [],
"text": []
} |
5a56ed8e770dc0001aeefc5c | Ministry_of_Defence_(United_Kingdom) | In 2013 it was found that the Ministry of Defence had overspent on its equipment budget by £6.5bn on orders that could take up to 39 years to fulfil. The Ministry of Defence has been criticised in the past for poor management and financial control, investing in projects that have taken up to 10 and even as much as 15 years to be delivered. | What was the Mod's equipment budget in 2013? | {
"answer_start": [],
"text": []
} |
56f9d73f9e9bad19000a0b05 | High-definition_television | The term high definition once described a series of television systems originating from August 1936; however, these systems were only high definition when compared to earlier systems that were based on mechanical systems with as few as 30 lines of resolution. The ongoing competition between companies and nations to create true "HDTV" spanned the entire 20th century, as each new system became more HD than the last.In the beginning of the 21st century, this race has continued with 4k, 5k and current 8K systems. | The term "high definition" originally described televisions systems from what year? | {
"answer_start": [
95
],
"text": [
"1936"
]
} |
56f9d73f9e9bad19000a0b06 | High-definition_television | The term high definition once described a series of television systems originating from August 1936; however, these systems were only high definition when compared to earlier systems that were based on mechanical systems with as few as 30 lines of resolution. The ongoing competition between companies and nations to create true "HDTV" spanned the entire 20th century, as each new system became more HD than the last.In the beginning of the 21st century, this race has continued with 4k, 5k and current 8K systems. | Earlier television systems were based on what? | {
"answer_start": [
202
],
"text": [
"mechanical systems with as few as 30 lines of resolution"
]
} |
56f9d73f9e9bad19000a0b07 | High-definition_television | The term high definition once described a series of television systems originating from August 1936; however, these systems were only high definition when compared to earlier systems that were based on mechanical systems with as few as 30 lines of resolution. The ongoing competition between companies and nations to create true "HDTV" spanned the entire 20th century, as each new system became more HD than the last.In the beginning of the 21st century, this race has continued with 4k, 5k and current 8K systems. | During which entire century were companies and nations trying to achieve true HDTV? | {
"answer_start": [
355
],
"text": [
"20th"
]
} |
56f9d73f9e9bad19000a0b08 | High-definition_television | The term high definition once described a series of television systems originating from August 1936; however, these systems were only high definition when compared to earlier systems that were based on mechanical systems with as few as 30 lines of resolution. The ongoing competition between companies and nations to create true "HDTV" spanned the entire 20th century, as each new system became more HD than the last.In the beginning of the 21st century, this race has continued with 4k, 5k and current 8K systems. | In what century were 4k, 5k, and 8k systems introduced? | {
"answer_start": [
441
],
"text": [
"21st"
]
} |
56f9d73f9e9bad19000a0b09 | High-definition_television | The term high definition once described a series of television systems originating from August 1936; however, these systems were only high definition when compared to earlier systems that were based on mechanical systems with as few as 30 lines of resolution. The ongoing competition between companies and nations to create true "HDTV" spanned the entire 20th century, as each new system became more HD than the last.In the beginning of the 21st century, this race has continued with 4k, 5k and current 8K systems. | What is the most current HDTV system development? | {
"answer_start": [
503
],
"text": [
"8K"
]
} |
5ad3a1dc604f3c001a3fe9ff | High-definition_television | The term high definition once described a series of television systems originating from August 1936; however, these systems were only high definition when compared to earlier systems that were based on mechanical systems with as few as 30 lines of resolution. The ongoing competition between companies and nations to create true "HDTV" spanned the entire 20th century, as each new system became more HD than the last.In the beginning of the 21st century, this race has continued with 4k, 5k and current 8K systems. | What came out in 1935? | {
"answer_start": [],
"text": []
} |
5ad3a1dc604f3c001a3fea00 | High-definition_television | The term high definition once described a series of television systems originating from August 1936; however, these systems were only high definition when compared to earlier systems that were based on mechanical systems with as few as 30 lines of resolution. The ongoing competition between companies and nations to create true "HDTV" spanned the entire 20th century, as each new system became more HD than the last.In the beginning of the 21st century, this race has continued with 4k, 5k and current 8K systems. | The term "high definition" originally described vcrs from what year? | {
"answer_start": [],
"text": []
} |
5ad3a1dc604f3c001a3fea01 | High-definition_television | The term high definition once described a series of television systems originating from August 1936; however, these systems were only high definition when compared to earlier systems that were based on mechanical systems with as few as 30 lines of resolution. The ongoing competition between companies and nations to create true "HDTV" spanned the entire 20th century, as each new system became more HD than the last.In the beginning of the 21st century, this race has continued with 4k, 5k and current 8K systems. | Earlier television systems were not based on what? | {
"answer_start": [],
"text": []
} |
5ad3a1dc604f3c001a3fea02 | High-definition_television | The term high definition once described a series of television systems originating from August 1936; however, these systems were only high definition when compared to earlier systems that were based on mechanical systems with as few as 30 lines of resolution. The ongoing competition between companies and nations to create true "HDTV" spanned the entire 20th century, as each new system became more HD than the last.In the beginning of the 21st century, this race has continued with 4k, 5k and current 8K systems. | During which entire century were companies and nations trying to achieve true SDTV? | {
"answer_start": [],
"text": []
} |
5ad3a1dc604f3c001a3fea03 | High-definition_television | The term high definition once described a series of television systems originating from August 1936; however, these systems were only high definition when compared to earlier systems that were based on mechanical systems with as few as 30 lines of resolution. The ongoing competition between companies and nations to create true "HDTV" spanned the entire 20th century, as each new system became more HD than the last.In the beginning of the 21st century, this race has continued with 4k, 5k and current 8K systems. | In what century were 10k systems introduced? | {
"answer_start": [],
"text": []
} |
56f9d96b9e9bad19000a0b0f | High-definition_television | The British high-definition TV service started trials in August 1936 and a regular service on 2 November 1936 using both the (mechanical) Baird 240 line sequential scan (later to be inaccurately rechristened 'progressive') and the (electronic) Marconi-EMI 405 line interlaced systems. The Baird system was discontinued in February 1937. In 1938 France followed with their own 441-line system, variants of which were also used by a number of other countries. The US NTSC 525-line system joined in 1941. In 1949 France introduced an even higher-resolution standard at 819 lines, a system that should have been high definition even by today's standards, but was monochrome only and the technical limitations of the time prevented it from achieving the definition of which it should have been capable. All of these systems used interlacing and a 4:3 aspect ratio except the 240-line system which was progressive (actually described at the time by the technically correct term "sequential") and the 405-line system which started as 5:4 and later changed to 4:3. The 405-line system adopted the (at that time) revolutionary idea of interlaced scanning to overcome the flicker problem of the 240-line with its 25 Hz frame rate. The 240-line system could have doubled its frame rate but this would have meant that the transmitted signal would have doubled in bandwidth, an unacceptable option as the video baseband bandwidth was required to be not more than 3 MHz. | Who started trials in August 1936? | {
"answer_start": [
0
],
"text": [
"The British high-definition TV service"
]
} |
56f9d96b9e9bad19000a0b10 | High-definition_television | The British high-definition TV service started trials in August 1936 and a regular service on 2 November 1936 using both the (mechanical) Baird 240 line sequential scan (later to be inaccurately rechristened 'progressive') and the (electronic) Marconi-EMI 405 line interlaced systems. The Baird system was discontinued in February 1937. In 1938 France followed with their own 441-line system, variants of which were also used by a number of other countries. The US NTSC 525-line system joined in 1941. In 1949 France introduced an even higher-resolution standard at 819 lines, a system that should have been high definition even by today's standards, but was monochrome only and the technical limitations of the time prevented it from achieving the definition of which it should have been capable. All of these systems used interlacing and a 4:3 aspect ratio except the 240-line system which was progressive (actually described at the time by the technically correct term "sequential") and the 405-line system which started as 5:4 and later changed to 4:3. The 405-line system adopted the (at that time) revolutionary idea of interlaced scanning to overcome the flicker problem of the 240-line with its 25 Hz frame rate. The 240-line system could have doubled its frame rate but this would have meant that the transmitted signal would have doubled in bandwidth, an unacceptable option as the video baseband bandwidth was required to be not more than 3 MHz. | When was the Baird system discontinued? | {
"answer_start": [
322
],
"text": [
"February 1937"
]
} |
56f9d96b9e9bad19000a0b11 | High-definition_television | The British high-definition TV service started trials in August 1936 and a regular service on 2 November 1936 using both the (mechanical) Baird 240 line sequential scan (later to be inaccurately rechristened 'progressive') and the (electronic) Marconi-EMI 405 line interlaced systems. The Baird system was discontinued in February 1937. In 1938 France followed with their own 441-line system, variants of which were also used by a number of other countries. The US NTSC 525-line system joined in 1941. In 1949 France introduced an even higher-resolution standard at 819 lines, a system that should have been high definition even by today's standards, but was monochrome only and the technical limitations of the time prevented it from achieving the definition of which it should have been capable. All of these systems used interlacing and a 4:3 aspect ratio except the 240-line system which was progressive (actually described at the time by the technically correct term "sequential") and the 405-line system which started as 5:4 and later changed to 4:3. The 405-line system adopted the (at that time) revolutionary idea of interlaced scanning to overcome the flicker problem of the 240-line with its 25 Hz frame rate. The 240-line system could have doubled its frame rate but this would have meant that the transmitted signal would have doubled in bandwidth, an unacceptable option as the video baseband bandwidth was required to be not more than 3 MHz. | Which country developed the 441-line system? | {
"answer_start": [
345
],
"text": [
"France"
]
} |
56f9d96b9e9bad19000a0b12 | High-definition_television | The British high-definition TV service started trials in August 1936 and a regular service on 2 November 1936 using both the (mechanical) Baird 240 line sequential scan (later to be inaccurately rechristened 'progressive') and the (electronic) Marconi-EMI 405 line interlaced systems. The Baird system was discontinued in February 1937. In 1938 France followed with their own 441-line system, variants of which were also used by a number of other countries. The US NTSC 525-line system joined in 1941. In 1949 France introduced an even higher-resolution standard at 819 lines, a system that should have been high definition even by today's standards, but was monochrome only and the technical limitations of the time prevented it from achieving the definition of which it should have been capable. All of these systems used interlacing and a 4:3 aspect ratio except the 240-line system which was progressive (actually described at the time by the technically correct term "sequential") and the 405-line system which started as 5:4 and later changed to 4:3. The 405-line system adopted the (at that time) revolutionary idea of interlaced scanning to overcome the flicker problem of the 240-line with its 25 Hz frame rate. The 240-line system could have doubled its frame rate but this would have meant that the transmitted signal would have doubled in bandwidth, an unacceptable option as the video baseband bandwidth was required to be not more than 3 MHz. | What prevented France's 819-line system from achieving the definition it was capable of? | {
"answer_start": [
679
],
"text": [
"the technical limitations of the time"
]
} |
56f9d96b9e9bad19000a0b13 | High-definition_television | The British high-definition TV service started trials in August 1936 and a regular service on 2 November 1936 using both the (mechanical) Baird 240 line sequential scan (later to be inaccurately rechristened 'progressive') and the (electronic) Marconi-EMI 405 line interlaced systems. The Baird system was discontinued in February 1937. In 1938 France followed with their own 441-line system, variants of which were also used by a number of other countries. The US NTSC 525-line system joined in 1941. In 1949 France introduced an even higher-resolution standard at 819 lines, a system that should have been high definition even by today's standards, but was monochrome only and the technical limitations of the time prevented it from achieving the definition of which it should have been capable. All of these systems used interlacing and a 4:3 aspect ratio except the 240-line system which was progressive (actually described at the time by the technically correct term "sequential") and the 405-line system which started as 5:4 and later changed to 4:3. The 405-line system adopted the (at that time) revolutionary idea of interlaced scanning to overcome the flicker problem of the 240-line with its 25 Hz frame rate. The 240-line system could have doubled its frame rate but this would have meant that the transmitted signal would have doubled in bandwidth, an unacceptable option as the video baseband bandwidth was required to be not more than 3 MHz. | Which system used interlaced scanning to correct the flicker problem of the 240-line? | {
"answer_start": [
1061
],
"text": [
"405-line system"
]
} |
5ad3a213604f3c001a3fea09 | High-definition_television | The British high-definition TV service started trials in August 1936 and a regular service on 2 November 1936 using both the (mechanical) Baird 240 line sequential scan (later to be inaccurately rechristened 'progressive') and the (electronic) Marconi-EMI 405 line interlaced systems. The Baird system was discontinued in February 1937. In 1938 France followed with their own 441-line system, variants of which were also used by a number of other countries. The US NTSC 525-line system joined in 1941. In 1949 France introduced an even higher-resolution standard at 819 lines, a system that should have been high definition even by today's standards, but was monochrome only and the technical limitations of the time prevented it from achieving the definition of which it should have been capable. All of these systems used interlacing and a 4:3 aspect ratio except the 240-line system which was progressive (actually described at the time by the technically correct term "sequential") and the 405-line system which started as 5:4 and later changed to 4:3. The 405-line system adopted the (at that time) revolutionary idea of interlaced scanning to overcome the flicker problem of the 240-line with its 25 Hz frame rate. The 240-line system could have doubled its frame rate but this would have meant that the transmitted signal would have doubled in bandwidth, an unacceptable option as the video baseband bandwidth was required to be not more than 3 MHz. | Who started trials in September 1936? | {
"answer_start": [],
"text": []
} |
5ad3a213604f3c001a3fea0a | High-definition_television | The British high-definition TV service started trials in August 1936 and a regular service on 2 November 1936 using both the (mechanical) Baird 240 line sequential scan (later to be inaccurately rechristened 'progressive') and the (electronic) Marconi-EMI 405 line interlaced systems. The Baird system was discontinued in February 1937. In 1938 France followed with their own 441-line system, variants of which were also used by a number of other countries. The US NTSC 525-line system joined in 1941. In 1949 France introduced an even higher-resolution standard at 819 lines, a system that should have been high definition even by today's standards, but was monochrome only and the technical limitations of the time prevented it from achieving the definition of which it should have been capable. All of these systems used interlacing and a 4:3 aspect ratio except the 240-line system which was progressive (actually described at the time by the technically correct term "sequential") and the 405-line system which started as 5:4 and later changed to 4:3. The 405-line system adopted the (at that time) revolutionary idea of interlaced scanning to overcome the flicker problem of the 240-line with its 25 Hz frame rate. The 240-line system could have doubled its frame rate but this would have meant that the transmitted signal would have doubled in bandwidth, an unacceptable option as the video baseband bandwidth was required to be not more than 3 MHz. | When was the Baird system created? | {
"answer_start": [],
"text": []
} |
5ad3a213604f3c001a3fea0b | High-definition_television | The British high-definition TV service started trials in August 1936 and a regular service on 2 November 1936 using both the (mechanical) Baird 240 line sequential scan (later to be inaccurately rechristened 'progressive') and the (electronic) Marconi-EMI 405 line interlaced systems. The Baird system was discontinued in February 1937. In 1938 France followed with their own 441-line system, variants of which were also used by a number of other countries. The US NTSC 525-line system joined in 1941. In 1949 France introduced an even higher-resolution standard at 819 lines, a system that should have been high definition even by today's standards, but was monochrome only and the technical limitations of the time prevented it from achieving the definition of which it should have been capable. All of these systems used interlacing and a 4:3 aspect ratio except the 240-line system which was progressive (actually described at the time by the technically correct term "sequential") and the 405-line system which started as 5:4 and later changed to 4:3. The 405-line system adopted the (at that time) revolutionary idea of interlaced scanning to overcome the flicker problem of the 240-line with its 25 Hz frame rate. The 240-line system could have doubled its frame rate but this would have meant that the transmitted signal would have doubled in bandwidth, an unacceptable option as the video baseband bandwidth was required to be not more than 3 MHz. | Which country developed the 941-line system? | {
"answer_start": [],
"text": []
} |
5ad3a213604f3c001a3fea0c | High-definition_television | The British high-definition TV service started trials in August 1936 and a regular service on 2 November 1936 using both the (mechanical) Baird 240 line sequential scan (later to be inaccurately rechristened 'progressive') and the (electronic) Marconi-EMI 405 line interlaced systems. The Baird system was discontinued in February 1937. In 1938 France followed with their own 441-line system, variants of which were also used by a number of other countries. The US NTSC 525-line system joined in 1941. In 1949 France introduced an even higher-resolution standard at 819 lines, a system that should have been high definition even by today's standards, but was monochrome only and the technical limitations of the time prevented it from achieving the definition of which it should have been capable. All of these systems used interlacing and a 4:3 aspect ratio except the 240-line system which was progressive (actually described at the time by the technically correct term "sequential") and the 405-line system which started as 5:4 and later changed to 4:3. The 405-line system adopted the (at that time) revolutionary idea of interlaced scanning to overcome the flicker problem of the 240-line with its 25 Hz frame rate. The 240-line system could have doubled its frame rate but this would have meant that the transmitted signal would have doubled in bandwidth, an unacceptable option as the video baseband bandwidth was required to be not more than 3 MHz. | What prevented France's 919-line system from achieving the definition it was capable of? | {
"answer_start": [],
"text": []
} |
5ad3a213604f3c001a3fea0d | High-definition_television | The British high-definition TV service started trials in August 1936 and a regular service on 2 November 1936 using both the (mechanical) Baird 240 line sequential scan (later to be inaccurately rechristened 'progressive') and the (electronic) Marconi-EMI 405 line interlaced systems. The Baird system was discontinued in February 1937. In 1938 France followed with their own 441-line system, variants of which were also used by a number of other countries. The US NTSC 525-line system joined in 1941. In 1949 France introduced an even higher-resolution standard at 819 lines, a system that should have been high definition even by today's standards, but was monochrome only and the technical limitations of the time prevented it from achieving the definition of which it should have been capable. All of these systems used interlacing and a 4:3 aspect ratio except the 240-line system which was progressive (actually described at the time by the technically correct term "sequential") and the 405-line system which started as 5:4 and later changed to 4:3. The 405-line system adopted the (at that time) revolutionary idea of interlaced scanning to overcome the flicker problem of the 240-line with its 25 Hz frame rate. The 240-line system could have doubled its frame rate but this would have meant that the transmitted signal would have doubled in bandwidth, an unacceptable option as the video baseband bandwidth was required to be not more than 3 MHz. | Which system used interlaced scanning to correct the flicker problem of the 940-line? | {
"answer_start": [],
"text": []
} |
56f9dacd9e9bad19000a0b19 | High-definition_television | Colour broadcasts started at similarly higher resolutions, first with the US NTSC color system in 1953, which was compatible with the earlier monochrome systems and therefore had the same 525 lines of resolution. European standards did not follow until the 1960s, when the PAL and SECAM color systems were added to the monochrome 625 line broadcasts. | What year did color broadcasts start in the US? | {
"answer_start": [
98
],
"text": [
"1953,"
]
} |
56f9dacd9e9bad19000a0b1a | High-definition_television | Colour broadcasts started at similarly higher resolutions, first with the US NTSC color system in 1953, which was compatible with the earlier monochrome systems and therefore had the same 525 lines of resolution. European standards did not follow until the 1960s, when the PAL and SECAM color systems were added to the monochrome 625 line broadcasts. | How many lines of resolution did the US NTSC color system have in 1953? | {
"answer_start": [
188
],
"text": [
"525"
]
} |
56f9dacd9e9bad19000a0b1b | High-definition_television | Colour broadcasts started at similarly higher resolutions, first with the US NTSC color system in 1953, which was compatible with the earlier monochrome systems and therefore had the same 525 lines of resolution. European standards did not follow until the 1960s, when the PAL and SECAM color systems were added to the monochrome 625 line broadcasts. | When did Europe begin color broadcasts? | {
"answer_start": [
257
],
"text": [
"1960s"
]
} |
56f9dacd9e9bad19000a0b1c | High-definition_television | Colour broadcasts started at similarly higher resolutions, first with the US NTSC color system in 1953, which was compatible with the earlier monochrome systems and therefore had the same 525 lines of resolution. European standards did not follow until the 1960s, when the PAL and SECAM color systems were added to the monochrome 625 line broadcasts. | The PAL and SECAM were color systems where? | {
"answer_start": [
213
],
"text": [
"Europe"
]
} |
56f9dacd9e9bad19000a0b1d | High-definition_television | Colour broadcasts started at similarly higher resolutions, first with the US NTSC color system in 1953, which was compatible with the earlier monochrome systems and therefore had the same 525 lines of resolution. European standards did not follow until the 1960s, when the PAL and SECAM color systems were added to the monochrome 625 line broadcasts. | How many lines of resolution were the European monochrome broadcasts? | {
"answer_start": [
330
],
"text": [
"625"
]
} |
5ad3a94e604f3c001a3feb0f | High-definition_television | Colour broadcasts started at similarly higher resolutions, first with the US NTSC color system in 1953, which was compatible with the earlier monochrome systems and therefore had the same 525 lines of resolution. European standards did not follow until the 1960s, when the PAL and SECAM color systems were added to the monochrome 625 line broadcasts. | What year did black and white broadcasts start in the US? | {
"answer_start": [],
"text": []
} |
5ad3a94e604f3c001a3feb10 | High-definition_television | Colour broadcasts started at similarly higher resolutions, first with the US NTSC color system in 1953, which was compatible with the earlier monochrome systems and therefore had the same 525 lines of resolution. European standards did not follow until the 1960s, when the PAL and SECAM color systems were added to the monochrome 625 line broadcasts. | How many lines of resolution did the UK NTSC color system have in 1953? | {
"answer_start": [],
"text": []
} |
5ad3a94e604f3c001a3feb11 | High-definition_television | Colour broadcasts started at similarly higher resolutions, first with the US NTSC color system in 1953, which was compatible with the earlier monochrome systems and therefore had the same 525 lines of resolution. European standards did not follow until the 1960s, when the PAL and SECAM color systems were added to the monochrome 625 line broadcasts. | When did Asia begin color broadcasts? | {
"answer_start": [],
"text": []
} |
5ad3a94e604f3c001a3feb12 | High-definition_television | Colour broadcasts started at similarly higher resolutions, first with the US NTSC color system in 1953, which was compatible with the earlier monochrome systems and therefore had the same 525 lines of resolution. European standards did not follow until the 1960s, when the PAL and SECAM color systems were added to the monochrome 625 line broadcasts. | The PAL and SECAM were black and white systems where? | {
"answer_start": [],
"text": []
} |
5ad3a94e604f3c001a3feb13 | High-definition_television | Colour broadcasts started at similarly higher resolutions, first with the US NTSC color system in 1953, which was compatible with the earlier monochrome systems and therefore had the same 525 lines of resolution. European standards did not follow until the 1960s, when the PAL and SECAM color systems were added to the monochrome 625 line broadcasts. | How many lines of resolution were the European color broadcasts? | {
"answer_start": [],
"text": []
} |
56f9dbea9b226e1400dd15ca | High-definition_television | The Nippon Hōsō Kyōkai (NHK, the Japan Broadcasting Corporation) began conducting research to "unlock the fundamental mechanism of video and sound interactions with the five human senses" in 1964, after the Tokyo Olympics. NHK set out to create an HDTV system that ended up scoring much higher in subjective tests than NTSC's previously dubbed "HDTV". This new system, NHK Color, created in 1972, included 1125 lines, a 5:3 aspect ratio and 60 Hz refresh rate. The Society of Motion Picture and Television Engineers (SMPTE), headed by Charles Ginsburg, became the testing and study authority for HDTV technology in the international theater. SMPTE would test HDTV systems from different companies from every conceivable perspective, but the problem of combining the different formats plagued the technology for many years. | What is the Japan Broadcasting Corporation called? | {
"answer_start": [
4
],
"text": [
"Nippon Hōsō Kyōkai"
]
} |
56f9dbea9b226e1400dd15cb | High-definition_television | The Nippon Hōsō Kyōkai (NHK, the Japan Broadcasting Corporation) began conducting research to "unlock the fundamental mechanism of video and sound interactions with the five human senses" in 1964, after the Tokyo Olympics. NHK set out to create an HDTV system that ended up scoring much higher in subjective tests than NTSC's previously dubbed "HDTV". This new system, NHK Color, created in 1972, included 1125 lines, a 5:3 aspect ratio and 60 Hz refresh rate. The Society of Motion Picture and Television Engineers (SMPTE), headed by Charles Ginsburg, became the testing and study authority for HDTV technology in the international theater. SMPTE would test HDTV systems from different companies from every conceivable perspective, but the problem of combining the different formats plagued the technology for many years. | What does NHK stand for in Japan? | {
"answer_start": [
4
],
"text": [
"Nippon Hōsō Kyōkai"
]
} |
56f9dbea9b226e1400dd15cc | High-definition_television | The Nippon Hōsō Kyōkai (NHK, the Japan Broadcasting Corporation) began conducting research to "unlock the fundamental mechanism of video and sound interactions with the five human senses" in 1964, after the Tokyo Olympics. NHK set out to create an HDTV system that ended up scoring much higher in subjective tests than NTSC's previously dubbed "HDTV". This new system, NHK Color, created in 1972, included 1125 lines, a 5:3 aspect ratio and 60 Hz refresh rate. The Society of Motion Picture and Television Engineers (SMPTE), headed by Charles Ginsburg, became the testing and study authority for HDTV technology in the international theater. SMPTE would test HDTV systems from different companies from every conceivable perspective, but the problem of combining the different formats plagued the technology for many years. | What year was NHK Color created? | {
"answer_start": [
391
],
"text": [
"1972"
]
} |
56f9dbea9b226e1400dd15cd | High-definition_television | The Nippon Hōsō Kyōkai (NHK, the Japan Broadcasting Corporation) began conducting research to "unlock the fundamental mechanism of video and sound interactions with the five human senses" in 1964, after the Tokyo Olympics. NHK set out to create an HDTV system that ended up scoring much higher in subjective tests than NTSC's previously dubbed "HDTV". This new system, NHK Color, created in 1972, included 1125 lines, a 5:3 aspect ratio and 60 Hz refresh rate. The Society of Motion Picture and Television Engineers (SMPTE), headed by Charles Ginsburg, became the testing and study authority for HDTV technology in the international theater. SMPTE would test HDTV systems from different companies from every conceivable perspective, but the problem of combining the different formats plagued the technology for many years. | What was the aspect ratio of the NHK Color? | {
"answer_start": [
420
],
"text": [
"5:3"
]
} |
56f9dbea9b226e1400dd15ce | High-definition_television | The Nippon Hōsō Kyōkai (NHK, the Japan Broadcasting Corporation) began conducting research to "unlock the fundamental mechanism of video and sound interactions with the five human senses" in 1964, after the Tokyo Olympics. NHK set out to create an HDTV system that ended up scoring much higher in subjective tests than NTSC's previously dubbed "HDTV". This new system, NHK Color, created in 1972, included 1125 lines, a 5:3 aspect ratio and 60 Hz refresh rate. The Society of Motion Picture and Television Engineers (SMPTE), headed by Charles Ginsburg, became the testing and study authority for HDTV technology in the international theater. SMPTE would test HDTV systems from different companies from every conceivable perspective, but the problem of combining the different formats plagued the technology for many years. | What organization became the authority on testing and studying international HDTV technology? | {
"answer_start": [
461
],
"text": [
"The Society of Motion Picture and Television Engineers (SMPTE)"
]
} |
5ad3a985604f3c001a3feb19 | High-definition_television | The Nippon Hōsō Kyōkai (NHK, the Japan Broadcasting Corporation) began conducting research to "unlock the fundamental mechanism of video and sound interactions with the five human senses" in 1964, after the Tokyo Olympics. NHK set out to create an HDTV system that ended up scoring much higher in subjective tests than NTSC's previously dubbed "HDTV". This new system, NHK Color, created in 1972, included 1125 lines, a 5:3 aspect ratio and 60 Hz refresh rate. The Society of Motion Picture and Television Engineers (SMPTE), headed by Charles Ginsburg, became the testing and study authority for HDTV technology in the international theater. SMPTE would test HDTV systems from different companies from every conceivable perspective, but the problem of combining the different formats plagued the technology for many years. | What is the Chinese Broadcasting Corporation called? | {
"answer_start": [],
"text": []
} |
5ad3a985604f3c001a3feb1a | High-definition_television | The Nippon Hōsō Kyōkai (NHK, the Japan Broadcasting Corporation) began conducting research to "unlock the fundamental mechanism of video and sound interactions with the five human senses" in 1964, after the Tokyo Olympics. NHK set out to create an HDTV system that ended up scoring much higher in subjective tests than NTSC's previously dubbed "HDTV". This new system, NHK Color, created in 1972, included 1125 lines, a 5:3 aspect ratio and 60 Hz refresh rate. The Society of Motion Picture and Television Engineers (SMPTE), headed by Charles Ginsburg, became the testing and study authority for HDTV technology in the international theater. SMPTE would test HDTV systems from different companies from every conceivable perspective, but the problem of combining the different formats plagued the technology for many years. | What does NHK stand for in China? | {
"answer_start": [],
"text": []
} |
5ad3a985604f3c001a3feb1b | High-definition_television | The Nippon Hōsō Kyōkai (NHK, the Japan Broadcasting Corporation) began conducting research to "unlock the fundamental mechanism of video and sound interactions with the five human senses" in 1964, after the Tokyo Olympics. NHK set out to create an HDTV system that ended up scoring much higher in subjective tests than NTSC's previously dubbed "HDTV". This new system, NHK Color, created in 1972, included 1125 lines, a 5:3 aspect ratio and 60 Hz refresh rate. The Society of Motion Picture and Television Engineers (SMPTE), headed by Charles Ginsburg, became the testing and study authority for HDTV technology in the international theater. SMPTE would test HDTV systems from different companies from every conceivable perspective, but the problem of combining the different formats plagued the technology for many years. | What year was NHK Black and White created? | {
"answer_start": [],
"text": []
} |
5ad3a985604f3c001a3feb1c | High-definition_television | The Nippon Hōsō Kyōkai (NHK, the Japan Broadcasting Corporation) began conducting research to "unlock the fundamental mechanism of video and sound interactions with the five human senses" in 1964, after the Tokyo Olympics. NHK set out to create an HDTV system that ended up scoring much higher in subjective tests than NTSC's previously dubbed "HDTV". This new system, NHK Color, created in 1972, included 1125 lines, a 5:3 aspect ratio and 60 Hz refresh rate. The Society of Motion Picture and Television Engineers (SMPTE), headed by Charles Ginsburg, became the testing and study authority for HDTV technology in the international theater. SMPTE would test HDTV systems from different companies from every conceivable perspective, but the problem of combining the different formats plagued the technology for many years. | What was the aspect ratio of the NHK black and white? | {
"answer_start": [],
"text": []
} |
5ad3a985604f3c001a3feb1d | High-definition_television | The Nippon Hōsō Kyōkai (NHK, the Japan Broadcasting Corporation) began conducting research to "unlock the fundamental mechanism of video and sound interactions with the five human senses" in 1964, after the Tokyo Olympics. NHK set out to create an HDTV system that ended up scoring much higher in subjective tests than NTSC's previously dubbed "HDTV". This new system, NHK Color, created in 1972, included 1125 lines, a 5:3 aspect ratio and 60 Hz refresh rate. The Society of Motion Picture and Television Engineers (SMPTE), headed by Charles Ginsburg, became the testing and study authority for HDTV technology in the international theater. SMPTE would test HDTV systems from different companies from every conceivable perspective, but the problem of combining the different formats plagued the technology for many years. | What organization became the authority on testing and studying international SDTV technology? | {
"answer_start": [],
"text": []
} |
56f9dccf9e9bad19000a0b23 | High-definition_television | There were four major HDTV systems tested by SMPTE in the late 1970s, and in 1979 an SMPTE study group released A Study of High Definition Television Systems: | How many major HDTV systems were tested by SMPTE in the late 70's? | {
"answer_start": [
11
],
"text": [
"four"
]
} |
56f9dccf9e9bad19000a0b24 | High-definition_television | There were four major HDTV systems tested by SMPTE in the late 1970s, and in 1979 an SMPTE study group released A Study of High Definition Television Systems: | Who tested the four major HDTV systems in the late 1970's? | {
"answer_start": [
45
],
"text": [
"SMPTE"
]
} |
56f9dccf9e9bad19000a0b25 | High-definition_television | There were four major HDTV systems tested by SMPTE in the late 1970s, and in 1979 an SMPTE study group released A Study of High Definition Television Systems: | Who released A Study of High Definition Television Systems? | {
"answer_start": [
82
],
"text": [
"an SMPTE study group"
]
} |
56f9dccf9e9bad19000a0b26 | High-definition_television | There were four major HDTV systems tested by SMPTE in the late 1970s, and in 1979 an SMPTE study group released A Study of High Definition Television Systems: | In what year was A Study of High Definition Television Systems released? | {
"answer_start": [
77
],
"text": [
"1979"
]
} |
56f9dccf9e9bad19000a0b27 | High-definition_television | There were four major HDTV systems tested by SMPTE in the late 1970s, and in 1979 an SMPTE study group released A Study of High Definition Television Systems: | What was released by an SMPTE study group in 1979? | {
"answer_start": [
112
],
"text": [
"A Study of High Definition Television Systems"
]
} |
5ad3aa34604f3c001a3feb31 | High-definition_television | There were four major HDTV systems tested by SMPTE in the late 1970s, and in 1979 an SMPTE study group released A Study of High Definition Television Systems: | How many major SDTV systems were tested by SMPTE in the late 70's? | {
"answer_start": [],
"text": []
} |
5ad3aa34604f3c001a3feb32 | High-definition_television | There were four major HDTV systems tested by SMPTE in the late 1970s, and in 1979 an SMPTE study group released A Study of High Definition Television Systems: | Who tested the three major HDTV systems in the late 1970's? | {
"answer_start": [],
"text": []
} |
5ad3aa34604f3c001a3feb33 | High-definition_television | There were four major HDTV systems tested by SMPTE in the late 1970s, and in 1979 an SMPTE study group released A Study of High Definition Television Systems: | Who released A Study of Standard Definition Television Systems? | {
"answer_start": [],
"text": []
} |
5ad3aa34604f3c001a3feb34 | High-definition_television | There were four major HDTV systems tested by SMPTE in the late 1970s, and in 1979 an SMPTE study group released A Study of High Definition Television Systems: | In what year was A Study of Standard Definition Television Systems released? | {
"answer_start": [],
"text": []
} |
5ad3aa34604f3c001a3feb35 | High-definition_television | There were four major HDTV systems tested by SMPTE in the late 1970s, and in 1979 an SMPTE study group released A Study of High Definition Television Systems: | What was released by an SMPTE study group in 1989? | {
"answer_start": [],
"text": []
} |
56f9de7f9e9bad19000a0b2e | High-definition_television | Since the formal adoption of digital video broadcasting's (DVB) widescreen HDTV transmission modes in the early 2000s; the 525-line NTSC (and PAL-M) systems, as well as the European 625-line PAL and SECAM systems, are now regarded as standard definition television systems. | When was widescreen HDTV transmission modes formally adopted? | {
"answer_start": [
106
],
"text": [
"early 2000s"
]
} |
56f9de7f9e9bad19000a0b2f | High-definition_television | Since the formal adoption of digital video broadcasting's (DVB) widescreen HDTV transmission modes in the early 2000s; the 525-line NTSC (and PAL-M) systems, as well as the European 625-line PAL and SECAM systems, are now regarded as standard definition television systems. | In addition to the 625-line PAL system, what European system is considered a standard definition television system? | {
"answer_start": [
199
],
"text": [
"SECAM systems"
]
} |
56f9de7f9e9bad19000a0b30 | High-definition_television | Since the formal adoption of digital video broadcasting's (DVB) widescreen HDTV transmission modes in the early 2000s; the 525-line NTSC (and PAL-M) systems, as well as the European 625-line PAL and SECAM systems, are now regarded as standard definition television systems. | In addition to the NTSC system, what 525-line system is considered a standard definition television system? | {
"answer_start": [
142
],
"text": [
"PAL-M"
]
} |
56f9de7f9e9bad19000a0b31 | High-definition_television | Since the formal adoption of digital video broadcasting's (DVB) widescreen HDTV transmission modes in the early 2000s; the 525-line NTSC (and PAL-M) systems, as well as the European 625-line PAL and SECAM systems, are now regarded as standard definition television systems. | 525 and 625-line systems are now considered what? | {
"answer_start": [
234
],
"text": [
"standard definition television systems"
]
} |
5ad3aa61604f3c001a3feb3b | High-definition_television | Since the formal adoption of digital video broadcasting's (DVB) widescreen HDTV transmission modes in the early 2000s; the 525-line NTSC (and PAL-M) systems, as well as the European 625-line PAL and SECAM systems, are now regarded as standard definition television systems. | What does DVD stand for? | {
"answer_start": [],
"text": []
} |
5ad3aa61604f3c001a3feb3c | High-definition_television | Since the formal adoption of digital video broadcasting's (DVB) widescreen HDTV transmission modes in the early 2000s; the 525-line NTSC (and PAL-M) systems, as well as the European 625-line PAL and SECAM systems, are now regarded as standard definition television systems. | When was widescreen SDTV transmission modes formally adopted? | {
"answer_start": [],
"text": []
} |
5ad3aa61604f3c001a3feb3d | High-definition_television | Since the formal adoption of digital video broadcasting's (DVB) widescreen HDTV transmission modes in the early 2000s; the 525-line NTSC (and PAL-M) systems, as well as the European 625-line PAL and SECAM systems, are now regarded as standard definition television systems. | In addition to the 625-line PAL system, what Asian system is considered a standard definition television system? | {
"answer_start": [],
"text": []
} |
5ad3aa61604f3c001a3feb3e | High-definition_television | Since the formal adoption of digital video broadcasting's (DVB) widescreen HDTV transmission modes in the early 2000s; the 525-line NTSC (and PAL-M) systems, as well as the European 625-line PAL and SECAM systems, are now regarded as standard definition television systems. | In addition to the NTSC system, what 525-line system is considered a high definition television system? | {
"answer_start": [],
"text": []
} |
5ad3aa61604f3c001a3feb3f | High-definition_television | Since the formal adoption of digital video broadcasting's (DVB) widescreen HDTV transmission modes in the early 2000s; the 525-line NTSC (and PAL-M) systems, as well as the European 625-line PAL and SECAM systems, are now regarded as standard definition television systems. | 525 and 625-line systems are not considered what? | {
"answer_start": [],
"text": []
} |
56f9df829b226e1400dd15d4 | High-definition_television | In 1949, France started its transmissions with an 819 lines system (with 737 active lines). The system was monochrome only, and was used only on VHF for the first French TV channel. It was discontinued in 1983. | In what year did France start transmissions using and 819 line system? | {
"answer_start": [
3
],
"text": [
"1949"
]
} |
56f9df829b226e1400dd15d5 | High-definition_television | In 1949, France started its transmissions with an 819 lines system (with 737 active lines). The system was monochrome only, and was used only on VHF for the first French TV channel. It was discontinued in 1983. | What country started transmissions using and 819 line system in 1949? | {
"answer_start": [
9
],
"text": [
"France"
]
} |
56f9df829b226e1400dd15d6 | High-definition_television | In 1949, France started its transmissions with an 819 lines system (with 737 active lines). The system was monochrome only, and was used only on VHF for the first French TV channel. It was discontinued in 1983. | What did France start transmissions with in 1949? | {
"answer_start": [
47
],
"text": [
"an 819 lines system"
]
} |
56f9df829b226e1400dd15d7 | High-definition_television | In 1949, France started its transmissions with an 819 lines system (with 737 active lines). The system was monochrome only, and was used only on VHF for the first French TV channel. It was discontinued in 1983. | Was France's 819 line system in color? | {
"answer_start": [
107
],
"text": [
"monochrome only"
]
} |
56f9df829b226e1400dd15d8 | High-definition_television | In 1949, France started its transmissions with an 819 lines system (with 737 active lines). The system was monochrome only, and was used only on VHF for the first French TV channel. It was discontinued in 1983. | When was France's 819 line system discontinued? | {
"answer_start": [
205
],
"text": [
"1983"
]
} |
5ad3aaab604f3c001a3feb57 | High-definition_television | In 1949, France started its transmissions with an 819 lines system (with 737 active lines). The system was monochrome only, and was used only on VHF for the first French TV channel. It was discontinued in 1983. | In what year did England start transmissions using and 819 line system? | {
"answer_start": [],
"text": []
} |
5ad3aaab604f3c001a3feb58 | High-definition_television | In 1949, France started its transmissions with an 819 lines system (with 737 active lines). The system was monochrome only, and was used only on VHF for the first French TV channel. It was discontinued in 1983. | What country started transmissions using and 819 line system in 1959? | {
"answer_start": [],
"text": []
} |
5ad3aaab604f3c001a3feb59 | High-definition_television | In 1949, France started its transmissions with an 819 lines system (with 737 active lines). The system was monochrome only, and was used only on VHF for the first French TV channel. It was discontinued in 1983. | What did France start transmissions with in 1939? | {
"answer_start": [],
"text": []
} |
5ad3aaab604f3c001a3feb5a | High-definition_television | In 1949, France started its transmissions with an 819 lines system (with 737 active lines). The system was monochrome only, and was used only on VHF for the first French TV channel. It was discontinued in 1983. | Was Englands 819 line system in color? | {
"answer_start": [],
"text": []
} |
5ad3aaab604f3c001a3feb5b | High-definition_television | In 1949, France started its transmissions with an 819 lines system (with 737 active lines). The system was monochrome only, and was used only on VHF for the first French TV channel. It was discontinued in 1983. | When was France's 811 line system discontinued? | {
"answer_start": [],
"text": []
} |
56f9e1b39b226e1400dd15de | High-definition_television | In 1958, the Soviet Union developed Тransformator (Russian: Трансформатор, meaning Transformer), the first high-resolution (definition) television system capable of producing an image composed of 1,125 lines of resolution aimed at providing teleconferencing for military command. It was a research project and the system was never deployed by either the military or consumer broadcasting. | In the end what was the Soviet Union's Transformator system used for? | {
"answer_start": [
287
],
"text": [
"a research project"
]
} |
56f9e1b39b226e1400dd15df | High-definition_television | In 1958, the Soviet Union developed Тransformator (Russian: Трансформатор, meaning Transformer), the first high-resolution (definition) television system capable of producing an image composed of 1,125 lines of resolution aimed at providing teleconferencing for military command. It was a research project and the system was never deployed by either the military or consumer broadcasting. | When did the Soviet Union develop Transformator? | {
"answer_start": [
3
],
"text": [
"1958"
]
} |
56f9e1b39b226e1400dd15e0 | High-definition_television | In 1958, the Soviet Union developed Тransformator (Russian: Трансформатор, meaning Transformer), the first high-resolution (definition) television system capable of producing an image composed of 1,125 lines of resolution aimed at providing teleconferencing for military command. It was a research project and the system was never deployed by either the military or consumer broadcasting. | Who developed Transformator in 1958? | {
"answer_start": [
9
],
"text": [
"the Soviet Union"
]
} |
56f9e1b39b226e1400dd15e1 | High-definition_television | In 1958, the Soviet Union developed Тransformator (Russian: Трансформатор, meaning Transformer), the first high-resolution (definition) television system capable of producing an image composed of 1,125 lines of resolution aimed at providing teleconferencing for military command. It was a research project and the system was never deployed by either the military or consumer broadcasting. | How many lines of resolution could an image using the Transformator system have? | {
"answer_start": [
196
],
"text": [
"1,125"
]
} |
56f9e1b39b226e1400dd15e2 | High-definition_television | In 1958, the Soviet Union developed Тransformator (Russian: Трансформатор, meaning Transformer), the first high-resolution (definition) television system capable of producing an image composed of 1,125 lines of resolution aimed at providing teleconferencing for military command. It was a research project and the system was never deployed by either the military or consumer broadcasting. | What was the goal of the Transformator system? | {
"answer_start": [
231
],
"text": [
"providing teleconferencing for military command"
]
} |
5ad3aaea604f3c001a3feb61 | High-definition_television | In 1958, the Soviet Union developed Тransformator (Russian: Трансформатор, meaning Transformer), the first high-resolution (definition) television system capable of producing an image composed of 1,125 lines of resolution aimed at providing teleconferencing for military command. It was a research project and the system was never deployed by either the military or consumer broadcasting. | In the end what was the Non-Soviet Union's Transformator system used for? | {
"answer_start": [],
"text": []
} |
5ad3aaea604f3c001a3feb62 | High-definition_television | In 1958, the Soviet Union developed Тransformator (Russian: Трансформатор, meaning Transformer), the first high-resolution (definition) television system capable of producing an image composed of 1,125 lines of resolution aimed at providing teleconferencing for military command. It was a research project and the system was never deployed by either the military or consumer broadcasting. | When did the Soviet Union not develop Transformator? | {
"answer_start": [],
"text": []
} |
5ad3aaea604f3c001a3feb63 | High-definition_television | In 1958, the Soviet Union developed Тransformator (Russian: Трансформатор, meaning Transformer), the first high-resolution (definition) television system capable of producing an image composed of 1,125 lines of resolution aimed at providing teleconferencing for military command. It was a research project and the system was never deployed by either the military or consumer broadcasting. | Who developed Transformator in 1988? | {
"answer_start": [],
"text": []
} |
5ad3aaea604f3c001a3feb64 | High-definition_television | In 1958, the Soviet Union developed Тransformator (Russian: Трансформатор, meaning Transformer), the first high-resolution (definition) television system capable of producing an image composed of 1,125 lines of resolution aimed at providing teleconferencing for military command. It was a research project and the system was never deployed by either the military or consumer broadcasting. | How many lines of resolution could an image using the Transformator never system have? | {
"answer_start": [],
"text": []
} |
5ad3aaea604f3c001a3feb65 | High-definition_television | In 1958, the Soviet Union developed Тransformator (Russian: Трансформатор, meaning Transformer), the first high-resolution (definition) television system capable of producing an image composed of 1,125 lines of resolution aimed at providing teleconferencing for military command. It was a research project and the system was never deployed by either the military or consumer broadcasting. | What was the goal of the non-Transformator system? | {
"answer_start": [],
"text": []
} |
56f9e38a9e9bad19000a0b37 | High-definition_television | In 1979, the Japanese state broadcaster NHK first developed consumer high-definition television with a 5:3 display aspect ratio. The system, known as Hi-Vision or MUSE after its Multiple sub-Nyquist sampling encoding for encoding the signal, required about twice the bandwidth of the existing NTSC system but provided about four times the resolution (1080i/1125 lines). Satellite test broadcasts started in 1989, with regular testing starting in 1991 and regular broadcasting of BS-9ch commencing on November 25, 1994, which featured commercial and NHK programming. | In what year did NHK first develop consumer HD television with a 5:3 aspect ratio? | {
"answer_start": [
3
],
"text": [
"1979"
]
} |
56f9e38a9e9bad19000a0b38 | High-definition_television | In 1979, the Japanese state broadcaster NHK first developed consumer high-definition television with a 5:3 display aspect ratio. The system, known as Hi-Vision or MUSE after its Multiple sub-Nyquist sampling encoding for encoding the signal, required about twice the bandwidth of the existing NTSC system but provided about four times the resolution (1080i/1125 lines). Satellite test broadcasts started in 1989, with regular testing starting in 1991 and regular broadcasting of BS-9ch commencing on November 25, 1994, which featured commercial and NHK programming. | Who first developed consumer HD television with a 5:3 aspect ratio? | {
"answer_start": [
9
],
"text": [
"the Japanese state broadcaster NHK"
]
} |
56f9e38a9e9bad19000a0b39 | High-definition_television | In 1979, the Japanese state broadcaster NHK first developed consumer high-definition television with a 5:3 display aspect ratio. The system, known as Hi-Vision or MUSE after its Multiple sub-Nyquist sampling encoding for encoding the signal, required about twice the bandwidth of the existing NTSC system but provided about four times the resolution (1080i/1125 lines). Satellite test broadcasts started in 1989, with regular testing starting in 1991 and regular broadcasting of BS-9ch commencing on November 25, 1994, which featured commercial and NHK programming. | When did satellite test broadcasts of Hi-Vision start? | {
"answer_start": [
407
],
"text": [
"1989"
]
} |
56f9e38a9e9bad19000a0b3a | High-definition_television | In 1979, the Japanese state broadcaster NHK first developed consumer high-definition television with a 5:3 display aspect ratio. The system, known as Hi-Vision or MUSE after its Multiple sub-Nyquist sampling encoding for encoding the signal, required about twice the bandwidth of the existing NTSC system but provided about four times the resolution (1080i/1125 lines). Satellite test broadcasts started in 1989, with regular testing starting in 1991 and regular broadcasting of BS-9ch commencing on November 25, 1994, which featured commercial and NHK programming. | When did regular broadcasting of BS-9ch start? | {
"answer_start": [
500
],
"text": [
"November 25, 1994"
]
} |
56f9e38a9e9bad19000a0b3b | High-definition_television | In 1979, the Japanese state broadcaster NHK first developed consumer high-definition television with a 5:3 display aspect ratio. The system, known as Hi-Vision or MUSE after its Multiple sub-Nyquist sampling encoding for encoding the signal, required about twice the bandwidth of the existing NTSC system but provided about four times the resolution (1080i/1125 lines). Satellite test broadcasts started in 1989, with regular testing starting in 1991 and regular broadcasting of BS-9ch commencing on November 25, 1994, which featured commercial and NHK programming. | When did regular testing of Hi-Vision start? | {
"answer_start": [
446
],
"text": [
"1991"
]
} |
5ad3abec604f3c001a3feb97 | High-definition_television | In 1979, the Japanese state broadcaster NHK first developed consumer high-definition television with a 5:3 display aspect ratio. The system, known as Hi-Vision or MUSE after its Multiple sub-Nyquist sampling encoding for encoding the signal, required about twice the bandwidth of the existing NTSC system but provided about four times the resolution (1080i/1125 lines). Satellite test broadcasts started in 1989, with regular testing starting in 1991 and regular broadcasting of BS-9ch commencing on November 25, 1994, which featured commercial and NHK programming. | In what year did NHK first develop consumer SD television with a 5:3 aspect ratio? | {
"answer_start": [],
"text": []
} |
5ad3abec604f3c001a3feb98 | High-definition_television | In 1979, the Japanese state broadcaster NHK first developed consumer high-definition television with a 5:3 display aspect ratio. The system, known as Hi-Vision or MUSE after its Multiple sub-Nyquist sampling encoding for encoding the signal, required about twice the bandwidth of the existing NTSC system but provided about four times the resolution (1080i/1125 lines). Satellite test broadcasts started in 1989, with regular testing starting in 1991 and regular broadcasting of BS-9ch commencing on November 25, 1994, which featured commercial and NHK programming. | Who first developed consumer HD television with a 1:3 aspect ratio? | {
"answer_start": [],
"text": []
} |
5ad3abec604f3c001a3feb99 | High-definition_television | In 1979, the Japanese state broadcaster NHK first developed consumer high-definition television with a 5:3 display aspect ratio. The system, known as Hi-Vision or MUSE after its Multiple sub-Nyquist sampling encoding for encoding the signal, required about twice the bandwidth of the existing NTSC system but provided about four times the resolution (1080i/1125 lines). Satellite test broadcasts started in 1989, with regular testing starting in 1991 and regular broadcasting of BS-9ch commencing on November 25, 1994, which featured commercial and NHK programming. | When did satellite test broadcasts of lo-Vision start? | {
"answer_start": [],
"text": []
} |
5ad3abec604f3c001a3feb9a | High-definition_television | In 1979, the Japanese state broadcaster NHK first developed consumer high-definition television with a 5:3 display aspect ratio. The system, known as Hi-Vision or MUSE after its Multiple sub-Nyquist sampling encoding for encoding the signal, required about twice the bandwidth of the existing NTSC system but provided about four times the resolution (1080i/1125 lines). Satellite test broadcasts started in 1989, with regular testing starting in 1991 and regular broadcasting of BS-9ch commencing on November 25, 1994, which featured commercial and NHK programming. | When did regular broadcasting of BS-8ch start? | {
"answer_start": [],
"text": []
} |
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