id stringlengths 24 24 | title stringclasses 442
values | context stringlengths 151 3.71k | question stringlengths 12 270 | answers dict |
|---|---|---|---|---|
572e877adfa6aa1500f8d0bd | Steven_Spielberg | While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal. | How did Sidney Sheinberg feel about the film "Amblin'" | {
"answer_start": [
296
],
"text": [
"impressed"
]
} |
57318ca7497a881900249019 | Steven_Spielberg | While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal. | What studio gave Spielberg an unpaid internship? | {
"answer_start": [
67
],
"text": [
"Universal Studios"
]
} |
57318ca7497a88190024901a | Steven_Spielberg | While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal. | What department did Spielberg have an unpaid internship with? | {
"answer_start": [
94
],
"text": [
"editing"
]
} |
57318ca7497a88190024901b | Steven_Spielberg | While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal. | How long was 'Amblin'? | {
"answer_start": [
198
],
"text": [
"26-minute"
]
} |
57318ca7497a88190024901c | Steven_Spielberg | While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal. | What was Sidney Sheinberg's position with Universal? | {
"answer_start": [
260
],
"text": [
"vice president"
]
} |
57318ca7497a88190024901d | Steven_Spielberg | While still a student, he was offered a small unpaid intern job at Universal Studios with the editing department. He was later given the opportunity to make a short film for theatrical release, the 26-minute, 35mm, Amblin', which he wrote and directed. Studio vice president Sidney Sheinberg was impressed by the film, which had won a number of awards, and offered Spielberg a seven-year directing contract. It made him the youngest director ever to be signed for a long-term deal with a major Hollywood studio.:548 He subsequently dropped out of college to begin professionally directing TV productions with Universal. | How long of a contract did Sheinberg give Spielberg? | {
"answer_start": [
377
],
"text": [
"seven-year"
]
} |
572e88f5dfa6aa1500f8d0dd | Steven_Spielberg | His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films). | Who starred in the TV show segment "Eyes" | {
"answer_start": [
157
],
"text": [
"Joan Crawford"
]
} |
572e88f5dfa6aa1500f8d0df | Steven_Spielberg | His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films). | What genre was Steven Spielberg's episode of "The Name of the Game"? | {
"answer_start": [
537
],
"text": [
"science fiction"
]
} |
572e88f5dfa6aa1500f8d0de | Steven_Spielberg | His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films). | What was Steven Spielberg's first feature-length assignment? | {
"answer_start": [
466
],
"text": [
"an episode of The Name of the Game called \"L.A. 2017\"."
]
} |
572e88f5dfa6aa1500f8d0e1 | Steven_Spielberg | His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films). | What year was Spielberg hired to direct one of the segments for "Night Gallery"? | {
"answer_start": [
91
],
"text": [
"1969"
]
} |
572e88f5dfa6aa1500f8d0e0 | Steven_Spielberg | His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films). | What was the relatioship between Joan Crawford and Steven Spielberg? | {
"answer_start": [
195
],
"text": [
"reportedly close friends"
]
} |
57318d40a5e9cc1400cdc04f | Steven_Spielberg | His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films). | What was the first TV episode Spielberg directed part of? | {
"answer_start": [
91
],
"text": [
"1969 pilot episode of Night Gallery"
]
} |
57318d40a5e9cc1400cdc051 | Steven_Spielberg | His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films). | What was Spielberg's first full TV episode to direct? | {
"answer_start": [
466
],
"text": [
"an episode of The Name of the Game called \"L.A. 2017\""
]
} |
57318d40a5e9cc1400cdc050 | Steven_Spielberg | His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films). | Who starred in Spielberg's TV debut? | {
"answer_start": [
157
],
"text": [
"Joan Crawford"
]
} |
57318d40a5e9cc1400cdc053 | Steven_Spielberg | His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films). | What law show did Spielberg work on? | {
"answer_start": [
706
],
"text": [
"Owen Marshall: Counselor at Law"
]
} |
57318d40a5e9cc1400cdc052 | Steven_Spielberg | His first professional TV job came when he was hired to direct one of the segments for the 1969 pilot episode of Night Gallery. The segment, "Eyes," starred Joan Crawford; she and Spielberg were reportedly close friends until her death. The episode is unusual in his body of work, in that the camerawork is more highly stylized than his later, more "mature" films. After this, and an episode of Marcus Welby, M.D., Spielberg got his first feature-length assignment: an episode of The Name of the Game called "L.A. 2017". This futuristic science fiction episode impressed Universal Studios and they signed him to a short contract. He did another segment on Night Gallery and did some work for shows such as Owen Marshall: Counselor at Law and The Psychiatrist, before landing the first series episode of Columbo (previous episodes were actually TV films). | What genre was 'LA 2017'? | {
"answer_start": [
526
],
"text": [
"futuristic science fiction"
]
} |
572e9600c246551400ce4396 | Steven_Spielberg | Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release. | How many TV films did Universal sign Spielbergo to direct? | {
"answer_start": [
68
],
"text": [
"four"
]
} |
572e9600c246551400ce4397 | Steven_Spielberg | Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release. | What British critic helped boost Steven Spielberg's career? | {
"answer_start": [
377
],
"text": [
"Dilys Powell"
]
} |
572e9600c246551400ce4398 | Steven_Spielberg | Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release. | Who starred in the TV show "Savage"? | {
"answer_start": [
712
],
"text": [
"Martin Landau"
]
} |
572e9600c246551400ce4399 | Steven_Spielberg | Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release. | How did Steven Spielberg's film "The Sugarland Express" do in the box office? | {
"answer_start": [
1081
],
"text": [
"poorly"
]
} |
572e9600c246551400ce439a | Steven_Spielberg | Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release. | What were the married couple in Steven Spielberg's film "The Sugarland Express" trying to regain? | {
"answer_start": [
875
],
"text": [
"custody of their baby"
]
} |
57318dc8a5e9cc1400cdc061 | Steven_Spielberg | Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release. | How many TV movies was Spielberg signed to direct? | {
"answer_start": [
68
],
"text": [
"four"
]
} |
57318dc8a5e9cc1400cdc062 | Steven_Spielberg | Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release. | What kind of truck was 'Duel' about? | {
"answer_start": [
170
],
"text": [
"Peterbilt 281 tanker"
]
} |
57318dc8a5e9cc1400cdc063 | Steven_Spielberg | Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release. | Which British critic praised 'Duel'? | {
"answer_start": [
377
],
"text": [
"Dilys Powell"
]
} |
57318dc8a5e9cc1400cdc064 | Steven_Spielberg | Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release. | Which TV film Spielberg directed played off 'The Exorcist'? | {
"answer_start": [
453
],
"text": [
"Something Evil"
]
} |
57318dc8a5e9cc1400cdc065 | Steven_Spielberg | Based on the strength of his work, Universal signed Spielberg to do four TV films. The first was a Richard Matheson adaptation called Duel. The film is about a psychotic Peterbilt 281 tanker truck driver who chases the terrified driver (Dennis Weaver) of a small Plymouth Valiant and tries to run him off the road. Special praise of this film by the influential British critic Dilys Powell was highly significant to Spielberg's career. Another TV film (Something Evil) was made and released to capitalize on the popularity of The Exorcist, then a major best-selling book which had not yet been released as a film. He fulfilled his contract by directing the TV film-length pilot of a show called Savage, starring Martin Landau. Spielberg's debut full-length feature film was The Sugarland Express, about a married couple who are chased by police as the couple tries to regain custody of their baby. Spielberg's cinematography for the police chase was praised by reviewers, and The Hollywood Reporter stated that "a major new director is on the horizon.":223 However, the film fared poorly at the box office and received a limited release. | Who starred in 'Savage'/ | {
"answer_start": [
712
],
"text": [
"Martin Landau"
]
} |
572e9a3fc246551400ce43c4 | Steven_Spielberg | Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss. | What film did Richard D. Zanuck and David Brown offer Steven Spielberg to direct? | {
"answer_start": [
94
],
"text": [
"Jaws"
]
} |
572e9a3fc246551400ce43c5 | Steven_Spielberg | Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss. | Why was Jaws nearly shut down? | {
"answer_start": [
349
],
"text": [
"delays and budget over-runs"
]
} |
572e9a3fc246551400ce43c6 | Steven_Spielberg | Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss. | How many Academy Awards did the film "Jaws" win? | {
"answer_start": [
458
],
"text": [
"three"
]
} |
572e9a3fc246551400ce43c8 | Steven_Spielberg | Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss. | What was the film "Jaws" nominated for? | {
"answer_start": [
869
],
"text": [
"Best Picture"
]
} |
572e9a3fc246551400ce43c7 | Steven_Spielberg | Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss. | How much money did the film "Jaws" gross worldwide? | {
"answer_start": [
542
],
"text": [
"$470 million worldwide"
]
} |
57318e2fa5e9cc1400cdc06b | Steven_Spielberg | Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss. | Who made Spielberg the 'Jaws' director? | {
"answer_start": [
17
],
"text": [
"Richard D. Zanuck and David Brown"
]
} |
57318e2fa5e9cc1400cdc06d | Steven_Spielberg | Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss. | How many Academy Awards did 'Jaws' win? | {
"answer_start": [
458
],
"text": [
"three"
]
} |
57318e2fa5e9cc1400cdc06c | Steven_Spielberg | Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss. | Who wrote the 'Jaws' book? | {
"answer_start": [
136
],
"text": [
"Peter Benchley"
]
} |
57318e2fa5e9cc1400cdc06e | Steven_Spielberg | Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss. | How much did 'Jaws' earn in theaters? | {
"answer_start": [
532
],
"text": [
"more than $470 million worldwide"
]
} |
57318e2fa5e9cc1400cdc06f | Steven_Spielberg | Studio producers Richard D. Zanuck and David Brown offered Spielberg the director's chair for Jaws, a thriller-horror film based on the Peter Benchley novel about an enormous killer shark. Spielberg has often referred to the gruelling shoot as his professional crucible. Despite the film's ultimate, enormous success, it was nearly shut down due to delays and budget over-runs. But Spielberg persevered and finished the film. It was an enormous hit, winning three Academy Awards (for editing, original score and sound) and grossing more than $470 million worldwide at the box office. It also set the domestic record for box office gross, leading to what the press described as "Jawsmania.":248 Jaws made Spielberg a household name and one of America's youngest multi-millionaires, allowing him a great deal of autonomy for his future projects.:250 It was nominated for Best Picture and featured Spielberg's first of three collaborations with actor Richard Dreyfuss. | How many times did Spielberg work with Richard Dreyfus? | {
"answer_start": [
916
],
"text": [
"three"
]
} |
57318f17497a881900249035 | Steven_Spielberg | Rejecting offers to direct Jaws 2, King Kong and Superman, Spielberg and actor Richard Dreyfuss re-convened to work on a film about UFOs, which became Close Encounters of the Third Kind (1977). One of the rare films both written and directed by Spielberg, Close Encounters was a critical and box office hit, giving Spielberg his first Best Director nomination from the Academy as well as earning six other Academy Awards nominations. It won Oscars in two categories (Cinematography, Vilmos Zsigmond, and a Special Achievement Award for Sound Effects Editing, Frank E. Warner). This second blockbuster helped to secure Spielberg's rise. His next film, 1941, a big-budgeted World War II farce, was not nearly as successful and though it grossed over $92.4 million worldwide (and did make a small profit for co-producing studios Columbia and Universal) it was seen as a disappointment, mainly with the critics. | What films did Spielberg turn down in the 70s? | {
"answer_start": [
27
],
"text": [
"Jaws 2, King Kong and Superman"
]
} |
57318f17497a881900249036 | Steven_Spielberg | Rejecting offers to direct Jaws 2, King Kong and Superman, Spielberg and actor Richard Dreyfuss re-convened to work on a film about UFOs, which became Close Encounters of the Third Kind (1977). One of the rare films both written and directed by Spielberg, Close Encounters was a critical and box office hit, giving Spielberg his first Best Director nomination from the Academy as well as earning six other Academy Awards nominations. It won Oscars in two categories (Cinematography, Vilmos Zsigmond, and a Special Achievement Award for Sound Effects Editing, Frank E. Warner). This second blockbuster helped to secure Spielberg's rise. His next film, 1941, a big-budgeted World War II farce, was not nearly as successful and though it grossed over $92.4 million worldwide (and did make a small profit for co-producing studios Columbia and Universal) it was seen as a disappointment, mainly with the critics. | How many Oscars did Close Encounters win? | {
"answer_start": [
451
],
"text": [
"two"
]
} |
57318f17497a881900249037 | Steven_Spielberg | Rejecting offers to direct Jaws 2, King Kong and Superman, Spielberg and actor Richard Dreyfuss re-convened to work on a film about UFOs, which became Close Encounters of the Third Kind (1977). One of the rare films both written and directed by Spielberg, Close Encounters was a critical and box office hit, giving Spielberg his first Best Director nomination from the Academy as well as earning six other Academy Awards nominations. It won Oscars in two categories (Cinematography, Vilmos Zsigmond, and a Special Achievement Award for Sound Effects Editing, Frank E. Warner). This second blockbuster helped to secure Spielberg's rise. His next film, 1941, a big-budgeted World War II farce, was not nearly as successful and though it grossed over $92.4 million worldwide (and did make a small profit for co-producing studios Columbia and Universal) it was seen as a disappointment, mainly with the critics. | How many Oscars did Close Encounters get nominated for, besides Best Director? | {
"answer_start": [
396
],
"text": [
"six"
]
} |
57318f17497a881900249038 | Steven_Spielberg | Rejecting offers to direct Jaws 2, King Kong and Superman, Spielberg and actor Richard Dreyfuss re-convened to work on a film about UFOs, which became Close Encounters of the Third Kind (1977). One of the rare films both written and directed by Spielberg, Close Encounters was a critical and box office hit, giving Spielberg his first Best Director nomination from the Academy as well as earning six other Academy Awards nominations. It won Oscars in two categories (Cinematography, Vilmos Zsigmond, and a Special Achievement Award for Sound Effects Editing, Frank E. Warner). This second blockbuster helped to secure Spielberg's rise. His next film, 1941, a big-budgeted World War II farce, was not nearly as successful and though it grossed over $92.4 million worldwide (and did make a small profit for co-producing studios Columbia and Universal) it was seen as a disappointment, mainly with the critics. | What was the genre of '1941'? | {
"answer_start": [
672
],
"text": [
"World War II farce"
]
} |
57318f17497a881900249039 | Steven_Spielberg | Rejecting offers to direct Jaws 2, King Kong and Superman, Spielberg and actor Richard Dreyfuss re-convened to work on a film about UFOs, which became Close Encounters of the Third Kind (1977). One of the rare films both written and directed by Spielberg, Close Encounters was a critical and box office hit, giving Spielberg his first Best Director nomination from the Academy as well as earning six other Academy Awards nominations. It won Oscars in two categories (Cinematography, Vilmos Zsigmond, and a Special Achievement Award for Sound Effects Editing, Frank E. Warner). This second blockbuster helped to secure Spielberg's rise. His next film, 1941, a big-budgeted World War II farce, was not nearly as successful and though it grossed over $92.4 million worldwide (and did make a small profit for co-producing studios Columbia and Universal) it was seen as a disappointment, mainly with the critics. | How much did '1941' earn? | {
"answer_start": [
743
],
"text": [
"over $92.4 million worldwide"
]
} |
57318fb805b4da19006bd2b6 | Steven_Spielberg | Spielberg then revisited his Close Encounters project and, with financial backing from Columbia Pictures, released Close Encounters: The Special Edition in 1980. For this, Spielberg fixed some of the flaws he thought impeded the original 1977 version of the film and also, at the behest of Columbia, and as a condition of Spielberg revising the film, shot additional footage showing the audience the interior of the mothership seen at the end of the film (a decision Spielberg would later regret as he felt the interior of the mothership should have remained a mystery). Nevertheless, the re-release was a moderate success, while the 2001 DVD release of the film restored the original ending. | When did Spielberg re-release Close Encounters? | {
"answer_start": [
156
],
"text": [
"1980"
]
} |
57318fb805b4da19006bd2b7 | Steven_Spielberg | Spielberg then revisited his Close Encounters project and, with financial backing from Columbia Pictures, released Close Encounters: The Special Edition in 1980. For this, Spielberg fixed some of the flaws he thought impeded the original 1977 version of the film and also, at the behest of Columbia, and as a condition of Spielberg revising the film, shot additional footage showing the audience the interior of the mothership seen at the end of the film (a decision Spielberg would later regret as he felt the interior of the mothership should have remained a mystery). Nevertheless, the re-release was a moderate success, while the 2001 DVD release of the film restored the original ending. | What new footage did Columbia require for a Close Encounters revisit? | {
"answer_start": [
396
],
"text": [
"the interior of the mothership"
]
} |
57318fb805b4da19006bd2b8 | Steven_Spielberg | Spielberg then revisited his Close Encounters project and, with financial backing from Columbia Pictures, released Close Encounters: The Special Edition in 1980. For this, Spielberg fixed some of the flaws he thought impeded the original 1977 version of the film and also, at the behest of Columbia, and as a condition of Spielberg revising the film, shot additional footage showing the audience the interior of the mothership seen at the end of the film (a decision Spielberg would later regret as he felt the interior of the mothership should have remained a mystery). Nevertheless, the re-release was a moderate success, while the 2001 DVD release of the film restored the original ending. | What was the Close Encounters revisit called? | {
"answer_start": [
115
],
"text": [
"Close Encounters: The Special Edition"
]
} |
57318fb805b4da19006bd2b9 | Steven_Spielberg | Spielberg then revisited his Close Encounters project and, with financial backing from Columbia Pictures, released Close Encounters: The Special Edition in 1980. For this, Spielberg fixed some of the flaws he thought impeded the original 1977 version of the film and also, at the behest of Columbia, and as a condition of Spielberg revising the film, shot additional footage showing the audience the interior of the mothership seen at the end of the film (a decision Spielberg would later regret as he felt the interior of the mothership should have remained a mystery). Nevertheless, the re-release was a moderate success, while the 2001 DVD release of the film restored the original ending. | Which studio funded Close Encounters? | {
"answer_start": [
87
],
"text": [
"Columbia Pictures"
]
} |
57318fb805b4da19006bd2ba | Steven_Spielberg | Spielberg then revisited his Close Encounters project and, with financial backing from Columbia Pictures, released Close Encounters: The Special Edition in 1980. For this, Spielberg fixed some of the flaws he thought impeded the original 1977 version of the film and also, at the behest of Columbia, and as a condition of Spielberg revising the film, shot additional footage showing the audience the interior of the mothership seen at the end of the film (a decision Spielberg would later regret as he felt the interior of the mothership should have remained a mystery). Nevertheless, the re-release was a moderate success, while the 2001 DVD release of the film restored the original ending. | When did a Close Encounters DVD come out? | {
"answer_start": [
634
],
"text": [
"2001"
]
} |
57319038a5e9cc1400cdc093 | Steven_Spielberg | Next, Spielberg teamed with Star Wars creator and friend George Lucas on an action adventure film, Raiders of the Lost Ark, the first of the Indiana Jones films. The archaeologist and adventurer hero Indiana Jones was played by Harrison Ford (whom Lucas had previously cast in his Star Wars films as Han Solo). The film was considered an homage to the cliffhanger serials of the Golden Age of Hollywood. It became the biggest film at the box office in 1981, and the recipient of numerous Oscar nominations including Best Director (Spielberg's second nomination) and Best Picture (the second Spielberg film to be nominated for Best Picture). Raiders is still considered a landmark example of the action-adventure genre. The film also led to Ford's casting in Ridley Scott's Blade Runner. | Who was responsible for Star Wars? | {
"answer_start": [
57
],
"text": [
"George Lucas"
]
} |
57319038a5e9cc1400cdc094 | Steven_Spielberg | Next, Spielberg teamed with Star Wars creator and friend George Lucas on an action adventure film, Raiders of the Lost Ark, the first of the Indiana Jones films. The archaeologist and adventurer hero Indiana Jones was played by Harrison Ford (whom Lucas had previously cast in his Star Wars films as Han Solo). The film was considered an homage to the cliffhanger serials of the Golden Age of Hollywood. It became the biggest film at the box office in 1981, and the recipient of numerous Oscar nominations including Best Director (Spielberg's second nomination) and Best Picture (the second Spielberg film to be nominated for Best Picture). Raiders is still considered a landmark example of the action-adventure genre. The film also led to Ford's casting in Ridley Scott's Blade Runner. | Who played Indiana Jones? | {
"answer_start": [
228
],
"text": [
"Harrison Ford"
]
} |
57319038a5e9cc1400cdc095 | Steven_Spielberg | Next, Spielberg teamed with Star Wars creator and friend George Lucas on an action adventure film, Raiders of the Lost Ark, the first of the Indiana Jones films. The archaeologist and adventurer hero Indiana Jones was played by Harrison Ford (whom Lucas had previously cast in his Star Wars films as Han Solo). The film was considered an homage to the cliffhanger serials of the Golden Age of Hollywood. It became the biggest film at the box office in 1981, and the recipient of numerous Oscar nominations including Best Director (Spielberg's second nomination) and Best Picture (the second Spielberg film to be nominated for Best Picture). Raiders is still considered a landmark example of the action-adventure genre. The film also led to Ford's casting in Ridley Scott's Blade Runner. | Who played Han Solo? | {
"answer_start": [
228
],
"text": [
"Harrison Ford"
]
} |
57319038a5e9cc1400cdc096 | Steven_Spielberg | Next, Spielberg teamed with Star Wars creator and friend George Lucas on an action adventure film, Raiders of the Lost Ark, the first of the Indiana Jones films. The archaeologist and adventurer hero Indiana Jones was played by Harrison Ford (whom Lucas had previously cast in his Star Wars films as Han Solo). The film was considered an homage to the cliffhanger serials of the Golden Age of Hollywood. It became the biggest film at the box office in 1981, and the recipient of numerous Oscar nominations including Best Director (Spielberg's second nomination) and Best Picture (the second Spielberg film to be nominated for Best Picture). Raiders is still considered a landmark example of the action-adventure genre. The film also led to Ford's casting in Ridley Scott's Blade Runner. | What was the first Indiana Jones movie? | {
"answer_start": [
99
],
"text": [
"Raiders of the Lost Ark"
]
} |
57319038a5e9cc1400cdc097 | Steven_Spielberg | Next, Spielberg teamed with Star Wars creator and friend George Lucas on an action adventure film, Raiders of the Lost Ark, the first of the Indiana Jones films. The archaeologist and adventurer hero Indiana Jones was played by Harrison Ford (whom Lucas had previously cast in his Star Wars films as Han Solo). The film was considered an homage to the cliffhanger serials of the Golden Age of Hollywood. It became the biggest film at the box office in 1981, and the recipient of numerous Oscar nominations including Best Director (Spielberg's second nomination) and Best Picture (the second Spielberg film to be nominated for Best Picture). Raiders is still considered a landmark example of the action-adventure genre. The film also led to Ford's casting in Ridley Scott's Blade Runner. | When did the first Indiana Jones movie come out? | {
"answer_start": [
452
],
"text": [
"1981"
]
} |
5731919ba5e9cc1400cdc0c1 | Steven_Spielberg | His next directorial feature was the Raiders prequel Indiana Jones and the Temple of Doom. Teaming up once again with Lucas and Ford, the film was plagued with uncertainty for the material and script. This film and the Spielberg-produced Gremlins led to the creation of the PG-13 rating due to the high level of violence in films targeted at younger audiences. In spite of this, Temple of Doom is rated PG by the MPAA, even though it is the darkest and, possibly, most violent Indy film. Nonetheless, the film was still a huge blockbuster hit in 1984. It was on this project that Spielberg also met his future wife, actress Kate Capshaw. | What rating did 'Temple of Doom' receive? | {
"answer_start": [
403
],
"text": [
"PG"
]
} |
5731919ba5e9cc1400cdc0c3 | Steven_Spielberg | His next directorial feature was the Raiders prequel Indiana Jones and the Temple of Doom. Teaming up once again with Lucas and Ford, the film was plagued with uncertainty for the material and script. This film and the Spielberg-produced Gremlins led to the creation of the PG-13 rating due to the high level of violence in films targeted at younger audiences. In spite of this, Temple of Doom is rated PG by the MPAA, even though it is the darkest and, possibly, most violent Indy film. Nonetheless, the film was still a huge blockbuster hit in 1984. It was on this project that Spielberg also met his future wife, actress Kate Capshaw. | What movie caused 'PG-13' to be created? | {
"answer_start": [
238
],
"text": [
"Gremlins"
]
} |
5731919ba5e9cc1400cdc0c2 | Steven_Spielberg | His next directorial feature was the Raiders prequel Indiana Jones and the Temple of Doom. Teaming up once again with Lucas and Ford, the film was plagued with uncertainty for the material and script. This film and the Spielberg-produced Gremlins led to the creation of the PG-13 rating due to the high level of violence in films targeted at younger audiences. In spite of this, Temple of Doom is rated PG by the MPAA, even though it is the darkest and, possibly, most violent Indy film. Nonetheless, the film was still a huge blockbuster hit in 1984. It was on this project that Spielberg also met his future wife, actress Kate Capshaw. | When did 'Temple of Doom' debut? | {
"answer_start": [
546
],
"text": [
"1984"
]
} |
5731919ba5e9cc1400cdc0c4 | Steven_Spielberg | His next directorial feature was the Raiders prequel Indiana Jones and the Temple of Doom. Teaming up once again with Lucas and Ford, the film was plagued with uncertainty for the material and script. This film and the Spielberg-produced Gremlins led to the creation of the PG-13 rating due to the high level of violence in films targeted at younger audiences. In spite of this, Temple of Doom is rated PG by the MPAA, even though it is the darkest and, possibly, most violent Indy film. Nonetheless, the film was still a huge blockbuster hit in 1984. It was on this project that Spielberg also met his future wife, actress Kate Capshaw. | Why did Gremlins need 'PG-13'? | {
"answer_start": [
294
],
"text": [
"the high level of violence in films targeted at younger audiences"
]
} |
5731919ba5e9cc1400cdc0c5 | Steven_Spielberg | His next directorial feature was the Raiders prequel Indiana Jones and the Temple of Doom. Teaming up once again with Lucas and Ford, the film was plagued with uncertainty for the material and script. This film and the Spielberg-produced Gremlins led to the creation of the PG-13 rating due to the high level of violence in films targeted at younger audiences. In spite of this, Temple of Doom is rated PG by the MPAA, even though it is the darkest and, possibly, most violent Indy film. Nonetheless, the film was still a huge blockbuster hit in 1984. It was on this project that Spielberg also met his future wife, actress Kate Capshaw. | What was Spielberg's future wife's career? | {
"answer_start": [
616
],
"text": [
"actress"
]
} |
5731920ce6313a140071d0ae | Steven_Spielberg | In 1985, Spielberg released The Color Purple, an adaptation of Alice Walker's Pulitzer Prize-winning novel of the same name, about a generation of empowered African-American women during depression-era America. Starring Whoopi Goldberg and future talk-show superstar Oprah Winfrey, the film was a box office smash and critics hailed Spielberg's successful foray into the dramatic genre. Roger Ebert proclaimed it the best film of the year and later entered it into his Great Films archive. The film received eleven Academy Award nominations, including two for Goldberg and Winfrey. However, much to the surprise of many, Spielberg did not get a Best Director nomination. | Who wrote 'The Color Purple'? | {
"answer_start": [
63
],
"text": [
"Alice Walker"
]
} |
5731920ce6313a140071d0af | Steven_Spielberg | In 1985, Spielberg released The Color Purple, an adaptation of Alice Walker's Pulitzer Prize-winning novel of the same name, about a generation of empowered African-American women during depression-era America. Starring Whoopi Goldberg and future talk-show superstar Oprah Winfrey, the film was a box office smash and critics hailed Spielberg's successful foray into the dramatic genre. Roger Ebert proclaimed it the best film of the year and later entered it into his Great Films archive. The film received eleven Academy Award nominations, including two for Goldberg and Winfrey. However, much to the surprise of many, Spielberg did not get a Best Director nomination. | What was 'The Color Purple' about? | {
"answer_start": [
131
],
"text": [
"a generation of empowered African-American women during depression-era America"
]
} |
5731920ce6313a140071d0b0 | Steven_Spielberg | In 1985, Spielberg released The Color Purple, an adaptation of Alice Walker's Pulitzer Prize-winning novel of the same name, about a generation of empowered African-American women during depression-era America. Starring Whoopi Goldberg and future talk-show superstar Oprah Winfrey, the film was a box office smash and critics hailed Spielberg's successful foray into the dramatic genre. Roger Ebert proclaimed it the best film of the year and later entered it into his Great Films archive. The film received eleven Academy Award nominations, including two for Goldberg and Winfrey. However, much to the surprise of many, Spielberg did not get a Best Director nomination. | Who starred in 'The Color Purple'? | {
"answer_start": [
220
],
"text": [
"Whoopi Goldberg and future talk-show superstar Oprah Winfrey"
]
} |
5731920ce6313a140071d0b1 | Steven_Spielberg | In 1985, Spielberg released The Color Purple, an adaptation of Alice Walker's Pulitzer Prize-winning novel of the same name, about a generation of empowered African-American women during depression-era America. Starring Whoopi Goldberg and future talk-show superstar Oprah Winfrey, the film was a box office smash and critics hailed Spielberg's successful foray into the dramatic genre. Roger Ebert proclaimed it the best film of the year and later entered it into his Great Films archive. The film received eleven Academy Award nominations, including two for Goldberg and Winfrey. However, much to the surprise of many, Spielberg did not get a Best Director nomination. | What did Ebert think of 'The Color Purple'? | {
"answer_start": [
399
],
"text": [
"proclaimed it the best film of the year and later entered it into his Great Films archive"
]
} |
5731920ce6313a140071d0b2 | Steven_Spielberg | In 1985, Spielberg released The Color Purple, an adaptation of Alice Walker's Pulitzer Prize-winning novel of the same name, about a generation of empowered African-American women during depression-era America. Starring Whoopi Goldberg and future talk-show superstar Oprah Winfrey, the film was a box office smash and critics hailed Spielberg's successful foray into the dramatic genre. Roger Ebert proclaimed it the best film of the year and later entered it into his Great Films archive. The film received eleven Academy Award nominations, including two for Goldberg and Winfrey. However, much to the surprise of many, Spielberg did not get a Best Director nomination. | How many Oscar nominations did 'The Color Purple' get? | {
"answer_start": [
508
],
"text": [
"eleven"
]
} |
57319277e6313a140071d0b8 | Steven_Spielberg | In 1987, as China began opening to Western capital investment, Spielberg shot the first American film in Shanghai since the 1930s, an adaptation of J. G. Ballard's autobiographical novel Empire of the Sun, starring John Malkovich and a young Christian Bale. The film garnered much praise from critics and was nominated for several Oscars, but did not yield substantial box office revenues. Reviewer Andrew Sarris called it the best film of the year and later included it among the best films of the decade. Spielberg was also a co-producer of the 1987 film *batteries not included. | Until the 1980s, when had an American film last been shot in Shanghai? | {
"answer_start": [
120
],
"text": [
"the 1930s"
]
} |
57319277e6313a140071d0b9 | Steven_Spielberg | In 1987, as China began opening to Western capital investment, Spielberg shot the first American film in Shanghai since the 1930s, an adaptation of J. G. Ballard's autobiographical novel Empire of the Sun, starring John Malkovich and a young Christian Bale. The film garnered much praise from critics and was nominated for several Oscars, but did not yield substantial box office revenues. Reviewer Andrew Sarris called it the best film of the year and later included it among the best films of the decade. Spielberg was also a co-producer of the 1987 film *batteries not included. | Who wrote 'Empire of the Sun'? | {
"answer_start": [
148
],
"text": [
"J. G. Ballard"
]
} |
57319277e6313a140071d0ba | Steven_Spielberg | In 1987, as China began opening to Western capital investment, Spielberg shot the first American film in Shanghai since the 1930s, an adaptation of J. G. Ballard's autobiographical novel Empire of the Sun, starring John Malkovich and a young Christian Bale. The film garnered much praise from critics and was nominated for several Oscars, but did not yield substantial box office revenues. Reviewer Andrew Sarris called it the best film of the year and later included it among the best films of the decade. Spielberg was also a co-producer of the 1987 film *batteries not included. | Who starred in 'Empire of the Sun'? | {
"answer_start": [
215
],
"text": [
"John Malkovich and a young Christian Bale"
]
} |
57319277e6313a140071d0bb | Steven_Spielberg | In 1987, as China began opening to Western capital investment, Spielberg shot the first American film in Shanghai since the 1930s, an adaptation of J. G. Ballard's autobiographical novel Empire of the Sun, starring John Malkovich and a young Christian Bale. The film garnered much praise from critics and was nominated for several Oscars, but did not yield substantial box office revenues. Reviewer Andrew Sarris called it the best film of the year and later included it among the best films of the decade. Spielberg was also a co-producer of the 1987 film *batteries not included. | Who thought 'Empire of the Sun' was the best film of the year? | {
"answer_start": [
399
],
"text": [
"Andrew Sarris"
]
} |
57319277e6313a140071d0bc | Steven_Spielberg | In 1987, as China began opening to Western capital investment, Spielberg shot the first American film in Shanghai since the 1930s, an adaptation of J. G. Ballard's autobiographical novel Empire of the Sun, starring John Malkovich and a young Christian Bale. The film garnered much praise from critics and was nominated for several Oscars, but did not yield substantial box office revenues. Reviewer Andrew Sarris called it the best film of the year and later included it among the best films of the decade. Spielberg was also a co-producer of the 1987 film *batteries not included. | What was Spielberg's role on 'Batteries Not Included'? | {
"answer_start": [
528
],
"text": [
"co-producer"
]
} |
573192cde6313a140071d0c2 | Steven_Spielberg | After two forays into more serious dramatic films, Spielberg then directed the third Indiana Jones film, 1989's Indiana Jones and the Last Crusade. Once again teaming up with Lucas and Ford, Spielberg also cast actor Sean Connery in a supporting role as Indy's father. The film earned generally positive reviews and was another box office success, becoming the highest grossing film worldwide that year; its total box office receipts even topped those of Tim Burton's much-anticipated film Batman, which had been the bigger hit domestically. Also in 1989, he re-united with actor Richard Dreyfuss for the romantic comedy-drama Always, about a daredevil pilot who extinguishes forest fires. Spielberg's first romantic film, Always was only a moderate success and had mixed reviews. | When did the 3rd Indiana Jones film come out? | {
"answer_start": [
105
],
"text": [
"1989"
]
} |
573192cde6313a140071d0c3 | Steven_Spielberg | After two forays into more serious dramatic films, Spielberg then directed the third Indiana Jones film, 1989's Indiana Jones and the Last Crusade. Once again teaming up with Lucas and Ford, Spielberg also cast actor Sean Connery in a supporting role as Indy's father. The film earned generally positive reviews and was another box office success, becoming the highest grossing film worldwide that year; its total box office receipts even topped those of Tim Burton's much-anticipated film Batman, which had been the bigger hit domestically. Also in 1989, he re-united with actor Richard Dreyfuss for the romantic comedy-drama Always, about a daredevil pilot who extinguishes forest fires. Spielberg's first romantic film, Always was only a moderate success and had mixed reviews. | What was the 3rd Indiana Jones film called? | {
"answer_start": [
112
],
"text": [
"Indiana Jones and the Last Crusade"
]
} |
573192cde6313a140071d0c4 | Steven_Spielberg | After two forays into more serious dramatic films, Spielberg then directed the third Indiana Jones film, 1989's Indiana Jones and the Last Crusade. Once again teaming up with Lucas and Ford, Spielberg also cast actor Sean Connery in a supporting role as Indy's father. The film earned generally positive reviews and was another box office success, becoming the highest grossing film worldwide that year; its total box office receipts even topped those of Tim Burton's much-anticipated film Batman, which had been the bigger hit domestically. Also in 1989, he re-united with actor Richard Dreyfuss for the romantic comedy-drama Always, about a daredevil pilot who extinguishes forest fires. Spielberg's first romantic film, Always was only a moderate success and had mixed reviews. | Who played Indiana Jones's father? | {
"answer_start": [
217
],
"text": [
"Sean Connery"
]
} |
573192cde6313a140071d0c5 | Steven_Spielberg | After two forays into more serious dramatic films, Spielberg then directed the third Indiana Jones film, 1989's Indiana Jones and the Last Crusade. Once again teaming up with Lucas and Ford, Spielberg also cast actor Sean Connery in a supporting role as Indy's father. The film earned generally positive reviews and was another box office success, becoming the highest grossing film worldwide that year; its total box office receipts even topped those of Tim Burton's much-anticipated film Batman, which had been the bigger hit domestically. Also in 1989, he re-united with actor Richard Dreyfuss for the romantic comedy-drama Always, about a daredevil pilot who extinguishes forest fires. Spielberg's first romantic film, Always was only a moderate success and had mixed reviews. | Who directed 'Batman'? | {
"answer_start": [
455
],
"text": [
"Tim Burton"
]
} |
573192cde6313a140071d0c6 | Steven_Spielberg | After two forays into more serious dramatic films, Spielberg then directed the third Indiana Jones film, 1989's Indiana Jones and the Last Crusade. Once again teaming up with Lucas and Ford, Spielberg also cast actor Sean Connery in a supporting role as Indy's father. The film earned generally positive reviews and was another box office success, becoming the highest grossing film worldwide that year; its total box office receipts even topped those of Tim Burton's much-anticipated film Batman, which had been the bigger hit domestically. Also in 1989, he re-united with actor Richard Dreyfuss for the romantic comedy-drama Always, about a daredevil pilot who extinguishes forest fires. Spielberg's first romantic film, Always was only a moderate success and had mixed reviews. | What was 'Always' about? | {
"answer_start": [
641
],
"text": [
"a daredevil pilot who extinguishes forest fires"
]
} |
5731933a05b4da19006bd2d0 | Steven_Spielberg | Spielberg's next film, Schindler's List, was based on the true story of Oskar Schindler, a man who risked his life to save 1,100 Jews from the Holocaust. Schindler's List earned Spielberg his first Academy Award for Best Director (it also won Best Picture). With the film a huge success at the box office, Spielberg used the profits to set up the Shoah Foundation, a non-profit organization that archives filmed testimony of Holocaust survivors. In 1997, the American Film Institute listed it among the 10 Greatest American Films ever Made (#9) which moved up to (#8) when the list was remade in 2007. | Whose life was 'Schindler's List' based on? | {
"answer_start": [
72
],
"text": [
"Oskar Schindler"
]
} |
5731933a05b4da19006bd2d1 | Steven_Spielberg | Spielberg's next film, Schindler's List, was based on the true story of Oskar Schindler, a man who risked his life to save 1,100 Jews from the Holocaust. Schindler's List earned Spielberg his first Academy Award for Best Director (it also won Best Picture). With the film a huge success at the box office, Spielberg used the profits to set up the Shoah Foundation, a non-profit organization that archives filmed testimony of Holocaust survivors. In 1997, the American Film Institute listed it among the 10 Greatest American Films ever Made (#9) which moved up to (#8) when the list was remade in 2007. | How many Jews did Schindler save? | {
"answer_start": [
123
],
"text": [
"1,100"
]
} |
5731933a05b4da19006bd2d2 | Steven_Spielberg | Spielberg's next film, Schindler's List, was based on the true story of Oskar Schindler, a man who risked his life to save 1,100 Jews from the Holocaust. Schindler's List earned Spielberg his first Academy Award for Best Director (it also won Best Picture). With the film a huge success at the box office, Spielberg used the profits to set up the Shoah Foundation, a non-profit organization that archives filmed testimony of Holocaust survivors. In 1997, the American Film Institute listed it among the 10 Greatest American Films ever Made (#9) which moved up to (#8) when the list was remade in 2007. | What did Spielberg first win Best Director for? | {
"answer_start": [
154
],
"text": [
"Schindler's List"
]
} |
5731933a05b4da19006bd2d3 | Steven_Spielberg | Spielberg's next film, Schindler's List, was based on the true story of Oskar Schindler, a man who risked his life to save 1,100 Jews from the Holocaust. Schindler's List earned Spielberg his first Academy Award for Best Director (it also won Best Picture). With the film a huge success at the box office, Spielberg used the profits to set up the Shoah Foundation, a non-profit organization that archives filmed testimony of Holocaust survivors. In 1997, the American Film Institute listed it among the 10 Greatest American Films ever Made (#9) which moved up to (#8) when the list was remade in 2007. | What did Spielberg do with 'Schindler's List' profits? | {
"answer_start": [
336
],
"text": [
"set up the Shoah Foundation, a non-profit organization that archives filmed testimony of Holocaust survivors"
]
} |
5731933a05b4da19006bd2d4 | Steven_Spielberg | Spielberg's next film, Schindler's List, was based on the true story of Oskar Schindler, a man who risked his life to save 1,100 Jews from the Holocaust. Schindler's List earned Spielberg his first Academy Award for Best Director (it also won Best Picture). With the film a huge success at the box office, Spielberg used the profits to set up the Shoah Foundation, a non-profit organization that archives filmed testimony of Holocaust survivors. In 1997, the American Film Institute listed it among the 10 Greatest American Films ever Made (#9) which moved up to (#8) when the list was remade in 2007. | Where did the American Film Institute rank 'Schindler's List' in 1997? | {
"answer_start": [
541
],
"text": [
"#9"
]
} |
5731939a497a881900249061 | Steven_Spielberg | His next theatrical release in that same year was the World War II film Saving Private Ryan, about a group of U.S. soldiers led by Capt. Miller (Tom Hanks) sent to bring home a paratrooper whose three older brothers were killed in the same twenty-four hours, June 5–6, of the Normandy landing. The film was a huge box office success, grossing over $481 million worldwide and was the biggest film of the year at the North American box office (worldwide it made second place after Michael Bay's Armageddon). Spielberg won his second Academy Award for his direction. The film's graphic, realistic depiction of combat violence influenced later war films such as Black Hawk Down and Enemy at the Gates. The film was also the first major hit for DreamWorks, which co-produced the film with Paramount Pictures (as such, it was Spielberg's first release from the latter that was not part of the Indiana Jones series). Later, Spielberg and Tom Hanks produced a TV mini-series based on Stephen Ambrose's book Band of Brothers. The ten-part HBO mini-series follows Easy Company of the 101st Airborne Division's 506th Parachute Infantry Regiment. The series won a number of awards at the Golden Globes and the Emmys. | Who did Tom Hanks play in 'Saving Private Ryan'? | {
"answer_start": [
131
],
"text": [
"Capt. Miller"
]
} |
5731939a497a881900249062 | Steven_Spielberg | His next theatrical release in that same year was the World War II film Saving Private Ryan, about a group of U.S. soldiers led by Capt. Miller (Tom Hanks) sent to bring home a paratrooper whose three older brothers were killed in the same twenty-four hours, June 5–6, of the Normandy landing. The film was a huge box office success, grossing over $481 million worldwide and was the biggest film of the year at the North American box office (worldwide it made second place after Michael Bay's Armageddon). Spielberg won his second Academy Award for his direction. The film's graphic, realistic depiction of combat violence influenced later war films such as Black Hawk Down and Enemy at the Gates. The film was also the first major hit for DreamWorks, which co-produced the film with Paramount Pictures (as such, it was Spielberg's first release from the latter that was not part of the Indiana Jones series). Later, Spielberg and Tom Hanks produced a TV mini-series based on Stephen Ambrose's book Band of Brothers. The ten-part HBO mini-series follows Easy Company of the 101st Airborne Division's 506th Parachute Infantry Regiment. The series won a number of awards at the Golden Globes and the Emmys. | What war was 'Saving Private Ryan' about? | {
"answer_start": [
54
],
"text": [
"World War II"
]
} |
5731939a497a881900249063 | Steven_Spielberg | His next theatrical release in that same year was the World War II film Saving Private Ryan, about a group of U.S. soldiers led by Capt. Miller (Tom Hanks) sent to bring home a paratrooper whose three older brothers were killed in the same twenty-four hours, June 5–6, of the Normandy landing. The film was a huge box office success, grossing over $481 million worldwide and was the biggest film of the year at the North American box office (worldwide it made second place after Michael Bay's Armageddon). Spielberg won his second Academy Award for his direction. The film's graphic, realistic depiction of combat violence influenced later war films such as Black Hawk Down and Enemy at the Gates. The film was also the first major hit for DreamWorks, which co-produced the film with Paramount Pictures (as such, it was Spielberg's first release from the latter that was not part of the Indiana Jones series). Later, Spielberg and Tom Hanks produced a TV mini-series based on Stephen Ambrose's book Band of Brothers. The ten-part HBO mini-series follows Easy Company of the 101st Airborne Division's 506th Parachute Infantry Regiment. The series won a number of awards at the Golden Globes and the Emmys. | How much did 'Saving Private Ryan' earn? | {
"answer_start": [
343
],
"text": [
"over $481 million worldwide"
]
} |
5731939a497a881900249064 | Steven_Spielberg | His next theatrical release in that same year was the World War II film Saving Private Ryan, about a group of U.S. soldiers led by Capt. Miller (Tom Hanks) sent to bring home a paratrooper whose three older brothers were killed in the same twenty-four hours, June 5–6, of the Normandy landing. The film was a huge box office success, grossing over $481 million worldwide and was the biggest film of the year at the North American box office (worldwide it made second place after Michael Bay's Armageddon). Spielberg won his second Academy Award for his direction. The film's graphic, realistic depiction of combat violence influenced later war films such as Black Hawk Down and Enemy at the Gates. The film was also the first major hit for DreamWorks, which co-produced the film with Paramount Pictures (as such, it was Spielberg's first release from the latter that was not part of the Indiana Jones series). Later, Spielberg and Tom Hanks produced a TV mini-series based on Stephen Ambrose's book Band of Brothers. The ten-part HBO mini-series follows Easy Company of the 101st Airborne Division's 506th Parachute Infantry Regiment. The series won a number of awards at the Golden Globes and the Emmys. | Which film beat 'Saving Private Ryan' worldwide? | {
"answer_start": [
493
],
"text": [
"Armageddon"
]
} |
5731939a497a881900249065 | Steven_Spielberg | His next theatrical release in that same year was the World War II film Saving Private Ryan, about a group of U.S. soldiers led by Capt. Miller (Tom Hanks) sent to bring home a paratrooper whose three older brothers were killed in the same twenty-four hours, June 5–6, of the Normandy landing. The film was a huge box office success, grossing over $481 million worldwide and was the biggest film of the year at the North American box office (worldwide it made second place after Michael Bay's Armageddon). Spielberg won his second Academy Award for his direction. The film's graphic, realistic depiction of combat violence influenced later war films such as Black Hawk Down and Enemy at the Gates. The film was also the first major hit for DreamWorks, which co-produced the film with Paramount Pictures (as such, it was Spielberg's first release from the latter that was not part of the Indiana Jones series). Later, Spielberg and Tom Hanks produced a TV mini-series based on Stephen Ambrose's book Band of Brothers. The ten-part HBO mini-series follows Easy Company of the 101st Airborne Division's 506th Parachute Infantry Regiment. The series won a number of awards at the Golden Globes and the Emmys. | Who directed 'Armageddon'? | {
"answer_start": [
479
],
"text": [
"Michael Bay"
]
} |
573193ec497a88190024906b | Steven_Spielberg | Spielberg and actor Tom Cruise collaborated for the first time for the futuristic neo-noir Minority Report, based upon the science fiction short story written by Philip K. Dick about a Washington D.C. police captain in the year 2054 who has been foreseen to murder a man he has not yet met. The film received strong reviews with the review tallying website Rotten Tomatoes giving it a 92% approval rating, reporting that 206 out of the 225 reviews they tallied were positive. The film earned over $358 million worldwide. Roger Ebert, who named it the best film of 2002, praised its breathtaking vision of the future as well as for the way Spielberg blended CGI with live-action. | What movie did Spielberg collaborate with Cruise for? | {
"answer_start": [
91
],
"text": [
"Minority Report"
]
} |
573193ec497a88190024906c | Steven_Spielberg | Spielberg and actor Tom Cruise collaborated for the first time for the futuristic neo-noir Minority Report, based upon the science fiction short story written by Philip K. Dick about a Washington D.C. police captain in the year 2054 who has been foreseen to murder a man he has not yet met. The film received strong reviews with the review tallying website Rotten Tomatoes giving it a 92% approval rating, reporting that 206 out of the 225 reviews they tallied were positive. The film earned over $358 million worldwide. Roger Ebert, who named it the best film of 2002, praised its breathtaking vision of the future as well as for the way Spielberg blended CGI with live-action. | When is Minority Report set? | {
"answer_start": [
228
],
"text": [
"2054"
]
} |
573193ec497a88190024906d | Steven_Spielberg | Spielberg and actor Tom Cruise collaborated for the first time for the futuristic neo-noir Minority Report, based upon the science fiction short story written by Philip K. Dick about a Washington D.C. police captain in the year 2054 who has been foreseen to murder a man he has not yet met. The film received strong reviews with the review tallying website Rotten Tomatoes giving it a 92% approval rating, reporting that 206 out of the 225 reviews they tallied were positive. The film earned over $358 million worldwide. Roger Ebert, who named it the best film of 2002, praised its breathtaking vision of the future as well as for the way Spielberg blended CGI with live-action. | What was the Rotten Tomatoes rating for Minority Report? | {
"answer_start": [
385
],
"text": [
"92%"
]
} |
573193ec497a88190024906e | Steven_Spielberg | Spielberg and actor Tom Cruise collaborated for the first time for the futuristic neo-noir Minority Report, based upon the science fiction short story written by Philip K. Dick about a Washington D.C. police captain in the year 2054 who has been foreseen to murder a man he has not yet met. The film received strong reviews with the review tallying website Rotten Tomatoes giving it a 92% approval rating, reporting that 206 out of the 225 reviews they tallied were positive. The film earned over $358 million worldwide. Roger Ebert, who named it the best film of 2002, praised its breathtaking vision of the future as well as for the way Spielberg blended CGI with live-action. | How much did Minority Report earn? | {
"answer_start": [
492
],
"text": [
"over $358 million worldwide"
]
} |
573193ec497a88190024906f | Steven_Spielberg | Spielberg and actor Tom Cruise collaborated for the first time for the futuristic neo-noir Minority Report, based upon the science fiction short story written by Philip K. Dick about a Washington D.C. police captain in the year 2054 who has been foreseen to murder a man he has not yet met. The film received strong reviews with the review tallying website Rotten Tomatoes giving it a 92% approval rating, reporting that 206 out of the 225 reviews they tallied were positive. The film earned over $358 million worldwide. Roger Ebert, who named it the best film of 2002, praised its breathtaking vision of the future as well as for the way Spielberg blended CGI with live-action. | When was Minority Report released? | {
"answer_start": [
564
],
"text": [
"2002"
]
} |
5731944605b4da19006bd2ee | Steven_Spielberg | Also in 2005, Spielberg directed a modern adaptation of War of the Worlds (a co-production of Paramount and DreamWorks), based on the H. G. Wells book of the same name (Spielberg had been a huge fan of the book and the original 1953 film). It starred Tom Cruise and Dakota Fanning, and, as with past Spielberg films, Industrial Light & Magic (ILM) provided the visual effects. Unlike E.T. and Close Encounters of the Third Kind, which depicted friendly alien visitors, War of the Worlds featured violent invaders. The film was another huge box office smash, grossing over $591 million worldwide. | Which studios produced Spielberg's 'War of the Worlds'? | {
"answer_start": [
94
],
"text": [
"Paramount and DreamWorks"
]
} |
5731944605b4da19006bd2ef | Steven_Spielberg | Also in 2005, Spielberg directed a modern adaptation of War of the Worlds (a co-production of Paramount and DreamWorks), based on the H. G. Wells book of the same name (Spielberg had been a huge fan of the book and the original 1953 film). It starred Tom Cruise and Dakota Fanning, and, as with past Spielberg films, Industrial Light & Magic (ILM) provided the visual effects. Unlike E.T. and Close Encounters of the Third Kind, which depicted friendly alien visitors, War of the Worlds featured violent invaders. The film was another huge box office smash, grossing over $591 million worldwide. | Who wrote the 'War of the Worlds' book? | {
"answer_start": [
134
],
"text": [
"H. G. Wells"
]
} |
5731944605b4da19006bd2f0 | Steven_Spielberg | Also in 2005, Spielberg directed a modern adaptation of War of the Worlds (a co-production of Paramount and DreamWorks), based on the H. G. Wells book of the same name (Spielberg had been a huge fan of the book and the original 1953 film). It starred Tom Cruise and Dakota Fanning, and, as with past Spielberg films, Industrial Light & Magic (ILM) provided the visual effects. Unlike E.T. and Close Encounters of the Third Kind, which depicted friendly alien visitors, War of the Worlds featured violent invaders. The film was another huge box office smash, grossing over $591 million worldwide. | When was the first 'War of the Worlds' movie released? | {
"answer_start": [
228
],
"text": [
"1953"
]
} |
5731944605b4da19006bd2f1 | Steven_Spielberg | Also in 2005, Spielberg directed a modern adaptation of War of the Worlds (a co-production of Paramount and DreamWorks), based on the H. G. Wells book of the same name (Spielberg had been a huge fan of the book and the original 1953 film). It starred Tom Cruise and Dakota Fanning, and, as with past Spielberg films, Industrial Light & Magic (ILM) provided the visual effects. Unlike E.T. and Close Encounters of the Third Kind, which depicted friendly alien visitors, War of the Worlds featured violent invaders. The film was another huge box office smash, grossing over $591 million worldwide. | Who did the visual effects for 'War of the Worlds'? | {
"answer_start": [
317
],
"text": [
"Industrial Light & Magic"
]
} |
5731944605b4da19006bd2f2 | Steven_Spielberg | Also in 2005, Spielberg directed a modern adaptation of War of the Worlds (a co-production of Paramount and DreamWorks), based on the H. G. Wells book of the same name (Spielberg had been a huge fan of the book and the original 1953 film). It starred Tom Cruise and Dakota Fanning, and, as with past Spielberg films, Industrial Light & Magic (ILM) provided the visual effects. Unlike E.T. and Close Encounters of the Third Kind, which depicted friendly alien visitors, War of the Worlds featured violent invaders. The film was another huge box office smash, grossing over $591 million worldwide. | How much did 'War of the Worlds' earn? | {
"answer_start": [
567
],
"text": [
"over $591 million worldwide"
]
} |
5731949b497a88190024907f | Steven_Spielberg | Spielberg's film Munich, about the events following the 1972 Munich Massacre of Israeli athletes at the Olympic Games, was his second film essaying Jewish relations in the world (the first being Schindler's List). The film is based on Vengeance, a book by Canadian journalist George Jonas. It was previously adapted into the 1986 made-for-TV film Sword of Gideon. The film received strong critical praise, but underperformed at the U.S. and world box-office; it remains one of Spielberg's most controversial films to date. Munich received five Academy Awards nominations, including Best Picture, Film Editing, Original Music Score (by John Williams), Best Adapted Screenplay, and Best Director for Spielberg. It was Spielberg's sixth Best Director nomination and fifth Best Picture nomination. | What was 'Munich' about? | {
"answer_start": [
52
],
"text": [
"the 1972 Munich Massacre of Israeli athletes at the Olympic Games"
]
} |
5731949b497a881900249080 | Steven_Spielberg | Spielberg's film Munich, about the events following the 1972 Munich Massacre of Israeli athletes at the Olympic Games, was his second film essaying Jewish relations in the world (the first being Schindler's List). The film is based on Vengeance, a book by Canadian journalist George Jonas. It was previously adapted into the 1986 made-for-TV film Sword of Gideon. The film received strong critical praise, but underperformed at the U.S. and world box-office; it remains one of Spielberg's most controversial films to date. Munich received five Academy Awards nominations, including Best Picture, Film Editing, Original Music Score (by John Williams), Best Adapted Screenplay, and Best Director for Spielberg. It was Spielberg's sixth Best Director nomination and fifth Best Picture nomination. | What book was 'Munich' based on? | {
"answer_start": [
235
],
"text": [
"Vengeance"
]
} |
5731949b497a881900249081 | Steven_Spielberg | Spielberg's film Munich, about the events following the 1972 Munich Massacre of Israeli athletes at the Olympic Games, was his second film essaying Jewish relations in the world (the first being Schindler's List). The film is based on Vengeance, a book by Canadian journalist George Jonas. It was previously adapted into the 1986 made-for-TV film Sword of Gideon. The film received strong critical praise, but underperformed at the U.S. and world box-office; it remains one of Spielberg's most controversial films to date. Munich received five Academy Awards nominations, including Best Picture, Film Editing, Original Music Score (by John Williams), Best Adapted Screenplay, and Best Director for Spielberg. It was Spielberg's sixth Best Director nomination and fifth Best Picture nomination. | Who wrote 'Vengeance'? | {
"answer_start": [
276
],
"text": [
"George Jonas"
]
} |
5731949b497a881900249082 | Steven_Spielberg | Spielberg's film Munich, about the events following the 1972 Munich Massacre of Israeli athletes at the Olympic Games, was his second film essaying Jewish relations in the world (the first being Schindler's List). The film is based on Vengeance, a book by Canadian journalist George Jonas. It was previously adapted into the 1986 made-for-TV film Sword of Gideon. The film received strong critical praise, but underperformed at the U.S. and world box-office; it remains one of Spielberg's most controversial films to date. Munich received five Academy Awards nominations, including Best Picture, Film Editing, Original Music Score (by John Williams), Best Adapted Screenplay, and Best Director for Spielberg. It was Spielberg's sixth Best Director nomination and fifth Best Picture nomination. | How many Oscar nominations did 'Munich' get? | {
"answer_start": [
539
],
"text": [
"five"
]
} |
5731949b497a881900249083 | Steven_Spielberg | Spielberg's film Munich, about the events following the 1972 Munich Massacre of Israeli athletes at the Olympic Games, was his second film essaying Jewish relations in the world (the first being Schindler's List). The film is based on Vengeance, a book by Canadian journalist George Jonas. It was previously adapted into the 1986 made-for-TV film Sword of Gideon. The film received strong critical praise, but underperformed at the U.S. and world box-office; it remains one of Spielberg's most controversial films to date. Munich received five Academy Awards nominations, including Best Picture, Film Editing, Original Music Score (by John Williams), Best Adapted Screenplay, and Best Director for Spielberg. It was Spielberg's sixth Best Director nomination and fifth Best Picture nomination. | Who composed music for 'Munich'? | {
"answer_start": [
635
],
"text": [
"John Williams"
]
} |
57319559a5e9cc1400cdc105 | Steven_Spielberg | In June 2006, Steven Spielberg announced he would direct a scientifically accurate film about "a group of explorers who travel through a worm hole and into another dimension", from a treatment by Kip Thorne and producer Lynda Obst. In January 2007, screenwriter Jonathan Nolan met with them to discuss adapting Obst and Thorne's treatment into a narrative screenplay. The screenwriter suggested the addition of a "time element" to the treatment's basic idea, which was welcomed by Obst and Thorne. In March of that year, Paramount hired Nolan, as well as scientists from Caltech, forming a workshop to adapt the treatment under the title Interstellar. The following July, Kip Thorne said there was a push by people for him to portray himself in the film. Spielberg later abandoned Interstellar, which was eventually directed by Christopher Nolan. | When did Spielberg announce what would become 'Interstellar'? | {
"answer_start": [
3
],
"text": [
"June 2006"
]
} |
57319559a5e9cc1400cdc106 | Steven_Spielberg | In June 2006, Steven Spielberg announced he would direct a scientifically accurate film about "a group of explorers who travel through a worm hole and into another dimension", from a treatment by Kip Thorne and producer Lynda Obst. In January 2007, screenwriter Jonathan Nolan met with them to discuss adapting Obst and Thorne's treatment into a narrative screenplay. The screenwriter suggested the addition of a "time element" to the treatment's basic idea, which was welcomed by Obst and Thorne. In March of that year, Paramount hired Nolan, as well as scientists from Caltech, forming a workshop to adapt the treatment under the title Interstellar. The following July, Kip Thorne said there was a push by people for him to portray himself in the film. Spielberg later abandoned Interstellar, which was eventually directed by Christopher Nolan. | Who took over directing 'Interstellar'? | {
"answer_start": [
828
],
"text": [
"Christopher Nolan"
]
} |
57319559a5e9cc1400cdc107 | Steven_Spielberg | In June 2006, Steven Spielberg announced he would direct a scientifically accurate film about "a group of explorers who travel through a worm hole and into another dimension", from a treatment by Kip Thorne and producer Lynda Obst. In January 2007, screenwriter Jonathan Nolan met with them to discuss adapting Obst and Thorne's treatment into a narrative screenplay. The screenwriter suggested the addition of a "time element" to the treatment's basic idea, which was welcomed by Obst and Thorne. In March of that year, Paramount hired Nolan, as well as scientists from Caltech, forming a workshop to adapt the treatment under the title Interstellar. The following July, Kip Thorne said there was a push by people for him to portray himself in the film. Spielberg later abandoned Interstellar, which was eventually directed by Christopher Nolan. | What was the concept for 'Interstellar'? | {
"answer_start": [
95
],
"text": [
"a group of explorers who travel through a worm hole and into another dimension"
]
} |
57319559a5e9cc1400cdc108 | Steven_Spielberg | In June 2006, Steven Spielberg announced he would direct a scientifically accurate film about "a group of explorers who travel through a worm hole and into another dimension", from a treatment by Kip Thorne and producer Lynda Obst. In January 2007, screenwriter Jonathan Nolan met with them to discuss adapting Obst and Thorne's treatment into a narrative screenplay. The screenwriter suggested the addition of a "time element" to the treatment's basic idea, which was welcomed by Obst and Thorne. In March of that year, Paramount hired Nolan, as well as scientists from Caltech, forming a workshop to adapt the treatment under the title Interstellar. The following July, Kip Thorne said there was a push by people for him to portray himself in the film. Spielberg later abandoned Interstellar, which was eventually directed by Christopher Nolan. | Who wrote the 'Interstellar' script? | {
"answer_start": [
262
],
"text": [
"Jonathan Nolan"
]
} |
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