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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
01_10_seg_0002_track_05 | 1 | 01_10 | 5 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_08_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0002_track_05.wav | null | 111.165 | 123 | 11.835 | true | false | Encased in glass and steel and bright head beams | Verse | combined | 111.165 | 123 | false | false | null | 7 | 48 | 9 | 0 | 0 | audio_only | 01_10_5 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0002_track_09 | 1 | 01_10 | 9 | Vocal Layer 5 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_12_vocals_5.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0002_track_09.wav | null | 111.165 | 123 | 11.835 | true | false | Encased in glass and steel and bright head beams | Verse | combined | 111.165 | 123 | false | false | null | 7 | 48 | 9 | 0 | 0 | audio_only | 01_10_9 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0002_track_10 | 1 | 01_10 | 10 | Vibes | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_14_vibes.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0002_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_13_vibes.mid | 111.165 | 123 | 11.835 | true | true | Encased in glass and steel and bright head beams | Verse | combined | 111.165 | 123 | false | false | null | 7 | 48 | 9 | 0 | 0 | audio_midi | 01_10_10 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0002_track_14 | 1 | 01_10 | 14 | Drum Machine 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_19_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0002_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_18_drum_machine.mid | 111.165 | 123 | 11.835 | false | true | Encased in glass and steel and bright head beams | Verse | combined | 111.165 | 123 | false | false | null | 7 | 48 | 9 | 0 | 0 | midi_only | 01_10_14 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0002_track_15 | 1 | 01_10 | 15 | Drum Machine 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_21_drum_machine2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0002_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_20_drum_machine2.mid | 111.165 | 123 | 11.835 | true | true | Encased in glass and steel and bright head beams | Verse | combined | 111.165 | 123 | false | false | null | 7 | 48 | 9 | 0 | 0 | audio_midi | 01_10_15 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0002_track_16 | 1 | 01_10 | 16 | Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_23_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0002_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_22_kit.mid | 111.165 | 123 | 11.835 | true | true | Encased in glass and steel and bright head beams | Verse | combined | 111.165 | 123 | false | false | null | 7 | 48 | 9 | 0 | 0 | audio_midi | 01_10_16 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0002_track_17 | 1 | 01_10 | 17 | Spooky Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_25_spooky_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0002_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_24_spooky_synth.mid | 111.165 | 123 | 11.835 | true | true | Encased in glass and steel and bright head beams | Verse | combined | 111.165 | 123 | false | false | null | 7 | 48 | 9 | 0 | 0 | audio_midi | 01_10_17 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0002_track_18 | 1 | 01_10 | 18 | EZ Chord | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_27_ez_chord.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0002_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_26_ez_chord.mid | 111.165 | 123 | 11.835 | true | true | Encased in glass and steel and bright head beams | Verse | combined | 111.165 | 123 | false | false | null | 7 | 48 | 9 | 0 | 0 | audio_midi | 01_10_18 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0003_track_01 | 2 | 01_10 | 1 | Main Loop | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_02_harp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0003_track_01.wav | null | 123 | 134 | 11 | true | false | All now is stopped. There's a wreck ahead it seems. | Verse | combined | 123 | 134 | false | false | null | 9 | 51 | 10 | 0 | 0 | audio_only | 01_10_1 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0003_track_03 | 2 | 01_10 | 3 | Bowed Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_06_bow_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0003_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_05_bow_synth.mid | 123 | 134 | 11 | false | true | All now is stopped. There's a wreck ahead it seems. | Verse | combined | 123 | 134 | false | false | null | 9 | 51 | 10 | 0 | 0 | midi_only | 01_10_3 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0003_track_05 | 2 | 01_10 | 5 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_08_main_vox.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0003_track_05.wav | null | 123 | 134 | 11 | true | false | All now is stopped. There's a wreck ahead it seems. | Verse | combined | 123 | 134 | false | false | null | 9 | 51 | 10 | 0 | 0 | audio_only | 01_10_5 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0003_track_09 | 2 | 01_10 | 9 | Vocal Layer 5 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_12_vocals_5.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0003_track_09.wav | null | 123 | 134 | 11 | true | false | All now is stopped. There's a wreck ahead it seems. | Verse | combined | 123 | 134 | false | false | null | 9 | 51 | 10 | 0 | 0 | audio_only | 01_10_9 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0003_track_10 | 2 | 01_10 | 10 | Vibes | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_14_vibes.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0003_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_13_vibes.mid | 123 | 134 | 11 | true | true | All now is stopped. There's a wreck ahead it seems. | Verse | combined | 123 | 134 | false | false | null | 9 | 51 | 10 | 0 | 0 | audio_midi | 01_10_10 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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01_10_seg_0003_track_14 | 2 | 01_10 | 14 | Drum Machine 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_19_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0003_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_18_drum_machine.mid | 123 | 134 | 11 | false | true | All now is stopped. There's a wreck ahead it seems. | Verse | combined | 123 | 134 | false | false | null | 9 | 51 | 10 | 0 | 0 | midi_only | 01_10_14 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0003_track_15 | 2 | 01_10 | 15 | Drum Machine 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_21_drum_machine2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0003_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_20_drum_machine2.mid | 123 | 134 | 11 | true | true | All now is stopped. There's a wreck ahead it seems. | Verse | combined | 123 | 134 | false | false | null | 9 | 51 | 10 | 0 | 0 | audio_midi | 01_10_15 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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01_10_seg_0003_track_16 | 2 | 01_10 | 16 | Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_23_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0003_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_22_kit.mid | 123 | 134 | 11 | true | true | All now is stopped. There's a wreck ahead it seems. | Verse | combined | 123 | 134 | false | false | null | 9 | 51 | 10 | 0 | 0 | audio_midi | 01_10_16 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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01_10_seg_0003_track_17 | 2 | 01_10 | 17 | Spooky Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_25_spooky_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0003_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_24_spooky_synth.mid | 123 | 134 | 11 | true | true | All now is stopped. There's a wreck ahead it seems. | Verse | combined | 123 | 134 | false | false | null | 9 | 51 | 10 | 0 | 0 | audio_midi | 01_10_17 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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01_10_seg_0004_track_01 | 3 | 01_10 | 1 | Main Loop | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_02_harp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0004_track_01.wav | null | 134 | 139.144 | 5.144 | true | false | I remember throwing my key. | Verse | combined | 134 | 139.144 | false | false | null | 11 | 27 | 5 | 0 | 0 | audio_only | 01_10_1 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0004_track_03 | 3 | 01_10 | 3 | Bowed Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_06_bow_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0004_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_05_bow_synth.mid | 134 | 139.144 | 5.144 | false | true | I remember throwing my key. | Verse | combined | 134 | 139.144 | false | false | null | 11 | 27 | 5 | 0 | 0 | midi_only | 01_10_3 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0004_track_08 | 3 | 01_10 | 8 | Vocal Layer 4 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_11_vocals_4.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0004_track_08.wav | null | 134 | 139.144 | 5.144 | true | false | I remember throwing my key. | Verse | combined | 134 | 139.144 | false | false | null | 11 | 27 | 5 | 0 | 0 | audio_only | 01_10_8 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0004_track_09 | 3 | 01_10 | 9 | Vocal Layer 5 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_12_vocals_5.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0004_track_09.wav | null | 134 | 139.144 | 5.144 | true | false | I remember throwing my key. | Verse | combined | 134 | 139.144 | false | false | null | 11 | 27 | 5 | 0 | 0 | audio_only | 01_10_9 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0004_track_10 | 3 | 01_10 | 10 | Vibes | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_14_vibes.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0004_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_13_vibes.mid | 134 | 139.144 | 5.144 | true | true | I remember throwing my key. | Verse | combined | 134 | 139.144 | false | false | null | 11 | 27 | 5 | 0 | 0 | audio_midi | 01_10_10 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0004_track_14 | 3 | 01_10 | 14 | Drum Machine 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_19_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0004_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_18_drum_machine.mid | 134 | 139.144 | 5.144 | false | true | I remember throwing my key. | Verse | combined | 134 | 139.144 | false | false | null | 11 | 27 | 5 | 0 | 0 | midi_only | 01_10_14 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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01_10_seg_0004_track_15 | 3 | 01_10 | 15 | Drum Machine 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_21_drum_machine2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0004_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_20_drum_machine2.mid | 134 | 139.144 | 5.144 | true | true | I remember throwing my key. | Verse | combined | 134 | 139.144 | false | false | null | 11 | 27 | 5 | 0 | 0 | audio_midi | 01_10_15 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0004_track_18 | 3 | 01_10 | 18 | EZ Chord | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_27_ez_chord.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0004_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_26_ez_chord.mid | 134 | 139.144 | 5.144 | true | true | I remember throwing my key. | Verse | combined | 134 | 139.144 | false | false | null | 11 | 27 | 5 | 0 | 0 | audio_midi | 01_10_18 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null | |
01_10_seg_0005_track_01 | 4 | 01_10 | 1 | Main Loop | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_02_harp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0005_track_01.wav | null | 139.144 | 151.166 | 12.022 | true | false | Off to follow Aomame. | Verse | combined | 139.144 | 151.166 | true | End aligned to Outro boundary at 151.166s | false | null | 13 | 21 | 4 | 0 | 0 | audio_only | 01_10_1 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0005_track_03 | 4 | 01_10 | 3 | Bowed Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_06_bow_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0005_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_05_bow_synth.mid | 139.144 | 151.166 | 12.022 | false | true | Off to follow Aomame. | Verse | combined | 139.144 | 151.166 | true | End aligned to Outro boundary at 151.166s | false | null | 13 | 21 | 4 | 0 | 0 | midi_only | 01_10_3 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0005_track_09 | 4 | 01_10 | 9 | Vocal Layer 5 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_12_vocals_5.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0005_track_09.wav | null | 139.144 | 151.166 | 12.022 | true | false | Off to follow Aomame. | Verse | combined | 139.144 | 151.166 | true | End aligned to Outro boundary at 151.166s | false | null | 13 | 21 | 4 | 0 | 0 | audio_only | 01_10_9 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0005_track_10 | 4 | 01_10 | 10 | Vibes | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_14_vibes.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0005_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_13_vibes.mid | 139.144 | 151.166 | 12.022 | true | true | Off to follow Aomame. | Verse | combined | 139.144 | 151.166 | true | End aligned to Outro boundary at 151.166s | false | null | 13 | 21 | 4 | 0 | 0 | audio_midi | 01_10_10 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0005_track_14 | 4 | 01_10 | 14 | Drum Machine 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_19_drum_machine.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0005_track_14.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_18_drum_machine.mid | 139.144 | 151.166 | 12.022 | false | true | Off to follow Aomame. | Verse | combined | 139.144 | 151.166 | true | End aligned to Outro boundary at 151.166s | false | null | 13 | 21 | 4 | 0 | 0 | midi_only | 01_10_14 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0005_track_15 | 4 | 01_10 | 15 | Drum Machine 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_21_drum_machine2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0005_track_15.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_20_drum_machine2.mid | 139.144 | 151.166 | 12.022 | true | true | Off to follow Aomame. | Verse | combined | 139.144 | 151.166 | true | End aligned to Outro boundary at 151.166s | false | null | 13 | 21 | 4 | 0 | 0 | audio_midi | 01_10_15 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0005_track_16 | 4 | 01_10 | 16 | Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_23_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0005_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_22_kit.mid | 139.144 | 151.166 | 12.022 | true | true | Off to follow Aomame. | Verse | combined | 139.144 | 151.166 | true | End aligned to Outro boundary at 151.166s | false | null | 13 | 21 | 4 | 0 | 0 | audio_midi | 01_10_16 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0005_track_17 | 4 | 01_10 | 17 | Spooky Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_25_spooky_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0005_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_24_spooky_synth.mid | 139.144 | 151.166 | 12.022 | true | true | Off to follow Aomame. | Verse | combined | 139.144 | 151.166 | true | End aligned to Outro boundary at 151.166s | false | null | 13 | 21 | 4 | 0 | 0 | audio_midi | 01_10_17 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0005_track_18 | 4 | 01_10 | 18 | EZ Chord | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_27_ez_chord.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0005_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_26_ez_chord.mid | 139.144 | 151.166 | 12.022 | true | true | Off to follow Aomame. | Verse | combined | 139.144 | 151.166 | true | End aligned to Outro boundary at 151.166s | false | null | 13 | 21 | 4 | 0 | 0 | audio_midi | 01_10_18 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0006_track_01 | 5 | 01_10 | 1 | Main Loop | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_02_harp.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0006_track_01.wav | null | 151.166 | 154.166 | 3 | true | false | Cut the engine and I will flee. | Outro | combined | 151.166 | 154.166 | true | Start aligned to Outro boundary at 151.166s | false | null | 15 | 31 | 7 | 0 | 0 | audio_only | 01_10_1 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0006_track_04 | 5 | 01_10 | 4 | String Loop | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_07_string_loop.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0006_track_04.wav | null | 151.166 | 154.166 | 3 | true | false | Cut the engine and I will flee. | Outro | combined | 151.166 | 154.166 | true | Start aligned to Outro boundary at 151.166s | false | null | 15 | 31 | 7 | 0 | 0 | audio_only | 01_10_4 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0006_track_06 | 5 | 01_10 | 6 | Vocal Layer 2 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_09_vocals_2.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0006_track_06.wav | null | 151.166 | 154.166 | 3 | true | false | Cut the engine and I will flee. | Outro | combined | 151.166 | 154.166 | true | Start aligned to Outro boundary at 151.166s | false | null | 15 | 31 | 7 | 0 | 0 | audio_only | 01_10_6 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0006_track_09 | 5 | 01_10 | 9 | Vocal Layer 5 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_12_vocals_5.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0006_track_09.wav | null | 151.166 | 154.166 | 3 | true | false | Cut the engine and I will flee. | Outro | combined | 151.166 | 154.166 | true | Start aligned to Outro boundary at 151.166s | false | null | 15 | 31 | 7 | 0 | 0 | audio_only | 01_10_9 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0006_track_10 | 5 | 01_10 | 10 | Vibes | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_14_vibes.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0006_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_13_vibes.mid | 151.166 | 154.166 | 3 | true | true | Cut the engine and I will flee. | Outro | combined | 151.166 | 154.166 | true | Start aligned to Outro boundary at 151.166s | false | null | 15 | 31 | 7 | 0 | 0 | audio_midi | 01_10_10 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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01_10_seg_0006_track_11 | 5 | 01_10 | 11 | Electric Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_15_electric_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0006_track_11.wav | null | 151.166 | 154.166 | 3 | true | false | Cut the engine and I will flee. | Outro | combined | 151.166 | 154.166 | true | Start aligned to Outro boundary at 151.166s | false | null | 15 | 31 | 7 | 0 | 0 | audio_only | 01_10_11 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0006_track_16 | 5 | 01_10 | 16 | Kit | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_23_kit.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0006_track_16.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_22_kit.mid | 151.166 | 154.166 | 3 | true | true | Cut the engine and I will flee. | Outro | combined | 151.166 | 154.166 | true | Start aligned to Outro boundary at 151.166s | false | null | 15 | 31 | 7 | 0 | 0 | audio_midi | 01_10_16 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0006_track_17 | 5 | 01_10 | 17 | Spooky Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_25_spooky_synth.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0006_track_17.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_24_spooky_synth.mid | 151.166 | 154.166 | 3 | true | false | Cut the engine and I will flee. | Outro | combined | 151.166 | 154.166 | true | Start aligned to Outro boundary at 151.166s | false | null | 15 | 31 | 7 | 0 | 0 | audio_only | 01_10_17 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
01_10_seg_0006_track_18 | 5 | 01_10 | 18 | EZ Chord | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_27_ez_chord.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/01_10/01_10_seg_0006_track_18.wav | /Volumes/LucidNonsense/White/staged_raw_material/01_10/01_10_26_ez_chord.mid | 151.166 | 154.166 | 3 | true | true | Cut the engine and I will flee. | Outro | combined | 151.166 | 154.166 | true | Start aligned to Outro boundary at 151.166s | false | null | 15 | 31 | 7 | 0 | 0 | audio_midi | 01_10_18 | 180 | 5 | 4 | A | minor | Black | null | null | null | Objectional ➡️ Temporal ➡️ Ontological | The Outer Loop | 2017-07-18T00:00:00 | [04:21.165] | true | true | Round and round the city of dead dreams Encased in glass and steel and bright head beams All now is stopped. There's a wreck ahead it seems. I remember throwing my key. Off to follow Aomame. Cut the engine and I will flee. | Panda Bear, discogs_id: 218809, Washed Out, discogs_id: 1575877 | psychedelic, chill, dreamy, defiant | Dream Pop, Psychedelic Pop, Indie Rock, Electronic, Chillwave | 01_10.lrc | Around this time I was commuting to work sometimes taking an hour-and-a-half each way. Stuck, in many senses, on the DC's outer loop. While stuck in traffic I imagined throwing my keys out the window and climbing down off the overpass as in 1q84. The song is about that feeling of being trapped but with liberation a step away. | {
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} | Intro : Drone-y synths and pads build a hypnotic atmosphere, setting the stage for the song's dreamy vibe., [00:00.000]-[01:43.082] | Verse : The vocals emerge, wandering not commiting to a temp or melody., [01:43.083]-[02:31.165] | Outro : The last word of the verse 'catches' and becomes a repeating loop blending into the outro drone., [02:31.166]-[04:21.165] | null |
02_01_seg_0001_track_01 | 0 | 02_01 | 1 | Bass guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0001_track_01.wav | null | 44.285 | 47.053 | 2.768 | true | false | Block the left side | Chorus 1 | combined | 44.285 | 47.053 | true | Start aligned to Chorus 1 Intro boundary at 44.285s | false | null | 5 | 19 | 4 | 0 | 0 | audio_only | 02_01_1 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0001_track_03 | 0 | 02_01 | 3 | Drums | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0001_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.mid | 44.285 | 47.053 | 2.768 | true | true | Block the left side | Chorus 1 | combined | 44.285 | 47.053 | true | Start aligned to Chorus 1 Intro boundary at 44.285s | false | null | 5 | 19 | 4 | 0 | 0 | audio_midi | 02_01_3 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | 02_01_04.mid |
02_01_seg_0001_track_06 | 0 | 02_01 | 6 | Arpeggiated synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0001_track_06.wav | null | 44.285 | 47.053 | 2.768 | true | false | Block the left side | Chorus 1 | combined | 44.285 | 47.053 | true | Start aligned to Chorus 1 Intro boundary at 44.285s | false | null | 5 | 19 | 4 | 0 | 0 | audio_only | 02_01_6 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0001_track_07 | 0 | 02_01 | 7 | Main vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0001_track_07.wav | null | 44.285 | 47.053 | 2.768 | true | false | Block the left side | Chorus 1 | combined | 44.285 | 47.053 | true | Start aligned to Chorus 1 Intro boundary at 44.285s | false | null | 5 | 19 | 4 | 0 | 0 | audio_only | 02_01_7 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0001_track_09 | 0 | 02_01 | 9 | Vocoder vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0001_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.mid | 44.285 | 47.053 | 2.768 | true | true | Block the left side | Chorus 1 | combined | 44.285 | 47.053 | true | Start aligned to Chorus 1 Intro boundary at 44.285s | false | null | 5 | 19 | 4 | 0 | 0 | audio_midi | 02_01_9 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0002_track_01 | 1 | 02_01 | 1 | Bass guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0002_track_01.wav | null | 47.053 | 52.133 | 5.08 | true | false | from the right side by lifting the door | Chorus 1 | combined | 47.053 | 52.133 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_only | 02_01_1 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0002_track_03 | 1 | 02_01 | 3 | Drums | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0002_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.mid | 47.053 | 52.133 | 5.08 | true | true | from the right side by lifting the door | Chorus 1 | combined | 47.053 | 52.133 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_midi | 02_01_3 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | 02_01_04.mid | |
02_01_seg_0002_track_06 | 1 | 02_01 | 6 | Arpeggiated synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0002_track_06.wav | null | 47.053 | 52.133 | 5.08 | true | false | from the right side by lifting the door | Chorus 1 | combined | 47.053 | 52.133 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_only | 02_01_6 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0002_track_07 | 1 | 02_01 | 7 | Main vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0002_track_07.wav | null | 47.053 | 52.133 | 5.08 | true | false | from the right side by lifting the door | Chorus 1 | combined | 47.053 | 52.133 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_only | 02_01_7 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0002_track_09 | 1 | 02_01 | 9 | Vocoder vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0002_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.mid | 47.053 | 52.133 | 5.08 | true | true | from the right side by lifting the door | Chorus 1 | combined | 47.053 | 52.133 | false | false | null | 7 | 39 | 8 | 0 | 0 | audio_midi | 02_01_9 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0003_track_01 | 2 | 02_01 | 1 | Bass guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0003_track_01.wav | null | 52.133 | 55.286 | 3.153 | true | false | Usher the cold, usher the heat | Chorus 1 | combined | 52.133 | 55.286 | false | false | null | 9 | 30 | 6 | 0 | 0 | audio_only | 02_01_1 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0003_track_03 | 2 | 02_01 | 3 | Drums | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0003_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.mid | 52.133 | 55.286 | 3.153 | true | true | Usher the cold, usher the heat | Chorus 1 | combined | 52.133 | 55.286 | false | false | null | 9 | 30 | 6 | 0 | 0 | audio_midi | 02_01_3 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | 02_01_04.mid | |
02_01_seg_0003_track_06 | 2 | 02_01 | 6 | Arpeggiated synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0003_track_06.wav | null | 52.133 | 55.286 | 3.153 | true | false | Usher the cold, usher the heat | Chorus 1 | combined | 52.133 | 55.286 | false | false | null | 9 | 30 | 6 | 0 | 0 | audio_only | 02_01_6 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0003_track_07 | 2 | 02_01 | 7 | Main vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0003_track_07.wav | null | 52.133 | 55.286 | 3.153 | true | false | Usher the cold, usher the heat | Chorus 1 | combined | 52.133 | 55.286 | false | false | null | 9 | 30 | 6 | 0 | 0 | audio_only | 02_01_7 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0003_track_08 | 2 | 02_01 | 8 | Doubled vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0003_track_08.wav | null | 52.133 | 55.286 | 3.153 | true | false | Usher the cold, usher the heat | Chorus 1 | combined | 52.133 | 55.286 | false | false | null | 9 | 30 | 6 | 0 | 0 | audio_only | 02_01_8 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0003_track_09 | 2 | 02_01 | 9 | Vocoder vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0003_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.mid | 52.133 | 55.286 | 3.153 | true | true | Usher the cold, usher the heat | Chorus 1 | combined | 52.133 | 55.286 | false | false | null | 9 | 30 | 6 | 0 | 0 | audio_midi | 02_01_9 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0004_track_01 | 3 | 02_01 | 1 | Bass guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0004_track_01.wav | null | 55.286 | 59.282 | 3.996 | true | false | don't even the score | Chorus 1 | combined | 55.286 | 60.192 | true | End aligned to Verse 1 boundary at 59.282s | false | null | 11 | 20 | 4 | 0 | -0.91 | audio_only | 02_01_1 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0004_track_03 | 3 | 02_01 | 3 | Drums | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0004_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.mid | 55.286 | 59.282 | 3.996 | true | true | don't even the score | Chorus 1 | combined | 55.286 | 60.192 | true | End aligned to Verse 1 boundary at 59.282s | false | null | 11 | 20 | 4 | 0 | -0.91 | audio_midi | 02_01_3 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | 02_01_04.mid |
02_01_seg_0004_track_06 | 3 | 02_01 | 6 | Arpeggiated synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0004_track_06.wav | null | 55.286 | 59.282 | 3.996 | true | false | don't even the score | Chorus 1 | combined | 55.286 | 60.192 | true | End aligned to Verse 1 boundary at 59.282s | false | null | 11 | 20 | 4 | 0 | -0.91 | audio_only | 02_01_6 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0004_track_07 | 3 | 02_01 | 7 | Main vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0004_track_07.wav | null | 55.286 | 59.282 | 3.996 | true | false | don't even the score | Chorus 1 | combined | 55.286 | 60.192 | true | End aligned to Verse 1 boundary at 59.282s | false | null | 11 | 20 | 4 | 0 | -0.91 | audio_only | 02_01_7 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0004_track_08 | 3 | 02_01 | 8 | Doubled vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0004_track_08.wav | null | 55.286 | 59.282 | 3.996 | true | false | don't even the score | Chorus 1 | combined | 55.286 | 60.192 | true | End aligned to Verse 1 boundary at 59.282s | false | null | 11 | 20 | 4 | 0 | -0.91 | audio_only | 02_01_8 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0004_track_09 | 3 | 02_01 | 9 | Vocoder vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0004_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.mid | 55.286 | 59.282 | 3.996 | true | true | don't even the score | Chorus 1 | combined | 55.286 | 60.192 | true | End aligned to Verse 1 boundary at 59.282s | false | null | 11 | 20 | 4 | 0 | -0.91 | audio_midi | 02_01_9 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0005_track_01 | 4 | 02_01 | 1 | Bass guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0005_track_01.wav | null | 59.282 | 63.204 | 3.922 | true | false | Was that your doorman | Verse 1 | combined | 60.192 | 63.204 | true | Start aligned to Verse 1 boundary at 59.282s | false | null | 13 | 21 | 4 | -0.91 | 0 | audio_only | 02_01_1 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0005_track_02 | 4 | 02_01 | 2 | Bass synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0005_track_02.wav | null | 59.282 | 63.204 | 3.922 | true | false | Was that your doorman | Verse 1 | combined | 60.192 | 63.204 | true | Start aligned to Verse 1 boundary at 59.282s | false | null | 13 | 21 | 4 | -0.91 | 0 | audio_only | 02_01_2 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0005_track_03 | 4 | 02_01 | 3 | Drums | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0005_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.mid | 59.282 | 63.204 | 3.922 | true | true | Was that your doorman | Verse 1 | combined | 60.192 | 63.204 | true | Start aligned to Verse 1 boundary at 59.282s | false | null | 13 | 21 | 4 | -0.91 | 0 | audio_midi | 02_01_3 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | 02_01_04.mid |
02_01_seg_0005_track_06 | 4 | 02_01 | 6 | Arpeggiated synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0005_track_06.wav | null | 59.282 | 63.204 | 3.922 | true | false | Was that your doorman | Verse 1 | combined | 60.192 | 63.204 | true | Start aligned to Verse 1 boundary at 59.282s | false | null | 13 | 21 | 4 | -0.91 | 0 | audio_only | 02_01_6 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0005_track_07 | 4 | 02_01 | 7 | Main vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0005_track_07.wav | null | 59.282 | 63.204 | 3.922 | true | false | Was that your doorman | Verse 1 | combined | 60.192 | 63.204 | true | Start aligned to Verse 1 boundary at 59.282s | false | null | 13 | 21 | 4 | -0.91 | 0 | audio_only | 02_01_7 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0005_track_09 | 4 | 02_01 | 9 | Vocoder vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0005_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.mid | 59.282 | 63.204 | 3.922 | false | true | Was that your doorman | Verse 1 | combined | 60.192 | 63.204 | true | Start aligned to Verse 1 boundary at 59.282s | false | null | 13 | 21 | 4 | -0.91 | 0 | midi_only | 02_01_9 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
02_01_seg_0006_track_01 | 5 | 02_01 | 1 | Bass guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0006_track_01.wav | null | 63.204 | 67.27 | 4.066 | true | false | I passed down the block? | Verse 1 | combined | 63.204 | 67.27 | false | false | null | 15 | 24 | 5 | 0 | 0 | audio_only | 02_01_1 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0006_track_02 | 5 | 02_01 | 2 | Bass synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0006_track_02.wav | null | 63.204 | 67.27 | 4.066 | true | false | I passed down the block? | Verse 1 | combined | 63.204 | 67.27 | false | false | null | 15 | 24 | 5 | 0 | 0 | audio_only | 02_01_2 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0006_track_03 | 5 | 02_01 | 3 | Drums | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0006_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.mid | 63.204 | 67.27 | 4.066 | true | true | I passed down the block? | Verse 1 | combined | 63.204 | 67.27 | false | false | null | 15 | 24 | 5 | 0 | 0 | audio_midi | 02_01_3 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | 02_01_04.mid | |
02_01_seg_0006_track_06 | 5 | 02_01 | 6 | Arpeggiated synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0006_track_06.wav | null | 63.204 | 67.27 | 4.066 | true | false | I passed down the block? | Verse 1 | combined | 63.204 | 67.27 | false | false | null | 15 | 24 | 5 | 0 | 0 | audio_only | 02_01_6 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0006_track_07 | 5 | 02_01 | 7 | Main vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0006_track_07.wav | null | 63.204 | 67.27 | 4.066 | true | false | I passed down the block? | Verse 1 | combined | 63.204 | 67.27 | false | false | null | 15 | 24 | 5 | 0 | 0 | audio_only | 02_01_7 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0006_track_09 | 5 | 02_01 | 9 | Vocoder vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0006_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.mid | 63.204 | 67.27 | 4.066 | false | true | I passed down the block? | Verse 1 | combined | 63.204 | 67.27 | false | false | null | 15 | 24 | 5 | 0 | 0 | midi_only | 02_01_9 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0007_track_01 | 6 | 02_01 | 1 | Bass guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0007_track_01.wav | null | 67.27 | 71.157 | 3.887 | true | false | Can you text him I'm coming? | Verse 1 | combined | 67.27 | 71.157 | false | false | null | 17 | 28 | 6 | 0 | 0 | audio_only | 02_01_1 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0007_track_02 | 6 | 02_01 | 2 | Bass synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0007_track_02.wav | null | 67.27 | 71.157 | 3.887 | true | false | Can you text him I'm coming? | Verse 1 | combined | 67.27 | 71.157 | false | false | null | 17 | 28 | 6 | 0 | 0 | audio_only | 02_01_2 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0007_track_03 | 6 | 02_01 | 3 | Drums | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0007_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.mid | 67.27 | 71.157 | 3.887 | true | true | Can you text him I'm coming? | Verse 1 | combined | 67.27 | 71.157 | false | false | null | 17 | 28 | 6 | 0 | 0 | audio_midi | 02_01_3 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | 02_01_04.mid | |
02_01_seg_0007_track_04 | 6 | 02_01 | 4 | Electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0007_track_04.wav | null | 67.27 | 71.157 | 3.887 | true | false | Can you text him I'm coming? | Verse 1 | combined | 67.27 | 71.157 | false | false | null | 17 | 28 | 6 | 0 | 0 | audio_only | 02_01_4 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0007_track_06 | 6 | 02_01 | 6 | Arpeggiated synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0007_track_06.wav | null | 67.27 | 71.157 | 3.887 | true | false | Can you text him I'm coming? | Verse 1 | combined | 67.27 | 71.157 | false | false | null | 17 | 28 | 6 | 0 | 0 | audio_only | 02_01_6 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0007_track_07 | 6 | 02_01 | 7 | Main vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0007_track_07.wav | null | 67.27 | 71.157 | 3.887 | true | false | Can you text him I'm coming? | Verse 1 | combined | 67.27 | 71.157 | false | false | null | 17 | 28 | 6 | 0 | 0 | audio_only | 02_01_7 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0007_track_09 | 6 | 02_01 | 9 | Vocoder vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0007_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.mid | 67.27 | 71.157 | 3.887 | false | true | Can you text him I'm coming? | Verse 1 | combined | 67.27 | 71.157 | false | false | null | 17 | 28 | 6 | 0 | 0 | midi_only | 02_01_9 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0008_track_01 | 7 | 02_01 | 1 | Bass guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0008_track_01.wav | null | 71.157 | 74.276 | 3.119 | true | false | Leave the keys in the box | Verse 1 | combined | 71.157 | 74.276 | false | false | null | 19 | 25 | 6 | 0 | 0 | audio_only | 02_01_1 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0008_track_02 | 7 | 02_01 | 2 | Bass synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0008_track_02.wav | null | 71.157 | 74.276 | 3.119 | true | false | Leave the keys in the box | Verse 1 | combined | 71.157 | 74.276 | false | false | null | 19 | 25 | 6 | 0 | 0 | audio_only | 02_01_2 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0008_track_03 | 7 | 02_01 | 3 | Drums | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0008_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.mid | 71.157 | 74.276 | 3.119 | true | true | Leave the keys in the box | Verse 1 | combined | 71.157 | 74.276 | false | false | null | 19 | 25 | 6 | 0 | 0 | audio_midi | 02_01_3 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | 02_01_04.mid | |
02_01_seg_0008_track_04 | 7 | 02_01 | 4 | Electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0008_track_04.wav | null | 71.157 | 74.276 | 3.119 | true | false | Leave the keys in the box | Verse 1 | combined | 71.157 | 74.276 | false | false | null | 19 | 25 | 6 | 0 | 0 | audio_only | 02_01_4 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0008_track_06 | 7 | 02_01 | 6 | Arpeggiated synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0008_track_06.wav | null | 71.157 | 74.276 | 3.119 | true | false | Leave the keys in the box | Verse 1 | combined | 71.157 | 74.276 | false | false | null | 19 | 25 | 6 | 0 | 0 | audio_only | 02_01_6 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0008_track_07 | 7 | 02_01 | 7 | Main vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0008_track_07.wav | null | 71.157 | 74.276 | 3.119 | true | false | Leave the keys in the box | Verse 1 | combined | 71.157 | 74.276 | false | false | null | 19 | 25 | 6 | 0 | 0 | audio_only | 02_01_7 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0008_track_09 | 7 | 02_01 | 9 | Vocoder vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0008_track_09.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_10.mid | 71.157 | 74.276 | 3.119 | false | true | Leave the keys in the box | Verse 1 | combined | 71.157 | 74.276 | false | false | null | 19 | 25 | 6 | 0 | 0 | midi_only | 02_01_9 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0009_track_01 | 8 | 02_01 | 1 | Bass guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0009_track_01.wav | null | 74.276 | 78.201 | 3.925 | true | false | Or maybe tomorrow | Verse 1 | combined | 74.276 | 78.201 | false | false | null | 21 | 17 | 3 | 0 | 0 | audio_only | 02_01_1 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0009_track_02 | 8 | 02_01 | 2 | Bass synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0009_track_02.wav | null | 74.276 | 78.201 | 3.925 | true | false | Or maybe tomorrow | Verse 1 | combined | 74.276 | 78.201 | false | false | null | 21 | 17 | 3 | 0 | 0 | audio_only | 02_01_2 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null | |
02_01_seg_0009_track_03 | 8 | 02_01 | 3 | Drums | drums | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0009_track_03.wav | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_04.mid | 74.276 | 78.201 | 3.925 | true | true | Or maybe tomorrow | Verse 1 | combined | 74.276 | 78.201 | false | false | null | 21 | 17 | 3 | 0 | 0 | audio_midi | 02_01_3 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | 02_01_04.mid | |
02_01_seg_0009_track_04 | 8 | 02_01 | 4 | Electric guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/02_01/02_01_05.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/02_01/02_01_seg_0009_track_04.wav | null | 74.276 | 78.201 | 3.925 | true | false | Or maybe tomorrow | Verse 1 | combined | 74.276 | 78.201 | false | false | null | 21 | 17 | 3 | 0 | 0 | audio_only | 02_01_4 | 128 | 4 | 4 | C | minor | Red | Past | Thing | Known | null | A Doorbell for Finite Beings | 2019-01-11T00:00:00 | [03:46.193] | true | true | Block the left side from the right side by lifting the door Usher the cold, usher the heat don't even the score Was that your doorman I passed down the block? Can you text him I'm coming? Leave the keys in the box Or maybe tomorrow I've lost track of time It won't take too long sorting your stuff from mine Block the right side from the left side, don't let them through Usher the heat usher the cold oh we're gonna split them in two Found an old photo while I was cleaning up it's still flowing from where you spilled the cup Miscalculations from being so close up I've been watching I've been checking I've tried to tell you that something was lacking Let them come through Let them come through | Neu!, discogs_id: 12636, Gary Numan, discogs_id: 12588, Steely Dan, discogs_id: 160906 | mysterious, raygun sci-fi, ethereal, space age, otherworldly, unsettling, mad scientist, hypnotic | Experimental, Psychedelic, Art Rock, Electronic, Analog Synth, Krautrock | 02_01.lrc | The first song on Light Reading which is an imaginary reading list comes from a book on entropy. In the song maxwell's demon and a doorman at a couple's apartment overlap in their duties. The boyfriend is trying to separate this belongings and feelings from his girlfriend. Like heat and cold in the Maxwell's demon thought experiment - but like the demon and his doorbell - there's just no way to separate them. The song is a metaphor for the futility of trying to control memories and feelings, and the inevitability of entropy in relationships. | {
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} | Opening : Arpeggiated synths and strange effects, no drums or vocals, [00:00.000]-[00:22.142] | Opening Build : A bass is added, the mood becomes more ominous, [00:22.143]-[00:37.137] | Chorus 1 Intro : Drums are added to the driving bass it's dizzying and unsettling., [00:37.138]-[00:44.285] | Chorus 1 : The vocals begin, they are hushed, strained and doubled by a vocoder., [00:44.286]-[00:59.281] | Verse 1 : The vocals are no more projected and the track is grooving along., [00:59.282]-[01:29.272] | Chorus 2 : Back to the chorus in full swing., [01:29.273]-[01:44.266] | Interlude 1 : The synths are cranked up and sound like they are ripping the speakers up., [01:44.267]-[02:22.105] | Verse 2 - Bridging : The vocals continue and peak with energy before going into heavy vocoder., [02:22.106]-[02:44.250] | Jams 1 : Some motorik type jamming with the arpeggiated synths and a galloping bass., [02:44.251]-[03:07.093] | Jams 2 : A cruising speed has been reached and music becomes more hypnotic., [03:07.094]-[03:22.087] | Outro : The jam becomes more minor and the drums drop out leaving an arpeggiated synth trailing off., [03:22.088]-[03:46.193] | null |
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