segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
06_04_seg_0012_track_09 | 11 | 06_04 | 9 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_10_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0012_track_09.wav | null | 154.018 | 166.013 | 11.995 | true | false | To all those at Araby, try your best to hold the line | Interlude 2 | combined | 126.018 | 165.022 | true | End aligned to Interlude 2 boundary at 166.013s | true | 2/2 | 25 | 53 | 12 | 28 | 0.991 | audio_only | 06_04_9 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0012_track_10 | 11 | 06_04 | 10 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_11_acoustic.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0012_track_10.wav | null | 154.018 | 166.013 | 11.995 | true | false | To all those at Araby, try your best to hold the line | Interlude 2 | combined | 126.018 | 165.022 | true | End aligned to Interlude 2 boundary at 166.013s | true | 2/2 | 25 | 53 | 12 | 28 | 0.991 | audio_only | 06_04_10 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0012_track_11 | 11 | 06_04 | 11 | Mandolin | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_12_mandolin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0012_track_11.wav | null | 154.018 | 166.013 | 11.995 | true | false | To all those at Araby, try your best to hold the line | Interlude 2 | combined | 126.018 | 165.022 | true | End aligned to Interlude 2 boundary at 166.013s | true | 2/2 | 25 | 53 | 12 | 28 | 0.991 | audio_only | 06_04_11 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0012_track_12 | 11 | 06_04 | 12 | Banjo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_13_banjo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0012_track_12.wav | null | 154.018 | 166.013 | 11.995 | true | false | To all those at Araby, try your best to hold the line | Interlude 2 | combined | 126.018 | 165.022 | true | End aligned to Interlude 2 boundary at 166.013s | true | 2/2 | 25 | 53 | 12 | 28 | 0.991 | audio_only | 06_04_12 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0012_track_13 | 11 | 06_04 | 13 | Twelve String Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_14_twelve_string.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0012_track_13.wav | null | 154.018 | 166.013 | 11.995 | true | false | To all those at Araby, try your best to hold the line | Interlude 2 | combined | 126.018 | 165.022 | true | End aligned to Interlude 2 boundary at 166.013s | true | 2/2 | 25 | 53 | 12 | 28 | 0.991 | audio_only | 06_04_13 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0012_track_14 | 11 | 06_04 | 14 | Harmonica | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_15_harmonica.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0012_track_14.wav | null | 154.018 | 166.013 | 11.995 | true | false | To all those at Araby, try your best to hold the line | Interlude 2 | combined | 126.018 | 165.022 | true | End aligned to Interlude 2 boundary at 166.013s | true | 2/2 | 25 | 53 | 12 | 28 | 0.991 | audio_only | 06_04_14 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_02 | 12 | 06_04 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_02_piano.mid | 166.013 | 176.008 | 9.995 | true | true | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_midi | 06_04_2 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_03 | 12 | 06_04 | 3 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_04_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_03.wav | null | 166.013 | 176.008 | 9.995 | true | false | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_only | 06_04_3 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_04 | 12 | 06_04 | 4 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_05_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_04.wav | null | 166.013 | 176.008 | 9.995 | true | false | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_only | 06_04_4 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_05 | 12 | 06_04 | 5 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_06_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_05.wav | null | 166.013 | 176.008 | 9.995 | true | false | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_only | 06_04_5 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_07 | 12 | 06_04 | 7 | Toms | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_08_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_07.wav | null | 166.013 | 176.008 | 9.995 | true | false | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_only | 06_04_7 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_08 | 12 | 06_04 | 8 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_08.wav | null | 166.013 | 176.008 | 9.995 | true | false | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_only | 06_04_8 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_09 | 12 | 06_04 | 9 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_10_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_09.wav | null | 166.013 | 176.008 | 9.995 | true | false | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_only | 06_04_9 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_12 | 12 | 06_04 | 12 | Banjo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_13_banjo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_12.wav | null | 166.013 | 176.008 | 9.995 | true | false | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_only | 06_04_12 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_13 | 12 | 06_04 | 13 | Twelve String Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_14_twelve_string.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_13.wav | null | 166.013 | 176.008 | 9.995 | true | false | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_only | 06_04_13 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_15 | 12 | 06_04 | 15 | Trombone | null | RainbowPlayer.NIKOLA_R | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_16_trombone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_15.wav | null | 166.013 | 176.008 | 9.995 | true | false | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_only | 06_04_15 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_16 | 12 | 06_04 | 16 | Tuba | null | RainbowPlayer.MIKO | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_17_tuba.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_16.wav | null | 166.013 | 176.008 | 9.995 | true | false | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_only | 06_04_16 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_17 | 12 | 06_04 | 17 | French Horn | null | RainbowPlayer.NIKOLA_V | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_18_french_horn.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_17.wav | null | 166.013 | 176.008 | 9.995 | true | false | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_only | 06_04_17 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_18 | 12 | 06_04 | 18 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_18.wav | null | 166.013 | 176.008 | 9.995 | true | false | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_only | 06_04_18 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0013_track_20 | 12 | 06_04 | 20 | Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_21_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0013_track_20.wav | null | 166.013 | 176.008 | 9.995 | true | false | Don't know where this going, but it's going nowhere good | Verse 3 | combined | 165.022 | 176.008 | true | Start aligned to Interlude 2 boundary at 166.013s | false | null | 27 | 56 | 10 | 0.991 | 0 | audio_only | 06_04_20 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null |
06_04_seg_0014_track_02 | 13 | 06_04 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0014_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_02_piano.mid | 176.008 | 185.024 | 9.016 | true | true | Virtue delayed a day like Monocacy withstood | Verse 3 | combined | 176.008 | 185.024 | false | false | null | 29 | 44 | 7 | 0 | 0 | audio_midi | 06_04_2 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0014_track_03 | 13 | 06_04 | 3 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_04_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0014_track_03.wav | null | 176.008 | 185.024 | 9.016 | true | false | Virtue delayed a day like Monocacy withstood | Verse 3 | combined | 176.008 | 185.024 | false | false | null | 29 | 44 | 7 | 0 | 0 | audio_only | 06_04_3 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0014_track_04 | 13 | 06_04 | 4 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_05_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0014_track_04.wav | null | 176.008 | 185.024 | 9.016 | true | false | Virtue delayed a day like Monocacy withstood | Verse 3 | combined | 176.008 | 185.024 | false | false | null | 29 | 44 | 7 | 0 | 0 | audio_only | 06_04_4 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0014_track_05 | 13 | 06_04 | 5 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_06_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0014_track_05.wav | null | 176.008 | 185.024 | 9.016 | true | false | Virtue delayed a day like Monocacy withstood | Verse 3 | combined | 176.008 | 185.024 | false | false | null | 29 | 44 | 7 | 0 | 0 | audio_only | 06_04_5 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0014_track_08 | 13 | 06_04 | 8 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0014_track_08.wav | null | 176.008 | 185.024 | 9.016 | true | false | Virtue delayed a day like Monocacy withstood | Verse 3 | combined | 176.008 | 185.024 | false | false | null | 29 | 44 | 7 | 0 | 0 | audio_only | 06_04_8 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0014_track_09 | 13 | 06_04 | 9 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_10_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0014_track_09.wav | null | 176.008 | 185.024 | 9.016 | true | false | Virtue delayed a day like Monocacy withstood | Verse 3 | combined | 176.008 | 185.024 | false | false | null | 29 | 44 | 7 | 0 | 0 | audio_only | 06_04_9 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0014_track_12 | 13 | 06_04 | 12 | Banjo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_13_banjo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0014_track_12.wav | null | 176.008 | 185.024 | 9.016 | true | false | Virtue delayed a day like Monocacy withstood | Verse 3 | combined | 176.008 | 185.024 | false | false | null | 29 | 44 | 7 | 0 | 0 | audio_only | 06_04_12 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0014_track_13 | 13 | 06_04 | 13 | Twelve String Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_14_twelve_string.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0014_track_13.wav | null | 176.008 | 185.024 | 9.016 | true | false | Virtue delayed a day like Monocacy withstood | Verse 3 | combined | 176.008 | 185.024 | false | false | null | 29 | 44 | 7 | 0 | 0 | audio_only | 06_04_13 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0014_track_15 | 13 | 06_04 | 15 | Trombone | null | RainbowPlayer.NIKOLA_R | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_16_trombone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0014_track_15.wav | null | 176.008 | 185.024 | 9.016 | true | false | Virtue delayed a day like Monocacy withstood | Verse 3 | combined | 176.008 | 185.024 | false | false | null | 29 | 44 | 7 | 0 | 0 | audio_only | 06_04_15 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0014_track_16 | 13 | 06_04 | 16 | Tuba | null | RainbowPlayer.MIKO | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_17_tuba.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0014_track_16.wav | null | 176.008 | 185.024 | 9.016 | true | false | Virtue delayed a day like Monocacy withstood | Verse 3 | combined | 176.008 | 185.024 | false | false | null | 29 | 44 | 7 | 0 | 0 | audio_only | 06_04_16 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0014_track_17 | 13 | 06_04 | 17 | French Horn | null | RainbowPlayer.NIKOLA_V | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_18_french_horn.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0014_track_17.wav | null | 176.008 | 185.024 | 9.016 | true | false | Virtue delayed a day like Monocacy withstood | Verse 3 | combined | 176.008 | 185.024 | false | false | null | 29 | 44 | 7 | 0 | 0 | audio_only | 06_04_17 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0014_track_18 | 13 | 06_04 | 18 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0014_track_18.wav | null | 176.008 | 185.024 | 9.016 | true | false | Virtue delayed a day like Monocacy withstood | Verse 3 | combined | 176.008 | 185.024 | false | false | null | 29 | 44 | 7 | 0 | 0 | audio_only | 06_04_18 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0014_track_20 | 13 | 06_04 | 20 | Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_21_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0014_track_20.wav | null | 176.008 | 185.024 | 9.016 | true | false | Virtue delayed a day like Monocacy withstood | Verse 3 | combined | 176.008 | 185.024 | false | false | null | 29 | 44 | 7 | 0 | 0 | audio_only | 06_04_20 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_02 | 14 | 06_04 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_02_piano.mid | 185.024 | 195.022 | 9.998 | true | true | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_midi | 06_04_2 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_03 | 14 | 06_04 | 3 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_04_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_03.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_3 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_04 | 14 | 06_04 | 4 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_05_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_04.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_4 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_05 | 14 | 06_04 | 5 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_06_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_05.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_5 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_07 | 14 | 06_04 | 7 | Toms | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_08_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_07.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_7 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_08 | 14 | 06_04 | 8 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_08.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_8 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_09 | 14 | 06_04 | 9 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_10_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_09.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_9 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_12 | 14 | 06_04 | 12 | Banjo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_13_banjo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_12.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_12 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_13 | 14 | 06_04 | 13 | Twelve String Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_14_twelve_string.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_13.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_13 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_15 | 14 | 06_04 | 15 | Trombone | null | RainbowPlayer.NIKOLA_R | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_16_trombone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_15.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_15 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_16 | 14 | 06_04 | 16 | Tuba | null | RainbowPlayer.MIKO | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_17_tuba.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_16.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_16 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_17 | 14 | 06_04 | 17 | French Horn | null | RainbowPlayer.NIKOLA_V | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_18_french_horn.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_17.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_17 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_18 | 14 | 06_04 | 18 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_18.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_18 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_19 | 14 | 06_04 | 19 | Double Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_20_vox_dbl.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_19.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_19 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0015_track_20 | 14 | 06_04 | 20 | Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_21_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0015_track_20.wav | null | 185.024 | 195.022 | 9.998 | true | false | All I can hope for at best is to buy you time | Verse 3 | combined | 185.024 | 195.022 | false | false | null | 31 | 45 | 12 | 0 | 0 | audio_only | 06_04_20 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_02 | 15 | 06_04 | 2 | Piano | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_03_piano.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_02_piano.mid | 195.022 | 198.022 | 3 | true | true | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_midi | 06_04_2 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_03 | 15 | 06_04 | 3 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_04_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_03.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_3 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_04 | 15 | 06_04 | 4 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_05_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_04.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_4 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_05 | 15 | 06_04 | 5 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_06_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_05.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_5 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_06 | 15 | 06_04 | 6 | Hi-Hat | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_07_hh.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_06.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_6 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_07 | 15 | 06_04 | 7 | Toms | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_08_toms.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_07.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_7 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_08 | 15 | 06_04 | 8 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_09_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_08.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_8 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_09 | 15 | 06_04 | 9 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_10_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_09.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_9 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_12 | 15 | 06_04 | 12 | Banjo | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_13_banjo.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_12.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_12 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_13 | 15 | 06_04 | 13 | Twelve String Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_14_twelve_string.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_13.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_13 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_15 | 15 | 06_04 | 15 | Trombone | null | RainbowPlayer.NIKOLA_R | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_16_trombone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_15.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_15 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_16 | 15 | 06_04 | 16 | Tuba | null | RainbowPlayer.MIKO | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_17_tuba.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_16.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_16 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_17 | 15 | 06_04 | 17 | French Horn | null | RainbowPlayer.NIKOLA_V | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_18_french_horn.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_17.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_17 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_18 | 15 | 06_04 | 18 | Main Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_19_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_18.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_18 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_19 | 15 | 06_04 | 19 | Double Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_20_vox_dbl.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_19.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_19 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_04_seg_0016_track_20 | 15 | 06_04 | 20 | Background Vocals | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_04/06_04_21_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_04/06_04_seg_0016_track_20.wav | null | 195.022 | 198.022 | 3 | true | false | All those after me, I tried my best to buy you time | Verse 3 | combined | 195.022 | 198.022 | false | false | null | 33 | 51 | 12 | 0 | 0 | audio_only | 06_04_20 | 98 | 4 | 4 | B | minor | Blue | Present | Person | Forgotten | null | Monocacy | 2023-03-14T00:00:00 | [03:50.005] | true | true | In sixty-four they stopped Early as to take one for the team When they pulled out to Baltimore it weren't the loss it seemed Now, the hollow it follows me while driving past those monuments. Us NJ boys lead astray, here we are the occupants. Trumped up flags, buck'd and gagged, some corn for acknowledgement We are holed up at Best's, buying us some time To all those after me, I tried my best to buy you time Oh, across the street from the county seat, Lee asks them to pay the ransom. Rebs are back, red hats attack, now confused about the anthem All those after me, I tried my best to buy you time To all those at Araby, try your best to hold the line Don't know where this going, but it's going nowhere good Virtue delayed a day like Monocacy withstood All I can hope for at best is to buy you time All those after me, I tried my best to buy you time | Timesbold, discogs_id: 319016, The Band, discogs_id: 254199, The Beatles, discogs_id: 82730 | reflective, wistful, historical, nostalgic, fearful, resigned | folk, folk rock, americana | 06_04.lrc | I drive past the battlefield all the time and in this parallel universe the new Trump confederates are at war again. Dedicated to Private Peter Larna. | {
"album_sequence": 6,
"avg_word_length": 4.8076923076923075,
"boundary_fluidity_score": 0,
"concept_length": 150,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 1,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.8461538461538463,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 1,
"track_duration": 230.005,
"track_id": "06_04",
"track_position": 4,
"uncertainty_level": 0,
"word_count": 26
} | Verse 1 : Old timey folk instrumentation with a regimented beat, [00:00.000]-[00:58.019] | Chorus : Chorus with bombastic baritone guitar stops, [00:58.020]-[01:18.009] | Interlude 1 : Instrumental break with harmonica and baritone guitar, [01:18.010]-[01:28.004] | Verse 2 : Back to the old timey folk instrumentation, [01:28.005]-[01:57.013] | Chorus : Lamenting tinged version of the chorus, [01:57.014]-[02:17.003] | Interlude 2 : Twelve String centric break, [02:17.004]-[02:46.013] | Verse 3 : Final verse with full instrumentation, [02:46.014]-[03:25.017] | Chorus : Final chorus with instrumental developments, [03:25.018]-[03:50.005] | null | |
06_05_seg_0001_track_02 | 0 | 06_05 | 2 | Clavinet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_03_clavinet.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0001_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_02_clavinet.mid | 4.003 | 11.009 | 7.006 | false | true | You're waiting across from me. | Verse 1 | combined | 4.003 | 11.009 | true | Start aligned to Intro boundary at 4.003s | false | null | 5 | 30 | 5 | 0 | 0 | midi_only | 06_05_2 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null |
06_05_seg_0001_track_03 | 0 | 06_05 | 3 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_04_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0001_track_03.wav | null | 4.003 | 11.009 | 7.006 | true | false | You're waiting across from me. | Verse 1 | combined | 4.003 | 11.009 | true | Start aligned to Intro boundary at 4.003s | false | null | 5 | 30 | 5 | 0 | 0 | audio_only | 06_05_3 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null |
06_05_seg_0001_track_04 | 0 | 06_05 | 4 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_05_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0001_track_04.wav | null | 4.003 | 11.009 | 7.006 | true | false | You're waiting across from me. | Verse 1 | combined | 4.003 | 11.009 | true | Start aligned to Intro boundary at 4.003s | false | null | 5 | 30 | 5 | 0 | 0 | audio_only | 06_05_4 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null |
06_05_seg_0001_track_06 | 0 | 06_05 | 6 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_07_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0001_track_06.wav | null | 4.003 | 11.009 | 7.006 | true | false | You're waiting across from me. | Verse 1 | combined | 4.003 | 11.009 | true | Start aligned to Intro boundary at 4.003s | false | null | 5 | 30 | 5 | 0 | 0 | audio_only | 06_05_6 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null |
06_05_seg_0001_track_07 | 0 | 06_05 | 7 | Twelve String | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_08_twelve_string.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0001_track_07.wav | null | 4.003 | 11.009 | 7.006 | true | false | You're waiting across from me. | Verse 1 | combined | 4.003 | 11.009 | true | Start aligned to Intro boundary at 4.003s | false | null | 5 | 30 | 5 | 0 | 0 | audio_only | 06_05_7 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null |
06_05_seg_0001_track_08 | 0 | 06_05 | 8 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_09_acoustic.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0001_track_08.wav | null | 4.003 | 11.009 | 7.006 | true | false | You're waiting across from me. | Verse 1 | combined | 4.003 | 11.009 | true | Start aligned to Intro boundary at 4.003s | false | null | 5 | 30 | 5 | 0 | 0 | audio_only | 06_05_8 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null |
06_05_seg_0001_track_09 | 0 | 06_05 | 9 | Mandolin | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_10_mandolin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0001_track_09.wav | null | 4.003 | 11.009 | 7.006 | true | false | You're waiting across from me. | Verse 1 | combined | 4.003 | 11.009 | true | Start aligned to Intro boundary at 4.003s | false | null | 5 | 30 | 5 | 0 | 0 | audio_only | 06_05_9 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null |
06_05_seg_0001_track_10 | 0 | 06_05 | 10 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_11_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0001_track_10.wav | null | 4.003 | 11.009 | 7.006 | true | false | You're waiting across from me. | Verse 1 | combined | 4.003 | 11.009 | true | Start aligned to Intro boundary at 4.003s | false | null | 5 | 30 | 5 | 0 | 0 | audio_only | 06_05_10 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null |
06_05_seg_0001_track_11 | 0 | 06_05 | 11 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_12_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0001_track_11.wav | null | 4.003 | 11.009 | 7.006 | true | false | You're waiting across from me. | Verse 1 | combined | 4.003 | 11.009 | true | Start aligned to Intro boundary at 4.003s | false | null | 5 | 30 | 5 | 0 | 0 | audio_only | 06_05_11 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null |
06_05_seg_0001_track_12 | 0 | 06_05 | 12 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_13_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0001_track_12.wav | null | 4.003 | 11.009 | 7.006 | true | false | You're waiting across from me. | Verse 1 | combined | 4.003 | 11.009 | true | Start aligned to Intro boundary at 4.003s | false | null | 5 | 30 | 5 | 0 | 0 | audio_only | 06_05_12 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null |
06_05_seg_0001_track_15 | 0 | 06_05 | 15 | Vocals Main | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_15_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0001_track_15.wav | null | 4.003 | 11.009 | 7.006 | true | false | You're waiting across from me. | Verse 1 | combined | 4.003 | 11.009 | true | Start aligned to Intro boundary at 4.003s | false | null | 5 | 30 | 5 | 0 | 0 | audio_only | 06_05_15 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null |
06_05_seg_0001_track_16 | 0 | 06_05 | 16 | Vocals Double | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_16_vox_dbl.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0001_track_16.wav | null | 4.003 | 11.009 | 7.006 | true | false | You're waiting across from me. | Verse 1 | combined | 4.003 | 11.009 | true | Start aligned to Intro boundary at 4.003s | false | null | 5 | 30 | 5 | 0 | 0 | audio_only | 06_05_16 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null |
06_05_seg_0002_track_02 | 1 | 06_05 | 2 | Clavinet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_03_clavinet.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0002_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_02_clavinet.mid | 11.009 | 20.017 | 9.008 | false | true | I try to pretend I don't see | Verse 1 | combined | 11.009 | 20.017 | false | false | null | 7 | 28 | 7 | 0 | 0 | midi_only | 06_05_2 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0002_track_03 | 1 | 06_05 | 3 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_04_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0002_track_03.wav | null | 11.009 | 20.017 | 9.008 | true | false | I try to pretend I don't see | Verse 1 | combined | 11.009 | 20.017 | false | false | null | 7 | 28 | 7 | 0 | 0 | audio_only | 06_05_3 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0002_track_04 | 1 | 06_05 | 4 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_05_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0002_track_04.wav | null | 11.009 | 20.017 | 9.008 | true | false | I try to pretend I don't see | Verse 1 | combined | 11.009 | 20.017 | false | false | null | 7 | 28 | 7 | 0 | 0 | audio_only | 06_05_4 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0002_track_06 | 1 | 06_05 | 6 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_07_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0002_track_06.wav | null | 11.009 | 20.017 | 9.008 | true | false | I try to pretend I don't see | Verse 1 | combined | 11.009 | 20.017 | false | false | null | 7 | 28 | 7 | 0 | 0 | audio_only | 06_05_6 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0002_track_07 | 1 | 06_05 | 7 | Twelve String | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_08_twelve_string.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0002_track_07.wav | null | 11.009 | 20.017 | 9.008 | true | false | I try to pretend I don't see | Verse 1 | combined | 11.009 | 20.017 | false | false | null | 7 | 28 | 7 | 0 | 0 | audio_only | 06_05_7 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0002_track_08 | 1 | 06_05 | 8 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_09_acoustic.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0002_track_08.wav | null | 11.009 | 20.017 | 9.008 | true | false | I try to pretend I don't see | Verse 1 | combined | 11.009 | 20.017 | false | false | null | 7 | 28 | 7 | 0 | 0 | audio_only | 06_05_8 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0002_track_09 | 1 | 06_05 | 9 | Mandolin | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_10_mandolin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0002_track_09.wav | null | 11.009 | 20.017 | 9.008 | true | false | I try to pretend I don't see | Verse 1 | combined | 11.009 | 20.017 | false | false | null | 7 | 28 | 7 | 0 | 0 | audio_only | 06_05_9 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0002_track_10 | 1 | 06_05 | 10 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_11_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0002_track_10.wav | null | 11.009 | 20.017 | 9.008 | true | false | I try to pretend I don't see | Verse 1 | combined | 11.009 | 20.017 | false | false | null | 7 | 28 | 7 | 0 | 0 | audio_only | 06_05_10 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0002_track_11 | 1 | 06_05 | 11 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_12_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0002_track_11.wav | null | 11.009 | 20.017 | 9.008 | true | false | I try to pretend I don't see | Verse 1 | combined | 11.009 | 20.017 | false | false | null | 7 | 28 | 7 | 0 | 0 | audio_only | 06_05_11 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0002_track_12 | 1 | 06_05 | 12 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_13_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0002_track_12.wav | null | 11.009 | 20.017 | 9.008 | true | false | I try to pretend I don't see | Verse 1 | combined | 11.009 | 20.017 | false | false | null | 7 | 28 | 7 | 0 | 0 | audio_only | 06_05_12 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0002_track_15 | 1 | 06_05 | 15 | Vocals Main | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_15_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0002_track_15.wav | null | 11.009 | 20.017 | 9.008 | true | false | I try to pretend I don't see | Verse 1 | combined | 11.009 | 20.017 | false | false | null | 7 | 28 | 7 | 0 | 0 | audio_only | 06_05_15 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0002_track_16 | 1 | 06_05 | 16 | Vocals Double | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_16_vox_dbl.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0002_track_16.wav | null | 11.009 | 20.017 | 9.008 | true | false | I try to pretend I don't see | Verse 1 | combined | 11.009 | 20.017 | false | false | null | 7 | 28 | 7 | 0 | 0 | audio_only | 06_05_16 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0003_track_02 | 2 | 06_05 | 2 | Clavinet | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_03_clavinet.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0003_track_02.wav | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_02_clavinet.mid | 20.017 | 28.024 | 8.007 | false | true | that look in your eyes, that plea. | Verse 1 | combined | 20.017 | 28.024 | false | false | null | 9 | 34 | 7 | 0 | 0 | midi_only | 06_05_2 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0003_track_03 | 2 | 06_05 | 3 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_04_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0003_track_03.wav | null | 20.017 | 28.024 | 8.007 | true | false | that look in your eyes, that plea. | Verse 1 | combined | 20.017 | 28.024 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 06_05_3 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0003_track_04 | 2 | 06_05 | 4 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_05_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0003_track_04.wav | null | 20.017 | 28.024 | 8.007 | true | false | that look in your eyes, that plea. | Verse 1 | combined | 20.017 | 28.024 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 06_05_4 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0003_track_06 | 2 | 06_05 | 6 | Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_07_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0003_track_06.wav | null | 20.017 | 28.024 | 8.007 | true | false | that look in your eyes, that plea. | Verse 1 | combined | 20.017 | 28.024 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 06_05_6 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0003_track_07 | 2 | 06_05 | 7 | Twelve String | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_08_twelve_string.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0003_track_07.wav | null | 20.017 | 28.024 | 8.007 | true | false | that look in your eyes, that plea. | Verse 1 | combined | 20.017 | 28.024 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 06_05_7 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0003_track_08 | 2 | 06_05 | 8 | Acoustic Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_09_acoustic.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0003_track_08.wav | null | 20.017 | 28.024 | 8.007 | true | false | that look in your eyes, that plea. | Verse 1 | combined | 20.017 | 28.024 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 06_05_8 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0003_track_09 | 2 | 06_05 | 9 | Mandolin | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_10_mandolin.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0003_track_09.wav | null | 20.017 | 28.024 | 8.007 | true | false | that look in your eyes, that plea. | Verse 1 | combined | 20.017 | 28.024 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 06_05_9 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0003_track_10 | 2 | 06_05 | 10 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_11_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0003_track_10.wav | null | 20.017 | 28.024 | 8.007 | true | false | that look in your eyes, that plea. | Verse 1 | combined | 20.017 | 28.024 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 06_05_10 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0003_track_11 | 2 | 06_05 | 11 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_12_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0003_track_11.wav | null | 20.017 | 28.024 | 8.007 | true | false | that look in your eyes, that plea. | Verse 1 | combined | 20.017 | 28.024 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 06_05_11 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0003_track_12 | 2 | 06_05 | 12 | Snare | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_13_snare.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0003_track_12.wav | null | 20.017 | 28.024 | 8.007 | true | false | that look in your eyes, that plea. | Verse 1 | combined | 20.017 | 28.024 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 06_05_12 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0003_track_15 | 2 | 06_05 | 15 | Vocals Main | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_15_vox_main.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0003_track_15.wav | null | 20.017 | 28.024 | 8.007 | true | false | that look in your eyes, that plea. | Verse 1 | combined | 20.017 | 28.024 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 06_05_15 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null | |
06_05_seg_0003_track_16 | 2 | 06_05 | 16 | Vocals Double | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/06_05/06_05_16_vox_dbl.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_05/06_05_seg_0003_track_16.wav | null | 20.017 | 28.024 | 8.007 | true | false | that look in your eyes, that plea. | Verse 1 | combined | 20.017 | 28.024 | false | false | null | 9 | 34 | 7 | 0 | 0 | audio_only | 06_05_16 | 116 | 4 | 4 | D | minor | Blue | Present | Person | Forgotten | null | Stay Strangers | 2023-03-14T00:00:00 | [03:22.018] | true | true | You're waiting across from me. I try to pretend I don't see that look in your eyes, that plea. You're hoping for some company Hesitant, so reticent Sorry I wish I could help. I'm just not quite feeling myself Day after day I can't help by shy away It occurs to me that you are lonesome too You would think that we'd talk, but that would be untrue This is the drift I have caught, while weeds poke through the motel parking lot. Seems I'm boarding now, and you are not Reticent, so hesitant Now I can really see that you are lonesome too. So long ago, lives ago, I ceaselessly withdrew. So, I'm afraid, it will be silence over you | Small Faces, discogs_id: 152682, The Waterboys, discogs_id: 125174, John's Children, discogs_id: 377038 | regretful, nostalgic, wistful | folk rock, psychedelic rock | 06_05.lrc | There were a couple of years where I spent hours in the Copenhagen airport delirious from jet-lag and bored out of my mind while waiting for the plane to Jutland. I began to see the same people over and over like a commuter, I always wanted to talk to them but was too reserved. In this alternative universe it's me who is being characteristically standoffish. Dedicated to Passenger Jørgensen | {
"album_sequence": 6,
"avg_word_length": 4.7101449275362315,
"boundary_fluidity_score": 0,
"concept_length": 394,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.2898550724637681,
"ontological_uncertainty": 0.14492753623188406,
"question_marks": 0,
"rebracketing_coverage": 0.039473684210526314,
"rebracketing_intensity": 5.797101449275362,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.2898550724637681,
"track_duration": 202.018,
"track_id": "06_05",
"track_position": 5,
"uncertainty_level": 0,
"word_count": 69
} | Intro : Drums kick off, [00:00.000]-[00:04.003] | Verse 1 : The verse kicks right in with many string instruments, [00:04.004]-[00:37.006] | Interlude 1 : A psych rock style small break, [00:37.007]-[00:45.012] | Verse 2 : Right back to the verse, [00:45.013]-[01:02.001] | Bridge : Another sixties-tinged moment, [01:02.002]-[01:10.008] | Chorus : A brief chorus with baritone and 12-string, [01:10.009]-[01:31.000] | Verse 3 : Back to the verse, [01:31.001]-[01:55.021] | Interlude 2 : A repeat of the melotron'd guitar break, [01:55.022]-[02:04.003] | Chorus 2 : The chorus returns with more vocal layers, [02:04.004]-[02:43.011] | Jams : A mandolin and acoustic guitar jam out in the background, [02:43.012]-[03:22.018] | null |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.