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string
segment_index
int64
song_id
string
track_number
int64
track_description
string
track_group
string
track_player
string
source_audio_file
string
segment_audio_file
string
midi_file
string
start_seconds
float64
end_seconds
float64
duration_seconds
float64
has_audio
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has_midi
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lyric_text
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structure_section
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segment_type
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original_start_seconds
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original_end_seconds
float64
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structure_adjustments
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lrc_line_number
float64
lyric_char_count
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lyric_word_count
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start_adjustment_seconds
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end_adjustment_seconds
float64
content_type
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manifest_track_key
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bpm
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tempo_numerator
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tempo_denominator
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key_signature_note
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rainbow_color
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rainbow_color_temporal_mode
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rainbow_color_objectional_mode
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rainbow_color_ontological_mode
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title
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vocals
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lyrics
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genres
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06_10_seg_0013_track_21
12
06_10
21
Layered Vocal 3
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/06_10/06_10_26_vox3.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_10/06_10_seg_0013_track_21.wav
null
95.092
102.008
6.916
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You're forgetting where's he's from, watch out for that one
Chorus 3
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102.008
true
Start aligned to Verse 2 boundary at 95.092s
false
null
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audio_only
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134
4
4
E
major
Blue
Present
Person
Forgotten
null
Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
{ "album_sequence": 6, "avg_word_length": 3.7916666666666665, "boundary_fluidity_score": 0, "concept_length": 344, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.2777777777777778, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.039473684210526314, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.2777777777777778, "track_duration": 148.163, "track_id": "06_10", "track_position": 10, "uncertainty_level": 0, "word_count": 72 }
Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
06_10_seg_0014_track_02
13
06_10
2
Drums
drums
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/06_10/06_10_02_drums.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_10/06_10_seg_0014_track_02.wav
null
102.008
132.008
30
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false
Thinks the debt is undone, watch out for that one
Interlude
combined
102.008
138
true
End aligned to Chorus 4 boundary at 137.227s
true
1/2
31
49
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0
-5.992
audio_only
06_10_2
134
4
4
E
major
Blue
Present
Person
Forgotten
null
Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
{ "album_sequence": 6, "avg_word_length": 3.7916666666666665, "boundary_fluidity_score": 0, "concept_length": 344, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.2777777777777778, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.039473684210526314, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.2777777777777778, "track_duration": 148.163, "track_id": "06_10", "track_position": 10, "uncertainty_level": 0, "word_count": 72 }
Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
06_10_seg_0014_track_04
13
06_10
4
Snare
drums
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/06_10/06_10_04_snare.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_10/06_10_seg_0014_track_04.wav
null
102.008
132.008
30
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Thinks the debt is undone, watch out for that one
Interlude
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102.008
138
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End aligned to Chorus 4 boundary at 137.227s
true
1/2
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06_10_4
134
4
4
E
major
Blue
Present
Person
Forgotten
null
Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
{ "album_sequence": 6, "avg_word_length": 3.7916666666666665, "boundary_fluidity_score": 0, "concept_length": 344, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.2777777777777778, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.039473684210526314, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.2777777777777778, "track_duration": 148.163, "track_id": "06_10", "track_position": 10, "uncertainty_level": 0, "word_count": 72 }
Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
06_10_seg_0014_track_05
13
06_10
5
Kick
drums
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/06_10/06_10_05_kick.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_10/06_10_seg_0014_track_05.wav
null
102.008
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Thinks the debt is undone, watch out for that one
Interlude
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102.008
138
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End aligned to Chorus 4 boundary at 137.227s
true
1/2
31
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06_10_5
134
4
4
E
major
Blue
Present
Person
Forgotten
null
Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
{ "album_sequence": 6, "avg_word_length": 3.7916666666666665, "boundary_fluidity_score": 0, "concept_length": 344, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.2777777777777778, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.039473684210526314, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.2777777777777778, "track_duration": 148.163, "track_id": "06_10", "track_position": 10, "uncertainty_level": 0, "word_count": 72 }
Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
06_10_seg_0014_track_07
13
06_10
7
Bass
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/06_10/06_10_07_bass.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_10/06_10_seg_0014_track_07.wav
null
102.008
132.008
30
true
false
Thinks the debt is undone, watch out for that one
Interlude
combined
102.008
138
true
End aligned to Chorus 4 boundary at 137.227s
true
1/2
31
49
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-5.992
audio_only
06_10_7
134
4
4
E
major
Blue
Present
Person
Forgotten
null
Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
{ "album_sequence": 6, "avg_word_length": 3.7916666666666665, "boundary_fluidity_score": 0, "concept_length": 344, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.2777777777777778, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.039473684210526314, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.2777777777777778, "track_duration": 148.163, "track_id": "06_10", "track_position": 10, "uncertainty_level": 0, "word_count": 72 }
Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
06_10_seg_0014_track_08
13
06_10
8
Baritone Guitar
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/06_10/06_10_08_baritone.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_10/06_10_seg_0014_track_08.wav
null
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Thinks the debt is undone, watch out for that one
Interlude
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102.008
138
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End aligned to Chorus 4 boundary at 137.227s
true
1/2
31
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-5.992
audio_only
06_10_8
134
4
4
E
major
Blue
Present
Person
Forgotten
null
Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
{ "album_sequence": 6, "avg_word_length": 3.7916666666666665, "boundary_fluidity_score": 0, "concept_length": 344, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.2777777777777778, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.039473684210526314, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.2777777777777778, "track_duration": 148.163, "track_id": "06_10", "track_position": 10, "uncertainty_level": 0, "word_count": 72 }
Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
06_10_seg_0014_track_09
13
06_10
9
Electric Guitar
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/06_10/06_10_09_guitar.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_10/06_10_seg_0014_track_09.wav
null
102.008
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Thinks the debt is undone, watch out for that one
Interlude
combined
102.008
138
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End aligned to Chorus 4 boundary at 137.227s
true
1/2
31
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-5.992
audio_only
06_10_9
134
4
4
E
major
Blue
Present
Person
Forgotten
null
Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
{ "album_sequence": 6, "avg_word_length": 3.7916666666666665, "boundary_fluidity_score": 0, "concept_length": 344, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.2777777777777778, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.039473684210526314, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.2777777777777778, "track_duration": 148.163, "track_id": "06_10", "track_position": 10, "uncertainty_level": 0, "word_count": 72 }
Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
06_10_seg_0014_track_10
13
06_10
10
Electric Guitar 2
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/06_10/06_10_10_guitar2.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_10/06_10_seg_0014_track_10.wav
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102.008
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Thinks the debt is undone, watch out for that one
Interlude
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
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06_10
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Twelve string Electric
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Thinks the debt is undone, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
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Acoustic Guitar
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Thinks the debt is undone, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Thinks the debt is undone, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Thinks the debt is undone, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Thinks the debt is undone, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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06_10
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RainbowPlayer.GABE
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Thinks the debt is undone, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
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RainbowPlayer.GABE
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Thinks the debt is undone, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
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Thinks the debt is undone, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Thinks the debt is undone, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
{ "album_sequence": 6, "avg_word_length": 3.7916666666666665, "boundary_fluidity_score": 0, "concept_length": 344, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.2777777777777778, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.039473684210526314, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.2777777777777778, "track_duration": 148.163, "track_id": "06_10", "track_position": 10, "uncertainty_level": 0, "word_count": 72 }
Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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RainbowPlayer.GABE
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Thinks the debt is undone, watch out for that one
Interlude
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134
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4
E
major
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Person
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null
Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
{ "album_sequence": 6, "avg_word_length": 3.7916666666666665, "boundary_fluidity_score": 0, "concept_length": 344, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0.2777777777777778, "ontological_uncertainty": 0, "question_marks": 0, "rebracketing_coverage": 0.039473684210526314, "rebracketing_intensity": 8.333333333333332, "rebracketing_type": "spatial", "sentence_count": 5, "temporal_complexity_score": 0.2777777777777778, "track_duration": 148.163, "track_id": "06_10", "track_position": 10, "uncertainty_level": 0, "word_count": 72 }
Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
06_10_seg_0015_track_08
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06_10
8
Baritone Guitar
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/06_10/06_10_08_baritone.wav
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Thinks the debt is undone, watch out for that one
Interlude
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134
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Person
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null
Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
06_10_seg_0015_track_09
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06_10
9
Electric Guitar
null
RainbowPlayer.GABE
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Thinks the debt is undone, watch out for that one
Interlude
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null
Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
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06_10
10
Electric Guitar 2
null
RainbowPlayer.GABE
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Thinks the debt is undone, watch out for that one
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null
Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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06_10
11
Twelve string Electric
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RainbowPlayer.GABE
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Thinks the debt is undone, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
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06_10
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Acoustic Guitar
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RainbowPlayer.GABE
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Thinks the debt is undone, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Thinks the debt is undone, watch out for that one
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null
Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Never thanked him, never tried, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
true
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Never thanked him, never tried, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
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true
true
He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
null
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06_10
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Twelve string Electric
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Never thanked him, never tried, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
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true
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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06_10
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Never thanked him, never tried, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Never thanked him, never tried, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Never thanked him, never tried, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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2023-03-14T00:00:00
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Never thanked him, never tried, watch out for that one
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Watch Out for That One
2023-03-14T00:00:00
[02:28.163]
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He's walking all alone, watch out for that one Think you can't, think you can, watch out for that one Think I went to school with that guy He was gone before the end of fall Should hear the things that say Not sure I believe it all Not sure what he's done, watch out for that one When you were young, you two would play Did he take a punch that was meant for you? See him on the playground! You forget and you deny He was messed up for his life You're forgetting where's he's from, watch out for that one Thinks the debt is undone, watch out for that one Never thanked him, never tried, watch out for that one
Bobb Trimble, discogs_id: 920076, The Zombies, discogs_id: 262221
nostalgic, retro, unstable
indie rock, oldies, folk rock
06_10.lrc
In second grade a boy wanted to fight me and Craig stepped in to defend me. He got his arm pulled out of its socket in the process. He dropped out of school and became a bit of a town boogie man - but still I'd see him walking with a sling. In this world the roles are reversed and he's the wimpy shit and I'm the ghost boy. Dedicated to Craig.
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Intro : Electro-mechanical faux strings and mandolin jump right in for this 60s tinged intro, [00:00.000]-[00:28.163] | Chorus 1 : Layered vocals and bells continue the retro feel, [00:28.164]-[00:42.024] | Verse 1 : The verse has a bit of a start and stop feel, [00:42.025]-[01:01.008] | Chorus 2 : A quick single section chorus, [01:01.009]-[01:07.152] | Verse 2 : The verse continues expanding on the childhood tale, [01:07.153]-[01:35.092] | Chorus 3 : More vocal and instrumental interplay is added to the chorus, [01:35.093]-[01:48.201] | Interlude : The twelve string and walking bass line counter the odd dub style drum echo, [01:48.202]-[02:17.226] | Chorus 4 : Back for a quick chorus then ending abruptly, [02:17.227]-[02:28.163]
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Pulling you back a mirror, a miniature that feeling you've left on the stove.
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2023-03-14T00:00:00
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove.
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
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Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove.
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove.
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove.
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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2023-03-14T00:00:00
[03:43.009]
true
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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It's all on the plaque, carved by mad milliners: a riddle you cannot decode.
Verse 1
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Taped Over
2023-03-14T00:00:00
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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It's all on the plaque, carved by mad milliners: a riddle you cannot decode.
Verse 1
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Taped Over
2023-03-14T00:00:00
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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It's all on the plaque, carved by mad milliners: a riddle you cannot decode.
Verse 1
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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It's all on the plaque, carved by mad milliners: a riddle you cannot decode.
Verse 1
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2023-03-14T00:00:00
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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It's all on the plaque, carved by mad milliners: a riddle you cannot decode.
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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It's all on the plaque, carved by mad milliners: a riddle you cannot decode.
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2023-03-14T00:00:00
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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It's all on the plaque, carved by mad milliners: a riddle you cannot decode.
Verse 1
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Person
Forgotten
null
Taped Over
2023-03-14T00:00:00
[03:43.009]
true
true
Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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It's all on the plaque, carved by mad milliners: a riddle you cannot decode.
Verse 1
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Taped Over
2023-03-14T00:00:00
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true
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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It's all on the plaque, carved by mad milliners: a riddle you cannot decode.
Verse 1
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Taped Over
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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It's all on the plaque, carved by mad milliners: a riddle you cannot decode.
Verse 1
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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It's all on the plaque, carved by mad milliners: a riddle you cannot decode.
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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It's all on the plaque, carved by mad milliners: a riddle you cannot decode.
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2023-03-14T00:00:00
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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It's all on the plaque, carved by mad milliners: a riddle you cannot decode.
Verse 1
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2023-03-14T00:00:00
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true
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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A sad lonely claque, they called you a pillager of finite fishes and loaves.
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null
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2023-03-14T00:00:00
[03:43.009]
true
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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A sad lonely claque, they called you a pillager of finite fishes and loaves.
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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A sad lonely claque, they called you a pillager of finite fishes and loaves.
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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A sad lonely claque, they called you a pillager of finite fishes and loaves.
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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A sad lonely claque, they called you a pillager of finite fishes and loaves.
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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A sad lonely claque, they called you a pillager of finite fishes and loaves.
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2023-03-14T00:00:00
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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A sad lonely claque, they called you a pillager of finite fishes and loaves.
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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A sad lonely claque, they called you a pillager of finite fishes and loaves.
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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2023-03-14T00:00:00
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Piano
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RainbowPlayer.GABE
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Cassette on the ground, recorded while dreaming.
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Person
Forgotten
null
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2023-03-14T00:00:00
[03:43.009]
true
true
Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
null
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06_11
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Banjo
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RainbowPlayer.GABE
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Cassette on the ground, recorded while dreaming.
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Forgotten
null
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2023-03-14T00:00:00
[03:43.009]
true
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
null
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06_11
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Mandolin
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2023-03-14T00:00:00
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
null
06_11_seg_0004_track_05
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06_11
5
Acoustic Guitar
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RainbowPlayer.GABE
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2023-03-14T00:00:00
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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06_11
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12 String
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2023-03-14T00:00:00
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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Harpsichord
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2023-03-14T00:00:00
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true
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Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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06_11
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Baritone Guitar
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null
11
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0.995
0
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06_11_9
112
3
4
E
minor
Blue
Present
Person
Forgotten
null
Taped Over
2023-03-14T00:00:00
[03:43.009]
true
true
Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
null
06_11_seg_0004_track_10
3
06_11
10
Bass
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/06_11/06_11_12_bass.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_11/06_11_seg_0004_track_10.wav
null
61.015
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Cassette on the ground, recorded while dreaming.
Chorus 1
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Start aligned to Verse 1 boundary at 61.015s
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null
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06_11_10
112
3
4
E
minor
Blue
Present
Person
Forgotten
null
Taped Over
2023-03-14T00:00:00
[03:43.009]
true
true
Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
null
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11
Drums
Drums
RainbowPlayer.GRAHAM
/Volumes/LucidNonsense/White/staged_raw_material/06_11/06_11_13_drums.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_11/06_11_seg_0004_track_11.wav
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Cassette on the ground, recorded while dreaming.
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112
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E
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Blue
Present
Person
Forgotten
null
Taped Over
2023-03-14T00:00:00
[03:43.009]
true
true
Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
null
06_11_seg_0004_track_12
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Kick
Drums
RainbowPlayer.GRAHAM
/Volumes/LucidNonsense/White/staged_raw_material/06_11/06_11_14_kick.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_11/06_11_seg_0004_track_12.wav
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Cassette on the ground, recorded while dreaming.
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Present
Person
Forgotten
null
Taped Over
2023-03-14T00:00:00
[03:43.009]
true
true
Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
null
06_11_seg_0004_track_13
3
06_11
13
Snare
Drums
RainbowPlayer.GRAHAM
/Volumes/LucidNonsense/White/staged_raw_material/06_11/06_11_15_snare.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_11/06_11_seg_0004_track_13.wav
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Blue
Present
Person
Forgotten
null
Taped Over
2023-03-14T00:00:00
[03:43.009]
true
true
Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
null
06_11_seg_0004_track_15
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Toms
Drums
RainbowPlayer.GRAHAM
/Volumes/LucidNonsense/White/staged_raw_material/06_11/06_11_17_toms.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_11/06_11_seg_0004_track_15.wav
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null
Taped Over
2023-03-14T00:00:00
[03:43.009]
true
true
Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
null
06_11_seg_0004_track_16
3
06_11
16
Vocals Main
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/06_11/06_11_18_vox_main.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_11/06_11_seg_0004_track_16.wav
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E
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Blue
Present
Person
Forgotten
null
Taped Over
2023-03-14T00:00:00
[03:43.009]
true
true
Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
{ "album_sequence": 6, "avg_word_length": 5.116279069767442, "boundary_fluidity_score": 0, "concept_length": 262, "discrepancy_intensity": 0, "exclamation_marks": 0, "has_rebracketing_markers": true, "memory_discrepancy_severity": 0, "narrative_complexity": 0, "ontological_uncertainty": 0, "question_marks": 1, "rebracketing_coverage": 0.013157894736842105, "rebracketing_intensity": 4.651162790697675, "rebracketing_type": "spatial", "sentence_count": 2, "temporal_complexity_score": 0, "track_duration": 223.009, "track_id": "06_11", "track_position": 11, "uncertainty_level": 0, "word_count": 43 }
Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
null
06_11_seg_0004_track_17
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06_11
17
Double Vocals
null
RainbowPlayer.GABE
/Volumes/LucidNonsense/White/staged_raw_material/06_11/06_11_19_vox_dbl.wav
/Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/06_11/06_11_seg_0004_track_17.wav
null
61.015
67.017
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Cassette on the ground, recorded while dreaming.
Chorus 1
combined
60.02
67.017
true
Start aligned to Verse 1 boundary at 61.015s
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11
48
7
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audio_only
06_11_17
112
3
4
E
minor
Blue
Present
Person
Forgotten
null
Taped Over
2023-03-14T00:00:00
[03:43.009]
true
true
Pulling you back a mirror, a miniature that feeling you've left on the stove. It's all on the plaque, carved by mad milliners: a riddle you cannot decode. A sad lonely claque, they called you a pillager of finite fishes and loaves. Cassette on the ground, recorded while dreaming. The answers were there, but I taped over it. See that man on the ledge? You two could be brothers! Don't worry if he falls. They'll tape over it. Brain to the rack, hand to the sinister. A coin lost in the deep trove. How'd you lose track? Now just a mimicker, acting like it's something you chose. A plank to the head on the ship of Theseus. Hull marks obscured, they taped over them. I caught you on camera, you were supposed to be sleeping. Alibi still holds. We'll tape over it. Heroes come home, but wear out their welcome. One last parade. Ticker tape them all. Dailies in screening, 'switched out the actor, fixed with a splice, we'll tape over it. There's a hole in your story. Event out of sequence The timeline is shot. You'll tape over it.
Timesbold, discogs_id: 319016, Chris Gantry, discogs_id: 990239
frantic, cerebral, dizzying
folk rock, indie folk, art rock
06_11.lrc
With all these thoughts of alternate lives and timelines the horrid though came that we must override, tape over, our own experiences by choice, by collapsing the wave, or for self-preservation. What happens to the stories and lives lost? Dedicated to version 2.
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Drums : The drums begin the song alone., [00:00.000]-[00:08.014] | Intro : A barrage of string instrument pelt the listener, [00:08.015]-[00:23.000] | Interlude 1 : 12 string and harpsichord play a psychedelic melody, [00:23.001]-[00:27.021] | Verse 1 : A strummy verse with banjo and mandolin accents, [00:27.022]-[01:01.015] | Chorus 1 : The lines end with a variation on taping over., [01:01.016]-[01:26.019] | Bridge : A brief instrumental bridge, [01:26.020]-[01:32.003] | Verse 2 : Another strummy verse, [01:32.004]-[01:54.002] | Chorus 2 : This chorus is much longer than the first, [01:54.003]-[02:19.020] | Interlude 2 : Another 12 string and harpsichord section, [02:19.021]-[02:29.011] | Outro : The song ends with all string instruments frantically picking before resting, defeated., [02:29.012]-[03:08.014]
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