segment_id string | segment_index int64 | song_id string | track_number int64 | track_description string | track_group string | track_player string | source_audio_file string | segment_audio_file string | midi_file string | start_seconds float64 | end_seconds float64 | duration_seconds float64 | has_audio bool | has_midi bool | lyric_text string | structure_section string | segment_type string | original_start_seconds float64 | original_end_seconds float64 | has_structure_adjustments bool | structure_adjustments string | is_sub_segment bool | sub_segment_info string | lrc_line_number float64 | lyric_char_count uint32 | lyric_word_count uint32 | start_adjustment_seconds float64 | end_adjustment_seconds float64 | content_type string | manifest_track_key string | bpm int64 | tempo_numerator float64 | tempo_denominator float64 | key_signature_note string | key_signature_mode string | rainbow_color string | rainbow_color_temporal_mode string | rainbow_color_objectional_mode string | rainbow_color_ontological_mode string | transmigrational_mode string | title string | release_date string | total_running_time string | vocals bool | lyrics bool | lrc_lyrics string | sounds_like string | mood string | genres string | lrc_file string | concept string | training_data dict | song_structure string | midi_group_file string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
07_02_seg_0004_track_07 | 3 | 07_02 | 7 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0004_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_07_farfisa.mid | 35.008 | 43.023 | 8.015 | false | true | Strange, a target of all those stares and they act like you're not there | Verse 1 Extension | combined | 34.02 | 43.023 | true | Start aligned to Verse 1 boundary at 35.008s | false | null | 11 | 72 | 14 | 0.988 | 0 | midi_only | 07_02_7 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0004_track_08 | 3 | 07_02 | 8 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_10_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0004_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_09_farfisa_lead.mid | 35.008 | 43.023 | 8.015 | false | true | Strange, a target of all those stares and they act like you're not there | Verse 1 Extension | combined | 34.02 | 43.023 | true | Start aligned to Verse 1 boundary at 35.008s | false | null | 11 | 72 | 14 | 0.988 | 0 | midi_only | 07_02_8 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0004_track_09 | 3 | 07_02 | 9 | Vocals 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_11_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0004_track_09.wav | null | 35.008 | 43.023 | 8.015 | true | false | Strange, a target of all those stares and they act like you're not there | Verse 1 Extension | combined | 34.02 | 43.023 | true | Start aligned to Verse 1 boundary at 35.008s | false | null | 11 | 72 | 14 | 0.988 | 0 | audio_only | 07_02_9 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0004_track_16 | 3 | 07_02 | 16 | Lead Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_18_lead_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0004_track_16.wav | null | 35.008 | 43.023 | 8.015 | true | false | Strange, a target of all those stares and they act like you're not there | Verse 1 Extension | combined | 34.02 | 43.023 | true | Start aligned to Verse 1 boundary at 35.008s | false | null | 11 | 72 | 14 | 0.988 | 0 | audio_only | 07_02_16 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0005_track_02 | 4 | 07_02 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0005_track_02.wav | null | 43.023 | 52.005 | 8.982 | true | false | While you pulled secrets from the air, they could only tag you fair | Verse 1 Extension | combined | 43.023 | 52.005 | false | false | null | 13 | 67 | 13 | 0 | 0 | audio_only | 07_02_2 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null | |
07_02_seg_0005_track_03 | 4 | 07_02 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0005_track_03.wav | null | 43.023 | 52.005 | 8.982 | true | false | While you pulled secrets from the air, they could only tag you fair | Verse 1 Extension | combined | 43.023 | 52.005 | false | false | null | 13 | 67 | 13 | 0 | 0 | audio_only | 07_02_3 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null | |
07_02_seg_0005_track_07 | 4 | 07_02 | 7 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0005_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_07_farfisa.mid | 43.023 | 52.005 | 8.982 | false | true | While you pulled secrets from the air, they could only tag you fair | Verse 1 Extension | combined | 43.023 | 52.005 | false | false | null | 13 | 67 | 13 | 0 | 0 | midi_only | 07_02_7 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null | |
07_02_seg_0005_track_08 | 4 | 07_02 | 8 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_10_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0005_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_09_farfisa_lead.mid | 43.023 | 52.005 | 8.982 | false | true | While you pulled secrets from the air, they could only tag you fair | Verse 1 Extension | combined | 43.023 | 52.005 | false | false | null | 13 | 67 | 13 | 0 | 0 | midi_only | 07_02_8 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null | |
07_02_seg_0005_track_09 | 4 | 07_02 | 9 | Vocals 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_11_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0005_track_09.wav | null | 43.023 | 52.005 | 8.982 | true | false | While you pulled secrets from the air, they could only tag you fair | Verse 1 Extension | combined | 43.023 | 52.005 | false | false | null | 13 | 67 | 13 | 0 | 0 | audio_only | 07_02_9 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null | |
07_02_seg_0005_track_16 | 4 | 07_02 | 16 | Lead Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_18_lead_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0005_track_16.wav | null | 43.023 | 52.005 | 8.982 | true | false | While you pulled secrets from the air, they could only tag you fair | Verse 1 Extension | combined | 43.023 | 52.005 | false | false | null | 13 | 67 | 13 | 0 | 0 | audio_only | 07_02_16 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null | |
07_02_seg_0006_track_02 | 5 | 07_02 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0006_track_02.wav | null | 52.005 | 78.006 | 26.001 | true | false | Strange, they don't seem to care that your mind, not your face was rare | Interlude 1 | combined | 52.005 | 78.015 | true | End aligned to Bridge boundary at 78.006s | false | null | 15 | 71 | 14 | 0 | -0.009 | audio_only | 07_02_2 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0006_track_03 | 5 | 07_02 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0006_track_03.wav | null | 52.005 | 78.006 | 26.001 | true | false | Strange, they don't seem to care that your mind, not your face was rare | Interlude 1 | combined | 52.005 | 78.015 | true | End aligned to Bridge boundary at 78.006s | false | null | 15 | 71 | 14 | 0 | -0.009 | audio_only | 07_02_3 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0006_track_07 | 5 | 07_02 | 7 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0006_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_07_farfisa.mid | 52.005 | 78.006 | 26.001 | false | true | Strange, they don't seem to care that your mind, not your face was rare | Interlude 1 | combined | 52.005 | 78.015 | true | End aligned to Bridge boundary at 78.006s | false | null | 15 | 71 | 14 | 0 | -0.009 | midi_only | 07_02_7 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0006_track_08 | 5 | 07_02 | 8 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_10_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0006_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_09_farfisa_lead.mid | 52.005 | 78.006 | 26.001 | true | true | Strange, they don't seem to care that your mind, not your face was rare | Interlude 1 | combined | 52.005 | 78.015 | true | End aligned to Bridge boundary at 78.006s | false | null | 15 | 71 | 14 | 0 | -0.009 | audio_midi | 07_02_8 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0006_track_16 | 5 | 07_02 | 16 | Lead Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_18_lead_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0006_track_16.wav | null | 52.005 | 78.006 | 26.001 | true | false | Strange, they don't seem to care that your mind, not your face was rare | Interlude 1 | combined | 52.005 | 78.015 | true | End aligned to Bridge boundary at 78.006s | false | null | 15 | 71 | 14 | 0 | -0.009 | audio_only | 07_02_16 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0006_track_17 | 5 | 07_02 | 17 | Mellotron with noise | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_19_mellotron_with_noise.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0006_track_17.wav | null | 52.005 | 78.006 | 26.001 | true | false | Strange, they don't seem to care that your mind, not your face was rare | Interlude 1 | combined | 52.005 | 78.015 | true | End aligned to Bridge boundary at 78.006s | false | null | 15 | 71 | 14 | 0 | -0.009 | audio_only | 07_02_17 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0007_track_02 | 6 | 07_02 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0007_track_02.wav | null | 78.006 | 94.021 | 16.015 | true | false | Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling | Bridge | combined | 78.015 | 95.002 | true | Start aligned to Bridge boundary at 78.006s | End aligned to Chorus 1 boundary at 94.021s | false | null | 17 | 100 | 19 | -0.009 | -0.981 | audio_only | 07_02_2 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0007_track_03 | 6 | 07_02 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0007_track_03.wav | null | 78.006 | 94.021 | 16.015 | true | false | Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling | Bridge | combined | 78.015 | 95.002 | true | Start aligned to Bridge boundary at 78.006s | End aligned to Chorus 1 boundary at 94.021s | false | null | 17 | 100 | 19 | -0.009 | -0.981 | audio_only | 07_02_3 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0007_track_07 | 6 | 07_02 | 7 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0007_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_07_farfisa.mid | 78.006 | 94.021 | 16.015 | false | true | Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling | Bridge | combined | 78.015 | 95.002 | true | Start aligned to Bridge boundary at 78.006s | End aligned to Chorus 1 boundary at 94.021s | false | null | 17 | 100 | 19 | -0.009 | -0.981 | midi_only | 07_02_7 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0007_track_08 | 6 | 07_02 | 8 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_10_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0007_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_09_farfisa_lead.mid | 78.006 | 94.021 | 16.015 | false | true | Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling | Bridge | combined | 78.015 | 95.002 | true | Start aligned to Bridge boundary at 78.006s | End aligned to Chorus 1 boundary at 94.021s | false | null | 17 | 100 | 19 | -0.009 | -0.981 | midi_only | 07_02_8 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0007_track_09 | 6 | 07_02 | 9 | Vocals 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_11_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0007_track_09.wav | null | 78.006 | 94.021 | 16.015 | true | false | Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling | Bridge | combined | 78.015 | 95.002 | true | Start aligned to Bridge boundary at 78.006s | End aligned to Chorus 1 boundary at 94.021s | false | null | 17 | 100 | 19 | -0.009 | -0.981 | audio_only | 07_02_9 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0008_track_02 | 7 | 07_02 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0008_track_02.wav | null | 94.021 | 112.012 | 17.991 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 1 | combined | 95.002 | 111.024 | true | Start aligned to Chorus 1 boundary at 94.021s | End aligned to Chorus 1 boundary at 112.012s | false | null | 19 | 83 | 16 | -0.981 | 0.988 | audio_only | 07_02_2 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0008_track_03 | 7 | 07_02 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0008_track_03.wav | null | 94.021 | 112.012 | 17.991 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 1 | combined | 95.002 | 111.024 | true | Start aligned to Chorus 1 boundary at 94.021s | End aligned to Chorus 1 boundary at 112.012s | false | null | 19 | 83 | 16 | -0.981 | 0.988 | audio_only | 07_02_3 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0008_track_07 | 7 | 07_02 | 7 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0008_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_07_farfisa.mid | 94.021 | 112.012 | 17.991 | false | true | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 1 | combined | 95.002 | 111.024 | true | Start aligned to Chorus 1 boundary at 94.021s | End aligned to Chorus 1 boundary at 112.012s | false | null | 19 | 83 | 16 | -0.981 | 0.988 | midi_only | 07_02_7 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0008_track_08 | 7 | 07_02 | 8 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_10_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0008_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_09_farfisa_lead.mid | 94.021 | 112.012 | 17.991 | true | true | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 1 | combined | 95.002 | 111.024 | true | Start aligned to Chorus 1 boundary at 94.021s | End aligned to Chorus 1 boundary at 112.012s | false | null | 19 | 83 | 16 | -0.981 | 0.988 | audio_midi | 07_02_8 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0008_track_11 | 7 | 07_02 | 11 | Vocals 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_13_vox_3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0008_track_11.wav | null | 94.021 | 112.012 | 17.991 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 1 | combined | 95.002 | 111.024 | true | Start aligned to Chorus 1 boundary at 94.021s | End aligned to Chorus 1 boundary at 112.012s | false | null | 19 | 83 | 16 | -0.981 | 0.988 | audio_only | 07_02_11 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0008_track_12 | 7 | 07_02 | 12 | Vocals 4 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_14_vox_4.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0008_track_12.wav | null | 94.021 | 112.012 | 17.991 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 1 | combined | 95.002 | 111.024 | true | Start aligned to Chorus 1 boundary at 94.021s | End aligned to Chorus 1 boundary at 112.012s | false | null | 19 | 83 | 16 | -0.981 | 0.988 | audio_only | 07_02_12 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0008_track_13 | 7 | 07_02 | 13 | Vocals 5 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_15_vox_5.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0008_track_13.wav | null | 94.021 | 112.012 | 17.991 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 1 | combined | 95.002 | 111.024 | true | Start aligned to Chorus 1 boundary at 94.021s | End aligned to Chorus 1 boundary at 112.012s | false | null | 19 | 83 | 16 | -0.981 | 0.988 | audio_only | 07_02_13 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0008_track_14 | 7 | 07_02 | 14 | Vocals Background | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_16_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0008_track_14.wav | null | 94.021 | 112.012 | 17.991 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 1 | combined | 95.002 | 111.024 | true | Start aligned to Chorus 1 boundary at 94.021s | End aligned to Chorus 1 boundary at 112.012s | false | null | 19 | 83 | 16 | -0.981 | 0.988 | audio_only | 07_02_14 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0008_track_17 | 7 | 07_02 | 17 | Mellotron with noise | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_19_mellotron_with_noise.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0008_track_17.wav | null | 94.021 | 112.012 | 17.991 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 1 | combined | 95.002 | 111.024 | true | Start aligned to Chorus 1 boundary at 94.021s | End aligned to Chorus 1 boundary at 112.012s | false | null | 19 | 83 | 16 | -0.981 | 0.988 | audio_only | 07_02_17 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0009_track_02 | 8 | 07_02 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0009_track_02.wav | null | 112.012 | 121.001 | 8.989 | true | false | Now it's your lips, your eyes, your hair that mark the pages that they tear | Verse 2 | combined | 111.024 | 121.001 | true | Start aligned to Chorus 1 boundary at 112.012s | false | null | 21 | 75 | 15 | 0.988 | 0 | audio_only | 07_02_2 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0009_track_03 | 8 | 07_02 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0009_track_03.wav | null | 112.012 | 121.001 | 8.989 | true | false | Now it's your lips, your eyes, your hair that mark the pages that they tear | Verse 2 | combined | 111.024 | 121.001 | true | Start aligned to Chorus 1 boundary at 112.012s | false | null | 21 | 75 | 15 | 0.988 | 0 | audio_only | 07_02_3 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0009_track_07 | 8 | 07_02 | 7 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0009_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_07_farfisa.mid | 112.012 | 121.001 | 8.989 | false | true | Now it's your lips, your eyes, your hair that mark the pages that they tear | Verse 2 | combined | 111.024 | 121.001 | true | Start aligned to Chorus 1 boundary at 112.012s | false | null | 21 | 75 | 15 | 0.988 | 0 | midi_only | 07_02_7 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0009_track_08 | 8 | 07_02 | 8 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_10_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0009_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_09_farfisa_lead.mid | 112.012 | 121.001 | 8.989 | false | true | Now it's your lips, your eyes, your hair that mark the pages that they tear | Verse 2 | combined | 111.024 | 121.001 | true | Start aligned to Chorus 1 boundary at 112.012s | false | null | 21 | 75 | 15 | 0.988 | 0 | midi_only | 07_02_8 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0009_track_12 | 8 | 07_02 | 12 | Vocals 4 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_14_vox_4.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0009_track_12.wav | null | 112.012 | 121.001 | 8.989 | true | false | Now it's your lips, your eyes, your hair that mark the pages that they tear | Verse 2 | combined | 111.024 | 121.001 | true | Start aligned to Chorus 1 boundary at 112.012s | false | null | 21 | 75 | 15 | 0.988 | 0 | audio_only | 07_02_12 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0009_track_13 | 8 | 07_02 | 13 | Vocals 5 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_15_vox_5.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0009_track_13.wav | null | 112.012 | 121.001 | 8.989 | true | false | Now it's your lips, your eyes, your hair that mark the pages that they tear | Verse 2 | combined | 111.024 | 121.001 | true | Start aligned to Chorus 1 boundary at 112.012s | false | null | 21 | 75 | 15 | 0.988 | 0 | audio_only | 07_02_13 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0009_track_14 | 8 | 07_02 | 14 | Vocals Background | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_16_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0009_track_14.wav | null | 112.012 | 121.001 | 8.989 | true | false | Now it's your lips, your eyes, your hair that mark the pages that they tear | Verse 2 | combined | 111.024 | 121.001 | true | Start aligned to Chorus 1 boundary at 112.012s | false | null | 21 | 75 | 15 | 0.988 | 0 | audio_only | 07_02_14 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0010_track_02 | 9 | 07_02 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0010_track_02.wav | null | 121.001 | 146.019 | 25.018 | true | false | Wild invention drawn with flair, pages your name does not bare | Interlude 2 | combined | 121.001 | 146.019 | true | End aligned to Interlude 2 boundary at 146.019s | false | null | 23 | 62 | 11 | 0 | 0 | audio_only | 07_02_2 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0010_track_03 | 9 | 07_02 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0010_track_03.wav | null | 121.001 | 146.019 | 25.018 | true | false | Wild invention drawn with flair, pages your name does not bare | Interlude 2 | combined | 121.001 | 146.019 | true | End aligned to Interlude 2 boundary at 146.019s | false | null | 23 | 62 | 11 | 0 | 0 | audio_only | 07_02_3 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0010_track_07 | 9 | 07_02 | 7 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0010_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_07_farfisa.mid | 121.001 | 146.019 | 25.018 | false | true | Wild invention drawn with flair, pages your name does not bare | Interlude 2 | combined | 121.001 | 146.019 | true | End aligned to Interlude 2 boundary at 146.019s | false | null | 23 | 62 | 11 | 0 | 0 | midi_only | 07_02_7 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0010_track_08 | 9 | 07_02 | 8 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_10_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0010_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_09_farfisa_lead.mid | 121.001 | 146.019 | 25.018 | true | true | Wild invention drawn with flair, pages your name does not bare | Interlude 2 | combined | 121.001 | 146.019 | true | End aligned to Interlude 2 boundary at 146.019s | false | null | 23 | 62 | 11 | 0 | 0 | audio_midi | 07_02_8 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0010_track_16 | 9 | 07_02 | 16 | Lead Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_18_lead_guitar.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0010_track_16.wav | null | 121.001 | 146.019 | 25.018 | true | false | Wild invention drawn with flair, pages your name does not bare | Interlude 2 | combined | 121.001 | 146.019 | true | End aligned to Interlude 2 boundary at 146.019s | false | null | 23 | 62 | 11 | 0 | 0 | audio_only | 07_02_16 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0011_track_07 | 10 | 07_02 | 7 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0011_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_07_farfisa.mid | 146.019 | 163.023 | 17.004 | false | true | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 2 - Vocal Wall | combined | 146.019 | 163.023 | true | Start aligned to Interlude 2 boundary at 146.019s | End aligned to Chorus 2 - Vocal Wall boundary at 163.023s | false | null | 25 | 83 | 16 | 0 | 0 | midi_only | 07_02_7 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0011_track_08 | 10 | 07_02 | 8 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_10_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0011_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_09_farfisa_lead.mid | 146.019 | 163.023 | 17.004 | false | true | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 2 - Vocal Wall | combined | 146.019 | 163.023 | true | Start aligned to Interlude 2 boundary at 146.019s | End aligned to Chorus 2 - Vocal Wall boundary at 163.023s | false | null | 25 | 83 | 16 | 0 | 0 | midi_only | 07_02_8 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0011_track_11 | 10 | 07_02 | 11 | Vocals 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_13_vox_3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0011_track_11.wav | null | 146.019 | 163.023 | 17.004 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 2 - Vocal Wall | combined | 146.019 | 163.023 | true | Start aligned to Interlude 2 boundary at 146.019s | End aligned to Chorus 2 - Vocal Wall boundary at 163.023s | false | null | 25 | 83 | 16 | 0 | 0 | audio_only | 07_02_11 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0011_track_12 | 10 | 07_02 | 12 | Vocals 4 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_14_vox_4.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0011_track_12.wav | null | 146.019 | 163.023 | 17.004 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 2 - Vocal Wall | combined | 146.019 | 163.023 | true | Start aligned to Interlude 2 boundary at 146.019s | End aligned to Chorus 2 - Vocal Wall boundary at 163.023s | false | null | 25 | 83 | 16 | 0 | 0 | audio_only | 07_02_12 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0011_track_13 | 10 | 07_02 | 13 | Vocals 5 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_15_vox_5.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0011_track_13.wav | null | 146.019 | 163.023 | 17.004 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 2 - Vocal Wall | combined | 146.019 | 163.023 | true | Start aligned to Interlude 2 boundary at 146.019s | End aligned to Chorus 2 - Vocal Wall boundary at 163.023s | false | null | 25 | 83 | 16 | 0 | 0 | audio_only | 07_02_13 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0011_track_14 | 10 | 07_02 | 14 | Vocals Background | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_16_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0011_track_14.wav | null | 146.019 | 163.023 | 17.004 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus 2 - Vocal Wall | combined | 146.019 | 163.023 | true | Start aligned to Interlude 2 boundary at 146.019s | End aligned to Chorus 2 - Vocal Wall boundary at 163.023s | false | null | 25 | 83 | 16 | 0 | 0 | audio_only | 07_02_14 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0012_track_02 | 11 | 07_02 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0012_track_02.wav | null | 163.023 | 193.023 | 30 | true | false | Those clever boys come between you and the languages of worlds unseen | Chorus 2 - Full Instrumentation | combined | 163.023 | 198.005 | true | Start aligned to Chorus 2 - Vocal Wall boundary at 163.023s | End aligned to Breakdown boundary at 198.005s | true | 1/2 | 27 | 69 | 12 | 0 | -4.982 | audio_only | 07_02_2 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0012_track_03 | 11 | 07_02 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0012_track_03.wav | null | 163.023 | 193.023 | 30 | true | false | Those clever boys come between you and the languages of worlds unseen | Chorus 2 - Full Instrumentation | combined | 163.023 | 198.005 | true | Start aligned to Chorus 2 - Vocal Wall boundary at 163.023s | End aligned to Breakdown boundary at 198.005s | true | 1/2 | 27 | 69 | 12 | 0 | -4.982 | audio_only | 07_02_3 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0012_track_07 | 11 | 07_02 | 7 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0012_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_07_farfisa.mid | 163.023 | 193.023 | 30 | false | true | Those clever boys come between you and the languages of worlds unseen | Chorus 2 - Full Instrumentation | combined | 163.023 | 198.005 | true | Start aligned to Chorus 2 - Vocal Wall boundary at 163.023s | End aligned to Breakdown boundary at 198.005s | true | 1/2 | 27 | 69 | 12 | 0 | -4.982 | midi_only | 07_02_7 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0012_track_08 | 11 | 07_02 | 8 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_10_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0012_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_09_farfisa_lead.mid | 163.023 | 193.023 | 30 | false | true | Those clever boys come between you and the languages of worlds unseen | Chorus 2 - Full Instrumentation | combined | 163.023 | 198.005 | true | Start aligned to Chorus 2 - Vocal Wall boundary at 163.023s | End aligned to Breakdown boundary at 198.005s | true | 1/2 | 27 | 69 | 12 | 0 | -4.982 | midi_only | 07_02_8 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0012_track_11 | 11 | 07_02 | 11 | Vocals 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_13_vox_3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0012_track_11.wav | null | 163.023 | 193.023 | 30 | true | false | Those clever boys come between you and the languages of worlds unseen | Chorus 2 - Full Instrumentation | combined | 163.023 | 198.005 | true | Start aligned to Chorus 2 - Vocal Wall boundary at 163.023s | End aligned to Breakdown boundary at 198.005s | true | 1/2 | 27 | 69 | 12 | 0 | -4.982 | audio_only | 07_02_11 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0012_track_12 | 11 | 07_02 | 12 | Vocals 4 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_14_vox_4.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0012_track_12.wav | null | 163.023 | 193.023 | 30 | true | false | Those clever boys come between you and the languages of worlds unseen | Chorus 2 - Full Instrumentation | combined | 163.023 | 198.005 | true | Start aligned to Chorus 2 - Vocal Wall boundary at 163.023s | End aligned to Breakdown boundary at 198.005s | true | 1/2 | 27 | 69 | 12 | 0 | -4.982 | audio_only | 07_02_12 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0012_track_13 | 11 | 07_02 | 13 | Vocals 5 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_15_vox_5.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0012_track_13.wav | null | 163.023 | 193.023 | 30 | true | false | Those clever boys come between you and the languages of worlds unseen | Chorus 2 - Full Instrumentation | combined | 163.023 | 198.005 | true | Start aligned to Chorus 2 - Vocal Wall boundary at 163.023s | End aligned to Breakdown boundary at 198.005s | true | 1/2 | 27 | 69 | 12 | 0 | -4.982 | audio_only | 07_02_13 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0012_track_14 | 11 | 07_02 | 14 | Vocals Background | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_16_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0012_track_14.wav | null | 163.023 | 193.023 | 30 | true | false | Those clever boys come between you and the languages of worlds unseen | Chorus 2 - Full Instrumentation | combined | 163.023 | 198.005 | true | Start aligned to Chorus 2 - Vocal Wall boundary at 163.023s | End aligned to Breakdown boundary at 198.005s | true | 1/2 | 27 | 69 | 12 | 0 | -4.982 | audio_only | 07_02_14 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0013_track_07 | 12 | 07_02 | 7 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0013_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_07_farfisa.mid | 191.023 | 198.005 | 6.982 | true | true | Those clever boys come between you and the languages of worlds unseen | Breakdown | combined | 163.023 | 198.005 | true | Start aligned to Chorus 2 - Vocal Wall boundary at 163.023s | End aligned to Breakdown boundary at 198.005s | true | 2/2 | 27 | 69 | 12 | 28 | 0 | audio_midi | 07_02_7 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0013_track_08 | 12 | 07_02 | 8 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_10_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0013_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_09_farfisa_lead.mid | 191.023 | 198.005 | 6.982 | false | true | Those clever boys come between you and the languages of worlds unseen | Breakdown | combined | 163.023 | 198.005 | true | Start aligned to Chorus 2 - Vocal Wall boundary at 163.023s | End aligned to Breakdown boundary at 198.005s | true | 2/2 | 27 | 69 | 12 | 28 | 0 | midi_only | 07_02_8 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0014_track_02 | 13 | 07_02 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0014_track_02.wav | null | 198.005 | 201.005 | 3 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus Reprise | combined | 198.005 | 201.005 | true | Start aligned to Breakdown boundary at 198.005s | false | null | 29 | 83 | 16 | 0 | 0 | audio_only | 07_02_2 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0014_track_03 | 13 | 07_02 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0014_track_03.wav | null | 198.005 | 201.005 | 3 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus Reprise | combined | 198.005 | 201.005 | true | Start aligned to Breakdown boundary at 198.005s | false | null | 29 | 83 | 16 | 0 | 0 | audio_only | 07_02_3 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0014_track_07 | 13 | 07_02 | 7 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_08_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0014_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_07_farfisa.mid | 198.005 | 201.005 | 3 | false | true | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus Reprise | combined | 198.005 | 201.005 | true | Start aligned to Breakdown boundary at 198.005s | false | null | 29 | 83 | 16 | 0 | 0 | midi_only | 07_02_7 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0014_track_08 | 13 | 07_02 | 8 | Farfisa Lead | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_10_farfisa_lead.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0014_track_08.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_09_farfisa_lead.mid | 198.005 | 201.005 | 3 | true | true | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus Reprise | combined | 198.005 | 201.005 | true | Start aligned to Breakdown boundary at 198.005s | false | null | 29 | 83 | 16 | 0 | 0 | audio_midi | 07_02_8 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0014_track_11 | 13 | 07_02 | 11 | Vocals 3 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_13_vox_3.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0014_track_11.wav | null | 198.005 | 201.005 | 3 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus Reprise | combined | 198.005 | 201.005 | true | Start aligned to Breakdown boundary at 198.005s | false | null | 29 | 83 | 16 | 0 | 0 | audio_only | 07_02_11 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_02_seg_0014_track_17 | 13 | 07_02 | 17 | Mellotron with noise | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_02/07_02_19_mellotron_with_noise.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_02/07_02_seg_0014_track_17.wav | null | 198.005 | 201.005 | 3 | true | false | Don't let them say what you mean, you can still hear the languages of worlds unseen | Chorus Reprise | combined | 198.005 | 201.005 | true | Start aligned to Breakdown boundary at 198.005s | false | null | 29 | 83 | 16 | 0 | 0 | audio_only | 07_02_17 | 112 | 4 | 4 | G | major | Indigo | null | null | Known, Forgotten | null | BLOB-Given Sorcery | 2024-06-04T00:00:00 | [04:01.001] | true | true | Oh, you clever boys, watch them light the fuse Now they get confused by the smoke and shattering A clever, burning mess. Pull the lever to progress. Strange, a target of all those stares and they act like you're not there While you pulled secrets from the air, they could only tag you fair Strange, they don't seem to care that your mind, not your face was rare Go to the set, bring up the lights, get used to dealing with getting cut short, with being unfeeling Don't let them say what you mean, you can still hear the languages of worlds unseen Now it's your lips, your eyes, your hair that mark the pages that they tear Wild invention drawn with flair, pages your name does not bare Don't let them say what you mean, you can still hear the languages of worlds unseen Those clever boys come between you and the languages of worlds unseen Don't let them say what you mean, you can still hear the languages of worlds unseen | 10cc, discogs_id: 39775, Carpenters, discogs_id: 170357, Electric Light Orchestra, discogs_id: 112154 | saccharine, melancholic, surreal | Rock, Art pop, Soft rock | 07_02.lrc | A song about Hedy Lamarr. Who ran circles around the clever boys although they saw her as just a pretty face. She co-invented frequency hopping spread spectrum technology which is the basis for modern wireless communication including WiFi, Bluetooth and GPS. A song to celebrate her brilliance and creativity. | {
"album_sequence": 7,
"avg_word_length": 5.326530612244898,
"boundary_fluidity_score": 0,
"concept_length": 309,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0.20408163265306123,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 4.081632653061225,
"rebracketing_type": "spatial",
"sentence_count": 4,
"temporal_complexity_score": 0.20408163265306123,
"track_duration": 241.001,
"track_id": "07_02",
"track_position": 2,
"uncertainty_level": 0,
"word_count": 49
} | Kick start : The drums kick in with a slow kick drum beat., [00:00.000]-[00:01.001] | Verse - Guitar Intro : A walking guitar line starts the song., [00:01.002]-[00:09.002] | Verse 1 : The vocals enter over an upbeat rock affair, [00:09.002]-[00:35.008] | Verse 1 Extension : The verse continues with more synths a shift in the vocal melody, [00:35.009]-[01:01.001] | Interlude 1 : Granular synths and guitars trade off in this interlude bring a more surreal sound, [01:01.002]-[01:18.005] | Bridge : A bridge section with a change in chord progression and vocal delivery, [01:18.006]-[01:34.020] | Chorus 1 : The chorus is a wall of vocal harmonies and vocoders, [01:34.021]-[01:52.012] | Verse 2 : Return to a more minimal verse, [01:52.013]-[02:09.016] | Interlude 2 : Guitars and amorphic, gurgling synths add more oddity, [02:09.017]-[02:26.019] | Chorus 2 - Vocal Wall : This chorus begins with just the wall of vocals, [02:26.020]-[02:43.023] | Chorus 2 - Full Instrumentation : Then the full instrumentation comes in, [02:43.024]-[03:01.001] | Breakdown : The guitar sadly strums alone with the organ, [03:01.002]-[03:18.005] | Chorus Reprise : The chorus returns with a full wall of vocals, [03:18.006]-[03:35.008] | Outro : A guitar line leads the song out, [03:35.008]-[03:56.019] | Infranym : An encoded message is played in the background, [03:56.020]-[04:01.001] | null |
07_03_seg_0001_track_02 | 0 | 07_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0001_track_02.wav | null | 1.006 | 11.017 | 10.011 | true | false | In this hollow world, we live a hollow day | Verse 1 | combined | 2.017 | 11.017 | true | Start aligned to Verse 1 boundary at 1.006s | false | null | 5 | 42 | 9 | -1.011 | 0 | audio_only | 07_03_2 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0001_track_03 | 0 | 07_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0001_track_03.wav | null | 1.006 | 11.017 | 10.011 | true | false | In this hollow world, we live a hollow day | Verse 1 | combined | 2.017 | 11.017 | true | Start aligned to Verse 1 boundary at 1.006s | false | null | 5 | 42 | 9 | -1.011 | 0 | audio_only | 07_03_3 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0001_track_07 | 0 | 07_03 | 7 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_08_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0001_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_07_vox_1_vocoder.mid | 1.006 | 11.017 | 10.011 | true | true | In this hollow world, we live a hollow day | Verse 1 | combined | 2.017 | 11.017 | true | Start aligned to Verse 1 boundary at 1.006s | false | null | 5 | 42 | 9 | -1.011 | 0 | audio_midi | 07_03_7 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0001_track_12 | 0 | 07_03 | 12 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_17_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0001_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_16_farfisa.mid | 1.006 | 11.017 | 10.011 | false | true | In this hollow world, we live a hollow day | Verse 1 | combined | 2.017 | 11.017 | true | Start aligned to Verse 1 boundary at 1.006s | false | null | 5 | 42 | 9 | -1.011 | 0 | midi_only | 07_03_12 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0002_track_02 | 1 | 07_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0002_track_02.wav | null | 11.017 | 21.015 | 9.998 | true | false | Some look for a sinkhole, where others look to pay | Verse 1 | combined | 11.017 | 21.015 | false | false | null | 7 | 50 | 10 | 0 | 0 | audio_only | 07_03_2 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0002_track_03 | 1 | 07_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0002_track_03.wav | null | 11.017 | 21.015 | 9.998 | true | false | Some look for a sinkhole, where others look to pay | Verse 1 | combined | 11.017 | 21.015 | false | false | null | 7 | 50 | 10 | 0 | 0 | audio_only | 07_03_3 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0002_track_07 | 1 | 07_03 | 7 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_08_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0002_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_07_vox_1_vocoder.mid | 11.017 | 21.015 | 9.998 | true | true | Some look for a sinkhole, where others look to pay | Verse 1 | combined | 11.017 | 21.015 | false | false | null | 7 | 50 | 10 | 0 | 0 | audio_midi | 07_03_7 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0002_track_12 | 1 | 07_03 | 12 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_17_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0002_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_16_farfisa.mid | 11.017 | 21.015 | 9.998 | false | true | Some look for a sinkhole, where others look to pay | Verse 1 | combined | 11.017 | 21.015 | false | false | null | 7 | 50 | 10 | 0 | 0 | midi_only | 07_03_12 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0003_track_02 | 2 | 07_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0003_track_02.wav | null | 21.015 | 30.014 | 8.999 | true | false | for the crater's name, crossed off from map, unfurled | Verse 1 | combined | 21.015 | 30.014 | false | false | null | 9 | 53 | 9 | 0 | 0 | audio_only | 07_03_2 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0003_track_03 | 2 | 07_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0003_track_03.wav | null | 21.015 | 30.014 | 8.999 | true | false | for the crater's name, crossed off from map, unfurled | Verse 1 | combined | 21.015 | 30.014 | false | false | null | 9 | 53 | 9 | 0 | 0 | audio_only | 07_03_3 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0003_track_07 | 2 | 07_03 | 7 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_08_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0003_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_07_vox_1_vocoder.mid | 21.015 | 30.014 | 8.999 | true | true | for the crater's name, crossed off from map, unfurled | Verse 1 | combined | 21.015 | 30.014 | false | false | null | 9 | 53 | 9 | 0 | 0 | audio_midi | 07_03_7 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0003_track_12 | 2 | 07_03 | 12 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_17_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0003_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_16_farfisa.mid | 21.015 | 30.014 | 8.999 | false | true | for the crater's name, crossed off from map, unfurled | Verse 1 | combined | 21.015 | 30.014 | false | false | null | 9 | 53 | 9 | 0 | 0 | midi_only | 07_03_12 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0004_track_02 | 3 | 07_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0004_track_02.wav | null | 30.014 | 49.006 | 18.992 | true | false | But Earth can never fill this ever hollowed world | Interlude | combined | 30.014 | 50.01 | true | End aligned to Verse 2 boundary at 49.006s | false | null | 11 | 49 | 9 | 0 | -1.004 | audio_only | 07_03_2 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0004_track_03 | 3 | 07_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0004_track_03.wav | null | 30.014 | 49.006 | 18.992 | true | false | But Earth can never fill this ever hollowed world | Interlude | combined | 30.014 | 50.01 | true | End aligned to Verse 2 boundary at 49.006s | false | null | 11 | 49 | 9 | 0 | -1.004 | audio_only | 07_03_3 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0004_track_07 | 3 | 07_03 | 7 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_08_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0004_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_07_vox_1_vocoder.mid | 30.014 | 49.006 | 18.992 | true | true | But Earth can never fill this ever hollowed world | Interlude | combined | 30.014 | 50.01 | true | End aligned to Verse 2 boundary at 49.006s | false | null | 11 | 49 | 9 | 0 | -1.004 | audio_midi | 07_03_7 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0004_track_10 | 3 | 07_03 | 10 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_12_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0004_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_11_dx7.mid | 30.014 | 49.006 | 18.992 | false | true | But Earth can never fill this ever hollowed world | Interlude | combined | 30.014 | 50.01 | true | End aligned to Verse 2 boundary at 49.006s | false | null | 11 | 49 | 9 | 0 | -1.004 | midi_only | 07_03_10 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0004_track_12 | 3 | 07_03 | 12 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_17_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0004_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_16_farfisa.mid | 30.014 | 49.006 | 18.992 | false | true | But Earth can never fill this ever hollowed world | Interlude | combined | 30.014 | 50.01 | true | End aligned to Verse 2 boundary at 49.006s | false | null | 11 | 49 | 9 | 0 | -1.004 | midi_only | 07_03_12 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0004_track_14 | 3 | 07_03 | 14 | Baritone Guitar | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_19_baritone.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0004_track_14.wav | null | 30.014 | 49.006 | 18.992 | true | false | But Earth can never fill this ever hollowed world | Interlude | combined | 30.014 | 50.01 | true | End aligned to Verse 2 boundary at 49.006s | false | null | 11 | 49 | 9 | 0 | -1.004 | audio_only | 07_03_14 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0004_track_16 | 3 | 07_03 | 16 | Drum machine | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_21_dm.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0004_track_16.wav | null | 30.014 | 49.006 | 18.992 | true | false | But Earth can never fill this ever hollowed world | Interlude | combined | 30.014 | 50.01 | true | End aligned to Verse 2 boundary at 49.006s | false | null | 11 | 49 | 9 | 0 | -1.004 | audio_only | 07_03_16 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0005_track_02 | 4 | 07_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0005_track_02.wav | null | 49.006 | 60.015 | 11.009 | true | false | Oh, often darkened realm, vexed by the concave | Verse 2 | combined | 50.01 | 60.015 | true | Start aligned to Verse 2 boundary at 49.006s | false | null | 13 | 46 | 8 | -1.004 | 0 | audio_only | 07_03_2 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0005_track_03 | 4 | 07_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0005_track_03.wav | null | 49.006 | 60.015 | 11.009 | true | false | Oh, often darkened realm, vexed by the concave | Verse 2 | combined | 50.01 | 60.015 | true | Start aligned to Verse 2 boundary at 49.006s | false | null | 13 | 46 | 8 | -1.004 | 0 | audio_only | 07_03_3 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0005_track_07 | 4 | 07_03 | 7 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_08_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0005_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_07_vox_1_vocoder.mid | 49.006 | 60.015 | 11.009 | true | true | Oh, often darkened realm, vexed by the concave | Verse 2 | combined | 50.01 | 60.015 | true | Start aligned to Verse 2 boundary at 49.006s | false | null | 13 | 46 | 8 | -1.004 | 0 | audio_midi | 07_03_7 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0005_track_10 | 4 | 07_03 | 10 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_12_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0005_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_11_dx7.mid | 49.006 | 60.015 | 11.009 | false | true | Oh, often darkened realm, vexed by the concave | Verse 2 | combined | 50.01 | 60.015 | true | Start aligned to Verse 2 boundary at 49.006s | false | null | 13 | 46 | 8 | -1.004 | 0 | midi_only | 07_03_10 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0005_track_12 | 4 | 07_03 | 12 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_17_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0005_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_16_farfisa.mid | 49.006 | 60.015 | 11.009 | false | true | Oh, often darkened realm, vexed by the concave | Verse 2 | combined | 50.01 | 60.015 | true | Start aligned to Verse 2 boundary at 49.006s | false | null | 13 | 46 | 8 | -1.004 | 0 | midi_only | 07_03_12 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
07_03_seg_0006_track_02 | 5 | 07_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0006_track_02.wav | null | 60.015 | 71.01 | 10.995 | true | false | Where war is won by foxholes dug with the inverse of a spade | Verse 2 | combined | 60.015 | 71.01 | false | false | null | 15 | 60 | 13 | 0 | 0 | audio_only | 07_03_2 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0006_track_03 | 5 | 07_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0006_track_03.wav | null | 60.015 | 71.01 | 10.995 | true | false | Where war is won by foxholes dug with the inverse of a spade | Verse 2 | combined | 60.015 | 71.01 | false | false | null | 15 | 60 | 13 | 0 | 0 | audio_only | 07_03_3 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0006_track_07 | 5 | 07_03 | 7 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_08_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0006_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_07_vox_1_vocoder.mid | 60.015 | 71.01 | 10.995 | true | true | Where war is won by foxholes dug with the inverse of a spade | Verse 2 | combined | 60.015 | 71.01 | false | false | null | 15 | 60 | 13 | 0 | 0 | audio_midi | 07_03_7 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0006_track_09 | 5 | 07_03 | 9 | Vocal Backgrounds | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_10_vox_bg.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0006_track_09.wav | null | 60.015 | 71.01 | 10.995 | true | false | Where war is won by foxholes dug with the inverse of a spade | Verse 2 | combined | 60.015 | 71.01 | false | false | null | 15 | 60 | 13 | 0 | 0 | audio_only | 07_03_9 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0006_track_10 | 5 | 07_03 | 10 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_12_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0006_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_11_dx7.mid | 60.015 | 71.01 | 10.995 | false | true | Where war is won by foxholes dug with the inverse of a spade | Verse 2 | combined | 60.015 | 71.01 | false | false | null | 15 | 60 | 13 | 0 | 0 | midi_only | 07_03_10 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0006_track_12 | 5 | 07_03 | 12 | Farfisa | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_17_farfisa.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0006_track_12.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_16_farfisa.mid | 60.015 | 71.01 | 10.995 | false | true | Where war is won by foxholes dug with the inverse of a spade | Verse 2 | combined | 60.015 | 71.01 | false | false | null | 15 | 60 | 13 | 0 | 0 | midi_only | 07_03_12 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0006_track_13 | 5 | 07_03 | 13 | Bass | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_18_bass.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0006_track_13.wav | null | 60.015 | 71.01 | 10.995 | true | false | Where war is won by foxholes dug with the inverse of a spade | Verse 2 | combined | 60.015 | 71.01 | false | false | null | 15 | 60 | 13 | 0 | 0 | audio_only | 07_03_13 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0007_track_02 | 6 | 07_03 | 2 | Drums | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_02_drums.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0007_track_02.wav | null | 71.01 | 80.01 | 9 | true | false | Even the fault lines and are not what they seem | Verse 2 | combined | 71.01 | 80.01 | false | false | null | 17 | 47 | 10 | 0 | 0 | audio_only | 07_03_2 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0007_track_03 | 6 | 07_03 | 3 | Kick | Drums | RainbowPlayer.GRAHAM | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_03_kick.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0007_track_03.wav | null | 71.01 | 80.01 | 9 | true | false | Even the fault lines and are not what they seem | Verse 2 | combined | 71.01 | 80.01 | false | false | null | 17 | 47 | 10 | 0 | 0 | audio_only | 07_03_3 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0007_track_07 | 6 | 07_03 | 7 | Vocal 1 | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_08_vox_1.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0007_track_07.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_07_vox_1_vocoder.mid | 71.01 | 80.01 | 9 | true | true | Even the fault lines and are not what they seem | Verse 2 | combined | 71.01 | 80.01 | false | false | null | 17 | 47 | 10 | 0 | 0 | audio_midi | 07_03_7 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0007_track_10 | 6 | 07_03 | 10 | DX7 Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_12_dx7.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0007_track_10.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_11_dx7.mid | 71.01 | 80.01 | 9 | false | true | Even the fault lines and are not what they seem | Verse 2 | combined | 71.01 | 80.01 | false | false | null | 17 | 47 | 10 | 0 | 0 | midi_only | 07_03_10 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null | |
07_03_seg_0007_track_11 | 6 | 07_03 | 11 | Prophet Synth | null | RainbowPlayer.GABE | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_15_prophet.wav | /Volumes/LucidNonsense/White/staged_raw_material/../training/output/track_segments/07_03/07_03_seg_0007_track_11.wav | /Volumes/LucidNonsense/White/staged_raw_material/07_03/07_03_14_prophet.mid | 71.01 | 80.01 | 9 | false | true | Even the fault lines and are not what they seem | Verse 2 | combined | 71.01 | 80.01 | false | false | null | 17 | 47 | 10 | 0 | 0 | midi_only | 07_03_11 | 100 | 4 | 8 | A | major | Indigo | null | null | Known, Forgotten | null | Row, Lathe, Halo | 2024-06-04T00:00:00 | [03:42.019] | true | true | In this hollow world, we live a hollow day Some look for a sinkhole, where others look to pay for the crater's name, crossed off from map, unfurled But Earth can never fill this ever hollowed world Oh, often darkened realm, vexed by the concave Where war is won by foxholes dug with the inverse of a spade Even the fault lines and are not what they seem Parallel to the ley lines, a xenolithic scheme Here, histories are circles, layers are left untold Memory is what's left over, excess off the mold For you are luminent, no need for you to veil Now they grant you passage, hurry now, set sail With every knot we gain, one more chance to prevail, We may escape the hollow and see the true night sky For your light will not hide Then they must dare not deny I see you now, I see you bright as the sun Full as the moon, the hollowness undone | Led Zeppelin, discogs_id: 34278, Black Moth Super Rainbow, discogs_id: 165373, David Bowie, discogs_id: 10263 | ethereal, hypnotic, dreamy, sci-fi, adventure | electronic, post-punk, rock, indie | 07_03.lrc | This Jules Verne-inspired song describes a hollow-earth inhabited by waring factions of humans and aliens. The song describes the escape of a royal party to the Earth's surface. | {
"album_sequence": 7,
"avg_word_length": 5.357142857142857,
"boundary_fluidity_score": 0,
"concept_length": 177,
"discrepancy_intensity": 0,
"exclamation_marks": 0,
"has_rebracketing_markers": true,
"memory_discrepancy_severity": 0,
"narrative_complexity": 0,
"ontological_uncertainty": 0,
"question_marks": 0,
"rebracketing_coverage": 0.013157894736842105,
"rebracketing_intensity": 3.571428571428571,
"rebracketing_type": "spatial",
"sentence_count": 2,
"temporal_complexity_score": 0,
"track_duration": 222.019,
"track_id": "07_03",
"track_position": 3,
"uncertainty_level": 0,
"word_count": 28
} | Intro : Station to station allusion intro of gated, airy synths, [00:00.000]-[00:01.005] | Verse 1 : A very layered vocal plays with loads of synths, drums and noise tracks, [00:01.006]-[00:39.015] | Interlude : Vocoder-intense break, [00:39.016]-[00:49.005] | Verse 2 : This verse starts with the vocals and minimal instrumentation (still a lot! ha!) Then kicks in with arps and full drum tracks, [00:49.006]-[01:58.020] | Interlude 2 : This interlude has some guitar-heavy jams, [01:58.021]-[02:15.015] | Bridge : The guitars continue and guide us back to the main verse., [02:15.016]-[02:25.005] | Verse 3 : The final verse brings back all the elements from before, with some added layers and intensity., [02:25.006]-[03:32.010] | Outro : Vocal harmony heavy ending that finishes the song on a brighter mood., [03:32.011]-[03:42.019] | null |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.