Split (1)

train · 19.4M rows

text stringlengths 9 94.9k
Once your link (http://plot46.mycylex.co.uk/sitemap.xml) functions properly it cannot give you the message 404 error unless your sitemap has not been adequately rendered to Webmaster Tools. I would recommend you to follow the instructions here: www.mycylex.co.uk/content/google-webmaster-tools under How to submit the Sitemap of your website to your Webmaster Tools account , to be more precise. One step might have gone wrong. If it still will not work out we will find a solution. Please send me a feedback. Thank you!
Caroline (Kat Dennings) is a sassy and cynical teenage girl who's mortified when her father moves them to a perpetually dreary Podunk in British Columbia where other students' drug-induced behavior consistently depresses her. Out of boredom, she initiates affairs with her teacher and a stoner classmate, all while a serial killer is terrorizing the town─but matters sour when the men develop intense feelings. Josh Lucas, Andie MacDowell, Reece Thompson, and Rachel Blanchard co-star. 94 min. Widescreen (Enhanced); Soundtrack: English Dolby Digital 5.1; Subtitles: English (SDH), Spanish; featurette.
Linda and I had planned to visit Louisville for her Mom's birthday on the weekend of March 12. Since we would be running anyway Linda thought a “group” run in Louisville would be nice. As it turned out the group she chose numbered 7953 plus the two of us, and it had a name: “Rodes City Run 10k” (www.rodescityrun.com).
This race is ranked the 13th largest 10k in the nation according to the 2009 USATF rankings and it was bigger than any event I had ever participated in. No big deal for Linda who has run 20+ marathons including Chicago and Boston. We are definitely not in 10k race shape as we are doing a slow progression in training for Chicago in October. With this in mind we decided the proper “mind set” was to take “Rodes City” as low-key tempo run. A non-conversational pace but definitely not “race” pace. Though technically a race, we would be in a mob of people that we didn’t know so we both found this to be a realistic endeavor. No familiar age group faces, no King/Queen competition, just get in a rhythm, run fast, stay relaxed and enjoy the atmosphere.
To help avoid slipping into the race day mind set we dressed in our typical daily run attire. We skipped any pre-race warm up, strides or stretching. Well, actually we had a semi-warm up – a jog to the port-a-johns and back to the start area. Not much of a warm up as the port-a-john lines were long and the temperature was a cool 45°, so any real warm up occurred after the run began.
The start area was sardine style – packed!! Announcements were made but I couldn’t hear anything but crowd noise. I did hear a start horn and then a minute or so later I began to move/walk with the flow of the crowd toward the start – thankfully chip timing was being used. Once across the start mat it was still a half-mile later before I felt like I had my own semblance of running space. I was able to establish a nice “not too fast, not too slow” rhythm and settled in to enjoy the opportunity. New ups, new downs, and new turns, a new experience and Linda and I both had fun!! Shortly after I finished Linda came in and we headed to the Panera tent for a bagel. Our times exceeded expectations without ever getting into the race mode – so we were pleased.
The course was point to point so after a jog cool down back to the car our “Rode” fun run adventure in Louisville was concluded.
Next up is Mark Skelton’s Phipps Bend 10 miler. Another fun run and as Mark says, there is only ONE hill. We hope to see you there!!
smile often, speak gently, be kind.
Northeast Tennessee native Tom Murrell coached track and cross-country for Tennessee High School and King College for too many years to mention. Tom was the founder and race director for Bristol Cross now in its 19th year. He is a former editor of SFTC's Split Times newsletter and also managed the King and Queen competition. Tom re-joined the SFTC board in 2011 as Bristol rep.
The Yunohana Onsen in Otaru is quite famous!
Hokkaido is a good summer cycling choice.
What kind of suggestions are you looking for?
What are you riding? touring bikes or lighter ones. Where do you want to stay? Time frame? How many peeps? E.T.C.
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I love the CC from Minc and Yumia...they make unique stuff- hope you guys like what i´ve created.
NOTE: I´m not sure if the sims can enter the Bedroom in the second floor about the slanted walls. If not so you have to delete it!
Artistic Director, Trevor Schmidt, was also nominated for Best New Fringe Play for writing "Flora and Fauna's Field Trip (with Fleurette!)" with Darrin Hagen.
Artistic Associate, Ellen Chorley, was also nominated for Outstanding Production for Young Audiences and Outstanding New Play (award to playwright) for writing and producing her children’s play "Birdie on the Wrong Bus."
Congratulations to all of the nominees and the entire Edmonton theatre community for an incredible season of theatre! We are honored to be recognized.
For all of the nominees and coverage of the event, click here.
The creator of the award winning design NISSAN × KENGO KITO - 2017 Calendar by Acclaimed Designer says, A collaboration work with an up-and-coming artist is used for the Nissan calendar every year and a modern artist “Kengo Kito” was appointed for the 2017 calendar. Creating a piece of artwork showing vehicles’ characteristics by applying Kito’s method was a big challenge. Kito gained his inspiration from vehicles used for each month and created 14 different type of artworks using daily objects for the calendar..
Khasto baby pyjamas are ideal for growing, sleeping and moving babies. The design of Khasto pyjamas is wide, so the baby can wear it for a long time. First the shirt and the pants are quite wide and long. An advantage of being a baby is that you can wear your pyjamas at night and during the day. And the real lucky babies get to wear the super soft Khasto pyjamas made of three fine layers of cotton. Khasto pyjamas can be used as nightwear but also look lovely as a summer outfit. Wonderful pyjamas for your baby or gift for a newborn.
Khasto pyjamas are made from 100% cotton, are skin friendly and lasting. The baby skin is delicate and sensitive. Especially babies with skin diseases like eczema or allergies benefit from airy cotton pyjamas without synthetic additives. Cotton naturally breathes and does not close off the skin. Fine woven cotton enhances the breathing effect of the fabric and makes it feel light on the skin.
Khasto consists of three fine layers of voiles that are carefully stitched together. A unique fabric with a very comfortable feel. The inner layer is printed with a color or print but the outer layers remain white. The outer layers make skin contact and are especially soft.
Khasto represents an old textile tradition. In the 19th century the three layered fabric was used for shawls for princesses. Later this beautiful craft saw itself confronted with the flood of synthetic garments that emerged during the industrialisation period. We wish to integrate this beautiful heritage by applying the technique on a contemporary collection for babywear, bedding, nightwear and loungewear. The combination of exceptional softness and its subtle look makes Khasto a kingly cotton.
We love to share the soft beauty of Khasto with the world but we also wish that the makers of our collection enjoy their work and life. Khasto baby pyjamas are made in India in a workplace with highly specialized craftsmen. We invest in good working conditions and fair compensation for the workers, who in return provide us with their exceptional craftsmanship. Naturally we guarantee that there is no child labour involved in the manufacture process of Khasto products.
Az Zallaqa, JNIM’s media branch, branded with other official al Qaeda media wings.
In a recently released video, the Group for the Support of Islam and Muslims (JNIM) – a jihadist group primarily based in West Africa and the Sahel – went to great lengths to portray its fight against Mali and France as conjoined with al Qaeda’s global jihad. Speeches and footage from several al Qaeda leaders from around the world were shown interlaced with combat footage from the African jihadist group.
At the very beginning of the video, JNIM showed its media division, Az Zallaqa, as being in the same family as other al Qaeda media wings. This includes As Sahab (al Qaeda central’s media division), Al Malahem (al Qaeda in the Arabian Peninsula), Al Kata’ib (Shabaab), and al Andalus (al Qaeda in the Islamic Maghreb). By putting its media wing alongside other media branches of the global jihadist organization, JNIM is portraying Az Zallaqa as another official al Qaeda media organization.
This is important as some have categorized JNIM as merely being “linked” or “affiliated” with al Qaeda. However, JNIM clearly sees itself on equal footing with al Qaeda’s official branches around the world.
As the video progresses, JNIM depicts its conflict in Mali as being the same conflict seen in various places around the world, such as Nigeria, Libya, Egypt, Palestine, Syria, Yemen, Somalia, Kenya, Afghanistan, and Chechnya. Various killed al Qaeda leaders, such as Osama bin Laden, Nasir al Wuyashi, Anwar al Awlaki, Ibn Khattab, Mukhtar Abu Zubayr, Abu al Hasan al Rashid al Bulaydi, Abdelhamid Abu Zeid, Abu Firas al Suri, and Muhammad al Zahawi, are shown in a eulogy segment.
A speech from Sulayman Abu al Ghaith, a former al Qaeda spokesman who is now serving a life sentence in the US, can be heard over footage of combat from JNIM. “God ordered us to protect the vulnerable, so we protect the vulnerable. God ordered us to terrorize the apostates, so we terrorize the apostates. God ordered us to kill the leaders of disbelief, so we kill the leaders of disbelief,” al Ghaith said as he linked al Qaeda’s jihad to “protecting the vulnerable” around the world.
The message then shifted to lambasting both Mali and France for their efforts to combat the jihadist group in the West African country. JNIM used English-speaking political commentators to suggest France’s involvement in Mali is a large conspiracy as part of a wider war against Islam. A JNIM official identified as Abdul Hakim al Muhajir [implying he is a foreign fighter] reiterated in this point in a long-winded tirade against France.
“France’s war on Muslims in the region is not a economic war … it is between faith and apostasy, and Islam and idolatry,” al Muhajir stated in his speech. That theme was common for JNIM and its predecessor groups in Mali, as it painted France as an occupying force oppressing Muslims in a war against Islam. Speeches and statements from various JNIM leaders, including Iyad Ag Ghaly and Yahya Abu al Hammam – its emir and deputy emir respectively – have focused on this exact trope in the last three years.
Yahya Abu al Hammam continued that trend by also making a short speech against France and the G5 Sahel forces operating in Mali. This was immediately before showing suicide bombers and an assault team training for the April 14 suicide assault on the joint UN-French base in Timbuktu. One actual UN peacekeeper was killed in that attack, while at least 10 others were wounded during the assault. France confirmed seven of its soldiers were also wounded. Additionally, the French military reported at least 15 jihadists were killed.
Despite a French counter-terrorism operation, UN troops, and troops from the G5 Sahel, JNIM remain a potent threat within Mali. Its violence has also been continuously shifting further south within Mali, as well as pouring into neighboring countries such as Burkina Faso and Niger.
If you require cover for an existing medical condition other than those automatically covered, an online Travellers Medical Application must be completed and submitted for approval by QBE Insurance prior to issue of the Certificate of Insurance.
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Travel can be hard on your body, your body clock, your suitcase, and your smartphone. Phones can get jostled around and compromised when you’re on the move. Criminals in unfamiliar places may target your phone for theft. If you use public Wi-Fi in an unfamiliar place, hackers could get access to your personal information.
If you use caution, however, it is possible to travel widely while keeping your phone intact. Here are some tips for safeguarding your phone—even with a jet-set lifestyle.
Turn on your phone’s built-in protection – Your phone comes with layers of security, including password entry or biometric protection such as facial recognition or fingerprint swipes. Many phone users disable these protections because they don’t want to waste time entering them. Passwords are your phone’s first line of defense. Biometric identification provides a stepped-up security check that is more difficult to breach. Make sure to enable these protections before you leave for your destination.
Shut down geo-tracking – Your phone collects information about the places you have visited. While this feature may be helpful at home, it will be risky when you are traveling. Don’t broadcast your location, and use caution when posting on social media. If you announce to the world that you are leaving on a two-week vacation or business trip, you might as well send out a personalized invitation to burglars near you.
Back up your phone – Backing up your phone is important because you never know when your phone will get lost or stolen. If your phone is not backed up, you will have lost much more than just your device. You will also lose the important information that you stored on your phone.
Update your operating system – You know those annoying little reminders to update your phone’s operating system? They are critical for security. They often contain patches to keep hackers away from your personal data. When you travel, you head into unfamiliar territory and could inadvertently download malicious software that your phone won’t be able to defend against. Updates will decrease your risk of picking up malware.
Your phone should enhance your fun, not diminish it. Take these precautions before you head out the door so you can travel worry-free.
How could it be that the world can fit into a small device that can make life easier, sporty and trendy? You can call it a CP, a smartphone or an iPhone, but one thing is for sure, it has been part of your daily life. How can you protect its hardware and software? You can get helpful tips from this infographic.
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In his article published in Harvard Law School’s National Security Journal, Charles Kels argues that the debate surrounding the application of the LOAC to the war against al-Qaeda and targeted killings often crosses the paradigm boundary between jus ad bellum (the law governing the use of force) and jus in bello (the laws in war) to the detriment of LOAC’s fundamental aim, the protection of humanity.
In my opinion the article is worth reading. For starters, it provides a good reminder of the fundamental debate surrounding the application of the LOAC to America’s use of force against terrorist organizations. The author spends sometime at the beginning of the article detailing the history of the Geneva Conventions and the types of armed conflicts. He then outlines the current debate and the places where they trip the line between the two paradigms of International Law. Most importantly, however, this article adds an outlook not often noted in the LOAC debates – the importance of LOAC to the military.
This entry was posted in Human Rights, LOAC, Targeted Killings on December 13, 2012 by Jessica Poarch.
Universal, fits most brands of Garage Doors and is an upgrade to the Standard Duty Residential 18 Gauge Hinge. This is our Heavy Duty, Pro-Grade Garage Door Hinge that is used on our Commercial Doors as well as Residential Overhead Doors and is used for all of our repairs.
To upgrade to stronger hardware, purchase our 11 gauge Garage Door Hinges.
Are Experiential Therapy Techniques Helpful?
What Is Animal-Assisted Therapy & How Does It Work?
Substance abuse recovery involves much more than clearing drugs or alcohol from the body. Overcoming the disease of addiction requires an understanding of the origins of substance abuse, the motivating factors for recovery, and the reasons for resistance to healing. Art therapy serves as a vehicle for the psychological component of recovery by providing an emotional outlet and a means of self-expression. Feelings or experiences that are too painful or shameful to articulate can be expressed through ink, paint, clay, or other media. When combined with other recovery services, such as detox, individual therapy, support groups, and family counseling, art therapy can be a powerful way to promote the healing process.
Art therapy is a form of experiential therapy, an approach to recovery that addresses emotional and spiritual needs through creative or physical activity. It is not necessary to have a background in the arts or artistic talent to participate; individuals only need to be open to the experience and to engage actively to benefit from these sessions. Many clients find that art therapy is a relaxing and enjoyable way to address some of the more complex aspects of rehab. Creative activity provides a way to process some of the stressful emotions and anxieties that can emerge during treatment. After rehab, activities like painting or drawing, can be used throughout the individual’s life as a way to express feelings, explore creativity, and reduce stress.
One of the primary goals of art therapy is to help the client return to healthy functioning, whether that be on a social, emotional, or cognitive level. It can be particularly useful in the treatment of individuals who have experienced personal trauma, such as childhood abuse, sexual assault, violence, or a natural disaster. Memories and experiences that are too powerful to confront directly can be explored through the vehicle of visual media, allowing the release of tension and fear in a safe environment. Creative activity gives the individual in recovery a sense of control that may be lacking in life. In this sense, art can become a coping strategy for dealing with the challenges of recovery.
On a social level, art therapy sessions can serve as a form of group therapy, creating bonds among peers. As clients work together on guided projects, they can learn new methods of coping, share their responses to therapy, and practice their collaborative skills. On a more general level, art therapy can act as an introduction to the pleasures of creative activity.
Art therapy is practiced in a wide range of settings, from community mental health centers to inpatient psychiatric units, medical facilities, schools, and residential recovery centers. This versatile treatment modality can be applied in almost any therapeutic context, from individual therapy to group sessions and family or marriage counseling.
A study of art therapy programs in substance abuse treatment published in the Journal of Addictions Nursingfound that 36.8 percent of programs in the study sample offered art therapy as part of a comprehensive rehab program.
This study also found that art therapy was particularly successful when combined with therapies that focus on motivating the client and encouraging active participation.
One such modality is Motivational Enhancement Therapy (MET), an approach that brings the therapist and client together in a collaborative relationship to stop substance abuse.
Art Therapy: Journal of the American Art Therapy Association notes that art therapy can be very effective at breaking down resistance to treatment and overcoming ambivalence about recovery in rehab clients.
Many individuals who enter recover programs are living with the residual effects of traumatic experiences, from past abuse to recent violence or loss. For the survivors of trauma, substance abuse can be used as a dysfunctional coping mechanism to manage unbearable feelings of grief, rage, or guilt. According to Psychology Today, art therapy has been used successfully as a healing intervention for children who have survived the trauma of war. The act of creating images and objects with paint, clay, chalk, or crayons is itself a therapeutic process for these children, as well as a way to depict the unspeakable acts that they have seen. By the same token, adults who have lived through domestic violence, natural disasters, violent crimes, or acts of terrorism can use art to express their responses to these incidents in a safe, supportive context.
In veterans and other individuals who have used drugs or alcohol to cope with trauma, art can bring about an understanding of the nature of addiction as a disease. It can also be used to reinforce the individual’s commitment to recovery, to promote self-reflection, and to provide an experience of spirituality, notes AATA.The benefits of art therapy are available to individuals from all socioeconomic backgrounds, regardless of their financial resources. Artists for Trauma, a nonprofit organization, uses the creative arts as a tool to help military and civilian survivors overcome the effects of traumatic events and live healthy, fulfilling lives. This organization matches professional artists in the community with individuals in need of trauma therapy. These artists work on a volunteer basis to provide and facilitate free, interactive programs that help to facilitate the recovery process. Programs are offered in hospitals, military facilities, community centers, and other locations.
How Does Art Therapy Support Substance Abuse Treatment?
Art therapy is a component of a comprehensive treatment program that includes individual therapy, group therapy, family counseling, 12-Step meetings, and other core services. Art therapy complements these services by providing a break from the direct, intensive work of talk therapy and allowing the subconscious to express itself creatively.
Art therapy can be a powerful complement to a 12-Step program. According to Art Therapy: Journal of the American Art Therapy Association, clients can use artistic activities to uncover the feelings of guilt, unmanageability, or shame that led them to rehab. For instance, a process known as incident drawings allows clients to illustrate the experiences of feeling self-destructive or out of control, which can lead them to seek healing through a higher power. Therapists often use fluid media, like paint, to help clients experience the sensation of being out of control, which in turn helps them admit their need for sobriety.
Art therapy highlights the role of creative activity as a form of nonverbal communication. Language is not always the most effective way to convey the emotions that are uncovered in the recovery process. Art therapy can act as a powerful complement to traditional talk therapy by giving clients an alternative way to describe and communicate their feelings. Once these feelings have been released, art provides a visible, tangible object that can be discussed with the therapist and with peers in a group setting.
Throughout the course of a recovery program, the images that clients choose and the feelings that they express may change. Clients who are more advanced in the program may use art to depict the process of transformation that occurs in recovery. After illustrating feelings of shame or guilt, they may feel compelled to express the joy of being released from addiction.
Art therapy sessions are integrated into the client’s schedule of recovery activities at a residential treatment program. Depending on the structure of these sessions, clients may either create art pieces independently or work collaboratively on a single project or design. The sessions are facilitated by an art therapist, a professional trained in using art as a medium for recovery and healing. The art therapist guides clients in exploring the underlying emotions, experiences, or memories that arise during the creative process.
In order to effectively lead an art therapy session, the therapist should have at least a master’s degree in therapy or counseling, as well as specialized training in this treatment modality. Many art therapists also hold licensure in social work, therapy, or family and marriage counseling. Standards of practice are established by the American Art Therapy Association, a national organization that promotes knowledge of the field and provides educational resources for therapists and the general public.
To supplement the role of art, music, or fitness therapies, a comprehensive recovery program will offer services that address the whole person, such as recreational outings, nutritional counseling, and activities that foster spiritual growth. When searching for a recovery program, look for a facility that is open to the integration of cognitive therapies, behavioral modification, and motivational counseling with expressive and experiential modalities.
American Art Therapy Association (AATA): This national organization is the authoritative resource in this field, providing educational information for the public and providers, professional certification for art therapists, and support services using the medium of art.
Artists for Trauma: Through the efforts of artists who volunteer their time and resources, Artists for Trauma helps civilians and members of the military overcome the effects of trauma through the healing mechanisms of creative expression. Artists for Trauma provides therapeutic sessions on an individual or group basis to individuals seeking recovery from devastating or life-threatening experiences.
International Expressive Arts Therapy Association (IEATA): This charitable organization advocates and promotes the use of art as a healing modality around the world. IEATA uses the expressive arts to effect change on a personal and community level. It also establishes standards of practice for the field of art therapy.
National Coalition of Creative Arts Therapies Associations (NCCATA): This group is an association of organizations committed to the advancement of art as a therapeutic modality. NCCATA supports professional therapists who are using the arts — including the visual arts, dancing, music, poetry, and other expressive modalities — to promote healing, foster communication, and restore mental health.
Trauma-Informed Practices and Expressive Arts Therapy Institute & Learning Center: This institute is dedicated to teaching therapists and other professionals the practice of art therapy as a way to overcome the effects of trauma. Based on the treatment practice known as trauma-informed art therapy, the Institute offers live and online training courses, a certification program, and other valuable resources for mental health workers and graduate students.
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