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although the subject matter may still be too close to recent national events , the film works - mostly due to its superior cast of characters .
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it's not going to be everyone's bag of popcorn , but it definitely gives you something to chew on .
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huppert and girardot give performances of exceptional honesty .
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it has that rare quality of being able to creep the living hell out of you . . .
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a cautionary tale about the grandiosity of a college student who sees himself as impervious to a fall .
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an infinitely wittier version of the home alone formula .
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feardotcom's thrills are all cheap , but they mostly work .
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[hayek] throws herself into this dream hispanic role with a teeth-clenching gusto , she strikes a potent chemistry with molina and she gradually makes us believe she is kahlo .
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mr . deeds is , as comedy goes , very silly -- and in the best way .
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you could love safe conduct ( laissez passer ) for being a subtitled french movie that is 170 minutes long . you could hate it for the same reason .
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with we were soldiers , hollywood makes a valiant attempt to tell a story about the vietnam war before the pathology set in .
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'moore is like a progressive bull in a china shop , a provocateur crashing into ideas and special-interest groups as he slaps together his own brand of liberalism . '
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broomfield reveals an ironic manifestation of institutionalized slavery that ties a black-owned record label with a white-empowered police force .
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at just over an hour , home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face .
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stuart's poor-me persona needs a whole bunch of snowball's cynicism to cut through the sugar coating . but once the falcon arrives in the skies above manhattan , the adventure is on red alert .
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there is greatness here .
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boasts enough funny dialogue and sharp characterizations to be mildly amusing .
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director juan jose campanella could have turned this into an argentine retread of " iris " or " american beauty , " but instead pulls a little from each film and creates something more beautiful than either of those films .
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if you love the music , and i do , its hard to imagine having more fun watching a documentary . . .
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nakata's technique is to imply terror by suggestion , rather than the overuse of special effects .
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" 13 conversations about one thing " is an intelligent flick that examines many different ideas from happiness to guilt in an intriguing bit of storytelling .
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satin rouge is not a new , or inventive , journey , but it's encouraging to see a three-dimensional , average , middle-aged woman's experience of self-discovery handled with such sensitivity .
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though an important political documentary , this does not really make the case the kissinger should be tried as a war criminal .
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cannon's confidence and laid-back good spirits are , with the drumming routines , among the film's saving graces .
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in its understanding , often funny way , it tells a story whose restatement is validated by the changing composition of the nation .
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she may not be real , but the laughs are .
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a fiercely clever and subtle film , capturing the precarious balance between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the victorious revolutionaries .
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ok arthouse . the power of this script , and the performances that come with it , is that the whole damned thing didn't get our moral hackles up .
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the movie itself is far from disappointing , offering an original take on courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis .
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about schmidt is undoubtedly one of the finest films of the year . if you're not deeply touched by this movie , check your pulse .
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the charm of revolution os is rather the way it introduces you to new , fervently held ideas and fanciful thinkers .
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until its final minutes this is a perceptive study of two families in crisis -- and of two girls whose friendship is severely tested by bad luck and their own immaturity .
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offers the flash of rock videos fused with solid performances and eerie atmosphere .
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filmmakers dana janklowicz-mann and amir mann area headed east , far east , in retelling a historically significant , and personal , episode detailing how one international city welcomed tens of thousands of german jewish refugees while the world's democracie
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for all its problems . . . the lady and the duke surprisingly manages never to grow boring . . . which proves that rohmer still has a sense of his audience .
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an edifying glimpse into the wit and revolutionary spirit of these performers and their era .
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craig bartlett and director tuck tucker should be commended for illustrating the merits of fighting hard for something that really matters .
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the film is saved from aren't-kids-cute sentimentality by a warmth that isn't faked and a stately sense of composition .
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this is one of the year's best films .
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a fleet-footed and pleasingly upbeat family diversion .
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sorvino is delightful in the central role . she nearly glows with enthusiasm , sensuality and a conniving wit .
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it's immensely ambitious , different than anything that's been done before and amazingly successful in terms of what it's trying to do .
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the story , once it gets rolling , is nothing short of a great one .
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great performances , stylish cinematography and a gritty feel help make gangster no . 1 a worthwhile moviegoing experience .
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" mr . deeds " is suitable summer entertainment that offers escapism without requiring a great deal of thought .
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it's an ambitious film , and as with all ambitious films , it has some problems . but on the whole , you're gonna like this movie .
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chaiken ably balances real-time rhythms with propulsive incident .
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this is an extraordinary film , not least because it is japanese and yet feels universal .
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in a summer overrun with movies dominated by cgi aliens and super heroes , it revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hold sway .
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there's just something about watching a squad of psychopathic underdogs whale the tar out of unsuspecting lawmen that reaches across time and distance .
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a funny and touching film that is gorgeously acted by a british cast to rival gosford park's .
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there's nothing more satisfying during a summer of event movies than a spy thriller like the bourne identity that's packed with just as much intelligence as action .
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i'm not generally a fan of vegetables but this batch is pretty cute .
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qutting may be a flawed film , but it is nothing if not sincere .
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beautifully crafted , engaging filmmaking that should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing .
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a thoughtful and surprisingly affecting portrait of a screwed-up man who dared to mess with some powerful people , seen through the eyes of the idealistic kid who chooses to champion his ultimately losing cause .
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a cultural wildcard experience : wacky , different , unusual , even nutty .
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daughter from danang reveals that efforts toward closure only open new wounds . it doesn't flinch from its unsettling prognosis , namely , that the legacy of war is a kind of perpetual pain .
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for most of its footage , the new thriller proves that director m . night shyamalan can weave an eerie spell and that mel gibson can gasp , shudder and even tremble without losing his machismo .
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this is not an easy film . but it could be , by its art and heart , a necessary one .
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a very good film sits in the place where a masterpiece should be .
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. . . spellbinding fun and deliciously exploitative .
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it's jagger's bone-dry , mournfully brittle delivery that gives the film its bittersweet bite .
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impossible as it may sound , this film's heart is even more embracing than monty , if only because it accepts nasty behavior and severe flaws as part of the human condition .
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despite the predictable parent vs . child coming-of-age theme , first-class , natural acting and a look at " the real americans " make this a charmer .
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one of the smarter offerings the horror genre has produced in recent memory , even if it's far tamer than advertised .
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one of recent memory's most thoughtful films about art , ethics , and the cost of moral compromise .
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the film doesn't sustain its initial promise with a jarring , new-agey tone creeping into the second half
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blade ii is as estrogen-free as movies get , so you might want to leave your date behind for this one , or she's gonna make you feel like you owe her big-time .
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the message is that even the most unlikely can link together to conquer all kinds of obstacles , whether they be of nature , of man or of one another .
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many a parent and their teen ( or preteen ) kid could bond while watching a walk to remember . so could young romantics out on a date .
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all leather pants & augmented boobs , hawn is hilarious as she tries to resuscitate the fun-loving libertine lost somewhere inside the conservative , handbag-clutching sarandon .
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the members manage to pronounce kok exactly as you think they might , thus giving the cast ample opportunity to use that term as often as possible . it's very beavis and butthead , yet always seems to elicit a chuckle .
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while this gentle and affecting melodrama will have luvvies in raptures , it's far too slight and introspective to appeal to anything wider than a niche audience .
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chicago offers much colorful eye candy , including the spectacle of gere in his dancing shoes , hoofing and crooning with the best of them .
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a difficult but worthy film that bites off more than it can chew by linking the massacre of armenians in 1915 with some difficult relationships in the present .
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by and large this is mr . kilmer's movie , and it's his strongest performance since the doors .
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some of the most ravaging , gut-wrenching , frightening war scenes since " saving private ryan " have been recreated by john woo in this little-known story of native americans and their role in the second great war .
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a charming but slight comedy .
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henry bean's thoughtful screenplay provides no easy answers , but offers a compelling investigation of faith versus intellect
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a great cast and a wonderful but sometimes confusing flashback movie about growing up in a dysfunctional family .
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playing a role of almost bergmanesque intensity . . . bisset is both convincing and radiant .
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a smart , provocative drama that does the nearly impossible : it gets under the skin of a man we only know as an evil , monstrous lunatic .
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an alternately fascinating and frustrating documentary .
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griffin & co . manage to be spectacularly outrageous .
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nair's cast is so large it's altman-esque , but she deftly spins the multiple stories in a vibrant and intoxicating fashion .
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the movie plays up the cartoon's more obvious strength of snazziness while neglecting its less conspicuous writing strength .
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poignant japanese epic about adolescent anomie and heartbreak .
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we've seen it all before in one form or another , but director hoffman , with great help from kevin kline , makes us care about this latest reincarnation of the world's greatest teacher .
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secretary is not a movie about fetishism . it is a movie about passion .
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even though it's common knowledge that park and his founding partner , yong kang , lost kozmo in the end , you can't help but get caught up in the thrill of the company's astonishing growth .
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although some viewers will not be able to stomach so much tongue-in-cheek weirdness , those who do will have found a cult favorite to enjoy for a lifetime .
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what could have easily become a cold , calculated exercise in postmodern pastiche winds up a powerful and deeply moving example of melodramatic moviemaking .
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a delightful surprise because despite all the backstage drama , this is a movie that tells stories that work -- is charming , is moving , is funny and looks professional .
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the imax screen enhances the personal touch of manual animation .
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does an impressive job of relating the complicated history of the war and of filling in the background .
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it's all about anakin . . . and the lustrous polished visuals rich in color and creativity and , of course , special effect .
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lacks the inspiration of the original and has a bloated plot that stretches the running time about 10 minutes past a child's interest and an adult's patience . but it also has many of the things that made the first one charming .
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it's funny , touching , dramatically forceful , and beautifully shot .
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its rawness and vitality give it considerable punch .
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