task_path stringlengths 3 199 ⌀ | dataset stringlengths 1 128 ⌀ | model_name stringlengths 1 223 ⌀ | paper_url stringlengths 21 601 ⌀ | metric_name stringlengths 1 50 ⌀ | metric_value stringlengths 1 9.22k ⌀ |
|---|---|---|---|---|---|
3D Human Pose Tracking > Motion Synthesis | HumanML3D | MLD | https://arxiv.org/abs/2212.04048v3 | R Precision Top3 | 0.772 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | MDM | https://arxiv.org/abs/2209.14916v2 | FID | 0.544 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | MDM | https://arxiv.org/abs/2209.14916v2 | Diversity | 9.559 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | MDM | https://arxiv.org/abs/2209.14916v2 | Multimodality | 2.799 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | MDM | https://arxiv.org/abs/2209.14916v2 | R Precision Top3 | 0.611 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | MotionDiffuse | https://arxiv.org/abs/2208.15001v1 | FID | 0.630 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | MotionDiffuse | https://arxiv.org/abs/2208.15001v1 | Diversity | 9.410 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | MotionDiffuse | https://arxiv.org/abs/2208.15001v1 | Multimodality | 1.553 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | MotionDiffuse | https://arxiv.org/abs/2208.15001v1 | R Precision Top3 | 0.782 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | MAA | https://arxiv.org/abs/2305.09662v1 | FID | 0.774 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | MAA | https://arxiv.org/abs/2305.09662v1 | Diversity | 8.23 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | MAA | https://arxiv.org/abs/2305.09662v1 | R Precision Top3 | 0.676 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | TM2D (t2m) | https://arxiv.org/abs/2304.02419v2 | FID | 1.021 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | TM2D (t2m) | https://arxiv.org/abs/2304.02419v2 | Diversity | 9.513 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | TM2D (t2m) | https://arxiv.org/abs/2304.02419v2 | Multimodality | 4.139 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | T2M | http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html | FID | 1.087 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | T2M | http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html | Diversity | 9.175 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | T2M | http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html | Multimodality | 2.219 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | T2M | http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html | R Precision Top3 | 0.736 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | TM2T | https://arxiv.org/abs/2207.01696v2 | FID | 1.501 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | TM2T | https://arxiv.org/abs/2207.01696v2 | Diversity | 8.589 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | TM2T | https://arxiv.org/abs/2207.01696v2 | Multimodality | 2.424 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | TM2T | https://arxiv.org/abs/2207.01696v2 | R Precision Top3 | 0.729 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | Text2Gesture | https://arxiv.org/abs/2207.01696v2 | FID | 5.012 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | Text2Gesture | https://arxiv.org/abs/2207.01696v2 | Diversity | 6.409 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | Text2Gesture | https://arxiv.org/abs/2207.01696v2 | R Precision Top3 | 0.345 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | Diffuion Motion | https://arxiv.org/abs/2210.12315v2 | FID | 10.21 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | Diffuion Motion | https://arxiv.org/abs/2210.12315v2 | Diversity | 23.692 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | Diffuion Motion | https://arxiv.org/abs/2210.12315v2 | R Precision Top3 | 0.735 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | Language2Pose | https://arxiv.org/abs/2207.01696v2 | FID | 11.02 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | Language2Pose | https://arxiv.org/abs/2207.01696v2 | Diversity | 7.676 |
3D Human Pose Tracking > Motion Synthesis | HumanML3D | Language2Pose | https://arxiv.org/abs/2207.01696v2 | R Precision Top3 | 0.486 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | InterMask | https://arxiv.org/abs/2410.10010v2 | FID | 0.399 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | InterMask | https://arxiv.org/abs/2410.10010v2 | R-Precision Top3 | 0.705 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | InterMask | https://arxiv.org/abs/2410.10010v2 | MMDist | 3.705 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | InterMask | https://arxiv.org/abs/2410.10010v2 | MModality | 2.261 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | InterGen | https://arxiv.org/abs/2304.05684v3 | FID | 5.207 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | InterGen | https://arxiv.org/abs/2304.05684v3 | R-Precision Top3 | 0.429 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | InterGen | https://arxiv.org/abs/2304.05684v3 | MMDist | 9.580 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | InterGen | https://arxiv.org/abs/2304.05684v3 | MModality | 3.686 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | T2M | http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html | FID | 5.481 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | T2M | http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html | R-Precision Top3 | 0.396 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | T2M | http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html | MMDist | 9.576 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | T2M | http://openaccess.thecvf.com//content/CVPR2022/html/Guo_Generating_Diverse_and_Natural_3D_Human_Motions_From_Text_CVPR_2022_paper.html | MModality | 2.761 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | MDM | https://arxiv.org/abs/2209.14916v2 | FID | 23.701 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | MDM | https://arxiv.org/abs/2209.14916v2 | R-Precision Top3 | 0.426 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | MDM | https://arxiv.org/abs/2209.14916v2 | MMDist | 9.548 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | MDM | https://arxiv.org/abs/2209.14916v2 | MModality | 3.490 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | TEMOS | https://arxiv.org/abs/2204.14109v2 | FID | 29.258 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | TEMOS | https://arxiv.org/abs/2204.14109v2 | R-Precision Top3 | 0.238 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | TEMOS | https://arxiv.org/abs/2204.14109v2 | MMDist | 6.867 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | TEMOS | https://arxiv.org/abs/2204.14109v2 | MModality | 0.672 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | ComMDM | https://arxiv.org/abs/2303.01418v3 | FID | 29.266 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | ComMDM | https://arxiv.org/abs/2303.01418v3 | R-Precision Top3 | 0.236 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | ComMDM | https://arxiv.org/abs/2303.01418v3 | MMDist | 6.870 |
3D Human Pose Tracking > Motion Synthesis | Inter-X | ComMDM | https://arxiv.org/abs/2303.01418v3 | MModality | 0.771 |
3D Human Pose Tracking > Motion Synthesis | TMD | Motion Anything | https://arxiv.org/abs/2503.06955v1 | FID | 21.46 |
3D Human Pose Tracking > Motion Synthesis | TMD | Motion Anything | https://arxiv.org/abs/2503.06955v1 | BAS | 0.2094 |
3D Human Pose Tracking > Motion Synthesis | TMD | Motion Anything | https://arxiv.org/abs/2503.06955v1 | MModality | 2.424 |
3D Human Pose Tracking > Motion Synthesis | TMD | Motion Anything | https://arxiv.org/abs/2503.06955v1 | MMDist | 5.34 |
3D Human Pose Tracking > Motion Synthesis | Trinity Speech-Gesture Dataset | Match-TTSG | https://arxiv.org/abs/2310.05181v2 | Mean Opinion Score | 3.44 |
3D Human Pose Tracking > Motion Synthesis | BRACE | Dance Revolution | https://arxiv.org/abs/2006.06119v8 | Beat alignment score | 0.264 |
3D Human Pose Tracking > Motion Synthesis | BRACE | Dance Revolution | https://arxiv.org/abs/2006.06119v8 | Beat DTW cost | 11.88 |
3D Human Pose Tracking > Motion Synthesis | BRACE | Dance Revolution | https://arxiv.org/abs/2006.06119v8 | Toprock average | 10.59 |
3D Human Pose Tracking > Motion Synthesis | BRACE | Dance Revolution | https://arxiv.org/abs/2006.06119v8 | Footwork average | 51.6 |
3D Human Pose Tracking > Motion Synthesis | BRACE | Dance Revolution | https://arxiv.org/abs/2006.06119v8 | Powermove average | 37.72 |
3D Human Pose Tracking > Motion Synthesis | BRACE | Dance Revolution | https://arxiv.org/abs/2006.06119v8 | Frechet Inception Distance | 0.5158 |
3D Human Pose Tracking > Motion Synthesis | BRACE | AIST++ | https://arxiv.org/abs/2101.08779v3 | Beat alignment score | 0.136 |
3D Human Pose Tracking > Motion Synthesis | BRACE | AIST++ | https://arxiv.org/abs/2101.08779v3 | Beat DTW cost | 12.92 |
3D Human Pose Tracking > Motion Synthesis | BRACE | AIST++ | https://arxiv.org/abs/2101.08779v3 | Toprock average | 6.39 |
3D Human Pose Tracking > Motion Synthesis | BRACE | AIST++ | https://arxiv.org/abs/2101.08779v3 | Footwork average | 40.73 |
3D Human Pose Tracking > Motion Synthesis | BRACE | AIST++ | https://arxiv.org/abs/2101.08779v3 | Powermove average | 52.89 |
3D Human Pose Tracking > Motion Synthesis | BRACE | AIST++ | https://arxiv.org/abs/2101.08779v3 | Frechet Inception Distance | 0.5743 |
3D Human Pose Tracking > Motion Synthesis | BRACE | Dancing 2 Music | https://arxiv.org/abs/1911.02001v1 | Beat alignment score | 0.129 |
3D Human Pose Tracking > Motion Synthesis | BRACE | Dancing 2 Music | https://arxiv.org/abs/1911.02001v1 | Beat DTW cost | 11.60 |
3D Human Pose Tracking > Motion Synthesis | BRACE | Dancing 2 Music | https://arxiv.org/abs/1911.02001v1 | Toprock average | 16.04 |
3D Human Pose Tracking > Motion Synthesis | BRACE | Dancing 2 Music | https://arxiv.org/abs/1911.02001v1 | Footwork average | 50.09 |
3D Human Pose Tracking > Motion Synthesis | BRACE | Dancing 2 Music | https://arxiv.org/abs/1911.02001v1 | Powermove average | 33.87 |
3D Human Pose Tracking > Motion Synthesis | BRACE | Dancing 2 Music | https://arxiv.org/abs/1911.02001v1 | Frechet Inception Distance | 0.5884 |
3D Human Pose Tracking > Motion Synthesis | FineDance | DanceMosaic | https://arxiv.org/abs/2504.04634v1 | fid_k | 19.36 |
3D Human Pose Tracking > Motion Synthesis | FineDance | DanceMosaic | https://arxiv.org/abs/2504.04634v1 | BAS | 0.2254 |
3D Human Pose Tracking > Motion Synthesis | FineDance | Lodge++ | https://arxiv.org/abs/2410.20389v1 | fid_k | 40.77 |
3D Human Pose Tracking > Motion Synthesis | FineDance | Lodge++ | https://arxiv.org/abs/2410.20389v1 | BAS | 0.2423 |
3D Human Pose Tracking > Motion Synthesis | FineDance | Lodge (DDPM) | https://arxiv.org/abs/2403.10518v3 | fid_k | 45.56 |
3D Human Pose Tracking > Motion Synthesis | FineDance | Lodge (DDPM) | https://arxiv.org/abs/2403.10518v3 | BAS | 0.2397 |
3D Human Pose Tracking > Motion Synthesis | FineDance | Lodge (DDIM) | https://arxiv.org/abs/2403.10518v3 | fid_k | 50.00 |
3D Human Pose Tracking > Motion Synthesis | FineDance | Lodge (DDIM) | https://arxiv.org/abs/2403.10518v3 | BAS | 0.2269 |
3D Human Pose Tracking > Motion Synthesis | FineDance | Bailando | https://arxiv.org/abs/2203.13055v2 | fid_k | 82.81 |
3D Human Pose Tracking > Motion Synthesis | FineDance | Bailando | https://arxiv.org/abs/2203.13055v2 | BAS | 0.2029 |
3D Human Pose Tracking > Motion Synthesis | FineDance | EDGE | https://arxiv.org/abs/2211.10658v2 | fid_k | 94.34 |
3D Human Pose Tracking > Motion Synthesis | FineDance | EDGE | https://arxiv.org/abs/2211.10658v2 | BAS | 0.2116 |
3D Human Pose Tracking > Motion Synthesis | FineDance | MNET | http://openaccess.thecvf.com//content/CVPR2022/html/Kim_A_Brand_New_Dance_Partner_Music-Conditioned_Pluralistic_Dancing_Controlled_by_CVPR_2022_paper.html | fid_k | 104.71 |
3D Human Pose Tracking > Motion Synthesis | FineDance | MNET | http://openaccess.thecvf.com//content/CVPR2022/html/Kim_A_Brand_New_Dance_Partner_Music-Conditioned_Pluralistic_Dancing_Controlled_by_CVPR_2022_paper.html | BAS | 0.1864 |
3D Human Pose Tracking > Motion Synthesis | FineDance | FACT | https://arxiv.org/abs/2101.08779v3 | fid_k | 113.38 |
3D Human Pose Tracking > Motion Synthesis | FineDance | FACT | https://arxiv.org/abs/2101.08779v3 | BAS | 0.1831 |
3D Human Pose Tracking > Motion Synthesis | InterHuman | InterMask | https://arxiv.org/abs/2410.10010v2 | FID | 5.154 |
3D Human Pose Tracking > Motion Synthesis | InterHuman | InterMask | https://arxiv.org/abs/2410.10010v2 | R-Precision Top3 | 0.683 |
3D Human Pose Tracking > Motion Synthesis | InterHuman | InterMask | https://arxiv.org/abs/2410.10010v2 | MMDist | 3.790 |
3D Human Pose Tracking > Motion Synthesis | InterHuman | InterMask | https://arxiv.org/abs/2410.10010v2 | MModality | 1.737 |
3D Human Pose Tracking > Motion Synthesis | InterHuman | in2IN | https://arxiv.org/abs/2404.09988v1 | FID | 5.177 |
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