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[
"Antoine Duhamel",
"mother",
"Blanche Albane"
] |
Life and career
Born in Valmondois in the Val-d'Oise département of France, Antoine Duhamel was one of the three sons of the French writer Georges Duhamel and actress Blanche Albane. He studied music at the Sorbonne. He was a pupil of René Leibowitz, an exponent of Arnold Schoenberg’s dodecaphonic and serial method of composing. Together with other Leibowitz pupils, Serge Nigg, André Casanova and Jean Prodromidès, he gave the first performance of Leibowitz's Explications des Metaphors, Op. 15, in Paris in 1948. He wrote the score for his first film in 1960, going on to work with many of Europe's film directors. In 2002 he was awarded the Silver Bear at the Berlin Film Festival for his music for the Bertrand Tavernier directed film, Laissez-passer.
Duhamel scored several of Jean-Luc Godard's films, including Pierrot le Fou and Week End. He died at the age of 89 in September 2014.
| 17
|
[
"Antoine Duhamel",
"educated at",
"Faculty of Arts of Paris"
] |
Life and career
Born in Valmondois in the Val-d'Oise département of France, Antoine Duhamel was one of the three sons of the French writer Georges Duhamel and actress Blanche Albane. He studied music at the Sorbonne. He was a pupil of René Leibowitz, an exponent of Arnold Schoenberg’s dodecaphonic and serial method of composing. Together with other Leibowitz pupils, Serge Nigg, André Casanova and Jean Prodromidès, he gave the first performance of Leibowitz's Explications des Metaphors, Op. 15, in Paris in 1948. He wrote the score for his first film in 1960, going on to work with many of Europe's film directors. In 2002 he was awarded the Silver Bear at the Berlin Film Festival for his music for the Bertrand Tavernier directed film, Laissez-passer.
Duhamel scored several of Jean-Luc Godard's films, including Pierrot le Fou and Week End. He died at the age of 89 in September 2014.
| 18
|
[
"Antoine Duhamel",
"educated at",
"Conservatoire de Paris"
] |
Antoine Duhamel (30 July 1925 – 11 September 2014) was a French composer, orchestra conductor and music teacher.
| 19
|
[
"Antoine Duhamel",
"occupation",
"composer"
] |
Antoine Duhamel (30 July 1925 – 11 September 2014) was a French composer, orchestra conductor and music teacher.Life and career
Born in Valmondois in the Val-d'Oise département of France, Antoine Duhamel was one of the three sons of the French writer Georges Duhamel and actress Blanche Albane. He studied music at the Sorbonne. He was a pupil of René Leibowitz, an exponent of Arnold Schoenberg’s dodecaphonic and serial method of composing. Together with other Leibowitz pupils, Serge Nigg, André Casanova and Jean Prodromidès, he gave the first performance of Leibowitz's Explications des Metaphors, Op. 15, in Paris in 1948. He wrote the score for his first film in 1960, going on to work with many of Europe's film directors. In 2002 he was awarded the Silver Bear at the Berlin Film Festival for his music for the Bertrand Tavernier directed film, Laissez-passer.
Duhamel scored several of Jean-Luc Godard's films, including Pierrot le Fou and Week End. He died at the age of 89 in September 2014.
| 21
|
[
"Antoine Duhamel",
"family name",
"Duhamel"
] |
Antoine Duhamel (30 July 1925 – 11 September 2014) was a French composer, orchestra conductor and music teacher.Life and career
Born in Valmondois in the Val-d'Oise département of France, Antoine Duhamel was one of the three sons of the French writer Georges Duhamel and actress Blanche Albane. He studied music at the Sorbonne. He was a pupil of René Leibowitz, an exponent of Arnold Schoenberg’s dodecaphonic and serial method of composing. Together with other Leibowitz pupils, Serge Nigg, André Casanova and Jean Prodromidès, he gave the first performance of Leibowitz's Explications des Metaphors, Op. 15, in Paris in 1948. He wrote the score for his first film in 1960, going on to work with many of Europe's film directors. In 2002 he was awarded the Silver Bear at the Berlin Film Festival for his music for the Bertrand Tavernier directed film, Laissez-passer.
Duhamel scored several of Jean-Luc Godard's films, including Pierrot le Fou and Week End. He died at the age of 89 in September 2014.
| 22
|
[
"Camille Claudel (film)",
"country of origin",
"France"
] |
Premise
The film recounts the troubled life of French child prodigy sculptor Camille Claudel and her long relationship with the (married) sculptor Auguste Rodin. She was the daughter of a devoutly Catholic, socialite mother and a wealthy, French businessman, while the latter was sympathetic to her highly iconoclastic, secular art, her mother found it odious. Beginning in the 1880s, with the young Claudel's first meeting with Rodin, the film traces the development of their intense romantic bond. The growth of this relationship coincides with the rise of Claudel's career, helping her overcome prejudices against female artists. However, their romance soon sours, due to the increasing pressures of Rodin's fame and his love for another woman. After Claudel's father dies, she's at the mercy of her mother's ire. These difficulties combine with her increasing doubts about the value of her work drive Claudel into an emotional tumult, and while her zealot mother wants her institutionalized, her sympathetic brother tries to comfort her and promote her artwork.
| 3
|
[
"Camille Claudel (film)",
"nominated for",
"César Award for Best Actress"
] |
Cast
Isabelle Adjani as Camille Claudel
Gérard Depardieu as Auguste Rodin
Laurent Grévill as Paul Claudel
Alain Cuny as Louis-Prosper Claudel
Madeleine Robinson as Louise-Athanaïse Claudel
Philippe Clévenot as Eugène Blot
Katrine Boorman as Jessie Lipscomb
Maxime Leroux as Claude Debussy
Danièle Lebrun as Rose Beuret
François Berléand as Doctor Michaux
| 20
|
[
"Camille Claudel (film)",
"nominated for",
"Academy Award for Best Actress"
] |
Camille Claudel is a 1988 French biographical drama film about the life of 19th-century sculptor Camille Claudel. The film was based on the book by Reine-Marie Paris, granddaughter of Camille's brother, the poet and diplomat Paul Claudel. It was directed by Bruno Nuytten, co-produced by Isabelle Adjani, and starred her and Gérard Depardieu. The film had a total of 2,717,136 admissions in France. Adjani was nominated for the Academy Award for Best Actress for her role, the second in her career.Awards
1989 – nominated for two Academy AwardsAcademy Award for Best Actress
Academy Award for Best Foreign Language Film
1989 – received five César Awards, including the César Awards for Best Film and Best Actress
1989 – Isabelle Adjani received the Silver Bear for Best Actress at the 39th Berlin International Film Festival
| 29
|
[
"Camille Claudel (film)",
"nominated for",
"Academy Award for Best Foreign Language Film"
] |
Awards
1989 – nominated for two Academy AwardsAcademy Award for Best Actress
Academy Award for Best Foreign Language Film
1989 – received five César Awards, including the César Awards for Best Film and Best Actress
1989 – Isabelle Adjani received the Silver Bear for Best Actress at the 39th Berlin International Film Festival
| 30
|
[
"Camille Claudel (film)",
"main subject",
"Camille Claudel"
] |
Camille Claudel is a 1988 French biographical drama film about the life of 19th-century sculptor Camille Claudel. The film was based on the book by Reine-Marie Paris, granddaughter of Camille's brother, the poet and diplomat Paul Claudel. It was directed by Bruno Nuytten, co-produced by Isabelle Adjani, and starred her and Gérard Depardieu. The film had a total of 2,717,136 admissions in France. Adjani was nominated for the Academy Award for Best Actress for her role, the second in her career.Premise
The film recounts the troubled life of French child prodigy sculptor Camille Claudel and her long relationship with the (married) sculptor Auguste Rodin. She was the daughter of a devoutly Catholic, socialite mother and a wealthy, French businessman, while the latter was sympathetic to her highly iconoclastic, secular art, her mother found it odious. Beginning in the 1880s, with the young Claudel's first meeting with Rodin, the film traces the development of their intense romantic bond. The growth of this relationship coincides with the rise of Claudel's career, helping her overcome prejudices against female artists. However, their romance soon sours, due to the increasing pressures of Rodin's fame and his love for another woman. After Claudel's father dies, she's at the mercy of her mother's ire. These difficulties combine with her increasing doubts about the value of her work drive Claudel into an emotional tumult, and while her zealot mother wants her institutionalized, her sympathetic brother tries to comfort her and promote her artwork.
| 32
|
[
"Camille Claudel (film)",
"genre",
"biographical film"
] |
Premise
The film recounts the troubled life of French child prodigy sculptor Camille Claudel and her long relationship with the (married) sculptor Auguste Rodin. She was the daughter of a devoutly Catholic, socialite mother and a wealthy, French businessman, while the latter was sympathetic to her highly iconoclastic, secular art, her mother found it odious. Beginning in the 1880s, with the young Claudel's first meeting with Rodin, the film traces the development of their intense romantic bond. The growth of this relationship coincides with the rise of Claudel's career, helping her overcome prejudices against female artists. However, their romance soon sours, due to the increasing pressures of Rodin's fame and his love for another woman. After Claudel's father dies, she's at the mercy of her mother's ire. These difficulties combine with her increasing doubts about the value of her work drive Claudel into an emotional tumult, and while her zealot mother wants her institutionalized, her sympathetic brother tries to comfort her and promote her artwork.
| 38
|
[
"The Last Metro",
"award received",
"César Award for Best Director"
] |
Awards and nominations
Academy Awards (USA)
Nominated: Best Foreign Language Film
National Board of Review (USA)
Nominated: Best Foreign Language Film
Boston Film Critics (USA)
Won: Best Foreign Language Film
César Awards (France)
Won: Best Actor – Leading Role (Gérard Depardieu)
Won: Best Actress – Leading Role (Catherine Deneuve)
Won: Best Cinematography (Néstor Almendros)
Won: Best Director (François Truffaut)
Won: Best Editing (Martine Barraqué)
Won: Best Film
Won: Best Music (Georges Delerue)
Won: Best Production Design (Jean-Pierre Kohut-Svelko)
Won: Best Sound (Michel Laurent)
Won: Best Writing (Suzanne Schiffman and François Truffaut)
Nominated: Best Actor – Supporting Role (Heinz Bennent)
Nominated: Best Actress – Supporting Role (Andréa Ferréol)
David di Donatello Awards (Italy)
Won: Best Foreign Actress (Catherine Deneuve)
Golden Globe Awards (USA)
Nominated: Best Foreign Film
| 29
|
[
"The Last Metro",
"award received",
"César Award for Best Cinematography"
] |
Awards and nominations
Academy Awards (USA)
Nominated: Best Foreign Language Film
National Board of Review (USA)
Nominated: Best Foreign Language Film
Boston Film Critics (USA)
Won: Best Foreign Language Film
César Awards (France)
Won: Best Actor – Leading Role (Gérard Depardieu)
Won: Best Actress – Leading Role (Catherine Deneuve)
Won: Best Cinematography (Néstor Almendros)
Won: Best Director (François Truffaut)
Won: Best Editing (Martine Barraqué)
Won: Best Film
Won: Best Music (Georges Delerue)
Won: Best Production Design (Jean-Pierre Kohut-Svelko)
Won: Best Sound (Michel Laurent)
Won: Best Writing (Suzanne Schiffman and François Truffaut)
Nominated: Best Actor – Supporting Role (Heinz Bennent)
Nominated: Best Actress – Supporting Role (Andréa Ferréol)
David di Donatello Awards (Italy)
Won: Best Foreign Actress (Catherine Deneuve)
Golden Globe Awards (USA)
Nominated: Best Foreign Film
| 37
|
[
"The Last Metro",
"award received",
"César Award for Best Film"
] |
Awards and nominations
Academy Awards (USA)
Nominated: Best Foreign Language Film
National Board of Review (USA)
Nominated: Best Foreign Language Film
Boston Film Critics (USA)
Won: Best Foreign Language Film
César Awards (France)
Won: Best Actor – Leading Role (Gérard Depardieu)
Won: Best Actress – Leading Role (Catherine Deneuve)
Won: Best Cinematography (Néstor Almendros)
Won: Best Director (François Truffaut)
Won: Best Editing (Martine Barraqué)
Won: Best Film
Won: Best Music (Georges Delerue)
Won: Best Production Design (Jean-Pierre Kohut-Svelko)
Won: Best Sound (Michel Laurent)
Won: Best Writing (Suzanne Schiffman and François Truffaut)
Nominated: Best Actor – Supporting Role (Heinz Bennent)
Nominated: Best Actress – Supporting Role (Andréa Ferréol)
David di Donatello Awards (Italy)
Won: Best Foreign Actress (Catherine Deneuve)
Golden Globe Awards (USA)
Nominated: Best Foreign Film
| 44
|
[
"The Last Metro",
"award received",
"César Award for Best Production Design"
] |
Awards and nominations
Academy Awards (USA)
Nominated: Best Foreign Language Film
National Board of Review (USA)
Nominated: Best Foreign Language Film
Boston Film Critics (USA)
Won: Best Foreign Language Film
César Awards (France)
Won: Best Actor – Leading Role (Gérard Depardieu)
Won: Best Actress – Leading Role (Catherine Deneuve)
Won: Best Cinematography (Néstor Almendros)
Won: Best Director (François Truffaut)
Won: Best Editing (Martine Barraqué)
Won: Best Film
Won: Best Music (Georges Delerue)
Won: Best Production Design (Jean-Pierre Kohut-Svelko)
Won: Best Sound (Michel Laurent)
Won: Best Writing (Suzanne Schiffman and François Truffaut)
Nominated: Best Actor – Supporting Role (Heinz Bennent)
Nominated: Best Actress – Supporting Role (Andréa Ferréol)
David di Donatello Awards (Italy)
Won: Best Foreign Actress (Catherine Deneuve)
Golden Globe Awards (USA)
Nominated: Best Foreign Film
| 45
|
[
"The Last Metro",
"award received",
"César Award for Best Editing"
] |
Awards and nominations
Academy Awards (USA)
Nominated: Best Foreign Language Film
National Board of Review (USA)
Nominated: Best Foreign Language Film
Boston Film Critics (USA)
Won: Best Foreign Language Film
César Awards (France)
Won: Best Actor – Leading Role (Gérard Depardieu)
Won: Best Actress – Leading Role (Catherine Deneuve)
Won: Best Cinematography (Néstor Almendros)
Won: Best Director (François Truffaut)
Won: Best Editing (Martine Barraqué)
Won: Best Film
Won: Best Music (Georges Delerue)
Won: Best Production Design (Jean-Pierre Kohut-Svelko)
Won: Best Sound (Michel Laurent)
Won: Best Writing (Suzanne Schiffman and François Truffaut)
Nominated: Best Actor – Supporting Role (Heinz Bennent)
Nominated: Best Actress – Supporting Role (Andréa Ferréol)
David di Donatello Awards (Italy)
Won: Best Foreign Actress (Catherine Deneuve)
Golden Globe Awards (USA)
Nominated: Best Foreign Film
| 52
|
[
"The Last Metro",
"award received",
"David di Donatello for Best Foreign Actress"
] |
Awards and nominations
Academy Awards (USA)
Nominated: Best Foreign Language Film
National Board of Review (USA)
Nominated: Best Foreign Language Film
Boston Film Critics (USA)
Won: Best Foreign Language Film
César Awards (France)
Won: Best Actor – Leading Role (Gérard Depardieu)
Won: Best Actress – Leading Role (Catherine Deneuve)
Won: Best Cinematography (Néstor Almendros)
Won: Best Director (François Truffaut)
Won: Best Editing (Martine Barraqué)
Won: Best Film
Won: Best Music (Georges Delerue)
Won: Best Production Design (Jean-Pierre Kohut-Svelko)
Won: Best Sound (Michel Laurent)
Won: Best Writing (Suzanne Schiffman and François Truffaut)
Nominated: Best Actor – Supporting Role (Heinz Bennent)
Nominated: Best Actress – Supporting Role (Andréa Ferréol)
David di Donatello Awards (Italy)
Won: Best Foreign Actress (Catherine Deneuve)
Golden Globe Awards (USA)
Nominated: Best Foreign Film
| 67
|
[
"A Prophet",
"instance of",
"film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 2
|
[
"A Prophet",
"director",
"Jacques Audiard"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 8
|
[
"A Prophet",
"genre",
"prison film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.Plot
Malik El Djebena, a 19-year-old French youth of Algerian descent, is sentenced to six years in prison for attacking police officers. Alone and illiterate upon his arrival, he falls under the sway of Corsican mobsters, led by César Luciani, who enforces a brutal rule.
The prison is divided between two main factions: the Corsicans and the Maghrebis. Malik keeps to himself. When Luciani forces him to be the unwilling assassin of Reyeb, a Maghrebi witness in a trial, Malik gains the protection of the Corsicans despite his North African origin.
Malik serves as a low-level servant to the Corsicans, who treat him with disdain. All the while, he is haunted by visions of the murdered Reyeb.
When most of the Corsicans are transferred or released, Luciani is forced to give Malik more responsibility. Having secretly learned Corsican, Malik acts as Luciani's eyes and ears in the prison. When Malik earns the privilege of day-long furloughs outside the prison, Luciani relies on him to conduct Luciani's criminal business outside.
Ryad, a Maghrebi friend, teaches Malik to read and write, and the two become close. Ryad teaches Malik about his own heritage, introducing him to two other Maghrebis, Tarik and Hassan, and increases his power within the prison.
Malik also becomes involved with a prison drug dealer, Jordi. When Ryad gains an early release due to testicular cancer, the three partners organize a drug-running enterprise to sell hashish. But when Ryad is kidnapped by the drug dealer Latif, Malik tracks down Latif's relative inside the prison. He kidnaps the relative's family and forces Latif's gang to release Ryad.
When Luciani discovers that Malik is using his day-releases for his own personal enterprise, he punishes him. Malik is sent to meet Brahim Lattrache in Marseille, another Maghrebi, who is involved in a deal between Luciani and the Lingherris, an Italian mafia group. Lattrache is bitter toward the Corsicans for the murder of Reyeb and holds Malik at gunpoint. When Malik spots a deer warning sign, he remembers a recent dream of deer running in the road. He tells his kidnappers that they are in danger of hitting wild animals, and they suddenly strike a deer. Lattrache is impressed by Malik, calling him a prophet and agreeing to conduct criminal business with him instead of Luciani, even though Malik admitted that he killed Reyeb.
Luciani believes there is a "mole" in his organization and decides to use Malik to assassinate Jacky Marcaggi, the don of the Corsican mafia, for secretly dealing with the Lingherris. But Malik and Ryad have their own plan for Marcaggi: they kill his bodyguards, kidnap him, and inform him that it was Luciani who ordered the hit before abandoning him in the city.
Malik takes refuge at Ryad's house with his wife and young son. Ryad's cancer has returned; his decision to forego more chemotherapy leaves him just six months to live. He gets Malik to promise to take care of his family when he's gone.
Upon Malik's return to the prison, he is placed in solitary for returning late - putting him out of reach of Luciani's retribution - while Marcaggi uses his influence to wipe out much of Luciani's faction. Once back in general population, Malik joins the Maghrebi faction in the yard. When a now powerless Luciani tries to approach him, two Maghrebis intercept and beat him.
On the day of his release, Malik is met by Ryad's wife and son outside the prison. They walk off together, followed by a vehicle convoy carrying Malik's new associates.
| 10
|
[
"A Prophet",
"genre",
"drama film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 11
|
[
"A Prophet",
"award received",
"César Award for Best Director"
] |
Awards
A Prophet won the BAFTA for Best Film Not in the English Language and nine Césars (including Best Film, Director, Actor and Supporting Actor), in addition to prizes at both the 2009 Cannes Film Festival and the London Film Festival. It was nominated for the Best Foreign Language Film at the 82nd Academy Awards.
It was the submission of France for the 82nd Academy Awards for Best Foreign Film. On 2 February 2010, when Academy Award nominations were announced, A Prophet received a nomination for Best Foreign Language film. The other four films in the category were Ajami, The Milk of Sorrow and The White Ribbon, and the eventual winner, El secreto de sus ojos.A Prophet won the Grand Prix at the 2009 Cannes Film Festival. At the 53rd London Film Festival, it won the Best Film Award. It won the Prix Louis Delluc 2009. At the 63rd British Academy Film Awards, it won a BAFTA for Best Film Not in the English Language. It was nominated for 13 César Awards, tying it with three other films for the most nominations of any film in César history. It won 9 Césars at the ceremony, including Best Film, Best Director, Best Actor and Best Supporting Actor. The film was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics. The film also won London's Favourite French Film award in 2010, as well as Best Foreign Film at the 13th annual British Independent Film Awards, which were held in London at the Old Billingsgate on 5 December 2010.A Prophet was also nominated for Best International Film at the 8th Irish Film and Television Awards, an award that went to The Social Network.
In a 2016 BBC poll of 177 critics worldwide, A Prophet was voted the 85th best film since 2000.In 2010 Empire magazine ranked it at number 63 in its "The 100 Best Films Of World Cinema" list.
| 12
|
[
"A Prophet",
"country of origin",
"France"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 14
|
[
"A Prophet",
"award received",
"National Board of Review Award for Best Foreign Language Film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 17
|
[
"A Prophet",
"award received",
"César Award for Best Supporting Actor"
] |
Awards
A Prophet won the BAFTA for Best Film Not in the English Language and nine Césars (including Best Film, Director, Actor and Supporting Actor), in addition to prizes at both the 2009 Cannes Film Festival and the London Film Festival. It was nominated for the Best Foreign Language Film at the 82nd Academy Awards.
It was the submission of France for the 82nd Academy Awards for Best Foreign Film. On 2 February 2010, when Academy Award nominations were announced, A Prophet received a nomination for Best Foreign Language film. The other four films in the category were Ajami, The Milk of Sorrow and The White Ribbon, and the eventual winner, El secreto de sus ojos.A Prophet won the Grand Prix at the 2009 Cannes Film Festival. At the 53rd London Film Festival, it won the Best Film Award. It won the Prix Louis Delluc 2009. At the 63rd British Academy Film Awards, it won a BAFTA for Best Film Not in the English Language. It was nominated for 13 César Awards, tying it with three other films for the most nominations of any film in César history. It won 9 Césars at the ceremony, including Best Film, Best Director, Best Actor and Best Supporting Actor. The film was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics. The film also won London's Favourite French Film award in 2010, as well as Best Foreign Film at the 13th annual British Independent Film Awards, which were held in London at the Old Billingsgate on 5 December 2010.A Prophet was also nominated for Best International Film at the 8th Irish Film and Television Awards, an award that went to The Social Network.
In a 2016 BBC poll of 177 critics worldwide, A Prophet was voted the 85th best film since 2000.In 2010 Empire magazine ranked it at number 63 in its "The 100 Best Films Of World Cinema" list.
| 18
|
[
"A Prophet",
"genre",
"gangster film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 33
|
[
"A Prophet",
"award received",
"César Award for Best Film"
] |
Awards
A Prophet won the BAFTA for Best Film Not in the English Language and nine Césars (including Best Film, Director, Actor and Supporting Actor), in addition to prizes at both the 2009 Cannes Film Festival and the London Film Festival. It was nominated for the Best Foreign Language Film at the 82nd Academy Awards.
It was the submission of France for the 82nd Academy Awards for Best Foreign Film. On 2 February 2010, when Academy Award nominations were announced, A Prophet received a nomination for Best Foreign Language film. The other four films in the category were Ajami, The Milk of Sorrow and The White Ribbon, and the eventual winner, El secreto de sus ojos.A Prophet won the Grand Prix at the 2009 Cannes Film Festival. At the 53rd London Film Festival, it won the Best Film Award. It won the Prix Louis Delluc 2009. At the 63rd British Academy Film Awards, it won a BAFTA for Best Film Not in the English Language. It was nominated for 13 César Awards, tying it with three other films for the most nominations of any film in César history. It won 9 Césars at the ceremony, including Best Film, Best Director, Best Actor and Best Supporting Actor. The film was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics. The film also won London's Favourite French Film award in 2010, as well as Best Foreign Film at the 13th annual British Independent Film Awards, which were held in London at the Old Billingsgate on 5 December 2010.A Prophet was also nominated for Best International Film at the 8th Irish Film and Television Awards, an award that went to The Social Network.
In a 2016 BBC poll of 177 critics worldwide, A Prophet was voted the 85th best film since 2000.In 2010 Empire magazine ranked it at number 63 in its "The 100 Best Films Of World Cinema" list.
| 36
|
[
"A Prophet",
"genre",
"thriller film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 43
|
[
"A Prophet",
"award received",
"Louis Delluc Prize"
] |
Awards
A Prophet won the BAFTA for Best Film Not in the English Language and nine Césars (including Best Film, Director, Actor and Supporting Actor), in addition to prizes at both the 2009 Cannes Film Festival and the London Film Festival. It was nominated for the Best Foreign Language Film at the 82nd Academy Awards.
It was the submission of France for the 82nd Academy Awards for Best Foreign Film. On 2 February 2010, when Academy Award nominations were announced, A Prophet received a nomination for Best Foreign Language film. The other four films in the category were Ajami, The Milk of Sorrow and The White Ribbon, and the eventual winner, El secreto de sus ojos.A Prophet won the Grand Prix at the 2009 Cannes Film Festival. At the 53rd London Film Festival, it won the Best Film Award. It won the Prix Louis Delluc 2009. At the 63rd British Academy Film Awards, it won a BAFTA for Best Film Not in the English Language. It was nominated for 13 César Awards, tying it with three other films for the most nominations of any film in César history. It won 9 Césars at the ceremony, including Best Film, Best Director, Best Actor and Best Supporting Actor. The film was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics. The film also won London's Favourite French Film award in 2010, as well as Best Foreign Film at the 13th annual British Independent Film Awards, which were held in London at the Old Billingsgate on 5 December 2010.A Prophet was also nominated for Best International Film at the 8th Irish Film and Television Awards, an award that went to The Social Network.
In a 2016 BBC poll of 177 critics worldwide, A Prophet was voted the 85th best film since 2000.In 2010 Empire magazine ranked it at number 63 in its "The 100 Best Films Of World Cinema" list.
| 44
|
[
"A Prophet",
"award received",
"Cannes Film Festival Grand Prix"
] |
Awards
A Prophet won the BAFTA for Best Film Not in the English Language and nine Césars (including Best Film, Director, Actor and Supporting Actor), in addition to prizes at both the 2009 Cannes Film Festival and the London Film Festival. It was nominated for the Best Foreign Language Film at the 82nd Academy Awards.
It was the submission of France for the 82nd Academy Awards for Best Foreign Film. On 2 February 2010, when Academy Award nominations were announced, A Prophet received a nomination for Best Foreign Language film. The other four films in the category were Ajami, The Milk of Sorrow and The White Ribbon, and the eventual winner, El secreto de sus ojos.A Prophet won the Grand Prix at the 2009 Cannes Film Festival. At the 53rd London Film Festival, it won the Best Film Award. It won the Prix Louis Delluc 2009. At the 63rd British Academy Film Awards, it won a BAFTA for Best Film Not in the English Language. It was nominated for 13 César Awards, tying it with three other films for the most nominations of any film in César history. It won 9 Césars at the ceremony, including Best Film, Best Director, Best Actor and Best Supporting Actor. The film was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics. The film also won London's Favourite French Film award in 2010, as well as Best Foreign Film at the 13th annual British Independent Film Awards, which were held in London at the Old Billingsgate on 5 December 2010.A Prophet was also nominated for Best International Film at the 8th Irish Film and Television Awards, an award that went to The Social Network.
In a 2016 BBC poll of 177 critics worldwide, A Prophet was voted the 85th best film since 2000.In 2010 Empire magazine ranked it at number 63 in its "The 100 Best Films Of World Cinema" list.
| 45
|
[
"A Prophet",
"nominated for",
"César Award for Best Director"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.Awards
A Prophet won the BAFTA for Best Film Not in the English Language and nine Césars (including Best Film, Director, Actor and Supporting Actor), in addition to prizes at both the 2009 Cannes Film Festival and the London Film Festival. It was nominated for the Best Foreign Language Film at the 82nd Academy Awards.
It was the submission of France for the 82nd Academy Awards for Best Foreign Film. On 2 February 2010, when Academy Award nominations were announced, A Prophet received a nomination for Best Foreign Language film. The other four films in the category were Ajami, The Milk of Sorrow and The White Ribbon, and the eventual winner, El secreto de sus ojos.A Prophet won the Grand Prix at the 2009 Cannes Film Festival. At the 53rd London Film Festival, it won the Best Film Award. It won the Prix Louis Delluc 2009. At the 63rd British Academy Film Awards, it won a BAFTA for Best Film Not in the English Language. It was nominated for 13 César Awards, tying it with three other films for the most nominations of any film in César history. It won 9 Césars at the ceremony, including Best Film, Best Director, Best Actor and Best Supporting Actor. The film was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics. The film also won London's Favourite French Film award in 2010, as well as Best Foreign Film at the 13th annual British Independent Film Awards, which were held in London at the Old Billingsgate on 5 December 2010.A Prophet was also nominated for Best International Film at the 8th Irish Film and Television Awards, an award that went to The Social Network.
In a 2016 BBC poll of 177 critics worldwide, A Prophet was voted the 85th best film since 2000.In 2010 Empire magazine ranked it at number 63 in its "The 100 Best Films Of World Cinema" list.
| 58
|
[
"A Prophet",
"main subject",
"organized crime"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 59
|
[
"A Prophet",
"nominated for",
"Academy Award for Best Foreign Language Film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 65
|
[
"A Prophet",
"nominated for",
"David di Donatello for Best European Film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 67
|
[
"A Prophet",
"nominated for",
"BIFA Award for Best Foreign Independent Film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 69
|
[
"A Prophet",
"nominated for",
"National Society of Film Critics Award for Best Foreign Language Film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 70
|
[
"A Prophet",
"nominated for",
"Golden Globe Award for Best Non-English Language Film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 72
|
[
"A Prophet",
"nominated for",
"César Award for Best Original Screenplay"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 74
|
[
"A Prophet",
"nominated for",
"César Award for Best Film"
] |
Awards
A Prophet won the BAFTA for Best Film Not in the English Language and nine Césars (including Best Film, Director, Actor and Supporting Actor), in addition to prizes at both the 2009 Cannes Film Festival and the London Film Festival. It was nominated for the Best Foreign Language Film at the 82nd Academy Awards.
It was the submission of France for the 82nd Academy Awards for Best Foreign Film. On 2 February 2010, when Academy Award nominations were announced, A Prophet received a nomination for Best Foreign Language film. The other four films in the category were Ajami, The Milk of Sorrow and The White Ribbon, and the eventual winner, El secreto de sus ojos.A Prophet won the Grand Prix at the 2009 Cannes Film Festival. At the 53rd London Film Festival, it won the Best Film Award. It won the Prix Louis Delluc 2009. At the 63rd British Academy Film Awards, it won a BAFTA for Best Film Not in the English Language. It was nominated for 13 César Awards, tying it with three other films for the most nominations of any film in César history. It won 9 Césars at the ceremony, including Best Film, Best Director, Best Actor and Best Supporting Actor. The film was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics. The film also won London's Favourite French Film award in 2010, as well as Best Foreign Film at the 13th annual British Independent Film Awards, which were held in London at the Old Billingsgate on 5 December 2010.A Prophet was also nominated for Best International Film at the 8th Irish Film and Television Awards, an award that went to The Social Network.
In a 2016 BBC poll of 177 critics worldwide, A Prophet was voted the 85th best film since 2000.In 2010 Empire magazine ranked it at number 63 in its "The 100 Best Films Of World Cinema" list.
| 75
|
[
"A Prophet",
"nominated for",
"European Film Award for Best Film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 80
|
[
"A Prophet",
"nominated for",
"César Award for Best Supporting Actor"
] |
Awards
A Prophet won the BAFTA for Best Film Not in the English Language and nine Césars (including Best Film, Director, Actor and Supporting Actor), in addition to prizes at both the 2009 Cannes Film Festival and the London Film Festival. It was nominated for the Best Foreign Language Film at the 82nd Academy Awards.
It was the submission of France for the 82nd Academy Awards for Best Foreign Film. On 2 February 2010, when Academy Award nominations were announced, A Prophet received a nomination for Best Foreign Language film. The other four films in the category were Ajami, The Milk of Sorrow and The White Ribbon, and the eventual winner, El secreto de sus ojos.A Prophet won the Grand Prix at the 2009 Cannes Film Festival. At the 53rd London Film Festival, it won the Best Film Award. It won the Prix Louis Delluc 2009. At the 63rd British Academy Film Awards, it won a BAFTA for Best Film Not in the English Language. It was nominated for 13 César Awards, tying it with three other films for the most nominations of any film in César history. It won 9 Césars at the ceremony, including Best Film, Best Director, Best Actor and Best Supporting Actor. The film was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics. The film also won London's Favourite French Film award in 2010, as well as Best Foreign Film at the 13th annual British Independent Film Awards, which were held in London at the Old Billingsgate on 5 December 2010.A Prophet was also nominated for Best International Film at the 8th Irish Film and Television Awards, an award that went to The Social Network.
In a 2016 BBC poll of 177 critics worldwide, A Prophet was voted the 85th best film since 2000.In 2010 Empire magazine ranked it at number 63 in its "The 100 Best Films Of World Cinema" list.
| 84
|
[
"A Prophet",
"nominated for",
"César Award for Best Actor"
] |
Awards
A Prophet won the BAFTA for Best Film Not in the English Language and nine Césars (including Best Film, Director, Actor and Supporting Actor), in addition to prizes at both the 2009 Cannes Film Festival and the London Film Festival. It was nominated for the Best Foreign Language Film at the 82nd Academy Awards.
It was the submission of France for the 82nd Academy Awards for Best Foreign Film. On 2 February 2010, when Academy Award nominations were announced, A Prophet received a nomination for Best Foreign Language film. The other four films in the category were Ajami, The Milk of Sorrow and The White Ribbon, and the eventual winner, El secreto de sus ojos.A Prophet won the Grand Prix at the 2009 Cannes Film Festival. At the 53rd London Film Festival, it won the Best Film Award. It won the Prix Louis Delluc 2009. At the 63rd British Academy Film Awards, it won a BAFTA for Best Film Not in the English Language. It was nominated for 13 César Awards, tying it with three other films for the most nominations of any film in César history. It won 9 Césars at the ceremony, including Best Film, Best Director, Best Actor and Best Supporting Actor. The film was nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics. The film also won London's Favourite French Film award in 2010, as well as Best Foreign Film at the 13th annual British Independent Film Awards, which were held in London at the Old Billingsgate on 5 December 2010.A Prophet was also nominated for Best International Film at the 8th Irish Film and Television Awards, an award that went to The Social Network.
In a 2016 BBC poll of 177 critics worldwide, A Prophet was voted the 85th best film since 2000.In 2010 Empire magazine ranked it at number 63 in its "The 100 Best Films Of World Cinema" list.
| 86
|
[
"A Prophet",
"nominated for",
"European Film Award for Best Actor"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 87
|
[
"A Prophet",
"nominated for",
"European Film Academy Prix d'Excellence"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 89
|
[
"A Prophet",
"nominated for",
"European Film Award for Best Director"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 94
|
[
"A Prophet",
"nominated for",
"European Film Award for Best Screenwriter"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 95
|
[
"A Prophet",
"nominated for",
"Independent Spirit Award for Best Foreign Film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 105
|
[
"A Prophet",
"nominated for",
"Goya Award for Best European Film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 106
|
[
"A Prophet",
"nominated for",
"Polish Academy Award for Best European Film"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 107
|
[
"A Prophet",
"nominated for",
"BAFTA Award for Best Film Not in the English Language"
] |
A Prophet (French: Un prophète) is a 2009 French prison crime film directed by Jacques Audiard with a screenplay by Audiard, with Thomas Bidegain, Abdel Raouf Dafri, and Nicolas Peufaillit, from a story by Dafri. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Maghrebi subcultures.
| 108
|
[
"Love Songs (2007 film)",
"instance of",
"film"
] |
Love Songs (French: Les Chansons d'amour) is a 2007 French musical film directed by Christophe Honoré, starring Louis Garrel, Ludivine Sagnier, Clotilde Hesme and Chiara Mastroianni. It was one of the 20 films selected for the main competition at the 2007 Cannes Film Festival.Plot
The film is divided into three parts: The Departure, The Absence and The Return.
| 0
|
[
"Love Songs (2007 film)",
"director",
"Christophe Honoré"
] |
Love Songs (French: Les Chansons d'amour) is a 2007 French musical film directed by Christophe Honoré, starring Louis Garrel, Ludivine Sagnier, Clotilde Hesme and Chiara Mastroianni. It was one of the 20 films selected for the main competition at the 2007 Cannes Film Festival.
| 8
|
[
"Love Songs (2007 film)",
"creator",
"Christophe Honoré"
] |
Love Songs (French: Les Chansons d'amour) is a 2007 French musical film directed by Christophe Honoré, starring Louis Garrel, Ludivine Sagnier, Clotilde Hesme and Chiara Mastroianni. It was one of the 20 films selected for the main competition at the 2007 Cannes Film Festival.
| 10
|
[
"Love Songs (2007 film)",
"genre",
"musical film"
] |
Love Songs (French: Les Chansons d'amour) is a 2007 French musical film directed by Christophe Honoré, starring Louis Garrel, Ludivine Sagnier, Clotilde Hesme and Chiara Mastroianni. It was one of the 20 films selected for the main competition at the 2007 Cannes Film Festival.
| 15
|
[
"Brotherhood of the Wolf",
"director",
"Christophe Gans"
] |
Brotherhood of the Wolf (French: Le Pacte des loups) is a 2001 French period action horror film directed by Christophe Gans, co-written by Gans and Stéphane Cabel, and starring Samuel Le Bihan, Mark Dacascos, Émilie Dequenne, Monica Bellucci and Vincent Cassel. The story takes place in 18th-century France, where the Chevalier de Fronsac and Mani of the Iroquois tribe are sent to investigate the mysterious slaughter of hundreds by an unknown creature in the county of Gévaudan.
The plot is loosely based on a real-life series of killings that took place in France in the 18th century and the famous legend of the beast of Gévaudan; parts of the film were shot at Château de Roquetaillade. The film has several extended swashbuckling fight scenes, with martial arts performances by the cast mixed in, making it unusual for a historical drama. The special effects for the creature are a combination of computer generated imagery, as well as puppetry and animatronics designed by Jim Henson's Creature Shop.
The film received generally positive critical reviews, highlighting its high production values, cinematography, performances and Gans' atmospheric direction. At a $29 million budget, it was a commercial success, grossing over $70 million in worldwide theatrical release. The film also became the sixth-highest-grossing French-language film of all time in the United States, and it also became one of the biggest international successes for French-language films.The film's 4K restored "Director's Cut" version premiered in the Official Selection of 2022 Cannes Film Festival.
| 3
|
[
"Brotherhood of the Wolf",
"genre",
"adventure film"
] |
Brotherhood of the Wolf (French: Le Pacte des loups) is a 2001 French period action horror film directed by Christophe Gans, co-written by Gans and Stéphane Cabel, and starring Samuel Le Bihan, Mark Dacascos, Émilie Dequenne, Monica Bellucci and Vincent Cassel. The story takes place in 18th-century France, where the Chevalier de Fronsac and Mani of the Iroquois tribe are sent to investigate the mysterious slaughter of hundreds by an unknown creature in the county of Gévaudan.
The plot is loosely based on a real-life series of killings that took place in France in the 18th century and the famous legend of the beast of Gévaudan; parts of the film were shot at Château de Roquetaillade. The film has several extended swashbuckling fight scenes, with martial arts performances by the cast mixed in, making it unusual for a historical drama. The special effects for the creature are a combination of computer generated imagery, as well as puppetry and animatronics designed by Jim Henson's Creature Shop.
The film received generally positive critical reviews, highlighting its high production values, cinematography, performances and Gans' atmospheric direction. At a $29 million budget, it was a commercial success, grossing over $70 million in worldwide theatrical release. The film also became the sixth-highest-grossing French-language film of all time in the United States, and it also became one of the biggest international successes for French-language films.The film's 4K restored "Director's Cut" version premiered in the Official Selection of 2022 Cannes Film Festival.
| 10
|
[
"Brotherhood of the Wolf",
"characters",
"Antoine de Beauterne"
] |
Cast
Samuel Le Bihan as Knight Grégoire de Fronsac
Vincent Cassel as Jean-François de Morangias
Émilie Dequenne as Marianne de Morangias
Monica Bellucci as Sylvia
Jérémie Renier as Marquis Thomas d'Apcher
Jacques Perrin as older Thomas d'Apcher / Narrator
Mark Dacascos as Mani
Jean Yanne as Count de Morangias
Jean-François Stévenin as Father Henri Sardis
Édith Scob as Countess Geneviève de Morangias
Johan Leysen as Antoine de Beauterne
Bernard Farcy as Intendant Pièrre-Jean Laffont
Hans Meyer as Marquis d'Apcher
Philippe Nahon as Jean Chastel
Gaspard Ulliel as Louis
Nicolas Vaude as Maxime des Forêts
Virginie Darmon as La Bavarde
Eric Prat as Captain Duhamel
Jean-Loup Wolff as Duke Gontrand de Moncan
Dee Bradley Baker as Beast vocal effects
| 43
|
[
"Brotherhood of the Wolf",
"genre",
"historical film"
] |
Brotherhood of the Wolf (French: Le Pacte des loups) is a 2001 French period action horror film directed by Christophe Gans, co-written by Gans and Stéphane Cabel, and starring Samuel Le Bihan, Mark Dacascos, Émilie Dequenne, Monica Bellucci and Vincent Cassel. The story takes place in 18th-century France, where the Chevalier de Fronsac and Mani of the Iroquois tribe are sent to investigate the mysterious slaughter of hundreds by an unknown creature in the county of Gévaudan.
The plot is loosely based on a real-life series of killings that took place in France in the 18th century and the famous legend of the beast of Gévaudan; parts of the film were shot at Château de Roquetaillade. The film has several extended swashbuckling fight scenes, with martial arts performances by the cast mixed in, making it unusual for a historical drama. The special effects for the creature are a combination of computer generated imagery, as well as puppetry and animatronics designed by Jim Henson's Creature Shop.
The film received generally positive critical reviews, highlighting its high production values, cinematography, performances and Gans' atmospheric direction. At a $29 million budget, it was a commercial success, grossing over $70 million in worldwide theatrical release. The film also became the sixth-highest-grossing French-language film of all time in the United States, and it also became one of the biggest international successes for French-language films.The film's 4K restored "Director's Cut" version premiered in the Official Selection of 2022 Cannes Film Festival.
| 82
|
[
"The Double Life of Veronique",
"country of origin",
"Poland"
] |
The Double Life of Veronique (French: La double vie de Véronique, Polish: Podwójne życie Weroniki) is a 1991 drama film directed by Krzysztof Kieślowski and starring Irène Jacob. Written by Kieślowski and Krzysztof Piesiewicz, the film explores the themes of identity, love, and human intuition through the characters of Weronika, a Polish choir soprano, and her double, Véronique, a French music teacher. Despite not knowing each other, the two women share a mysterious and emotional bond that transcends language and geography.
The Double Life of Véronique was Kieślowski's first film to be produced partly outside his native Poland. It won the Prize of the Ecumenical Jury and the FIPRESCI Prize at the 1991 Cannes Film Festival, as well as the Best Actress Award for Jacob. Although selected as the Polish entry for the Best Foreign Language Film at the 64th Academy Awards, it was not accepted as a nominee.
| 0
|
[
"The Double Life of Veronique",
"nominated for",
"César Award for Best Music Written for a Film"
] |
Cast
Production
Filming style
The film incorporates a strong metaphysical element, yet the supernatural aspect of the story remains unexplained. Similar to Three Colours: Blue, Preisner's musical score plays a significant role in the plot and is credited to the fictional Van den Budenmayer. The cinematography is highly stylized, utilizing color and camera filters to create an ethereal atmosphere. Sławomir Idziak, the cinematographer, had previously experimented with these techniques in an episode of Dekalog, while Kieślowski expanded on the use of color for a wider range of effects in his Three Colours trilogy. Kieślowski had previously explored the concept of different life paths for the same individual in his Polish film, Przypadek (Blind Chance). The central choice faced by Weronika/Véronique is based on a brief subplot in the ninth episode of Dekalog.Awards and nominations
1991 Cannes Film Festival Prize of the Ecumenical Jury (Krzysztof Kieślowski) Won
1991 Cannes Film Festival FIPRESCI Prize (Krzysztof Kieślowski) Won
1991 Cannes Film Festival Award for Best Actress (Irène Jacob) Won
1991 Cannes Film Festival nomination for the Golden Palm (Krzysztof Kieślowski)
1991 Los Angeles Film Critics Award for Best Music (Zbigniew Preisner) Won
1991 Warsaw International Film Festival Audience Award (Krzysztof Kieślowski) Won
1991 French Syndicate of Cinema Critics Award for Best Foreign Film Won
1992 César Awards Nomination for Best Actress (Irène Jacob)
1992 César Awards nomination for Best Music Written for a Film (Zbigniew Preisner)
1992 Golden Globe Awards nomination for Best Foreign Language Film
1992 Guldbagge Awards nomination for Best Foreign Film
1992 Independent Spirit Awards nomination for Best Foreign Film
1992 National Society of Film Critics Award for Best Foreign Language Film WonIn July 2021, the film was shown in the Cannes Classics section at the 2021 Cannes Film Festival.
| 18
|
[
"The Double Life of Veronique",
"nominated for",
"César Award for Best Actress"
] |
Cast
Production
Filming style
The film incorporates a strong metaphysical element, yet the supernatural aspect of the story remains unexplained. Similar to Three Colours: Blue, Preisner's musical score plays a significant role in the plot and is credited to the fictional Van den Budenmayer. The cinematography is highly stylized, utilizing color and camera filters to create an ethereal atmosphere. Sławomir Idziak, the cinematographer, had previously experimented with these techniques in an episode of Dekalog, while Kieślowski expanded on the use of color for a wider range of effects in his Three Colours trilogy. Kieślowski had previously explored the concept of different life paths for the same individual in his Polish film, Przypadek (Blind Chance). The central choice faced by Weronika/Véronique is based on a brief subplot in the ninth episode of Dekalog.
| 19
|
[
"The Double Life of Veronique",
"nominated for",
"Golden Globe Award for Best Non-English Language Film"
] |
Cast
Production
Filming style
The film incorporates a strong metaphysical element, yet the supernatural aspect of the story remains unexplained. Similar to Three Colours: Blue, Preisner's musical score plays a significant role in the plot and is credited to the fictional Van den Budenmayer. The cinematography is highly stylized, utilizing color and camera filters to create an ethereal atmosphere. Sławomir Idziak, the cinematographer, had previously experimented with these techniques in an episode of Dekalog, while Kieślowski expanded on the use of color for a wider range of effects in his Three Colours trilogy. Kieślowski had previously explored the concept of different life paths for the same individual in his Polish film, Przypadek (Blind Chance). The central choice faced by Weronika/Véronique is based on a brief subplot in the ninth episode of Dekalog.
| 27
|
[
"The Double Life of Veronique",
"composer",
"Zbigniew Preisner"
] |
Music
The film was scored by Zbigniew Preisner. However, in the film, the music is attributed to a fictitious 18th-century Dutch composer named Van den Budenmayer, who was created by Preisner and Kieślowski for use in screenplays. Music attributed to this imaginary composer also appears in two other Kieślowski films: Dekalog (1988), and Three Colours: Blue (1993). In the latter, a theme from Van den Budenmayer's musique funebres is quoted in the Song for the Unification of Europe, and the E minor soprano solo is foreshadowed in Weronika's final performance.
| 33
|
[
"The Double Life of Veronique",
"award received",
"National Society of Film Critics Award for Best Foreign Language Film"
] |
Awards and nominations
1991 Cannes Film Festival Prize of the Ecumenical Jury (Krzysztof Kieślowski) Won
1991 Cannes Film Festival FIPRESCI Prize (Krzysztof Kieślowski) Won
1991 Cannes Film Festival Award for Best Actress (Irène Jacob) Won
1991 Cannes Film Festival nomination for the Golden Palm (Krzysztof Kieślowski)
1991 Los Angeles Film Critics Award for Best Music (Zbigniew Preisner) Won
1991 Warsaw International Film Festival Audience Award (Krzysztof Kieślowski) Won
1991 French Syndicate of Cinema Critics Award for Best Foreign Film Won
1992 César Awards Nomination for Best Actress (Irène Jacob)
1992 César Awards nomination for Best Music Written for a Film (Zbigniew Preisner)
1992 Golden Globe Awards nomination for Best Foreign Language Film
1992 Guldbagge Awards nomination for Best Foreign Film
1992 Independent Spirit Awards nomination for Best Foreign Film
1992 National Society of Film Critics Award for Best Foreign Language Film WonIn July 2021, the film was shown in the Cannes Classics section at the 2021 Cannes Film Festival.
| 42
|
[
"The Double Life of Veronique",
"nominated for",
"National Society of Film Critics Award for Best Foreign Language Film"
] |
Cast
Production
Filming style
The film incorporates a strong metaphysical element, yet the supernatural aspect of the story remains unexplained. Similar to Three Colours: Blue, Preisner's musical score plays a significant role in the plot and is credited to the fictional Van den Budenmayer. The cinematography is highly stylized, utilizing color and camera filters to create an ethereal atmosphere. Sławomir Idziak, the cinematographer, had previously experimented with these techniques in an episode of Dekalog, while Kieślowski expanded on the use of color for a wider range of effects in his Three Colours trilogy. Kieślowski had previously explored the concept of different life paths for the same individual in his Polish film, Przypadek (Blind Chance). The central choice faced by Weronika/Véronique is based on a brief subplot in the ninth episode of Dekalog.Awards and nominations
1991 Cannes Film Festival Prize of the Ecumenical Jury (Krzysztof Kieślowski) Won
1991 Cannes Film Festival FIPRESCI Prize (Krzysztof Kieślowski) Won
1991 Cannes Film Festival Award for Best Actress (Irène Jacob) Won
1991 Cannes Film Festival nomination for the Golden Palm (Krzysztof Kieślowski)
1991 Los Angeles Film Critics Award for Best Music (Zbigniew Preisner) Won
1991 Warsaw International Film Festival Audience Award (Krzysztof Kieślowski) Won
1991 French Syndicate of Cinema Critics Award for Best Foreign Film Won
1992 César Awards Nomination for Best Actress (Irène Jacob)
1992 César Awards nomination for Best Music Written for a Film (Zbigniew Preisner)
1992 Golden Globe Awards nomination for Best Foreign Language Film
1992 Guldbagge Awards nomination for Best Foreign Film
1992 Independent Spirit Awards nomination for Best Foreign Film
1992 National Society of Film Critics Award for Best Foreign Language Film WonIn July 2021, the film was shown in the Cannes Classics section at the 2021 Cannes Film Festival.
| 43
|
[
"The Double Life of Veronique",
"award received",
"Cannes Film Festival Award for Best Actress"
] |
The Double Life of Veronique (French: La double vie de Véronique, Polish: Podwójne życie Weroniki) is a 1991 drama film directed by Krzysztof Kieślowski and starring Irène Jacob. Written by Kieślowski and Krzysztof Piesiewicz, the film explores the themes of identity, love, and human intuition through the characters of Weronika, a Polish choir soprano, and her double, Véronique, a French music teacher. Despite not knowing each other, the two women share a mysterious and emotional bond that transcends language and geography.
The Double Life of Véronique was Kieślowski's first film to be produced partly outside his native Poland. It won the Prize of the Ecumenical Jury and the FIPRESCI Prize at the 1991 Cannes Film Festival, as well as the Best Actress Award for Jacob. Although selected as the Polish entry for the Best Foreign Language Film at the 64th Academy Awards, it was not accepted as a nominee.Awards and nominations
1991 Cannes Film Festival Prize of the Ecumenical Jury (Krzysztof Kieślowski) Won
1991 Cannes Film Festival FIPRESCI Prize (Krzysztof Kieślowski) Won
1991 Cannes Film Festival Award for Best Actress (Irène Jacob) Won
1991 Cannes Film Festival nomination for the Golden Palm (Krzysztof Kieślowski)
1991 Los Angeles Film Critics Award for Best Music (Zbigniew Preisner) Won
1991 Warsaw International Film Festival Audience Award (Krzysztof Kieślowski) Won
1991 French Syndicate of Cinema Critics Award for Best Foreign Film Won
1992 César Awards Nomination for Best Actress (Irène Jacob)
1992 César Awards nomination for Best Music Written for a Film (Zbigniew Preisner)
1992 Golden Globe Awards nomination for Best Foreign Language Film
1992 Guldbagge Awards nomination for Best Foreign Film
1992 Independent Spirit Awards nomination for Best Foreign Film
1992 National Society of Film Critics Award for Best Foreign Language Film WonIn July 2021, the film was shown in the Cannes Classics section at the 2021 Cannes Film Festival.
| 45
|
[
"Indochine (film)",
"instance of",
"film"
] |
Indochine (French pronunciation: [ɛ̃dɔʃin]) is a 1992 French period drama film set in colonial French Indochina during the 1930s to 1950s. It is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement. The screenplay was written by novelist Érik Orsenna, screenwriters Louis Gardel and Catherine Cohen, and director Régis Wargnier. The film stars Catherine Deneuve, Vincent Pérez, Linh Dan Pham, Jean Yanne and Dominique Blanc. The film won the Academy Award for Best Foreign Language Film at the 65th Academy Awards, and Deneuve was nominated for Best Actress.
| 2
|
[
"Indochine (film)",
"country of origin",
"France"
] |
Indochine (French pronunciation: [ɛ̃dɔʃin]) is a 1992 French period drama film set in colonial French Indochina during the 1930s to 1950s. It is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement. The screenplay was written by novelist Érik Orsenna, screenwriters Louis Gardel and Catherine Cohen, and director Régis Wargnier. The film stars Catherine Deneuve, Vincent Pérez, Linh Dan Pham, Jean Yanne and Dominique Blanc. The film won the Academy Award for Best Foreign Language Film at the 65th Academy Awards, and Deneuve was nominated for Best Actress.
| 3
|
[
"Indochine (film)",
"award received",
"Academy Award for Best Foreign Language Film"
] |
Indochine (French pronunciation: [ɛ̃dɔʃin]) is a 1992 French period drama film set in colonial French Indochina during the 1930s to 1950s. It is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement. The screenplay was written by novelist Érik Orsenna, screenwriters Louis Gardel and Catherine Cohen, and director Régis Wargnier. The film stars Catherine Deneuve, Vincent Pérez, Linh Dan Pham, Jean Yanne and Dominique Blanc. The film won the Academy Award for Best Foreign Language Film at the 65th Academy Awards, and Deneuve was nominated for Best Actress.
| 6
|
[
"Indochine (film)",
"genre",
"drama film"
] |
Indochine (French pronunciation: [ɛ̃dɔʃin]) is a 1992 French period drama film set in colonial French Indochina during the 1930s to 1950s. It is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement. The screenplay was written by novelist Érik Orsenna, screenwriters Louis Gardel and Catherine Cohen, and director Régis Wargnier. The film stars Catherine Deneuve, Vincent Pérez, Linh Dan Pham, Jean Yanne and Dominique Blanc. The film won the Academy Award for Best Foreign Language Film at the 65th Academy Awards, and Deneuve was nominated for Best Actress.
| 12
|
[
"Indochine (film)",
"nominated for",
"Academy Award for Best Actress"
] |
Indochine (French pronunciation: [ɛ̃dɔʃin]) is a 1992 French period drama film set in colonial French Indochina during the 1930s to 1950s. It is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement. The screenplay was written by novelist Érik Orsenna, screenwriters Louis Gardel and Catherine Cohen, and director Régis Wargnier. The film stars Catherine Deneuve, Vincent Pérez, Linh Dan Pham, Jean Yanne and Dominique Blanc. The film won the Academy Award for Best Foreign Language Film at the 65th Academy Awards, and Deneuve was nominated for Best Actress.
| 27
|
[
"Indochine (film)",
"nominated for",
"Academy Award for Best Foreign Language Film"
] |
Indochine (French pronunciation: [ɛ̃dɔʃin]) is a 1992 French period drama film set in colonial French Indochina during the 1930s to 1950s. It is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement. The screenplay was written by novelist Érik Orsenna, screenwriters Louis Gardel and Catherine Cohen, and director Régis Wargnier. The film stars Catherine Deneuve, Vincent Pérez, Linh Dan Pham, Jean Yanne and Dominique Blanc. The film won the Academy Award for Best Foreign Language Film at the 65th Academy Awards, and Deneuve was nominated for Best Actress.
| 29
|
[
"House of Tolerance",
"instance of",
"film"
] |
House of Tolerance (French: L'Apollonide: Souvenirs de la maison close, also known as House of Pleasures) is 2011 French drama film written and directed by Bertrand Bonello, starring Hafsia Herzi, Céline Sallette, Jasmine Trinca, Adèle Haenel, Alice Barnole, Iliana Zabeth and Noémie Lvovsky. The film had its world premiere in the Competition section of the Cannes Film Festival on 16 May 2011.
| 2
|
[
"House of Tolerance",
"country of origin",
"France"
] |
House of Tolerance (French: L'Apollonide: Souvenirs de la maison close, also known as House of Pleasures) is 2011 French drama film written and directed by Bertrand Bonello, starring Hafsia Herzi, Céline Sallette, Jasmine Trinca, Adèle Haenel, Alice Barnole, Iliana Zabeth and Noémie Lvovsky. The film had its world premiere in the Competition section of the Cannes Film Festival on 16 May 2011.
| 3
|
[
"House of Tolerance",
"genre",
"drama film"
] |
House of Tolerance (French: L'Apollonide: Souvenirs de la maison close, also known as House of Pleasures) is 2011 French drama film written and directed by Bertrand Bonello, starring Hafsia Herzi, Céline Sallette, Jasmine Trinca, Adèle Haenel, Alice Barnole, Iliana Zabeth and Noémie Lvovsky. The film had its world premiere in the Competition section of the Cannes Film Festival on 16 May 2011.
| 6
|
[
"House of Tolerance",
"director",
"Bertrand Bonello"
] |
House of Tolerance (French: L'Apollonide: Souvenirs de la maison close, also known as House of Pleasures) is 2011 French drama film written and directed by Bertrand Bonello, starring Hafsia Herzi, Céline Sallette, Jasmine Trinca, Adèle Haenel, Alice Barnole, Iliana Zabeth and Noémie Lvovsky. The film had its world premiere in the Competition section of the Cannes Film Festival on 16 May 2011.
| 7
|
[
"House of Tolerance",
"composer",
"Bertrand Bonello"
] |
House of Tolerance (French: L'Apollonide: Souvenirs de la maison close, also known as House of Pleasures) is 2011 French drama film written and directed by Bertrand Bonello, starring Hafsia Herzi, Céline Sallette, Jasmine Trinca, Adèle Haenel, Alice Barnole, Iliana Zabeth and Noémie Lvovsky. The film had its world premiere in the Competition section of the Cannes Film Festival on 16 May 2011.
| 9
|
[
"House of Tolerance",
"main subject",
"prostitution"
] |
Cast
Production
The genesis of the project was a merge of two film ideas Bertrand Bonello had been thinking of. About ten years earlier he had tried to make a film about modern brothels, but the project had been cancelled. After finishing On War (2008), Bonello decided that he wanted his next film to be about dynamics within a group of women, and his partner suggested a film about prostitutes in a historical setting. The director then became interested in the aspect of a brothel as a closed world from the viewpoint of the prostitutes. The idea of a scar in the form of a smile came from the film The Man Who Laughs (1928), an adaptation of Victor Hugo's novel with the same name. Bonello says he dreamed about the film two nights in a row while he was writing House of Tolerance, and decided to include a female character with such a scar.The film was a co-production between Les Films du Lendemain and the director's company My New Picture, in collaboration with Arte France Cinéma. The production received 540,000 euro from the Centre national du cinéma et de l'image animée (CNC) and 416,000 euro from the Île-de-France region, as well as pre-sales investment from Canal+ and CinéCinéma. The total budget was 3.8 million euro. Casting took almost nine months. Bonello wanted a mixed ensemble of both professionals and amateurs who above all worked well together as a group.Filming started in Saint-Rémy-lès-Chevreuse on 31 May 2010 and lasted eight weeks. The film was recorded on one continuous set, which allowed the camera to move between each room without cuts. Bonello chose to focus the camera on the girls and almost never their clients. He explained: "it reinforces the impression that the prostitute is above the client. I told the actresses: 'Be careful, I want twelve intelligent girls.' It was really important for me: they're not being fooled, they are strong women."
| 22
|
[
"Le Concert",
"composer",
"Pyotr Ilyich Tchaikovsky"
] |
Music
The film's original score was composed by Armand Amar with one track written by Radu Mihăileanu ("Le Trou Normand").
The musical work which has a central role in the film and is played during the final scene is the Violin Concerto in D major, Op. 35 by Tchaikovsky. Classical selections by Mahler, Mendelssohn, Mozart and Khachaturian are also included on the soundtrack.
| 1
|
[
"Le Concert",
"instance of",
"film"
] |
Le Concert is a 2009 French comedy-drama film by Radu Mihăileanu, starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
| 6
|
[
"Le Concert",
"award received",
"César Award for Best Music Written for a Film"
] |
Le Concert is a 2009 French comedy-drama film by Radu Mihăileanu, starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
| 7
|
[
"Le Concert",
"genre",
"drama film"
] |
Le Concert is a 2009 French comedy-drama film by Radu Mihăileanu, starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
| 8
|
[
"Le Concert",
"genre",
"comedy film"
] |
Le Concert is a 2009 French comedy-drama film by Radu Mihăileanu, starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
| 9
|
[
"Le Concert",
"country of origin",
"France"
] |
Le Concert is a 2009 French comedy-drama film by Radu Mihăileanu, starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
| 18
|
[
"Le Concert",
"award received",
"César Award for Best Sound"
] |
Le Concert is a 2009 French comedy-drama film by Radu Mihăileanu, starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
| 21
|
[
"Le Concert",
"nominated for",
"César Award for Best Music Written for a Film"
] |
Le Concert is a 2009 French comedy-drama film by Radu Mihăileanu, starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
| 39
|
[
"Le Concert",
"nominated for",
"Golden Globe Award for Best Non-English Language Film"
] |
Le Concert is a 2009 French comedy-drama film by Radu Mihăileanu, starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
| 41
|
[
"Le Concert",
"film editor",
"Ludo Troch"
] |
Le Concert is a 2009 French comedy-drama film by Radu Mihăileanu, starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
| 52
|
[
"Le Concert",
"nominated for",
"César Award for Best Sound"
] |
Le Concert is a 2009 French comedy-drama film by Radu Mihăileanu, starring Aleksei Guskov, Mélanie Laurent and Miou-Miou. It won the Best Original Score and Best Sound awards at César Awards 2010. It was also nominated for two Magritte Awards in the category of Best Film in Coproduction and Best Editing for Ludo Troch in 2011, and Best Foreign Film at the 68th Golden Globe Awards.
| 55
|
[
"Encyclopédie",
"language of work or name",
"French"
] |
Origins
The Encyclopédie was originally conceived as a French translation of Ephraim Chambers's Cyclopaedia (1728). Ephraim Chambers had first published his Cyclopaedia, or an Universal Dictionary of Arts and Sciences in two volumes in London in 1728, following several dictionaries of arts and sciences that had emerged in Europe since the late 17th century. This work became quite renowned, and four editions were published between 1738 and 1742. An Italian translation appeared between 1747 and 1754. In France a member of the banking family Lambert had started translating Chambers into French, but in 1745 the expatriate Englishman John Mills and German Gottfried Sellius were the first to actually prepare a French edition of Ephraim Chambers's Cyclopaedia for publication, which they entitled Encyclopédie.
Early in 1745 a prospectus for the Encyclopédie was published to attract subscribers to the project. This four page prospectus was illustrated by Jean-Michel Papillon, and accompanied by a plan, stating that the work would be published in five volumes from June 1746 until the end of 1748. The text was translated by Mills and Sellius, and it was corrected by an unnamed person, who appears to have been Denis Diderot.The prospectus was reviewed quite positively and cited at some length in several journals. The Mémoires pour l'histoire des sciences et des beaux arts journal was lavish in its praise: "here are two of the greatest efforts undertaken in literature in a very long time" (voici deux des plus fortes entreprises de Littérature qu'on ait faites depuis long-temps). The Mercure Journal in June 1745, printed a 25-page article that specifically praised Mills' role as translator; the Journal introduced Mills as an English scholar who had been raised in France and who spoke both French and English as a native. The Journal reported that Mills had discussed the work with several academics, was zealous about the project, had devoted his fortune to support this enterprise, and was the sole owner of the publishing privilege.However, the cooperation fell apart later on in 1745. André le Breton, the publisher commissioned to manage the physical production and sales of the volumes, cheated Mills out of the subscription money, claiming for example that Mills's knowledge of French was inadequate. In a confrontation Le Breton physically assaulted Mills. Mills took Le Breton to court, but the court decided in Le Breton's favour. Mills returned to England soon after the court's ruling. For his new editor, Le Breton settled on the mathematician Jean Paul de Gua de Malves. Among those hired by Malves were the young Étienne Bonnot de Condillac, Jean le Rond d'Alembert, and Denis Diderot. Within thirteen months, in August 1747, Gua de Malves was fired for being an ineffective leader. Le Breton then hired Diderot and d'Alembert to be the new editors. Diderot would remain as editor for the next 25 years, seeing the Encyclopédie through to its completion; d'Alembert would leave this role in 1758. As d'Alembert worked on the Encyclopédie, its title expanded. As of 1750, the full title was Encyclopédie, ou Dictionnaire raisonné des sciences, des arts et des métiers, par une société de gens de lettres, mis en ordre par M. Diderot de l'Académie des Sciences et Belles-Lettres de Prusse, et quant à la partie mathématique, par M. d'Alembert de l'Académie royale des Sciences de Paris, de celle de Prusse et de la Société royale de Londres. ("Encyclopedia: or a Systematic Dictionary of the Sciences, Arts, and Crafts, by a Company of Persons of Letters, edited by M. Diderot of the Academy of Sciences and Belles-lettres of Prussia: as to the Mathematical Portion, arranged by M. d'Alembert of the Royal Academy of Sciences of Paris, of the Academy of Sciences in Prussia and of the Royal Society of London.") The title page was amended as d'Alembert acquired more titles.
| 1
|
[
"Encyclopédie",
"publisher",
"André le Breton"
] |
Origins
The Encyclopédie was originally conceived as a French translation of Ephraim Chambers's Cyclopaedia (1728). Ephraim Chambers had first published his Cyclopaedia, or an Universal Dictionary of Arts and Sciences in two volumes in London in 1728, following several dictionaries of arts and sciences that had emerged in Europe since the late 17th century. This work became quite renowned, and four editions were published between 1738 and 1742. An Italian translation appeared between 1747 and 1754. In France a member of the banking family Lambert had started translating Chambers into French, but in 1745 the expatriate Englishman John Mills and German Gottfried Sellius were the first to actually prepare a French edition of Ephraim Chambers's Cyclopaedia for publication, which they entitled Encyclopédie.
Early in 1745 a prospectus for the Encyclopédie was published to attract subscribers to the project. This four page prospectus was illustrated by Jean-Michel Papillon, and accompanied by a plan, stating that the work would be published in five volumes from June 1746 until the end of 1748. The text was translated by Mills and Sellius, and it was corrected by an unnamed person, who appears to have been Denis Diderot.The prospectus was reviewed quite positively and cited at some length in several journals. The Mémoires pour l'histoire des sciences et des beaux arts journal was lavish in its praise: "here are two of the greatest efforts undertaken in literature in a very long time" (voici deux des plus fortes entreprises de Littérature qu'on ait faites depuis long-temps). The Mercure Journal in June 1745, printed a 25-page article that specifically praised Mills' role as translator; the Journal introduced Mills as an English scholar who had been raised in France and who spoke both French and English as a native. The Journal reported that Mills had discussed the work with several academics, was zealous about the project, had devoted his fortune to support this enterprise, and was the sole owner of the publishing privilege.However, the cooperation fell apart later on in 1745. André le Breton, the publisher commissioned to manage the physical production and sales of the volumes, cheated Mills out of the subscription money, claiming for example that Mills's knowledge of French was inadequate. In a confrontation Le Breton physically assaulted Mills. Mills took Le Breton to court, but the court decided in Le Breton's favour. Mills returned to England soon after the court's ruling. For his new editor, Le Breton settled on the mathematician Jean Paul de Gua de Malves. Among those hired by Malves were the young Étienne Bonnot de Condillac, Jean le Rond d'Alembert, and Denis Diderot. Within thirteen months, in August 1747, Gua de Malves was fired for being an ineffective leader. Le Breton then hired Diderot and d'Alembert to be the new editors. Diderot would remain as editor for the next 25 years, seeing the Encyclopédie through to its completion; d'Alembert would leave this role in 1758. As d'Alembert worked on the Encyclopédie, its title expanded. As of 1750, the full title was Encyclopédie, ou Dictionnaire raisonné des sciences, des arts et des métiers, par une société de gens de lettres, mis en ordre par M. Diderot de l'Académie des Sciences et Belles-Lettres de Prusse, et quant à la partie mathématique, par M. d'Alembert de l'Académie royale des Sciences de Paris, de celle de Prusse et de la Société royale de Londres. ("Encyclopedia: or a Systematic Dictionary of the Sciences, Arts, and Crafts, by a Company of Persons of Letters, edited by M. Diderot of the Academy of Sciences and Belles-lettres of Prussia: as to the Mathematical Portion, arranged by M. d'Alembert of the Royal Academy of Sciences of Paris, of the Academy of Sciences in Prussia and of the Royal Society of London.") The title page was amended as d'Alembert acquired more titles.Jean Le Rond d'Alembert – editor; science (especially mathematics), contemporary affairs, philosophy, religion, among others
Claude Bourgelat – manège, farriery
André le Breton – chief publisher; article on printer's ink
Louis-Jean-Marie Daubenton – natural history
Denis Diderot – chief editor; economics, mechanical arts, philosophy, politics, religion, among others
Baron d'Holbach – science (chemistry, mineralogy), politics, religion, among others
Chevalier Louis de Jaucourt – economics, literature, medicine, politics, bookbinding, among others
Jean-Baptiste de La Chapelle – mathematics
Abbé André Morellet – theology, philosophy
Montesquieu – part of the article "Goût" ("Taste")
François Quesnay – articles on tax farmers and grain
Jean-Jacques Rousseau – music, political theory
Anne Robert Jacques Turgot, Baron de Laune – economics, etymology, philosophy, physics
Voltaire – history, literature, philosophyDue to the controversial nature of some of the articles, several of its editors were sent to jail.
| 10
|
[
"Family on Fire",
"instance of",
"film"
] |
Family on Fire is a 2011 Nigerian film produced and directed by Tade Ogidan.
The film stars Saheed Balogun, Segun Arinze, Sola Fosudo and Sola Sobowale.
The film was premiered on November 4, 2011, at The Lighthouse Hall, Camberwell road, London.Prominent actors and actress present includes; Kunle Afolayan, Richard Mofe Damijo, Ramsey Nouah, Teju Babyface, Saheed Balogun, Segun Arinze and Bimbo Akintola.
It was premiered in Lagos State, southwestern Nigeria in April 2012. Notable actors in attendance were Femi Adebayo, Desmond Elliot, Yemi Shodimu and prominent Nigerians present were Molade Okoya-Thomas, a renowned Nigerian Business magnate, Abimbola Fashola and Oladipo Diya, a retired Lt. General and former Chief of the Defence Staff.
| 3
|
[
"Family on Fire",
"industry",
"film"
] |
Family on Fire is a 2011 Nigerian film produced and directed by Tade Ogidan.
The film stars Saheed Balogun, Segun Arinze, Sola Fosudo and Sola Sobowale.
The film was premiered on November 4, 2011, at The Lighthouse Hall, Camberwell road, London.Prominent actors and actress present includes; Kunle Afolayan, Richard Mofe Damijo, Ramsey Nouah, Teju Babyface, Saheed Balogun, Segun Arinze and Bimbo Akintola.
It was premiered in Lagos State, southwestern Nigeria in April 2012. Notable actors in attendance were Femi Adebayo, Desmond Elliot, Yemi Shodimu and prominent Nigerians present were Molade Okoya-Thomas, a renowned Nigerian Business magnate, Abimbola Fashola and Oladipo Diya, a retired Lt. General and former Chief of the Defence Staff.
| 4
|
[
"Family on Fire",
"nominated for",
"Best Nigerian Film"
] |
Accolades
The film received two nominations at the 8th Africa Movie Academy Awards held on April 22, 2012, at the Expo Centre, Eko Hotel & Suites in Lagos, Nigeria. It was nominated for Best Nigerian Film and Best Film in an African Language. Both awards were won by Adesuwa and State Of Violence respectively.
| 7
|
[
"Family on Fire",
"director",
"Tade Ogidan"
] |
Family on Fire is a 2011 Nigerian film produced and directed by Tade Ogidan.
The film stars Saheed Balogun, Segun Arinze, Sola Fosudo and Sola Sobowale.
The film was premiered on November 4, 2011, at The Lighthouse Hall, Camberwell road, London.Prominent actors and actress present includes; Kunle Afolayan, Richard Mofe Damijo, Ramsey Nouah, Teju Babyface, Saheed Balogun, Segun Arinze and Bimbo Akintola.
It was premiered in Lagos State, southwestern Nigeria in April 2012. Notable actors in attendance were Femi Adebayo, Desmond Elliot, Yemi Shodimu and prominent Nigerians present were Molade Okoya-Thomas, a renowned Nigerian Business magnate, Abimbola Fashola and Oladipo Diya, a retired Lt. General and former Chief of the Defence Staff.
| 16
|
[
"Family on Fire",
"producer",
"Tade Ogidan"
] |
Family on Fire is a 2011 Nigerian film produced and directed by Tade Ogidan.
The film stars Saheed Balogun, Segun Arinze, Sola Fosudo and Sola Sobowale.
The film was premiered on November 4, 2011, at The Lighthouse Hall, Camberwell road, London.Prominent actors and actress present includes; Kunle Afolayan, Richard Mofe Damijo, Ramsey Nouah, Teju Babyface, Saheed Balogun, Segun Arinze and Bimbo Akintola.
It was premiered in Lagos State, southwestern Nigeria in April 2012. Notable actors in attendance were Femi Adebayo, Desmond Elliot, Yemi Shodimu and prominent Nigerians present were Molade Okoya-Thomas, a renowned Nigerian Business magnate, Abimbola Fashola and Oladipo Diya, a retired Lt. General and former Chief of the Defence Staff.
| 18
|
[
"Not For Broadcast",
"publisher",
"tinyBuild Games"
] |
Not For Broadcast is a full motion propaganda simulator developed by British video game studio NotGames and published by tinyBuild. The game released with its first episode in early access on 30 January 2020. The full game, including the third and final episode, was released worldwide on 25 January 2022.The game takes place in an unnamed European country (resembling the United Kingdom) in the mid-1980s, where a new populist political party named Advance has won a surprise landslide election victory and begins to handle the country in an increasingly authoritarian dystopian fashion. The player takes the role of Alex Winston, a studio director in a national television station, having to produce a live broadcast, play adverts, censor swear words, and avoid interference in an effort to keep the viewership high.On early access release, Not For Broadcast received positive reviews, with praise going to its gameplay and mechanics while being criticised for confusing political storytelling.
| 18
|
[
"Not For Broadcast",
"developer",
"NotGames"
] |
Not For Broadcast is a full motion propaganda simulator developed by British video game studio NotGames and published by tinyBuild. The game released with its first episode in early access on 30 January 2020. The full game, including the third and final episode, was released worldwide on 25 January 2022.The game takes place in an unnamed European country (resembling the United Kingdom) in the mid-1980s, where a new populist political party named Advance has won a surprise landslide election victory and begins to handle the country in an increasingly authoritarian dystopian fashion. The player takes the role of Alex Winston, a studio director in a national television station, having to produce a live broadcast, play adverts, censor swear words, and avoid interference in an effort to keep the viewership high.On early access release, Not For Broadcast received positive reviews, with praise going to its gameplay and mechanics while being criticised for confusing political storytelling.
| 19
|
[
"Tales of Mystery and Imagination (Alan Parsons Project album)",
"form of creative work",
"studio album"
] |
Tales of Mystery and Imagination (Edgar Allan Poe) is the debut studio album by British rock band The Alan Parsons Project. It was released on 25 June 1976 in the United Kingdom by Charisma Records. The lyrical and musical themes of the album, which are retellings of horror stories and poetry by Edgar Allan Poe, attracted a cult audience. The title of the album is taken from the title of a collection of Poe's macabre stories of the same name.
Musicians featured on the album include vocalists Arthur Brown of The Crazy World of Arthur Brown on "The Tell Tale Heart", John Miles on "The Cask of Amontillado" and "(The System of) Dr. Tarr and Professor Fether", and Terry Sylvester of The Hollies on "To One in Paradise". The complete line-up of bands Ambrosia and Pilot play on the record, along with keyboardist Francis Monkman of Curved Air and Sky.
Tales of Mystery and Imagination peaked at #38 on Billboard's Pop Albums chart. The song "(The System Of) Doctor Tarr and Professor Fether" peaked at No. 37 on the Pop Singles chart, and No. 62 in Canada.
| 5
|
[
"Tales of Mystery and Imagination (Alan Parsons Project album)",
"instance of",
"album"
] |
Tales of Mystery and Imagination (Edgar Allan Poe) is the debut studio album by British rock band The Alan Parsons Project. It was released on 25 June 1976 in the United Kingdom by Charisma Records. The lyrical and musical themes of the album, which are retellings of horror stories and poetry by Edgar Allan Poe, attracted a cult audience. The title of the album is taken from the title of a collection of Poe's macabre stories of the same name.
Musicians featured on the album include vocalists Arthur Brown of The Crazy World of Arthur Brown on "The Tell Tale Heart", John Miles on "The Cask of Amontillado" and "(The System of) Dr. Tarr and Professor Fether", and Terry Sylvester of The Hollies on "To One in Paradise". The complete line-up of bands Ambrosia and Pilot play on the record, along with keyboardist Francis Monkman of Curved Air and Sky.
Tales of Mystery and Imagination peaked at #38 on Billboard's Pop Albums chart. The song "(The System Of) Doctor Tarr and Professor Fether" peaked at No. 37 on the Pop Singles chart, and No. 62 in Canada.
| 7
|
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