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[
"Vonnas station",
"instance of",
"railway station"
] |
Vonnas station (French: Gare de Vonnas) is a French railway station serving the commune of Vonnas, Ain department in the Auvergne-Rhône-Alpes region. It is located at kilometric point (KP) 16.950 on the Mâcon-Ambérieu railway.Put into service by the Compagnie du chemin de fer de Lyon à la Méditerranée (LM) in 1857, the station would later become part of the Compagnie des chemins de fer de Paris à Lyon et à la Méditerranée's (PLM) network.
As of 2020, the station is owned and operated by the SNCF and served by TER Auvergne-Rhône-Alpes trains.History
Vonnas station was opened on 6 June 1857 by the Compagnie du chemin de fer de Lyon à la Méditerranée (LM), along with the opening of a 34 km section of track from Bourg on the left bank of the Saône. Trains initially stopped on the bank of the river as a result of delays in viaduct construction. A boat service enable passengers to reach their destination in roughly 30 minutes. The completion of the viaduct occurred on 20 July 1857, enabling trains to reach their final destination.In 1911, the station became part of the Compagnie des chemins de fer de Paris à Lyon et à la Méditerranée (PLM), network of stations and stops.
The station remained it status of a passenger station during the 20th century, with station installations undergoing renovations in 2012 as part of a regional program to renovate stations and halts.In 2019, the SNCF estimated that 91,327 passengers traveled through the station.
| 5
|
[
"Vonnas station",
"located in the administrative territorial entity",
"Vonnas"
] |
Vonnas station (French: Gare de Vonnas) is a French railway station serving the commune of Vonnas, Ain department in the Auvergne-Rhône-Alpes region. It is located at kilometric point (KP) 16.950 on the Mâcon-Ambérieu railway.Put into service by the Compagnie du chemin de fer de Lyon à la Méditerranée (LM) in 1857, the station would later become part of the Compagnie des chemins de fer de Paris à Lyon et à la Méditerranée's (PLM) network.
As of 2020, the station is owned and operated by the SNCF and served by TER Auvergne-Rhône-Alpes trains.History
Vonnas station was opened on 6 June 1857 by the Compagnie du chemin de fer de Lyon à la Méditerranée (LM), along with the opening of a 34 km section of track from Bourg on the left bank of the Saône. Trains initially stopped on the bank of the river as a result of delays in viaduct construction. A boat service enable passengers to reach their destination in roughly 30 minutes. The completion of the viaduct occurred on 20 July 1857, enabling trains to reach their final destination.In 1911, the station became part of the Compagnie des chemins de fer de Paris à Lyon et à la Méditerranée (PLM), network of stations and stops.
The station remained it status of a passenger station during the 20th century, with station installations undergoing renovations in 2012 as part of a regional program to renovate stations and halts.In 2019, the SNCF estimated that 91,327 passengers traveled through the station.
| 9
|
[
"Vierzon-Ville station",
"country",
"France"
] |
Gare de Vierzon-Ville is a railway station serving the town Vierzon, Cher department, central France. It is situated on the Orléans–Montauban railway, the Vierzon–Saincaize railway and the Vierzon–Saint-Pierre-des-Corps railway.Services
The station is served by Intercités (long distance) services to Paris, Toulouse, Nantes and Lyon, and by regional services (TER Centre-Val de Loire) to Nevers, Tours, Orléans and Limoges.
| 0
|
[
"Vierzon-Ville station",
"connecting service",
"TER Centre-Val de Loire"
] |
Services
The station is served by Intercités (long distance) services to Paris, Toulouse, Nantes and Lyon, and by regional services (TER Centre-Val de Loire) to Nevers, Tours, Orléans and Limoges.
| 14
|
[
"Ambronay—Priay station",
"operator",
"SNCF"
] |
Ambronay—Priay station (French: Gare de Abronay—Priay) is a French railway station located in commune of Ambronay, Ain department in the Auvergne-Rhône-Alpes region. As its name suggests, the station also serves the nearby commune of Priay. It is located at kilometric point (KP) 61.274 on the Mâcon—Ambérieu railway.
The station was opened in 1856 by the Compagnie des chemins de fer de Paris à Lyon et à la Méditerranée (PLM).
As of 2020, the station is owned and operated by the SNCF and served by TER Auvergne-Rhône-Alpes trains.History
In 2019, the SNCF estimated that 9,145 passengers traveled through the station.
| 3
|
[
"Ambronay—Priay station",
"instance of",
"railway station"
] |
Ambronay—Priay station (French: Gare de Abronay—Priay) is a French railway station located in commune of Ambronay, Ain department in the Auvergne-Rhône-Alpes region. As its name suggests, the station also serves the nearby commune of Priay. It is located at kilometric point (KP) 61.274 on the Mâcon—Ambérieu railway.
The station was opened in 1856 by the Compagnie des chemins de fer de Paris à Lyon et à la Méditerranée (PLM).
As of 2020, the station is owned and operated by the SNCF and served by TER Auvergne-Rhône-Alpes trains.
| 6
|
[
"Ambronay—Priay station",
"located in the administrative territorial entity",
"Ambronay"
] |
Ambronay—Priay station (French: Gare de Abronay—Priay) is a French railway station located in commune of Ambronay, Ain department in the Auvergne-Rhône-Alpes region. As its name suggests, the station also serves the nearby commune of Priay. It is located at kilometric point (KP) 61.274 on the Mâcon—Ambérieu railway.
The station was opened in 1856 by the Compagnie des chemins de fer de Paris à Lyon et à la Méditerranée (PLM).
As of 2020, the station is owned and operated by the SNCF and served by TER Auvergne-Rhône-Alpes trains.History
In 2019, the SNCF estimated that 9,145 passengers traveled through the station.
| 7
|
[
"Nurieux station",
"country",
"France"
] |
Nurieux station (French: Gare de Nurieux) is a French railway station located in the commune of Nurieux-Volognat, Ain department in the Auvergne-Rhône-Alpes region. Established at an elevation of 484 meters, the station is located at kilometric point (KP) 33.468 on the Ligne du Haut-Bugey, between the stations of Cize—Bolozon and Brion—Montréal-la-Cluse.History
In 2019, the SNCF estimated that 20,701 passengers traveled through the station.
| 0
|
[
"Nurieux station",
"instance of",
"railway station"
] |
Nurieux station (French: Gare de Nurieux) is a French railway station located in the commune of Nurieux-Volognat, Ain department in the Auvergne-Rhône-Alpes region. Established at an elevation of 484 meters, the station is located at kilometric point (KP) 33.468 on the Ligne du Haut-Bugey, between the stations of Cize—Bolozon and Brion—Montréal-la-Cluse.History
In 2019, the SNCF estimated that 20,701 passengers traveled through the station.
| 5
|
[
"Nurieux station",
"located in the administrative territorial entity",
"Nurieux-Volognat"
] |
Nurieux station (French: Gare de Nurieux) is a French railway station located in the commune of Nurieux-Volognat, Ain department in the Auvergne-Rhône-Alpes region. Established at an elevation of 484 meters, the station is located at kilometric point (KP) 33.468 on the Ligne du Haut-Bugey, between the stations of Cize—Bolozon and Brion—Montréal-la-Cluse.History
In 2019, the SNCF estimated that 20,701 passengers traveled through the station.
| 11
|
[
"Washington Monument",
"country",
"United States of America"
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.
| 1
|
[
"Washington Monument",
"commemorates",
"George Washington"
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.
| 2
|
[
"Washington Monument",
"dedicated to",
"George Washington"
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.
| 3
|
[
"Washington Monument",
"continent",
"North America"
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.
| 4
|
[
"Washington Monument",
"located in the administrative territorial entity",
"Washington, D.C."
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.
| 7
|
[
"Washington Monument",
"location",
"National Mall"
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.
| 9
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[
"Washington Monument",
"located in protected area",
"National Mall"
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.
| 10
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[
"Washington Monument",
"significant event",
"dedication"
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.Excavation and initial construction
Construction of the monument finally began three years later in 1848 with the excavation of the site, the laying of the cornerstone on the prepared bed, and laying the original foundation around and on top of the cornerstone, before the construction of its massive walls began the next year. Regarding modern claims of slave labor being used in construction, Washington Monument Historian John Steele Gordon stated "I can't say for certain, but the stonemasonry was pretty highly skilled, so it's unlikely that slaves would've been doing it. The stones were cut by stonecutters, which is highly skilled work; and the stones were hoisted by means of steam engines, so you'd need a skilled engineer and foreman for stuff like that. Tending the steam engine, building the cast-iron staircase inside—that wasn't grunt work. ... The early quarries were in Maryland, so slave labor was undoubtedly used to quarry and haul the stone" Abraham Riesman, who quoted Gordon, states "there were plenty of people who worked as skilled laborers while enslaved in antebellum America. Indeed, there were enslaved people who worked as stonemasons. So the possibility remains that there were slaves who performed some of the necessary skilled labor for the monument." According to historian Jesse Holland, it is very likely that African-American slaves were among the construction workers, given that slavery prevailed in Washington and its surrounding states at that time, and slaves were commonly used in public and private construction.Gordon's arguments are valid for the second phase (1879–1888) after slavery was abolished, when every stone laid required dressing and polishing by a skilled stonemason. This includes the iron staircase which was constructed 1885–86. That the stonecutters in the quarry were slaves is confirmed because all quarry workers were slaves during the construction of the United States Capitol during the 1790s.: 5–6 However, Holland's views are valid for the first phase because most of its construction only required unskilled manual labor. No information survives concerning the method used to lift stones that weighed several tons each during the first phase, whether by a manual winch or a steam engine.: 17–23 The surviving information concerning slaves that built the core of the United States Capitol during the 1790s is not much help. At the time, the District of Columbia outside of Georgetown was sparsely populated so the federal government rented slaves from their owners who were paid a fee for their slaves' normal daily labor. Any overtime for Sundays, holidays, and nights was paid directly to the slaves which they could use for daily needs or to save to buy their freedom.: 9 Conversely, the first phase of the monument was constructed by a private entity, the Washington National Monument Society, which may not have been as magnanimous as the federal government, but most information was lost during the 1850s while two Societies vied for control of the monument. Useful information concerning the use of slaves during the major expansion of the Capitol during the 1850s, nearly contemporaneous with the monument's first phase, does not exist.
Only a small number of stones used in the first phase required a skilled stonemason, the marble blocks on the outer surface of the monument (their inner surfaces were left very rough) and those gneiss stones that form the rough inner walls of the monument (all other surfaces of those inner stones within the walls were left jagged). The vast majority of all gneiss stones laid during the first phase, those between the outer and inner surfaces of the walls, from very large to very small jagged stones, form a pile of rubble held together by a large amount of mortar. The top surface of this rubble can be seen below at Walls in an 1880 drawing made just before the polished/rough marble and granite stones used in the second phase were laid atop it. The original foundation below the walls was made of layered gneiss rubble, but without the massive stones used within the walls. Most of the gneiss stones used during the first phase were obtained from quarries in the upper Potomac River Valley. Almost all the marble stones of the first and second phases came from two Maryland quarries about 20 miles (30 km) north of downtown Baltimore in rural Baltimore County where stone for their first Washington Monument was obtained.On Independence Day, July 4, 1848, the Freemasons, the same organization to which Washington belonged, laid the cornerstone (symbolically, not physically).: 45, 136–143 According to Joseph R. Chandler:: 136, 140–141
No more Washingtons shall come in our time ... But his virtues are stamped on the heart of mankind. He who is great in the battlefield looks upward to the generalship of Washington. He who grows wise in counsel feels that he is imitating Washington. He who can resign power against the wishes of a people, has in his eye the bright example of Washington.
Two years later, on a torrid July 4, 1850, George Washington Parke Custis (1781–1857), the adopted son of George Washington and grandson of Martha Washington (1731–1802), dedicated a stone from the people of the District of Columbia to the Monument at a ceremony that 12th President Zachary Taylor (1784–1850, served 1849–1850) attended, just five days before he died from food poisoning.
| 19
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[
"Washington Monument",
"has use",
"monument"
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.
| 20
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[
"Washington Monument",
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Miscellaneous details
The total cost of the monument from 1848 to 1888 was $1,409,500 (equivalent to $30,000,000 in 2021). The weight of the above ground portion of the monument is 44,208 long tons (49,513 short tons; 44,917 tonnes), whereas its total weight, including the foundation below ground and any earth above it that is within its outer perimeter is 81,120 long tons (90,854 short tons; 82,422 tonnes). The total number of blocks in the monument, including all marble, granite and gneiss blocks, whether externally or internally visible or hidden from view within the walls or old foundation is over 36,000. The number of marble blocks externally visible is about 10,000.
The monument stands 554 feet 7+11⁄32 inches (169.046 m) tall according to the National Geodetic Survey (measured 2013–14) or 555 feet 5+1⁄8 inches (169.294 m) tall according to the National Park Service (measured 1884). In 1975, a ramp covered two steps at the entrance to the monument, so the ground next to the ramp was raised to match its height, reducing the remaining height to the monument's apex. It is both the world's tallest predominantly stone structure and the world's tallest obelisk. It is the tallest monumental column in the world if all are measured above their pedestrian entrances, but two are taller when measured above ground, though they are neither all stone nor true obelisks. The tallest masonry structure in the world is the brick Anaconda Smelter Stack in Montana at 585 feet 1+1⁄2 inches (178.35 m) tall. But this includes a 30-foot (9.1 m) non-masonry concrete foundation, leaving the stack's brick chimney at 555 feet 1+1⁄2 inches (169.20 m) tall, only about 6 inches (15 cm) taller than the monument's 2015 height. If the monument's aluminum apex is also discounted, then the stack's masonry portion is 15 inches (38 cm) taller than the monument's masonry portion.
| 24
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[
"Washington Monument",
"made from material",
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Excavation and initial construction
Construction of the monument finally began three years later in 1848 with the excavation of the site, the laying of the cornerstone on the prepared bed, and laying the original foundation around and on top of the cornerstone, before the construction of its massive walls began the next year. Regarding modern claims of slave labor being used in construction, Washington Monument Historian John Steele Gordon stated "I can't say for certain, but the stonemasonry was pretty highly skilled, so it's unlikely that slaves would've been doing it. The stones were cut by stonecutters, which is highly skilled work; and the stones were hoisted by means of steam engines, so you'd need a skilled engineer and foreman for stuff like that. Tending the steam engine, building the cast-iron staircase inside—that wasn't grunt work. ... The early quarries were in Maryland, so slave labor was undoubtedly used to quarry and haul the stone" Abraham Riesman, who quoted Gordon, states "there were plenty of people who worked as skilled laborers while enslaved in antebellum America. Indeed, there were enslaved people who worked as stonemasons. So the possibility remains that there were slaves who performed some of the necessary skilled labor for the monument." According to historian Jesse Holland, it is very likely that African-American slaves were among the construction workers, given that slavery prevailed in Washington and its surrounding states at that time, and slaves were commonly used in public and private construction.Gordon's arguments are valid for the second phase (1879–1888) after slavery was abolished, when every stone laid required dressing and polishing by a skilled stonemason. This includes the iron staircase which was constructed 1885–86. That the stonecutters in the quarry were slaves is confirmed because all quarry workers were slaves during the construction of the United States Capitol during the 1790s.: 5–6 However, Holland's views are valid for the first phase because most of its construction only required unskilled manual labor. No information survives concerning the method used to lift stones that weighed several tons each during the first phase, whether by a manual winch or a steam engine.: 17–23 The surviving information concerning slaves that built the core of the United States Capitol during the 1790s is not much help. At the time, the District of Columbia outside of Georgetown was sparsely populated so the federal government rented slaves from their owners who were paid a fee for their slaves' normal daily labor. Any overtime for Sundays, holidays, and nights was paid directly to the slaves which they could use for daily needs or to save to buy their freedom.: 9 Conversely, the first phase of the monument was constructed by a private entity, the Washington National Monument Society, which may not have been as magnanimous as the federal government, but most information was lost during the 1850s while two Societies vied for control of the monument. Useful information concerning the use of slaves during the major expansion of the Capitol during the 1850s, nearly contemporaneous with the monument's first phase, does not exist.
Only a small number of stones used in the first phase required a skilled stonemason, the marble blocks on the outer surface of the monument (their inner surfaces were left very rough) and those gneiss stones that form the rough inner walls of the monument (all other surfaces of those inner stones within the walls were left jagged). The vast majority of all gneiss stones laid during the first phase, those between the outer and inner surfaces of the walls, from very large to very small jagged stones, form a pile of rubble held together by a large amount of mortar. The top surface of this rubble can be seen below at Walls in an 1880 drawing made just before the polished/rough marble and granite stones used in the second phase were laid atop it. The original foundation below the walls was made of layered gneiss rubble, but without the massive stones used within the walls. Most of the gneiss stones used during the first phase were obtained from quarries in the upper Potomac River Valley. Almost all the marble stones of the first and second phases came from two Maryland quarries about 20 miles (30 km) north of downtown Baltimore in rural Baltimore County where stone for their first Washington Monument was obtained.On Independence Day, July 4, 1848, the Freemasons, the same organization to which Washington belonged, laid the cornerstone (symbolically, not physically).: 45, 136–143 According to Joseph R. Chandler:: 136, 140–141
No more Washingtons shall come in our time ... But his virtues are stamped on the heart of mankind. He who is great in the battlefield looks upward to the generalship of Washington. He who grows wise in counsel feels that he is imitating Washington. He who can resign power against the wishes of a people, has in his eye the bright example of Washington.
Two years later, on a torrid July 4, 1850, George Washington Parke Custis (1781–1857), the adopted son of George Washington and grandson of Martha Washington (1731–1802), dedicated a stone from the people of the District of Columbia to the Monument at a ceremony that 12th President Zachary Taylor (1784–1850, served 1849–1850) attended, just five days before he died from food poisoning.Walls
During the first phase of construction (1848–1854), the walls were built with bluestone gneiss rubble, ranging from very large irregular stones having a cross section of about 5 by 10 feet (1.5 m × 3.0 m) down to spalls (broken pieces of stone) all embedded in a large amount of mortar. The outer surface is marble stones 14 to 18 inches (36–46 cm) thick in 2-foot (61 cm) high courses or rows horizontally encircling the monument. Although each course contains both stretchers (stones parallel to the wall) and headers (stones projecting into the wall), about two to three times as many stretchers as headers were used. Their joints were so thin that some stones pressed on bare stone below them, breaking off many pieces since it was constructed. The batter or slope of the outer surface is 0.247 inches per foot (2.06 cm/m, 1°11'). The inner surface has disorderly rows of smaller roughly dressed bluestone gneiss.: B-49 : sheets 7–30 : 18–19, 23, 105–6 The base of the first phase walls has an outer dimension of 55 feet 1+1⁄2 inches (16.80 m) square and a thickness of 15 feet (4.6 m). The interior well is 25 feet 1 inch (7.65 m) square and has square corners. The weight of the first phase walls up to 150 feet (45.7 m) is 22,373 long tons (25,058 short tons; 22,732 tonnes).During the second phase (1879–1884), the walls were constructed of smoothly dressed (ashlar) large marble and granite blocks (rectangular cuboids) laid down in an orderly manner (Flemish bond) with thick joints. Two-foot high marble surface stones, using an equal number of stretchers and headers, were backed by granite blocks from the 152-foot level (the first course above the rubble) to the 218-foot level, where marble headers become increasingly visible on the internal surface of the walls up to the 450-foot level, above which only marble stones are used.
Between the 150- and 160-foot levels the inner walls rapidly slope outward, increasing the shaft well from 25 feet 1 inch square to 31 feet 5+1⁄2 inches (9.59 m) square with a corresponding decrease in the thickness of the walls and their weight.: sheets 4–5 : 23 The second phase walls at the 160-foot level were 8 feet 7+1⁄2 inches (2.63 m) thick, which, combined with the larger shaft well, yields an outer dimension of 48 feet 8+1⁄2 inches (14.85 m) square at that level. The top of the second phase walls are 34 feet 5+1⁄2 inches (10.50 m) square and 1 foot 6 inches (46 cm) thick.: 3–7 The second phase interior walls have rounded corners (2-foot (0.61 m) radii). The weight of the second phase walls (from 150 feet to 500 feet) are 21,260 long tons (23,810 short tons; 21,600 tonnes). The walls of the entire shaft (combined first and second phases) are 500 feet 5+1⁄8 inches (152.530 m) high.The first phase of the walls was constructed under the direction of William Dougherty. Its white Cockeysville marble exterior came from the Texas quarry now adjacent to and east of north I-83 near the Warren Road exit in Cockeysville, Maryland. The quarry was named for the Texas Station (no longer extant) and 19th-century town on the Northern Central Railway. During the first phase it was operated by Thomas Symington, but is now operated by Martin Marietta Materials and no longer produces building stone. The second phase of construction was under the direction of Lt Col/Col Thomas Lincoln Casey of the United States Army Corps of Engineers, who removed two defective courses added by the Know-Nothings and the last 152-foot course added by Dougherty before Casey began his construction. The next three courses of white marble (152–156 feet (46–48 m)) came from Sheffield, Massachusetts, while all courses above them came from the Beaver Dam quarry just west of the 19th-century town of Cockeysville.: 63 The latter quarry is located on Beaver Dam Road near its intersection with McCormick Road. During the second phase the quarry was operated by Hugh Sisson, but is now flooded, is called Beaverdam Pond, and is the home of the Beaver Dam Swimming Club. Both 19th-century towns are now within the city limits of Cockeysville.
| 28
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[
"Washington Monument",
"significant event",
"foundation stone laying ceremony"
] |
Resumption
Construction resumed in 1879 under the direction of Lieutenant Colonel Thomas Lincoln Casey of the United States Army Corps of Engineers. Casey redesigned the foundation, strengthening it so it could support a structure that ultimately weighed more than 40,000 tons (36,000 tonnes). The first stone atop the unfinished stump was laid on August 7, 1880, in a small ceremony attended by President Rutherford B. Hayes, Casey and a few others. The president placed a small coin on which he had scratched his initials and the date in the bed of wet cement at the 150-foot (46 m) level before the first stone was laid on top of it.: 76 Casey found 92 memorial stones ("presented stones") already inlaid into the interior walls of the first phase of construction. Before construction continued he temporarily removed eight stones at the 150-foot (46 m) level so that the walls at that level could be sloped outward, producing thinner second-phase walls. He inserted those stones and most of the remaining memorial stones stored in the lapidarium into the interior walls during 1885–1889.: 11–17 The bottom third of the monument is a slightly lighter shade than the rest of the construction because the marble was obtained from different quarries.The building of the monument proceeded quickly after Congress had provided sufficient funding. In four years, it was completed, with the 100-ounce (2.83 kg) aluminum apex/lightning-rod being put in place on December 6, 1884. The apex was the largest single piece of aluminum cast at the time, when aluminum commanded a price comparable to silver. Two years later, the Hall–Héroult process made aluminum easier to produce and the price of aluminum plummeted, though it should have provided a lustrous, non-rusting apex. The monument opened to the public on October 9, 1888.
| 30
|
[
"Washington Monument",
"heritage designation",
"National Register of Historic Places listed place"
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.
| 31
|
[
"Washington Monument",
"made from material",
"gneiss"
] |
Excavation and initial construction
Construction of the monument finally began three years later in 1848 with the excavation of the site, the laying of the cornerstone on the prepared bed, and laying the original foundation around and on top of the cornerstone, before the construction of its massive walls began the next year. Regarding modern claims of slave labor being used in construction, Washington Monument Historian John Steele Gordon stated "I can't say for certain, but the stonemasonry was pretty highly skilled, so it's unlikely that slaves would've been doing it. The stones were cut by stonecutters, which is highly skilled work; and the stones were hoisted by means of steam engines, so you'd need a skilled engineer and foreman for stuff like that. Tending the steam engine, building the cast-iron staircase inside—that wasn't grunt work. ... The early quarries were in Maryland, so slave labor was undoubtedly used to quarry and haul the stone" Abraham Riesman, who quoted Gordon, states "there were plenty of people who worked as skilled laborers while enslaved in antebellum America. Indeed, there were enslaved people who worked as stonemasons. So the possibility remains that there were slaves who performed some of the necessary skilled labor for the monument." According to historian Jesse Holland, it is very likely that African-American slaves were among the construction workers, given that slavery prevailed in Washington and its surrounding states at that time, and slaves were commonly used in public and private construction.Gordon's arguments are valid for the second phase (1879–1888) after slavery was abolished, when every stone laid required dressing and polishing by a skilled stonemason. This includes the iron staircase which was constructed 1885–86. That the stonecutters in the quarry were slaves is confirmed because all quarry workers were slaves during the construction of the United States Capitol during the 1790s.: 5–6 However, Holland's views are valid for the first phase because most of its construction only required unskilled manual labor. No information survives concerning the method used to lift stones that weighed several tons each during the first phase, whether by a manual winch or a steam engine.: 17–23 The surviving information concerning slaves that built the core of the United States Capitol during the 1790s is not much help. At the time, the District of Columbia outside of Georgetown was sparsely populated so the federal government rented slaves from their owners who were paid a fee for their slaves' normal daily labor. Any overtime for Sundays, holidays, and nights was paid directly to the slaves which they could use for daily needs or to save to buy their freedom.: 9 Conversely, the first phase of the monument was constructed by a private entity, the Washington National Monument Society, which may not have been as magnanimous as the federal government, but most information was lost during the 1850s while two Societies vied for control of the monument. Useful information concerning the use of slaves during the major expansion of the Capitol during the 1850s, nearly contemporaneous with the monument's first phase, does not exist.
Only a small number of stones used in the first phase required a skilled stonemason, the marble blocks on the outer surface of the monument (their inner surfaces were left very rough) and those gneiss stones that form the rough inner walls of the monument (all other surfaces of those inner stones within the walls were left jagged). The vast majority of all gneiss stones laid during the first phase, those between the outer and inner surfaces of the walls, from very large to very small jagged stones, form a pile of rubble held together by a large amount of mortar. The top surface of this rubble can be seen below at Walls in an 1880 drawing made just before the polished/rough marble and granite stones used in the second phase were laid atop it. The original foundation below the walls was made of layered gneiss rubble, but without the massive stones used within the walls. Most of the gneiss stones used during the first phase were obtained from quarries in the upper Potomac River Valley. Almost all the marble stones of the first and second phases came from two Maryland quarries about 20 miles (30 km) north of downtown Baltimore in rural Baltimore County where stone for their first Washington Monument was obtained.On Independence Day, July 4, 1848, the Freemasons, the same organization to which Washington belonged, laid the cornerstone (symbolically, not physically).: 45, 136–143 According to Joseph R. Chandler:: 136, 140–141
No more Washingtons shall come in our time ... But his virtues are stamped on the heart of mankind. He who is great in the battlefield looks upward to the generalship of Washington. He who grows wise in counsel feels that he is imitating Washington. He who can resign power against the wishes of a people, has in his eye the bright example of Washington.
Two years later, on a torrid July 4, 1850, George Washington Parke Custis (1781–1857), the adopted son of George Washington and grandson of Martha Washington (1731–1802), dedicated a stone from the people of the District of Columbia to the Monument at a ceremony that 12th President Zachary Taylor (1784–1850, served 1849–1850) attended, just five days before he died from food poisoning.Walls
During the first phase of construction (1848–1854), the walls were built with bluestone gneiss rubble, ranging from very large irregular stones having a cross section of about 5 by 10 feet (1.5 m × 3.0 m) down to spalls (broken pieces of stone) all embedded in a large amount of mortar. The outer surface is marble stones 14 to 18 inches (36–46 cm) thick in 2-foot (61 cm) high courses or rows horizontally encircling the monument. Although each course contains both stretchers (stones parallel to the wall) and headers (stones projecting into the wall), about two to three times as many stretchers as headers were used. Their joints were so thin that some stones pressed on bare stone below them, breaking off many pieces since it was constructed. The batter or slope of the outer surface is 0.247 inches per foot (2.06 cm/m, 1°11'). The inner surface has disorderly rows of smaller roughly dressed bluestone gneiss.: B-49 : sheets 7–30 : 18–19, 23, 105–6 The base of the first phase walls has an outer dimension of 55 feet 1+1⁄2 inches (16.80 m) square and a thickness of 15 feet (4.6 m). The interior well is 25 feet 1 inch (7.65 m) square and has square corners. The weight of the first phase walls up to 150 feet (45.7 m) is 22,373 long tons (25,058 short tons; 22,732 tonnes).During the second phase (1879–1884), the walls were constructed of smoothly dressed (ashlar) large marble and granite blocks (rectangular cuboids) laid down in an orderly manner (Flemish bond) with thick joints. Two-foot high marble surface stones, using an equal number of stretchers and headers, were backed by granite blocks from the 152-foot level (the first course above the rubble) to the 218-foot level, where marble headers become increasingly visible on the internal surface of the walls up to the 450-foot level, above which only marble stones are used.
Between the 150- and 160-foot levels the inner walls rapidly slope outward, increasing the shaft well from 25 feet 1 inch square to 31 feet 5+1⁄2 inches (9.59 m) square with a corresponding decrease in the thickness of the walls and their weight.: sheets 4–5 : 23 The second phase walls at the 160-foot level were 8 feet 7+1⁄2 inches (2.63 m) thick, which, combined with the larger shaft well, yields an outer dimension of 48 feet 8+1⁄2 inches (14.85 m) square at that level. The top of the second phase walls are 34 feet 5+1⁄2 inches (10.50 m) square and 1 foot 6 inches (46 cm) thick.: 3–7 The second phase interior walls have rounded corners (2-foot (0.61 m) radii). The weight of the second phase walls (from 150 feet to 500 feet) are 21,260 long tons (23,810 short tons; 21,600 tonnes). The walls of the entire shaft (combined first and second phases) are 500 feet 5+1⁄8 inches (152.530 m) high.The first phase of the walls was constructed under the direction of William Dougherty. Its white Cockeysville marble exterior came from the Texas quarry now adjacent to and east of north I-83 near the Warren Road exit in Cockeysville, Maryland. The quarry was named for the Texas Station (no longer extant) and 19th-century town on the Northern Central Railway. During the first phase it was operated by Thomas Symington, but is now operated by Martin Marietta Materials and no longer produces building stone. The second phase of construction was under the direction of Lt Col/Col Thomas Lincoln Casey of the United States Army Corps of Engineers, who removed two defective courses added by the Know-Nothings and the last 152-foot course added by Dougherty before Casey began his construction. The next three courses of white marble (152–156 feet (46–48 m)) came from Sheffield, Massachusetts, while all courses above them came from the Beaver Dam quarry just west of the 19th-century town of Cockeysville.: 63 The latter quarry is located on Beaver Dam Road near its intersection with McCormick Road. During the second phase the quarry was operated by Hugh Sisson, but is now flooded, is called Beaverdam Pond, and is the home of the Beaver Dam Swimming Club. Both 19th-century towns are now within the city limits of Cockeysville.Miscellaneous details
The total cost of the monument from 1848 to 1888 was $1,409,500 (equivalent to $30,000,000 in 2021). The weight of the above ground portion of the monument is 44,208 long tons (49,513 short tons; 44,917 tonnes), whereas its total weight, including the foundation below ground and any earth above it that is within its outer perimeter is 81,120 long tons (90,854 short tons; 82,422 tonnes). The total number of blocks in the monument, including all marble, granite and gneiss blocks, whether externally or internally visible or hidden from view within the walls or old foundation is over 36,000. The number of marble blocks externally visible is about 10,000.
The monument stands 554 feet 7+11⁄32 inches (169.046 m) tall according to the National Geodetic Survey (measured 2013–14) or 555 feet 5+1⁄8 inches (169.294 m) tall according to the National Park Service (measured 1884). In 1975, a ramp covered two steps at the entrance to the monument, so the ground next to the ramp was raised to match its height, reducing the remaining height to the monument's apex. It is both the world's tallest predominantly stone structure and the world's tallest obelisk. It is the tallest monumental column in the world if all are measured above their pedestrian entrances, but two are taller when measured above ground, though they are neither all stone nor true obelisks. The tallest masonry structure in the world is the brick Anaconda Smelter Stack in Montana at 585 feet 1+1⁄2 inches (178.35 m) tall. But this includes a 30-foot (9.1 m) non-masonry concrete foundation, leaving the stack's brick chimney at 555 feet 1+1⁄2 inches (169.20 m) tall, only about 6 inches (15 cm) taller than the monument's 2015 height. If the monument's aluminum apex is also discounted, then the stack's masonry portion is 15 inches (38 cm) taller than the monument's masonry portion.
| 36
|
[
"Washington Monument",
"instance of",
"tourist attraction"
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.
| 38
|
[
"Washington Monument",
"instance of",
"obelisk"
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.Miscellaneous details
The total cost of the monument from 1848 to 1888 was $1,409,500 (equivalent to $30,000,000 in 2021). The weight of the above ground portion of the monument is 44,208 long tons (49,513 short tons; 44,917 tonnes), whereas its total weight, including the foundation below ground and any earth above it that is within its outer perimeter is 81,120 long tons (90,854 short tons; 82,422 tonnes). The total number of blocks in the monument, including all marble, granite and gneiss blocks, whether externally or internally visible or hidden from view within the walls or old foundation is over 36,000. The number of marble blocks externally visible is about 10,000.
The monument stands 554 feet 7+11⁄32 inches (169.046 m) tall according to the National Geodetic Survey (measured 2013–14) or 555 feet 5+1⁄8 inches (169.294 m) tall according to the National Park Service (measured 1884). In 1975, a ramp covered two steps at the entrance to the monument, so the ground next to the ramp was raised to match its height, reducing the remaining height to the monument's apex. It is both the world's tallest predominantly stone structure and the world's tallest obelisk. It is the tallest monumental column in the world if all are measured above their pedestrian entrances, but two are taller when measured above ground, though they are neither all stone nor true obelisks. The tallest masonry structure in the world is the brick Anaconda Smelter Stack in Montana at 585 feet 1+1⁄2 inches (178.35 m) tall. But this includes a 30-foot (9.1 m) non-masonry concrete foundation, leaving the stack's brick chimney at 555 feet 1+1⁄2 inches (169.20 m) tall, only about 6 inches (15 cm) taller than the monument's 2015 height. If the monument's aluminum apex is also discounted, then the stack's masonry portion is 15 inches (38 cm) taller than the monument's masonry portion.
| 39
|
[
"Washington Monument",
"architect",
"Robert Mills"
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.
| 46
|
[
"Washington Monument",
"creator",
"Robert Mills"
] |
Components
Cornerstone
The cornerstone was laid with great ceremony at the northeast corner of the lowest course or step of the old foundation on July 4, 1848. Robert Mills, the architect of the monument, stated in September 1848, "The foundations are now brought up nearly to the surface of the ground; the second step being nearly completed, which covers up the corner stone.": 20 Therefore, the cornerstone was laid below the 1848 ground level. In 1880, the ground level was raised 17 feet (5.2 m) to the base of the shaft by the addition of a 30-foot (9.1 m) wide earthen embankment encircling the reinforced foundation, widened another 30 feet in 1881, and then the knoll was constructed in 1887–88.: B-36–B-39 : 70, 95–96 If the cornerstone was not moved during the strengthening of the foundation in 1879–80, its upper surface would now be 21 feet (6.4 m) below the pavement just outside the northeast corner of the shaft. It would now be sandwiched between the concrete slab under the old foundation and the concrete buttress completely encircling what remains of the old foundation. During the strengthening process, about half by volume of the periphery of the lowest seven of eight courses or steps of the old foundation (gneiss rubble) was removed to provide good footing for the buttress. Although a few diagrams, pictures and descriptions of this process exist, the fate of the cornerstone is not mentioned.: 2-7–2-8, 3-3–3-5, 4-3–4-4, B-11–B-18, figs 2.5–2.7, 3.2–3.6, 3.13, 4.8–4.11 : 67–73 The cornerstone was a 24,500-pound (11,100 kg) marble block 2.5 feet (0.76 m) high and 6.5 feet (2.0 m) square with a large hole for a zinc case filled with memorabilia. The hole was covered by a copper plate inscribed with the date of the Declaration of Independence (July 4, 1776), the date the cornerstone was laid (July 4, 1848), and the names of the managers of the Washington National Monument Society. The memorabilia in the zinc case included items associated with the monument, the city of Washington, the national government, state governments, benevolent societies, and George Washington, plus miscellaneous publications, both governmental and commercial, a coin set, and a Bible, totaling 73 items or collections of items, as well as 71 newspapers containing articles relating to George Washington or the monument.: app C : pp 43–46, 109–166 The ceremony began with a parade of dignitaries in carriages, marching troops, fire companies, and benevolent societies.: chp 2 : 44–48 : 16–17, 45–47 A long oration was delivered by the Speaker of the House of Representatives Robert C. Winthrop.: 113–130 Then, the cornerstone was pronounced sound after a Masonic ceremony using George Washington's Masonic gavel, apron and sash, as well as other Masonic symbols. In attendance were President James K. Polk and other federal, state and local government officials, Elizabeth Schuyler Hamilton, Mrs. Dolley Madison, Mrs. John Quincy Adams, and George Washington Parke Custis, among 15,000 to 20,000 others, including a bald eagle. The ceremony ended with fireworks that evening.
| 47
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[
"Washington Monument",
"instance of",
"National Memorial of the United States"
] |
The Washington Monument is an obelisk-shaped building, on the National Mall in Washington, D.C., built to commemorate George Washington, a Founding Father of the United States, victorious commander-in-chief of the Continental Army from 1775 to 1784 in the American Revolutionary War, and the first President of the United States from 1789 to 1797. Standing east of the Reflecting Pool and the Lincoln Memorial, the monument, made of marble, granite, and bluestone gneiss, is both the world's tallest predominantly stone structure and the world's tallest obelisk, standing 554 feet 7+11⁄32 inches (169.046 m) tall, according to the U.S. Geodetic Survey measurements in 2013–2014. It is the tallest monumental column in the world if all are measured above their pedestrian entrances. It was the world's tallest structure between 1884 and 1889, after which it was overtaken by the Eiffel Tower, in Paris. Previously, the tallest structure was the Cologne Cathedral.
Construction of the presidential memorial began in 1848. The construction was suspended from 1854 to 1877 due to funding challenges, a struggle for control over the Washington National Monument Society, and the American Civil War. The stone structure was completed in 1884, and the internal ironwork, the knoll, and installation of memorial stones was completed in 1888. A difference in shading of the marble, visible about 150 feet (46 m) or 27% up, shows where construction was halted and later resumed with marble from a different source. The original design was by Robert Mills from South Carolina, but construction omitted his proposed colonnade for lack of funds, and construction proceeded instead with a bare obelisk. The cornerstone was laid on July 4, 1848; the first stone was laid atop the unfinished stump on August 7, 1880; the capstone was set on December 6, 1884; the completed monument was dedicated on February 21, 1885; and opened October 9, 1888.
The Washington Monument is a hollow Egyptian-style stone obelisk with a 500-foot (152.4 m) tall column surmounted by a 55-foot (16.8 m) tall pyramidion. Its walls are 15 feet (4.6 m) thick at its base and 1+1⁄2 feet (0.46 m) thick at their top. The marble pyramidion's walls are 7 inches (18 cm) thick, supported by six arches: two between opposite walls, which cross at the center of the pyramidion, and four smaller arches in the corners. The top of the pyramidion is a large, marble capstone with a small aluminum pyramid at its apex, with inscriptions on all four sides. The bottom 150 feet (45.7 m) of the walls, built during the first phase from 1848 to 1854, are composed of a pile of bluestone gneiss rubble stones (not finished stones) held together by a large amount of mortar with a facade of semi-finished marble stones about 1+1⁄4 feet (0.4 m) thick. The upper 350 feet (106.7 m) of the walls, built in the second phase, 1880–1884, are of finished marble surface stones, half of which project into the walls, partly backed by finished granite stones.The interior is occupied by iron stairs that spiral up the walls, with an elevator in the center, each supported by four iron columns, which do not support the stone structure. The stairs are in fifty sections, most on the north and south walls, with many long landings stretching between them along the east and west walls. These landings allowed many inscribed memorial stones of various materials and sizes to be easily viewed while the stairs were accessible (until 1976), plus one memorial stone between stairs that is difficult to view. The pyramidion has eight observation windows, two per side, and eight red aircraft warning lights, two per side. Two aluminum lightning rods, connected by the elevator support columns to groundwater, protect the monument. The monument's present foundation is 37 feet (11.3 m) thick, consisting of half of its original bluestone gneiss rubble encased in concrete. At the northeast corner of the foundation, 21 feet (6.4 m) below ground, is the marble cornerstone, including a zinc case filled with memorabilia. Fifty American flags fly on a large circle of poles centered on the monument. In 2001, a temporary screening facility was added to the entrance to prevent a terrorist attack. An earthquake in 2011 slightly damaged the monument, and it was closed until 2014. The monument was closed for elevator repairs, security upgrades, and mitigation of soil contamination in August 2016 before reopening again fully in September 2019.
| 49
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[
"Washington's Tomb",
"named after",
"George Washington"
] |
Washington's Tomb is an empty burial chamber two stories directly below the Rotunda of the United States Capitol building in Washington, DC. It was included in the original design of the building by William Thornton and intended to entomb the body of George Washington, the first President of the United States. The original design of the rotunda, and the Crypt beneath it, included a central glass floor allowing the public to view Washington's Tomb two floors below, but this was never implemented.When Washington died in 1799, the Capitol was still under construction. Both houses of Congress passed a resolution calling for Washington to be entombed in the Capitol upon its completion. His wife, Martha Washington, agreed to the plan despite the presence in her husband's will of a provision that he be buried at Mount Vernon. However, the original resolution was never carried out due to disputes over the specific design and cost of the tomb and the body was placed in a temporary tomb at Mount Vernon. Congress again attempted to resolve these issues in 1800, 1816, 1824, and 1829, when the Architect of the Capitol prepared plans for the tomb in anticipation of the approaching centennial of Washington's birth.Congress renewed its call to transfer the body to the Capitol in 1830, after an attempt to steal Washington's head in which the Mount Vernon tomb was vandalized and several of Washington's relatives' corpses desecrated in 1830. The current owner of the property, John Washington, decided to build a new, more secure tomb on the site instead.Formerly, the Lincoln Catafalque was stored and exhibited in the tomb. It is kept, at present, in a specially constructed display area in the Exhibition Hall of the Capitol Visitor Center.
| 0
|
[
"Washington's Tomb",
"dedicated to",
"George Washington"
] |
Washington's Tomb is an empty burial chamber two stories directly below the Rotunda of the United States Capitol building in Washington, DC. It was included in the original design of the building by William Thornton and intended to entomb the body of George Washington, the first President of the United States. The original design of the rotunda, and the Crypt beneath it, included a central glass floor allowing the public to view Washington's Tomb two floors below, but this was never implemented.When Washington died in 1799, the Capitol was still under construction. Both houses of Congress passed a resolution calling for Washington to be entombed in the Capitol upon its completion. His wife, Martha Washington, agreed to the plan despite the presence in her husband's will of a provision that he be buried at Mount Vernon. However, the original resolution was never carried out due to disputes over the specific design and cost of the tomb and the body was placed in a temporary tomb at Mount Vernon. Congress again attempted to resolve these issues in 1800, 1816, 1824, and 1829, when the Architect of the Capitol prepared plans for the tomb in anticipation of the approaching centennial of Washington's birth.Congress renewed its call to transfer the body to the Capitol in 1830, after an attempt to steal Washington's head in which the Mount Vernon tomb was vandalized and several of Washington's relatives' corpses desecrated in 1830. The current owner of the property, John Washington, decided to build a new, more secure tomb on the site instead.Formerly, the Lincoln Catafalque was stored and exhibited in the tomb. It is kept, at present, in a specially constructed display area in the Exhibition Hall of the Capitol Visitor Center.
| 1
|
[
"Washington's Tomb",
"instance of",
"tomb"
] |
Washington's Tomb is an empty burial chamber two stories directly below the Rotunda of the United States Capitol building in Washington, DC. It was included in the original design of the building by William Thornton and intended to entomb the body of George Washington, the first President of the United States. The original design of the rotunda, and the Crypt beneath it, included a central glass floor allowing the public to view Washington's Tomb two floors below, but this was never implemented.When Washington died in 1799, the Capitol was still under construction. Both houses of Congress passed a resolution calling for Washington to be entombed in the Capitol upon its completion. His wife, Martha Washington, agreed to the plan despite the presence in her husband's will of a provision that he be buried at Mount Vernon. However, the original resolution was never carried out due to disputes over the specific design and cost of the tomb and the body was placed in a temporary tomb at Mount Vernon. Congress again attempted to resolve these issues in 1800, 1816, 1824, and 1829, when the Architect of the Capitol prepared plans for the tomb in anticipation of the approaching centennial of Washington's birth.Congress renewed its call to transfer the body to the Capitol in 1830, after an attempt to steal Washington's head in which the Mount Vernon tomb was vandalized and several of Washington's relatives' corpses desecrated in 1830. The current owner of the property, John Washington, decided to build a new, more secure tomb on the site instead.Formerly, the Lincoln Catafalque was stored and exhibited in the tomb. It is kept, at present, in a specially constructed display area in the Exhibition Hall of the Capitol Visitor Center.
| 9
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[
"Tubilustrium",
"instance of",
"ancient Roman festival"
] |
In Ancient Rome the month of March was the traditional start of the campaign season, and the Tubilustrium was a ceremony to make the army fit for war. The ceremony involved sacred trumpets called tubae.Johannes Quasten, however, argues that the common term for war trumpets being tubae is not the same as the tubi form here. He states that tubi was only used for trumpets used in sacrifices and goes on to show how this ceremony was a feast to cleanse and purify the trumpets used in sacrifices - it is a good example, he argues, of the special connection between music and cult in Roman ritual.The festival was held on March 23, the last day of the Quinquatria festival held in tribute to the Roman God Mars and Nerine, a Sabine goddess. The event took place again on May 23.The ceremony was held in Rome in a building called the Hall of the Shoemakers (atrium sutorium) and involved the sacrifice of a ewe lamb. Romans who did not attend the ceremony would be reminded of the occasion by seeing the Salii dancing through the streets of the city.
| 2
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[
"Tubilustrium",
"instance of",
"religious festival"
] |
Johannes Quasten, however, argues that the common term for war trumpets being tubae is not the same as the tubi form here. He states that tubi was only used for trumpets used in sacrifices and goes on to show how this ceremony was a feast to cleanse and purify the trumpets used in sacrifices - it is a good example, he argues, of the special connection between music and cult in Roman ritual.The festival was held on March 23, the last day of the Quinquatria festival held in tribute to the Roman God Mars and Nerine, a Sabine goddess. The event took place again on May 23.The ceremony was held in Rome in a building called the Hall of the Shoemakers (atrium sutorium) and involved the sacrifice of a ewe lamb. Romans who did not attend the ceremony would be reminded of the occasion by seeing the Salii dancing through the streets of the city.
| 4
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[
"Pasqualati House",
"country",
"Austria"
] |
The Pasqualati House, notable for being a residence of Ludwig van Beethoven, is located in the 1st district of Vienna's Inner City, on the corner of Mölker Bastei 8 and Schreyvogelgasse 16, in an exposed position on the ramp of the former town fortifications. The building, completed in 1797 and home to the composer on several occasions, houses a Beethoven museum in an apartment adjoining the one Beethoven regularly occupied.
| 0
|
[
"Pasqualati House",
"located in the administrative territorial entity",
"Vienna"
] |
The Pasqualati House, notable for being a residence of Ludwig van Beethoven, is located in the 1st district of Vienna's Inner City, on the corner of Mölker Bastei 8 and Schreyvogelgasse 16, in an exposed position on the ramp of the former town fortifications. The building, completed in 1797 and home to the composer on several occasions, houses a Beethoven museum in an apartment adjoining the one Beethoven regularly occupied.
| 2
|
[
"Pasqualati House",
"instance of",
"historic building"
] |
The Pasqualati House, notable for being a residence of Ludwig van Beethoven, is located in the 1st district of Vienna's Inner City, on the corner of Mölker Bastei 8 and Schreyvogelgasse 16, in an exposed position on the ramp of the former town fortifications. The building, completed in 1797 and home to the composer on several occasions, houses a Beethoven museum in an apartment adjoining the one Beethoven regularly occupied.
| 5
|
[
"Pasqualati House",
"located in the administrative territorial entity",
"Innere Stadt"
] |
The Pasqualati House, notable for being a residence of Ludwig van Beethoven, is located in the 1st district of Vienna's Inner City, on the corner of Mölker Bastei 8 and Schreyvogelgasse 16, in an exposed position on the ramp of the former town fortifications. The building, completed in 1797 and home to the composer on several occasions, houses a Beethoven museum in an apartment adjoining the one Beethoven regularly occupied.
| 6
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[
"Champollion Museum (Vif)",
"country",
"France"
] |
The Champollion Museum (French: Musée Champollion) is a French historical museum located in Vif in the family home of the Champollion brothers. It presents the daily life of the discoverer of Egyptian hieroglyphs and that of his brother Jacques Joseph while they lived in Grenoble.The museum opened temporarily in 2004 during the ninth International Conference of Egyptology in Grenoble. It was then closed for renovation. It reopened on June 5, 2021. In February 2020, the museum was named a Musée de France by the Minister of Culture.The Louvre stores 85 Egyptian objects in this museum.
| 0
|
[
"Champollion Museum (Vif)",
"instance of",
"museum"
] |
The Champollion Museum (French: Musée Champollion) is a French historical museum located in Vif in the family home of the Champollion brothers. It presents the daily life of the discoverer of Egyptian hieroglyphs and that of his brother Jacques Joseph while they lived in Grenoble.The museum opened temporarily in 2004 during the ninth International Conference of Egyptology in Grenoble. It was then closed for renovation. It reopened on June 5, 2021. In February 2020, the museum was named a Musée de France by the Minister of Culture.The Louvre stores 85 Egyptian objects in this museum.
| 2
|
[
"Champollion Museum (Vif)",
"located in the administrative territorial entity",
"Vif"
] |
The Champollion Museum (French: Musée Champollion) is a French historical museum located in Vif in the family home of the Champollion brothers. It presents the daily life of the discoverer of Egyptian hieroglyphs and that of his brother Jacques Joseph while they lived in Grenoble.The museum opened temporarily in 2004 during the ninth International Conference of Egyptology in Grenoble. It was then closed for renovation. It reopened on June 5, 2021. In February 2020, the museum was named a Musée de France by the Minister of Culture.The Louvre stores 85 Egyptian objects in this museum.
| 4
|
[
"Champollion Museum (Vif)",
"heritage designation",
"monument historique inscrit"
] |
The Champollion Museum (French: Musée Champollion) is a French historical museum located in Vif in the family home of the Champollion brothers. It presents the daily life of the discoverer of Egyptian hieroglyphs and that of his brother Jacques Joseph while they lived in Grenoble.The museum opened temporarily in 2004 during the ninth International Conference of Egyptology in Grenoble. It was then closed for renovation. It reopened on June 5, 2021. In February 2020, the museum was named a Musée de France by the Minister of Culture.The Louvre stores 85 Egyptian objects in this museum.
| 5
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[
"Canterbury Cathedral",
"country",
"United Kingdom"
] |
Canterbury Cathedral in Canterbury, Kent, is one of the oldest and most famous Christian structures in England. It forms part of a World Heritage Site. It is the cathedral of the Archbishop of Canterbury, currently Justin Welby, leader of the Church of England and symbolic leader of the worldwide Anglican Communion. Its formal title is the Cathedral and Metropolitical Church of Christ at Canterbury.Founded in 597, the cathedral was completely rebuilt between 1070 and 1077. The east end was greatly enlarged at the beginning of the 12th century, and largely rebuilt in the Gothic style following a fire in 1174, with significant eastward extensions to accommodate the flow of pilgrims visiting the shrine of Thomas Becket, the archbishop who was murdered in the cathedral in 1170. The Norman nave and transepts survived until the late 14th century, when they were demolished to make way for the present structures.
Before the English Reformation the cathedral was part of a Benedictine monastic community known as Christ Church, Canterbury, as well as being the seat of the archbishop.
| 0
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[
"Canterbury Cathedral",
"made from material",
"stone"
] |
Conservation
Much of the stonework at Canterbury Cathedral is damaged and crumbling, the roofs are leaking and much of the stained glass is badly corroded. The last quinquennial structural review revealed that a combination of centuries of weathering, pollution and constant use had taken its toll on the ancient building and some serious problems were in need of urgent action.
The single biggest challenge is the roof. The cathedral is covered by a huge expanse of lead and whilst the majority of the wooden framework remains sound, much of the lead itself needs replacing. In addition, a large amount of concrete encasing the bottom of the roof beams needs to be removed and replaced with traditional wooden footers.
Conservation of the external masonry, particularly on the northern side of the building, is equally important. The cathedral is in part built of Caen stone. Detailed archaeological studies are undertaken to identify exactly which stones need to be replaced or repaired. In addition, specialist cleaning techniques are used to remove accumulated chemical deposits which are very damaging to the building. As regards the interior, priorities include decoration of the vaults of the Trinity Chapel, conservation work in several other chapels, and major improvements to the Treasury building, which contains, amongst other things, the choir practice rooms.
| 6
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[
"Canterbury Cathedral",
"architectural style",
"Norman architecture"
] |
14th and 15th centuries
Early in the 14th century, Prior Eastry erected a stone quire screen and rebuilt the chapter house, and his successor, Prior Oxenden inserted a large five-light window into St Anselm's chapel.The cathedral was seriously damaged by the 1382 Dover Straits earthquake, losing its bells and campanile.
| 17
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[
"Canterbury Cathedral",
"part of",
"Canterbury Cathedral, St Augustine's Abbey, and St Martin's Church"
] |
History
Roman
Christianity in Britain is referred to by Tertullian as early as 208 AD and Origen mentions it in 238 AD. In 314 three Bishops from Britain attended the Council of Arles.There is a medieval London tradition that St Peter upon Cornhill church in London was the seat of English Christianity until the founding of Canterbury in 597 AD. Whether this is true has not yet been established. However, St Peter's is positioned directly above the potential location of a pagan Aedes (or shrine room) in the great Roman Basilica of London, and there is a tradition that a native British King, Lucius, converted to Christianity in 179 AD and founded St Peter's as the seat of the archbishop of the English Church.Either way, Canterbury was therefore a relative latecomer to English Christianity. The first bishop to have his seat the cathedral was Augustine of Canterbury, who had previously been abbot of St Andrew's Benedictine Abbey in Rome, sent at the head of a group of missionaries to the English by Pope Gregory I in 596. Augustine founded the cathedral in 597 and dedicated it to Jesus Christ, the Holy Saviour. When other dioceses were founded in England Augustine was made archbishop.
Augustine also founded the Abbey of St Peter and Paul outside the Canterbury city walls. This was later rededicated to St Augustine himself and was for many centuries the burial place of the successive archbishops. The abbey is part of the World Heritage Site of Canterbury, along with the cathedral and the ancient Church of St Martin.
| 35
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[
"Anima Christi",
"instance of",
"Christian prayer"
] |
The "Anima Christi" (Latin for ‘Soul of Christ’) is a Catholic prayer to Jesus of medieval origin.History
For many years the prayer was popularly believed to have been composed by Saint Ignatius of Loyola, as he puts it at the beginning of his Spiritual Exercises and often refers to it. In the first edition of the Spiritual Exercises Ignatius merely mentions it, evidently supposing that the reader would know it. In later editions, it was printed in full. It was by assuming that everything in the book was written by Ignatius that it came to be looked upon as his composition. On this account the prayer is sometimes referred to as the Aspirations of St. Ignatius Loyola.However, the prayer actually dates to the early fourteenth century and was possibly written by Pope John XXII, but its authorship remains uncertain. It has been found in a number of prayer books printed during the youth of Ignatius and is in manuscripts which were written a hundred years before his birth. The English hymnologist James Mearns found it in a manuscript of the British Museum which dates back to about 1370. In the library of Avignon there is preserved a prayer book of Cardinal Pierre de Luxembourg (died 1387), which contains the prayer in practically the same form as we have it today. It has also been found inscribed on one of the gates of the Alcázar of Seville, which dates back to the time of Pedro the Cruel (1350–1369).The invocations in the prayer have rich associations with Catholic concepts that relate to the Eucharist (Body and Blood of Christ), Baptism (water) and the Passion of Jesus (Holy Wounds).
| 8
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[
"Church of the Savior on Blood",
"instance of",
"tourist attraction"
] |
The Church of the Savior on Spilled Blood (Russian: Церковь Спаса на Крови, Tserkovʹ Spasa na Krovi) is a Russian Orthodox church in Saint Petersburg, Russia which currently functions as a secular museum and church at the same time. The structure was constructed between 1883 and 1907. It is one of Saint Petersburg's major attractions.
The church was erected on the site where political nihilists assassinated Emperor Alexander II in March 1881. The church was funded by the Romanov imperial family in honor of Alexander II, and the suffix "on [Spilled] Blood" refers to his assassination.
| 10
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[
"Church of the Savior on Blood",
"architectural style",
"Russian Revival architecture"
] |
Architecture
Architecturally, the cathedral differs from Saint Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.The church contains over 7500 square meters of mosaics—according to its restorers, more than any other church in the world. This record may be surpassed by the Cathedral Basilica of St. Louis, which houses 7700 square meters of mosaics.
The interior was designed by some of the most celebrated Russian artists of the day—including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in Saint Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the church's construction ran well over budget, having been estimated at 3.6 million rubles but ending up costing over 4.6 million. The walls and ceilings inside the church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
| 13
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[
"Eichstätt Cathedral",
"instance of",
"cathedral"
] |
History
The first Roman Catholic cathedral of Our Lady and Sts. Willibald and Salvator in Eichstätt was built in the 8th century. The current building is 98 metres (322 feet) long. Together with the cloister and the mortuary, the two-aisled cathedral is regarded as one of the most important medieval monuments in Bavaria.Bells
The cathedral has a collection of 18 bells, making it one of the churches with the most bells in Germany. The bells - distributed between the north and south tower - are not rung together, but rung in four separate groups.
| 3
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[
"Fulda Cathedral",
"dedicated to",
"Jesus"
] |
Fulda Cathedral (German: Fuldaer Dom, also Sankt Salvator) is the former abbey church of Fulda Abbey and the burial place of Saint Boniface. Since 1752 it has also been the cathedral of the Diocese of Fulda, of which the Prince-Abbots of Fulda were created bishops. The abbey was dissolved in 1802 but the diocese and its cathedral have continued. The dedication is to Christ the Saviour (Latin: Salvator). The cathedral constitutes the high point of the Baroque district of Fulda, and is a symbol of the town.
| 1
|
[
"Fulda Cathedral",
"religion or worldview",
"Catholicism"
] |
Fulda Cathedral (German: Fuldaer Dom, also Sankt Salvator) is the former abbey church of Fulda Abbey and the burial place of Saint Boniface. Since 1752 it has also been the cathedral of the Diocese of Fulda, of which the Prince-Abbots of Fulda were created bishops. The abbey was dissolved in 1802 but the diocese and its cathedral have continued. The dedication is to Christ the Saviour (Latin: Salvator). The cathedral constitutes the high point of the Baroque district of Fulda, and is a symbol of the town.History
The present cathedral stands on the site of the Ratgar Basilica (once the largest basilica north of the Alps), which was the burial site of Saint Boniface and the church of Fulda Abbey, functions which the new building was intended to continue.
The plans of the new church were drawn up in 1700 by one of the greatest German Baroque architects, Johann Dientzenhofer, who was commissioned by the Prince-Abbot Adalbert von Schleifras for the new building on the recommendation of the Pope after Dientzenhofer's study trip to Rome in 1699. The deliberate similarity of the church's internal arrangement to that of St. Peter's Basilica in Rome is testimony to Dientzenhofer's visit.
The Ratgar Basilica was demolished to make way for the new Baroque structure, on which construction began on 23 April 1704 using in part the foundations of the earlier basilica. In 1707 the shell was completed. The roof was finished in 1708 and the interior in 1712. The new abbey church was dedicated on 15 August 1712. The dedication tablet placed on the facade by von Schleifras gives the dedication as Christus Salvator.The new Baroque building, like its predecessor, served as the abbey church and the burial shrine of Saint Boniface. In 1752 it was elevated to a cathedral on the creation of the Diocese of Fulda. In 1802 Fulda Abbey was dissolved and the cathedral's function as the abbey church ceased, but it continued in operation as the seat of the Bishops of Fulda.
On 4 June 1905 during celebrations of the 1150th anniversary of the death of Saint Boniface a stray firework lodged in the righthand tower and started a fire (it is presumed to have set light to old jackdaws' nests). The tower was burnt out, and the bells Osanna and Bonifatius were destroyed. Other parts of the cathedral were not damaged.
After damage caused by air raids during World War II the cathedral was closed for restoration until 1954.
Pope John Paul II visited Fulda on 17 and 18 November 1980. More than 100,000 people were present on the cathedral square on 18 November to attend the open-air mass celebrated by the Pope.
| 2
|
[
"Fulda Cathedral",
"instance of",
"cathedral"
] |
Fulda Cathedral (German: Fuldaer Dom, also Sankt Salvator) is the former abbey church of Fulda Abbey and the burial place of Saint Boniface. Since 1752 it has also been the cathedral of the Diocese of Fulda, of which the Prince-Abbots of Fulda were created bishops. The abbey was dissolved in 1802 but the diocese and its cathedral have continued. The dedication is to Christ the Saviour (Latin: Salvator). The cathedral constitutes the high point of the Baroque district of Fulda, and is a symbol of the town.
| 3
|
[
"Fulda Cathedral",
"located in the administrative territorial entity",
"Fulda"
] |
Fulda Cathedral (German: Fuldaer Dom, also Sankt Salvator) is the former abbey church of Fulda Abbey and the burial place of Saint Boniface. Since 1752 it has also been the cathedral of the Diocese of Fulda, of which the Prince-Abbots of Fulda were created bishops. The abbey was dissolved in 1802 but the diocese and its cathedral have continued. The dedication is to Christ the Saviour (Latin: Salvator). The cathedral constitutes the high point of the Baroque district of Fulda, and is a symbol of the town.
| 4
|
[
"Salvatorkirche",
"country",
"Germany"
] |
Salvatorkirche (Church of the Savior) is a gothic church in Munich, Germany, the former cemetery church of the Frauenkirche (Cathedral of Our Blessed Lady). Since 1829 the church has been used by Greek Orthodox Christians and it was the headquarters of the Metropolitan of Germany and Exarch of Central Europe. It is called "Transfiguration of the Savior" by the Greek Orthodox community.
It was built in late Gothic style in 1493, later it was used as a storage. Leo von Klenze renovated the church for the use of the Greek community in Munich and designed also the Ikonostasis. The exterior was reconstructed in a gothic style, baroque parts were removed. During the nazi-period in Germany the famous mathematician Constantin Carathéodory worked as a church council.
| 0
|
[
"Salvatorkirche",
"located in the administrative territorial entity",
"Munich"
] |
Salvatorkirche (Church of the Savior) is a gothic church in Munich, Germany, the former cemetery church of the Frauenkirche (Cathedral of Our Blessed Lady). Since 1829 the church has been used by Greek Orthodox Christians and it was the headquarters of the Metropolitan of Germany and Exarch of Central Europe. It is called "Transfiguration of the Savior" by the Greek Orthodox community.
It was built in late Gothic style in 1493, later it was used as a storage. Leo von Klenze renovated the church for the use of the Greek community in Munich and designed also the Ikonostasis. The exterior was reconstructed in a gothic style, baroque parts were removed. During the nazi-period in Germany the famous mathematician Constantin Carathéodory worked as a church council.
| 2
|
[
"Salvatorkirche",
"instance of",
"church building"
] |
Salvatorkirche (Church of the Savior) is a gothic church in Munich, Germany, the former cemetery church of the Frauenkirche (Cathedral of Our Blessed Lady). Since 1829 the church has been used by Greek Orthodox Christians and it was the headquarters of the Metropolitan of Germany and Exarch of Central Europe. It is called "Transfiguration of the Savior" by the Greek Orthodox community.
It was built in late Gothic style in 1493, later it was used as a storage. Leo von Klenze renovated the church for the use of the Greek community in Munich and designed also the Ikonostasis. The exterior was reconstructed in a gothic style, baroque parts were removed. During the nazi-period in Germany the famous mathematician Constantin Carathéodory worked as a church council.
| 3
|
[
"Salvatorkirche",
"heritage designation",
"architectural heritage monument in Bavaria"
] |
Salvatorkirche (Church of the Savior) is a gothic church in Munich, Germany, the former cemetery church of the Frauenkirche (Cathedral of Our Blessed Lady). Since 1829 the church has been used by Greek Orthodox Christians and it was the headquarters of the Metropolitan of Germany and Exarch of Central Europe. It is called "Transfiguration of the Savior" by the Greek Orthodox community.
It was built in late Gothic style in 1493, later it was used as a storage. Leo von Klenze renovated the church for the use of the Greek community in Munich and designed also the Ikonostasis. The exterior was reconstructed in a gothic style, baroque parts were removed. During the nazi-period in Germany the famous mathematician Constantin Carathéodory worked as a church council.
| 7
|
[
"Salvatorkirche",
"architectural style",
"Gothic architecture"
] |
Salvatorkirche (Church of the Savior) is a gothic church in Munich, Germany, the former cemetery church of the Frauenkirche (Cathedral of Our Blessed Lady). Since 1829 the church has been used by Greek Orthodox Christians and it was the headquarters of the Metropolitan of Germany and Exarch of Central Europe. It is called "Transfiguration of the Savior" by the Greek Orthodox community.
It was built in late Gothic style in 1493, later it was used as a storage. Leo von Klenze renovated the church for the use of the Greek community in Munich and designed also the Ikonostasis. The exterior was reconstructed in a gothic style, baroque parts were removed. During the nazi-period in Germany the famous mathematician Constantin Carathéodory worked as a church council.
| 11
|
[
"Ecce homo",
"religion or worldview",
"Christianity"
] |
Ecce homo (, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion (John 19:5). The original New Testament Greek: "ἰδοὺ ὁ ἄνθρωπος", romanized: "idoù ho ánthropos", is rendered by most English Bible translations, e.g. Douay-Rheims Bible and King James Version, as "behold the man". The scene has been widely depicted in Christian art.
| 1
|
[
"Ecce homo",
"instance of",
"artistic theme"
] |
Ecce homo (, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion (John 19:5). The original New Testament Greek: "ἰδοὺ ὁ ἄνθρωπος", romanized: "idoù ho ánthropos", is rendered by most English Bible translations, e.g. Douay-Rheims Bible and King James Version, as "behold the man". The scene has been widely depicted in Christian art.A scene of the ecce homo is a standard component of cycles illustrating the Passion and life of Christ in art. It follows the Flagellation of Christ, the crowning with thorns and the mocking of Jesus, the last two often being combined: The usual depiction shows Pilate and Jesus, a mocking crowd which may be rather large, and parts of the city of Jerusalem.
But, from the 15th century in the West, and much earlier in the art of the Eastern church, devotional pictures began to portray Jesus alone, in half or full figure with a purple robe, loincloth, crown of thorns and torture wounds, especially on his head, and later became referred to as images of the Ecce homo. Similar subjects but with the wounds of the crucifixion visible (Nail wounds on the limbs, spear wounds on the sides), are termed a Man of Sorrows (also Misericordia). If the instruments of the Passion are present, it may be called an Arma Christi. If Christ is sitting down (usually supporting himself with his hand on his thigh), it may be referred to it as Christ at rest or Pensive Christ. It is not always possible to distinguish these subjects.Eastern Christianity
Narrative scenes of the biblical moment are almost never shown in Eastern art, but icons of the single figure of the tortured Christ go back over a millennium, and have sometimes been called Ecce homo images by later sources. The first depictions of the ecce homo scene in the arts appear in the 9th and 10th centuries in the Syrian-Byzantine culture of the Antiochian Greek Christians.Eastern Orthodox tradition generally refers to this type of icon by a different title: ″Jesus Christ the Bridegroom″ (Byzantine Greek: Ιηϲοῦϲ Χριστόϲ ὁ Νυμφίος, romanized: Iesoũs Christós ho Nymphíos). It derives from the words in New Testament Greek: "ἰδοὺ ὁ νυμφίος", romanized: "idoù ho nymphíos", by which Jesus Christ reveals himself, in his Parable of the Ten Virgins according to the Gospel of Matthew, as the bearer of the most high joy.Western Christianity
Depictions of Western Christianity in the Middle Ages, e.g. the Egbert Codex and the Codex Aureus Epternacensis, seem to depict the ecce homo scene (and are usually interpreted as such), but more often than not only show the Crowning of thorns and the Mocking of Christ, which precede the actual ecce homo scene in the Bible. The independent image only developed around 1400, probably in Burgundy, but then rapidly became extremely popular, especially in Northern Europe.The motif found increasing currency as the Passion became a central theme in Western piety in the 15th and 16th centuries. The ecce homo theme was included not only in the passion plays of medieval theatre, but also in cycles of illustrations of the story of the Passion, as in the Great Passion of Albrecht Dürer or the engravings of Martin Schongauer. The scene was (especially in France) often depicted as a sculpture or group of sculptures; even altarpieces and other paintings with the motif were produced (e.g. by Hieronymus Bosch or Hans Holbein). Like the passion plays, the visual depictions of the ecce homo scene, it has been argued, often, and increasingly, portray the people of Jerusalem in a highly critical light, bordering perhaps on antisemitic caricatures. Equally, this style of art has been read as a kind of simplistic externalisation of the inner hatred of the angry crowd towards Jesus, not necessarily implying any racial judgment.
The motif of the lone figure of a suffering Christ who seems to be staring directly at the observer, enabling him/her to personally identify with the events of the Passion, arose in the late Middle Ages. At the same time similar motifs of the Man of Sorrow and Christ at rest increased in importance. The subject was used repeatedly in later so-called old master prints (e.g. by Jacques Callot and Rembrandt), in the paintings of the Renaissance and the Baroque, as well as in Baroque sculptures.
Hieronymus Bosch painted his first Ecce Homo during the 1470s. He returned to the subject in 1490 to paint in a characteristically Netherlandish style, with deep perspective and a surreal ghostly image of praying monks in the lower left-hand corner.
In 1498, Albrecht Dürer depicted the suffering of Christ in the ecce homo of his Great Passion in unusually close relation with his self-portrait, leading to a reinterpretation of the motif as a metaphor for the suffering of the artist. James Ensor used the ecce homo motif in his ironic painting Christ and the Critics (1891), in which he portrayed himself as Christ.
Antonio Ciseri's 1871 Ecce Homo portrayal presents a semi-photographic view of a balcony seen from behind the central figures of a scourged Christ and Pilate (whose face is not visible). The crowd forms a distant mass, almost without individuality, and much of the detailed focus is on the normally secondary figures of Pilate's aides, guards, secretary and wife.
| 9
|
[
"Christ Church Cathedral (Montreal)",
"country",
"Canada"
] |
Christ Church Cathedral is an Anglican Gothic Revival cathedral in Montreal, Quebec, Canada, the seat of the Anglican Diocese of Montreal. It is located at 635 Saint Catherine Street West, between Avenue Union and Boulevard Robert-Bourassa. It is situated on top of the Promenades Cathédrale underground shopping mall, and south of Tour KPMG. It was classified as historical monument by the government of Quebec on May 12, 1988. In 1999, it was designated a National Historic Site of Canada.
| 0
|
[
"Christ Church Cathedral (Montreal)",
"instance of",
"Anglican or episcopal cathedral"
] |
Christ Church Cathedral is an Anglican Gothic Revival cathedral in Montreal, Quebec, Canada, the seat of the Anglican Diocese of Montreal. It is located at 635 Saint Catherine Street West, between Avenue Union and Boulevard Robert-Bourassa. It is situated on top of the Promenades Cathédrale underground shopping mall, and south of Tour KPMG. It was classified as historical monument by the government of Quebec on May 12, 1988. In 1999, it was designated a National Historic Site of Canada.
| 2
|
[
"Christ Church Cathedral (Montreal)",
"architectural style",
"Gothic Revival"
] |
Christ Church Cathedral is an Anglican Gothic Revival cathedral in Montreal, Quebec, Canada, the seat of the Anglican Diocese of Montreal. It is located at 635 Saint Catherine Street West, between Avenue Union and Boulevard Robert-Bourassa. It is situated on top of the Promenades Cathédrale underground shopping mall, and south of Tour KPMG. It was classified as historical monument by the government of Quebec on May 12, 1988. In 1999, it was designated a National Historic Site of Canada.History
An Anglican ministry first began in Montreal in 1760. Services were held in chapels of the Roman Catholic Church for the first half-century. In 1789, the Anglican congregation of Montreal received a former Jesuit church, renaming it as Christ Church. The building was used by the congregation until 1803, when it was destroyed in a fire. The clergyman was appointed by Dorchester as garrison chaplain of Montreal in 1766, with inaugural service in Christ Church was pronounced by him on 20 December 1789. The first Christ Church was in fact the repaired and re-dedicated Jesuit church. So it was the second church building that was constructed in 1814.
In 1850, the second Christ Church was designated as the cathedral for the new Anglican Diocese of Montreal upon its separation from the Anglican Diocese of Quebec. The cathedral was destroyed by fire in 1856.The present cathedral, a neo-Gothic structure, was designed by architect Frank Wills (1822–1856), who also designed Christ Church Cathedral in Fredericton, New Brunswick. Before construction began, Willis died, and Montreal architect Thomas Seaton Scott (1826–1895) was commissioned to carry out his design. The structure was completed in 1859 and consecrated in 1867.Andrew Taylor oversaw alterations and other restoration of the cathedral from 1890 to 1891 and installed a memorial window for Mrs. A.C. Hooper in 1902–03.Modeled after the 14th century Gothic-style churches of the English countryside, the cathedral features a square crossing tower.Unfortunately, the design, though acclaimed for its architecture, suffered from important engineering flaws. The soft ground could not support the heavy central stone tower and steeple, which began to subside and lean. This defect formed the basis of an important lawsuit concerning builder's liability, which went all the way to the Judicial Committee of the Privy Council, at that time the highest court in the British Empire. The Judicial Committee upheld the decisions of the Quebec courts, which had held that the builder was liable for having built the steeple on ground that could not support its weight: Wardle v. Bethune The case was often cited as precedent relating to article 1688 of Quebec's original Civil Code.
By 1920, the tower leaned 1.2 m (3.9 ft) to the south. George Allan Ross designed alterations in 1923 and reconstructed the tower from 1939 to 1940. In 1927, the stone steeple, weighing 1,600,000 kg (3,500,000 lb) was removed. New foundations were poured in 1939, and in 1940, an anonymous donation permitted the construction of a much lighter steeple made of aluminum, molded to simulate the former stone spire. It is 38 m (125 ft) high, attaining a height of 70 m (230 ft) from the ground.Recent additions to the church include a choir gallery, built in 1980, and the church's third organ, installed in 1981. Notable musicians to have served as the church's organist include Alfred Whitehead (1922–1947), S. Drummond Wolff (1952–1956) and Patrick Wedd ( 1996–2018).
The organ is opus 77 of Karl Wilhelm, Inc. of Mont-Saint-Hilaire, Quebec. It is a mechanical key and stop instrument with four-manuals, 42 stops and 63 ranks. In 1992, the pedal division was expanded with a 32' Bombarde.
The organ replaced the earlier instrument that served the congregation from 1859. The earlier instrument was constructed by William Hill and Son in London to duplicate an organ given to the congregation by King George III and destroyed in the fire of 1856. The Hill instrument was remodeled and enlarged several on at least five occasions during the tenure of its service. In 1979, the congregation commissioned the mechanical organ and the earlier instrument was sold for parts.
| 4
|
[
"Christ Church Cathedral (Montreal)",
"located in the administrative territorial entity",
"Ville-Marie"
] |
Christ Church Cathedral is an Anglican Gothic Revival cathedral in Montreal, Quebec, Canada, the seat of the Anglican Diocese of Montreal. It is located at 635 Saint Catherine Street West, between Avenue Union and Boulevard Robert-Bourassa. It is situated on top of the Promenades Cathédrale underground shopping mall, and south of Tour KPMG. It was classified as historical monument by the government of Quebec on May 12, 1988. In 1999, it was designated a National Historic Site of Canada.
| 5
|
[
"Christ Church Cathedral (Montreal)",
"religion or worldview",
"Anglicanism"
] |
Christ Church Cathedral is an Anglican Gothic Revival cathedral in Montreal, Quebec, Canada, the seat of the Anglican Diocese of Montreal. It is located at 635 Saint Catherine Street West, between Avenue Union and Boulevard Robert-Bourassa. It is situated on top of the Promenades Cathédrale underground shopping mall, and south of Tour KPMG. It was classified as historical monument by the government of Quebec on May 12, 1988. In 1999, it was designated a National Historic Site of Canada.History
An Anglican ministry first began in Montreal in 1760. Services were held in chapels of the Roman Catholic Church for the first half-century. In 1789, the Anglican congregation of Montreal received a former Jesuit church, renaming it as Christ Church. The building was used by the congregation until 1803, when it was destroyed in a fire. The clergyman was appointed by Dorchester as garrison chaplain of Montreal in 1766, with inaugural service in Christ Church was pronounced by him on 20 December 1789. The first Christ Church was in fact the repaired and re-dedicated Jesuit church. So it was the second church building that was constructed in 1814.
In 1850, the second Christ Church was designated as the cathedral for the new Anglican Diocese of Montreal upon its separation from the Anglican Diocese of Quebec. The cathedral was destroyed by fire in 1856.The present cathedral, a neo-Gothic structure, was designed by architect Frank Wills (1822–1856), who also designed Christ Church Cathedral in Fredericton, New Brunswick. Before construction began, Willis died, and Montreal architect Thomas Seaton Scott (1826–1895) was commissioned to carry out his design. The structure was completed in 1859 and consecrated in 1867.Andrew Taylor oversaw alterations and other restoration of the cathedral from 1890 to 1891 and installed a memorial window for Mrs. A.C. Hooper in 1902–03.Modeled after the 14th century Gothic-style churches of the English countryside, the cathedral features a square crossing tower.Unfortunately, the design, though acclaimed for its architecture, suffered from important engineering flaws. The soft ground could not support the heavy central stone tower and steeple, which began to subside and lean. This defect formed the basis of an important lawsuit concerning builder's liability, which went all the way to the Judicial Committee of the Privy Council, at that time the highest court in the British Empire. The Judicial Committee upheld the decisions of the Quebec courts, which had held that the builder was liable for having built the steeple on ground that could not support its weight: Wardle v. Bethune The case was often cited as precedent relating to article 1688 of Quebec's original Civil Code.
By 1920, the tower leaned 1.2 m (3.9 ft) to the south. George Allan Ross designed alterations in 1923 and reconstructed the tower from 1939 to 1940. In 1927, the stone steeple, weighing 1,600,000 kg (3,500,000 lb) was removed. New foundations were poured in 1939, and in 1940, an anonymous donation permitted the construction of a much lighter steeple made of aluminum, molded to simulate the former stone spire. It is 38 m (125 ft) high, attaining a height of 70 m (230 ft) from the ground.Recent additions to the church include a choir gallery, built in 1980, and the church's third organ, installed in 1981. Notable musicians to have served as the church's organist include Alfred Whitehead (1922–1947), S. Drummond Wolff (1952–1956) and Patrick Wedd ( 1996–2018).
The organ is opus 77 of Karl Wilhelm, Inc. of Mont-Saint-Hilaire, Quebec. It is a mechanical key and stop instrument with four-manuals, 42 stops and 63 ranks. In 1992, the pedal division was expanded with a 32' Bombarde.
The organ replaced the earlier instrument that served the congregation from 1859. The earlier instrument was constructed by William Hill and Son in London to duplicate an organ given to the congregation by King George III and destroyed in the fire of 1856. The Hill instrument was remodeled and enlarged several on at least five occasions during the tenure of its service. In 1979, the congregation commissioned the mechanical organ and the earlier instrument was sold for parts.
| 6
|
[
"Christ Church Cathedral (Montreal)",
"heritage designation",
"classified heritage immovable"
] |
Christ Church Cathedral is an Anglican Gothic Revival cathedral in Montreal, Quebec, Canada, the seat of the Anglican Diocese of Montreal. It is located at 635 Saint Catherine Street West, between Avenue Union and Boulevard Robert-Bourassa. It is situated on top of the Promenades Cathédrale underground shopping mall, and south of Tour KPMG. It was classified as historical monument by the government of Quebec on May 12, 1988. In 1999, it was designated a National Historic Site of Canada.
| 8
|
[
"Christ Church Cathedral (Montreal)",
"heritage designation",
"national historic site of Canada"
] |
Christ Church Cathedral is an Anglican Gothic Revival cathedral in Montreal, Quebec, Canada, the seat of the Anglican Diocese of Montreal. It is located at 635 Saint Catherine Street West, between Avenue Union and Boulevard Robert-Bourassa. It is situated on top of the Promenades Cathédrale underground shopping mall, and south of Tour KPMG. It was classified as historical monument by the government of Quebec on May 12, 1988. In 1999, it was designated a National Historic Site of Canada.
| 9
|
[
"San Salvatore in Lauro",
"country",
"Italy"
] |
San Salvatore in Lauro is a Catholic church in central Rome, Italy. It is located on a piazza of the same name in the rione Ponte. It stands on Via Vecchiarelli, just south of the Lungotevere Tor di Nona and north of via dei Coronari. It is the "national church" of the marchigiani, the inhabitants of the Marche region of Italy (the population of each of Italy's regions was counted as a "nation" before Italian unification). The current protector of this titulus is Cardinal-Deacon Angelo Comastri.
| 0
|
[
"San Salvatore in Lauro",
"located in the administrative territorial entity",
"Rome"
] |
San Salvatore in Lauro is a Catholic church in central Rome, Italy. It is located on a piazza of the same name in the rione Ponte. It stands on Via Vecchiarelli, just south of the Lungotevere Tor di Nona and north of via dei Coronari. It is the "national church" of the marchigiani, the inhabitants of the Marche region of Italy (the population of each of Italy's regions was counted as a "nation" before Italian unification). The current protector of this titulus is Cardinal-Deacon Angelo Comastri.History
The oldest attestation of the church has it built on the ruins of an ancient pagan temple dedicated to the goddess Europa and surrounded by laurel trees. The first church at the site dates to the 11th century; while the present building was constructed in the 16th century on designs of the Bolognese Ottaviano Mascherino. The façade was finished only in 1862 by the architect Camillo Guglielmetti, winner of the competition organized by the Accademia di San Luca.
The main altarpiece and cupola are painted by Ludovico Rusconi Sassi. In the chapels are works of art by Antoniazzo Romano, Camillo Rusconi, François Duquesnoy, a San Carlo Borromeo by Alessandro Turchi and a Nativity by Pietro da Cortona. The refectory has a series of Mannerist frescoes (1550) by Francesco Salviati (1550), and contains the 15th century tomb of Pope Eugene IV by Isaia da Pisa, transferred here from the Old Saint Peter's Basilica. Parmigianino's Vision of Saint Jerome was commissioned for a chapel in the church, but was later brought away by the donors and is now in the National Gallery, London.
The titular church was first established in 1587 as a Cardinal-Priest title but was suppressed in 1670. In the consistory of 24 November 2007 Pope Benedict XVI restored the church as a Cardinal-Deaconry.
| 1
|
[
"Christ of the Ozarks",
"depicts",
"Jesus"
] |
Background
During the Great Depression, Gerald L. K. Smith served as an organizer for Huey P. Long's Share Our Wealth movement and led it briefly following Long's assassination in 1935. After many years of highly controversial, religiously charged activism that was primarily characterized by Holocaust denial, virulent racism, antisemitism, and pro-Nazi sympathies, Smith retired to Eureka Springs, Arkansas, where he bought and renovated an old mansion. On other parts of the estate property, he planned a religious theme park, which he called "Sacred Projects". He commissioned the centerpiece, a gigantic statue of Jesus, completed in 1966. It is called Christ of the Ozarks.He also completed a 4,100-seat amphitheater. This is the site of seasonal annual outdoor performances of The Great Passion Play, styled after the show performed in Oberammergau, Germany. It is performed four or five nights a week from the first week of May through the end of October.
| 1
|
[
"Christ of the Ozarks",
"dedicated to",
"Jesus"
] |
Background
During the Great Depression, Gerald L. K. Smith served as an organizer for Huey P. Long's Share Our Wealth movement and led it briefly following Long's assassination in 1935. After many years of highly controversial, religiously charged activism that was primarily characterized by Holocaust denial, virulent racism, antisemitism, and pro-Nazi sympathies, Smith retired to Eureka Springs, Arkansas, where he bought and renovated an old mansion. On other parts of the estate property, he planned a religious theme park, which he called "Sacred Projects". He commissioned the centerpiece, a gigantic statue of Jesus, completed in 1966. It is called Christ of the Ozarks.He also completed a 4,100-seat amphitheater. This is the site of seasonal annual outdoor performances of The Great Passion Play, styled after the show performed in Oberammergau, Germany. It is performed four or five nights a week from the first week of May through the end of October.
| 2
|
[
"Christ of the Ozarks",
"instance of",
"colossal statue of Jesus"
] |
Background
During the Great Depression, Gerald L. K. Smith served as an organizer for Huey P. Long's Share Our Wealth movement and led it briefly following Long's assassination in 1935. After many years of highly controversial, religiously charged activism that was primarily characterized by Holocaust denial, virulent racism, antisemitism, and pro-Nazi sympathies, Smith retired to Eureka Springs, Arkansas, where he bought and renovated an old mansion. On other parts of the estate property, he planned a religious theme park, which he called "Sacred Projects". He commissioned the centerpiece, a gigantic statue of Jesus, completed in 1966. It is called Christ of the Ozarks.He also completed a 4,100-seat amphitheater. This is the site of seasonal annual outdoor performances of The Great Passion Play, styled after the show performed in Oberammergau, Germany. It is performed four or five nights a week from the first week of May through the end of October.
| 5
|
[
"Kremsmünster Abbey",
"country",
"Austria"
] |
Kremsmünster Abbey (German: Stift Kremsmünster) is a Benedictine monastery in Kremsmünster in Upper Austria.
| 0
|
[
"Kremsmünster Abbey",
"dedicated to",
"Jesus"
] |
Abbey church
The main church is dedicated to "Christ the Saviour and St. Agapitus" (Zum Heiligen Erlöser und zum Heiligen Agapitos). Construction was completed in 1277, in the late Romanesque and early Gothic styles. After 1613 the church was remodelled in the Baroque style. Between 1680 and 1720, the interior of the church was redecorated with splendid Baroque ornamentation to designs by Carlo Antonio Carlone, Giovanni Battista Colomba and Giovanni Battista Barberini.
Of especial note is the Baroque high altar, created by Johann Andreas Wolf in 1712, after twelve years of design and preparation. The angels by Johann Michael Zürn the younger, who kneel and stand at the numerous side-altars, are also impressive examples of the Austrian Baroque.
The church also contains the celebrated Grave of Gunther, a cenotaph which originally had been placed in front of the high altar, and in its current form dates from sometime prior to 1304.
| 1
|
[
"Kremsmünster Abbey",
"instance of",
"monastery"
] |
Kremsmünster Abbey (German: Stift Kremsmünster) is a Benedictine monastery in Kremsmünster in Upper Austria.History
The monastery was founded in 777 AD by Tassilo III, Duke of Bavaria. According to the foundation legend, Tassilo founded the monastery on the site where his son, Gunther, had been attacked and killed by a wild boar during a hunting trip.
The first colony of monks came from Lower Bavaria, under Fateric, the first abbot. The new foundation received generous endowments from the founder and also from Charlemagne and his successors.
The position and reputation of the abbey soon became such that its abbots, in the absence of the bishop of the diocese (Passau), exercised the episcopal jurisdiction.
In the 10th century the abbey was destroyed in a raid by the Hungarians, and its possessions were divided among the Duke of Bavaria and other nobles and the bishops. It was restored, however, and recovered its property, under the emperor Henry II, when Saint Gotthard became abbot.
Kremsmünster, in common with other religious houses, then fell into a decline, which was fortunately halted by the action of bishop Altmann of Passau, who brought a community from Gottesau, and introduced the reformed observance of Cluny into the abbey. After this it became known as one of the most flourishing houses in Germany, "excelling all other abbeys" says an anonymous chronicler, "in observance and piety, also in respect to its lands, buildings, books, paintings, and other possessions, and in the number of its members prominent in learning and in art".
The monastic library was famous, and drew eminent scholars to Kremsmünster, where several important historical works were written, including histories of the bishops of Passau and of the dukes of Bavaria, and the chronicles of the abbey itself. Schrodl[1] gives a list of writers connected with Kremsmünster from the eleventh to the 16th centuries, and of their literary labours. One of the most distinguished abbots was Ulrich Schoppenzaun (1454–1484), to whom, and to his disciple and successor Johann Schreiner (1505–1524), it is due that Kremsmünster survived the Reformation.
| 3
|
[
"Kremsmünster Abbey",
"religious order",
"Benedictines"
] |
Kremsmünster Abbey (German: Stift Kremsmünster) is a Benedictine monastery in Kremsmünster in Upper Austria.
| 4
|
[
"Kremsmünster Abbey",
"founded by",
"Tassilo III, Duke of Bavaria"
] |
History
The monastery was founded in 777 AD by Tassilo III, Duke of Bavaria. According to the foundation legend, Tassilo founded the monastery on the site where his son, Gunther, had been attacked and killed by a wild boar during a hunting trip.
The first colony of monks came from Lower Bavaria, under Fateric, the first abbot. The new foundation received generous endowments from the founder and also from Charlemagne and his successors.
The position and reputation of the abbey soon became such that its abbots, in the absence of the bishop of the diocese (Passau), exercised the episcopal jurisdiction.
In the 10th century the abbey was destroyed in a raid by the Hungarians, and its possessions were divided among the Duke of Bavaria and other nobles and the bishops. It was restored, however, and recovered its property, under the emperor Henry II, when Saint Gotthard became abbot.
Kremsmünster, in common with other religious houses, then fell into a decline, which was fortunately halted by the action of bishop Altmann of Passau, who brought a community from Gottesau, and introduced the reformed observance of Cluny into the abbey. After this it became known as one of the most flourishing houses in Germany, "excelling all other abbeys" says an anonymous chronicler, "in observance and piety, also in respect to its lands, buildings, books, paintings, and other possessions, and in the number of its members prominent in learning and in art".
The monastic library was famous, and drew eminent scholars to Kremsmünster, where several important historical works were written, including histories of the bishops of Passau and of the dukes of Bavaria, and the chronicles of the abbey itself. Schrodl[1] gives a list of writers connected with Kremsmünster from the eleventh to the 16th centuries, and of their literary labours. One of the most distinguished abbots was Ulrich Schoppenzaun (1454–1484), to whom, and to his disciple and successor Johann Schreiner (1505–1524), it is due that Kremsmünster survived the Reformation.Treasures
The most famous item of the treasury of the monastery is the Tassilo Chalice, donated to the monastery by its founder, Tassilo III. The copper and silver-gilt goblet (25.5 cm high, weighing 3 kg and holding 1.75 litres) was created some time between 768/769 and 788, possibly in Mondsee or Salzburg.
The two Tassilo Candlesticks were originally thought to have been worked from the sceptre of Tassilo, but today are recognized as works of the mid 10th century.
The Tassilo Chalice, the candlesticks and the Codex Millenarius are still used in religious services to this day, though only on special occasions.
| 7
|
[
"Kremsmünster Abbey",
"located in the administrative territorial entity",
"Kremsmünster"
] |
Kremsmünster Abbey (German: Stift Kremsmünster) is a Benedictine monastery in Kremsmünster in Upper Austria.History
The monastery was founded in 777 AD by Tassilo III, Duke of Bavaria. According to the foundation legend, Tassilo founded the monastery on the site where his son, Gunther, had been attacked and killed by a wild boar during a hunting trip.
The first colony of monks came from Lower Bavaria, under Fateric, the first abbot. The new foundation received generous endowments from the founder and also from Charlemagne and his successors.
The position and reputation of the abbey soon became such that its abbots, in the absence of the bishop of the diocese (Passau), exercised the episcopal jurisdiction.
In the 10th century the abbey was destroyed in a raid by the Hungarians, and its possessions were divided among the Duke of Bavaria and other nobles and the bishops. It was restored, however, and recovered its property, under the emperor Henry II, when Saint Gotthard became abbot.
Kremsmünster, in common with other religious houses, then fell into a decline, which was fortunately halted by the action of bishop Altmann of Passau, who brought a community from Gottesau, and introduced the reformed observance of Cluny into the abbey. After this it became known as one of the most flourishing houses in Germany, "excelling all other abbeys" says an anonymous chronicler, "in observance and piety, also in respect to its lands, buildings, books, paintings, and other possessions, and in the number of its members prominent in learning and in art".
The monastic library was famous, and drew eminent scholars to Kremsmünster, where several important historical works were written, including histories of the bishops of Passau and of the dukes of Bavaria, and the chronicles of the abbey itself. Schrodl[1] gives a list of writers connected with Kremsmünster from the eleventh to the 16th centuries, and of their literary labours. One of the most distinguished abbots was Ulrich Schoppenzaun (1454–1484), to whom, and to his disciple and successor Johann Schreiner (1505–1524), it is due that Kremsmünster survived the Reformation.
| 8
|
[
"Kremsmünster Abbey",
"location",
"Kremsmünster"
] |
Kremsmünster Abbey (German: Stift Kremsmünster) is a Benedictine monastery in Kremsmünster in Upper Austria.
| 9
|
[
"Kremsmünster Abbey",
"instance of",
"religious community"
] |
Kremsmünster Abbey (German: Stift Kremsmünster) is a Benedictine monastery in Kremsmünster in Upper Austria.History
The monastery was founded in 777 AD by Tassilo III, Duke of Bavaria. According to the foundation legend, Tassilo founded the monastery on the site where his son, Gunther, had been attacked and killed by a wild boar during a hunting trip.
The first colony of monks came from Lower Bavaria, under Fateric, the first abbot. The new foundation received generous endowments from the founder and also from Charlemagne and his successors.
The position and reputation of the abbey soon became such that its abbots, in the absence of the bishop of the diocese (Passau), exercised the episcopal jurisdiction.
In the 10th century the abbey was destroyed in a raid by the Hungarians, and its possessions were divided among the Duke of Bavaria and other nobles and the bishops. It was restored, however, and recovered its property, under the emperor Henry II, when Saint Gotthard became abbot.
Kremsmünster, in common with other religious houses, then fell into a decline, which was fortunately halted by the action of bishop Altmann of Passau, who brought a community from Gottesau, and introduced the reformed observance of Cluny into the abbey. After this it became known as one of the most flourishing houses in Germany, "excelling all other abbeys" says an anonymous chronicler, "in observance and piety, also in respect to its lands, buildings, books, paintings, and other possessions, and in the number of its members prominent in learning and in art".
The monastic library was famous, and drew eminent scholars to Kremsmünster, where several important historical works were written, including histories of the bishops of Passau and of the dukes of Bavaria, and the chronicles of the abbey itself. Schrodl[1] gives a list of writers connected with Kremsmünster from the eleventh to the 16th centuries, and of their literary labours. One of the most distinguished abbots was Ulrich Schoppenzaun (1454–1484), to whom, and to his disciple and successor Johann Schreiner (1505–1524), it is due that Kremsmünster survived the Reformation.
| 19
|
[
"Gesù delle Monache",
"located in the administrative territorial entity",
"Naples"
] |
Gesù delle Monache is a Roman Catholic church located near the Porta San Gennaro in central Naples, Italy. Over the years, the church was also a parish church known as San Giovanni Evangelista in Porta San Gennaro or San Giovanni in Porta.History
The initial impetus for the church was the wishes of Joanna of Aragon, Queen of Naples (1455-1517), the wife of Ferdinand I of Naples, who hoped to make the church a royal pantheon. Despite a will stipulating this, the Aragonese dynasty remained buried in San Domenico. The church of Gesù delle Monache was completed in 1582 by the Montalto family, and was affiliated with a Clarissan nunnery.The late-Renaissance style façade is sober relative to the decorated Baroque interior, the latter designed by Arcangelo Guglielmelli. Paintings in the church were made or attributed to Cesare Turco, Lorenzo Vaccaro, Enrico Pini, Fabrizio Santafede, Nicola Cacciapuoti, Francesco Solimena (St Clare in Glory), Paolo De Matteis (Scenes of the Life of St Clare). Luca Giordano was prolific in this church, painting an Immaculate conception (1683), Annunciation, Marriage of the Virgin, St Anthony preaches to the Fish, St Anthony heals a wounded foot (1685), and a St John the Baptist in the Sacristy. The maiolica pavement was completed by 1731 by Francesco Della Monica and Agostino Di Filippo.
| 3
|
[
"Gesù delle Monache",
"founded by",
"Joanna of Aragon, Queen of Naples"
] |
History
The initial impetus for the church was the wishes of Joanna of Aragon, Queen of Naples (1455-1517), the wife of Ferdinand I of Naples, who hoped to make the church a royal pantheon. Despite a will stipulating this, the Aragonese dynasty remained buried in San Domenico. The church of Gesù delle Monache was completed in 1582 by the Montalto family, and was affiliated with a Clarissan nunnery.The late-Renaissance style façade is sober relative to the decorated Baroque interior, the latter designed by Arcangelo Guglielmelli. Paintings in the church were made or attributed to Cesare Turco, Lorenzo Vaccaro, Enrico Pini, Fabrizio Santafede, Nicola Cacciapuoti, Francesco Solimena (St Clare in Glory), Paolo De Matteis (Scenes of the Life of St Clare). Luca Giordano was prolific in this church, painting an Immaculate conception (1683), Annunciation, Marriage of the Virgin, St Anthony preaches to the Fish, St Anthony heals a wounded foot (1685), and a St John the Baptist in the Sacristy. The maiolica pavement was completed by 1731 by Francesco Della Monica and Agostino Di Filippo.
| 8
|
[
"Durham Cathedral",
"architectural style",
"Norman architecture"
] |
Quotations
"Durham is one of the great experiences of Europe to the eyes of those who appreciate architecture, and to the minds of those who understand architecture. The group of Cathedral, Castle, and Monastery on the rock can only be compared to Avignon and Prague." — Nikolaus Pevsner, The Buildings of England
"A dream, I'm bowled over...Imagine a river valley cut into the landscape with wooded sides. The river bends, and in the bend, on the hillside, lies the old town—first the residential town, then separate from it, and higher up, the castle—and then, out on its own, in the midst of tall trees, the enormous cathedral with its twin end towers. From the bridge it is a Romantic dream, a fantasy by Schinkel. This morning in the mist it was wonderful...the first thing that has made my heart pound...the cathedral in itself, just like the Matterhorn in itself—gigantic, grey, on its own." — Pevsner in a letter to his wife, Lola, on his first English tour in 1930."I paused upon the bridge, and admired and wondered at the beauty and glory of this scene...it was grand, venerable, and sweet, all at once; I never saw so lovely and magnificent a scene, nor, being content with this, do I care to see a better." — Nathaniel Hawthorne on Durham Cathedral, The English Notebooks
'With the cathedral at Durham we reach the incomparable masterpiece of Romanesque architecture not only in England but anywhere. The moment of entering provides for an architectural experience never to be forgotten, one of the greatest England has to offer.' — Alec Clifton-Taylor, 'English Towns' series on BBC television.
"I unhesitatingly gave Durham my vote for best cathedral on planet Earth." — Bill Bryson, Notes from a Small Island.
| 5
|
[
"Durham Cathedral",
"heritage designation",
"part of UNESCO World Heritage Site"
] |
The Cathedral Church of Christ, Blessed Mary the Virgin and St Cuthbert of Durham, commonly known as Durham Cathedral and home of the Shrine of St Cuthbert, is a cathedral in the city of Durham, County Durham, England. It is the seat of the Bishop of Durham, the fourth-ranked bishop in the Church of England hierarchy.
Building of the present Norman-era cathedral started in 1093, replacing the city's previous 'White Church'. In 1986 the cathedral and Durham Castle were designated a UNESCO World Heritage Site. Durham Cathedral's relics include: Saint Cuthbert's, transported to Durham by Lindisfarne monks in the 800s; Saint Oswald's head and the Venerable Bede's remains.
The Durham Dean and Chapter Library contains: sets of early printed books, some of the most complete in England; the pre-Dissolution monastic accounts and three copies of Magna Carta.
From 1080 until 1836, the Bishop of Durham held the powers of an Earl Palatine. In order to protect the Anglo-Scottish border, powers of an earl included exercising military, civil, and religious leadership. The cathedral walls formed part of Durham Castle, the chief seat of the Bishop of Durham.There are daily Church of England services at the cathedral, Durham Cathedral Choir sing daily except Mondays and holidays, receiving 727,367 visitors in 2019.
| 23
|
[
"Il Redentore",
"instance of",
"votive church"
] |
History
Il Redentore was built as a votive church in thanksgiving for deliverance from a major outbreak of the plague that decimated Venice between 1575 and 1576, in which some 46,000 people (25–30% of the population) died. The Senate of the Republic of Venice commissioned the architect Andrea Palladio to design the votive church. Though the Senate wished the Church to be square plan, Palladio designed a single nave church with three chapels on either side. Its prominent position on the Canale della Giudecca gave Palladio the opportunity to design a facade inspired by the Pantheon of Rome and enhanced by being placed on a wide plinth. 15 steps were required to reach the church's entrance, a direct reference to the Temple of Jerusalem and complicit with Palladio's own requirement that "the ascent (of the faithful) will be gradual, so that the climbing will bring more devotion".The cornerstone was laid by the Patriarch of Venice Giovanni Trevisano on 3 May 1577 and the building was consecrated in 1592. At the urgent solicitations of Pope Gregory XIII, after consecration the church was placed in charge of the Order of Friars Minor Capuchin. A small number of Friars reside in the monastery attached to the church.
Every year the doge and senators walked across a specially constructed pontoon bridge from the Zattere to Giudecca to attend Mass in the church. The Festa del Redentore remains a major festival in the Venetian calendar, celebrated on the third Sunday in July. A huge firework display on the previous evening is followed by a mass procession across the pontoon bridge.The church was the scene of vandalism on 15–16 May 2022 after a group of three people – who were later arrested after being identified on CCTV footage – painted a three meter wide portion of the front facade of the church with pink paint as well as an equation of some sorts on top of the pink. A local tried removing the paint using water, but was unsuccessful in their efforts and only allowed the paint to permeate the stone it was displayed on. The restoration is now being handled by government art officials.
| 7
|
[
"Il Redentore",
"located in/on physical feature",
"Giudecca"
] |
The Chiesa del Santissimo Redentore (English: Church of the Most Holy Redeemer), commonly known as Il Redentore, is a 16th-century Roman Catholic church located on Giudecca (island) in the sestiere of Dorsoduro, in the city of Venice, Italy.
It was designed by Italian Renaissance architect Andrea Palladio and built as a votive church to thank God for the deliverance of the city from a major outbreak of the plague. Located on the waterfront of the Canale della Giudecca, it dominates the skyline of the island of Giudecca. It is a member of the Chorus Association of Venetian churches and contains a number of paintings by artists including Tintoretto, Paolo Veronese, and Francesco Bassano.History
Il Redentore was built as a votive church in thanksgiving for deliverance from a major outbreak of the plague that decimated Venice between 1575 and 1576, in which some 46,000 people (25–30% of the population) died. The Senate of the Republic of Venice commissioned the architect Andrea Palladio to design the votive church. Though the Senate wished the Church to be square plan, Palladio designed a single nave church with three chapels on either side. Its prominent position on the Canale della Giudecca gave Palladio the opportunity to design a facade inspired by the Pantheon of Rome and enhanced by being placed on a wide plinth. 15 steps were required to reach the church's entrance, a direct reference to the Temple of Jerusalem and complicit with Palladio's own requirement that "the ascent (of the faithful) will be gradual, so that the climbing will bring more devotion".The cornerstone was laid by the Patriarch of Venice Giovanni Trevisano on 3 May 1577 and the building was consecrated in 1592. At the urgent solicitations of Pope Gregory XIII, after consecration the church was placed in charge of the Order of Friars Minor Capuchin. A small number of Friars reside in the monastery attached to the church.
Every year the doge and senators walked across a specially constructed pontoon bridge from the Zattere to Giudecca to attend Mass in the church. The Festa del Redentore remains a major festival in the Venetian calendar, celebrated on the third Sunday in July. A huge firework display on the previous evening is followed by a mass procession across the pontoon bridge.The church was the scene of vandalism on 15–16 May 2022 after a group of three people – who were later arrested after being identified on CCTV footage – painted a three meter wide portion of the front facade of the church with pink paint as well as an equation of some sorts on top of the pink. A local tried removing the paint using water, but was unsuccessful in their efforts and only allowed the paint to permeate the stone it was displayed on. The restoration is now being handled by government art officials.
| 9
|
[
"Il Redentore",
"architect",
"Andrea Palladio"
] |
The Chiesa del Santissimo Redentore (English: Church of the Most Holy Redeemer), commonly known as Il Redentore, is a 16th-century Roman Catholic church located on Giudecca (island) in the sestiere of Dorsoduro, in the city of Venice, Italy.
It was designed by Italian Renaissance architect Andrea Palladio and built as a votive church to thank God for the deliverance of the city from a major outbreak of the plague. Located on the waterfront of the Canale della Giudecca, it dominates the skyline of the island of Giudecca. It is a member of the Chorus Association of Venetian churches and contains a number of paintings by artists including Tintoretto, Paolo Veronese, and Francesco Bassano.History
Il Redentore was built as a votive church in thanksgiving for deliverance from a major outbreak of the plague that decimated Venice between 1575 and 1576, in which some 46,000 people (25–30% of the population) died. The Senate of the Republic of Venice commissioned the architect Andrea Palladio to design the votive church. Though the Senate wished the Church to be square plan, Palladio designed a single nave church with three chapels on either side. Its prominent position on the Canale della Giudecca gave Palladio the opportunity to design a facade inspired by the Pantheon of Rome and enhanced by being placed on a wide plinth. 15 steps were required to reach the church's entrance, a direct reference to the Temple of Jerusalem and complicit with Palladio's own requirement that "the ascent (of the faithful) will be gradual, so that the climbing will bring more devotion".The cornerstone was laid by the Patriarch of Venice Giovanni Trevisano on 3 May 1577 and the building was consecrated in 1592. At the urgent solicitations of Pope Gregory XIII, after consecration the church was placed in charge of the Order of Friars Minor Capuchin. A small number of Friars reside in the monastery attached to the church.
Every year the doge and senators walked across a specially constructed pontoon bridge from the Zattere to Giudecca to attend Mass in the church. The Festa del Redentore remains a major festival in the Venetian calendar, celebrated on the third Sunday in July. A huge firework display on the previous evening is followed by a mass procession across the pontoon bridge.The church was the scene of vandalism on 15–16 May 2022 after a group of three people – who were later arrested after being identified on CCTV footage – painted a three meter wide portion of the front facade of the church with pink paint as well as an equation of some sorts on top of the pink. A local tried removing the paint using water, but was unsuccessful in their efforts and only allowed the paint to permeate the stone it was displayed on. The restoration is now being handled by government art officials.
| 10
|
[
"The Chora",
"country",
"Turkey"
] |
The Chora Church or Kariye Mosque (Turkish: Kariye Camii) is a medieval Greek Orthodox church building, mostly used as a mosque since the 16th century, in the Edirnekapı neighborhood of Istanbul, Turkey. It is mainly famous for its outstanding Late Byzantine mosaics and frescos.
The building is an example of Byzantine architecture. In the 16th century, during the Ottoman era, it was converted into a mosque; it became a museum in 1945, and was turned back into a mosque in 2020 by President Recep Tayyip Erdoğan. The interior of the building is covered with some of the finest surviving Byzantine Christian mosaics and frescoes, which were left in plain sight during Muslim worship throughout much of the Ottoman era. They were restored after the building was secularized and turned into a museum.
The neighborhood is situated in the western part of the municipality of Fatih district.
| 0
|
[
"The Chora",
"instance of",
"church building"
] |
Interior
The Chora Church is not as large as some of the other surviving Byzantine churches of Istanbul (it covers 742.5 m²) but it is unique among them, because of its almost completely still extant internal decoration. The building is divided into three main areas: the entrance hall or narthex, the main body of the church or naos (nave), and the side chapel or parecclesion. The building has six domes: two above the esonarthex, one above the parecclesion and three above the naos.Narthex
The main, west door of the Chora Church opens into the narthex. It divides north–south into the outer, or exonarthex and the inner, or esonarthex.
| 5
|
[
"The Chora",
"religion or worldview",
"Eastern Orthodoxy"
] |
The Chora Church or Kariye Mosque (Turkish: Kariye Camii) is a medieval Greek Orthodox church building, mostly used as a mosque since the 16th century, in the Edirnekapı neighborhood of Istanbul, Turkey. It is mainly famous for its outstanding Late Byzantine mosaics and frescos.
The building is an example of Byzantine architecture. In the 16th century, during the Ottoman era, it was converted into a mosque; it became a museum in 1945, and was turned back into a mosque in 2020 by President Recep Tayyip Erdoğan. The interior of the building is covered with some of the finest surviving Byzantine Christian mosaics and frescoes, which were left in plain sight during Muslim worship throughout much of the Ottoman era. They were restored after the building was secularized and turned into a museum.
The neighborhood is situated in the western part of the municipality of Fatih district.
| 9
|
[
"The Chora",
"instance of",
"mosque"
] |
Reconversion to a mosque (2020–)
In 2005, the Association of Permanent Foundations and Service to Historical Artifacts and Environment filed a lawsuit to challenge the status of the Chora Church as a museum. In November 2019, the Turkish Council of State, Turkey's highest administrative court, ordered that it was to be reconverted to a mosque. In August 2020, its status changed to a mosque.The move to convert Chora Church into a mosque was condemned by the Greek Foreign Ministry and by Greek Orthodox and Protestant Christians. This caused a sharp rebuke by Turkey.On Friday 30 October 2020, Muslim prayers were held for the first time after 72 years.
| 11
|
[
"Southwark Cathedral",
"country",
"United Kingdom"
] |
Southwark Cathedral ( (listen) SUDH-ərk) or The Cathedral and Collegiate Church of St Saviour and St Mary Overie, Southwark, London, lies on the south bank of the River Thames close to London Bridge. It is the mother church of the Anglican Diocese of Southwark. It has been a place of Christian worship for more than 1,000 years, but a cathedral only since the creation of the diocese of Southwark in 1905.
Between 1106 and 1538 it was the church of an Augustinian priory, Southwark Priory, dedicated to the Virgin Mary (St. Mary's – over the river). Following the dissolution of the monasteries, it became a parish church, with the new dedication of St Saviour's. The church was in the diocese of Winchester until 1877, when the parish of St Saviour's, along with other South London parishes, was transferred to the diocese of Rochester. The present building retains the basic form of the Gothic structure built between 1220 and 1420, although the nave is a late 19th-century reconstruction.
| 0
|
[
"Southwark Cathedral",
"religion or worldview",
"Anglicanism"
] |
Southwark Cathedral ( (listen) SUDH-ərk) or The Cathedral and Collegiate Church of St Saviour and St Mary Overie, Southwark, London, lies on the south bank of the River Thames close to London Bridge. It is the mother church of the Anglican Diocese of Southwark. It has been a place of Christian worship for more than 1,000 years, but a cathedral only since the creation of the diocese of Southwark in 1905.
Between 1106 and 1538 it was the church of an Augustinian priory, Southwark Priory, dedicated to the Virgin Mary (St. Mary's – over the river). Following the dissolution of the monasteries, it became a parish church, with the new dedication of St Saviour's. The church was in the diocese of Winchester until 1877, when the parish of St Saviour's, along with other South London parishes, was transferred to the diocese of Rochester. The present building retains the basic form of the Gothic structure built between 1220 and 1420, although the nave is a late 19th-century reconstruction.
| 5
|
[
"Southwark Cathedral",
"located in the administrative territorial entity",
"London Borough of Southwark"
] |
Southwark Cathedral ( (listen) SUDH-ərk) or The Cathedral and Collegiate Church of St Saviour and St Mary Overie, Southwark, London, lies on the south bank of the River Thames close to London Bridge. It is the mother church of the Anglican Diocese of Southwark. It has been a place of Christian worship for more than 1,000 years, but a cathedral only since the creation of the diocese of Southwark in 1905.
Between 1106 and 1538 it was the church of an Augustinian priory, Southwark Priory, dedicated to the Virgin Mary (St. Mary's – over the river). Following the dissolution of the monasteries, it became a parish church, with the new dedication of St Saviour's. The church was in the diocese of Winchester until 1877, when the parish of St Saviour's, along with other South London parishes, was transferred to the diocese of Rochester. The present building retains the basic form of the Gothic structure built between 1220 and 1420, although the nave is a late 19th-century reconstruction.
| 6
|
[
"Southwark Cathedral",
"heritage designation",
"Grade I listed building"
] |
Southwark Cathedral ( (listen) SUDH-ərk) or The Cathedral and Collegiate Church of St Saviour and St Mary Overie, Southwark, London, lies on the south bank of the River Thames close to London Bridge. It is the mother church of the Anglican Diocese of Southwark. It has been a place of Christian worship for more than 1,000 years, but a cathedral only since the creation of the diocese of Southwark in 1905.
Between 1106 and 1538 it was the church of an Augustinian priory, Southwark Priory, dedicated to the Virgin Mary (St. Mary's – over the river). Following the dissolution of the monasteries, it became a parish church, with the new dedication of St Saviour's. The church was in the diocese of Winchester until 1877, when the parish of St Saviour's, along with other South London parishes, was transferred to the diocese of Rochester. The present building retains the basic form of the Gothic structure built between 1220 and 1420, although the nave is a late 19th-century reconstruction.
| 9
|
[
"Southwark Cathedral",
"instance of",
"Anglican or episcopal cathedral"
] |
Southwark Cathedral ( (listen) SUDH-ərk) or The Cathedral and Collegiate Church of St Saviour and St Mary Overie, Southwark, London, lies on the south bank of the River Thames close to London Bridge. It is the mother church of the Anglican Diocese of Southwark. It has been a place of Christian worship for more than 1,000 years, but a cathedral only since the creation of the diocese of Southwark in 1905.
Between 1106 and 1538 it was the church of an Augustinian priory, Southwark Priory, dedicated to the Virgin Mary (St. Mary's – over the river). Following the dissolution of the monasteries, it became a parish church, with the new dedication of St Saviour's. The church was in the diocese of Winchester until 1877, when the parish of St Saviour's, along with other South London parishes, was transferred to the diocese of Rochester. The present building retains the basic form of the Gothic structure built between 1220 and 1420, although the nave is a late 19th-century reconstruction.
| 10
|
[
"Christ Church Greyfriars",
"located in the administrative territorial entity",
"City of London"
] |
Christ Church Greyfriars, also known as Christ Church Newgate Street, was a church in Newgate Street, opposite St Paul's Cathedral in the City of London. Established as a monastic church in the thirteenth century, it became a parish church after the Dissolution of the Monasteries. Following its destruction in the Great Fire of London of 1666, it was rebuilt to the designs of Sir Christopher Wren. Except for the tower, the church was largely destroyed by bombing during the Second World War. The decision was made not to rebuild the church; the ruins are now a public garden.
| 3
|
[
"Christ Church Greyfriars",
"heritage designation",
"Grade I listed building"
] |
Post-war period
In 1944, The Times wrote about the ruins of Christ Church
In 1949, in a reorganisation of Church of England parishes in London, authorities decided not to rebuild Christ Church. The remains of the church were designated a Grade I listed building on 4 January 1950. In 1954, the Christ Church parish was merged with that of the nearby St Sepulchre-without-Newgate.
| 5
|
[
"Gesù Divin Lavoratore",
"dedicated to",
"Jesus"
] |
Cardinal Priest
Pope Paul VI established it as titular church on 30 April 1969.
| 2
|
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