movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Cloudy with a Chance of Meatballs 2 | Final Cut on Film | Erick Weber | The makers of Cloudy with a Chance of Meatballs 2 spend the first five minutes of their subpar sequel recapping the original, a handy reminder just how inferior Flint Lockwood's second cinematic outing is to his first. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,508 |
Django Unchained | Final Cut on Film | Erick Weber | At a shade under three hours, Django Unchained never once feels that length...a testament to the ferocity of Tarantino's fantastically unmannerly concoction. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,508 |
Dredd | Final Cut on Film | Erick Weber | Here's to the rebirth of a franchise left for dead, re-emerging with a hellacious fury that wipes clean the sins of the past - and then some. Dredd's raid and redemption indeed. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,508 |
Drive | Final Cut on Film | Erick Weber | With a titanic infusion of pound-feet of torque, Drive is the best movie of 2011, a raging race that's part F1 and equal part demolition derby. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,508 |
Gravity | Final Cut on Film | Erick Weber | As Cuarón spells out in his intro: "Life in space is impossible". So is forming any emotional attachment to Gravity. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,508 |
Iron Man 3 | Final Cut on Film | Erick Weber | A movie so block-headed, so aimlessly busy, you'd think Michael Bay directed the thing. Actually, that would be an upgrade. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,508 |
Pacific Rim | Final Cut on Film | Erick Weber | Utter awesomeness. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,508 |
Silver Linings Playbook | Final Cut on Film | Erick Weber | A thoroughly annoying and staggeringly laughless quirkfest featuring the most alarmingly miscast role of 2012. | D+ | long_letter | null | null | false | 8 | 18 | 1 | 1,508 |
Sound City | Final Cut on Film | Erick Weber | An electrifying and enthralling labor of love that acts as a defibrillator for your creative juices. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,508 |
Spring Breakers | Final Cut on Film | Erick Weber | Korine kills it with a Britney Spears-backed montage of the pretty little gangsters protecting Franco's drug-trafficking turf. Gun-toting teens clad in string bikinis passing for high art? Indubitably. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,508 |
Man of Steel | Final Cut on Film | Erick Weber | Superman's brawl with Zod is interminable, an ungodly overload of CGI that amounts to a special effects bludgeoning. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,508 |
The Artist | Final Cut on Film | Erick Weber | Its retro-retro take uniquely delivers the most crucial element of the moviegoing experience, the art of entertainment. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,508 |
The LEGO Movie | Final Cut on Film | Erick Weber | A spot in my top 10 of 2014 has been locked down. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,508 |
The Oogieloves in The Big Balloon Adventure | Final Cut on Film | Erick Weber | Forget Saw, I'd argue this is the most freakishly disturbing outing of Cary Elwes career. | F | long_letter | null | null | false | 1 | 18 | 1 | 1,508 |
The Place Beyond The Pines | Final Cut on Film | Erick Weber | While Cianfrance's overambitious narrative and Crash-y conclusion come perilously close to bringing the film to its knees, the electrifying first half more than compensates. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,508 |
This Is the End | Final Cut on Film | Erick Weber | A rapturously-riotous, celeb-skewering raunchfest. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,508 |
Green Zone | Financial Times | Nigel Andrews | Competent, vivid and more than tokenistically controversial in theme. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 1,509 |
The New Romantic | Fishnet Cinema | Sara Clements | Carly Stone's feature directorial debut The New Romantic pays homage to classic love stories by exploring its protagonist's passion for idealized Hollywood romance. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,510 |
Wonder | Fishnet Cinema | Jourdain Searles | An entertaining, exciting film. | A | short_letter | null | null | false | 5 | 6 | 1 | 1,511 |
Wonder Woman | Fishnet Cinema | Jourdain Searles | Patty Jenkin's Wonder Woman is an entertaining, exciting film. I was surprised by how refreshed I was that Wonder Woman was a good person. | A | short_letter | null | null | false | 5 | 6 | 1 | 1,511 |
The Brothers Solomon | Flak Magazine | Stephen Himes | Imagines what might happen if Rod and Todd Flanders grew up and decided to have a surrogate child together. | 2/10 | 10 | 2 | 10 | true | 2 | 11 | 1 | 1,512 |
Death at a Funeral | Flak Magazine | Stephen Himes | Another Frank Oz comedy with a mean streak, this time with such delights as an old man defecating in his wheelchair. | 6/10 | 10 | 6 | 10 | true | 6 | 11 | 1 | 1,512 |
Forgetting Sarah Marshall | Flak Magazine | Stephen Himes | The difference between Apatow and Hornby is that Hornby has written at least one compelling female character. | 6/10 | 10 | 6 | 10 | true | 6 | 11 | 1 | 1,512 |
Harry Potter and the Order of the Phoenix | Flak Magazine | Stephen Himes | Yates' vision for Delores Umbridge is simple: She is to leave no wizard behind. | 7/10 | 10 | 7 | 10 | true | 7 | 11 | 1 | 1,512 |
Indiana Jones and the Kingdom of the Crystal Skull | Flak Magazine | Stephen Himes | You sense that if Lucas had his way, Harrison Ford would have measured Shia LeBeouf's midiclorian levels. | 5/10 | 10 | 5 | 10 | true | 5 | 11 | 1 | 1,512 |
Iron Man 2 | Flak Magazine | Stephen Himes | Tony Stark is Dick Cheney's foreign policy driven by Grover Norquist's fiscal policy, sold to the public by Ari Gold. Very confusing. | 5/10 | 10 | 5 | 10 | true | 5 | 11 | 1 | 1,512 |
Knocked Up | Flak Magazine | Stephen Himes | For all the talk of "morals" in the American cultural dialogue, stoner Ben says the only thing that really should matter: "I just want to do right by you." | 8/10 | 10 | 8 | 10 | true | 8 | 11 | 1 | 1,512 |
Mr. Woodcock | Flak Magazine | Stephen Himes | A close reading of Mr. Woodcock reveals a dark, depressing film about small town decline. I think. | 6/10 | 10 | 6 | 10 | true | 6 | 11 | 1 | 1,512 |
Ocean's Thirteen | Flak Magazine | Stephen Himes | If This Pays For Another Darfur Benefit, Then So Be It. | 4/10 | 10 | 4 | 10 | true | 4 | 11 | 1 | 1,512 |
Once | Flak Magazine | Stephen Himes | It has a Before Sunrise vibe, but the aphrodisiac is music rather than pseudo-philosophical Gen-X ramblings. | 9/10 | 10 | 9 | 10 | true | 9 | 11 | 1 | 1,512 |
Pirates of the Caribbean: At Worlds End | Flak Magazine | Stephen Himes | As Captain Sparrow himself observes: "The immaterial has become.....immaterial." | 2/10 | 10 | 2 | 10 | true | 2 | 11 | 1 | 1,512 |
Ratatouille | Flak Magazine | Stephen Himes | But how would the rat match up against Iron Chef Morimoto? | 8/10 | 10 | 8 | 10 | true | 8 | 11 | 1 | 1,512 |
Sex and the City 2 | Flak Magazine | Stephen Himes | Samantha does everything but draw a picture of the Prophet Muhammad on a pair of crotchless panties. | 0/10 | 10 | 0 | 10 | true | 0 | 11 | 1 | 1,512 |
Shrek the Third | Flak Magazine | Stephen Himes | Antonio should use his Puss n' Boots voice in the Zorro sequel. | 2/10 | 10 | 2 | 10 | true | 2 | 11 | 1 | 1,512 |
Superbad | Flak Magazine | Stephen Himes | Superbad makes cultural statements that should be every bit as disturbing as blaxploitation's were. | 8/10 | 10 | 8 | 10 | true | 8 | 11 | 1 | 1,512 |
Swing Vote | Flak Magazine | Stephen Himes | You can smell the inauthenticity and condescension - Swing Vote seems like it was written by the kind of guy who talks about Applebee's salad bar. | 4/10 | 10 | 4 | 10 | true | 4 | 11 | 1 | 1,512 |
Talladega Nights: The Ballad of Ricky Bobby | Flak Magazine | Stephen Himes | They seem content to let the actors improvise around the biopic structure, which gives us some very funny moments, but leaves the movie a little flat. | 7/10 | 10 | 7 | 10 | true | 7 | 11 | 1 | 1,512 |
The Texas Chainsaw Massacre | Flak Magazine | Stephen Himes | The remake is not obscene because it's disgusting; it's obscene because it's carefully structured to be absolutely devoid of meaning. | 2/10 | 10 | 2 | 10 | true | 2 | 11 | 1 | 1,512 |
The Girl Next Door | Flak Magazine | Stephen Himes | The Girl Next Door wants to be more than a teen sex comedy - it wants to say something, but the narrative is so loose that it has no idea how to make its point. | 1/5 | 5 | 1 | 5 | true | 2 | 11 | 2 | 1,513 |
The Terminal | Flak Magazine | Stephen Himes | Tom Hanks cashes in every last chip of his audience lovability and still doesn't save the movie. | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 1,513 |
Anchorman - The Legend Of Ron Burgundy | Flak Magazine | Stephen Himes | Resembling Bill Murray's early career, Ron Burgundy is a Peter Venkman/Carl Spackler type performance which will be remember fondly during Will Ferrell's 2020 Oscar run. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,513 |
Bridge to Terabithia | Flak Magazine | Stephen Himes | Understands that a kids movie that's "For Adults Too" means "Mature, Complex Themes," not "Fart Jokes and Sexual Innuendo." | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 1,513 |
Dr. Seuss' The Cat in the Hat | Flak Magazine | Stephen Himes | Perverts Geisel's complicated legacy as storyteller, cartoonist, and political radical. | 1.5/5 | 5 | 1.5 | 5 | true | 3 | 11 | 2 | 1,513 |
A Dirty Shame | Flak Magazine | Stephen Himes | What's really astounding is that A Dirty Shame actually is shocking and depraved. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,513 |
Elf | Flak Magazine | Stephen Himes | An early Christmas present for those who have begged Santa every year for a gift to replace Adam Sandler. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,513 |
Harold & Kumar Go to White Castle | Flak Magazine | Stephen Himes | Harold and Kumar discover that the American Dream is not to be Doogie Howser; it's to be Neil Patrick Harris. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,513 |
I Heart Huckabees | Flak Magazine | Stephen Himes | The director of Three Kings asks: If all people want is cheap oil and Wal-Mart convenience, should liberals just give up? | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 1,513 |
Kill Bill: Volume 2 | Flak Magazine | Stephen Himes | Tries to be the "Ulysses" of exploitation films. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,513 |
Lara Croft Tomb Raider - The Cradle of Life | Flak Magazine | Stephen Himes | This could be interesting stuff, but [director Jan] de Bont just has his actors say the lines and move on to the next stunt. | 2/5 | 5 | 2 | 5 | true | 4 | 11 | 2 | 1,513 |
The Last Samurai | Flak Magazine | Stephen Himes | Watanabe gives an intimate performance that completely upstages Cruise, but there's an undercurrent of condescension, as if the screenplay and direction were intent on deifying him. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,513 |
Man on Fire | Flak Magazine | Stephen Himes | The simplicity of the story doesn't just make for a mediocre movie; it's designed to exploit the audience... The fact that audiences are so ready to embrace such torture and brutality should give us pause. | 1/5 | 5 | 1 | 5 | true | 2 | 11 | 2 | 1,513 |
The Manchurian Candidate | Flak Magazine | Stephen Himes | This may be a little paranoid if one accepts Demme's vision at face value, and it certainly comes off as the work of a self-hating Democrat. | 3/5 | 5 | 3 | 5 | true | 6 | 11 | 2 | 1,513 |
Matchstick Men | Flak Magazine | Stephen Himes | Lohman and Cage generate the warmest moments ever felt in a Ridley Scott movie. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,513 |
Mean Girls | Flak Magazine | Stephen Himes | [Fey] has confessed to being a geeky type who delivered caustic scorn... The problem is that this same scorn is directed at the Plastics, which prevents the movie from engaing some larger truths about its deconstruction of the social milieu. | 2/5 | 5 | 2 | 5 | true | 4 | 11 | 2 | 1,513 |
Miracle | Flak Magazine | Stephen Himes | The irony might get lost in the euphoria of victory, but looking back on the film, Miracle poses more tough questions about this victory than it provides answers about its ultimate legacy. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,513 |
Mona Lisa Smile | Flak Magazine | Stephen Himes | Mona Lisa Smile trades on the complexity of modern art, and the credibility of its artists, to dump reductionist versions of its themes into a Hollywood star vehicle. | 1/5 | 5 | 1 | 5 | true | 2 | 11 | 2 | 1,513 |
Music and Lyrics | Flak Magazine | Stephen Himes | "Music and Lyrics" argues that pop songs are poetry, and in the tradition of Walt Whitman, the film proceeds to celebrate itself. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,513 |
New York Minute | Flak Magazine | Stephen Himes | It's as inhumane to the actresses as it is to the audience that's supposed to receive it as "family entertainment." | 0/5 | 5 | 0 | 5 | true | 0 | 11 | 2 | 1,513 |
The Passion of the Christ | Flak Magazine | Stephen Himes | General Jesus Christ is reborn, awarded the most earned Purple Heart in history, and summons his Christian soldiers to march forth and fight whatever battles He calls us to. | 1/5 | 5 | 1 | 5 | true | 2 | 11 | 2 | 1,513 |
School of Rock | Flak Magazine | Stephen Himes | Linklater's film does a great service by bending clichés to express deeper truths about teaching that most other films miss. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,513 |
Shrek 2 | Flak Magazine | Stephen Himes | Shrek 2 shows Dreamworks is finding its own voice in digital animation, a welcome development with Pixar's uncertain future. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,513 |
Spider-Man 2 | Flak Magazine | Stephen Himes | Spider-Man 2 is a blockbuster with the scrappiness of an indie. | 4/5 | 5 | 4 | 5 | true | 8 | 11 | 2 | 1,513 |
Starsky & Hutch | Flak Magazine | Stephen Himes | There's not enough ambition... this film is just a cobbled together series of gags, each hoping to be funny enough to win enough laughs to score substantial box office. | 2/5 | 5 | 2 | 5 | true | 4 | 11 | 2 | 1,513 |
Superbabies: Baby Geniuses 2 | Flak Magazine | Stephen Himes | Like dadaist art, Baby Geniuses challenge the artist-audience contract: We *hear* the babies talking, but we clearly *see* that they aren't. | 1/5 | 5 | 1 | 5 | true | 2 | 11 | 2 | 1,513 |
Team America: World Police | Flak Magazine | Stephen Himes | Perhaps the weirdest aspect of the movie is that, after a while, the puppets start to feel like real action movie characters. | 4.5/5 | 5 | 4.5 | 5 | true | 9 | 11 | 2 | 1,513 |
The Rundown | Flak Magazine | Stephen Himes | Precisely as charismatic and ridiculous as The People's Elbow. | 3.5/5 | 5 | 3.5 | 5 | true | 7 | 11 | 2 | 1,513 |
Walking Tall | Flak Magazine | Stephen Himes | The Rock, as if bidding for another appearance at the Republican National Convention, stars in this parable of neo-con justice. | 2.5/5 | 5 | 2.5 | 5 | true | 5 | 11 | 2 | 1,513 |
Stuber | Flick Feast | Frank Ochieng | Quite frankly, Dowse's transparent twitchy vehicle has all the cheeky charm of a roadblock during rush hour traffic. Needlessly frantic and foolish... | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,514 |
The Art of Self-Defense | Flick Feast | Frank Ochieng | Profoundly witty and oddly reflective, The Art of Self-Defense is one of the year's best uniquely dark comedies to give a karate chop to the inactive funnybone. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,514 |
Surviving the Game | Flick Filosopher | MaryAnn Johanson | This thoroughly absurd action flick that thinks it has some sort of social conscience, badly needs a what-the-heck-were-they-thinking smack upside the head to humble it. | 45/100 | 100 | 45 | 100 | false | 44 | 100 | 1 | 1,515 |
Once Upon a Time In Hollywood | FlickDirect | Allison Rose | DiCaprio offers a master class in how to act in a film in order to win an Oscar and the rest of the cast support him nicely. | 4.5/10 | 10 | 4.5 | 10 | false | 7 | 19 | 2 | 1,516 |
The Two Popes | Flickering Myth | Alex Moreland | The Two Popes begins and ends with Francis, not just fascinated by him but enamoured with him. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,517 |
Absentia | Flickering Myth | Gary Collinson | Those seeking a slow-burning, intelligent and thought-provoking character-driven chiller should find plenty to enjoy. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 1,518 |
Calling All Earthlings | Flickering Myth | Tom Jolliffe | Berman's film is beautifully photographed and whilst it has no great revelations or big payoffs, it's an intriguing slice of small town alternative American life, dressed up in Alien and government conspiracy tales... | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 1,518 |
Beirut | Flicks.com.au | Sarah Ward | This solid thriller engages with the region's conflict as it paints a picture of disillusionment, double-dealing, and the dirty deeds committed and facilitated on all sides. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,519 |
Creed II | Flicks.com.au | Blake Howard | Playing like the greatest hits of every Rocky sequel to date, Creed II is bigger and its hits thud harder, but it misses the emotional focus and finesse of its predecessor. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,519 |
Danger Close | Flicks.com.au | Blake Howard | Danger Close stays true to Australian sacrifice but walks a perilous line between honour and amnesia. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,519 |
Destroyer | Flicks.com.au | Blake Howard | Days after viewing, when you're transported to relive the tale conveyed in near still life glares for Kidman, Destroyer becomes a movie that overcomes the leading character's stupidity, distracting make-up, romance novel cover flashbacks. Just. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,519 |
Fantastic Beasts: The Crimes of Grindelwald | Flicks.com.au | Blake Howard | There are brief flashes of brilliance in the at times laborious Fantastic Beasts: The Crimes of Grindelwald - the second of five cinematic Wizarding world episodes. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,519 |
First Reformed | Flicks.com.au | Blake Howard | First Reformed is a mesmermising work of faith and rage... | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,519 |
I Am Woman | Flicks.com.au | Alexandra Heller-Nicholas | I Am Woman unites Moon's solid direction with Cobham-Hervey's earnest performance to transcend its sometimes-corny dialogue to present a sincere, heartfelt love letter to one of the most iconic figures of second wave feminism. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,519 |
Joker | Flicks.com.au | Alexandra Heller-Nicholas | It demands we think about power, difference and violence in ways we do not necessarily expect a heavily branded mainstream blockbuster to do so. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,519 |
Lean on Pete | Flicks.com.au | Blake Howard | Lean on Pete draws you in and denies you the chance to reach out for a desperate protective embrace of Charley. Haigh's unforgettable adaptation makes you bear witness to this fragile flame nursed through the unforgiving world. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,519 |
Mary Queen of Scots | Flicks.com.au | Blake Howard | Mary Queen of Scots is an alternate history that takes ruling out of the throne room and settles the fate of Britain in carefully worded letters, portraits and calculating gestures of friendship, set in the confines of spaces associated with women. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,519 |
Mile 22 | Flicks.com.au | Sarah Ward | Simply happy to champion both American and white male superiority through a flimsy protagonist that's given a penchant for being insufferable rather than a personality. | 1/5 | 5 | 1 | 5 | false | 0 | 9 | 2 | 1,519 |
Point Blank | Flicks.com.au | Blake Howard | Netflix's Point Blank is a damn good action movie full of grievous bodily harm. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,519 |
Spider-Man: Into the Spider-Verse | Flicks.com.au | Blake Howard | Spider-Man: Into The Spider-Verse is unquestionably the best animated film of the year and neck-and-neck with Black Panther for best superhero film of the year. Believe the hype. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,519 |
Swinging Safari | Flicks.com.au | Blake Howard | If you need a way to laugh at all the reasons you're deficient, or to examine why your white Australian friends are the hot messes they are, grab your sluggers, lather up that body in oil, spark up a dart and laugh. And, hopefully, don't cry. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,519 |
The Ballad of Buster Scruggs | Flicks.com.au | Blake Howard | The Ballad of Buster Scruggs is a divine tasting board for all things Coen brothers... | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,519 |
The Darkest Minds | Flicks.com.au | Sarah Ward | The Darkest Minds isn't just overtly derivative. It's happily, dully derivative too, barely trying to hide its patchwork narrative or the debt it owes to its many predecessors. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,519 |
The Grinch | Flicks.com.au | Sarah Ward | Ramps up the slapstick while adding a needless backstory that threatens to undercut the text's message | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,519 |
The House That Jack Built | Flicks.com.au | Sarah Ward | It's compelling viewing, gore and all, but it also says exactly what you think it will. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,519 |
The Perfection | Flicks.com.au | Alexandra Heller-Nicholas | Exhilarating, sexy and driven by a sense of genuine fury, The Perfection starts wild and gets wilder...and is fine-tuned to hit us exactly where we need to be hit. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,519 |
The Sisters Brothers | Flicks.com.au | Blake Howard | The Sisters Brothers pits abused, impulsive and damaged men whose currency in the world is an aptitude for killing against men of ideals, science, courtesy and reflection. They aren't burdened by being required to tell you something pretty. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,519 |
True History of the Kelly Gang | Flicks.com.au | Alexandra Heller-Nicholas | True History of the Kelly Gang issues a sharp bolt of electricity directly into the heart of this well-worn legend, granting it an intoxicating energy that speaks well beyond the hackneyed 'wild colonial boys' clichés of yore. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,519 |
Wayne | Flicks.com.au | Blake Howard | In an early interview with Gardner's sister, she says that he's the "golden child." Wayne has every intention of maintaining Gardner's golden glow. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,519 |
Ladies in Black | Flicks.com.au | Glenn Dunks | The way every ruffle of a dress or lace embellishment is offered a moment and how audiences can admire the pattern of a gown as much as the acting recalls Jocelyn Moorhouse's The Dressmaker... | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,520 |
Die Another Day | Flint Journal | David Forsmark | This is one of the sillier Bonds, but the actors seem to be having fun, the pace is quick, and there's a lot to look at. At least it's not a bore like Tomorrow Never Dies. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,521 |
Psycho | Flix Capacitor | Stephen Carty | The shower sequence, the shrieking score, Anthony Perkins, that twist ending... Psycho remains a stone-cold classic. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,522 |
Star Trek | Flix Capacitor | Stephen Carty | The character work is consistently ace, but Star Trek 2009 doesn't offer the high-minded, underlying ideas that the show was known for. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,522 |
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