movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Total Recall | Giant Freakin Robot | Joshua Tyler | A lot of fun in its own way; a big, flashy summer movie with loads of incredibly cool high-tech ideas standing in for good character-driven ones. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,567 |
Waiting for the Barbarians | Giant Freakin Robot | Drew Dietsch | If the script and filmmaking [were] as riveting as the story's thematic weight, Waiting for the Barbarians could have been a real winner. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,567 |
WALL-E | Giant Freakin Robot | Joshua Tyler | For adults there aren't a lot of surprises, but that doesn't mean you won't revel in the Pixar-perfect execution of another story well told. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,567 |
You Cannot Kill David Arquette | Giant Freakin Robot | Drew Dietsch | Gripping, harrowing, and ultimately endearing, You Cannot Kill David Arquette is one of the brightest spots in an otherwise terribly dark year. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,567 |
Prodigal Sons | Glenn Dunks | Glenn Dunks | This film should be shown to every parent of a gay child. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,568 |
54 | Glenn Dunks | Glenn Dunks | [The Director's Cut] is out and proud, not at all shying away from the sexual aggression of Phillippe's character as he calmly removes his clothes for any gender. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
A Poem Is A Naked Person | Glenn Dunks | Glenn Dunks | Blank isn't afraid of the artistic wrath that he may incur and rather than making a Leon Russell film, has made what is defiantly a Les Blank film full of all of the idiosyncrasies that one would expect. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Adore | Glenn Dunks | Glenn Dunks | Its Australian title, 'Adoration', sounds as flat on the tongue and unsure of itself as the actual film. Anne Fontaine never finds the right voice for her film's message and ends up with this disappointing, albeit handsomely made, effort. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,568 |
Amy | Glenn Dunks | Glenn Dunks | Watch alongside Montage of Heck and just feel miserable about what the world missed out on but be thankful of what they left behind. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,568 |
Avengers: Age of Ultron | Glenn Dunks | Glenn Dunks | Despite the overall enjoyment factor of the film, with this, its eleventh film, writer-director Joss Whedon seems intent on pushing some of Marvel Films' more tiresome elements to the extreme. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,568 |
Before I Go to Sleep | Glenn Dunks | Glenn Dunks | It's a figure-eight effect where the shifting sands of the story make our loyalties and our readings of the central mystery ebb and flow. It's a work of wonderful manipulation... | B | long_letter | null | null | false | 13 | 18 | 1 | 1,568 |
Behind the Candelabra | Glenn Dunks | Glenn Dunks | One of [Soderbergh's] strengths is in the way he subverts traditional narratives and finds interesting moments that other directors wouldn't think twice about. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,568 |
Berlin Syndrome | Glenn Dunks | Glenn Dunks | Berlin Syndrome posits actual answers for the terrible questions people ask of sexual-violence survivors. And, significantly, it addresses them through a riveting piece of art cinema made not-so-coincidentally with women in key production roles. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
BlacKkKlansman | Glenn Dunks | Glenn Dunks | The savagery that Lee is capable of shaved down for a demographic that aren't accustomed to the evolving, bold electricity of Do the Right Thing or Bamboozled and instead in many ways resembles something closer to a Saturday Night Live sketch. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,568 |
Blue Is The Warmest Color | Glenn Dunks | Glenn Dunks | These characters - and by extension, the film - are open books in both the sex and the drama. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Bridegroom | Glenn Dunks | Glenn Dunks | Cheap and positively dripping in saccharine nonsense. | F | long_letter | null | null | false | 1 | 18 | 1 | 1,568 |
Burning Blue | Glenn Dunks | Glenn Dunks | Viewing now in the clear light of a post-DADT world and the grand-standing dialogue of [Director] Greer and co-writer Helene Kvale come off as weightless, drooping under the clichs and perceived inherent power of its story... | C | long_letter | null | null | false | 10 | 18 | 1 | 1,568 |
Camp X-Ray | Glenn Dunks | Glenn Dunks | [The] film succeeds in following a grand tradition of cinema that doesn't necessarily expose the folly of war, yet rather the more specific folly of sending young, still red-in-the-cheek soldiers into a war zone. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Canopy | Glenn Dunks | Glenn Dunks | Canopy is a movie rich of its own world, an 80-minute work of filmmaking that rises above mere war or survival films and becomes something unique. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,568 |
Concussion | Glenn Dunks | Glenn Dunks | Concussion is a remarkably sex-positive film and for that it should be commended. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Cut Snake | Glenn Dunks | Glenn Dunks | In Tony Ayres' Cut Snake, the true blue Aussie crime flick gets a queer coat of paint. It masks itself as a standard crime flick, but subverts what we have come to expect from these films... | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Dallas Buyers Club | Glenn Dunks | Glenn Dunks | I'd have preferred it to just be more distinctive. Bolder. Scarier. Uglier. Queerer. I can see why it's not, though, which is probably more upsetting. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,568 |
Enemy | Glenn Dunks | Glenn Dunks | Enemy feels quite distinctly as a mood piece, a ring of swirling colours and emotions that seems more intent on leaving a mental mark or scar on the viewer than anything resembling a sense of narrative fulfillment. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Reaching for the Moon | Glenn Dunks | Glenn Dunks | I found the story of these two lovers to be not especially involving and hardly fresh or new. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,568 |
Frances Ha | Glenn Dunks | Glenn Dunks | [T]he film is a delightfully spry vacation into the life of a woman who doesn't really deserve the affectionate film around her. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
God Loves Uganda | Glenn Dunks | Glenn Dunks | The frankness with which the director's subjects open up about the intentions and their beliefs is as alarming as the charm they turn on to win over the faith-starved locals. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,568 |
Grand Piano | Glenn Dunks | Glenn Dunks | There's a playfulness to Grand Piano that is deeply rewarding. It's slick, 35mm lensing is drenched in bold colours, interesting compositions and in some sequences a sense of virtuosic camera trickery. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Hungry Hearts | Glenn Dunks | Glenn Dunks | It took ahold of my mind in such a way that I found myself constantly thinking about it long after the screening. I couldn't get its images out of my head, its twisted tale of unconventional horror making me feel uncomfortable long after the credits. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,568 |
I Am Divine | Glenn Dunks | Glenn Dunks | [Director Jeffrey] Schwartz has made a film that would impress Divine's biggest fan: himself. It's all about Divine, darling and don't you forget it. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Il Futuro | Glenn Dunks | Glenn Dunks | However, it has a really unique point of view that puts it on par with some of the most adventurous South American cinema of recent years. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Jayne Mansfield's Car | Glenn Dunks | Glenn Dunks | War is hell, duh. That's still all I can figure Thornton's film amounts to. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,568 |
Kiki | Glenn Dunks | Glenn Dunks | Kiki is a film that celebrates some of the bravest members of the LGTBQ universe and in many ways the film demands that we absolutely must continue to be as bold and brave as them. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Kill Your Darlings | Glenn Dunks | Glenn Dunks | For a film that goes out of its way time and time again to tell the audience that its protagonist was a pioneering wunderkind who helped revolutionise an artform and thought outside the box, John Krokidas' Kill Your Darlings is awfully staid. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,568 |
Mad Max: Fury Road | Glenn Dunks | Glenn Dunks | It turns out we do need another hero, and it comes in the guise of George Miller. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,568 |
Magic Mike XXL | Glenn Dunks | Glenn Dunks | [If] what you want is playfulness, energy, goofy glee, and a complete and utter lack of pretentiousness then Magic Mike is a Trojan (Horse) full of fun. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Nasty Baby | Glenn Dunks | Glenn Dunks | It adds further shading to this already multi-dimensional world and should hopefully make audiences question their own reactions as well as their thoughts on class, privilege and ultimately their own personal morality. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,568 |
Out in the Dark | Glenn Dunks | Glenn Dunks | I enjoyed this one quite a bit it was the ending that struck me as the most impressive. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,568 |
Partisan | Glenn Dunks | Glenn Dunks | This is a film of great restraint, one that chooses to take its time observing through the eyes of its young protagonist... | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Poltergeist | Glenn Dunks | Glenn Dunks | Instead of a reboot that takes advances in technology, the ever-expanding suburban sprawl or a clear audience desire for haunted houses, we're left with little more than a faded photocopy. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,568 |
Shaun the Sheep Movie | Glenn Dunks | Glenn Dunks | A fitting tribute to the zany worlds of Jacques Tati and his unspoken, bumbling Monsieur Hulot as well as the silent movie stars and comedies that came from the silent era onwards. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Stations of the Elevated | Glenn Dunks | Glenn Dunks | Kirchheimer appears more interested in the way the subway interacts with urban life, cutting through neighbourhoods like a scalpel through flesh and how people have taken to the individual subway cars as canvases to educate, provoke, and infuriate. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Strangerland | Glenn Dunks | Glenn Dunks | I was deeply impressed by Strangerland and likely for many of the reasons that others have not. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
Terminator Genisys | Glenn Dunks | Glenn Dunks | What's different [to Jurassic World] is that this entry into the series has a desire to build its own future, its own timeline of events from amongst all the references and mythos and sly nods to the previous films. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
The Conjuring | Glenn Dunks | Glenn Dunks | The Conjuring is the Ultimate Fighting Champion of haunting movies. It is all of the movies. Every single one. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,568 |
The Town That Dreaded Sundown | Glenn Dunks | Glenn Dunks | The Town that Dreaded Sundown is perhaps the first of its kind: it is both a sequel and a remake, and in both cases it improves upon its original. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
The Tribe | Glenn Dunks | Glenn Dunks | It's a tough film ... and one that makes its audience feel as lost in its characters' world as its characters might well be in ours. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,568 |
The Water Diviner | Glenn Dunks | Glenn Dunks | If [Crowe's] performance wasn't as strong as it is then The Water Diviner simply wouldn't work at all and it would be harder to forgive some of his less impressive directorial judgements. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,568 |
The Wolf of Wall Street | Glenn Dunks | Glenn Dunks | I struggle to recognise what [Scorsese's] unique point of view or fresh insight is with the material. Did he have one? | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,568 |
Unbroken | Glenn Dunks | Glenn Dunks | At least one can give the film points for consistency as this humdrum sentimentality certainly extends to the music with an appalling, pandering original credits song by Coldplay. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,568 |
Wild Style | Glenn Dunks | Glenn Dunks | I guess it depends on what you go to the movies for, but for me Wild Style is a classic and a remarkable example of what the medium can do to an audience. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,568 |
Willow Creek | Glenn Dunks | Glenn Dunks | It's all well and good to want to say things using the world of a horror movie, but it's even better when you don't forget to try and be scary for 75% of the runtime. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,568 |
You Cannot Kill David Arquette | Glenn Dunks | Glenn Dunks | Real, completely fiction, or some sort of elaborate half-breed hoax like Joaquin Phoenix in I'm Not There, the experience of watching You Cannot Kill David Arquette is an entirely perplexing one. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,568 |
Bowling for Columbine | Global Rhythm Magazine | Kam Williams | Why do Americans seem so inclined to slaughter one another? Once again, Michael Moore has once again waded into some rather murky waters to weigh in on a very thorny subject. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,569 |
Manson, My Name Is Evil | Globe and Mail | Rick Groen | Essentially a cinematic essay that occasionally seems smart and sometimes just smart-alecky. What it never seems is emotionally engaging. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,570 |
Carlos | Globe and Mail | Liam Lacey | A long and complex film (five and a half hours) that seems to go by in a series of vivid flashes. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 1,570 |
Long Life, Happiness & Prosperity | Globe and Mail | Liam Lacey | An awkwardly contrived exercise in magic realism. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,570 |
Memories of Murder | Globe and Mail | Barry Hertz | Tracing a long, frustrating, and at times darkly funny investigation into the crimes of a rural South Korean serial killer, Memories of Murder is a thrilling and stomach-churning ride. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,570 |
Most Wanted | Globe and Mail | Barry Hertz | The result is a three-pronged narrative that inventively plays with structure and time, allowing the natural dramatic tension of Malarek's international chase to nicely dovetail with Léger's ugly experiences in the criminal justice system. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,570 |
Searching for Sugar Man | Globe and Mail | Brad Wheeler | A pleasing fix, Searching for Sugar Man is a lost-and-found film about pursuits - one of them abandoned, and one not. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,570 |
The Cured | Globe and Mail | Anne T. Donahue | Heartbreaking, compelling and terrifying, The Cured is a quick way to re-examine our capacity for forgiveness, tolerance and above all, fear | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,570 |
The Invisible Man | Globe and Mail | Sarah-Tai Black | While chock full of relatively good scares, campy effects and an ending that will tickle a very specific demographic of 1990s and 2000s thriller fans with glee, The Invisible Man doesn't deliver more than that. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,570 |
Upgrade | Globe and Mail | Barry Hertz | Upgrade only wants to have great, gory fun. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,570 |
Vivarium | Globe and Mail | Barry Hertz | From my semi-quarantined perch, it feels like one very long, very overcooked joke - and I've choked on enough gags this past week and a half to last a lifetime. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,570 |
We Summon the Darkness | Globe and Mail | Barry Hertz | Not today, Satan. Not today. | 2/5 | 5 | 2 | 5 | false | 2 | 9 | 2 | 1,570 |
Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) | Glue Magazine | Annie Banks | Bursting with personality, Birds of Prey and the Fantabulous Emancipation of One Harley Quinn is easy to enjoy, but can't make itself out to be more than what it already is: a messily empowering Rated-R runaway train. | 5.5/10 | 10 | 5.5 | 10 | false | 9 | 19 | 2 | 1,571 |
Joker | Glue Magazine | Annie Banks | Joker is a devastatingly bold, brashly aggressive, truly haunting homage to the clown prince of crime. It stands proud as one of the most troubling, worrisome and delightfully distressing pieces of comic book cinema. | 8/10 | 10 | 8 | 10 | false | 14 | 19 | 2 | 1,571 |
Knives Out | Glue Magazine | Annie Banks | It's a charming, eccentric, prudent puzzler that is brave enough to become all the more thrilling. | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,571 |
Sonic the Hedgehog | Glue Magazine | Annie Banks | Sonic the Hedgehog approaches a popular franchise from an unsophisticated, fun-loving and childish angle that sets the Sega Cinematic Universe off on a mediocre pace. Sonic is cute, but it taps out at that. | 5/10 | 10 | 5 | 10 | false | 8 | 19 | 2 | 1,571 |
Star Wars: The Rise of Skywalker | Glue Magazine | Annie Banks | Much like the work of Storm Troopers, any shots taken at shocking twists are missed. | 5/10 | 10 | 5 | 10 | false | 8 | 19 | 2 | 1,571 |
The Farewell | Glue Magazine | Annie Banks | Wang is a visionary on the rise. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,571 |
The Lion King | Glue Magazine | Annie Banks | While The Lion King may not be able to go toe-to-toe with the Renaissance precursor, it still holds enough of that comforting Disney feel to gratify and amuse moviegoers. | 6/10 | 10 | 6 | 10 | false | 10 | 19 | 2 | 1,571 |
Dark Phoenix | Glue Magazine | Annie Banks | With the namesake of fire and destruction, the film is smothered and reduced to soot and ash. It really is sad to see something that could have been a triumph result in something sullen and carelessly completed. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,572 |
Alien: Covenant | God Hates Geeks | Chris Sawin | Alien: Covenant is the bloodiest this franchise has been in a long time, but it isn't scary. The film is a beautiful symphony performed with amateur instruments. It is a hellish workshop overflowing with gut-wrenching disappointment. | 3/5 | 5 | 3 | 5 | true | 12 | 21 | 4 | 1,573 |
Arrival | God Hates Geeks | Chris Sawin | Its visuals are remarkable and its storyline is so beautifully structured. Arrival is one of the most extraordinary, breathtaking, and thought provoking films of the year. This is what science fiction is supposed to be. | 5/5 | 5 | 5 | 5 | true | 20 | 21 | 4 | 1,573 |
Bright | God Hates Geeks | Chris Sawin | There's a clunkiness to Bright; this awkward and misshapen quality that is corny and hard to swallow but something about crime being intertwined with fantasy and prejudice works really well in today's day and age. | 3/5 | 5 | 3 | 5 | true | 12 | 21 | 4 | 1,573 |
Cargo | God Hates Geeks | Chris Sawin | Martin Freeman delivers a well-crafted performance in Cargo while the story taps into some unexpected layers of emotion. The ending packs a softhearted thwack to your delicate inner organs that is nearly as heavy as the finale to Logan. | 4.5/5 | 5 | 4.5 | 5 | true | 18 | 21 | 4 | 1,573 |
Death Note | God Hates Geeks | Chris Sawin | The Netflix adaptation feels like the Final Destination franchise and Dawson's Creek had a regrettable affair together and Death Note is the aborted baby that they attempted to sweep under a back alley dumpster to keep hidden from the rest of the world. | 2/5 | 5 | 2 | 5 | true | 8 | 21 | 4 | 1,573 |
Doctor Strange | God Hates Geeks | Chris Sawin | Visually, this is a hallucinatory wet dream. However, like the character in the film, Doctor Strange offers a spellbinding exploration of what lies beyond the stars yet lacks the proper mastery of the mystical concepts it introduces. | 3.5/5 | 5 | 3.5 | 5 | true | 14 | 21 | 4 | 1,573 |
Fantastic Beasts: The Crimes of Grindelwald | God Hates Geeks | Chris Sawin | The Crimes of Grindelwald is visually outstanding, but its convoluted storytelling, uninspired performances, and inability to make the events of this sequel seem relevant causes it to feel like a torturous 134-minute exposure to a Caterwauling Charm. | 1.75/5 | 5 | 1.75 | 5 | true | 7 | 21 | 4 | 1,573 |
Fast & Furious Presents: Hobbs & Shaw | God Hates Geeks | Chris Sawin | There's chemistry amongst the cast that is undeniable and some of its outrageousness is entertaining, but it all begins to feel similar and falls apart far sooner than it should. The story is basically a dunce cap disguised as a pocket protector. | 2/5 | 5 | 2 | 5 | true | 8 | 21 | 4 | 1,573 |
Hellboy | God Hates Geeks | Chris Sawin | The performances are flat, the music is this weird blend of copyrighted songs and generic rock music, and the story is written in a way that prioritizes lengthy redundant talking over providing something amusing for its audience. Hellboy is just boring. | 2.5/5 | 5 | 2.5 | 5 | true | 10 | 21 | 4 | 1,573 |
Hereditary | God Hates Geeks | Chris Sawin | Hereditary is a screamish plunge into nightmarish insanity. It is absolutely bizarre at times, spine tingling at others, and loaded with bonkers terror in between | 5/5 | 5 | 5 | 5 | true | 20 | 21 | 4 | 1,573 |
Logan | God Hates Geeks | Chris Sawin | Logan is the mercilessly barbaric Wolverine film you have always wanted chock full of blood, gore, and extreme vulgarity even South Park would be proud of. Beautifully bleak and faithful to the source material. | 4.5/5 | 5 | 4.5 | 5 | true | 18 | 21 | 4 | 1,573 |
Mute | God Hates Geeks | Chris Sawin | Mute gets so caught up in the mystery aspect of the story that all logic swirls together with nonsense resulting in this muddy sci-fi diarrhea with head scratching character turns and questionable reveals that aren't fully explained. | 3/5 | 5 | 3 | 5 | true | 12 | 21 | 4 | 1,573 |
Pacific Rim Uprising | God Hates Geeks | Chris Sawin | The humor feels forced and thrives on the overwhelming amount of lameness found crammed into a bunch of dad jokes strung together as the film practically jabs you with its metaphorical elbow as it waggles its eyebrows and asks if you get it or not. | 2/5 | 5 | 2 | 5 | true | 8 | 21 | 4 | 1,573 |
Pirates of the Caribbean: Dead Men Tell No Tales | God Hates Geeks | Chris Sawin | This franchise has lost its ability to tell any sort of coherent storytelling and instead chooses to hone in on cartoon absurdity and undoubtedly some of the dumbest cinematic characters imaginable. | 0/5 | 5 | 0 | 5 | true | 0 | 21 | 4 | 1,573 |
Sully | God Hates Geeks | Chris Sawin | Sympathy, compassion, and unselfish behavior are unfortunately qualities the modern world doesn't always embrace. It's at least a breath of fresh air to see our entertainment embrace that concept with open arms and completely soar with it. | 3.5/5 | 5 | 3.5 | 5 | true | 14 | 21 | 4 | 1,573 |
The Mummy | God Hates Geeks | Chris Sawin | Every predictable layer found within the derivative bandages of The Mummy reveals the sarcophagi of a dull and crusty film. The performances are stale other than Tom Cruise who is excited about @#$! no one else can bother with. | 1/5 | 5 | 1 | 5 | true | 4 | 21 | 4 | 1,573 |
The Predator | God Hates Geeks | Chris Sawin | The screenplay is weak, the humor is lame, the action is this smorgasbord of dizzying darkness and poor CGI. The Predator rips the spinal column out of this franchise and chooses stupidity and redundancy over an actual evolution. | 1.5/5 | 5 | 1.5 | 5 | true | 6 | 21 | 4 | 1,573 |
The Shape of Water | God Hates Geeks | Chris Sawin | The Shape of Water juggles heart-wrenching tragedy, sharp-witted humor, and heartwarming brilliance. Del Toro has this personal understanding of flawed humans and eccentric creatures resulting in something magical and wondrous. | 5/5 | 5 | 5 | 5 | true | 20 | 21 | 4 | 1,573 |
Upgrade | God Hates Geeks | Chris Sawin | With unbelievable action sequences, jaw-dropping bloodshed, and a surprisingly unique climax, Upgrade is sci-fi body horror at its most dynamic and raw. If John Wick was rewired to star in a superior version of Hardcore Henry, you'd get Upgrade. | 4.25/5 | 5 | 4.25 | 5 | true | 17 | 21 | 4 | 1,573 |
Jurassic World | Good Men Project | Matthew Rozsa | Yes, I said it. "Jurassic World" SUCKED! What the hell was I missing? | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,574 |
Leprechaun 4: In Space | Good Men Project | Matthew Rozsa | Whenever someone lists so-bad-they're-great movies, "Leprechaun 4: In Space" should always be there, right next to the likes of "Troll 2" and "Plan 9 from Outer Space." | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,574 |
The Interview | Good Men Project | Matthew Rozsa | At its core, The Interview has a remarkably insightful thesis about human nature and politics. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,574 |
They Live | Good Men Project | Matthew Rozsa | Whereas I saw an intriguing satire on '80s materialism and conservative economic policy, Piper saw a badass action movie being made by a director at the top of his game. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,574 |
Godzilla | Good Morning America | David Blaustein | This version of the monster is legendary. On a scale of one to 10, give this Godzilla a solid 9. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,575 |
Incredibles 2 | Good Movies for Kids | Helen O'Hara | Bird's 1960s visuals and Michael Giacchino's jazzy score create the feel of a classic Bond, with all the dazzle you'd expect from a superhero blockbuster. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,576 |
Mary and The Witch's Flower | Good Movies for Kids | Helen O'Hara | It's a very loose adaptation of the book, as was Howl's Moving Castle and Arrietty, but there's charm in the mix of English kid-lit tropes and the sort of wild imagination cultivated in Japanese animation. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,576 |
Beats Rhymes & Life: The Travels of a Tribe Called Quest | Gordon and the Whale | Chase Whale | While it's uncertain if A Tribe Called Quest will ever get back together and play again, it's quite certain fans will love and appreciate BEATS, RHYMES & LIFE: THE TRAVELS OF A TRIBE CALLED QUEST as their final encore. | 4.5/5 | 5 | 4.5 | 5 | false | 7 | 9 | 2 | 1,577 |
Bellflower | Gordon and the Whale | Chase Whale | Bellflower is a visual spectacle of independent cinema. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,578 |
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