movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Irréversible | Modamag.com | Brian Orndorf | Contains crippling, extended acts of sexual violence and general inhumanity, yet, under the bleeding rawness of it all, was a film of brilliant technical achievement and unrivaled, unrelenting ferocity. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,832 |
Kill Bill: Volume 1 | Modamag.com | Brian Orndorf | A head-spinning dream project of extraordinarily bi-polar, nutso invention, Vol. 1 is a candy store rampage, cheering on Tarantino's fetishes as he built a colorful war machine of ideal double-feature dementia. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,832 |
Lost In Translation | Modamag.com | Brian Orndorf | A relationship picture with elegant connective tissue; it's brittle and real, focused on the nuances of body language and unspoken desire, while indulging in a cheeky bit of knowing absurdity when the mood strikes. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,832 |
Open Range | Modamag.com | Brian Orndorf | Range is handed a stunning period scope by Costner's directorial eye, while forming an unexpectedly tender core to help endear these character past their grizzled exterior. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,832 |
Punch-Drunk Love | Modamag.com | Brian Orndorf | While certainly sweet, Love is more compelling as a veiled threat, with Anderson jerking the audience around, wielding abrasive characters and hostile situations in a manner I've come to adore. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,832 |
Reign of Fire | Modamag.com | Brian Orndorf | The tale requires suspension of disbelief on a scale that rivals The Great Wall Of China. But the film is an enjoyable enough romp through dragons and destruction that has the right ideas for this genre, if not the best script to execute them to end game. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,832 |
Sanctum | Modamag.com | Harvey S. Karten | Lacking plot and witty dialogue, this deserves a 'fresh' strictly for its photography. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,832 |
Summer Catch | Modamag.com | Brian Orndorf | The element of Summer Catch that sours it all for good is that so many actors decided it would be a good idea to be in this film. | F | long_letter | null | null | false | 1 | 18 | 1 | 1,832 |
The Royal Tenenbaums | Modamag.com | Brian Orndorf | The filmmaker's great conjunction picture, where every element, from casting to cinematography, found perfect alignment, bringing about Anderson's most emotionally pulling, visually arresting feature. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,832 |
True Grit | Modamag.com | Harvey S. Karten | Its great strength is its contrast between a brash young innocent and a seen-it-all, laid-back older man. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,832 |
Water for Elephants | Modamag.com | Harvey S. Karten | One of the better pics from Hollywood but you won't want to run away to join this circus. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,832 |
X2: X-Men United | Modamag.com | Brian Orndorf | For this brief shining moment, the "X-Men" universe held perfect pitch, and funny book movies had a new standard of execution to live up to. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,832 |
Rent | Modern Fabulousity | Gabriel Shanks | Heart is the core and foundation of Rent, and it is what powers the film past its flaws into a truly transformative experience. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,833 |
The New World | Modern Fabulousity | Gabriel Shanks | In Malick's hands, Pocahontas' story becomes a metaphoric seduction straight out of Nabokov. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,833 |
For Your Consideration | Modern Fabulousity | Gabriel Shanks | For Your Consideration feels under-cooked, with easy potshots at an indulgent Hollywood studio system and a pervasively dull atmosphere. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,833 |
Across the Universe | Modern Fabulousity | Gabriel Shanks | The thin narrative wobbles like an alcoholic after last call. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,833 |
Australia | Modern Fabulousity | Gabriel Shanks | A wildly enjoyable experience, reconstituting some of the great traditions of the art form in engaging, unexpected ways. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,833 |
Before the Devil Knows You're Dead | Modern Fabulousity | Gabriel Shanks | The real kudos should go to screenwriter Kelly Masterson, who provocatively mixed a crime drama premise into a film exploring the legacy of damage family members impose upon one another. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,833 |
Boy Culture | Modern Fabulousity | Gabriel Shanks | Brocka leaps into the small circle of leading queer filmmakers of our time, sculpting an unpredictable romance that is complex, sophisticated and thoughtful. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,833 |
Children of Men | Modern Fabulousity | Gabriel Shanks | Whatever else may or may not work, Children of Men at least has this: a great idea. It is too bad, then, that the movie surrounding the idea is not equally great. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,833 |
The Curious Case of Benjamin Button | Modern Fabulousity | Gabriel Shanks | The most important word in the title of The Curious Case of Benjamin Button is "curious." | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,833 |
Defiance | Modern Fabulousity | Gabriel Shanks | Undercuts its own dramatic concerns by alternating heavy-handed moralism with the style of contemporary action franchises, dulling and smoothing out the horrifying edges of murder. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,833 |
Dreamgirls | Modern Fabulousity | Gabriel Shanks | A triumph of execution, of a marvelous narrative and iconic characters, of a dazzling score and a winning production design. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,833 |
Frost/Nixon | Modern Fabulousity | Gabriel Shanks | An indisputably superb entertainment with a dubious claim to veritas. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,833 |
Hairspray | Modern Fabulousity | Gabriel Shanks | A film that nearly screams its desire to please in every frame; in its very design, it demands your attention, has you tapping your toes before the opening montage is through, and frames its soft messages of tolerance so broadly that only Hitler could be | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,833 |
The History Boys | Modern Fabulousity | Gabriel Shanks | The move to celluloid has defanged the piece, leaving a shaggy, smartassed and sentimental dramedy in its place. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,833 |
Into the Wild | Modern Fabulousity | Gabriel Shanks | Contrary to the lessons we learned in Werner Herzog's Grizzly Man, large bears will not always eat irritating hippie man-children. Damn shame. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,833 |
I've Loved You So Long | Modern Fabulousity | Gabriel Shanks | Watching this sublime actress, utilizing a minimum of text and a slow-burn intensity, is one of the more exhilarating experiences to be had in a cinema | B | long_letter | null | null | false | 13 | 18 | 1 | 1,833 |
Juno | Modern Fabulousity | Gabriel Shanks | A quirky comic indie with a too-too-clever screenplay, dialogue that seems tailored to the club-kid generation, and a sentimental streak a mile wide. | B- | long_letter | null | null | false | 12 | 18 | 1 | 1,833 |
Kinky Boots | Modern Fabulousity | Gabriel Shanks | Far too insubstantial to make any interesting use of its social agenda, and the easy answers it finds about prejudice and bigotry strain credibility. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,833 |
The Kite Runner | Modern Fabulousity | Gabriel Shanks | Fights a losing battle to reconcile authenticity with performances that vary widely in quality. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,833 |
The Last King of Scotland | Modern Fabulousity | Gabriel Shanks | Whitaker and McAvoy inhabit their roles so fully that the film around them transforms into a major document of 1970's cultural myopia. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,833 |
Live Free or Die Hard | Modern Fabulousity | Gabriel Shanks | In this fourth film, John McClane becomes a retrofitted icon; unadorned and simple, brutally back-to-basic, he's an action hero for an America uncomfortable with the rapid changes of the new millennium. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,833 |
The Lookout | Modern Fabulousity | Gabriel Shanks | This unlikely heist movie is really another showcase for rising star Joseph Gordon-Levitt. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,833 |
Match Point | Modern Fabulousity | Gabriel Shanks | A surprising return to form for the venerated director, recalling (if not matching) his best work from the 80's. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,833 |
Memoirs of a Geisha | Modern Fabulousity | Gabriel Shanks | Instead of revealing the inner sanctum of Japan's traditionalist heart, Geisha wades clumsily through a series of beautiful sets, hackneyed plots and stunning costumes. | C | long_letter | null | null | false | 10 | 18 | 1 | 1,833 |
Michael Clayton | Modern Fabulousity | Gabriel Shanks | In some scenes, Clayton is the kick in the pants the whodunit genre desperately needs | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,833 |
Milk | Modern Fabulousity | Gabriel Shanks | In Van Sant's hands, it's both a story for the ages, and a story for our age. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,833 |
Tell No One (Ne le Dis à Personne) | Modern Fabulousity | Gabriel Shanks | Easily one of the best films of the year. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,833 |
No Country for Old Men | Modern Fabulousity | Gabriel Shanks | Like The Crying Game, Pulp Fiction and other films that shift paradigms in mid-stream, there's more happening than meets the eye....Stark and spare, it's often a gasp-inducing, armrest-clutching experience. | A | long_letter | null | null | false | 16 | 18 | 1 | 1,833 |
Once | Modern Fabulousity | Gabriel Shanks | Astonishing...it cleaves through the conventions of the musical form, leaving the raw emotion but junking the showy glitz. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,833 |
The Painted Veil | Modern Fabulousity | Gabriel Shanks | [The] finest moments are the small, barely perceptible pinpricks of human cruelty...especially those induced by race, gender, and class. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,833 |
Pan's Labyrinth | Modern Fabulousity | Gabriel Shanks | Too adult for children and too simplistic for most adults, it ultimately leaves us with some of the prettiest cinematic pictures of the year. And nothing more. | D | long_letter | null | null | false | 7 | 18 | 1 | 1,833 |
The Producers | Modern Fabulousity | Gabriel Shanks | Carries its lumpy theatrical bulk like a rucksack instead of as the dazzling firecracker it is. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,833 |
Quantum of Solace | Modern Fabulousity | Gabriel Shanks | Owes more of a karmic debt, in stylistic terms, to Paul Greengrass' Bourne Supremacy than to the amused elegance of Sean Connery. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,833 |
The Reader | Modern Fabulousity | Gabriel Shanks | One of the most eloquent documents of personal awakening ever to be committed to celluloid. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,833 |
Revolutionary Road | Modern Fabulousity | Gabriel Shanks | An actors' showcase for its iconic duo...and both have grown impressively since they last swooned shipside. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,833 |
The Savages | Modern Fabulousity | Gabriel Shanks | Eloquently makes the case that Philip Seymour Hoffman and Laura Linney are the most dextrous actors of their generation. | A- | long_letter | null | null | false | 15 | 18 | 1 | 1,833 |
Southland Tales | Modern Fabulousity | Gabriel Shanks | If Mulholland Drive had a prettier, younger, and developmentally-challenged sister, it would be Southland Tales. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,833 |
The Devil Wears Prada | Modern Fabulousity | Gabriel Shanks | If fashion is indeed a special brand of terrorism, then Miranda Priestly (Meryl Streep), editrix of the fictional magazine Runway, is the Osama bin Laden of Fifth Avenue. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,833 |
The Fountain | Modern Fabulousity | Gabriel Shanks | You have to look back to Malick or Kubrick to find an American filmmaker offering up such a challenging vision to a mainstream audience without apology. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,833 |
The Science of Sleep | Modern Fabulousity | Gabriel Shanks | Even though the visual fireworks of Gondry's mind keep you attentive, his clumsy stutterings about love and honesty are painfully underdeveloped. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 1,833 |
The Wrestler | Modern Fabulousity | Gabriel Shanks | The slow-burning engine at the heart of the film is Rourke, whose tender, subtle turn is a revelation. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,833 |
United 93 | Modern Fabulousity | Gabriel Shanks | It has more to say about our collective failure, our rage, our sadness, our faith, our courage, our mistakes, and our regret than a million reviews (including this one). | A | long_letter | null | null | false | 16 | 18 | 1 | 1,833 |
What Doesn't Kill You | Modern Fabulousity | Gabriel Shanks | Little more than a middling variation on gangster thematics, better explored in The Sopranos and elsewhere. | C- | long_letter | null | null | false | 9 | 18 | 1 | 1,833 |
Game of Death | Modern Horrors | Luke Rodriguez | Game of Death doesn't care about your socially charged sub-plots; it only wants mayhem, and that's exactly what it delivers. | 7.3/10 | 10 | 7.3 | 10 | false | 63 | 91 | 10 | 1,834 |
Uncle Peckerhead | Modern Horrors | Luke Rodriguez | Hyperviolent deaths, a hilarious script, and a pitch-perfect cast of lovable weirdos make Uncle Peckerhead the first must-see horror comedy of 2020. | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 1,834 |
24 Hours on Craigslist | Monsters At Play | Scott Weinberg | The flick itself gets a B-, but the DVD is grade-A impressive all the way. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,835 |
Creepshow 2 | Monsters At Play | Scott Weinberg | If you already know and love Creepshow, the sequel's something you'll probably enjoy...in a Jaws 2 or Halloween 2 kind of way. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,835 |
Harlequin (Dark Forces) (The Minister's Magician) | Monsters At Play | Scott Weinberg | Quaintly entertaining little horror chestnut...if you're into old-fashioned Rasputin-lite rehashes and late 70's decor. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 1,835 |
Evilspeak | Monsters At Play | Scott Weinberg | Recommendable only to the staunchest of horror geeks, like myself, Evilspeak is a fairly noteworthy little horror chestnut for a variety of colorful reasons. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 1,835 |
Gothika | Monsters At Play | Scott Weinberg | An ceaseless stream of Fake Scares, Dream Sequences, and Shrieking Halles. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 1,835 |
The Driller Killer | Monsters At Play | Scott Weinberg | There's a grim, grimy and rather unsettling vibe to the thing; this is not the sort of horror movie where you "root" for the oft-maligned misfit. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,835 |
Men at Work | Monsters and Critics | Ron Wilkinson | How many Iranian skiers does it take to tear down a mountain? | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,836 |
Aftermath (Poklosie) | Monsters and Critics | Ron Wilkinson | An atmospheric triumph. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,837 |
Control (Kontroll) | Monsters and Critics | Ron Wilkinson | A fascinating story and film about the down-under in us all. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,837 |
Monogamy | Monsters and Critics | Ron Wilkinson | Music supervisor Bernheim and DP Doug Emmett are able to choreograph the action in conjunction with the music to generate fantastic resonance in the scenes. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,837 |
The Death of Mr. Lazarescu | Monsters and Critics | Ron Wilkinson | It's rainy and dark as death in Bucharest in a tale of that last ride on Medicare. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,837 |
I'll Be There | Montreal Film Journal | Kevin N. Laforest | Little more than What a Banger Sister's Girl Wants Over the Still Crazy Cuckoo's Nest. | 26/100 | 100 | 26 | 100 | false | 25 | 100 | 1 | 1,838 |
Kedma | Montreal Film Journal | Kevin N. Laforest | Seems slow and aimless for half of its running time, but the last stretch is riveting and thought-provoking. | 44/100 | 100 | 44 | 100 | false | 43 | 100 | 1 | 1,838 |
La Petite Lili | Montreal Film Journal | Kevin N. Laforest | A reflection on film itself, setting up a conflict between cinema as art and as an industry, between movies that reach for lyricism and those that just try to entertain. | 67/100 | 100 | 67 | 100 | false | 66 | 100 | 1 | 1,838 |
Aguirre, the Wrath of God (Aguirre, der Zorn Gottes) | Montreal Film Journal | Kevin N. Laforest | One of the best films ever made. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 1,839 |
Eddie Murphy Raw | Montreal Film Journal | Kevin N. Laforest | Made me laugh until my jaw literally hurt. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 1,839 |
Even Dwarfs Started Small (Auch Zwerge haben klein angefangen) | Montreal Film Journal | Kevin N. Laforest | Weirdest movie ever. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,839 |
Hook | Montreal Film Journal | Kevin N. Laforest | The Peter Pan story is a great one, so that keeps this modern retelling going for the most part, but on the whole it's too corny and not magical enough. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,839 |
Seconds | Montreal Film Journal | Kevin N. Laforest | Criminally underseen sci-fi masterpiece. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 1,839 |
Canvas | Montreal Gazette | John Griffin | It's worth hanging on for where Greco goes with this. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,840 |
Dheepan | Montreal Gazette | T'Cha Dunlevy | Despite its violent dénouement, this is for the most part an understated, cinematically rich, shrewdly observational film. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,840 |
Hugh Hefner: Playboy, Activist and Rebel | Montreal Gazette | John Griffin | Those who consider Hefner a man who made fortunes by exploiting women in his magazine should find no reason to change their minds after watching this fascinating, illuminating document of America during a time of profound change. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,840 |
Whiplash | Montreal Gazette | T'Cha Dunlevy | The riveting tale of a power-tripping music teacher who pushes his star pupil to - and beyond - the brink. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,840 |
Alone | Morbidly Beautiful | Stephanie Malone | A riveting remake of a 2011 Swedish film, John Hyams' gripping survival thriller "Alone" blends unrelenting tension with well-written characters, strong realism, and stunning cinematography. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,841 |
The Curse of Buckout Road | Morbidly Beautiful | Stephanie Malone | Puts a clever new spin on urban legends while paying loving homage to midnight horror | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 1,841 |
Uncle Peckerhead | Morbidly Beautiful | Stephanie Malone | A fun, Faustian tale with a horror comedy twist, "Uncle Peckerhead" delivers heart, humor, punk rock mayhem, and a heavy dose of well-executed gore. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,841 |
Up on the Glass | Morbidly Beautiful | Stephanie Malone | With compelling performances and strong direction, Up on the Glass will keep you on the edge of your seat... | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 1,841 |
Home of the Brave | Mount Desert Islander | Kam Williams | Patriotic claptrap masquerading as a touchy-feely salute to the troops. | 1/4 | 4 | 1 | 4 | false | 0 | 4 | 1 | 1,842 |
Alexander and the Terrible, Horrible, No Good, Very Bad Day | Mountain Xpress (Asheville, NC) | Ken Hanke | Strained, obvious slapstick played at full volume by an overly energetic cast trying way too hard to sell the movie's weak gags. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,843 |
Black Christmas | Mountain Xpress (Asheville, NC) | Ken Hanke | Just another slasher flick that stopped off at the theater on its way to the $5.50 dump bin at Wal-Mart. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,843 |
Self Medicated | Mountain Xpress (Asheville, NC) | Ken Hanke | A daunting and impressive debut. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,843 |
The Heat | Mountain Xpress (Asheville, NC) | Ken Hanke | I chuckled once. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,843 |
Annie | Movie Bitches | Andrew Galdi | I really hated it. It was so awful in so many regards. | 3/10 | 10 | 3 | 10 | false | 4 | 19 | 2 | 1,844 |
Dawn Of The Planet Of The Apes | Movie Bitches | Andrew Galdi | It was competently made... for the most part. | 6.5/10 | 10 | 6.5 | 10 | false | 11 | 19 | 2 | 1,844 |
A Goofy Movie | Movie Bitches | Avaryl Halley | A childhood favorite with tons of heart and a lot of laughs! | 10/10 | 10 | 10 | 10 | false | 18 | 19 | 2 | 1,844 |
A Goofy Movie | Movie Bitches | Andrew Galdi | Yes, there's a lot more murder than I remembered, but this movie is great! | 9.5/10 | 10 | 9.5 | 10 | false | 17 | 19 | 2 | 1,844 |
Inherent Vice | Movie Bitches | Andrew Galdi | It's like watching a film noir while stoned... Nothing makes sense. | 6.5/10 | 10 | 6.5 | 10 | false | 11 | 19 | 2 | 1,844 |
Interstellar | Movie Bitches | Andrew Galdi | I guess the take away is all you need is love... and morse code? | 7/10 | 10 | 7 | 10 | false | 12 | 19 | 2 | 1,844 |
Into the Woods | Movie Bitches | Andrew Galdi | I wish... this movie was better. | 5.5/10 | 10 | 5.5 | 10 | false | 9 | 19 | 2 | 1,844 |
Jupiter Ascending | Movie Bitches | Andrew Galdi | I don't think I can recommend it. | 5/10 | 10 | 5 | 10 | false | 8 | 19 | 2 | 1,844 |
Lucy | Movie Bitches | Andrew Galdi | It's like it's the prequel to "Her." | 5.5/10 | 10 | 5.5 | 10 | false | 9 | 19 | 2 | 1,844 |
Money Monster | Movie Bitches | Andrew Galdi | I was pleasantly surprised by this movie. | 7.5/10 | 10 | 7.5 | 10 | false | 13 | 19 | 2 | 1,844 |
Pitch Perfect 2 | Movie Bitches | Andrew Galdi | It's basically the "Hangover 2" of a cappella movies. | 5/10 | 10 | 5 | 10 | false | 8 | 19 | 2 | 1,844 |
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