movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Vivarium | NME | Alex Flood | Senan Jennings proves a genius find as the ghoulish youngster who terrorises his adopted mum and dad. Not since The Omen's chubby-cheeked hellraiser has a kid come across so disturbing | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 1,898 |
Wounds | NME | Ella Kemp | Wounds is plagued by the vast emptiness that motivates its leading man. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,898 |
Abraham Lincoln: Vampire Hunter | NOW Toronto | Radheyan Simonpillai | Reimagining Abraham Lincoln as a forefather to Buffy the Vampire Slayer is a rather nifty idea. Unfortunately, Abraham Lincoln: Vampire Hunter, doesn't fully sink its teeth into its fun premise. | 37/100 | 100 | 37 | 100 | false | 36 | 100 | 1 | 1,899 |
Iron Man 3 | NOW Toronto | Radheyan Simonpillai | Iron Man 3 follows a psychologically tormented hero who has light-hearted fun while engaging in cartoonish mayhem and uncovering corruption that reflects on contemporary politics. If that sentence sounded like a mouthful, just imagine the movie. | 80/100 | 100 | 80 | 100 | false | 79 | 100 | 1 | 1,899 |
John Carter | NOW Toronto | Radheyan Simonpillai | John Carter is arriving late to the party, after George Lucas had already pillaged the source material and squeezed it for every dollar it was worth. Stanton has created a sci-fi adventure that feels both old hat and sub-par. | 58/100 | 100 | 58 | 100 | false | 57 | 100 | 1 | 1,899 |
Bill & Ted Face the Music | NOW Toronto | Norman Wilner | Bill & Ted Face The Music is the movie we need right now. | 4/4 | 4 | 4 | 4 | false | 3 | 4 | 1 | 1,900 |
Inglourious Basterds | NOW Toronto | Norman Wilner | This film isn't about World War II, it's about World War II movies, as gleefully recounted by a giddy kid who's eaten way too much sugar. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 1,900 |
Sea Fever | NOW Toronto | Norman Wilner | While the film breaks no new ground, it's a satisfying run through familiar territory, offering reconfigured versions of scenes horror fans will know by heart, and interesting variations on the mix of characters. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 1,900 |
The Cobbler | NOW Toronto | Norman Wilner | The Cobbler is startlingly thin and naive, especially in regard to the larger implications of its hero's actions. | 1/4 | 4 | 1 | 4 | false | 0 | 4 | 1 | 1,900 |
The Punisher | NPR's Morning Edition | Kenneth Turan | [Hensleigh has] made a film that is less self-consciously operatic, something that has both the visual flairand the lean, determined drive of Old School comics. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,901 |
Van Helsing | NPR's Morning Edition | Kenneth Turan | Has little that lasts in the mind for more than five seconds. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 1,901 |
Dinosaur | NUVO Newsweekly | Edward Johnson-Ott | The very young target audience for the movie will love every minute of it, but then again, they also look at Lunchables as fine dining. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,902 |
The Patriot | NUVO Newsweekly | Edward Johnson-Ott | The next time Dean Devlin and Roland Emmerich decide to crank out another of their manipulative popcorn epics, I hope they'll stick to aliens and giant lizards and leave our history alone. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,902 |
The Gift | NUVO Newsweekly | Edward Johnson-Ott | An anemic throwaway that starts strong but fades fast, due to a main plotline that offers few surprises and a secondary story that is handled ineptly. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,902 |
Traffic | NUVO Newsweekly | Edward Johnson-Ott | Soderbergh tackles a lot with this bold, uncompromising project and pulls it off in grand fashion, with only a few missteps along the way. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,902 |
Hannibal | NUVO Newsweekly | Edward Johnson-Ott | Just a geek show with delusions of grandeur. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,902 |
All the Pretty Horses | NUVO Newsweekly | Edward Johnson-Ott | Black, who co-starred with Thornton in Sling Blade, is wonderful, stealing scenes and giving the whole production a greater sense of authenticity. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,902 |
Almost Famous | NUVO Newsweekly | Edward Johnson-Ott | If rock music ever sent a shiver down your back, this is the film for you. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 1,902 |
American Psycho | NUVO Newsweekly | Edward Johnson-Ott | A highly stylized fable, a combination creep-show and pitch-black comedy that steadily builds to an almost hallucinatory climax. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,902 |
Battlefield Earth | NUVO Newsweekly | Edward Johnson-Ott | So overwrought, overacted and overwhelmingly inept that it must be seen to be believed. | 2/10 | 10 | 2 | 10 | false | 1 | 10 | 1 | 1,902 |
Big Momma's House | NUVO Newsweekly | Edward Johnson-Ott | Witless, formulaic material. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,902 |
Cast Away | NUVO Newsweekly | Edward Johnson-Ott | You will not be bored for a second. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,902 |
Charlie's Angels | NUVO Newsweekly | Edward Johnson-Ott | More often than not, it's a surprisingly fun mess. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,902 |
Crouching Tiger, Hidden Dragon | NUVO Newsweekly | Edward Johnson-Ott | If you're in the mood for a beautifully photographed melodrama punctuated by dazzling martial arts sequences, then get ready for some big fun. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,902 |
The Emperor's New Groove | NUVO Newsweekly | Edward Johnson-Ott | The Emperor's New Groove is fun, almost solely due to inspired casting of the voices behind the drawings, including, much as I hate to admit it, David Spade. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,902 |
Hollow Man | NUVO Newsweekly | Edward Johnson-Ott | A fascinating piece of work despite its flat, obvious script. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,902 |
Dr. Seuss' How the Grinch Stole Christmas | NUVO Newsweekly | Edward Johnson-Ott | [Geisel] was quite satisfied with the 1966 animated TV show and didn't think it could be improved upon. He was right. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,902 |
Meet the Parents | NUVO Newsweekly | Edward Johnson-Ott | Has all the elements for a memorable farce and succeeds more often than not. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,902 |
Men of Honor | NUVO Newsweekly | Edward Johnson-Ott | Generic and poky, redeemed only somewhat by the two leads and the periodic effective segments. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,902 |
Mission: Impossible 2 | NUVO Newsweekly | Edward Johnson-Ott | Mission: Impossible 2 lacks emotional punch and the center section sorely tried my patience, but the film remains a hell of a ride. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,902 |
Nurse Betty | NUVO Newsweekly | Edward Johnson-Ott | Nurse Betty is a corker. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,902 |
The Perfect Storm | NUVO Newsweekly | Edward Johnson-Ott | As for the storm, I found Wolfgang Petersen's direction so engrossing that I failed to evaluate the quality of the special effects. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,902 |
Remember the Titans | NUVO Newsweekly | Edward Johnson-Ott | Shines despite its problem areas, thanks to strong casting and the sincerity of Gregory Allen Howard's screenplay. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,902 |
The Replacements | NUVO Newsweekly | Edward Johnson-Ott | A pretty anemic piece of work. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,902 |
Return to Me | NUVO Newsweekly | Edward Johnson-Ott | I found the film utterly charming. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,902 |
Saving Silverman | NUVO Newsweekly | Edward Johnson-Ott | Saving Silverman is an awkward, spotty, poorly staged dumb guy comedy that still made me laugh a lot. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,902 |
Shadow of the Vampire | NUVO Newsweekly | Edward Johnson-Ott | A treat, courtesy of its clever premise, rich music and cinematography, and an enthusiastic cast gleefully overdoing their German accents. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,902 |
Shanghai Noon | NUVO Newsweekly | Edward Johnson-Ott | Starts slowly, spending too long on the set-up, but once it kicks into gear, the film is a frothy treat. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,902 |
The Skulls | NUVO Newsweekly | Edward Johnson-Ott | Every moment of The Skulls is just as idiotic as it sounds. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,902 |
X-Men | NUVO Newsweekly | Edward Johnson-Ott | May well be the best cinematic superhero adaptation to date. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,902 |
The Others | NUVO Newsweekly | Edward Johnson-Ott | Sets out to be a classic ghost story, but fails to grasp that special something that makes such films more than layers of mist. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,903 |
Showtime | NUVO Newsweekly | Edward Johnson-Ott | By the time the production reaches its third act, it is nothing but car crashes and shoot-outs. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,903 |
Blade Runner 2049 | NUVO Newsweekly | Edward Johnson-Ott | There's more to be said, and both Blade Runner films create a distinct world and people it, so to speak, with characters you won't soon forget. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,903 |
The Closet (Le Placard) | NUVO Newsweekly | Edward Johnson-Ott | The film offers no grand statements, just a clever idea and exceptional cast. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,903 |
Con Air | NUVO Newsweekly | Edward Johnson-Ott | You'll never mistake it for art, but as far as summer movies go, this is a pretty effective thrill machine. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 1,903 |
In the Company of Men | NUVO Newsweekly | Edward Johnson-Ott | A stark, nasty little tale of competition, power and cruelty. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,903 |
Pumpkin | NUVO Newsweekly | Edward Johnson-Ott | Although there are many juicy supporting performances, Christina Ricci owns this movie. What a wonderful talent, and what a maddening, but enjoyable film. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,903 |
Waiting for Guffman | NUVO Newsweekly | Edward Johnson-Ott | Be sure and stay for the film's closing credits, which contain some of the movie's funniest moments. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,903 |
Anything Else | NY Rock | Spyder Darling | A satiric, sentimenatal and satisfying throwback to Allen's heyday of Annie Hall, Manhattan and Stardust Memories. | 8.5/10 | 10 | 8.5 | 10 | false | 15 | 19 | 2 | 1,904 |
School of Rock | NY Rock | Spyder Darling | Black rocks with extreme prejudice and surprinsingly entertaining results. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,904 |
Seabiscuit | NY Rock | Spyder Darling | A triple-crown achievement for writer/director/producer Gary Ross. | 9/10 | 10 | 9 | 10 | false | 16 | 19 | 2 | 1,904 |
The Italian Job | NY Rock | Spyder Darling | Gets the audience into the sensational if superficial story and lets Wahlberg get even with naysayers who predicted he'd never work again after The Truth About Charlie. | 3/4 | 4 | 3 | 4 | false | 2 | 4 | 1 | 1,905 |
All About Eve | NY Rock | Spyder Darling | Boffo look at the backstabbing backstage world of Broadway | 4/5 | 5 | 4 | 5 | false | 12 | 17 | 4 | 1,906 |
Dillinger | NY Rock | Spyder Darling | Warren really feels his oats as the title gangster of this gruesome but gripping true crime drama. | 3/5 | 5 | 3 | 5 | false | 8 | 17 | 4 | 1,906 |
Dangerous Game | NY Rock | Spyder Darling | More dreadful than dangerous. | 1/5 | 5 | 1 | 5 | false | 0 | 17 | 4 | 1,906 |
The Mask | NY Rock | Spyder Darling | Who was that masked pet detective? | 3/5 | 5 | 3 | 5 | false | 8 | 17 | 4 | 1,906 |
28 Days Later | NY Rock | Spyder Darling | Buckets of flesh eating fun. | 4.5/5 | 5 | 4.5 | 5 | false | 14 | 17 | 4 | 1,906 |
2 Fast 2 Furious | NY Rock | Spyder Darling | Strong off the starting line, it stalls before reaching the second reel due to a distinct lack of "Diesel" power. | 3/5 | 5 | 3 | 5 | false | 8 | 17 | 4 | 1,906 |
8 Mile | NY Rock | Spyder Darling | Even if...your idea of (w)rapping has more to do with leftover bologna than improvisational street slang, 8 Mile still goes the distance. | 4.5/5 | 5 | 4.5 | 5 | false | 14 | 17 | 4 | 1,906 |
American Wedding | NY Rock | Spyder Darling | Pure check-your- brains-and- pants-at- the-door rowdiness! | 4/5 | 5 | 4 | 5 | false | 12 | 17 | 4 | 1,906 |
Battle For The Planet Of The Apes | NY Rock | Spyder Darling | The battle was lost several movies earlier. | 2/5 | 5 | 2 | 5 | false | 4 | 17 | 4 | 1,906 |
Biker Boyz | NY Rock | Spyder Darling | Adrenaline-enriched junk food for the soul. | 3.75/5 | 5 | 3.75 | 5 | false | 11 | 17 | 4 | 1,906 |
Catch Me If You Can | NY Rock | Spyder Darling | Kick the hobbit and grab hold of Catch Me If You Can as soon as you can. | 4.5/5 | 5 | 4.5 | 5 | false | 14 | 17 | 4 | 1,906 |
Days of Thunder | NY Rock | Spyder Darling | A Top Gun for the NASCAR set. | 3/5 | 5 | 3 | 5 | false | 8 | 17 | 4 | 1,906 |
Gangs of New York | NY Rock | Spyder Darling | Gangs...could eat Charles Dickens' Oliver Twist for lunch and have the Artful Dodger turning tricks by sundown. | 5/5 | 5 | 5 | 5 | false | 16 | 17 | 4 | 1,906 |
Garage Days | NY Rock | Spyder Darling | Despite plenty of drugs and a fair amount of sex, Garage Days asphyxiates from a lethal lack of rock'n roll. | 3/5 | 5 | 3 | 5 | false | 8 | 17 | 4 | 1,906 |
Glengarry Glen Ross | NY Rock | Spyder Darling | A sharp look at the surreal world of real estate sales. | 5/5 | 5 | 5 | 5 | false | 16 | 17 | 4 | 1,906 |
Head of State | NY Rock | Spyder Darling | A mostly likable and entertaining political spoof, albeit more slapstick than savvy. | 3.75/5 | 5 | 3.75 | 5 | false | 11 | 17 | 4 | 1,906 |
How to Lose a Guy in 10 Days | NY Rock | Spyder Darling | Not for one frame does it seem possible that these two cutesy twenty-somethings won't see the errors of their wagers in time to take the exit to happily-ever-after land. | 3/5 | 5 | 3 | 5 | false | 8 | 17 | 4 | 1,906 |
The Matrix Reloaded | NY Rock | Spyder Darling | A passionate, over-powered and mostly unfathomable upgrade of 1999's groundbreaking, breathtaking and equally cryptic original. | 4/5 | 5 | 4 | 5 | false | 12 | 17 | 4 | 1,906 |
Narc | NY Rock | Spyder Darling | So brutal, cynical and just plain not nice it makes Training Day seem like Police Academy 6. | 2/5 | 5 | 2 | 5 | false | 4 | 17 | 4 | 1,906 |
Old School | NY Rock | Spyder Darling | Guffaw filled, coming of middle age comedy. | 3.75/5 | 5 | 3.75 | 5 | false | 11 | 17 | 4 | 1,906 |
Red Dragon | NY Rock | Spyder Darling | Two hours of delectably creepy and suspenseful fun. | 4/5 | 5 | 4 | 5 | false | 12 | 17 | 4 | 1,906 |
Something Wild | NY Rock | Spyder Darling | Something wild this way comes! | 4/5 | 5 | 4 | 5 | false | 12 | 17 | 4 | 1,906 |
The Dilemma | NY Rock | Spyder Darling | Meant to bridge the gap between chick flick and frat house fare, it is bound to annoy both intended audiences... | 3/5 | 5 | 3 | 5 | false | 8 | 17 | 4 | 1,906 |
The Truth About Charlie | NY Rock | Spyder Darling | Apallingly absurd...the chemistry or lack thereof between Newton and Wahlberg could turn an Imax theater into a 9" black and white portable TV. | 2/5 | 5 | 2 | 5 | false | 4 | 17 | 4 | 1,906 |
The Tuxedo | NY Rock | Spyder Darling | What you expect is just what you get...assuming the bar of expectations hasn't been raised above sixth-grade height. | 3/5 | 5 | 3 | 5 | false | 8 | 17 | 4 | 1,906 |
Blood Work | NY Rock | Spyder Darling | The Good, The Bad and the Elderly | B+ | long_letter | null | null | false | 14 | 18 | 1 | 1,907 |
The Bourne Identity | NY Rock | Spyder Darling | ...somehow manages to escape the shackles of its own clichés to be the best espionage picture to come out in weeks. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,907 |
Minority Report | NY Rock | Spyder Darling | ...Spielberg has at last decided to make his audience's pulse pound rather than need the assistance of a life support system as in last year's A.I. Artificial Interlligence. | B | long_letter | null | null | false | 13 | 18 | 1 | 1,907 |
Antebellum | Nashville Scene | Craig D. Lindsey | ...seeing more Black pain is really something we don't need right now. We already see it on our damn phones every waking moment. | 1.5/4 | 4 | 1.5 | 4 | false | 1 | 7 | 2 | 1,908 |
Murder! | Nate Hood Reviews | Nathanael Hood | A strange civilian policier-cum-whodunit, Hitchcock seems bored by his material... | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,909 |
30 Miles from Nowhere | Nate Hood Reviews | Nathanael Hood | ...a boring thriller with second-rate scares and a third-rate twist. | 3/10 | 10 | 3 | 10 | false | 2 | 10 | 1 | 1,909 |
A Ghost Story | Nate Hood Reviews | Nathanael Hood | Here is a film that's alive-truly alive-in a way very few are. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,909 |
Action Point | Nate Hood Reviews | Nathanael Hood | All the best stunts in the film were already shown in the trailer. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,909 |
Alita: Battle Angel | Nate Hood Reviews | Nathanael Hood | This isn't just science-fiction with a heart, it's science-fiction with a soul. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,909 |
Apollo 11 | Nate Hood Reviews | Nathanael Hood | ...a sober, sobering account of the greatest scientific achievement of the twentieth century. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,909 |
But I'm a Cheerleader | Nate Hood Reviews | Nathanael Hood | Both stylistic subversive and defiantly upbeat-it's one of the few prominent gay films of its era with a happy ending-it's a masterpiece of LGBT cinema. I suppose the 90s just weren't ready for it. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,909 |
Excalibur | Nate Hood Reviews | Nathanael Hood | Excalibur feels like watching ancient legend brought to life, not refurbished for modern palettes. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,909 |
Eyes of Laura Mars | Nate Hood Reviews | Nathanael Hood | Kershner turns the film into an exercise of stylistic excess... | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,909 |
First Reformed | Nate Hood Reviews | Nathanael Hood | ...exactly the kind of discourse American cinema desperately needs. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,909 |
Glass | Nate Hood Reviews | Nathanael Hood | What the film lacks in sanity and formal brilliance...it makes up for in charisma and enthusiasm. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,909 |
Godzilla: King of the Monsters | Nate Hood Reviews | Nathanael Hood | This is cinema as unapologetic spectacle, done properly, done reverently, done joyously. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,909 |
Joker | Nate Hood Reviews | Nathanael Hood | It's brazen rejection of subtext in favor of brash surface literalism is downright Samuel Fullerian. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,909 |
Mary and The Witch's Flower | Nate Hood Reviews | Nathanael Hood | As the little boy sitting behind me whispered to his mom near the end: "Is it almost over? Because I never want it to end." | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,909 |
Meatballs | Nate Hood Reviews | Nathanael Hood | Amusing in an antiquated way? Perhaps. But funny? No. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,909 |
Midsommar | Nate Hood Reviews | Nathanael Hood | [The film sees] the full blossoming of a visual style that can loosely be described as a less baroque Wes Anderson, obsessed with symmetry, artificiality, and angular camera movements. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,909 |
Missing Link | Nate Hood Reviews | Nathanael Hood | ...by far the most thematically anodyne and mealymouthed film in Laika's filmography. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,909 |
Overlord | Nate Hood Reviews | Nathanael Hood | Overlord is a perfect example of great execution trumping originality. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,909 |
Rocketman | Nate Hood Reviews | Nathanael Hood | What the film lacks in originality within the biopic formula it makes up for in execution where, like the plasticine films of Ken Russell and Terry Gilliam, you never know when reality will burst at its seams. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,909 |
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