movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
The 6th Day | Newsweek | Robert Cashill | The studios should enact their own '6th Day Law' prohibiting the carbon-copy duplication of elements from scenario to scenario. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,942 |
Stuck | Newsweek | Robert Cashill | Gordon's black comedy has a gratifyingly grindhouse finish. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,942 |
The Royal Tenenbaums | Newsweek | David Ansen | Tenenbaums doesn't quite jell, but it's a beautiful near miss. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 1,942 |
The Ant Bully | Newsweek | Christy Lemire | [T]he movie certainly means well, and its worthwhile message (teamwork is good, selfishness is bad) should penetrate the brains of kids old enough to stay in their seats and pay attention to it. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 1,943 |
A Star Is Born | Next Best Picture | Kt Schaefer | Despite its long history and many incarnations, Cooper manages to bring something that feels authentic and new to the table with his iteration of this classic film story. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,944 |
Abominable | Next Best Picture | Kt Schaefer | Stunning visuals and a great case combined with a well told story make Abominable one of the best animated films released so far this year. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,944 |
Alita: Battle Angel | Next Best Picture | Kt Schaefer | A poorly developed script combined with directing that feels designed for younger audiences leaves not much to be enjoyed outside of the visuals. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,944 |
Alone | Next Best Picture | Sara Clements | Director John Hyams and writer Mattias Olsson lend their vision to this popular narrative with Alone, creating a survivalist thriller that, while playing with familiar tropes, manages to feel somewhat fresh. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,944 |
At Eternity's Gate | Next Best Picture | Kt Schaefer | A gorgeous avante garde examination of Vincent van Gogh's life and work that explores the complex intersections of creativity, mental health, and internal experiences with its beautiful cinematography and dramatic score. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,944 |
Captain Marvel | Next Best Picture | Kt Schaefer | Great visual effects and acting by Brie Larson make for an enjoyable watch that embraces a confident and smart woman character, something rarely seen in this genre. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,944 |
Carol | Next Best Picture | Sara Clements | Carol is a timeless love story between two women in 1950s New York with absolutely stellar performances from its cast, beautiful writing from Phyllis Nagy and exquisite craftsmanship from Todd Haynes. | 10/10 | 10 | 10 | 10 | false | 9 | 10 | 1 | 1,944 |
Color Out of Space | Next Best Picture | Sara Clements | Color Out of Space is truly out of this world psychedelic. It's worth a watch just for the visuals alone, with its anxiety-inducing and trippy SFX. It's a tornado of color that often feels like you're watching a 3D movie without glasses. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,944 |
Dumbo | Next Best Picture | Kt Schaefer | The bones of this new film could make for an interesting reimagining of the Dumbo story, but the screenplay, dialogue, and visual effects don't allow for it to live up to its potential. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,944 |
Extraction | Next Best Picture | Kt Schaefer | Extraction is worth watching for those who are action junkies, but for the casual viewer, it will probably leave something to be desired. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,944 |
Extremely Wicked, Shockingly Evil and Vile | Next Best Picture | Kt Schaefer | The success of this film rests largely on Zac Efron's performance as Ted Bundy, played too maniacally or too sweet and the nuance that is necessary for this story would have been lost. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,944 |
Green Book | Next Best Picture | Kt Schaefer | The script has some funny moments and the relationship between Ali and Mortensen has a natural chemistry that draws in the viewer... Unfortunately, Green Book doesn't use it's full potential, as it softens its message. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,944 |
Halloween | Next Best Picture | Kt Schaefer | Despite its flaws, Halloween is still one of the better sequels to the original timeline. It clips along at a good pace as it hurtles toward the inevitable conflict with an increasing intensity. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,944 |
Hustlers | Next Best Picture | Kt Schaefer | [Hustlers] creates fully realized female characters in a fascinating story that never shies away from the deeper implications of its narrative all of which combines to make it one of the most unique and enjoyable films I expect to see in 2019. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,944 |
Mile 22 | Next Best Picture | Kt Schaefer | Mile 22 tries hard to bring a new hero to the action film genre but it ends up getting in its own way too much to be really enjoyable. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,944 |
Peppermint | Next Best Picture | Kt Schaefer | A poorly constructed story that is more exposition than action. Fast cuts and dark lighting make most of the fight scenes feel flat and uninteresting. | 1/10 | 10 | 1 | 10 | false | 0 | 10 | 1 | 1,944 |
Pokémon Detective Pikachu | Next Best Picture | Kt Schaefer | Detective Pikachu is an entertaining watch for families and anyone who has fond memories of their time experiencing a world that includes Squirtles, Pikachus, and Psyducks. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,944 |
Ralph Breaks the Internet | Next Best Picture | Kt Schaefer | Despite its minor weaknesses, Ralph Breaks the Internet is a great expansion on the original concept and for those who are willing and able to embrace the setup it will be a thoroughly enjoyable experience. | 9/10 | 10 | 9 | 10 | false | 8 | 10 | 1 | 1,944 |
Rambo: Last Blood | Next Best Picture | Kt Schaefer | Gruesome and simplistic. | 2/10 | 10 | 2 | 10 | false | 1 | 10 | 1 | 1,944 |
Smallfoot | Next Best Picture | Kt Schaefer | It may not become a classic but it is still a fun watch. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,944 |
Star Wars: The Rise of Skywalker | Next Best Picture | Sara Clements | The changing of Rey's origins really hinders the kind of epic conclusion this could have been. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,944 |
Stuber | Next Best Picture | Kt Schaefer | The film tries to appeal to everyone and in the process loses some of its appeal to everyone. The action scenes are uneven and the impressive supporting cast is not given nearly enough time to shine. | 5/10 | 10 | 5 | 10 | false | 4 | 10 | 1 | 1,944 |
Stuntwomen: The Untold Hollywood Story | Next Best Picture | Sara Clements | It's engaging as it weaves personal interviews with a treasure trove of archival footage and images. You really get to understand the history and the struggles these women face every day. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,944 |
Swallow | Next Best Picture | Sara Clements | Writer and director Carlo Mirabella-Davis's first feature is both a superb and distressing pastel-colored portrait of the crumbling psyche of a housewife. | 8/10 | 10 | 8 | 10 | false | 7 | 10 | 1 | 1,944 |
Tea With the Dames (Nothing Like a Dame) | Next Best Picture | Kt Schaefer | Tea With The Dames is an excellent introduction to the careers of these 4 women, but unfortunately it isn't able to devote the time necessary to give a full picture of its subjects lives and contributions to the world of film and theater. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,944 |
The Addams Family | Next Best Picture | Kt Schaefer | Mixed animation styles and derivative storytelling combined with the feather-light tone and obvious messaging make this feel less like an Addams Family film and more like the Munsters. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,944 |
The Grinch | Next Best Picture | Kt Schaefer | For all the skill behind the film, the story is its weakest point. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,944 |
The Happytime Murders | Next Best Picture | Kt Schaefer | There isn't nearly enough substance to sustain 90 minutes of a movie and before long it all begins to feel a bit repetitive. | 2/10 | 10 | 2 | 10 | false | 1 | 10 | 1 | 1,944 |
The Kid Who Would Be King | Next Best Picture | Kt Schaefer | [Director] Joe Cornish managed to tick almost all the boxes when he made The Kid Who Would Be King. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,944 |
The Meg | Next Best Picture | Kt Schaefer | A first act that drags with a poor script and boring visual effects make for a movie that's only enjoyable for how dumb it can be. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,944 |
The Willoughbys | Next Best Picture | Sara Clements | While the images in Lowry's novel are in black and white, director Kris Pearn, along with writer Mark Stanleigh, refuse to settle for a dreary orphan tale. No, it's a sugar-coated explosion of a Skittle filled rainbow. | 7/10 | 10 | 7 | 10 | false | 6 | 10 | 1 | 1,944 |
Valley Girl | Next Best Picture | Sara Clements | Is Valley Girl true to its tagline, 'the awesomest love story ever told'? No. It's predictable with a familiar narrative and familiar conflicts, but it's feel-good and highlights not the stereotypes of the era, but its boisterous energy. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,944 |
Venom | Next Best Picture | Kt Schaefer | A dumb script, bad CGI and poor plotting all combine to make a film that feels as though it is a bad joke at someone's expense. | 4/10 | 10 | 4 | 10 | false | 3 | 10 | 1 | 1,944 |
White Boy Rick | Next Best Picture | Kt Schaefer | Combining its great performances and beautiful cinematography, the film is certainly worth watching, but at the same time, it is important to keep in mind from what perspective that story is being told. | 6/10 | 10 | 6 | 10 | false | 5 | 10 | 1 | 1,944 |
6 Balloons | Next Projection | Derek Deskins | Were 6 Balloons to be nothing more than an actor's showcase, it would work, unfortunately the rest of its pieces just never quite come together. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 1,945 |
A Quiet Place | Next Projection | Derek Deskins | The mediocre nature of the film's actual scares betray what is mostly a thrilling film. | 7.5/10 | 10 | 7.5 | 10 | false | 65 | 91 | 10 | 1,945 |
After Everything (Shotgun) | Next Projection | Derek Deskins | Despite its many charms, Shotgun never fully feels like something to care about. It is enjoyable, but only passably. | 6.5/10 | 10 | 6.5 | 10 | false | 55 | 91 | 10 | 1,945 |
American Animals | Next Projection | Derek Deskins | It is a popcorn movie dripping with arthouse flair, and populated with intriguing and complex characters, be they real or performed. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 1,945 |
American Fable | Next Projection | Derek Deskins | First time feature writer-director Anne Hamilton is staking her claim, this is her style, and you will do right to take notice. | 8.2/10 | 10 | 8.2 | 10 | false | 72 | 91 | 10 | 1,945 |
Atomic Blonde | Next Projection | Derek Deskins | Theron takes to the fight choreography like a violent fish to bloody water. She is exactingly brutal and nearly balletic in her execution. | 9.2/10 | 10 | 9.2 | 10 | false | 82 | 91 | 10 | 1,945 |
Blindspotting | Next Projection | Derek Deskins | The combination of the rhythmic script, the bumping soundtrack, and the stylish direction recall the early work of Spike Lee. | 9.5/10 | 10 | 9.5 | 10 | false | 85 | 91 | 10 | 1,945 |
Bokeh | Next Projection | Derek Deskins | This issue of character development is largely what holds the film back. Without understanding what makes this couple tick, we are left voyeurs in a world that we cannot understand. | 5.1/10 | 10 | 5.1 | 10 | false | 41 | 91 | 10 | 1,945 |
Concussion | Next Projection | Derek Deskins | Concussion had to be good, it had to scare us, and it should have scared the NFL. Instead it just sits there idly in a bed of clichés and manufactured tension. | 5/10 | 10 | 5 | 10 | false | 40 | 91 | 10 | 1,945 |
Demolition | Next Projection | Derek Deskins | It is a role that requires an actor that does more than what is on the page. Something that Gyllenhaal accomplishes spectacularly. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 1,945 |
Elizabeth Harvest | Next Projection | Derek Deskins | At times, Elizabeth Harvest appears to even confuse itself, feeling as if the film didn't have a script as much as an idea that continued to be brainstormed until the film was wrapped. | 3/10 | 10 | 3 | 10 | false | 20 | 91 | 10 | 1,945 |
Everybody Wants Some!! | Next Projection | Derek Deskins | The comedy comes from a place of reality and even when said reality is heightened, Linklater does it in a way that rolls off your back. | 8.6/10 | 10 | 8.6 | 10 | false | 76 | 91 | 10 | 1,945 |
Free Fire | Next Projection | Derek Deskins | The problem with Free Fire is that it just doesn't have much more going on in outside of what you see in the trailer. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 1,945 |
Headshot | Next Projection | Derek Deskins | It was as if I opened a puzzle only to find that the majority of the items within the box didn't belong. How do you get a lint covered gummy bear, a harmonica, three bullets, and a corner puzzle piece to fit together? You don't. | 5/10 | 10 | 5 | 10 | false | 40 | 91 | 10 | 1,945 |
Hush | Next Projection | Derek Deskins | I no longer trust a sliding glass door at night. | 9.4/10 | 10 | 9.4 | 10 | false | 84 | 91 | 10 | 1,945 |
It | Next Projection | Derek Deskins | It is much like walking through a haunted house. Sure, you were scared here and there, but the feeling was fleeting and not a whole lot different from that last haunted house. | 7.5/10 | 10 | 7.5 | 10 | false | 65 | 91 | 10 | 1,945 |
Little Sister | Next Projection | Derek Deskins | Add to the well written screenplay a cast that seems catered to this cadence and the result is a family that is almost too familiar for comfort. | 7.7/10 | 10 | 7.7 | 10 | false | 67 | 91 | 10 | 1,945 |
Midnight Special | Next Projection | Derek Deskins | The story is wonderfully detailed, entertaining, mysterious, and endlessly thrilling. | 9.6/10 | 10 | 9.6 | 10 | false | 86 | 91 | 10 | 1,945 |
Orange Sunshine | Next Projection | Derek Deskins | Kirkley doesn't necessarily want you to feel for his subjects but instead wants you to feel like you are one of them. It is that inclusivity that makes the emotional punches that are eventually unleashed land so resoundingly. | 9.4/10 | 10 | 9.4 | 10 | false | 84 | 91 | 10 | 1,945 |
Pet | Next Projection | Derek Deskins | The tension ratchets up spectacularly and your blood pressure rises in the anticipation of what may lie behind the next corner. | 7.3/10 | 10 | 7.3 | 10 | false | 63 | 91 | 10 | 1,945 |
Small Town Crime | Next Projection | Derek Deskins | Its twists and turns toy with your emotions and despite its largely familiar story conventions, it never comes across as predictable. | 8.4/10 | 10 | 8.4 | 10 | false | 74 | 91 | 10 | 1,945 |
Song to Song | Next Projection | Derek Deskins | Outside of the more standard Malick-isms, Song to Song also has a troubling relationship with women, making their role secondary to a man's and establishing a mood of objectification. | 4.5/10 | 10 | 4.5 | 10 | false | 35 | 91 | 10 | 1,945 |
The Big Short | Next Projection | Derek Deskins | McKay takes his gift for comedy and weaves it into drama like a rich tapestry. | 8.6/10 | 10 | 8.6 | 10 | false | 76 | 91 | 10 | 1,945 |
The Breaker Upperers | Next Projection | Derek Deskins | If we have the good sense we will throw our money at writer-director-stars Madeleine Sami and Jackie van Beek, because they certainly have a whole lot more to say. | 8.4/10 | 10 | 8.4 | 10 | false | 74 | 91 | 10 | 1,945 |
The New Romantic | Next Projection | Derek Deskins | Perhaps more egregious than its familiar plot and waste of up-and-comer Jessica Barden is that despite its title, there is nothing "new" or "romantic" about The New Romantic. | 5.2/10 | 10 | 5.2 | 10 | false | 42 | 91 | 10 | 1,945 |
47 Meters Down: Uncaged | Nightmare on Film Street | Kimberley Elizabeth | While the sharks are doing their darndest to lurk, pounce, and prey - the screenplay stifles 47 Meters Down: Uncaged to barely-passable sequel territory. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 1,946 |
Apostle | Nightmare on Film Street | Kimberley Elizabeth | Apostle is a deeply satisfying trek into the unknown. There is gore, there is violence, there is mystery, and yes - even some goats. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 1,946 |
Bad Times at the El Royale | Nightmare on Film Street | Kimberley Elizabeth | El Royale succeeds on a spinning roulette wheel of room numbers, each room entertaining in its own right, colliding to create a delightful, timeless thriller. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 1,946 |
Black Christmas | Nightmare on Film Street | Kimberley Elizabeth | Blumhouse is serving feminist punch this Christmas, but rather than crafting a well-orchestrated cocktail, they've thrown every ingredient in and hoped for the best. | 4.5/10 | 10 | 4.5 | 10 | false | 35 | 91 | 10 | 1,946 |
Burning (Beoning) | Nightmare on Film Street | Kimberley Elizabeth | The enigma at Burning's core culminates with a Hitchcockian level of mystery | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 1,946 |
Halloween | Nightmare on Film Street | Kimberley Elizabeth | Halloween is fun, it's funny, and Michael Myers has his groove back. But it's still, unfortunately - just another sequel. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 1,946 |
Happy Death Day 2U | Nightmare on Film Street | Kimberley Elizabeth | Happy Death Day 2U will not go silently into the status quo. ... [T]his follow-up seeks instead to answer the why's and how's rather than simply bringing Babyface back from the dead. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 1,946 |
Heavy Trip (Hevi reissu) | Nightmare on Film Street | Kimberley Elizabeth | Tune in, Turn off, and just go with it - Heavy Trip is a hilarious home for outcasts and misfits. A laugh riot for the rebellious, and call-to-arms for the underdog. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 1,946 |
It Chapter Two | Nightmare on Film Street | Kimberley Elizabeth | It: Chapter 2 gazes long and hard at the past, leaving Pennywise juggling scares. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 1,946 |
Leprechaun Returns | Nightmare on Film Street | Kimberley Elizabeth | ... our Leprechaun is resourceful as ever; plucking solar panels, hoses, drones, and harnessing his own brand of Gaelic magic to dispose of the eco-conscious tots. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 1,946 |
Lifechanger | Nightmare on Film Street | Kimberley Elizabeth | Lifechanger is a surprisingly heartfelt body horror film ... without much conflict. | 5/10 | 10 | 5 | 10 | false | 40 | 91 | 10 | 1,946 |
Lords of Chaos | Nightmare on Film Street | Kimberley Elizabeth | Rory Culkin is expressive and raw as movement frontman Euronymous, but it is Emory Cohen's Varg that keeps us up at night. His turn from babyfaced teen to full-blown arsonist is utterly disarming. | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 1,946 |
Open 24 Hours | Nightmare on Film Street | Kimberley Elizabeth | Open 24 Hours spins its wheels figuring out just what it wants to be. Slasher? Commentary on abuse? Mystery/thriller? | 5/10 | 10 | 5 | 10 | false | 40 | 91 | 10 | 1,946 |
Our House | Nightmare on Film Street | Kimberley Elizabeth | Though set in present day, Our House nails that 80's aesthetic and nostalgic wave genre audiences have been surfing since Netflix's breakout hit Stranger Things. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 1,946 |
Paradise Hills | Nightmare on Film Street | Kimberley Elizabeth | Paradise Hills is a gorgeous, sci-fi fantasy that both embraces femininity.. and challenges it. | 7.5/10 | 10 | 7.5 | 10 | false | 65 | 91 | 10 | 1,946 |
Pet Sematary | Nightmare on Film Street | Kimberley Elizabeth | As a standalone, Pet Sematary falters in seeking its independence and wow-factor, but if you haven't revisited the story in a while, this one'll spook ya. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 1,946 |
Scary Stories to Tell in the Dark | Nightmare on Film Street | Kimberley Elizabeth | Scary Stories the movie might just scare your kids as much as the books scared you. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 1,946 |
Suspiria | Nightmare on Film Street | Kimberley Elizabeth | Suspiria is a collision of dreamlike visuals - some of them from the recesses of even a witch's worst nightmares, culminating in the erotic and rhythmic choreography of desperate dance movements. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 1,946 |
The Boat | Nightmare on Film Street | Kimberley Elizabeth | The Boat isn't for everyone. It doesn't have any huge reveals, or ghastly spectral encounters. It's Christine without George Thorogood, The Shining if the only thing haunting Jack Torrance was the endless snow. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 1,946 |
The Curse of La Llorona | Nightmare on Film Street | Kimberley Elizabeth | The Curse of La Llorona took a genuinely haunting legend and churned it for shock and awe. Sometimes subtly is better, even when your ghost is known to wail. | 5/10 | 10 | 5 | 10 | false | 40 | 91 | 10 | 1,946 |
The Dark | Nightmare on Film Street | Kimberley Elizabeth | The Dark's simple premise struggled to satiate as a feature-length film ... | 5/10 | 10 | 5 | 10 | false | 40 | 91 | 10 | 1,946 |
The Guilty (Den skyldige) | Nightmare on Film Street | Kimberley Elizabeth | I became a complete and utter victim to the twisted and harrowing plot. | 10/10 | 10 | 10 | 10 | false | 90 | 91 | 10 | 1,946 |
The Invisible Man | Nightmare on Film Street | Kimberley Elizabeth | A cold, chrome, and suspenseful 'Where's Waldo?' for two hours and five minutes. | 6.5/10 | 10 | 6.5 | 10 | false | 55 | 91 | 10 | 1,946 |
The Meg | Nightmare on Film Street | Kimberley Elizabeth | The Meg has probably some of the worst dialogue and character development since the Sharknado movies. ..At least they know where they lie in the foodchain. | 3/10 | 10 | 3 | 10 | false | 20 | 91 | 10 | 1,946 |
The Perfection | Nightmare on Film Street | Kimberley Elizabeth | Not quite body horror, not quite art film, The Perfection struggles to carve an identity throughout its interesting act structure. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 1,946 |
The Platform (El Hoyo) | Nightmare on Film Street | Kimberley Elizabeth | The Platform excels in its simplicity. | 9.2/10 | 10 | 9.2 | 10 | false | 82 | 91 | 10 | 1,946 |
The Possession of Hannah Grace | Nightmare on Film Street | Kimberley Elizabeth | There are too many horror elements with potential at The Possession of Hannah Grace's disposal that get smothered by Hollywood Horror Juice (TM). | 4/10 | 10 | 4 | 10 | false | 30 | 91 | 10 | 1,946 |
The Wind | Nightmare on Film Street | Kimberley Elizabeth | The Wind delivers a subtle, paranormal fright - in a place that doesn't offer much in the way of excitement. And, I'm pretty sure that was the point. | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 1,946 |
The Wretched | Nightmare on Film Street | Kimberley Elizabeth | "[A] teentastic misadventure.." | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 1,946 |
Underwater | Nightmare on Film Street | Kimberley Elizabeth | Though pretty standard action-horror fare, Underwater came at a time when winter nights are long and the popcorn hot. Audiences could do far worse than trekking to the bottom of the sea. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 1,946 |
Us | Nightmare on Film Street | Kimberley Elizabeth | Us' biggest success comes down to its impeccable casting. With everyone pulling double-duty, it's insane the depth of performance we see ... | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 1,946 |
Velvet Buzzsaw | Nightmare on Film Street | Kimberley Elizabeth | The horror feels stitched into Velvet Buzzsaw. Plucked and borrowed from films that came before it, twirled in wet paint, and utilized without concrete rhyme or reason. | 6/10 | 10 | 6 | 10 | false | 50 | 91 | 10 | 1,946 |
You Might Be the Killer | Nightmare on Film Street | Kimberley Elizabeth | Every scene we're reminded that Cabin in the Woods exists, and that we should go watch it. Perhaps instead. | 4/10 | 10 | 4 | 10 | false | 30 | 91 | 10 | 1,946 |
Feral | Nightmare on Film Street | Kimberley Elizabeth | Though Feral is more a slow and brooding drama than an outright horror film, it expertly uses the faux documentary format to explore the life of a character so devoutly lost. | 75/100 | 100 | 75 | 100 | false | 74 | 100 | 1 | 1,947 |
B&B | Nightmare on Film Street | Joe Lipsett | B&B is less action-oriented and more talky than traditional thrillers, but its topical subject matter and good performances make it one to seek out | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 1,948 |
Creep 2 | Nightmare on Film Street | Kimberley Elizabeth | An ass-backwards love story for the morbidly strange. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 1,948 |
Game of Death | Nightmare on Film Street | Kimberley Elizabeth | Game of Death is quiet, edgy, dark and violent. It's got a faux-retro vibe in only the way that 2000's babies will appreciate. It's the Spring Breakers of Horror. | 2/4 | 4 | 2 | 4 | false | 2 | 7 | 2 | 1,948 |
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