movie_title string | publisher_name string | critic_name string | review_content string | review_score string | grade_type string | orig_num float32 | orig_denom float32 | includes_zero bool | label uint8 | scale_points uint8 | multiplier uint8 | group_id uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Mandy | The Tracking Board | Drew McWeeny | The film is lush and gorgeous even at its ugliest, and the further it goes, the deeper the mark it's trying to make on you. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,372 |
Mudbound | The Tracking Board | Edward Douglas | A triumph by Rees as a filmmaker, showing she can handle a wide range of characters and settings to create a cohesive story. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,372 |
Novitiate | The Tracking Board | Edward Douglas | Betts proves herself to be a fantastic storyteller ... Intense and riveting dramatic storytelling we rarely get to see in any given year. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,372 |
The Foreigner | The Tracking Board | Edward Douglas | It's the type of action movie that just feels dated and not in a fun way either. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,372 |
The Glass Castle | The Tracking Board | Edward Douglas | An erratic but emotional adaptation of Jeannette Wallis' memoir. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,372 |
The Leisure Seeker | The Tracking Board | Edward Douglas | There's nothing particularly groundbreaking here in terms of storytelling, and it seems like a fairly trivial waste of its two leads. | C | long_letter | null | null | false | 10 | 18 | 1 | 2,372 |
The Meyerowitz Stories (New and Selected) | The Tracking Board | Edward Douglas | Having such freedom and such an illustrious cast makes The Meyerowitz Stories one of Baumbach's best movies so far. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,372 |
The Ritual | The Tracking Board | Drew McWeeny | Much of The Ritual is about mood and creeping dread, and Bruckner does that very well. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,372 |
The Snowman | The Tracking Board | Drew McWeeny | It adds up to what can only be described as a scorched-earth failure, a near-complete misfire that doesn't even work on the most fundamental levels as a film. | D | long_letter | null | null | false | 7 | 18 | 1 | 2,372 |
The Strangers: Prey At Night | The Tracking Board | Edward Douglas | The Strangers: Prey at Night isn't terrible, but that's mainly due to Roberts' skills as a filmmaker and the film's climactic final act. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,372 |
Thor: Ragnarok | The Tracking Board | Drew McWeeny | One thing about Taika Waititi is evident: he is 100% worthy, and the power of Thor is his. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,372 |
Three Identical Strangers | The Tracking Board | Drew McWeeny | Three Identical Strangers is a perfect summary of the nature vs. nurture discussion, and watching how the lives of these men played out from that unlikely meeting is heartbreaking. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,372 |
Tulip Fever | The Tracking Board | Edward Douglas | Good luck understanding how any of this might appeal to modern moviegoers. It isn't awful, but it's needlessly convoluted and dull, dull, dull. | C- | long_letter | null | null | false | 9 | 18 | 1 | 2,372 |
Winchester | The Tracking Board | Edward Douglas | There's certainly good to be found in the story Winchester is trying to tell, but it's hard to believe it can possibly satisfy both the casual horror buff and the more diehard supernatural purist. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 2,372 |
Wonder Wheel | The Tracking Board | Edward Douglas | Neither Allen's best movie nor his worst, although it's probably a stronger than his last few, mainly due to Winslet's fabulousness. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,372 |
Wonderstruck | The Tracking Board | Edward Douglas | Wonderstruck is probably the biggest disappointment in Todd Haynes' entire career. How one can go from the masterpiece that was Carol or any of his other films to this is mindboggling. | D+ | long_letter | null | null | false | 8 | 18 | 1 | 2,372 |
Won't You Be My Neighbor? | The Tracking Board | Drew McWeeny | Once again, Mr. Rogers has given me a tool to help me navigate a world that can often feel sad and terrifying, and the equally timely and timeless... | A | long_letter | null | null | false | 16 | 18 | 1 | 2,372 |
The Tillman Story | The Trend | Stephen Silver | Fascinating but infuriating, "The Tillman Story" is probably the most brutally effective cinematic indictment of the Bush-Cheney administration to date. | 4.5/10 | 10 | 4.5 | 10 | false | 7 | 19 | 2 | 2,373 |
New In Town | The Trend | Stephen Silver | All it does is mine stereotypes about the small-town Upper Midwest that were starting to get cliched when "The Music Man" was first staged in 1957. | 0/4 | 4 | 0 | 4 | true | 0 | 5 | 1 | 2,374 |
In the Shadow of the Moon | The Twisted Girl Next Door | Chauncey K. Robinson | The pacing lags in multiple areas, but the mystery draws you in until the very end. It won't be everyone's cup of tea regarding the political theme, but the plot tie up is worth it. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,375 |
Joker | The Twisted Girl Next Door | Chauncey K. Robinson | The drama around Joker is overblown, mainly due to the media and people inserting messages in the film that aren't actually there. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,375 |
Satanic Panic | The Twisted Girl Next Door | Chauncey K. Robinson | Satanic Panic goes on 20 minutes longer than it needs to, but the gore and laughs make up for that. Also, Rebecca Romijn gives a top notch horror villain performance. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,375 |
The Wave | The Twisted Girl Next Door | Chauncey K. Robinson | A wild and multi-genre ride. There are messages on life throughout, but it gets muddled in the confused plotting. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,375 |
Zombieland: Double Tap | The Twisted Girl Next Door | Chauncey K. Robinson | ZombieLand: Double Tap was well worth the wait as the zombie universe is expanded and some great new characters are added to the mix. | A | long_letter | null | null | false | 16 | 18 | 1 | 2,375 |
Scary Stories to Tell in the Dark | The Verge | Noah Berlatsky | Øvredal is to be commended for simultaneously staying true to a beloved franchise and twisting its head around to face in an unexpected direction. | 67/100 | 100 | 67 | 100 | false | 66 | 100 | 1 | 2,376 |
Spider-Man: Far From Home | The Verge | Tasha Robinson | It's a breathless and admirably well-assembled movie that proves the Marvel formula still isn't tired. | 92/100 | 100 | 92 | 100 | false | 91 | 100 | 1 | 2,376 |
Far from Men | The Villager | Rania Richardson | A spare tale that considers the futility of neutrality during wartime, against the backdrop of the French-Algerian War in the 1950s. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,377 |
Side by Side | The Villager | Rania Richardson | Celluloid or digital film - which is the better format? Directors, cinematographers, editors and other film professionals weigh in on the question in Chris Kenneally's densely packed doc. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,377 |
The Broken Circle Breakdown | The Villager | Rania Richardson | This heart-wrenching tale is the cinematic equivalent of a twangy country song. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,377 |
The Wolfpack | The Villager | Rania Richardson | The story is as intriguing as it is unbelievable, as a paranoid immigrant, his pliant wife and their seven children live in self-imposed confinement, in the middle of New York City. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,377 |
Concussion | The Virginian-Pilot | Mal Vincent | The NFL may well feel gratified that the movie is as vague and weak as it is. | 2.5/5 | 5 | 2.5 | 5 | false | 3 | 9 | 2 | 2,378 |
Macbeth | The Virginian-Pilot | Mal Vincent | The present edition, in spite of an impressive cast, is a blood bath that is more violent than any before, but to no avail. | 1.5/5 | 5 | 1.5 | 5 | false | 1 | 9 | 2 | 2,378 |
The Big Short | The Virginian-Pilot | Mal Vincent | It exposes the vast degree of lies and manipulation of the financial world in a far more entertaining way than any drama would. | 3/5 | 5 | 3 | 5 | false | 4 | 9 | 2 | 2,378 |
Youth | The Virginian-Pilot | Mal Vincent | Absurd but at the same time profound, this is a rare movie find. I have seen it twice and plan to see it again. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,378 |
Anna Karenina | The Washingtonian | Ian Buckwalter | What Wright has made here is a musical without songs. | 7.5/10 | 10 | 7.5 | 10 | false | 65 | 91 | 10 | 2,379 |
Argo | The Washingtonian | Ian Buckwalter | Easily Affleck's best directed film yet, Argo also ticks off a number of boxes on the Best Picture nominee checklist: grand scope, historical basis, uplifting story of human triumph. The movie's great escape sequence goes a little overboard,though. | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 2,379 |
Beasts of the Southern Wild | The Washingtonian | Ian Buckwalter | Ebullient and brimming over with imagination, this is easily one of the most unapologetically (and earnedly) joyful films you'll see this year. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 2,379 |
Better This World | The Washingtonian | Ian Buckwalter | Better This World conveys the helplessness and hopelessness of what it's like to get caught in a system that, the film argues, values appearance over facts. | 8.5/10 | 10 | 8.5 | 10 | false | 75 | 91 | 10 | 2,379 |
Cloud Atlas | The Washingtonian | Ian Buckwalter | A gorgeously shot package that blends the past, present, and future into diverse, lushly imagined realities that at least manage the task of feeling like they're from a single work. If only that work actually succeeded in fulfilling its lofty aspirations. | 5/10 | 10 | 5 | 10 | false | 40 | 91 | 10 | 2,379 |
Dark Shadows | The Washingtonian | Ian Buckwalter | Unfortunately, Burton abandons a promisingly quirky first half approach & undermines a hugely enjoyable Depp performance with an effects-heavy, action-packed second half that's neither funny nor thrilling, and mostly just boring. | 5/10 | 10 | 5 | 10 | false | 40 | 91 | 10 | 2,379 |
Detropia | The Washingtonian | Ian Buckwalter | Grady and Ewing, employing the observational, often visually poetic style that has become their trademark, capture this city at a crossroads. | 7/10 | 10 | 7 | 10 | false | 60 | 91 | 10 | 2,379 |
Django Unchained | The Washingtonian | Ian Buckwalter | The sometimes cartoonish and silly violence serves a purpose: It contrasts the moments of truly disturbing violence that Tarantino puts on display, always within the context of the brutality doled out to slaves at the hands of white masters. | 8.5/10 | 10 | 8.5 | 10 | false | 75 | 91 | 10 | 2,379 |
Don't Stop Believin': Everyman's Journey | The Washingtonian | Ian Buckwalter | Without any real conflict, there's enough story here for 45 minutes to an hour, after which the filmmakers pad it with a brief history of Journey pre-Pineda and scenes from the tour and Pineda's new life; a passable feel-good doc, but not very memorable. | 5.4/10 | 10 | 5.4 | 10 | false | 44 | 91 | 10 | 2,379 |
Hell and Back Again | The Washingtonian | Ian Buckwalter | Danfung Dennis appears to set out to make a film on one subject, only to have an entirely new, much more compelling story emerge in the midst of shooting. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 2,379 |
Holy Motors | The Washingtonian | Ian Buckwalter | A film that not only demands repeat viewings but also makes that an attractive proposition. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 2,379 |
J. Edgar | The Washingtonian | Ian Buckwalter | A dreary slog through 40 years of history that were nowhere near as dull as what's onscreen here. | 4/10 | 10 | 4 | 10 | false | 30 | 91 | 10 | 2,379 |
Killer Joe | The Washingtonian | Ian Buckwalter | Friedkin plays a trick that might be mean if it wasn't so fascinating to see him pull off, blending laugh-out-loud humor with absolutely repulsive images, forcing disoriented and unsettled audiences to wind up laughing when they should be disturbed. | 7.9/10 | 10 | 7.9 | 10 | false | 69 | 91 | 10 | 2,379 |
Killing Them Softly | The Washingtonian | Ian Buckwalter | A political harangue with the blunt force of a shotgun stock to the temple, couched inelegantly into a generic tale of gangland justice and revenge; yet recognizing and even growing annoyed with its deficiences, I still sort of loved it. | 6.8/10 | 10 | 6.8 | 10 | false | 58 | 91 | 10 | 2,379 |
Lawless | The Washingtonian | Ian Buckwalter | The cinematic equivalent of a murder ballad: rambling, violent, and more concerned with style and presentation than meaningful character development. Which sounds like a complaint, but in the case of Lawless, is high praise. | 7.5/10 | 10 | 7.5 | 10 | false | 65 | 91 | 10 | 2,379 |
Looper | The Washingtonian | Ian Buckwalter | Part science fiction, part mob movie, and with a nice infusion of dark comedy at just the right moments, Looper is Johnson's best movie yet, and manages to be hugely entertaining, affecting, and thought-provoking. | 8.8/10 | 10 | 8.8 | 10 | false | 78 | 91 | 10 | 2,379 |
Marvel's The Avengers | The Washingtonian | Ian Buckwalter | Whedon delivers a thoroughly entertaining compilation of the best of these heroes while never hiding either his giddy love for the characters or the wry wit that has formed the bedrock of his career. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 2,379 |
Monsieur Lazhar | The Washingtonian | Ian Buckwalter | There's a lighthearted inspiration infused throughout Monsieur Lazhar that makes it also touching, but never maudlin. | 9/10 | 10 | 9 | 10 | false | 80 | 91 | 10 | 2,379 |
Prometheus | The Washingtonian | Ian Buckwalter | An infuriating example of a film that holds huge potential and borders on greatness, but in falling just short of that mark feels little more than mediocre. | 5.5/10 | 10 | 5.5 | 10 | false | 45 | 91 | 10 | 2,379 |
Resurrect Dead: The Mystery of the Toynbee Tiles | The Washingtonian | Ian Buckwalter | Detective documentaries, those that themselves attempt to unlock mysteries or follow subjects who do, can be some of the most satisfying to watch, and Resurrect Dead is no exception. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 2,379 |
Sinister | The Washingtonian | Ian Buckwalter | ...a bone-chilling occult thriller... | 7.5/10 | 10 | 7.5 | 10 | false | 65 | 91 | 10 | 2,379 |
Skyfall | The Washingtonian | Ian Buckwalter | A sly, deconstructionist approach to Bond combined with a climactic sequence that is hands-down the best, most gorgeously shot, and most breathtakingly thrilling in the franchise's history make this one of the most satisfying and well-made entries. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 2,379 |
Tchoupitoulas | The Washingtonian | Ian Buckwalter | Shooting in what sometimes approximates a semi-inebriated haze, and emphasizing the overlapping of diverse sounds coming from different quarters, Tchoupitoulas almost does manage to transcend the sight and sound limitations of cinema. | 8.5/10 | 10 | 8.5 | 10 | false | 75 | 91 | 10 | 2,379 |
The Dark Knight Rises | The Washingtonian | Ian Buckwalter | The degree of difficulty involved in balancing on that many knives' edges overlooking potential disaster is high, yet by the time the credits roll, there it is: Nolan sticks the landing. | 8.8/10 | 10 | 8.8 | 10 | false | 78 | 91 | 10 | 2,379 |
The Hobbit: An Unexpected Journey | The Washingtonian | Ian Buckwalter | Jackson seems to be going through the motions of epic fantasy filmmaking. | 5.5/10 | 10 | 5.5 | 10 | false | 45 | 91 | 10 | 2,379 |
The Source Family | The Washingtonian | Ian Buckwalter | One of the most detailed looks at the inner workings of an American cult ever assembled. | 8/10 | 10 | 8 | 10 | false | 70 | 91 | 10 | 2,379 |
Wuthering Heights | The Washingtonian | Ian Buckwalter | Even more striking than Arnold's impressionistic style is the way in which she strips these characters down to their abusive and vindictive cores. | 7.9/10 | 10 | 7.9 | 10 | false | 69 | 91 | 10 | 2,379 |
Annabelle Comes Home | The Wolfman Cometh | Patrick Cavanaugh | The best spinoff in the franchise yet, delivering playfulness and charming characters to remind you that a horror movie doesn't have to be a dreadful affair. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,380 |
CAM | The Wolfman Cometh | Patrick Cavanaugh | A compelling update of a B-movie storyline featuring a strong lead performance that fails to stick the landing. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,380 |
Glass | The Wolfman Cometh | Patrick Cavanaugh | Strong performances help keep Glass afloat but the experience ultimately manages to deliver audiences both too much story and not enough. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,380 |
Hold the Dark | The Wolfman Cometh | Patrick Cavanaugh | The performers and Saulnier's eye for unconventional framing keep you glued to the screen in this exploration of trauma, violence, and isolation. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,380 |
Leprechaun Returns | The Wolfman Cometh | Patrick Cavanaugh | The one-liners and buckets of green blood are sure to elate devout fans of the franchise, though it offers little else to the uninitiated. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,380 |
Lords of Chaos | The Wolfman Cometh | Patrick Cavanaugh | A fascinating exploration of a unique time in metal's history, in addition to delivering a cautionary tale of leading a performative life. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,380 |
Possum | The Wolfman Cometh | Patrick Cavanaugh | Possum manages to not only push boundaries with its nightmarish imagery, but also find the right narrative journey to justify those scares. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,380 |
Suspiria | The Wolfman Cometh | Patrick Cavanaugh | Uncompromising, ambitious, captivating, and horrifying, Guadagnino pays off the original film's premise in truly unsettling ways. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 2,380 |
The Amityville Murders | The Wolfman Cometh | Patrick Cavanaugh | The scares are tolerable and predictable, with the experience leaving you frustrated that the film's many opportunities were completely squandered. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,380 |
The Art of Self-Defense | The Wolfman Cometh | Patrick Cavanaugh | A compelling critique on gender roles and toxic masculinity that ultimately pulls its punches. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,380 |
The Standoff at Sparrow Creek | The Wolfman Cometh | Patrick Cavanaugh | Quietly explosive, the film effortlessly takes viewers on both an emotional and genre-bending journey. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 2,380 |
What Keeps You Alive | The Wolfman Cometh | Patrick Cavanaugh | Fans of the home invasion subgenre are sure to enjoy the effective execution of well-worn tropes and unexpected narrative twists. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,380 |
Dark Phoenix | The Young Folks | Jon Winkler | It would be cliche to say that Dark Phoenix burns out and fades away, but that would imply the movie was even alive to begin with. | 2/5 | 5 | 2 | 5 | false | 1 | 5 | 1 | 2,381 |
Entourage | The Young Folks | Yasmin Kleinbart | There is nothing remotely different about this film; it simply feels like a two-hour episode. | 3/5 | 5 | 3 | 5 | false | 2 | 5 | 1 | 2,381 |
Maleficent: Mistress of Evil | The Young Folks | Jon Negroni | The main suffering of this film relates to an echo of The Lion King from earlier this year, and that is the lack of emotion or persuasive performance from hardly any actor involved. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 2,381 |
Ophelia | The Young Folks | Andrea Thompson | This Ophelia risks being just as much a caricature as the female characters of old, merely trading more traditional stereotypes for a more modern dressing, despite the period trappings. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,381 |
Star Wars: Episode VI - Return of the Jedi | The Young Folks | Danielle Solzman | While Star Wars: Episode 6 - Return of the Jedi isn't as great as its immediate predecessors, the film ends the trilogy on a bang. | 4/5 | 5 | 4 | 5 | false | 3 | 5 | 1 | 2,381 |
The Vatican Tapes | The Young Folks | Yasmin Kleinbart | ...there is nothing about The Vatican Tapes that I can recommend. It's a very forgettable film that doesn't try to be anything different. | 1/5 | 5 | 1 | 5 | false | 0 | 5 | 1 | 2,381 |
Wine Country | The Young Folks | Mae Abdulbaki | Wine Country had a lot of potential to be a wonderful film about friendship and facing hardships together but it's largely uninteresting and ultimately disappointing for a film boasting so much talent. | 5/5 | 5 | 5 | 5 | false | 4 | 5 | 1 | 2,381 |
Bridge of Spies | The Young Folks | Michael Fairbanks | While well acted, directed, and written, it doesn't have the emotional charge that makes many of Spielberg's classics so impactful. | B | long_letter | null | null | false | 13 | 18 | 1 | 2,382 |
Captain America: Civil War | The Young Folks | Michael Fairbanks | This movie is so toothless that you'll probably pay for your ticket in a paper cup on the side of the road... it's so concerned with keeping everything in line for future movies that it ultimately takes no risks... | C | long_letter | null | null | false | 10 | 18 | 1 | 2,382 |
Daddy's Home | The Young Folks | Michael Fairbanks | Even though the cast does make the film fun, make no mistake, this is about as contrived a film as they come. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 2,382 |
London Has Fallen | The Young Folks | Michael Fairbanks | I would never dream of arguing that this is any form of good cinema, but as the subject of a mindless, violent little B-Movie, Mike Banning has gotten the job done once again. | B- | long_letter | null | null | false | 12 | 18 | 1 | 2,382 |
Midnight Special | The Young Folks | Michael Fairbanks | ... a deeply engrossing sci-fi alternative to those a little exhausted with every such film being a $200 million behemoth. | B+ | long_letter | null | null | false | 14 | 18 | 1 | 2,382 |
Rock the Kasbah | The Young Folks | Michael Fairbanks | This film has no idea what tone it wants to strike... none of the more sincere messages land because the film's depiction of its middle eastern characters is grossly one note. | D | long_letter | null | null | false | 7 | 18 | 1 | 2,382 |
Triple 9 | The Young Folks | Michael Fairbanks | Having such a stacked cast ultimately serves to be Triple 9's greatest hindrance. There are so many characters here that the movie hardly has time to give any of them any personality. | C+ | long_letter | null | null | false | 11 | 18 | 1 | 2,382 |
Bloody Nose, Empty Pockets | The Zero Effect | Bill Arceneaux | Constructs of a construct, controlling controls of control, the futility of the fragile. Bloody Nose, Empty Pockets hits on many a heavy theme, even if hyperbolic in my nature of description. I can't help it; I love this. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,383 |
Love & Debt | The Zero Effect | Bill Arceneaux | Adorable but very true, 'Love & Debt' doesn't go for shady punches to earn easy points; it achieves above its pay grade through strong performances and confident leadership. | 3.5/5 | 5 | 3.5 | 5 | false | 5 | 9 | 2 | 2,383 |
Man in Camo | The Zero Effect | Bill Arceneaux | Vibrant and vivid. It's an inspiring feat, really. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,383 |
Once Upon a Time In Hollywood | The Zero Effect | Bill Arceneaux | There's suspense in the comedy, there's comedy in the chilling, there's tenderness in the manly, and there's a fairy tale above a city most ruthless. A breath of mountain air. Purely wonderful. | 5/5 | 5 | 5 | 5 | false | 8 | 9 | 2 | 2,383 |
Rocko's Modern Life: Static Cling | The Zero Effect | Bill Arceneaux | It's a cauldron of revolution and a gesture in humanity, this special is. Wonderful, really. | 4/5 | 5 | 4 | 5 | false | 6 | 9 | 2 | 2,383 |
The Boys from Brazil | TheBluFile.com | Dustin Putman | This is a terrifically chilling entertainment, one that deserves a spot alongside the best paranoid thrillers of the 1970s. | 3.5/4 | 4 | 3.5 | 4 | false | 5 | 7 | 2 | 2,384 |
Invaders From Mars | TheBluFile.com | Dustin Putman | Creepy and charming. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,384 |
Invasion of the Body Snatchers | TheBluFile.com | Dustin Putman | Emotionally stirring, visually striking and having not aged a day, "Invasion of the Body Snatchers" cries out for individuality in a skewed, nightmarish totalitarian reality. The results are as squirmily potent in 2016 as they no doubt were in 1978. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,384 |
The Phantom of the Opera | TheBluFile.com | Dustin Putman | A worthwhile curiosity, one that has understandably achieved cult status in the decades since its release. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,384 |
Sleeping Beauty | TheBluFile.com | Dustin Putman | A vision of artistry and pure entertainment, "Sleeping Beauty" will never, ever grow old. | 4/4 | 4 | 4 | 4 | false | 6 | 7 | 2 | 2,384 |
The Commitments | TheBluFile.com | Dustin Putman | Memorable, lingering in one's mind after it has ended. Perhaps, in the end, it's a tad wiser than it initially lets on. | 2.5/4 | 4 | 2.5 | 4 | false | 3 | 7 | 2 | 2,384 |
The Crush | TheBluFile.com | Dustin Putman | An infectious little psychodrama, one with high replay value. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,384 |
The Adventures of Ichabod and Mr. Toad | TheBluFile.com | Dustin Putman | [Blu-ray Review] Disney's 2-in-1 Blu-ray release of "The Adventures of Ichabod and Mr. Toad" and "Fun & Fancy Free" is an irresistible deal that should become a mainstay in any Disney fan's high-def library. | 3/4 | 4 | 3 | 4 | false | 4 | 7 | 2 | 2,384 |
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