movie_title
string | publisher_name
string | critic_name
string | review_content
string | review_score
string | grade_type
string | orig_num
float32 | orig_denom
float32 | includes_zero
bool | label
uint8 | scale_points
uint8 | multiplier
uint8 | group_id
uint32 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Spectre
|
3AW
|
Jim Schembri
|
An exceedingly mediocre exercise in corporate filmmaking that often feels tired and lazy, just like Craig's performance...Spectre promptly plops into the quicksand of Bond cliches, undoing much of the good work of 2012's Skyfall. What a shame.
|
1.5/5
|
5
| 1.5
| 5
| true
| 3
| 11
| 2
| 1
|
Atomic Blonde
|
3AW
|
Jim Schembri
|
After being the only interesting thing in Mad Max: Fury Road and giving the Fast & Furious crew a run for their money in F8 Charlize Theron here consolidates her position as cinema's most dangerous action movie female.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Sisters
|
3AW
|
Jim Schembri
|
In what can be taken as an extended and belated apology for their woeful 2008 comedy Baby Mama, funny femmes Tina Fey (30 Rock) and Amy Poehler (Parks and Recreation) team up as sisters for another girls-behaving-badly slapstick comedy.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Dolittle
|
3AW
|
Jim Schembri
|
It's an odd, expensive misfire, this. Though he produced it, the wiseacre humour and infectious energy we normally associate with performances from Robert Downey Jr are strangely absent.
|
2/5
|
5
| 2
| 5
| true
| 4
| 11
| 2
| 1
|
Argo
|
3AW
|
Jim Schembri
|
Ben Affleck proves that his transition from blockbuster poster boy to serious dramatic director is now complete...The film's portrayal of America as a superpower under siege serves as a timely comment on the nation's place in the world today.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Jumanji: Welcome to the Jungle
|
3AW
|
Jim Schembri
|
As a throwaway adventure, Jumanji makes for a terrifically entertaining time killer, its big action set pieces nicely offset with some choice comic acting.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Avengers: Infinity War
|
3AW
|
Jim Schembri
|
Thankfully, this $300 million entry into the Marvel comic-book movie universe is one of the better films pumped out by Marvel Studios and certainly makes up for the tornado of dung that was Avengers: Age of Ultron.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
High-Rise
|
3AW
|
Jim Schembri
|
The synthetic feel of the piece becomes more and more prominent the more things deteriorate.
|
2/5
|
5
| 2
| 5
| true
| 4
| 11
| 2
| 1
|
The Great Wall
|
3AW
|
Jim Schembri
|
A fantasy monster movie starring Matt Damon and a few hundred thousand digitally rendered dragons.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
The Aftermath
|
3AW
|
Jim Schembri
|
The nostalgic aura of old-fashioned wartime romances envelopes this fine, engaging, handsomely produced drama, spiced by an uncommon setting and top-self performances.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
The Darkest Minds
|
3AW
|
Jim Schembri
|
this tripe is thinly plotted and moves at a snail's pace...[yet] as mind-numbing as the film is, it does manage to raise a chief question, which is: how many more of these dystopian teen action flicks are we supposed to sit through?
|
1.5/5
|
5
| 1.5
| 5
| true
| 3
| 11
| 2
| 1
|
Gemini Man
|
3AW
|
Jim Schembri
|
If the plot of this movie sounds vaguely like the kind of high-end pulp Arnie would have made decades ago before he went into politics, you're right. Smith is no Schwarzenegger, yet he brings his swagger to this concerted re-entry into the action genre.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Man Up
|
3AW
|
Jim Schembri
|
A refreshing British rom-com that happily avoids the cliches we usually get from the American brand. It's also another comedy that celebrates the humour inherent when we see women behaving badly.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Ernest & Célestine
|
3AW
|
Jim Schembri
|
Beautiful Belgian animated film; the storybook simplicity of the hand-drawn animation has an allure and clarity that reinforces [how] new technology does not render traditional forms of animation inferior or obsolete.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
A Bigger Splash
|
3AW
|
Jim Schembri
|
Talented Italian director Luca Guadagnino shows broader, coarser interests here than he did with I Am Love as he plucks away at the vapourous notions of love, lust and desire.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
The Twilight Saga: Breaking Dawn Part 2
|
3AW
|
Jim Schembri
|
The big payoff to the Twilight saga is a solidly mounted, carefully directed exercise in franchise box-ticking... Even the decapitations are done tastefully.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
The Master
|
3AW
|
Jim Schembri
|
There are gaping chasms in the story and side stories that go nowhere. Yet the power of [Philip Seymour] Hoffman's performance is so hypnotic you forgive the film's faults just to revel in his all-consuming portrayal of a man possessed by his own beliefs.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
The Space Between Us
|
3AW
|
Jim Schembri
|
It's a tough task blending teen romance with sci-fi, but director Peter Chelsom concocts a pretty good hybrid in a film that delivers some enjoyable high-concept story ideas while turning the trusty fish-out-of-water convention up to 11.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Why Him?
|
3AW
|
Jim Schembri
|
In a prime example of comic alchemy, Bryan Cranston and James Franco bounce off each other splendidly in a raucous, adult-only comedy where, once again, a naughty veneer encases a film with a healthily conservative message.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Where Do We Go Now?
|
3AW
|
Jim Schembri
|
The stupidity of violence and...religious hatred are beautifully boiled down into a microcosm of humanity that [director Nadine] Labaki infuses with vibrant moments of laughter, music and an uneering sense of how differently men and women view the world.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
The Second Best Exotic Marigold Hotel
|
3AW
|
Jim Schembri
|
As far as sequels go this second-go-round for what sounded like a one-shot deal is actually a nice step up from the delights of the first film.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Peppermint
|
3AW
|
Jim Schembri
|
From the director of Taken comes another piece of straight-faced, high-voltage vigilante pulp, only this time with a woman in the lead.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Pete's Dragon
|
3AW
|
Jim Schembri
|
Eventful, issue-driven, well-mounted if somewhat gloomy reinvention of the "lost" 1977 Disney family film...A good ride that feeds the public's seemingly insatiable hunger for dragons.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
xXx: Return of Xander Cage
|
3AW
|
Jim Schembri
|
With all the requisite explosions, chases and gunfights you'd want, Vin Diesel returns to revive yet another action franchise in a highly entertaining, deliriously preposterous crash-bam adventure.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
The Girl in the Spider's Web
|
3AW
|
Jim Schembri
|
It's a by-the-numbers procedural, sure, but the sharply designed sets and snow-blasted locales give the film a great look. Most of all, though, Foy does a really good job as our despondent action protagonist, Swedish accent and all.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
The Lost City of Z
|
3AW
|
Jim Schembri
|
This lavish-looking, leisurely told, large-scale adventure yarn...contains pretty much everything you'd expect: encounters with wild animals, wild humans, dangerous river rides, attacks from natives...and, of course, having to eat unsavoury things.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Valerian and the City of a Thousand Planets
|
3AW
|
Jim Schembri
|
French populist Luc Besson delivers a delirious, crazily plotted, visually over-loaded science-fiction fantasy epic clearly designed to top the whackiness of his 1997 film The Fifth Element.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
You Will Meet a Tall Dark Stranger
|
3AW
|
Jim Schembri
|
It's one of Allen's lesser films yet, as is so often the case with his B-material, it still features terrific performances...and a cluster of truth-nailing scenes that are better than what you typically find in major releases.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
20,000 Days on Earth
|
3AW
|
Jim Schembri
|
An immaculately crafted [music documentary], absorbing both for [Nick] Cave fans and those hungry for an insight into the coursing of his creative juices.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Fantastic Four
|
3AW
|
Jim Schembri
|
Bleah...Avoid.
|
1/5
|
5
| 1
| 5
| true
| 2
| 11
| 2
| 1
|
The Wedding Ringer
|
3AW
|
Jim Schembri
|
A standard, formulaic gross-out bachelor party-type comedy...has a decent amount of laughs for a Friday night in front of the TV with a pizza, but for $20 it's a bit of a stretch.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
The Greatest Showman
|
3AW
|
Jim Schembri
|
Those hungry for a big, old-school musical spectacle with a thin story and plenty of numbers will get more than their fill with the flash-and-dazzle of The Greatest Showman. Hugh Jackman pulls out all the stops for his lead performance.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Little Men
|
3AW
|
Jim Schembri
|
As with Love is Strange, Sachs shows his love of little moments, nuanced behaviour and unforced, if occasionally forceful, performances, with the turns from the lads oozing with naturalism.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Runner Runner
|
3AW
|
Jim Schembri
|
A nifty, fast-talking, energetic film that dares turn the virtual - and virtually unfilmable - world of on-line gambling into a high-stakes thriller full of fights, gringos, hungry crocodiles and a perpetually pouting, glammed-up Gemma Arterton.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
In Bloom
|
3AW
|
Jim Schembri
|
Portraying lives a universe away from the malls and frippery of their Western counterparts, Eka (Lika Babluani) and Natia (Mariam Bokeria) cope with food shortages, bullying, bad families, a ramshackle education system [and] forced marriages.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
The Human Centipede III (Final Sequence)
|
3AW
|
Jim Schembri
|
In the final film of Tom Six's self-consciously sick horror-comedy series, the concept of the "human centipede" - easily the most original and repulsive in modern horror - is merrily taken to its logical conclusion.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
An Interview With God
|
3AW
|
Jim Schembri
|
Burning through a thick layer of cynicism, (Brenton) Thwaites infuses the film's premise with an earthiness and desperation as he tries keeping his life from spinning out of control. Not a bad film, this, though it is, after all, a sermon at heart.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Like Father, Like Son
|
3AW
|
Jim Schembri
|
Japanese director Hirokazu Koreeda delivers a quiet, beautifully modulated, touching drama.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Renoir
|
3AW
|
Jim Schembri
|
Beautiful-looking but largely boring...There have been some terrific films about artists, but this isn't one of them.
|
1.5/5
|
5
| 1.5
| 5
| true
| 3
| 11
| 2
| 1
|
Guardians of the Galaxy
|
3AW
|
Jim Schembri
|
Guardians of the Galaxy isn't just a fun-filled, laugh-filled, ripping space fantasy comedy, it's one of the best, most crowd-pleasing blockbusters in years.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Juliet, Naked
|
3AW
|
Jim Schembri
|
[A] spirited film offers a surprisingly delicate, funny, occasionally barbed account of middle-age malaise...a real gem, and one of the most satisfying romances thus far this year.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Secret in Their Eyes
|
3AW
|
Jim Schembri
|
Gripping, twist-laden, no-nonsense murder yarn.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Snowpiercer
|
3AW
|
Jim Schembri
|
Loftily pretentious, though curiously amusing arthouse action movie.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Rise of the Guardians
|
3AW
|
Jim Schembri
|
In one of the best, brightest, most beautifully realised and visually sumptuous tentpole animation films of the year...an absolute joy to behold, as lovingly made a piece of corporate entertainment as you're likely to find at the multiplex.
|
4.5/5
|
5
| 4.5
| 5
| true
| 9
| 11
| 2
| 1
|
Spotlight
|
3AW
|
Jim Schembri
|
The energetic ensemble cast...lend a moral urgency to the story, though writer/director Tom McCarthy is savvy enough to temper the heroism with the revelation that they were approached years earlier with the same information and did nothing.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
The Predator
|
3AW
|
Jim Schembri
|
Everybody's favourite multi-jawed dreadlocked alien monster is back for a fun, throwaway action splurge. With a large dollop of humour, the film plays like the latest sequel in the Predator series rather than as any attempt to makeover the formula.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Pet Sematary
|
3AW
|
Jim Schembri
|
a top-notch nail-biter, dripping with atmosphere and boasting a host of creepy tropes expertly deployed to maximise a thick ambience of hope mixed with dread.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
I, Tonya
|
3AW
|
Jim Schembri
|
Bubbling up through Harding's tale is the prejudice imposed upon her because of her lowly class...This gives the film a sharp, if unintended, topicality by identifying one form of 21st-century bigotry that attracts curiously little attention.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
While We're Young
|
3AW
|
Jim Schembri
|
A well-etched social comedy with clear viewpoints about the elastic nature of integrity and compromise.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Breathe
|
3AW
|
Jim Schembri
|
Actor Andy Sirkis proves his directing chops here with a moving account of the creation of the motorised wheelchair... the film offers a solid, surprising holiday treat for those hungry for adult drama.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
The Way Way Back
|
3AW
|
Jim Schembri
|
Deft, well-etched dramedy about the awkwardness of adolescence.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
mother!
|
3AW
|
Jim Schembri
|
[Darren] Aronofsky, who also wrote the screenplay, nails five of the common qualities nightmares share.
|
4.5/5
|
5
| 4.5
| 5
| true
| 9
| 11
| 2
| 1
|
Marvel's The Avengers
|
3AW
|
Jim Schembri
|
While it reflects a movie culture that has traded originality for scale - one wonders if there's a shred of originality anywhere in the film - The Avengers is grand, throwaway fun.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
The Armstrong Lie
|
3AW
|
Jim Schembri
|
It's an open wound of a documentary, sure, yet there is a pervasive sense Armstrong is using it as another means to redeem his public reputation...You might well find yourself sympathising with him more than reason would otherwise allow.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Table 19
|
3AW
|
Jim Schembri
|
The film certainly does a fine job replicating the tedium of what it feels like to be stuck at the loser's table.
|
1/5
|
5
| 1
| 5
| true
| 2
| 11
| 2
| 1
|
Everybody Wants Some!!
|
3AW
|
Jim Schembri
|
Likeable, inconsequential comedy ramble about an assortment of baseball jocks who share a frat house at a Texas college.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
The Fault In Our Stars
|
3AW
|
Jim Schembri
|
An iGen Love Story... warm, well-made, sincere and, most of all, effective. It's designed to get to you.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Brave
|
3AW
|
Jim Schembri
|
Brave makes for a passable parable about teenage hubris...but it isn't as pacy or as entertaining as many of Pixar's A-grade hits.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
On the Basis of Sex
|
3AW
|
Jim Schembri
|
It hurts to think how good the film could have been had Leder not presided over it with such a leaden hand. Shot as though it was a 1970s telemovie, the lengthy courtroom scenes become quite tiresome as the film lumbers towards its predictable conclusion.
|
2/5
|
5
| 2
| 5
| true
| 4
| 11
| 2
| 1
|
Love, Simon
|
3AW
|
Jim Schembri
|
There's no questioning the sincerity or the worthy pro-tolerance sentiments of Love, Simon...but, whoa, does this film brim with bad direction.
|
2/5
|
5
| 2
| 5
| true
| 4
| 11
| 2
| 1
|
The Way Back
|
3AW
|
Jim Schembri
|
There is a degree of predictability to the film [though] it doesn't detract from the honest quality of the film or from the veracity of the things it has to say about self-control, self-awareness and self-respect - those three things alcohol robs you of.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Wonder Park
|
3AW
|
Jim Schembri
|
Though the film's copious flash and dazzle will please kids, there's an awful lot of subtext going on here about facing your fear. This is coupled with some pretty nightmarish imagery involving the zombie-chimps, so take the film's PG rating seriously.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Side Effects
|
3AW
|
Jim Schembri
|
Ripper psychological mystery-thriller...prime, sharply directed guessing game stuff full of plot surprises and great left turns.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Imperium
|
3AW
|
Jim Schembri
|
[Daniel Radcliffe] shows just how effectively he can harden up for a tough role... the film is pretty brutal about FBI procedure and is super-topical given the ever-present threat of home-grown terrorism.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
John Wick: Chapter 2
|
3AW
|
Jim Schembri
|
If you liked the first one, you'll positively love this next instalment in the straight-faced action franchise starring Keanu Reeves as a hitman who absolutely everybody wants to kill.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Ant-Man and the Wasp
|
3AW
|
Jim Schembri
|
A hugely enjoyable action offering that happily comes as one of the better efforts from Marvel's infamously erratic output.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Spider-Man: Far From Home
|
3AW
|
Jim Schembri
|
Most impressive here is the use of a European school excursion to emphasize Peter Parker's enduring appeal, that he is a mere teenager with raging hormones who is still learning about what it means to be a superhero.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Mystery Road
|
3AW
|
Jim Schembri
|
With a tight-lipped Aaron Petersen as a lonely, personally troubled cop investigating the murder of a local teen, director Ivan Sen delivers a brooding, unsettling, racially charged slice of Outback Noir.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
The Man Who Invented Christmas
|
3AW
|
Jim Schembri
|
Charming, souffle-lite Christmas tale from British director Bharat Nalluri (Miss Pettigrew Lives for a Day) about the imaginary adventure the young Charles Dickens (Dan Stevens) went through while suffering a rare case of writer's block.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
The Company You Keep
|
3AW
|
Jim Schembri
|
[Director Robert Redford] deftly articulates the moral morass that can arise when idealism gives way to reality; he also has some very definite things to say about the way today's sensation-hungry, click-addicted media operates.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Escape Room
|
3AW
|
Jim Schembri
|
The superb, stranglehold direction of Adam Robitel draws you in early and never lets go, even after you think things have been resolved...a prime example of the economics of the horror genre. Serve the genre's fanbase and the world is yours.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Jackpot
|
3AW
|
Jim Schembri
|
There's a bit too much carnage and bloodshed but it's a cracking, crazy, well-paced Norwegian time killer.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Ida
|
3AW
|
Jim Schembri
|
Anyone with trouble sleeping should trot along to this boring Polish drama about a young nun (Agata Trzebuchowska) who discovers some dark secrets in her family.
|
1/5
|
5
| 1
| 5
| true
| 2
| 11
| 2
| 1
|
Safe
|
3AW
|
Jim Schembri
|
[Jason] Statham blasts his way through his biggest body count in this satisfying, one-note action film designed very specifically for Statham fans who know his acting limits as well as he does.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Lasseter's Bones
|
3AW
|
Jim Schembri
|
A splendid example of the sort of subjective documentary film-making championed by Werner Herzog...director Luke Walker throws himself into the legend of Harold Lasseter, the explorer who claimed to have stumbled across a mother lode of gold.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
The Reluctant Fundamentalist
|
3AW
|
Jim Schembri
|
Director Mira Nair is eager to explore the long-range effects of post-9/11 paranoia, but can't quite get the film's thriller element to click.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
X-Men: Days of Future Past
|
3AW
|
Jim Schembri
|
More of the same, only bigger, louder and messier as the pretty-good sequel to the very-good 2011 prequel pushes the "franchise extender" mentality currently consuming Hollywood to new extremes.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Insidious: Chapter 3
|
3AW
|
Jim Schembri
|
Straight from the jump-out-of-the-shadows-and-yell-boo school of fright flicks comes this neat, highly effective little haunted house number from Australian director Leigh Whannell.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Official Secrets
|
3AW
|
Jim Schembri
|
Political films are at their best when they see both sides of a contentious issue. Even with such a raft of good actors putting in such sterling work, Official Secrets falls short of that.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Zoolander 2
|
3AW
|
Jim Schembri
|
After 15 years in deep freeze, writer/director/star Ben Stiller thaws out his beloved, pea-brained male model Derek Zoolander for a belated sequel and, in the face of the cosmic odds against it, it's quite a fun lame-brained laughfest.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Jersey Boys
|
3AW
|
Jim Schembri
|
The film doesn't work as a drama, it doesn't work as a comedy and it sure as heck doesn't work as a musical...In all, Jersey Boys delivers the one thing we never expect to see from the latter-day Clint Eastwood: mediocrity.
|
1.5/5
|
5
| 1.5
| 5
| true
| 3
| 11
| 2
| 1
|
12 Years a Slave
|
3AW
|
Jim Schembri
|
The film imparts the casual cruelty of slavery with full force without having to resort to graphic portrayals of on-screen brutality. The film certainly has those, but they are sporadic, well-judged and serve the larger story of a man starved of freedom.
|
4.5/5
|
5
| 4.5
| 5
| true
| 9
| 11
| 2
| 1
|
Drinking Buddies
|
3AW
|
Jim Schembri
|
A touching, truthful look at how friendships work when things go off road.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Kingsman: The Secret Service
|
3AW
|
Jim Schembri
|
Joining the long, long list of James Bond spoofs comes yet one more in the well-dressed, blandly titled, way-too-long form of Kingsman: The Secret Service... Jam your brain into neutral and you should enjoy most of the over-long shenanigans here.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
The Mule
|
3AW
|
Jim Schembri
|
The economy and efficiency of Eastwood's direction only seems to improve. The Mule moves at a breezy, unforced clip, with Eastwood effortlessly switching from personal-drama mode to action-thriller mode.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
The Big Short
|
3AW
|
Jim Schembri
|
It's a dizzying semi-comic, totally serious ride through the canyons of finance, and while you might not comprehend every single turn of phrase...[Director Adam] McKay is careful to keep the emphasis on the character drama.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
The Danish Girl
|
3AW
|
Jim Schembri
|
Fresh-faced British actor Eddie Redmayne here provides another sterling example of just how deeply he can immerse himself into a role.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
The SpongeBob Movie: Sponge Out of Water
|
3AW
|
Jim Schembri
|
A wall-to-wall delight peppered with gags for adults, Spongebob 2 absolutely holds up to a second viewing.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Advanced Style
|
3AW
|
Jim Schembri
|
These women clearly get a kick out of flouting convention and there is something admirable in their spirit of defiance, but the doc is average TV at best.
|
2/5
|
5
| 2
| 5
| true
| 4
| 11
| 2
| 1
|
The Front Runner
|
3AW
|
Jim Schembri
|
Forcefully directed by Jason Reitman (Up In The Air), the film is essentially an origin story accounting for the venality of today's rabid media culture, covering hot-button topics such as invasion of privacy, newsroom bias and double-standards.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Game Night
|
3AW
|
Jim Schembri
|
After a deliberately slow start directors John Francis Daley & Jonathan Goldstein (working from a screenplay by Mark Perez) hit the accelerator once the game's first victim - or should that be "victim"? - hits the floor. It's all go from there.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
A Ghost Story
|
3AW
|
Jim Schembri
|
A perfect example of a good idea, half-baked.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Guardians of the Galaxy Vol. 2
|
3AW
|
Jim Schembri
|
There is fun to be had as the team of renegade space pirates return...with some funny, impressive action sequences [but it] turns into a high-concept mess involving reel upon reel of planetary destruction, a VFX cliche we are seeing way too much of.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Force Majeure
|
3AW
|
Jim Schembri
|
Director Ruben Ostlund is more playful than cynical in his exploration of a marriage on the rocks, and his blending of dark humour with lyrical visuals is often arresting.
|
3.5/5
|
5
| 3.5
| 5
| true
| 7
| 11
| 2
| 1
|
Fahrenheit 11/9
|
3AW
|
Jim Schembri
|
The latest anti-Republican tirade from the Oscar-winning maker of films that some people mistake for documentaries is actually quite a hoot...Most of the film is the usual partisan BS, cleverly packaged in a way that even Moore's detractors will enjoy.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Glass
|
3AW
|
Jim Schembri
|
The Sixth Sense, The Visit and Split showed that Shyamalan has real talent as a director of suspense, and there are sparks of that here, yet the film strains for your attention and stumbles with a very awkward ending.
|
2.5/5
|
5
| 2.5
| 5
| true
| 5
| 11
| 2
| 1
|
Whiplash
|
3AW
|
Jim Schembri
|
Student-teacher relations don't get much more combative than what we see in Whiplash. And firebrand acting doesn't get much better.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Fighting with My Family
|
3AW
|
Jim Schembri
|
A heart-warming, uplifting, reality-based Rocky for girls...Self-respect and the need to respect others by looking beyond one's own prejudices are the values underpinning the action. Sports movie tropes all of them, and very well deployed.
|
4/5
|
5
| 4
| 5
| true
| 8
| 11
| 2
| 1
|
Mississippi Grind
|
3AW
|
Jim Schembri
|
All good films about gambling are, in essence, anti-gambling films and this one is a cracker.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
Collateral Beauty
|
3AW
|
Jim Schembri
|
Collateral Beauty really is a nice, innocuous little film designed for those in the mood for an undemanding weepie...Yet, once again we have an example of an unpresuming, mid-range movie becoming a lightning rod for inexplicable online hatred.
|
3/5
|
5
| 3
| 5
| true
| 6
| 11
| 2
| 1
|
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