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Why don't you leave me alone? |
Because I want youwill always want youno other woman'll ever take your place. I want you more now than I did that first night You've forgotten all that, I suppose? |
I wish I could. |
Get wise to yourself, Sallyyou're no sob story. |
You get wise to <U>yourself</U>! If you know what's good for you, you'll leave me alone. Everybody's entitled to one mistakeWellyou're mine. When the going got too rough, I pulled up stakes and quit. We stay quit!Get that!And what're you going to do about it? |
That's more like the old Sallya little bit of fire. How about Ned? |
He's all right. |
Thanks to me. |
You leave the kid alone. |
A tipoff in the right quarter to take his fingerprints and |
you'd go with him! |
Don't kid yourselfyou know how I stand back there. |
Not because of Ned. |
Of course not but isn't it a coincidence that he's from the eighteenth precinctwhere they made the squawk? |
You can't bluff me any more. |
I'm crazy about the kid and I got him into it. What do you want me to do? |
Just smile again and be reasonable. I'll order dinner herejust the two of uslike old times. |
and you swear when you get to the other side, you'll never come near either of us again? |
That's a betbut I couldn't let you walk out like that, Sally. I'd have gone cuckoo back therejust thinking about you |
Don't, Leethat's dead. |
Let's see if I can bring it back to life. |
Go aheadyou didn't used to be so fussy |
I've lost my taste for knickknacks |
Don't be a mug all your lifeI'm trying to help you you need me more than I need youhave you figured they might pick the kid up in France and extradite him? |
Have you ever figured they might extradite you? |
I'm not so clumsy with fingerprints |
I know he is. You change those clothes and then come to my cabin. I'll expect you around twelve o'clock. |
Not a chanceI'm through. |
You're wasting your timeshe's a friend of mine. |
Eh?... Oh. |
He works the boats as a "comeon" man. We ought to make a fair combination and do a little business. Jack's a pretty good dealer himself. |
There's a lot of trout in this stream just waitin' for a fly. I've already been workin' on a young fellow from Chicagorelated to one of the big packin' familieson his way to Biarritz for a good time. Likes a little game of bridge and poker. |
That's him! That's the sucker!! |
Looks lonesomeBring him over here. |
Can you read 'em Jack? |
They're a cinch to readQueen of Clubs Ace of Diamonds. |
The man that marks them is an artisttwo hundred and fifty bucks for six decksand they're worth it. |
The country boy's about due. |
Better unlock the door. Sit up, darling, and be dignified. |
Out my way in Montana we always call a bluff. |
Well, I helped my hand so I'll have to see you. |
How much did you lose? |
About twelve hundred. |
I went for four. |
It's a long trip and we'll get that sucker later. |
Then, after the first number, I tell the one about the Scotchman trying to open a Pullman windowthe Scotchman says to the window"Gee you're tight." and the window says"You loosen up a bit and so will I."Good?And then I do the one Ohyou don't like it, eh? |
ChadLother's on the boat, and I'm worried sick about Sally |
Oh!So that's it. Does she know he's on board? |
Nobut I'm going to keep my eye on |
What happened to you? |
You've got a gun, haven't you, Chad? Will you let me have it? |
What for? |
Don't ask any questionsjust give it to me. |
Easy kideasy.... Come onI want to talk to you. |
Yepeverybody's having a good time but meWhat do you want, Mary? |
I just wrote a poem about the Atlantic Ocean |
But, Maryeverybody's having such a great time why spoil it? |
Somebody's got to do it |
Well, let's hear the poem |
Oh, you dear Atlantic Oceanhow you spread across the seaFrom New York to dear old Europejust for boats to ride on thee |
Very good, Mary |
But I'm not finished yetAnd your waves are so colossalrocking boats both to and froOhh, Atlantic, how I love you how I love you |
What's the matter, Mary? |
I'm getting seasick |
H'mm<U>Dear</U> Atlantic |
Mr. DenbyWhat do you think I ought to do with that part? |
Put the whole thing in an envelope and mail it through a porthole |
Oh, Mr. Dennby! |
Everyone but mewhat do you want now, Mary? |
I feel better nowI've got a riddle! When is a plate of bean soup not a plate of bean soup? |
All right. When <U>is</U> a plate of bean soup not a plate of noodle soup? |
When it falls off the table and turns turtleCute? |
Maryfall off the boat and turn to the left |
With your dry wit and humor |
Oh yeah?My personality put this thing over |
Maurice Chevalier! There's a fellow with personality. |
What's he got that I haven't got? |
Well, he has a straw hat |
So have II can get it right out of my trunk. |
And he has sex appeal. |
So what? |
Get that out of your trunk. |
All rightdon't spoil the trip with any of those jokes there's a nice bunch of people on this tripnothing but classI looked over the passenger list and they're all members of the Who's Who! |
Never mind the Who's WhoBefore I get on this boat I want to know What's What! How about my raise? All I get out of these ocean trips is dizzy. |
Don't blame it on the ocean!All right, you'll get the raise! |
Is that one of the Who's Who? |
NoHe's probably one of the "Here's How." Take it easythe ocean's pretty rough today |
H'mm ... no wonder I have trouble rounding up this showDon't you know there's a rehearsal going on? And you wanted a raise.Come onget going or you'll get it! |
Oh, all right See you later, Toots. |
Oh, Chadwhat about the rest of the show? |
Oh,I was having so much fun I almost forgot |
Oh, Mr. Denby, I wrote a poem about a bracelet |
Goodnight, folks. |
I'll give you another chance to tell the truth, Lother. |
What do you mean? |
Why don't you be a good little boy and leave her alone? |
OhI understand you were an important part of her education when she came to New York. |
I just tried to show her the difference between the squirrels and the skunks. |
Meaning what? |
You don't shoot squirrels. |
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