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...in the morning. |
Thank you. Excuse me. |
I followed his shadow until suddenly... |
Well?... |
This is where he vanished. |
I see. |
I suppose you don't believe me. |
No. |
Look...I tell you, you don't think I'm blind, do you? |
Yes. Where were you when you saw him first? |
Fifty yards right down there. |
Which side of the road? |
I was on that side, the shadow was on that side, and no turnings on either side. |
How about the doorway? |
I tell you I heard him running ahead of me. |
Yes, yes, yes, and then he vanished out there, I suppose with a puff of smoke and like a clap of... |
It wouldn't work. |
We'll never get him in the Russian zone. |
Calloway, you expect too much. I know he deserves to hang, you proved your stuff. But twenty years is a long time don't ask me to tie the rope. |
Calloway! |
Oh, there you are. Come in here, there isn't much time. |
A girl of spirit. |
She's right. It's none of my business. |
Didn't I? |
You all did. |
Do you mind if I drop off somewhere on the way? I've got an appointment, won't take five minutes... |
Of course. |
Why don't you come in, too you're a writer... Might interest you. |
Paine lent me one of your books; "Oklahoma Kid," I think it was. Read a bit of it... Think it's pretty good. What made you take up this sort of thing? Been doing it for long? |
All right, Calloway. You win. |
I never knew there were snake charmers in Texas... |
I said you win. |
Win what? |
I'll be your dumb decoy duck. |
What time is it? |
Two thirty. |
Calloway, can't you do something about Anna? |
I'll do what I can, if she'll let me. |
Wait a minute let me out. |
Well, there's not much time. |
One can't just leave please. |
Be sensible, Martins. |
I haven't got a sensible name, Calloway. |
What is it? |
This is forgery. It is very clever. |
We are interested in this case. Have you arrested the girl? |
No, not yet. |
Please keep this passport to yourself, until I make some inquiries, will you, Major? |
Yes, of course. |
Thank you. |
...Austrian Police Headquarters. |
Can I have that woman's passport? |
Yes. |
I was a friend of Harry Lime. |
I would very much like to meet you, Baron. Come around. |
Austrians aren't allowed in your hotel. Couldn't we meet at the Mozart cafe? |
Where? |
Just around the corner. |
How will I know you? |
I'll carry a copy of one of your books. Harry gave it to me. |
Must you take those? |
They'll be returned, miss. |
They are private letters. |
That's all right, miss, don't worry. We're used to it like doctors. |
There you are, miss, your receipt for the letters. |
I don't want it. |
Well, I've got it when you want it, miss. |
Here we are. You'll be all right here, Miss. |
I don't... |
Thank you, you have been so kind. Anna moves down to stand CL of Paine. |
Well, I'll be saying good night. Good night, Miss. |
Goodbye. |
...parents. |
Yes. |
Must you take those letters? CALLOWAY Yes, I'm afraid so. |
They're Harry's. |
That's the reason. |
You won't learn anything from them. They are only love letters. There are not many of them. |
They'll be returned to you, Miss Schmidt, as soon as they've been examined. |
There's nothing in them. |
Right. Sit down Miss Schmidt, we will send your letters and things back to you. |
And my passport? |
You know as much as I do, Miss Schmidt you were intimate with Lime, weren't you? |
We loved each other, do you mean that? |
Do you know this man? |
I have never seen him. |
Joseph Harbin... |
No. |
He works in a military hospital. |
No. |
It's stupid to lie to me, Miss Schmidt. I'm in a position to help you. |
In one of his letters he asked you to telephone a good friend of his called Joseph. He gave you the number of the Casanova Club. That is where a lot of friends of Lime used to go. |
It wasn't important. |
You can help us. |
What can I tell you but that you have got everything upside down. |
Now then, Miss Schmidt, I'm not interested in your forged papers that's purely a Russian case. When did you last see Lime? |
Two weeks ago. |
I want the truth, Miss Schmidt. We know he is alive. |
It's true then? |
Joseph Harbin's body was found in the coffin. |
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