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Hi. |
I'd prefer it if you didn't speak to me. |
I... |
...you know, there's nothing you could say, that could <u>possibly</u> make a difference, so, why don't you just save your breath. |
What's in the case? |
Eight hundred thousand dollars in cash. |
And what was it you wanted to say? |
Gut Yuntif. |
...little woman has gone crazy about our dinner party...City Council...? What's the trouble...? |
Main Street. |
Doug, the traffic light... |
<u>Fuck</u> the traffic light. I'm talking about three percent of the adjusted gross of a Major Motion Picture... |
I have to talk to you. |
Doug, this is Mr... |
...he's the producer of the movie. |
I want you to hear this, pal... Forget the overages, <u>forget</u> Ten Thousand Dollars for three days to two weeks. You know what it would cost for them to <u>build</u> this set? Two Million Dollars! Now: |
Doug... |
Now: the Waterford Merchant's Association, of who I am Council... |
Where you off to? |
I, uh...I'm leaving. |
Why? |
I perjured myself. I told a lie, and I ruined my life. That's what I did... I don't suppose you could help me with <u>that</u>, could you? Turn back the <u>clock</u>, or something? Give me back my, give me back my <u>purity</u>, I don't suppose you could just wave your magic wand and do that, could you...? But what <u>is</u> truth? Eh? In't that the thing? What <u>is</u> true? |
It's the truth that you should never trust anybody, wears a bowtie. Cravat's sposed to point down to accentuate the <u>genitals</u>, why'd you wanna trust somebody, s'tie points out to accentuate his <u>ears</u>...? |
Aren't you supposed to set an example for people...? |
Nope. I'm just supposed to hold people's hands, while they die. What'd you say your problem was... |
...I just swore my life away, back in that... |
Mornin, Chessy...how's the back...? |
Kiss my ass. |
Well. |
What? |
Who got their heads cut? |
Uh. Bob Barrenger, fella, <u>Cameraman</u>... |
You said <u>three</u>...? |
<u>Did</u> I? I think you're mistaken. |
You show Claire these sketches? |
Yes. |
Did she throw up? |
That isn't very nice. |
Oh, really, then why don't you sue me in the World Court. Did she like the costumes? |
I can't tell. |
Why not? |
She won't stop crying... |
Find out when Marty Rossen's arriving, get him a bunch of lilacs to send to the broad. |
She doesn't want to Bare Her Breasts. |
She Doesn't Want to Bare Her Breasts...what, in the "Nude Scene...?" What are we paying her three mil? |
she's got 'religion.' |
Her religion bars her from fulfilling her contr... |
"Bring it in on time and there's more where these came from. Marty. P.S. I want to talk to you about a product tie in..." |
I'll put the, in your r... |
Somebody make a note. I want Li..., for the broad...what does she like? Lilacs. Okay. A truck of lilacs when the broad comes. And get something for Bob Barrenger, get him, what does he like...? |
Bob Barrenger...Bob...Bob Barrenger's in this movie? |
That's cor... |
He's staying here? Bob Barrenger is staying he...? |
Put something in his room. What does he like? |
Claire, when did you... |
I just... |
Claire, Bob Bar... |
We're just talking about the... |
Don't let me dis...I'll just... |
No, no...Please. |
This is Joe White. |
How can I thank you? How can I repay you for this part? It's a...what a, thank you for this part. The first scene at the Old Mill... |
What, what's there to <u>think</u> about? The scene's perfect...I, I get to say... |
Yes, but, Joe, <u>Joe's</u> been, well, he's just been having a few, uh, "Thoughts," about... |
How many times in your <u>life</u> do you get a speech like that? |
Yeah. |
This scene is why I'm doing the movie. "Look at the mill, Frank look at the way it goes around...<u>half</u> of the time the darned wheel's under water, but..." |
Yes, yes, but... |
"...but still it rises up...It rises up, Frank, high as it can go." |
Yeah. Joe? Would you, uh, tell Claire the, uh, the "thoughts" you've been... |
What...? |
I can't do it, Walt. |
You can't do what? |
It isn't <u>right</u>. I can't...I...I know I si...I, they, I don't know if they told me it was in the con... |
<u>Forget</u> the contract. Claire. What is it? |
I don't want to take my shirt off in that con...What are these things that they're asking of me...? Wha...wha...wha... I try to be good; the only thing I care about is... |
I know that... |
Is...Is the Movie! |
I know that, Claire. I, we <u>all</u> know... |
Everybody, they, they, they treat me like a... |
...<u>no</u>, they don't... |
...they treat me like a <u>child</u>. I, I...to bare my <u>body</u>. |
Now, look. Claire: Listen to me. I want to tell you a story. |
Fuck flowers, we aren't talking about flowers, we're talking about a human being. |
I...I... |
Who are these from? |
...I can't do it, Wally... |
Listen to me: Elanora <u>Duse</u> was playing Hamlet in London in 1905, and Royalty could not get a ticket. She said, "I'm not doing the seven shows a week I signed for." She said, "I cannot bare my soul seven times a week. I am an artist. I'll do four shows a week." The greatest actress of her time. You know what her Producer said? |
What? |
Nothing. He held her and he wept. Because he... |
...I... |
Because he understood. That was her life's blood on the stage. |
...I know...I know... |
...and, and, and did she...? And she did the seven shows... |
No, she didn't Claire. But I think you should do the scene. |
Wally... |
I know, I know. |
I know, it's the hardest thing in the world, and it seems everybody wants... |
...yes... |
...wants a piece... |
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