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Security. |
Jerry, you'd better lie down. You're not doing well. |
Look, stop treating me like a child. I'm not stupid. I know there's a problem. |
I'll say there is! |
His mother we need her approval. But I'm not worried because I don't smoke. |
Jerry there's another problem. |
Like what? |
Like what are you going to do on your honeymoon? |
We've been discussing that. He wants to go to the Riviera but I sort of lean toward Niagara Falls. |
You're out of your mind! How can you get away with this? |
Oh, I don't expect it to last. I'll tell him the truth when the time comes. |
Like when? |
Like right after the ceremony. |
Oh. |
Then we'll get a quick annulment he'll make a nice settlement on me I'll have those alimony checks coming in every month |
Jerry, listen to me there are laws conventions it's just not being done! |
But Joe this may be my last chance to marry a millionaire! |
Look, Jerry take my advice forget the whole thing just keep telling yourself you're a boy! |
I'm a boy I'm a boy I wish I were dead I'm a boy I'm a boy What am I going to do about my engagement present? |
What engagement present? |
Hey these are real diamonds. |
Naturally. You think my fiance is a bum? Now I guess I'll have to give it back. |
Wait a minute lets not be hasty. After all, we don't want to hurt poor Osgood's feelings. |
That's some nerve! |
Daphne got a proposal tonight. |
I feel like such a tramp taking jewelry from a man under false pretenses. |
Get it while you're young. And you better fix your lips. You want to look nice for Osgood, don't you? |
It's just going to break his heart when he finds out I can't marry him. |
So? It's going to break Sugar's heart when she finds out I'm not a millionaire. That's life. You can't make an omelette without breaking an egg. |
What are you giving me with the omelette? |
Nag, nag, nag. Look, we got a yacht, we got a bracelet, you got Osgood, I've got Sugar we're really cooking. |
Joe |
What? |
I tell you, Joe, they're on to us. They're going to line us up against the wall and Eheheheheh and then the police are going to find two dead dames, and they're going to take us to the ladies' morgue, and when they undress us I tell you, Joe, I'm just going to die of shame. |
Shut up and keep packing. |
Okay, Joe. |
Not that, you idiot. |
But they're from Osgood. He wanted me to wear them tonight. |
Joe, if we get out of this hotel alive, you know what we're going to do? We're going to sell the bracelet, and grab a boat to South America and hide out in one of those banana republics The way I figure is, if we eat nothing but bananas, we can live there for fifty years maybe a hundred years that is, if we get out of the hotel alive. Did we forget anything? |
There's our shaving stuff and there's Sugar. |
Sugar? |
Get me Room 414. |
What do you think you're doing? |
Telephone call? Who's got time for that? |
We can't just walk out on her without saying goodbye. |
Since when? Usually you leave 'em with nothing but a kick in the teeth. |
That's when I was a saxophone player. Now I'm a millionaire. |
Drop her a postcard. Any minute now those gorillas may be up here |
Hello, Room 414? This is the shiptoshore operator I have a call for Miss Sugar Cane. |
Hello, my dearest darling. So good to hear your voice again. |
I may throw up. |
I don't know about the captain but the navigator is getting his tail out of here. |
Yeah lets shove off. |
Wait a minute my bracelet. What happened to my bracelet? |
What do you mean, your bracelet? It's our bracelet. |
All right. What happened to our bracelet? |
Don't worry. We did the right thing with it. |
What did we do? Joe, you're not pulling one of your old tricks. |
No tricks, no mirrors, nothing up my sleeve. It's on the level this time. |
You crazy or something? The place is crawling with mobsters gangrene is setting in and you're making like Diamond Jim Brady! How are we going to get out of here? How are we going to eat? |
We'll walk. And if we have to, we'll starve. |
There you go with that we again. |
All right so what do we do now? |
First thing we got to do is get out of these clothes. |
Did you hear that? |
Yeah, but they're not watching yachts. Come on you're going to call Osgood. |
What'll I tell him? |
Tell him you're going to elope with him. |
Elope? But there are laws conventions |
There's a convention, all right. There's also the ladies' morgue. |
It's all fixed! Osgood is meeting us on the pier |
We're not on the pier yet |
Say, boss I been talking to some of the other delegates and the word is that Little Bonaparte is real sore about what happened to Toothpick Charlie. Him and Charlie, they used to be choir boys together. |
Stop, or I'll burst out crying. |
He even got Charlie's last toothpick the one from the garage and had it goldplated. |
Like I was telling you Little Bonaparte is getting soft. He doesn't have it here any more. Used to be like a rock. Too bad. I think it's time for him to retire. |
Same faces same instruments and here's your Valentine's card. |
Those two musicians from the garage! |
They wouldn't be caught dead in Chicago so we'll finish the job here. Come on. |
What happened? |
Me and Tiny, we had them cornered but we lost 'em in the shuffle. |
Where were you guys? |
This a private clambake, or can anybody join? |
It's private. Go away. |
Okay. |
Manhattans? This time of night? |
so the onelegged jockey said |
What did he say? |
The onelegged jockey said 'Don't worry about me, baby. I ride sidesaddle.' |
Cut it out, girls. Stop it. Joe Josephine help! |
Hey, she's ticklish! |
You're in Berths 7 and 7A. |
Thank you ever so. |
You're welcome. |
It's entirely mutual. |
Upsydaisy. |
Fresh! |
No how does it go? |
Now cut that out, girlsnone of that rough talk. They went to a conservatory. |
Pardon me, Mr. Bienstock can I have my flask back? |
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