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You must be Juliet. |
Would you like to come in? |
I'd be delighted. |
It's nice. |
Would you like to see the rest? |
What do you do? |
Well, I've been away for a bit, travelling, that sort of thing, and now I'm trying to write a novel. |
What's it about? |
A priest who dies. |
I see. |
Yeah. Well, maybe I'll change it. |
No. |
Yes, I mean, who wants to read about another dead priest? It's about some other guy, some guy who's not a priest, who doesn't die. You see, it's better already. |
Writing seems easy. |
It's a breeze. |
Do you think you could answer that? |
The telephone? It continues to ring. |
Yes, the telephone, but if it's for me, I'm not in. HUGO You're not in. |
No. |
All right. |
It was some guy called Brian. |
Did he sound upset? |
A little bit. Is that good or bad? |
It's an improvement. |
Shall I answer it? |
No, just leave it. He knows I must be at home. I'm working nights this week. |
Working nights? |
I'm a doctor. |
And he's a patient of yours? |
No. But he needs treatment. |
For what? |
A certain weakness. |
The human condition. |
You know about it? |
I write about it? |
And that's not the same thing? |
No, but like all novelists, I'm in search of the self. |
Hello. |
What happened to that guy? |
What guy? |
That guy, the one that died. |
What guy that died? |
That one, last week. |
Here?. |
Yeah, here, I mean, where else? |
Oh, him. Well, he died. |
That's what I thought. |
What do we do here, David? |
Sorry? |
Here. |
Right here? |
In this firm. |
Well, it's a wide range of, eh |
Accounting, David, chartered accounting |
Exactly what I was |
is often sneered at. Are you aware of that? |
Not any real sneering as such, no. |
There's a whole wide world out there, and it all needs to be accounted for, doesn't it? |
Eh |
But they sneer, don't they? |
I'm not sure |
Oh, it's unfashionable, I know, but, yes, we're methodical, yes, we're dilligent, yes, we're serious, and where's the crime in that, and why not shout it from the rooftops, yes, maybe sometimes we are a little bit boring, but by God, we get the job done. |
Yes, sir. |
And that's why I think you fit in here. |
I'm boring? |
You get the job done. |
Oh, I see, I thought you meant |
Which is why I'm trusting you with this account. |
Why do you want a room here? |
Do you smoke? |
Look, it's a fairly straightforward question. You're either divorced or you're not. |
OK, I'm going to play you just a few seconds of this tape I'd like you to name the song, the lead singer and the three hit singles subsequently recorded by him with another band. |
It's just that you strike me as a man trapped in a crisis of emotional direction, afflicted by a realization that the partner of your dreams is, quite simply, just that. |
Did you ever kill a man? |
Just get on with it, Alex. |
Keep it going, Alex. You're unstoppable now. |
Is this what they always look like? |
Yes. |
I've never seen a dead body before. |
Alex, I think it's time for you to stop. |
Are you all right? |
Oh, yes, I'm fine, thanks, just fine. |
Would you like to talk about it? |
No. |
Do you know many of these people? |
Yes. They're my friends. |
Do you think you could be a little more forceful next time? |
I'm sorry. |
It's alright. I think he got the message anyway. |
That was stressful. I found that stressful. |
Two hundred. |
Two hundred pounds? |
Two hundred pounds. |
You paid two hundred pounds for this? |
That's what it cost, David. |
No, no, no. That's what you paid for it. Two hundred pounds is what you paid for it. We don't know what it cost us yet, for you two to have a good time, we don't know the cost of that yet. |
Expecting anyone? |
What? |
Were you expecting anyone? Tonight? |
No. |
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