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Dataset card Data Studio Files
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I changed the tag?
MARISHA: Yeah. That one.
LAURA: That was great. Now I have it. Cool.
MARISHA: You won twice.
MATT: Everything’s coming up Jester.
LAURA: All right, let’s go back there. They don’t
like me, but let’s go back there.
MARISHA: I can just pop in if you want to wait
outside.
LAURA: They don’t like you either.
MARISHA, Yeah, but they like money. Let’s go.
MATT: All right, so you guys make your way to
Lochward General in the Lochward District. As you
enter, the older woman, Harper Mince, is there in
the general store. It’s the large, almost wooden
barn exterior. The front door opens two ways, and
the inside is wall-to-wall lined with tools for
farming and farming equipment for building.
There’s lumber. There’s all sorts of iron nails.
It’s by all accounts a rural general store.
You see on far end is Harper, the older
woman there, standing and looking out at the rest
of you. “Hi, can I help you? What are you looking
for?”
LAURA: We are looking for pickles, did you get any
yet?
MATT: “No, we don’t sell pickles here, sorry.”
LAURA: Most general stores have pickles, this is
the only thing.
MARISHA: You’re not wrong, generally, yeah.
MATT: “We can order some pickles, if you like.”
LAURA: Yeah, you probably should. I think you
would do well if you sold pickles. Do you have
maps for sale of the area?
MATT: “The area? Let me check. I’ll be right
back.”
LAURA: Does she leave the room?
MATT: Yeah, she does. She leaves the room.
TRAVIS: Don’t– put your hands in your pockets.
LAURA: Don’t put my hands in my pockets, got it! I
start running around and just moving everything on
the shelves again the same way as before.
MATT: Make a sleight of hand check.
SAM: You’re just moving things?
LAURA: Yeah, just like moving–
TRAVIS: Please be Laura when she was five and
break shit.
LAURA: Oh yes! 18 plus five.
TALIESIN: This is beautiful.
MATT: With nary a squeak you completely rearrange
in a period of about two and a half minutes most
of the price cards that are dangling from a number
of the tools, their placement. You guys all sit
back and watch as this glorious display– you can
almost hear the William Tell Overture begin to
play in the back of your head as she rummages back
and forth throughout the interior of the chamber,
turning things around and sticking them in the
ground. It has been completely rearranged.
LIAM: [old man voice] Why