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| King Lear | |
| by William Shakespeare | |
| Characters in the Play | |
| ====================== | |
| LEAR, king of Britain | |
| GONERIL, Lear's eldest daughter | |
| DUKE OF ALBANY, her husband | |
| OSWALD, her steward | |
| REGAN, Lear's second daughter | |
| DUKE OF CORNWALL, her husband | |
| CORDELIA, Lear's youngest daughter | |
| KING OF FRANCE, her suitor and then husband | |
| DUKE OF BURGUNDY, her suitor | |
| EARL OF KENT | |
| FOOL | |
| EARL OF GLOUCESTER | |
| EDGAR, his elder son | |
| EDMUND, his younger and illegitimate son | |
| CURAN, gentleman of Gloucester's household | |
| OLD MAN, a tenant of Gloucester's | |
| KNIGHT, serving Lear | |
| GENTLEMEN | |
| Three SERVANTS | |
| MESSENGERS | |
| DOCTOR | |
| CAPTAINS | |
| HERALD | |
| Knights in Lear's train, Servants, Officers, Soldiers, Attendants, Gentlemen | |
| ACT 1 | |
| ===== | |
| Scene 1 | |
| ======= | |
| [Enter Kent, Gloucester, and Edmund.] | |
| KENT I thought the King had more affected the Duke | |
| of Albany than Cornwall. | |
| GLOUCESTER It did always seem so to us, but now in | |
| the division of the kingdom, it appears not which | |
| of the dukes he values most, for equalities are so | |
| weighed that curiosity in neither can make choice | |
| of either's moiety. | |
| KENT Is not this your son, my lord? | |
| GLOUCESTER His breeding, sir, hath been at my | |
| charge. I have so often blushed to acknowledge | |
| him that now I am brazed to 't. | |
| KENT I cannot conceive you. | |
| GLOUCESTER Sir, this young fellow's mother could, | |
| whereupon she grew round-wombed and had indeed, | |
| sir, a son for her cradle ere she had a husband | |
| for her bed. Do you smell a fault? | |
| KENT I cannot wish the fault undone, the issue of it | |
| being so proper. | |
| GLOUCESTER But I have a son, sir, by order of law, | |
| some year elder than this, who yet is no dearer in | |
| my account. Though this knave came something | |
| saucily to the world before he was sent for, yet was | |
| his mother fair, there was good sport at his making, | |
| and the whoreson must be acknowledged.--Do you | |
| know this noble gentleman, Edmund? | |
| EDMUND No, my lord. | |
| GLOUCESTER My lord of Kent. Remember him hereafter | |
| as my honorable friend. | |
| EDMUND My services to your Lordship. | |
| KENT I must love you and sue to know you better. | |
| EDMUND Sir, I shall study deserving. | |
| GLOUCESTER He hath been out nine years, and away he | |
| shall again. [(Sennet.)] The King is coming. | |
| [Enter King Lear, Cornwall, Albany, Goneril, Regan, | |
| Cordelia, and Attendants.] | |
| LEAR | |
| Attend the lords of France and Burgundy, | |
| Gloucester. | |
| GLOUCESTER I shall, my lord. [He exits.] | |
| LEAR | |
| Meantime we shall express our darker purpose.-- | |
| Give me the map there. [He is handed a map.] | |
| Know that we have divided | |
| In three our kingdom, and 'tis our fast intent | |
| To shake all cares and business from our age, | |
| Conferring them on younger strengths, while we | |
| Unburdened crawl toward death. Our son of | |
| Cornwall | |
| And you, our no less loving son of Albany, | |
| We have this hour a constant will to publish | |
| Our daughters' several dowers, that future strife | |
| May be prevented now. | |
| The two great princes, France and Burgundy, | |
| Great rivals in our youngest daughter's love, | |
| Long in our court have made their amorous sojourn | |
| And here are to be answered. Tell me, my | |
| daughters-- | |
| Since now we will divest us both of rule, | |
| Interest of territory, cares of state-- | |
| Which of you shall we say doth love us most, | |
| That we our largest bounty may extend | |
| Where nature doth with merit challenge. Goneril, | |
| Our eldest born, speak first. | |
| GONERIL | |
| Sir, I love you more than word can wield the | |
| matter, | |
| Dearer than eyesight, space, and liberty, | |
| Beyond what can be valued, rich or rare, | |
| No less than life, with grace, health, beauty, honor; | |
| As much as child e'er loved, or father found; | |
| A love that makes breath poor, and speech unable. | |
| Beyond all manner of so much I love you. | |
| CORDELIA, [aside] | |
| What shall Cordelia speak? Love, and be silent. | |
| LEAR, [pointing to the map] | |
| Of all these bounds, even from this line to this, | |
| With shadowy forests and with champains riched, | |
| With plenteous rivers and wide-skirted meads, | |
| We make thee lady. To thine and Albany's issue | |
| Be this perpetual.--What says our second | |
| daughter, | |
| Our dearest Regan, wife of Cornwall? Speak. | |
| REGAN | |
| I am made of that self mettle as my sister | |
| And prize me at her worth. In my true heart | |
| I find she names my very deed of love; | |
| Only she comes too short, that I profess | |
| Myself an enemy to all other joys | |
| Which the most precious square of sense | |
| possesses, | |
| And find I am alone felicitate | |
| In your dear Highness' love. | |
| CORDELIA, [aside] Then poor Cordelia! | |
| And yet not so, since I am sure my love's | |
| More ponderous than my tongue. | |
| LEAR | |
| To thee and thine hereditary ever | |
| Remain this ample third of our fair kingdom, | |
| No less in space, validity, and pleasure | |
| Than that conferred on Goneril.--Now, our joy, | |
| Although our last and least, to whose young love | |
| The vines of France and milk of Burgundy | |
| Strive to be interessed, what can you say to draw | |
| A third more opulent than your sisters'? Speak. | |
| CORDELIA Nothing, my lord. | |
| LEAR Nothing? | |
| CORDELIA Nothing. | |
| LEAR | |
| Nothing will come of nothing. Speak again. | |
| CORDELIA | |
| Unhappy that I am, I cannot heave | |
| My heart into my mouth. I love your Majesty | |
| According to my bond, no more nor less. | |
| LEAR | |
| How, how, Cordelia? Mend your speech a little, | |
| Lest you may mar your fortunes. | |
| CORDELIA Good my lord, | |
| You have begot me, bred me, loved me. | |
| I return those duties back as are right fit: | |
| Obey you, love you, and most honor you. | |
| Why have my sisters husbands if they say | |
| They love you all? Haply, when I shall wed, | |
| That lord whose hand must take my plight shall | |
| carry | |
| Half my love with him, half my care and duty. | |
| Sure I shall never marry like my sisters, | |
| To love my father all. | |
| LEAR But goes thy heart with this? | |
| CORDELIA Ay, my good lord. | |
| LEAR So young and so untender? | |
| CORDELIA So young, my lord, and true. | |
| LEAR | |
| Let it be so. Thy truth, then, be thy dower, | |
| For by the sacred radiance of the sun, | |
| The mysteries of Hecate and the night, | |
| By all the operation of the orbs | |
| From whom we do exist and cease to be, | |
| Here I disclaim all my paternal care, | |
| Propinquity, and property of blood, | |
| And as a stranger to my heart and me | |
| Hold thee from this forever. The barbarous | |
| Scythian, | |
| Or he that makes his generation messes | |
| To gorge his appetite, shall to my bosom | |
| Be as well neighbored, pitied, and relieved | |
| As thou my sometime daughter. | |
| KENT Good my liege-- | |
| LEAR Peace, Kent. | |
| Come not between the dragon and his wrath. | |
| I loved her most and thought to set my rest | |
| On her kind nursery. [To Cordelia.] Hence and avoid | |
| my sight!-- | |
| So be my grave my peace as here I give | |
| Her father's heart from her.--Call France. Who stirs? | |
| Call Burgundy. [An Attendant exits.] Cornwall and | |
| Albany, | |
| With my two daughters' dowers digest the third. | |
| Let pride, which she calls plainness, marry her. | |
| I do invest you jointly with my power, | |
| Preeminence, and all the large effects | |
| That troop with majesty. Ourself by monthly course, | |
| With reservation of an hundred knights | |
| By you to be sustained, shall our abode | |
| Make with you by due turn. Only we shall retain | |
| The name and all th' addition to a king. | |
| The sway, revenue, execution of the rest, | |
| Beloved sons, be yours, which to confirm, | |
| This coronet part between you. | |
| KENT Royal Lear, | |
| Whom I have ever honored as my king, | |
| Loved as my father, as my master followed, | |
| As my great patron thought on in my prayers-- | |
| LEAR | |
| The bow is bent and drawn. Make from the shaft. | |
| KENT | |
| Let it fall rather, though the fork invade | |
| The region of my heart. Be Kent unmannerly | |
| When Lear is mad. What wouldst thou do, old man? | |
| Think'st thou that duty shall have dread to speak | |
| When power to flattery bows? To plainness honor's | |
| bound | |
| When majesty falls to folly. Reserve thy state, | |
| And in thy best consideration check | |
| This hideous rashness. Answer my life my | |
| judgment, | |
| Thy youngest daughter does not love thee least, | |
| Nor are those empty-hearted whose low sounds | |
| Reverb no hollowness. | |
| LEAR Kent, on thy life, no more. | |
| KENT | |
| My life I never held but as a pawn | |
| To wage against thine enemies, nor fear to lose | |
| it, | |
| Thy safety being motive. | |
| LEAR Out of my sight! | |
| KENT | |
| See better, Lear, and let me still remain | |
| The true blank of thine eye. | |
| LEAR Now, by Apollo-- | |
| KENT Now, by Apollo, king, | |
| Thou swear'st thy gods in vain. | |
| LEAR O vassal! Miscreant! | |
| ALBANY/CORNWALL Dear sir, forbear. | |
| KENT | |
| Kill thy physician, and thy fee bestow | |
| Upon the foul disease. Revoke thy gift, | |
| Or whilst I can vent clamor from my throat, | |
| I'll tell thee thou dost evil. | |
| LEAR | |
| Hear me, recreant; on thine allegiance, hear me! | |
| That thou hast sought to make us break our vows-- | |
| Which we durst never yet--and with strained pride | |
| To come betwixt our sentence and our power, | |
| Which nor our nature nor our place can bear, | |
| Our potency made good, take thy reward: | |
| Five days we do allot thee for provision | |
| To shield thee from disasters of the world, | |
| And on the sixth to turn thy hated back | |
| Upon our kingdom. If on the tenth day following | |
| Thy banished trunk be found in our dominions, | |
| The moment is thy death. Away! By Jupiter, | |
| This shall not be revoked. | |
| KENT | |
| Fare thee well, king. Sith thus thou wilt appear, | |
| Freedom lives hence, and banishment is here. | |
| [To Cordelia.] The gods to their dear shelter take | |
| thee, maid, | |
| That justly think'st and hast most rightly said. | |
| [To Goneril and Regan.] And your large speeches | |
| may your deeds approve, | |
| That good effects may spring from words of love.-- | |
| Thus Kent, O princes, bids you all adieu. | |
| He'll shape his old course in a country new. | |
| [He exits.] | |
| [Flourish. Enter Gloucester with France, and Burgundy, | |
| and Attendants.] | |
| GLOUCESTER | |
| Here's France and Burgundy, my noble lord. | |
| LEAR My lord of Burgundy, | |
| We first address toward you, who with this king | |
| Hath rivaled for our daughter. What in the least | |
| Will you require in present dower with her, | |
| Or cease your quest of love? | |
| BURGUNDY Most royal Majesty, | |
| I crave no more than hath your Highness offered, | |
| Nor will you tender less. | |
| LEAR Right noble Burgundy, | |
| When she was dear to us, we did hold her so, | |
| But now her price is fallen. Sir, there she stands. | |
| If aught within that little seeming substance, | |
| Or all of it, with our displeasure pieced | |
| And nothing more, may fitly like your Grace, | |
| She's there, and she is yours. | |
| BURGUNDY I know no answer. | |
| LEAR | |
| Will you, with those infirmities she owes, | |
| Unfriended, new-adopted to our hate, | |
| Dowered with our curse and strangered with our | |
| oath, | |
| Take her or leave her? | |
| BURGUNDY Pardon me, royal sir, | |
| Election makes not up in such conditions. | |
| LEAR | |
| Then leave her, sir, for by the power that made me | |
| I tell you all her wealth.--For you, great king, | |
| I would not from your love make such a stray | |
| To match you where I hate. Therefore beseech you | |
| T' avert your liking a more worthier way | |
| Than on a wretch whom Nature is ashamed | |
| Almost t' acknowledge hers. | |
| FRANCE This is most strange, | |
| That she whom even but now was your best | |
| object, | |
| The argument of your praise, balm of your age, | |
| The best, the dearest, should in this trice of time | |
| Commit a thing so monstrous to dismantle | |
| So many folds of favor. Sure her offense | |
| Must be of such unnatural degree | |
| That monsters it, or your forevouched affection | |
| Fall into taint; which to believe of her | |
| Must be a faith that reason without miracle | |
| Should never plant in me. | |
| CORDELIA, [to Lear] I yet beseech your Majesty-- | |
| If for I want that glib and oily art | |
| To speak and purpose not, since what I well | |
| intend | |
| I'll do 't before I speak--that you make known | |
| It is no vicious blot, murder, or foulness, | |
| No unchaste action or dishonored step | |
| That hath deprived me of your grace and favor, | |
| But even for want of that for which I am richer: | |
| A still-soliciting eye and such a tongue | |
| That I am glad I have not, though not to have it | |
| Hath lost me in your liking. | |
| LEAR Better thou | |
| Hadst not been born than not t' have pleased me | |
| better. | |
| FRANCE | |
| Is it but this--a tardiness in nature | |
| Which often leaves the history unspoke | |
| That it intends to do?--My lord of Burgundy, | |
| What say you to the lady? Love's not love | |
| When it is mingled with regards that stands | |
| Aloof from th' entire point. Will you have her? | |
| She is herself a dowry. | |
| BURGUNDY, [to Lear] Royal king, | |
| Give but that portion which yourself proposed, | |
| And here I take Cordelia by the hand, | |
| Duchess of Burgundy. | |
| LEAR | |
| Nothing. I have sworn. I am firm. | |
| BURGUNDY, [to Cordelia] | |
| I am sorry, then, you have so lost a father | |
| That you must lose a husband. | |
| CORDELIA Peace be with | |
| Burgundy. | |
| Since that respect and fortunes are his love, | |
| I shall not be his wife. | |
| FRANCE | |
| Fairest Cordelia, that art most rich being poor; | |
| Most choice, forsaken; and most loved, despised, | |
| Thee and thy virtues here I seize upon, | |
| Be it lawful I take up what's cast away. | |
| Gods, gods! 'Tis strange that from their cold'st | |
| neglect | |
| My love should kindle to enflamed respect.-- | |
| Thy dowerless daughter, king, thrown to my | |
| chance, | |
| Is queen of us, of ours, and our fair France. | |
| Not all the dukes of wat'rish Burgundy | |
| Can buy this unprized precious maid of me.-- | |
| Bid them farewell, Cordelia, though unkind. | |
| Thou losest here a better where to find. | |
| LEAR | |
| Thou hast her, France. Let her be thine, for we | |
| Have no such daughter, nor shall ever see | |
| That face of hers again. [To Cordelia.] Therefore | |
| begone | |
| Without our grace, our love, our benison.-- | |
| Come, noble Burgundy. | |
| [Flourish. All but France, Cordelia, | |
| Goneril, and Regan exit.] | |
| FRANCE Bid farewell to your sisters. | |
| CORDELIA | |
| The jewels of our father, with washed eyes | |
| Cordelia leaves you. I know you what you are, | |
| And like a sister am most loath to call | |
| Your faults as they are named. Love well our | |
| father. | |
| To your professed bosoms I commit him; | |
| But yet, alas, stood I within his grace, | |
| I would prefer him to a better place. | |
| So farewell to you both. | |
| REGAN | |
| Prescribe not us our duty. | |
| GONERIL Let your study | |
| Be to content your lord, who hath received you | |
| At Fortune's alms. You have obedience scanted | |
| And well are worth the want that you have wanted. | |
| CORDELIA | |
| Time shall unfold what plighted cunning hides, | |
| Who covers faults at last with shame derides. | |
| Well may you prosper. | |
| FRANCE Come, my fair Cordelia. | |
| [France and Cordelia exit.] | |
| GONERIL Sister, it is not little I have to say of what | |
| most nearly appertains to us both. I think our | |
| father will hence tonight. | |
| REGAN That's most certain, and with you; next month | |
| with us. | |
| GONERIL You see how full of changes his age is; the | |
| observation we have made of it hath not been | |
| little. He always loved our sister most, and with | |
| what poor judgment he hath now cast her off | |
| appears too grossly. | |
| REGAN 'Tis the infirmity of his age. Yet he hath ever | |
| but slenderly known himself. | |
| GONERIL The best and soundest of his time hath been | |
| but rash. Then must we look from his age to | |
| receive not alone the imperfections of long-engraffed | |
| condition, but therewithal the unruly waywardness | |
| that infirm and choleric years bring with | |
| them. | |
| REGAN Such unconstant starts are we like to have | |
| from him as this of Kent's banishment. | |
| GONERIL There is further compliment of leave-taking | |
| between France and him. Pray you, let us sit | |
| together. If our father carry authority with such | |
| disposition as he bears, this last surrender of his will | |
| but offend us. | |
| REGAN We shall further think of it. | |
| GONERIL We must do something, and i' th' heat. | |
| [They exit.] | |
| Scene 2 | |
| ======= | |
| [Enter Edmund, the Bastard.] | |
| EDMUND | |
| Thou, Nature, art my goddess. To thy law | |
| My services are bound. Wherefore should I | |
| Stand in the plague of custom, and permit | |
| The curiosity of nations to deprive me | |
| For that I am some twelve or fourteen moonshines | |
| Lag of a brother? why "bastard"? Wherefore "base," | |
| When my dimensions are as well compact, | |
| My mind as generous and my shape as true | |
| As honest madam's issue? Why brand they us | |
| With "base," with "baseness," "bastardy," "base," | |
| "base," | |
| Who, in the lusty stealth of nature, take | |
| More composition and fierce quality | |
| Than doth within a dull, stale, tired bed | |
| Go to th' creating a whole tribe of fops | |
| Got 'tween asleep and wake? Well then, | |
| Legitimate Edgar, I must have your land. | |
| Our father's love is to the bastard Edmund | |
| As to th' legitimate. Fine word, "legitimate." | |
| Well, my legitimate, if this letter speed | |
| And my invention thrive, Edmund the base | |
| Shall top th' legitimate. I grow, I prosper. | |
| Now, gods, stand up for bastards! | |
| [Enter Gloucester.] | |
| GLOUCESTER | |
| Kent banished thus? And France in choler parted? | |
| And the King gone tonight, prescribed his power, | |
| Confined to exhibition? All this done | |
| Upon the gad?--Edmund, how now? What news? | |
| EDMUND So please your Lordship, none. [He puts a | |
| paper in his pocket.] | |
| GLOUCESTER Why so earnestly seek you to put up that | |
| letter? | |
| EDMUND I know no news, my lord. | |
| GLOUCESTER What paper were you reading? | |
| EDMUND Nothing, my lord. | |
| GLOUCESTER No? What needed then that terrible dispatch | |
| of it into your pocket? The quality of nothing | |
| hath not such need to hide itself. Let's see. Come, if | |
| it be nothing, I shall not need spectacles. | |
| EDMUND I beseech you, sir, pardon me. It is a letter | |
| from my brother that I have not all o'erread; and | |
| for so much as I have perused, I find it not fit for | |
| your o'erlooking. | |
| GLOUCESTER Give me the letter, sir. | |
| EDMUND I shall offend either to detain or give it. The | |
| contents, as in part I understand them, are to | |
| blame. | |
| GLOUCESTER Let's see, let's see. | |
| [Edmund gives him the paper.] | |
| EDMUND I hope, for my brother's justification, he | |
| wrote this but as an essay or taste of my virtue. | |
| GLOUCESTER [(reads)] This policy and reverence of age | |
| makes the world bitter to the best of our times, keeps | |
| our fortunes from us till our oldness cannot relish | |
| them. I begin to find an idle and fond bondage in the | |
| oppression of aged tyranny, who sways not as it hath | |
| power but as it is suffered. Come to me, that of this I | |
| may speak more. If our father would sleep till I waked | |
| him, you should enjoy half his revenue forever and | |
| live the beloved of your brother. Edgar. | |
| Hum? Conspiracy? "Sleep till I wake him, you | |
| should enjoy half his revenue." My son Edgar! Had | |
| he a hand to write this? A heart and brain to breed it | |
| in?--When came you to this? Who brought it? | |
| EDMUND It was not brought me, my lord; there's the | |
| cunning of it. I found it thrown in at the casement | |
| of my closet. | |
| GLOUCESTER You know the character to be your | |
| brother's? | |
| EDMUND If the matter were good, my lord, I durst | |
| swear it were his; but in respect of that, I would | |
| fain think it were not. | |
| GLOUCESTER It is his. | |
| EDMUND It is his hand, my lord, but I hope his heart is | |
| not in the contents. | |
| GLOUCESTER Has he never before sounded you in this | |
| business? | |
| EDMUND Never, my lord. But I have heard him oft | |
| maintain it to be fit that, sons at perfect age and | |
| fathers declined, the father should be as ward to the | |
| son, and the son manage his revenue. | |
| GLOUCESTER O villain, villain! His very opinion in the | |
| letter. Abhorred villain! Unnatural, detested, brutish | |
| villain! Worse than brutish!--Go, sirrah, seek | |
| him. I'll apprehend him.--Abominable villain!-- | |
| Where is he? | |
| EDMUND I do not well know, my lord. If it shall please | |
| you to suspend your indignation against my brother | |
| till you can derive from him better testimony of his | |
| intent, you should run a certain course; where, if | |
| you violently proceed against him, mistaking his | |
| purpose, it would make a great gap in your own | |
| honor and shake in pieces the heart of his obedience. | |
| I dare pawn down my life for him that he hath | |
| writ this to feel my affection to your Honor, and to | |
| no other pretense of danger. | |
| GLOUCESTER Think you so? | |
| EDMUND If your Honor judge it meet, I will place you | |
| where you shall hear us confer of this, and by an | |
| auricular assurance have your satisfaction, and that | |
| without any further delay than this very evening. | |
| GLOUCESTER He cannot be such a monster. | |
| EDMUND Nor is not, sure. | |
| GLOUCESTER To his father, that so tenderly and entirely | |
| loves him! Heaven and Earth! Edmund, seek him | |
| out; wind me into him, I pray you. Frame the | |
| business after your own wisdom. I would unstate | |
| myself to be in a due resolution. | |
| EDMUND I will seek him, sir, presently, convey the | |
| business as I shall find means, and acquaint you | |
| withal. | |
| GLOUCESTER These late eclipses in the sun and moon | |
| portend no good to us. Though the wisdom of | |
| nature can reason it thus and thus, yet nature finds | |
| itself scourged by the sequent effects. Love cools, | |
| friendship falls off, brothers divide; in cities, mutinies; | |
| in countries, discord; in palaces, treason; and | |
| the bond cracked 'twixt son and father. This villain | |
| of mine comes under the prediction: there's son | |
| against father. The King falls from bias of nature: | |
| there's father against child. We have seen the best of | |
| our time. Machinations, hollowness, treachery, and | |
| all ruinous disorders follow us disquietly to our | |
| graves.--Find out this villain, Edmund. It shall | |
| lose thee nothing. Do it carefully.--And the noble | |
| and true-hearted Kent banished! His offense, honesty! | |
| 'Tis strange. [He exits.] | |
| EDMUND This is the excellent foppery of the world, that | |
| when we are sick in fortune (often the surfeits of | |
| our own behavior) we make guilty of our disasters | |
| the sun, the moon, and stars, as if we were villains | |
| on necessity; fools by heavenly compulsion; knaves, | |
| thieves, and treachers by spherical predominance; | |
| drunkards, liars, and adulterers by an enforced | |
| obedience of planetary influence; and all that we | |
| are evil in, by a divine thrusting on. An admirable | |
| evasion of whoremaster man, to lay his goatish | |
| disposition on the charge of a star! My father | |
| compounded with my mother under the Dragon's | |
| tail, and my nativity was under Ursa Major, so that it | |
| follows I am rough and lecherous. Fut, I should | |
| have been that I am, had the maidenliest star in the | |
| firmament twinkled on my bastardizing. Edgar-- | |
| [Enter Edgar.] | |
| and pat he comes like the catastrophe of the old | |
| comedy. My cue is villainous melancholy, with a | |
| sigh like Tom o' Bedlam.--O, these eclipses do | |
| portend these divisions. Fa, sol, la, mi. | |
| EDGAR How now, brother Edmund, what serious contemplation | |
| are you in? | |
| EDMUND I am thinking, brother, of a prediction I read | |
| this other day, what should follow these eclipses. | |
| EDGAR Do you busy yourself with that? | |
| EDMUND I promise you, the effects he writes of succeed | |
| unhappily, as of unnaturalness between the | |
| child and the parent, death, dearth, dissolutions of | |
| ancient amities, divisions in state, menaces and | |
| maledictions against king and nobles, needless diffidences, | |
| banishment of friends, dissipation of cohorts, | |
| nuptial breaches, and I know not what. | |
| EDGAR How long have you been a sectary | |
| astronomical? | |
| EDMUND Come, come, when saw you my father last? | |
| EDGAR The night gone by. | |
| EDMUND Spake you with him? | |
| EDGAR Ay, two hours together. | |
| EDMUND Parted you in good terms? Found you no | |
| displeasure in him by word nor countenance? | |
| EDGAR None at all. | |
| EDMUND Bethink yourself wherein you may have offended | |
| him, and at my entreaty forbear his presence | |
| until some little time hath qualified the heat | |
| of his displeasure, which at this instant so rageth in | |
| him that with the mischief of your person it would | |
| scarcely allay. | |
| EDGAR Some villain hath done me wrong. | |
| EDMUND That's my fear. I pray you have a continent | |
| forbearance till the speed of his rage goes slower; | |
| and, as I say, retire with me to my lodging, from | |
| whence I will fitly bring you to hear my lord speak. | |
| Pray you go. There's my key. If you do stir abroad, | |
| go armed. | |
| EDGAR Armed, brother? | |
| EDMUND Brother, I advise you to the best. I am no | |
| honest man if there be any good meaning toward | |
| you. I have told you what I have seen and heard, but | |
| faintly, nothing like the image and horror of it. Pray | |
| you, away. | |
| EDGAR Shall I hear from you anon? | |
| EDMUND I do serve you in this business. [Edgar exits.] | |
| A credulous father and a brother noble, | |
| Whose nature is so far from doing harms | |
| That he suspects none; on whose foolish honesty | |
| My practices ride easy. I see the business. | |
| Let me, if not by birth, have lands by wit. | |
| All with me's meet that I can fashion fit. | |
| [He exits.] | |
| Scene 3 | |
| ======= | |
| [Enter Goneril and Oswald, her Steward.] | |
| GONERIL Did my father strike my gentleman for chiding | |
| of his Fool? | |
| OSWALD Ay, madam. | |
| GONERIL | |
| By day and night he wrongs me. Every hour | |
| He flashes into one gross crime or other | |
| That sets us all at odds. I'll not endure it. | |
| His knights grow riotous, and himself upbraids us | |
| On every trifle. When he returns from hunting, | |
| I will not speak with him. Say I am sick. | |
| If you come slack of former services, | |
| You shall do well. The fault of it I'll answer. | |
| OSWALD He's coming, madam. I hear him. | |
| GONERIL | |
| Put on what weary negligence you please, | |
| You and your fellows. I'd have it come to question. | |
| If he distaste it, let him to my sister, | |
| Whose mind and mine I know in that are one, | |
| Not to be overruled. Idle old man | |
| That still would manage those authorities | |
| That he hath given away. Now, by my life, | |
| Old fools are babes again and must be used | |
| With checks as flatteries, when they are seen | |
| abused. | |
| Remember what I have said. | |
| OSWALD Well, madam. | |
| GONERIL | |
| And let his knights have colder looks among you. | |
| What grows of it, no matter. Advise your fellows so. | |
| I would breed from hence occasions, and I shall, | |
| That I may speak. I'll write straight to my sister | |
| To hold my very course. Prepare for dinner. | |
| [They exit in different directions.] | |
| Scene 4 | |
| ======= | |
| [Enter Kent in disguise.] | |
| KENT | |
| If but as well I other accents borrow | |
| That can my speech diffuse, my good intent | |
| May carry through itself to that full issue | |
| For which I razed my likeness. Now, banished Kent, | |
| If thou canst serve where thou dost stand | |
| condemned, | |
| So may it come thy master, whom thou lov'st, | |
| Shall find thee full of labors. | |
| [Horns within. Enter Lear, Knights, and Attendants.] | |
| LEAR Let me not stay a jot for dinner. Go get it ready. | |
| [An Attendant exits.] | |
| How now, what art thou? | |
| KENT A man, sir. | |
| LEAR What dost thou profess? What wouldst thou with | |
| us? | |
| KENT I do profess to be no less than I seem, to serve | |
| him truly that will put me in trust, to love him that | |
| is honest, to converse with him that is wise and says | |
| little, to fear judgment, to fight when I cannot | |
| choose, and to eat no fish. | |
| LEAR What art thou? | |
| KENT A very honest-hearted fellow, and as poor as the | |
| King. | |
| LEAR If thou be'st as poor for a subject as he's for a | |
| king, thou art poor enough. What wouldst thou? | |
| KENT Service. | |
| LEAR Who wouldst thou serve? | |
| KENT You. | |
| LEAR Dost thou know me, fellow? | |
| KENT No, sir, but you have that in your countenance | |
| which I would fain call master. | |
| LEAR What's that? | |
| KENT Authority. | |
| LEAR What services canst do? | |
| KENT I can keep honest counsel, ride, run, mar a | |
| curious tale in telling it, and deliver a plain message | |
| bluntly. That which ordinary men are fit for I | |
| am qualified in, and the best of me is diligence. | |
| LEAR How old art thou? | |
| KENT Not so young, sir, to love a woman for singing, | |
| nor so old to dote on her for anything. I have years | |
| on my back forty-eight. | |
| LEAR Follow me. Thou shalt serve me--if I like thee | |
| no worse after dinner. I will not part from thee | |
| yet.--Dinner, ho, dinner!--Where's my knave, my | |
| Fool? Go you and call my Fool hither. | |
| [An Attendant exits.] | |
| [Enter Oswald, the Steward.] | |
| You, you, sirrah, where's my daughter? | |
| OSWALD So please you-- [He exits.] | |
| LEAR What says the fellow there? Call the clotpole | |
| back. [A Knight exits.] Where's my Fool? Ho! I think | |
| the world's asleep. | |
| [Enter Knight again.] | |
| How now? Where's that mongrel? | |
| KNIGHT He says, my lord, your daughter is not well. | |
| LEAR Why came not the slave back to me when I | |
| called him? | |
| KNIGHT Sir, he answered me in the roundest manner, | |
| he would not. | |
| LEAR He would not? | |
| KNIGHT My lord, I know not what the matter is, but to | |
| my judgment your Highness is not entertained | |
| with that ceremonious affection as you were wont. | |
| There's a great abatement of kindness appears as | |
| well in the general dependents as in the Duke | |
| himself also, and your daughter. | |
| LEAR Ha? Sayst thou so? | |
| KNIGHT I beseech you pardon me, my lord, if I be | |
| mistaken, for my duty cannot be silent when I think | |
| your Highness wronged. | |
| LEAR Thou but remembrest me of mine own conception. | |
| I have perceived a most faint neglect of late, | |
| which I have rather blamed as mine own jealous | |
| curiosity than as a very pretense and purpose of | |
| unkindness. I will look further into 't. But where's | |
| my Fool? I have not seen him this two days. | |
| KNIGHT Since my young lady's going into France, sir, | |
| the Fool hath much pined away. | |
| LEAR No more of that. I have noted it well.--Go you | |
| and tell my daughter I would speak with her. [An | |
| Attendant exits.] Go you call hither my Fool. | |
| [Another exits.] | |
| [Enter Oswald, the Steward.] | |
| O you, sir, you, come you hither, sir. Who am I, sir? | |
| OSWALD My lady's father. | |
| LEAR "My lady's father"? My lord's knave! You whoreson | |
| dog, you slave, you cur! | |
| OSWALD I am none of these, my lord, I beseech your | |
| pardon. | |
| LEAR Do you bandy looks with me, you rascal? | |
| [Lear strikes him.] | |
| OSWALD I'll not be strucken, my lord. | |
| KENT, [tripping him] Nor tripped neither, you base | |
| football player? | |
| LEAR I thank thee, fellow. Thou serv'st me, and I'll | |
| love thee. | |
| KENT, [to Oswald] Come, sir, arise. Away. I'll teach you | |
| differences. Away, away. If you will measure your | |
| lubber's length again, tarry. But away. Go to. Have | |
| you wisdom? So. [Oswald exits.] | |
| LEAR Now, my friendly knave, I thank thee. There's | |
| earnest of thy service. [He gives Kent a purse.] | |
| [Enter Fool.] | |
| FOOL Let me hire him too. [To Kent.] Here's my | |
| coxcomb. [He offers Kent his cap.] | |
| LEAR How now, my pretty knave, how dost thou? | |
| FOOL, [to Kent] Sirrah, you were best take my | |
| coxcomb. | |
| LEAR Why, my boy? | |
| FOOL Why? For taking one's part that's out of favor. | |
| [To Kent.] Nay, an thou canst not smile as the | |
| wind sits, thou 'lt catch cold shortly. There, take my | |
| coxcomb. Why, this fellow has banished two on 's | |
| daughters and did the third a blessing against his | |
| will. If thou follow him, thou must needs wear my | |
| coxcomb.--How now, nuncle? Would I had two | |
| coxcombs and two daughters. | |
| LEAR Why, my boy? | |
| FOOL If I gave them all my living, I'd keep my coxcombs | |
| myself. There's mine. Beg another of thy | |
| daughters. | |
| LEAR Take heed, sirrah--the whip. | |
| FOOL Truth's a dog must to kennel; he must be | |
| whipped out, when the Lady Brach may stand by th' | |
| fire and stink. | |
| LEAR A pestilent gall to me! | |
| FOOL Sirrah, I'll teach thee a speech. | |
| LEAR Do. | |
| FOOL Mark it, nuncle: | |
| Have more than thou showest. | |
| Speak less than thou knowest, | |
| Lend less than thou owest, | |
| Ride more than thou goest, | |
| Learn more than thou trowest, | |
| Set less than thou throwest; | |
| Leave thy drink and thy whore | |
| And keep in-a-door, | |
| And thou shalt have more | |
| Than two tens to a score. | |
| KENT This is nothing, Fool. | |
| FOOL Then 'tis like the breath of an unfee'd lawyer. | |
| You gave me nothing for 't.--Can you make no use | |
| of nothing, nuncle? | |
| LEAR Why no, boy. Nothing can be made out of | |
| nothing. | |
| FOOL, [to Kent] Prithee tell him, so much the rent of his | |
| land comes to. He will not believe a Fool. | |
| LEAR A bitter Fool! | |
| FOOL Dost know the difference, my boy, between a | |
| bitter fool and a sweet one? | |
| LEAR No, lad, teach me. | |
| FOOL That lord that counseled thee | |
| To give away thy land, | |
| Come place him here by me; | |
| Do thou for him stand. | |
| The sweet and bitter fool | |
| Will presently appear: | |
| The one in motley here, | |
| The other found out there. | |
| LEAR Dost thou call me "fool," boy? | |
| FOOL All thy other titles thou hast given away. That | |
| thou wast born with. | |
| KENT This is not altogether fool, my lord. | |
| FOOL No, faith, lords and great men will not let me. If | |
| I had a monopoly out, they would have part on 't. | |
| And ladies too, they will not let me have all the fool | |
| to myself; they'll be snatching.--Nuncle, give me | |
| an egg, and I'll give thee two crowns. | |
| LEAR What two crowns shall they be? | |
| FOOL Why, after I have cut the egg i' th' middle and eat | |
| up the meat, the two crowns of the egg. When thou | |
| clovest thy crown i' th' middle and gav'st away | |
| both parts, thou bor'st thine ass on thy back o'er | |
| the dirt. Thou hadst little wit in thy bald crown | |
| when thou gav'st thy golden one away. If I speak | |
| like myself in this, let him be whipped that first | |
| finds it so. [Sings.] | |
| Fools had ne'er less grace in a year, | |
| For wise men are grown foppish | |
| And know not how their wits to wear, | |
| Their manners are so apish. | |
| LEAR When were you wont to be so full of songs, | |
| sirrah? | |
| FOOL I have used it, nuncle, e'er since thou mad'st thy | |
| daughters thy mothers. For when thou gav'st them | |
| the rod and put'st down thine own breeches, | |
| [Sings.] | |
| Then they for sudden joy did weep, | |
| And I for sorrow sung, | |
| That such a king should play bo-peep | |
| And go the fools among. | |
| Prithee, nuncle, keep a schoolmaster that can teach | |
| thy Fool to lie. I would fain learn to lie. | |
| LEAR An you lie, sirrah, we'll have you whipped. | |
| FOOL I marvel what kin thou and thy daughters are. | |
| They'll have me whipped for speaking true, thou 'lt | |
| have me whipped for lying, and sometimes I am | |
| whipped for holding my peace. I had rather be any | |
| kind o' thing than a Fool. And yet I would not be | |
| thee, nuncle. Thou hast pared thy wit o' both sides | |
| and left nothing i' th' middle. Here comes one o' the | |
| parings. | |
| [Enter Goneril.] | |
| LEAR | |
| How now, daughter? What makes that frontlet on? | |
| Methinks you are too much of late i' th' frown. | |
| FOOL Thou wast a pretty fellow when thou hadst no | |
| need to care for her frowning. Now thou art an O | |
| without a figure. I am better than thou art now. I | |
| am a Fool. Thou art nothing. [To Goneril.] Yes, | |
| forsooth, I will hold my tongue. So your face bids | |
| me, though you say nothing. | |
| Mum, mum, | |
| He that keeps nor crust nor crumb, | |
| Weary of all, shall want some. | |
| [He points at Lear.] | |
| That's a shelled peascod. | |
| GONERIL | |
| Not only, sir, this your all-licensed Fool, | |
| But other of your insolent retinue | |
| Do hourly carp and quarrel, breaking forth | |
| In rank and not-to-be-endured riots. Sir, | |
| I had thought by making this well known unto you | |
| To have found a safe redress, but now grow fearful, | |
| By what yourself too late have spoke and done, | |
| That you protect this course and put it on | |
| By your allowance; which if you should, the fault | |
| Would not 'scape censure, nor the redresses sleep | |
| Which in the tender of a wholesome weal | |
| Might in their working do you that offense, | |
| Which else were shame, that then necessity | |
| Will call discreet proceeding. | |
| FOOL For you know, nuncle, | |
| The hedge-sparrow fed the cuckoo so long, | |
| That it's had it head bit off by it young. | |
| So out went the candle, and we were left darkling. | |
| LEAR Are you our daughter? | |
| GONERIL | |
| I would you would make use of your good wisdom, | |
| Whereof I know you are fraught, and put away | |
| These dispositions which of late transport you | |
| From what you rightly are. | |
| FOOL May not an ass know when the cart draws the | |
| horse? Whoop, Jug, I love thee! | |
| LEAR | |
| Does any here know me? This is not Lear. | |
| Does Lear walk thus, speak thus? Where are his | |
| eyes? | |
| Either his notion weakens, his discernings | |
| Are lethargied--Ha! Waking? 'Tis not so. | |
| Who is it that can tell me who I am? | |
| FOOL Lear's shadow. | |
| LEAR | |
| I would learn that, for, by the marks of | |
| sovereignty, | |
| Knowledge, and reason, I should be false persuaded | |
| I had daughters. | |
| FOOL Which they will make an obedient father. | |
| LEAR Your name, fair gentlewoman? | |
| GONERIL | |
| This admiration, sir, is much o' th' savor | |
| Of other your new pranks. I do beseech you | |
| To understand my purposes aright. | |
| As you are old and reverend, should be wise. | |
| Here do you keep a hundred knights and squires, | |
| Men so disordered, so debauched and bold, | |
| That this our court, infected with their manners, | |
| Shows like a riotous inn. Epicurism and lust | |
| Makes it more like a tavern or a brothel | |
| Than a graced palace. The shame itself doth speak | |
| For instant remedy. Be then desired, | |
| By her that else will take the thing she begs, | |
| A little to disquantity your train, | |
| And the remainders that shall still depend | |
| To be such men as may besort your age, | |
| Which know themselves and you. | |
| LEAR Darkness and | |
| devils!-- | |
| Saddle my horses. Call my train together. | |
| [Some exit.] | |
| Degenerate bastard, I'll not trouble thee. | |
| Yet have I left a daughter. | |
| GONERIL | |
| You strike my people, and your disordered rabble | |
| Make servants of their betters. | |
| [Enter Albany.] | |
| LEAR | |
| Woe that too late repents!--O, sir, are you | |
| come? | |
| Is it your will? Speak, sir.--Prepare my horses. | |
| [Some exit.] | |
| Ingratitude, thou marble-hearted fiend, | |
| More hideous when thou show'st thee in a child | |
| Than the sea monster! | |
| ALBANY Pray, sir, be patient. | |
| LEAR, [to Goneril] Detested kite, thou liest. | |
| My train are men of choice and rarest parts, | |
| That all particulars of duty know | |
| And in the most exact regard support | |
| The worships of their name. O most small fault, | |
| How ugly didst thou in Cordelia show, | |
| Which, like an engine, wrenched my frame of | |
| nature | |
| From the fixed place, drew from my heart all love | |
| And added to the gall! O Lear, Lear, Lear! | |
| [He strikes his head.] | |
| Beat at this gate that let thy folly in | |
| And thy dear judgment out. Go, go, my people. | |
| [Some exit.] | |
| ALBANY | |
| My lord, I am guiltless as I am ignorant | |
| Of what hath moved you. | |
| LEAR It may be so, my lord.-- | |
| Hear, Nature, hear, dear goddess, hear! | |
| Suspend thy purpose if thou didst intend | |
| To make this creature fruitful. | |
| Into her womb convey sterility. | |
| Dry up in her the organs of increase, | |
| And from her derogate body never spring | |
| A babe to honor her. If she must teem, | |
| Create her child of spleen, that it may live | |
| And be a thwart disnatured torment to her. | |
| Let it stamp wrinkles in her brow of youth, | |
| With cadent tears fret channels in her cheeks, | |
| Turn all her mother's pains and benefits | |
| To laughter and contempt, that she may feel | |
| How sharper than a serpent's tooth it is | |
| To have a thankless child.--Away, away! | |
| [Lear and the rest of his train exit.] | |
| ALBANY | |
| Now, gods that we adore, whereof comes this? | |
| GONERIL | |
| Never afflict yourself to know more of it, | |
| But let his disposition have that scope | |
| As dotage gives it. | |
| [Enter Lear and the Fool.] | |
| LEAR | |
| What, fifty of my followers at a clap? | |
| Within a fortnight? | |
| ALBANY What's the matter, sir? | |
| LEAR | |
| I'll tell thee. [To Goneril.] Life and death! I am | |
| ashamed | |
| That thou hast power to shake my manhood thus, | |
| That these hot tears, which break from me perforce, | |
| Should make thee worth them. Blasts and fogs upon | |
| thee! | |
| Th' untented woundings of a father's curse | |
| Pierce every sense about thee! Old fond eyes, | |
| Beweep this cause again, I'll pluck you out | |
| And cast you, with the waters that you loose, | |
| To temper clay. Yea, is 't come to this? | |
| Ha! Let it be so. I have another daughter | |
| Who, I am sure, is kind and comfortable. | |
| When she shall hear this of thee, with her nails | |
| She'll flay thy wolvish visage. Thou shalt find | |
| That I'll resume the shape which thou dost think | |
| I have cast off forever. [He exits.] | |
| GONERIL Do you mark that? | |
| ALBANY | |
| I cannot be so partial, Goneril, | |
| To the great love I bear you-- | |
| GONERIL Pray you, content.--What, Oswald, ho!-- | |
| You, sir, more knave than Fool, after your master. | |
| FOOL Nuncle Lear, Nuncle Lear, tarry. Take the Fool | |
| with thee. | |
| A fox, when one has caught her, | |
| And such a daughter, | |
| Should sure to the slaughter, | |
| If my cap would buy a halter. | |
| So the Fool follows after. [He exits.] | |
| GONERIL | |
| This man hath had good counsel. A hundred | |
| knights! | |
| 'Tis politic and safe to let him keep | |
| At point a hundred knights! Yes, that on every | |
| dream, | |
| Each buzz, each fancy, each complaint, dislike, | |
| He may enguard his dotage with their powers | |
| And hold our lives in mercy.--Oswald, I say! | |
| ALBANY Well, you may fear too far. | |
| GONERIL Safer than trust too far. | |
| Let me still take away the harms I fear, | |
| Not fear still to be taken. I know his heart. | |
| What he hath uttered I have writ my sister. | |
| If she sustain him and his hundred knights | |
| When I have showed th' unfitness-- | |
| [Enter Oswald, the Steward.] | |
| How now, Oswald? | |
| What, have you writ that letter to my sister? | |
| OSWALD Ay, madam. | |
| GONERIL | |
| Take you some company and away to horse. | |
| Inform her full of my particular fear, | |
| And thereto add such reasons of your own | |
| As may compact it more. Get you gone, | |
| And hasten your return. [Oswald exits.] No, no, my | |
| lord, | |
| This milky gentleness and course of yours, | |
| Though I condemn not, yet, under pardon, | |
| You are much more at task for want of wisdom | |
| Than praised for harmful mildness. | |
| ALBANY | |
| How far your eyes may pierce I cannot tell. | |
| Striving to better, oft we mar what's well. | |
| GONERIL Nay, then-- | |
| ALBANY Well, well, th' event. | |
| [They exit.] | |
| Scene 5 | |
| ======= | |
| [Enter Lear, Kent in disguise, Gentleman, and Fool.] | |
| LEAR, [to Kent] Go you before to Gloucester with these | |
| letters. Acquaint my daughter no further with anything | |
| you know than comes from her demand out of | |
| the letter. If your diligence be not speedy, I shall be | |
| there afore you. | |
| KENT I will not sleep, my lord, till I have delivered | |
| your letter. [He exits.] | |
| FOOL If a man's brains were in 's heels, were 't not in | |
| danger of kibes? | |
| LEAR Ay, boy. | |
| FOOL Then, I prithee, be merry; thy wit shall not go | |
| slipshod. | |
| LEAR Ha, ha, ha! | |
| FOOL Shalt see thy other daughter will use thee kindly, | |
| for, though she's as like this as a crab's like an | |
| apple, yet I can tell what I can tell. | |
| LEAR What canst tell, boy? | |
| FOOL She will taste as like this as a crab does to a crab. | |
| Thou canst tell why one's nose stands i' th' middle | |
| on 's face? | |
| LEAR No. | |
| FOOL Why, to keep one's eyes of either side 's nose, | |
| that what a man cannot smell out he may spy into. | |
| LEAR I did her wrong. | |
| FOOL Canst tell how an oyster makes his shell? | |
| LEAR No. | |
| FOOL Nor I neither. But I can tell why a snail has a | |
| house. | |
| LEAR Why? | |
| FOOL Why, to put 's head in, not to give it away to his | |
| daughters and leave his horns without a case. | |
| LEAR I will forget my nature. So kind a father!--Be | |
| my horses ready? [Gentleman exits.] | |
| FOOL Thy asses are gone about 'em. The reason why | |
| the seven stars are no more than seven is a pretty | |
| reason. | |
| LEAR Because they are not eight. | |
| FOOL Yes, indeed. Thou wouldst make a good Fool. | |
| LEAR To take 't again perforce! Monster ingratitude! | |
| FOOL If thou wert my Fool, nuncle, I'd have thee | |
| beaten for being old before thy time. | |
| LEAR How's that? | |
| FOOL Thou shouldst not have been old till thou hadst | |
| been wise. | |
| LEAR | |
| O, let me not be mad, not mad, sweet heaven! | |
| Keep me in temper. I would not be mad! | |
| [Enter Gentleman.] | |
| How now, are the horses ready? | |
| GENTLEMAN Ready, my lord. | |
| LEAR Come, boy. | |
| FOOL | |
| She that's a maid now and laughs at my departure, | |
| Shall not be a maid long, unless things be cut | |
| shorter. | |
| [They exit.] | |
| ACT 2 | |
| ===== | |
| Scene 1 | |
| ======= | |
| [Enter Edmund, the Bastard and Curan, severally.] | |
| EDMUND Save thee, Curan. | |
| CURAN And you, sir. I have been with your father and | |
| given him notice that the Duke of Cornwall and | |
| Regan his duchess will be here with him this night. | |
| EDMUND How comes that? | |
| CURAN Nay, I know not. You have heard of the news | |
| abroad?--I mean the whispered ones, for they are | |
| yet but ear-kissing arguments. | |
| EDMUND Not I. Pray you, what are they? | |
| CURAN Have you heard of no likely wars toward 'twixt | |
| the dukes of Cornwall and Albany? | |
| EDMUND Not a word. | |
| CURAN You may do, then, in time. Fare you well, sir. | |
| [He exits.] | |
| EDMUND | |
| The Duke be here tonight? The better, best. | |
| This weaves itself perforce into my business. | |
| My father hath set guard to take my brother, | |
| And I have one thing of a queasy question | |
| Which I must act. Briefness and fortune work!-- | |
| Brother, a word. Descend. Brother, I say! | |
| [Enter Edgar.] | |
| My father watches. O sir, fly this place! | |
| Intelligence is given where you are hid. | |
| You have now the good advantage of the night. | |
| Have you not spoken 'gainst the Duke of Cornwall? | |
| He's coming hither, now, i' th' night, i' th' haste, | |
| And Regan with him. Have you nothing said | |
| Upon his party 'gainst the Duke of Albany? | |
| Advise yourself. | |
| EDGAR I am sure on 't, not a word. | |
| EDMUND | |
| I hear my father coming. Pardon me. | |
| In cunning I must draw my sword upon you. | |
| Draw. Seem to defend yourself. Now, quit you | |
| well. [They draw.] | |
| Yield! Come before my father! Light, hoa, here! | |
| [Aside to Edgar.] Fly, brother.--Torches, torches! | |
| --So, farewell. [Edgar exits.] | |
| Some blood drawn on me would beget opinion | |
| Of my more fierce endeavor. I have seen drunkards | |
| Do more than this in sport. [He wounds his arm.] | |
| Father, father! | |
| Stop, stop! No help? | |
| [Enter Gloucester, and Servants with torches.] | |
| GLOUCESTER Now, Edmund, where's the | |
| villain? | |
| EDMUND | |
| Here stood he in the dark, his sharp sword out, | |
| Mumbling of wicked charms, conjuring the moon | |
| To stand auspicious mistress. | |
| GLOUCESTER But where is he? | |
| EDMUND | |
| Look, sir, I bleed. | |
| GLOUCESTER Where is the villain, | |
| Edmund? | |
| EDMUND | |
| Fled this way, sir, when by no means he could-- | |
| GLOUCESTER | |
| Pursue him, ho! Go after. [Servants exit.] By no | |
| means what? | |
| EDMUND | |
| Persuade me to the murder of your Lordship, | |
| But that I told him the revenging gods | |
| 'Gainst parricides did all the thunder bend, | |
| Spoke with how manifold and strong a bond | |
| The child was bound to th' father--sir, in fine, | |
| Seeing how loathly opposite I stood | |
| To his unnatural purpose, in fell motion | |
| With his prepared sword he charges home | |
| My unprovided body, lanced mine arm; | |
| And when he saw my best alarumed spirits, | |
| Bold in the quarrel's right, roused to th' encounter, | |
| Or whether ghasted by the noise I made, | |
| Full suddenly he fled. | |
| GLOUCESTER Let him fly far! | |
| Not in this land shall he remain uncaught, | |
| And found--dispatch. The noble duke my master, | |
| My worthy arch and patron, comes tonight. | |
| By his authority I will proclaim it | |
| That he which finds him shall deserve our thanks, | |
| Bringing the murderous coward to the stake; | |
| He that conceals him, death. | |
| EDMUND | |
| When I dissuaded him from his intent | |
| And found him pight to do it, with curst speech | |
| I threatened to discover him. He replied | |
| "Thou unpossessing bastard, dost thou think | |
| If I would stand against thee, would the reposal | |
| Of any trust, virtue, or worth in thee | |
| Make thy words faithed? No. What I should | |
| deny-- | |
| As this I would, though thou didst produce | |
| My very character--I'd turn it all | |
| To thy suggestion, plot, and damned practice. | |
| And thou must make a dullard of the world | |
| If they not thought the profits of my death | |
| Were very pregnant and potential spurs | |
| To make thee seek it." | |
| GLOUCESTER O strange and fastened villain! | |
| Would he deny his letter, said he? | |
| I never got him. [Tucket within.] | |
| Hark, the Duke's trumpets. I know not why he | |
| comes. | |
| All ports I'll bar. The villain shall not 'scape. | |
| The Duke must grant me that. Besides, his picture | |
| I will send far and near, that all the kingdom | |
| May have due note of him. And of my land, | |
| Loyal and natural boy, I'll work the means | |
| To make thee capable. | |
| [Enter Cornwall, Regan, and Attendants.] | |
| CORNWALL | |
| How now, my noble friend? Since I came hither, | |
| Which I can call but now, I have heard strange | |
| news. | |
| REGAN | |
| If it be true, all vengeance comes too short | |
| Which can pursue th' offender. How dost, my | |
| lord? | |
| GLOUCESTER | |
| O madam, my old heart is cracked; it's cracked. | |
| REGAN | |
| What, did my father's godson seek your life? | |
| He whom my father named, your Edgar? | |
| GLOUCESTER | |
| O lady, lady, shame would have it hid! | |
| REGAN | |
| Was he not companion with the riotous knights | |
| That tended upon my father? | |
| GLOUCESTER | |
| I know not, madam. 'Tis too bad, too bad. | |
| EDMUND | |
| Yes, madam, he was of that consort. | |
| REGAN | |
| No marvel, then, though he were ill affected. | |
| 'Tis they have put him on the old man's death, | |
| To have th' expense and waste of his revenues. | |
| I have this present evening from my sister | |
| Been well informed of them, and with such cautions | |
| That if they come to sojourn at my house | |
| I'll not be there. | |
| CORNWALL Nor I, assure thee, Regan.-- | |
| Edmund, I hear that you have shown your father | |
| A childlike office. | |
| EDMUND It was my duty, sir. | |
| GLOUCESTER | |
| He did bewray his practice, and received | |
| This hurt you see striving to apprehend him. | |
| CORNWALL Is he pursued? | |
| GLOUCESTER Ay, my good lord. | |
| CORNWALL | |
| If he be taken, he shall never more | |
| Be feared of doing harm. Make your own purpose, | |
| How in my strength you please.--For you, Edmund, | |
| Whose virtue and obedience doth this instant | |
| So much commend itself, you shall be ours. | |
| Natures of such deep trust we shall much need. | |
| You we first seize on. | |
| EDMUND I shall serve you, sir, | |
| Truly, however else. | |
| GLOUCESTER For him I thank your Grace. | |
| CORNWALL | |
| You know not why we came to visit you-- | |
| REGAN | |
| Thus out of season, threading dark-eyed night. | |
| Occasions, noble Gloucester, of some poise, | |
| Wherein we must have use of your advice. | |
| Our father he hath writ, so hath our sister, | |
| Of differences, which I best thought it fit | |
| To answer from our home. The several messengers | |
| From hence attend dispatch. Our good old friend, | |
| Lay comforts to your bosom and bestow | |
| Your needful counsel to our businesses, | |
| Which craves the instant use. | |
| GLOUCESTER I serve you, madam. | |
| Your Graces are right welcome. | |
| [Flourish. They exit.] | |
| Scene 2 | |
| ======= | |
| [Enter Kent in disguise and Oswald, the Steward, | |
| severally.] | |
| OSWALD Good dawning to thee, friend. Art of this | |
| house? | |
| KENT Ay. | |
| OSWALD Where may we set our horses? | |
| KENT I' th' mire. | |
| OSWALD Prithee, if thou lov'st me, tell me. | |
| KENT I love thee not. | |
| OSWALD Why then, I care not for thee. | |
| KENT If I had thee in Lipsbury pinfold, I would make | |
| thee care for me. | |
| OSWALD Why dost thou use me thus? I know thee not. | |
| KENT Fellow, I know thee. | |
| OSWALD What dost thou know me for? | |
| KENT A knave, a rascal, an eater of broken meats; a | |
| base, proud, shallow, beggarly, three-suited, hundred-pound, | |
| filthy worsted-stocking knave; a lily-livered, | |
| action-taking, whoreson, glass-gazing, superserviceable, | |
| finical rogue; one-trunk-inheriting | |
| slave; one that wouldst be a bawd in way of good | |
| service, and art nothing but the composition of a | |
| knave, beggar, coward, pander, and the son and heir | |
| of a mongrel bitch; one whom I will beat into | |
| clamorous whining if thou deny'st the least syllable | |
| of thy addition. | |
| OSWALD Why, what a monstrous fellow art thou thus | |
| to rail on one that is neither known of thee nor | |
| knows thee! | |
| KENT What a brazen-faced varlet art thou to deny thou | |
| knowest me! Is it two days ago since I tripped up | |
| thy heels and beat thee before the King? [He draws | |
| his sword.] Draw, you rogue, for though it be night, | |
| yet the moon shines. I'll make a sop o' th' moonshine | |
| of you, you whoreson, cullionly barbermonger. | |
| Draw! | |
| OSWALD Away! I have nothing to do with thee. | |
| KENT Draw, you rascal! You come with letters against | |
| the King and take Vanity the puppet's part against | |
| the royalty of her father. Draw, you rogue, or I'll so | |
| carbonado your shanks! Draw, you rascal! Come | |
| your ways. | |
| OSWALD Help, ho! Murder! Help! | |
| KENT Strike, you slave! Stand, rogue! Stand, you neat | |
| slave! Strike! [He beats Oswald.] | |
| OSWALD Help, ho! Murder, murder! | |
| [Enter Bastard Edmund, with his rapier drawn, | |
| Cornwall, Regan, Gloucester, Servants.] | |
| EDMUND How now, what's the matter? Part! | |
| KENT With you, goodman boy, if you please. Come, I'll | |
| flesh you. Come on, young master. | |
| GLOUCESTER | |
| Weapons? Arms? What's the matter here? | |
| CORNWALL Keep peace, upon your lives! He dies that | |
| strikes again. What is the matter? | |
| REGAN | |
| The messengers from our sister and the King. | |
| CORNWALL What is your difference? Speak. | |
| OSWALD I am scarce in breath, my lord. | |
| KENT No marvel, you have so bestirred your valor. | |
| You cowardly rascal, nature disclaims in thee; a | |
| tailor made thee. | |
| CORNWALL Thou art a strange fellow. A tailor make a | |
| man? | |
| KENT A tailor, sir. A stonecutter or a painter could not | |
| have made him so ill, though they had been but two | |
| years o' th' trade. | |
| CORNWALL Speak yet, how grew your quarrel? | |
| OSWALD This ancient ruffian, sir, whose life I have | |
| spared at suit of his gray beard-- | |
| KENT Thou whoreson zed, thou unnecessary letter! | |
| --My lord, if you will give me leave, I will tread | |
| this unbolted villain into mortar and daub the wall | |
| of a jakes with him.--Spare my gray beard, you | |
| wagtail? | |
| CORNWALL Peace, sirrah! | |
| You beastly knave, know you no reverence? | |
| KENT | |
| Yes, sir, but anger hath a privilege. | |
| CORNWALL Why art thou angry? | |
| KENT | |
| That such a slave as this should wear a sword, | |
| Who wears no honesty. Such smiling rogues as | |
| these, | |
| Like rats, oft bite the holy cords atwain | |
| Which are too intrinse t' unloose; smooth every | |
| passion | |
| That in the natures of their lords rebel-- | |
| Being oil to fire, snow to the colder moods-- | |
| Renege, affirm, and turn their halcyon beaks | |
| With every gale and vary of their masters, | |
| Knowing naught, like dogs, but following.-- | |
| A plague upon your epileptic visage! | |
| Smile you my speeches, as I were a fool? | |
| Goose, if I had you upon Sarum plain, | |
| I'd drive you cackling home to Camelot. | |
| CORNWALL What, art thou mad, old fellow? | |
| GLOUCESTER How fell you out? Say that. | |
| KENT | |
| No contraries hold more antipathy | |
| Than I and such a knave. | |
| CORNWALL | |
| Why dost thou call him "knave"? What is his fault? | |
| KENT His countenance likes me not. | |
| CORNWALL | |
| No more, perchance, does mine, nor his, nor hers. | |
| KENT | |
| Sir, 'tis my occupation to be plain: | |
| I have seen better faces in my time | |
| Than stands on any shoulder that I see | |
| Before me at this instant. | |
| CORNWALL This is some fellow | |
| Who, having been praised for bluntness, doth affect | |
| A saucy roughness and constrains the garb | |
| Quite from his nature. He cannot flatter, he. | |
| An honest mind and plain, he must speak truth! | |
| An they will take it, so; if not, he's plain. | |
| These kind of knaves I know, which in this | |
| plainness | |
| Harbor more craft and more corrupter ends | |
| Than twenty silly-ducking observants | |
| That stretch their duties nicely. | |
| KENT | |
| Sir, in good faith, in sincere verity, | |
| Under th' allowance of your great aspect, | |
| Whose influence, like the wreath of radiant fire | |
| On flick'ring Phoebus' front-- | |
| CORNWALL What mean'st by this? | |
| KENT To go out of my dialect, which you discommend | |
| so much. I know, sir, I am no flatterer. He that | |
| beguiled you in a plain accent was a plain knave, | |
| which for my part I will not be, though I should | |
| win your displeasure to entreat me to 't. | |
| CORNWALL, [to Oswald] What was th' offense you gave | |
| him? | |
| OSWALD I never gave him any. | |
| It pleased the King his master very late | |
| To strike at me, upon his misconstruction; | |
| When he, compact, and flattering his displeasure, | |
| Tripped me behind; being down, insulted, railed, | |
| And put upon him such a deal of man | |
| That worthied him, got praises of the King | |
| For him attempting who was self-subdued; | |
| And in the fleshment of this dread exploit, | |
| Drew on me here again. | |
| KENT None of these rogues and cowards | |
| But Ajax is their fool. | |
| CORNWALL Fetch forth the stocks.-- | |
| You stubborn ancient knave, you reverent braggart, | |
| We'll teach you. | |
| KENT Sir, I am too old to learn. | |
| Call not your stocks for me. I serve the King, | |
| On whose employment I was sent to you. | |
| You shall do small respect, show too bold | |
| malice | |
| Against the grace and person of my master, | |
| Stocking his messenger. | |
| CORNWALL | |
| Fetch forth the stocks.--As I have life and honor, | |
| There shall he sit till noon. | |
| REGAN | |
| Till noon? Till night, my lord, and all night, too. | |
| KENT | |
| Why, madam, if I were your father's dog, | |
| You should not use me so. | |
| REGAN Sir, being his knave, I will. | |
| CORNWALL | |
| This is a fellow of the selfsame color | |
| Our sister speaks of.--Come, bring away the stocks. | |
| [Stocks brought out.] | |
| GLOUCESTER | |
| Let me beseech your Grace not to do so. | |
| His fault is much, and the good king his master | |
| Will check him for 't. Your purposed low correction | |
| Is such as basest and contemned'st wretches | |
| For pilf'rings and most common trespasses | |
| Are punished with. The King must take it ill | |
| That he, so slightly valued in his messenger, | |
| Should have him thus restrained. | |
| CORNWALL I'll answer that. | |
| REGAN | |
| My sister may receive it much more worse | |
| To have her gentleman abused, assaulted | |
| For following her affairs.--Put in his legs. | |
| [Kent is put in the stocks.] | |
| CORNWALL Come, my good lord, away. | |
| [All but Gloucester and Kent exit.] | |
| GLOUCESTER | |
| I am sorry for thee, friend. 'Tis the Duke's | |
| pleasure, | |
| Whose disposition all the world well knows | |
| Will not be rubbed nor stopped. I'll entreat for thee. | |
| KENT | |
| Pray, do not, sir. I have watched and traveled hard. | |
| Some time I shall sleep out; the rest I'll whistle. | |
| A good man's fortune may grow out at heels. | |
| Give you good morrow. | |
| GLOUCESTER | |
| The Duke's to blame in this. 'Twill be ill taken. | |
| [He exits.] | |
| KENT | |
| Good king, that must approve the common saw, | |
| Thou out of heaven's benediction com'st | |
| To the warm sun. [He takes out a paper.] | |
| Approach, thou beacon to this under globe, | |
| That by thy comfortable beams I may | |
| Peruse this letter. Nothing almost sees miracles | |
| But misery. I know 'tis from Cordelia, | |
| Who hath most fortunately been informed | |
| Of my obscured course, and shall find time | |
| From this enormous state, seeking to give | |
| Losses their remedies. All weary and o'erwatched, | |
| Take vantage, heavy eyes, not to behold | |
| This shameful lodging. | |
| Fortune, good night. Smile once more; turn thy | |
| wheel. | |
| [Sleeps.] | |
| Scene 3 | |
| ======= | |
| [Enter Edgar.] | |
| EDGAR I heard myself proclaimed, | |
| And by the happy hollow of a tree | |
| Escaped the hunt. No port is free; no place | |
| That guard and most unusual vigilance | |
| Does not attend my taking. Whiles I may 'scape, | |
| I will preserve myself, and am bethought | |
| To take the basest and most poorest shape | |
| That ever penury in contempt of man | |
| Brought near to beast. My face I'll grime with filth, | |
| Blanket my loins, elf all my hairs in knots, | |
| And with presented nakedness outface | |
| The winds and persecutions of the sky. | |
| The country gives me proof and precedent | |
| Of Bedlam beggars who with roaring voices | |
| Strike in their numbed and mortified arms | |
| Pins, wooden pricks, nails, sprigs of rosemary, | |
| And, with this horrible object, from low farms, | |
| Poor pelting villages, sheepcotes, and mills, | |
| Sometime with lunatic bans, sometime with prayers, | |
| Enforce their charity. "Poor Turlygod! Poor Tom!" | |
| That's something yet. "Edgar" I nothing am. | |
| [He exits.] | |
| Scene 4 | |
| ======= | |
| [Enter Lear, Fool, and Gentleman.] | |
| LEAR | |
| 'Tis strange that they should so depart from home | |
| And not send back my messenger. | |
| GENTLEMAN As I learned, | |
| The night before there was no purpose in them | |
| Of this remove. | |
| KENT, [waking] Hail to thee, noble master. | |
| LEAR Ha? | |
| Mak'st thou this shame thy pastime? | |
| KENT No, my lord. | |
| FOOL Ha, ha, he wears cruel garters. Horses are tied | |
| by the heads, dogs and bears by th' neck, monkeys | |
| by th' loins, and men by th' legs. When a man's | |
| overlusty at legs, then he wears wooden | |
| netherstocks. | |
| LEAR | |
| What's he that hath so much thy place mistook | |
| To set thee here? | |
| KENT It is both he and she, | |
| Your son and daughter. | |
| LEAR No. | |
| KENT Yes. | |
| LEAR No, I say. | |
| KENT I say yea. | |
| LEAR By Jupiter, I swear no. | |
| KENTBy Juno, I swear ay. | |
| LEAR They durst not do 't. | |
| They could not, would not do 't. 'Tis worse than | |
| murder | |
| To do upon respect such violent outrage. | |
| Resolve me with all modest haste which way | |
| Thou might'st deserve or they impose this usage, | |
| Coming from us. | |
| KENT My lord, when at their home | |
| I did commend your Highness' letters to them, | |
| Ere I was risen from the place that showed | |
| My duty kneeling, came there a reeking post, | |
| Stewed in his haste, half breathless, panting forth | |
| From Goneril his mistress salutations; | |
| Delivered letters, spite of intermission, | |
| Which presently they read; on whose contents | |
| They summoned up their meiny, straight took | |
| horse, | |
| Commanded me to follow and attend | |
| The leisure of their answer, gave me cold looks; | |
| And meeting here the other messenger, | |
| Whose welcome, I perceived, had poisoned mine, | |
| Being the very fellow which of late | |
| Displayed so saucily against your Highness, | |
| Having more man than wit about me, drew. | |
| He raised the house with loud and coward cries. | |
| Your son and daughter found this trespass worth | |
| The shame which here it suffers. | |
| FOOL Winter's not gone yet if the wild geese fly that | |
| way. | |
| Fathers that wear rags | |
| Do make their children blind, | |
| But fathers that bear bags | |
| Shall see their children kind. | |
| Fortune, that arrant whore, | |
| Ne'er turns the key to th' poor. | |
| But, for all this, thou shalt have as many dolors for | |
| thy daughters as thou canst tell in a year. | |
| LEAR | |
| O, how this mother swells up toward my heart! | |
| Hysterica passio, down, thou climbing sorrow! | |
| Thy element's below.--Where is this daughter? | |
| KENT With the Earl, sir, here within. | |
| LEAR, [to Fool and Gentleman] Follow me not. Stay | |
| here. [He exits.] | |
| GENTLEMAN | |
| Made you no more offense but what you speak of? | |
| KENT None. | |
| How chance the King comes with so small a number? | |
| FOOL An thou hadst been set i' th' stocks for that | |
| question, thou 'dst well deserved it. | |
| KENT Why, Fool? | |
| FOOL We'll set thee to school to an ant to teach thee | |
| there's no laboring i' th' winter. All that follow | |
| their noses are led by their eyes but blind men, and | |
| there's not a nose among twenty but can smell him | |
| that's stinking. Let go thy hold when a great wheel | |
| runs down a hill lest it break thy neck with following; | |
| but the great one that goes upward, let him | |
| draw thee after. When a wise man gives thee better | |
| counsel, give me mine again. I would have none but | |
| knaves follow it, since a Fool gives it. | |
| That sir which serves and seeks for gain, | |
| And follows but for form, | |
| Will pack when it begins to rain | |
| And leave thee in the storm. | |
| But I will tarry; the Fool will stay, | |
| And let the wise man fly. | |
| The knave turns fool that runs away; | |
| The Fool no knave, perdie. | |
| KENT Where learned you this, Fool? | |
| FOOL Not i' th' stocks, fool. | |
| [Enter Lear and Gloucester.] | |
| LEAR | |
| Deny to speak with me? They are sick? They are | |
| weary? | |
| They have traveled all the night? Mere fetches, | |
| The images of revolt and flying off. | |
| Fetch me a better answer. | |
| GLOUCESTER My dear lord, | |
| You know the fiery quality of the Duke, | |
| How unremovable and fixed he is | |
| In his own course. | |
| LEAR | |
| Vengeance, plague, death, confusion! | |
| "Fiery"? What "quality"? Why Gloucester, | |
| Gloucester, | |
| I'd speak with the Duke of Cornwall and his wife. | |
| GLOUCESTER | |
| Well, my good lord, I have informed them so. | |
| LEAR | |
| "Informed them"? Dost thou understand me, | |
| man? | |
| GLOUCESTER Ay, my good lord. | |
| LEAR | |
| The King would speak with Cornwall. The dear | |
| father | |
| Would with his daughter speak, commands, tends | |
| service. | |
| Are they "informed" of this? My breath and | |
| blood! | |
| "Fiery"? The "fiery" duke? Tell the hot duke that-- | |
| No, but not yet. Maybe he is not well. | |
| Infirmity doth still neglect all office | |
| Whereto our health is bound. We are not ourselves | |
| When nature, being oppressed, commands the mind | |
| To suffer with the body. I'll forbear, | |
| And am fallen out with my more headier will, | |
| To take the indisposed and sickly fit | |
| For the sound man. [Noticing Kent again.] Death on | |
| my state! Wherefore | |
| Should he sit here? This act persuades me | |
| That this remotion of the Duke and her | |
| Is practice only. Give me my servant forth. | |
| Go tell the Duke and 's wife I'd speak with them. | |
| Now, presently, bid them come forth and hear me, | |
| Or at their chamber door I'll beat the drum | |
| Till it cry sleep to death. | |
| GLOUCESTER I would have all well betwixt you. | |
| [He exits.] | |
| LEAR | |
| O me, my heart, my rising heart! But down! | |
| FOOL Cry to it, nuncle, as the cockney did to the eels | |
| when she put 'em i' th' paste alive. She knapped | |
| 'em o' th' coxcombs with a stick and cried "Down, | |
| wantons, down!" 'Twas her brother that in pure | |
| kindness to his horse buttered his hay. | |
| [Enter Cornwall, Regan, Gloucester, Servants.] | |
| LEAR Good morrow to you both. | |
| CORNWALL Hail to your Grace. | |
| [Kent here set at liberty.] | |
| REGAN I am glad to see your Highness. | |
| LEAR | |
| Regan, I think you are. I know what reason | |
| I have to think so: if thou shouldst not be glad, | |
| I would divorce me from thy mother's tomb, | |
| Sepulch'ring an adult'ress. [To Kent.] O, are you | |
| free? | |
| Some other time for that.--Beloved Regan, | |
| Thy sister's naught. O Regan, she hath tied | |
| Sharp-toothed unkindness, like a vulture, here. | |
| I can scarce speak to thee. Thou 'lt not believe | |
| With how depraved a quality--O Regan! | |
| REGAN | |
| I pray you, sir, take patience. I have hope | |
| You less know how to value her desert | |
| Than she to scant her duty. | |
| LEAR Say? How is that? | |
| REGAN | |
| I cannot think my sister in the least | |
| Would fail her obligation. If, sir, perchance | |
| She have restrained the riots of your followers, | |
| 'Tis on such ground and to such wholesome end | |
| As clears her from all blame. | |
| LEAR My curses on her. | |
| REGAN O sir, you are old. | |
| Nature in you stands on the very verge | |
| Of his confine. You should be ruled and led | |
| By some discretion that discerns your state | |
| Better than you yourself. Therefore, I pray you | |
| That to our sister you do make return. | |
| Say you have wronged her. | |
| LEAR Ask her forgiveness? | |
| Do you but mark how this becomes the house: | |
| [He kneels.] | |
| "Dear daughter, I confess that I am old. | |
| Age is unnecessary. On my knees I beg | |
| That you'll vouchsafe me raiment, bed, and food." | |
| REGAN | |
| Good sir, no more. These are unsightly tricks. | |
| Return you to my sister. | |
| LEAR, [rising] Never, Regan. | |
| She hath abated me of half my train, | |
| Looked black upon me, struck me with her tongue | |
| Most serpentlike upon the very heart. | |
| All the stored vengeances of heaven fall | |
| On her ingrateful top! Strike her young bones, | |
| You taking airs, with lameness! | |
| CORNWALL Fie, sir, fie! | |
| LEAR | |
| You nimble lightnings, dart your blinding flames | |
| Into her scornful eyes! Infect her beauty, | |
| You fen-sucked fogs drawn by the powerful sun | |
| To fall and blister! | |
| REGAN | |
| O, the blest gods! So will you wish on me | |
| When the rash mood is on. | |
| LEAR | |
| No, Regan, thou shalt never have my curse. | |
| Thy tender-hefted nature shall not give | |
| Thee o'er to harshness. Her eyes are fierce, but | |
| thine | |
| Do comfort and not burn. 'Tis not in thee | |
| To grudge my pleasures, to cut off my train, | |
| To bandy hasty words, to scant my sizes, | |
| And, in conclusion, to oppose the bolt | |
| Against my coming in. Thou better know'st | |
| The offices of nature, bond of childhood, | |
| Effects of courtesy, dues of gratitude. | |
| Thy half o' th' kingdom hast thou not forgot, | |
| Wherein I thee endowed. | |
| REGAN Good sir, to th' purpose. | |
| [Tucket within.] | |
| LEAR | |
| Who put my man i' th' stocks? | |
| CORNWALL What trumpet's that? | |
| REGAN | |
| I know 't--my sister's. This approves her letter, | |
| That she would soon be here. | |
| [Enter Oswald, the Steward.] | |
| Is your lady come? | |
| LEAR | |
| This is a slave whose easy-borrowed pride | |
| Dwells in the fickle grace of her he follows.-- | |
| Out, varlet, from my sight! | |
| CORNWALL What means your Grace? | |
| LEAR | |
| Who stocked my servant? Regan, I have good hope | |
| Thou didst not know on 't. | |
| [Enter Goneril.] | |
| Who comes here? O heavens, | |
| If you do love old men, if your sweet sway | |
| Allow obedience, if you yourselves are old, | |
| Make it your cause. Send down and take my part. | |
| [To Goneril.] Art not ashamed to look upon this | |
| beard? [Regan takes Goneril's hand.] | |
| O Regan, will you take her by the hand? | |
| GONERIL | |
| Why not by th' hand, sir? How have I offended? | |
| All's not offense that indiscretion finds | |
| And dotage terms so. | |
| LEAR O sides, you are too tough! | |
| Will you yet hold?--How came my man i' th' | |
| stocks? | |
| CORNWALL | |
| I set him there, sir, but his own disorders | |
| Deserved much less advancement. | |
| LEAR You? Did you? | |
| REGAN | |
| I pray you, father, being weak, seem so. | |
| If till the expiration of your month | |
| You will return and sojourn with my sister, | |
| Dismissing half your train, come then to me. | |
| I am now from home and out of that provision | |
| Which shall be needful for your entertainment. | |
| LEAR | |
| Return to her? And fifty men dismissed? | |
| No! Rather I abjure all roofs, and choose | |
| To wage against the enmity o' th' air, | |
| To be a comrade with the wolf and owl, | |
| Necessity's sharp pinch. Return with her? | |
| Why the hot-blooded France, that dowerless took | |
| Our youngest born--I could as well be brought | |
| To knee his throne and, squire-like, pension beg | |
| To keep base life afoot. Return with her? | |
| Persuade me rather to be slave and sumpter | |
| To this detested groom. [He indicates Oswald.] | |
| GONERIL At your choice, sir. | |
| LEAR | |
| I prithee, daughter, do not make me mad. | |
| I will not trouble thee, my child. Farewell. | |
| We'll no more meet, no more see one another. | |
| But yet thou art my flesh, my blood, my daughter, | |
| Or, rather, a disease that's in my flesh, | |
| Which I must needs call mine. Thou art a boil, | |
| A plague-sore or embossed carbuncle | |
| In my corrupted blood. But I'll not chide thee. | |
| Let shame come when it will; I do not call it. | |
| I do not bid the thunder-bearer shoot, | |
| Nor tell tales of thee to high-judging Jove. | |
| Mend when thou canst. Be better at thy leisure. | |
| I can be patient. I can stay with Regan, | |
| I and my hundred knights. | |
| REGAN Not altogether so. | |
| I looked not for you yet, nor am provided | |
| For your fit welcome. Give ear, sir, to my sister, | |
| For those that mingle reason with your passion | |
| Must be content to think you old, and so-- | |
| But she knows what she does. | |
| LEAR Is this well spoken? | |
| REGAN | |
| I dare avouch it, sir. What, fifty followers? | |
| Is it not well? What should you need of more? | |
| Yea, or so many, sith that both charge and danger | |
| Speak 'gainst so great a number? How in one house | |
| Should many people under two commands | |
| Hold amity? 'Tis hard, almost impossible. | |
| GONERIL | |
| Why might not you, my lord, receive attendance | |
| From those that she calls servants, or from mine? | |
| REGAN | |
| Why not, my lord? If then they chanced to slack | |
| you, | |
| We could control them. If you will come to me | |
| (For now I spy a danger), I entreat you | |
| To bring but five-and-twenty. To no more | |
| Will I give place or notice. | |
| LEAR I gave you all-- | |
| REGAN And in good time you gave it. | |
| LEAR | |
| Made you my guardians, my depositaries, | |
| But kept a reservation to be followed | |
| With such a number. What, must I come to you | |
| With five-and-twenty? Regan, said you so? | |
| REGAN | |
| And speak 't again, my lord. No more with me. | |
| LEAR | |
| Those wicked creatures yet do look well-favored | |
| When others are more wicked. Not being the worst | |
| Stands in some rank of praise. [To Goneril.] I'll go | |
| with thee. | |
| Thy fifty yet doth double five-and-twenty, | |
| And thou art twice her love. | |
| GONERIL Hear me, my lord. | |
| What need you five-and-twenty, ten, or five, | |
| To follow in a house where twice so many | |
| Have a command to tend you? | |
| REGAN What need one? | |
| LEAR | |
| O, reason not the need! Our basest beggars | |
| Are in the poorest thing superfluous. | |
| Allow not nature more than nature needs, | |
| Man's life is cheap as beast's. Thou art a lady; | |
| If only to go warm were gorgeous, | |
| Why, nature needs not what thou gorgeous wear'st, | |
| Which scarcely keeps thee warm. But, for true | |
| need-- | |
| You heavens, give me that patience, patience I need! | |
| You see me here, you gods, a poor old man | |
| As full of grief as age, wretched in both. | |
| If it be you that stirs these daughters' hearts | |
| Against their father, fool me not so much | |
| To bear it tamely. Touch me with noble anger, | |
| And let not women's weapons, water drops, | |
| Stain my man's cheeks.--No, you unnatural hags, | |
| I will have such revenges on you both | |
| That all the world shall--I will do such things-- | |
| What they are yet I know not, but they shall be | |
| The terrors of the Earth! You think I'll weep. | |
| No, I'll not weep. | |
| I have full cause of weeping, but this heart | |
| [Storm and tempest.] | |
| Shall break into a hundred thousand flaws | |
| Or ere I'll weep.--O Fool, I shall go mad! | |
| [Lear, Kent, and Fool exit | |
| with Gloucester and the Gentleman.] | |
| CORNWALL Let us withdraw. 'Twill be a storm. | |
| REGAN | |
| This house is little. The old man and 's people | |
| Cannot be well bestowed. | |
| GONERIL | |
| 'Tis his own blame hath put himself from rest, | |
| And must needs taste his folly. | |
| REGAN | |
| For his particular, I'll receive him gladly, | |
| But not one follower. | |
| GONERIL | |
| So am I purposed. Where is my lord of Gloucester? | |
| CORNWALL | |
| Followed the old man forth. | |
| [Enter Gloucester.] | |
| He is returned. | |
| GLOUCESTER The King is in high rage. | |
| CORNWALL Whither is he going? | |
| GLOUCESTER | |
| He calls to horse, but will I know not whither. | |
| CORNWALL | |
| 'Tis best to give him way. He leads himself. | |
| GONERIL, [to Gloucester] | |
| My lord, entreat him by no means to stay. | |
| GLOUCESTER | |
| Alack, the night comes on, and the high winds | |
| Do sorely ruffle. For many miles about | |
| There's scarce a bush. | |
| REGAN O sir, to willful men | |
| The injuries that they themselves procure | |
| Must be their schoolmasters. Shut up your doors. | |
| He is attended with a desperate train, | |
| And what they may incense him to, being apt | |
| To have his ear abused, wisdom bids fear. | |
| CORNWALL | |
| Shut up your doors, my lord. 'Tis a wild night. | |
| My Regan counsels well. Come out o' th' storm. | |
| [They exit.] | |
| ACT 3 | |
| ===== | |
| Scene 1 | |
| ======= | |
| [Storm still. Enter Kent in disguise, and a Gentleman, | |
| severally.] | |
| KENT Who's there, besides foul weather? | |
| GENTLEMAN | |
| One minded like the weather, most unquietly. | |
| KENT I know you. Where's the King? | |
| GENTLEMAN | |
| Contending with the fretful elements; | |
| Bids the wind blow the earth into the sea | |
| Or swell the curled waters 'bove the main, | |
| That things might change or cease; tears his white | |
| hair, | |
| Which the impetuous blasts with eyeless rage | |
| Catch in their fury and make nothing of; | |
| Strives in his little world of man to outscorn | |
| The to-and-fro conflicting wind and rain. | |
| This night, wherein the cub-drawn bear would | |
| couch, | |
| The lion and the belly-pinched wolf | |
| Keep their fur dry, unbonneted he runs | |
| And bids what will take all. | |
| KENT But who is with him? | |
| GENTLEMAN | |
| None but the Fool, who labors to outjest | |
| His heart-struck injuries. | |
| KENT Sir, I do know you | |
| And dare upon the warrant of my note | |
| Commend a dear thing to you. There is division, | |
| Although as yet the face of it is covered | |
| With mutual cunning, 'twixt Albany and Cornwall, | |
| Who have--as who have not, that their great stars | |
| Throned and set high?--servants, who seem no less, | |
| Which are to France the spies and speculations | |
| Intelligent of our state. From France there comes | |
| a power | |
| Into this scattered kingdom, who already, | |
| Wise in our negligence, have secret feet | |
| In some of our best ports and are at point | |
| To show their open banner. Now to you: | |
| If on my credit you dare build so far | |
| To make your speed to Dover, you shall find | |
| Some that will thank you, making just report | |
| Of how unnatural and bemadding sorrow | |
| The King hath cause to plain: what hath been seen, | |
| Either in snuffs and packings of the dukes, | |
| Or the hard rein which both of them hath borne | |
| Against the old kind king, or something deeper, | |
| Whereof perchance these are but furnishings. | |
| I am a gentleman of blood and breeding, | |
| And from some knowledge and assurance offer | |
| This office to you. | |
| GENTLEMAN | |
| I will talk further with you. | |
| KENT No, do not. | |
| For confirmation that I am much more | |
| Than my outwall, open this purse and take | |
| What it contains. | |
| [Kent hands him a purse and a ring.] | |
| If you shall see Cordelia | |
| (As fear not but you shall), show her this ring, | |
| And she will tell you who that fellow is | |
| That yet you do not know. Fie on this storm! | |
| I will go seek the King. | |
| GENTLEMAN | |
| Give me your hand. Have you no more to say? | |
| KENT | |
| Few words, but, to effect, more than all yet: | |
| That when we have found the King--in which your | |
| pain | |
| That way, I'll this--he that first lights on him | |
| Holla the other. | |
| [They exit separately.] | |
| Scene 2 | |
| ======= | |
| [Storm still. Enter Lear and Fool.] | |
| LEAR | |
| Blow winds, and crack your cheeks! Rage, blow! | |
| You cataracts and hurricanoes, spout | |
| Till you have drenched our steeples, drowned the | |
| cocks. | |
| You sulph'rous and thought-executing fires, | |
| Vaunt-couriers of oak-cleaving thunderbolts, | |
| Singe my white head. And thou, all-shaking | |
| thunder, | |
| Strike flat the thick rotundity o' th' world. | |
| Crack nature's molds, all germens spill at once | |
| That makes ingrateful man. | |
| FOOL O nuncle, court holy water in a dry house is | |
| better than this rainwater out o' door. Good nuncle, | |
| in. Ask thy daughters' blessing. Here's a night | |
| pities neither wise men nor fools. | |
| LEAR | |
| Rumble thy bellyful! Spit, fire! Spout, rain! | |
| Nor rain, wind, thunder, fire are my daughters. | |
| I tax not you, you elements, with unkindness. | |
| I never gave you kingdom, called you children; | |
| You owe me no subscription. Then let fall | |
| Your horrible pleasure. Here I stand your slave, | |
| A poor, infirm, weak, and despised old man. | |
| But yet I call you servile ministers, | |
| That will with two pernicious daughters join | |
| Your high-engendered battles 'gainst a head | |
| So old and white as this. O, ho, 'tis foul! | |
| FOOL He that has a house to put 's head in has a good | |
| headpiece. | |
| The codpiece that will house | |
| Before the head has any, | |
| The head and he shall louse; | |
| So beggars marry many. | |
| The man that makes his toe | |
| What he his heart should make, | |
| Shall of a corn cry woe, | |
| And turn his sleep to wake. | |
| For there was never yet fair woman but she made | |
| mouths in a glass. | |
| LEAR | |
| No, I will be the pattern of all patience. | |
| I will say nothing. | |
| [Enter Kent in disguise.] | |
| KENT Who's there? | |
| FOOL Marry, here's grace and a codpiece; that's a | |
| wise man and a fool. | |
| KENT | |
| Alas, sir, are you here? Things that love night | |
| Love not such nights as these. The wrathful skies | |
| Gallow the very wanderers of the dark | |
| And make them keep their caves. Since I was man, | |
| Such sheets of fire, such bursts of horrid thunder, | |
| Such groans of roaring wind and rain I never | |
| Remember to have heard. Man's nature cannot carry | |
| Th' affliction nor the fear. | |
| LEAR Let the great gods | |
| That keep this dreadful pudder o'er our heads | |
| Find out their enemies now. Tremble, thou wretch, | |
| That hast within thee undivulged crimes | |
| Unwhipped of justice. Hide thee, thou bloody hand, | |
| Thou perjured, and thou simular of virtue | |
| That art incestuous. Caitiff, to pieces shake, | |
| That under covert and convenient seeming | |
| Has practiced on man's life. Close pent-up guilts, | |
| Rive your concealing continents and cry | |
| These dreadful summoners grace. I am a man | |
| More sinned against than sinning. | |
| KENT Alack, | |
| bareheaded? | |
| Gracious my lord, hard by here is a hovel. | |
| Some friendship will it lend you 'gainst the tempest. | |
| Repose you there while I to this hard house-- | |
| More harder than the stones whereof 'tis raised, | |
| Which even but now, demanding after you, | |
| Denied me to come in--return and force | |
| Their scanted courtesy. | |
| LEAR My wits begin to turn.-- | |
| Come on, my boy. How dost, my boy? Art cold? | |
| I am cold myself.--Where is this straw, my fellow? | |
| The art of our necessities is strange | |
| And can make vile things precious. Come, your | |
| hovel.-- | |
| Poor Fool and knave, I have one part in my heart | |
| That's sorry yet for thee. | |
| FOOL [sings] | |
| He that has and a little tiny wit, | |
| With hey, ho, the wind and the rain, | |
| Must make content with his fortunes fit, | |
| Though the rain it raineth every day. | |
| LEAR | |
| True, my good boy.--Come, bring us to this hovel. | |
| [Lear and Kent exit.] | |
| FOOL This is a brave night to cool a courtesan. I'll | |
| speak a prophecy ere I go: | |
| When priests are more in word than matter, | |
| When brewers mar their malt with water, | |
| When nobles are their tailors' tutors, | |
| No heretics burned but wenches' suitors, | |
| When every case in law is right, | |
| No squire in debt, nor no poor knight; | |
| When slanders do not live in tongues, | |
| Nor cutpurses come not to throngs, | |
| When usurers tell their gold i' th' field, | |
| And bawds and whores do churches build, | |
| Then shall the realm of Albion | |
| Come to great confusion; | |
| Then comes the time, who lives to see 't, | |
| That going shall be used with feet. | |
| This prophecy Merlin shall make, for I live before | |
| his time. | |
| [He exits.] | |
| Scene 3 | |
| ======= | |
| [Enter Gloucester and Edmund.] | |
| GLOUCESTER Alack, alack, Edmund, I like not this | |
| unnatural dealing. When I desired their leave that I | |
| might pity him, they took from me the use of mine | |
| own house, charged me on pain of perpetual | |
| displeasure neither to speak of him, entreat for | |
| him, or any way sustain him. | |
| EDMUND Most savage and unnatural. | |
| GLOUCESTER Go to; say you nothing. There is division | |
| between the dukes, and a worse matter than that. I | |
| have received a letter this night; 'tis dangerous to | |
| be spoken; I have locked the letter in my closet. | |
| These injuries the King now bears will be revenged | |
| home; there is part of a power already footed. We | |
| must incline to the King. I will look him and privily | |
| relieve him. Go you and maintain talk with the | |
| Duke, that my charity be not of him perceived. If he | |
| ask for me, I am ill and gone to bed. If I die for it, as | |
| no less is threatened me, the King my old master | |
| must be relieved. There is strange things toward, | |
| Edmund. Pray you, be careful. [He exits.] | |
| EDMUND | |
| This courtesy forbid thee shall the Duke | |
| Instantly know, and of that letter too. | |
| This seems a fair deserving, and must draw me | |
| That which my father loses--no less than all. | |
| The younger rises when the old doth fall. | |
| [He exits.] | |
| Scene 4 | |
| ======= | |
| [Enter Lear, Kent in disguise, and Fool.] | |
| KENT | |
| Here is the place, my lord. Good my lord, enter. | |
| The tyranny of the open night 's too rough | |
| For nature to endure. [Storm still.] | |
| LEAR Let me alone. | |
| KENT | |
| Good my lord, enter here. | |
| LEAR Wilt break my heart? | |
| KENT | |
| I had rather break mine own. Good my lord, enter. | |
| LEAR | |
| Thou think'st 'tis much that this contentious storm | |
| Invades us to the skin. So 'tis to thee. | |
| But where the greater malady is fixed, | |
| The lesser is scarce felt. Thou 'dst shun a bear, | |
| But if thy flight lay toward the roaring sea, | |
| Thou 'dst meet the bear i' th' mouth. When the | |
| mind's free, | |
| The body's delicate. This tempest in my mind | |
| Doth from my senses take all feeling else | |
| Save what beats there. Filial ingratitude! | |
| Is it not as this mouth should tear this hand | |
| For lifting food to 't? But I will punish home. | |
| No, I will weep no more. In such a night | |
| To shut me out? Pour on. I will endure. | |
| In such a night as this? O Regan, Goneril, | |
| Your old kind father whose frank heart gave all! | |
| O, that way madness lies. Let me shun that; | |
| No more of that. | |
| KENT Good my lord, enter here. | |
| LEAR | |
| Prithee, go in thyself. Seek thine own ease. | |
| This tempest will not give me leave to ponder | |
| On things would hurt me more. But I'll go in.-- | |
| In, boy; go first.--You houseless poverty-- | |
| Nay, get thee in. I'll pray, and then I'll sleep. | |
| [Fool exits.] | |
| Poor naked wretches, wheresoe'er you are, | |
| That bide the pelting of this pitiless storm, | |
| How shall your houseless heads and unfed sides, | |
| Your looped and windowed raggedness defend | |
| you | |
| From seasons such as these? O, I have ta'en | |
| Too little care of this. Take physic, pomp. | |
| Expose thyself to feel what wretches feel, | |
| That thou may'st shake the superflux to them | |
| And show the heavens more just. | |
| EDGAR [within] Fathom and half, fathom and half! | |
| Poor Tom! | |
| [Enter Fool.] | |
| FOOL Come not in here, nuncle; here's a spirit. Help | |
| me, help me! | |
| KENT Give me thy hand. Who's there? | |
| FOOL A spirit, a spirit! He says his name's Poor Tom. | |
| KENT What art thou that dost grumble there i' th' | |
| straw? Come forth. | |
| [Enter Edgar in disguise.] | |
| EDGAR Away. The foul fiend follows me. Through the | |
| sharp hawthorn blows the cold wind. Hum! Go to | |
| thy cold bed and warm thee. | |
| LEAR Didst thou give all to thy daughters? And art thou | |
| come to this? | |
| EDGAR Who gives anything to Poor Tom, whom the | |
| foul fiend hath led through fire and through flame, | |
| through ford and whirlpool, o'er bog and quagmire; | |
| that hath laid knives under his pillow and | |
| halters in his pew, set ratsbane by his porridge, | |
| made him proud of heart to ride on a bay trotting | |
| horse over four-inched bridges to course his own | |
| shadow for a traitor? Bless thy five wits! Tom's | |
| a-cold. O, do de, do de, do de. Bless thee from | |
| whirlwinds, star-blasting, and taking! Do Poor Tom | |
| some charity, whom the foul fiend vexes. There | |
| could I have him now, and there--and there again | |
| --and there. [Storm still.] | |
| LEAR | |
| Has his daughters brought him to this pass?-- | |
| Couldst thou save nothing? Wouldst thou give 'em | |
| all? | |
| FOOL Nay, he reserved a blanket, else we had been all | |
| shamed. | |
| LEAR | |
| Now all the plagues that in the pendulous air | |
| Hang fated o'er men's faults light on thy daughters! | |
| KENT He hath no daughters, sir. | |
| LEAR | |
| Death, traitor! Nothing could have subdued nature | |
| To such a lowness but his unkind daughters. | |
| Is it the fashion that discarded fathers | |
| Should have thus little mercy on their flesh? | |
| Judicious punishment! 'Twas this flesh begot | |
| Those pelican daughters. | |
| EDGAR Pillicock sat on Pillicock Hill. Alow, alow, loo, | |
| loo. | |
| FOOL This cold night will turn us all to fools and | |
| madmen. | |
| EDGAR Take heed o' th' foul fiend. Obey thy parents, | |
| keep thy word's justice, swear not, commit not with | |
| man's sworn spouse, set not thy sweet heart on | |
| proud array. Tom's a-cold. | |
| LEAR What hast thou been? | |
| EDGAR A servingman, proud in heart and mind, that | |
| curled my hair, wore gloves in my cap, served the | |
| lust of my mistress' heart and did the act of | |
| darkness with her, swore as many oaths as I spake | |
| words and broke them in the sweet face of heaven; | |
| one that slept in the contriving of lust and waked to | |
| do it. Wine loved I deeply, dice dearly, and in | |
| woman out-paramoured the Turk. False of heart, | |
| light of ear, bloody of hand; hog in sloth, fox in | |
| stealth, wolf in greediness, dog in madness, lion in | |
| prey. Let not the creaking of shoes nor the rustling | |
| of silks betray thy poor heart to woman. Keep thy | |
| foot out of brothels, thy hand out of plackets, thy | |
| pen from lenders' books, and defy the foul fiend. | |
| Still through the hawthorn blows the cold wind; | |
| says suum, mun, nonny. Dolphin my boy, boy, sessa! | |
| Let him trot by. [Storm still.] | |
| LEAR Thou wert better in a grave than to answer with | |
| thy uncovered body this extremity of the skies.--Is | |
| man no more than this? Consider him well.--Thou | |
| ow'st the worm no silk, the beast no hide, the sheep | |
| no wool, the cat no perfume. Ha, here's three on 's | |
| are sophisticated. Thou art the thing itself; unaccommodated | |
| man is no more but such a poor, bare, | |
| forked animal as thou art. Off, off, you lendings! | |
| Come, unbutton here. [Tearing off his clothes.] | |
| FOOL Prithee, nuncle, be contented. 'Tis a naughty | |
| night to swim in. Now, a little fire in a wild field | |
| were like an old lecher's heart--a small spark, all | |
| the rest on 's body cold. | |
| [Enter Gloucester, with a torch.] | |
| Look, here comes a walking fire. | |
| EDGAR This is the foul fiend Flibbertigibbet. He begins | |
| at curfew and walks till the first cock. He | |
| gives the web and the pin, squints the eye, and | |
| makes the harelip, mildews the white wheat, and | |
| hurts the poor creature of earth. | |
| Swithold footed thrice the 'old, | |
| He met the nightmare and her ninefold, | |
| Bid her alight, | |
| And her troth plight, | |
| And aroint thee, witch, aroint thee. | |
| KENT How fares your Grace? | |
| LEAR What's he? | |
| KENT Who's there? What is 't you seek? | |
| GLOUCESTER What are you there? Your names? | |
| EDGAR Poor Tom, that eats the swimming frog, the | |
| toad, the tadpole, the wall newt, and the water; | |
| that, in the fury of his heart, when the foul fiend | |
| rages, eats cow dung for sallets, swallows the old | |
| rat and the ditch-dog, drinks the green mantle of | |
| the standing pool; who is whipped from tithing to | |
| tithing, and stocked, punished, and imprisoned; | |
| who hath had three suits to his back, six shirts to | |
| his body, | |
| Horse to ride, and weapon to wear; | |
| But mice and rats and such small deer | |
| Have been Tom's food for seven long year. | |
| Beware my follower. Peace, Smulkin! Peace, thou | |
| fiend! | |
| GLOUCESTER, [to Lear] | |
| What, hath your Grace no better company? | |
| EDGAR The Prince of Darkness is a gentleman. Modo | |
| he's called, and Mahu. | |
| GLOUCESTER, [to Lear] | |
| Our flesh and blood, my lord, is grown so vile | |
| That it doth hate what gets it. | |
| EDGAR Poor Tom's a-cold. | |
| GLOUCESTER, [to Lear] | |
| Go in with me. My duty cannot suffer | |
| T' obey in all your daughters' hard commands. | |
| Though their injunction be to bar my doors | |
| And let this tyrannous night take hold upon you, | |
| Yet have I ventured to come seek you out | |
| And bring you where both fire and food is ready. | |
| LEAR | |
| First let me talk with this philosopher. | |
| [To Edgar.] What is the cause of thunder? | |
| KENT | |
| Good my lord, take his offer; go into th' house. | |
| LEAR | |
| I'll talk a word with this same learned Theban.-- | |
| What is your study? | |
| EDGAR How to prevent the fiend and to kill vermin. | |
| LEAR Let me ask you one word in private. | |
| [They talk aside.] | |
| KENT, [to Gloucester] | |
| Importune him once more to go, my lord. | |
| His wits begin t' unsettle. | |
| GLOUCESTER Canst thou blame him? | |
| [Storm still.] | |
| His daughters seek his death. Ah, that good Kent! | |
| He said it would be thus, poor banished man. | |
| Thou sayest the King grows mad; I'll tell thee, | |
| friend, | |
| I am almost mad myself. I had a son, | |
| Now outlawed from my blood. He sought my life | |
| But lately, very late. I loved him, friend, | |
| No father his son dearer. True to tell thee, | |
| The grief hath crazed my wits. What a night's this! | |
| --I do beseech your Grace-- | |
| LEAR O, cry you mercy, sir. | |
| [To Edgar.] Noble philosopher, your company. | |
| EDGAR Tom's a-cold. | |
| GLOUCESTER, [to Edgar] | |
| In fellow, there, into th' hovel. Keep thee warm. | |
| LEARCome, let's in all. | |
| KENT This way, my lord. | |
| LEAR, [indicating Edgar] With him. | |
| I will keep still with my philosopher. | |
| KENT, [to Gloucester] | |
| Good my lord, soothe him. Let him take the fellow. | |
| GLOUCESTER, [to Kent] Take him you on. | |
| KENT, [to Edgar] | |
| Sirrah, come on: go along with us. | |
| LEAR Come, good Athenian. | |
| GLOUCESTER No words, no words. Hush. | |
| EDGAR | |
| Child Rowland to the dark tower came. | |
| His word was still "Fie, foh, and fum, | |
| I smell the blood of a British man." | |
| [They exit.] | |
| Scene 5 | |
| ======= | |
| [Enter Cornwall, and Edmund with a paper.] | |
| CORNWALL I will have my revenge ere I depart his | |
| house. | |
| EDMUND How, my lord, I may be censured, that nature | |
| thus gives way to loyalty, something fears me to | |
| think of. | |
| CORNWALL I now perceive it was not altogether your | |
| brother's evil disposition made him seek his death, | |
| but a provoking merit set awork by a reprovable | |
| badness in himself. | |
| EDMUND How malicious is my fortune that I must | |
| repent to be just! This is the letter he spoke of, | |
| which approves him an intelligent party to the | |
| advantages of France. O heavens, that this treason | |
| were not, or not I the detector. | |
| CORNWALL Go with me to the Duchess. | |
| EDMUND If the matter of this paper be certain, you | |
| have mighty business in hand. | |
| CORNWALL True or false, it hath made thee Earl of | |
| Gloucester. Seek out where thy father is, that he | |
| may be ready for our apprehension. | |
| EDMUND, [aside] If I find him comforting the King, it | |
| will stuff his suspicion more fully.--I will persevere | |
| in my course of loyalty, though the conflict be sore | |
| between that and my blood. | |
| CORNWALL I will lay trust upon thee, and thou shalt | |
| find a dearer father in my love. | |
| [They exit.] | |
| Scene 6 | |
| ======= | |
| [Enter Kent in disguise, and Gloucester.] | |
| GLOUCESTER Here is better than the open air. Take it | |
| thankfully. I will piece out the comfort with what | |
| addition I can. I will not be long from you. | |
| KENT All the power of his wits have given way to his | |
| impatience. The gods reward your kindness! | |
| [Gloucester exits.] | |
| [Enter Lear, Edgar in disguise, and Fool.] | |
| EDGAR Frateretto calls me and tells me Nero is an | |
| angler in the lake of darkness. Pray, innocent, and | |
| beware the foul fiend. | |
| FOOL Prithee, nuncle, tell me whether a madman be a | |
| gentleman or a yeoman. | |
| LEAR A king, a king! | |
| FOOL No, he's a yeoman that has a gentleman to his | |
| son, for he's a mad yeoman that sees his son a | |
| gentleman before him. | |
| LEAR | |
| To have a thousand with red burning spits | |
| Come hissing in upon 'em! | |
| EDGAR The foul fiend bites my back. | |
| FOOL He's mad that trusts in the tameness of a wolf, a | |
| horse's health, a boy's love, or a whore's oath. | |
| LEAR | |
| It shall be done. I will arraign them straight. | |
| [To Edgar.] Come, sit thou here, most learned | |
| justice. | |
| [To Fool.] Thou sapient sir, sit here. Now, you | |
| she-foxes-- | |
| EDGAR Look where he stands and glares!--Want'st | |
| thou eyes at trial, madam? | |
| [Sings.] Come o'er the burn, Bessy, to me-- | |
| FOOL [sings] | |
| Her boat hath a leak, | |
| And she must not speak | |
| Why she dares not come over to thee. | |
| EDGAR The foul fiend haunts Poor Tom in the voice of | |
| a nightingale. Hoppedance cries in Tom's belly for | |
| two white herring.--Croak not, black angel. I have | |
| no food for thee. | |
| KENT, [to Lear] | |
| How do you, sir? Stand you not so amazed. | |
| Will you lie down and rest upon the cushions? | |
| LEAR | |
| I'll see their trial first. Bring in their evidence. | |
| [To Edgar.] Thou robed man of justice, take thy | |
| place, | |
| [To Fool.] And thou, his yokefellow of equity, | |
| Bench by his side. [To Kent.] You are o' th' | |
| commission; | |
| Sit you, too. | |
| EDGAR Let us deal justly. | |
| [Sings.] Sleepest or wakest, thou jolly shepherd? | |
| Thy sheep be in the corn. | |
| And for one blast of thy minikin mouth, | |
| Thy sheep shall take no harm. | |
| Purr the cat is gray. | |
| LEAR Arraign her first; 'tis Goneril. I here take my oath | |
| before this honorable assembly, kicked the poor | |
| king her father. | |
| FOOL Come hither, mistress. Is your name Goneril? | |
| LEAR She cannot deny it. | |
| FOOL Cry you mercy, I took you for a joint stool. | |
| LEAR | |
| And here's another whose warped looks proclaim | |
| What store her heart is made on. Stop her there! | |
| Arms, arms, sword, fire! Corruption in the place! | |
| False justicer, why hast thou let her 'scape? | |
| EDGAR Bless thy five wits! | |
| KENT, [to Lear] | |
| O pity! Sir, where is the patience now | |
| That you so oft have boasted to retain? | |
| EDGAR, [aside] | |
| My tears begin to take his part so much | |
| They mar my counterfeiting. | |
| LEAR The little dogs and all, | |
| Tray, Blanch, and Sweetheart, see, they bark at me. | |
| EDGAR Tom will throw his head at them.--Avaunt, you | |
| curs! | |
| Be thy mouth or black or white, | |
| Tooth that poisons if it bite, | |
| Mastiff, greyhound, mongrel grim, | |
| Hound or spaniel, brach, or lym, | |
| Bobtail tike, or trundle-tail, | |
| Tom will make him weep and wail; | |
| For, with throwing thus my head, | |
| Dogs leapt the hatch, and all are fled. | |
| Do de, de, de. Sessa! Come, march to wakes | |
| and fairs and market towns. Poor Tom, thy horn | |
| is dry. | |
| LEAR Then let them anatomize Regan; see what breeds | |
| about her heart. Is there any cause in nature that | |
| make these hard hearts? [To Edgar.] You, sir, I | |
| entertain for one of my hundred; only I do not like | |
| the fashion of your garments. You will say they are | |
| Persian, but let them be changed. | |
| KENT | |
| Now, good my lord, lie here and rest awhile. | |
| LEAR, [lying down] Make no noise, make no noise. | |
| Draw the curtains. So, so, we'll go to supper i' th' | |
| morning. | |
| FOOL And I'll go to bed at noon. | |
| [Enter Gloucester.] | |
| GLOUCESTER, [to Kent] | |
| Come hither, friend. Where is the King my master? | |
| KENT | |
| Here, sir, but trouble him not; his wits are gone. | |
| GLOUCESTER | |
| Good friend, I prithee, take him in thy arms. | |
| I have o'erheard a plot of death upon him. | |
| There is a litter ready; lay him in 't, | |
| And drive toward Dover, friend, where thou shalt | |
| meet | |
| Both welcome and protection. Take up thy master. | |
| If thou shouldst dally half an hour, his life, | |
| With thine and all that offer to defend him, | |
| Stand in assured loss. Take up, take up, | |
| And follow me, that will to some provision | |
| Give thee quick conduct. | |
| KENT Oppressed nature sleeps. | |
| This rest might yet have balmed thy broken sinews, | |
| Which, if convenience will not allow, | |
| Stand in hard cure. [To the Fool.] Come, help to | |
| bear thy master. | |
| Thou must not stay behind. | |
| GLOUCESTER Come, come away. | |
| [All but Edgar exit, carrying Lear.] | |
| EDGAR | |
| When we our betters see bearing our woes, | |
| We scarcely think our miseries our foes. | |
| Who alone suffers suffers most i' th' mind, | |
| Leaving free things and happy shows behind. | |
| But then the mind much sufferance doth o'erskip | |
| When grief hath mates and bearing fellowship. | |
| How light and portable my pain seems now | |
| When that which makes me bend makes the King | |
| bow! | |
| He childed as I fathered. Tom, away. | |
| Mark the high noises, and thyself bewray | |
| When false opinion, whose wrong thoughts defile | |
| thee, | |
| In thy just proof repeals and reconciles thee. | |
| What will hap more tonight, safe 'scape the King! | |
| Lurk, lurk. | |
| [He exits.] | |
| Scene 7 | |
| ======= | |
| [Enter Cornwall, Regan, Goneril, Edmund, the Bastard, | |
| and Servants.] | |
| CORNWALL, [to Goneril] Post speedily to my lord your | |
| husband. Show him this letter. [He gives her a | |
| paper.] The army of France is landed.--Seek out | |
| the traitor Gloucester. [Some Servants exit.] | |
| REGAN Hang him instantly. | |
| GONERIL Pluck out his eyes. | |
| CORNWALL Leave him to my displeasure.--Edmund, | |
| keep you our sister company. The revenges we are | |
| bound to take upon your traitorous father are not | |
| fit for your beholding. Advise the Duke, where you | |
| are going, to a most festinate preparation; we are | |
| bound to the like. Our posts shall be swift and | |
| intelligent betwixt us.--Farewell, dear sister.-- | |
| Farewell, my lord of Gloucester. | |
| [Enter Oswald, the Steward.] | |
| How now? Where's the King? | |
| OSWALD | |
| My lord of Gloucester hath conveyed him hence. | |
| Some five- or six-and-thirty of his knights, | |
| Hot questrists after him, met him at gate, | |
| Who, with some other of the lord's dependents, | |
| Are gone with him toward Dover, where they boast | |
| To have well-armed friends. | |
| CORNWALL Get horses for your mistress. | |
| [Oswald exits.] | |
| GONERIL Farewell, sweet lord, and sister. | |
| CORNWALL | |
| Edmund, farewell. [Goneril and Edmund exit.] | |
| Go seek the traitor Gloucester. | |
| Pinion him like a thief; bring him before us. | |
| [Some Servants exit.] | |
| Though well we may not pass upon his life | |
| Without the form of justice, yet our power | |
| Shall do a court'sy to our wrath, which men | |
| May blame but not control. | |
| [Enter Gloucester and Servants.] | |
| Who's there? The | |
| traitor? | |
| REGAN Ingrateful fox! 'Tis he. | |
| CORNWALL Bind fast his corky arms. | |
| GLOUCESTER | |
| What means your Graces? Good my friends, | |
| consider | |
| You are my guests; do me no foul play, friends. | |
| CORNWALL | |
| Bind him, I say. | |
| REGAN Hard, hard. O filthy traitor! | |
| GLOUCESTER | |
| Unmerciful lady as you are, I'm none. | |
| CORNWALL | |
| To this chair bind him. [Servants bind Gloucester.] | |
| Villain, thou shalt find-- | |
| [Regan plucks Gloucester's beard.] | |
| GLOUCESTER | |
| By the kind gods, 'tis most ignobly done | |
| To pluck me by the beard. | |
| REGAN | |
| So white, and such a traitor? | |
| GLOUCESTER Naughty lady, | |
| These hairs which thou dost ravish from my chin | |
| Will quicken and accuse thee. I am your host; | |
| With robber's hands my hospitable favors | |
| You should not ruffle thus. What will you do? | |
| CORNWALL | |
| Come, sir, what letters had you late from France? | |
| REGAN | |
| Be simple-answered, for we know the truth. | |
| CORNWALL | |
| And what confederacy have you with the traitors | |
| Late footed in the kingdom? | |
| REGAN To whose hands | |
| You have sent the lunatic king. Speak. | |
| GLOUCESTER | |
| I have a letter guessingly set down | |
| Which came from one that's of a neutral heart, | |
| And not from one opposed. | |
| CORNWALL Cunning. | |
| REGAN And false. | |
| CORNWALL Where hast thou sent the King? | |
| GLOUCESTER To Dover. | |
| REGAN | |
| Wherefore to Dover? Wast thou not charged at | |
| peril-- | |
| CORNWALL | |
| Wherefore to Dover? Let him answer that. | |
| GLOUCESTER | |
| I am tied to th' stake, and I must stand the course. | |
| REGAN Wherefore to Dover? | |
| GLOUCESTER | |
| Because I would not see thy cruel nails | |
| Pluck out his poor old eyes, nor thy fierce sister | |
| In his anointed flesh stick boarish fangs. | |
| The sea, with such a storm as his bare head | |
| In hell-black night endured, would have buoyed up | |
| And quenched the stelled fires; | |
| Yet, poor old heart, he holp the heavens to rain. | |
| If wolves had at thy gate howled that stern time, | |
| Thou shouldst have said "Good porter, turn the | |
| key." | |
| All cruels else subscribe. But I shall see | |
| The winged vengeance overtake such children. | |
| CORNWALL | |
| See 't shalt thou never.--Fellows, hold the chair.-- | |
| Upon these eyes of thine I'll set my foot. | |
| GLOUCESTER | |
| He that will think to live till he be old, | |
| Give me some help! | |
| [As Servants hold the chair, Cornwall forces out | |
| one of Gloucester's eyes.] | |
| O cruel! O you gods! | |
| REGAN | |
| One side will mock another. Th' other too. | |
| CORNWALL | |
| If you see vengeance-- | |
| FIRST SERVANT Hold your hand, | |
| my lord. | |
| I have served you ever since I was a child, | |
| But better service have I never done you | |
| Than now to bid you hold. | |
| REGAN How now, you dog? | |
| FIRST SERVANT | |
| If you did wear a beard upon your chin, | |
| I'd shake it on this quarrel. What do you mean? | |
| CORNWALL My villain? [Draw and fight.] | |
| FIRST SERVANT | |
| Nay, then, come on, and take the chance of anger. | |
| REGAN, [to an Attendant] | |
| Give me thy sword. A peasant stand up thus? | |
| [She takes a sword and runs | |
| at him behind; kills him.] | |
| FIRST SERVANT | |
| O, I am slain! My lord, you have one eye left | |
| To see some mischief on him. O! [He dies.] | |
| CORNWALL | |
| Lest it see more, prevent it. Out, vile jelly! | |
| [Forcing out Gloucester's other eye.] | |
| Where is thy luster now? | |
| GLOUCESTER | |
| All dark and comfortless! Where's my son | |
| Edmund?-- | |
| Edmund, enkindle all the sparks of nature | |
| To quit this horrid act. | |
| REGAN Out, treacherous villain! | |
| Thou call'st on him that hates thee. It was he | |
| That made the overture of thy treasons to us, | |
| Who is too good to pity thee. | |
| GLOUCESTER | |
| O my follies! Then Edgar was abused. | |
| Kind gods, forgive me that, and prosper him. | |
| REGAN | |
| Go thrust him out at gates, and let him smell | |
| His way to Dover. | |
| [Some Servants exit with Gloucester.] | |
| How is 't, my lord? How look you? | |
| CORNWALL | |
| I have received a hurt. Follow me, lady.-- | |
| Turn out that eyeless villain. Throw this slave | |
| Upon the dunghill.--Regan, I bleed apace. | |
| Untimely comes this hurt. Give me your arm. | |
| [Cornwall and Regan exit.] | |
| SECOND SERVANT | |
| I'll never care what wickedness I do | |
| If this man come to good. | |
| THIRD SERVANT If she live long | |
| And in the end meet the old course of death, | |
| Women will all turn monsters. | |
| SECOND SERVANT | |
| Let's follow the old earl and get the Bedlam | |
| To lead him where he would. His roguish madness | |
| Allows itself to anything. | |
| THIRD SERVANT | |
| Go thou. I'll fetch some flax and whites of eggs | |
| To apply to his bleeding face. Now heaven help him! | |
| [They exit.] | |
| ACT 4 | |
| ===== | |
| Scene 1 | |
| ======= | |
| [Enter Edgar in disguise.] | |
| EDGAR | |
| Yet better thus, and known to be contemned, | |
| Than still contemned and flattered. To be worst, | |
| The lowest and most dejected thing of Fortune, | |
| Stands still in esperance, lives not in fear. | |
| The lamentable change is from the best; | |
| The worst returns to laughter. Welcome, then, | |
| Thou unsubstantial air that I embrace. | |
| The wretch that thou hast blown unto the worst | |
| Owes nothing to thy blasts. But who comes here? | |
| [Enter Gloucester and an old man.] | |
| My father, poorly led? World, world, O world, | |
| But that thy strange mutations make us hate thee, | |
| Life would not yield to age. | |
| OLD MAN | |
| O my good lord, I have been your tenant | |
| And your father's tenant these fourscore years. | |
| GLOUCESTER | |
| Away, get thee away. Good friend, begone. | |
| Thy comforts can do me no good at all; | |
| Thee they may hurt. | |
| OLD MAN You cannot see your way. | |
| GLOUCESTER | |
| I have no way and therefore want no eyes. | |
| I stumbled when I saw. Full oft 'tis seen | |
| Our means secure us, and our mere defects | |
| Prove our commodities. O dear son Edgar, | |
| The food of thy abused father's wrath, | |
| Might I but live to see thee in my touch, | |
| I'd say I had eyes again. | |
| OLD MAN How now? Who's there? | |
| EDGAR, [aside] | |
| O gods, who is 't can say "I am at the worst"? | |
| I am worse than e'er I was. | |
| OLD MAN 'Tis poor mad Tom. | |
| EDGAR, [aside] | |
| And worse I may be yet. The worst is not | |
| So long as we can say "This is the worst." | |
| OLD MAN | |
| Fellow, where goest? | |
| GLOUCESTER Is it a beggar-man? | |
| OLD MAN Madman and beggar too. | |
| GLOUCESTER | |
| He has some reason, else he could not beg. | |
| I' th' last night's storm, I such a fellow saw, | |
| Which made me think a man a worm. My son | |
| Came then into my mind, and yet my mind | |
| Was then scarce friends with him. I have heard | |
| more since. | |
| As flies to wanton boys are we to th' gods; | |
| They kill us for their sport. | |
| EDGAR, [aside] How should this be? | |
| Bad is the trade that must play fool to sorrow, | |
| Ang'ring itself and others.--Bless thee, master. | |
| GLOUCESTER | |
| Is that the naked fellow? | |
| OLD MAN Ay, my lord. | |
| GLOUCESTER | |
| Then, prithee, get thee away. If for my sake | |
| Thou wilt o'ertake us hence a mile or twain | |
| I' th' way toward Dover, do it for ancient love, | |
| And bring some covering for this naked soul, | |
| Which I'll entreat to lead me. | |
| OLD MAN Alack, sir, he is mad. | |
| GLOUCESTER | |
| 'Tis the time's plague when madmen lead the blind. | |
| Do as I bid thee, or rather do thy pleasure. | |
| Above the rest, begone. | |
| OLD MAN | |
| I'll bring him the best 'parel that I have, | |
| Come on 't what will. [He exits.] | |
| GLOUCESTER Sirrah, naked fellow-- | |
| EDGAR | |
| Poor Tom's a-cold. [Aside.] I cannot daub it further. | |
| GLOUCESTER Come hither, fellow. | |
| EDGAR, [aside] | |
| And yet I must.--Bless thy sweet eyes, they bleed. | |
| GLOUCESTER Know'st thou the way to Dover? | |
| EDGAR Both stile and gate, horseway and footpath. | |
| Poor Tom hath been scared out of his good wits. | |
| Bless thee, good man's son, from the foul fiend. | |
| Five fiends have been in Poor Tom at once: of lust, | |
| as Obidicut; Hobbididance, prince of dumbness; | |
| Mahu, of stealing; Modo, of murder; Flibbertigibbet, | |
| of mopping and mowing, who since possesses | |
| chambermaids and waiting women. So, bless | |
| thee, master. | |
| GLOUCESTER, [giving him money] | |
| Here, take this purse, thou whom the heavens' | |
| plagues | |
| Have humbled to all strokes. That I am wretched | |
| Makes thee the happier. Heavens, deal so still: | |
| Let the superfluous and lust-dieted man, | |
| That slaves your ordinance, that will not see | |
| Because he does not feel, feel your power quickly. | |
| So distribution should undo excess | |
| And each man have enough. Dost thou know Dover? | |
| EDGAR Ay, master. | |
| GLOUCESTER | |
| There is a cliff, whose high and bending head | |
| Looks fearfully in the confined deep. | |
| Bring me but to the very brim of it, | |
| And I'll repair the misery thou dost bear | |
| With something rich about me. From that place | |
| I shall no leading need. | |
| EDGAR Give me thy arm. | |
| Poor Tom shall lead thee. | |
| [They exit.] | |
| Scene 2 | |
| ======= | |
| [Enter Goneril and Edmund, the Bastard.] | |
| GONERIL | |
| Welcome, my lord. I marvel our mild husband | |
| Not met us on the way. | |
| [Enter Oswald, the Steward.] | |
| Now, where's your master? | |
| OSWALD | |
| Madam, within, but never man so changed. | |
| I told him of the army that was landed; | |
| He smiled at it. I told him you were coming; | |
| His answer was "The worse." Of Gloucester's | |
| treachery | |
| And of the loyal service of his son | |
| When I informed him, then he called me "sot" | |
| And told me I had turned the wrong side out. | |
| What most he should dislike seems pleasant to him; | |
| What like, offensive. | |
| GONERIL, [to Edmund] Then shall you go no further. | |
| It is the cowish terror of his spirit, | |
| That dares not undertake. He'll not feel wrongs | |
| Which tie him to an answer. Our wishes on the way | |
| May prove effects. Back, Edmund, to my brother. | |
| Hasten his musters and conduct his powers. | |
| I must change names at home and give the distaff | |
| Into my husband's hands. This trusty servant | |
| Shall pass between us. Ere long you are like to | |
| hear-- | |
| If you dare venture in your own behalf-- | |
| A mistress's command. Wear this; spare speech. | |
| [She gives him a favor.] | |
| Decline your head. [She kisses him.] This kiss, if it | |
| durst speak, | |
| Would stretch thy spirits up into the air. | |
| Conceive, and fare thee well. | |
| EDMUND | |
| Yours in the ranks of death. [He exits.] | |
| GONERIL My most dear | |
| Gloucester! | |
| O, the difference of man and man! | |
| To thee a woman's services are due; | |
| My fool usurps my body. | |
| OSWALD Madam, here comes my lord. [He exits.] | |
| [Enter Albany.] | |
| GONERIL | |
| I have been worth the whistle. | |
| ALBANY O Goneril, | |
| You are not worth the dust which the rude wind | |
| Blows in your face. I fear your disposition. | |
| That nature which contemns its origin | |
| Cannot be bordered certain in itself. | |
| She that herself will sliver and disbranch | |
| From her material sap perforce must wither | |
| And come to deadly use. | |
| GONERIL No more. The text is foolish. | |
| ALBANY | |
| Wisdom and goodness to the vile seem vile. | |
| Filths savor but themselves. What have you done? | |
| Tigers, not daughters, what have you performed? | |
| A father, and a gracious aged man, | |
| Whose reverence even the head-lugged bear would | |
| lick, | |
| Most barbarous, most degenerate, have you | |
| madded. | |
| Could my good brother suffer you to do it? | |
| A man, a prince, by him so benefited! | |
| If that the heavens do not their visible spirits | |
| Send quickly down to tame these vile offenses, | |
| It will come: | |
| Humanity must perforce prey on itself, | |
| Like monsters of the deep. | |
| GONERIL Milk-livered man, | |
| That bear'st a cheek for blows, a head for wrongs; | |
| Who hast not in thy brows an eye discerning | |
| Thine honor from thy suffering; that not know'st | |
| Fools do those villains pity who are punished | |
| Ere they have done their mischief. Where's thy | |
| drum? | |
| France spreads his banners in our noiseless land, | |
| With plumed helm thy state begins to threat, | |
| Whilst thou, a moral fool, sits still and cries | |
| "Alack, why does he so?" | |
| ALBANY See thyself, devil! | |
| Proper deformity shows not in the fiend | |
| So horrid as in woman. | |
| GONERIL O vain fool! | |
| ALBANY | |
| Thou changed and self-covered thing, for shame | |
| Bemonster not thy feature. Were 't my fitness | |
| To let these hands obey my blood, | |
| They are apt enough to dislocate and tear | |
| Thy flesh and bones. Howe'er thou art a fiend, | |
| A woman's shape doth shield thee. | |
| GONERIL Marry, your manhood, mew-- | |
| [Enter a Messenger.] | |
| ALBANY What news? | |
| MESSENGER | |
| O, my good lord, the Duke of Cornwall's dead, | |
| Slain by his servant, going to put out | |
| The other eye of Gloucester. | |
| ALBANY Gloucester's eyes? | |
| MESSENGER | |
| A servant that he bred, thrilled with remorse, | |
| Opposed against the act, bending his sword | |
| To his great master, who, thereat enraged, | |
| Flew on him and amongst them felled him dead, | |
| But not without that harmful stroke which since | |
| Hath plucked him after. | |
| ALBANY This shows you are above, | |
| You justicers, that these our nether crimes | |
| So speedily can venge. But, O poor Gloucester, | |
| Lost he his other eye? | |
| MESSENGER Both, both, my lord.-- | |
| This letter, madam, craves a speedy answer. | |
| [Giving her a paper.] | |
| 'Tis from your sister. | |
| GONERIL, [aside] One way I like this well. | |
| But being widow and my Gloucester with her | |
| May all the building in my fancy pluck | |
| Upon my hateful life. Another way | |
| The news is not so tart.--I'll read, and answer. | |
| [She exits.] | |
| ALBANY | |
| Where was his son when they did take his eyes? | |
| MESSENGER | |
| Come with my lady hither. | |
| ALBANY He is not here. | |
| MESSENGER | |
| No, my good lord. I met him back again. | |
| ALBANY Knows he the wickedness? | |
| MESSENGER | |
| Ay, my good lord. 'Twas he informed against him | |
| And quit the house on purpose, that their punishment | |
| Might have the freer course. | |
| ALBANY Gloucester, I live | |
| To thank thee for the love thou show'd'st the King, | |
| And to revenge thine eyes.--Come hither, friend. | |
| Tell me what more thou know'st. | |
| [They exit.] | |
| Scene 3 | |
| ======= | |
| [Enter Kent in disguise and a Gentleman.] | |
| KENT Why the King of France is so suddenly gone | |
| back know you no reason? | |
| GENTLEMAN Something he left imperfect in the state, | |
| which since his coming forth is thought of, which | |
| imports to the kingdom so much fear and danger | |
| that his personal return was most required and | |
| necessary. | |
| KENT Who hath he left behind him general? | |
| GENTLEMAN The Marshal of France, Monsieur La Far. | |
| KENT Did your letters pierce the Queen to any demonstration | |
| of grief? | |
| GENTLEMAN | |
| Ay, sir, she took them, read them in my | |
| presence, | |
| And now and then an ample tear trilled down | |
| Her delicate cheek. It seemed she was a queen | |
| Over her passion, who, most rebel-like, | |
| Fought to be king o'er her. | |
| KENT O, then it moved her. | |
| GENTLEMAN | |
| Not to a rage. Patience and sorrow strove | |
| Who should express her goodliest. You have seen | |
| Sunshine and rain at once; her smiles and tears | |
| Were like a better way. Those happy smilets | |
| That played on her ripe lip seemed not to know | |
| What guests were in her eyes, which parted thence | |
| As pearls from diamonds dropped. In brief, | |
| Sorrow would be a rarity most beloved | |
| If all could so become it. | |
| KENT Made she no verbal question? | |
| GENTLEMAN | |
| Faith, once or twice she heaved the name of | |
| "father" | |
| Pantingly forth, as if it pressed her heart; | |
| Cried "Sisters, sisters, shame of ladies, sisters! | |
| Kent, father, sisters! What, i' th' storm, i' th' night? | |
| Let pity not be believed!" There she shook | |
| The holy water from her heavenly eyes, | |
| And clamor moistened. Then away she started, | |
| To deal with grief alone. | |
| KENT It is the stars. | |
| The stars above us govern our conditions, | |
| Else one self mate and make could not beget | |
| Such different issues. You spoke not with her | |
| since? | |
| GENTLEMAN No. | |
| KENT | |
| Was this before the King returned? | |
| GENTLEMAN No, since. | |
| KENT | |
| Well, sir, the poor distressed Lear's i' th' town, | |
| Who sometime in his better tune remembers | |
| What we are come about, and by no means | |
| Will yield to see his daughter. | |
| GENTLEMAN Why, good sir? | |
| KENT | |
| A sovereign shame so elbows him--his own | |
| unkindness, | |
| That stripped her from his benediction, turned her | |
| To foreign casualties, gave her dear rights | |
| To his dog-hearted daughters--these things sting | |
| His mind so venomously that burning shame | |
| Detains him from Cordelia. | |
| GENTLEMAN Alack, poor gentleman! | |
| KENT | |
| Of Albany's and Cornwall's powers you heard not? | |
| GENTLEMAN 'Tis so. They are afoot. | |
| KENT | |
| Well, sir, I'll bring you to our master Lear | |
| And leave you to attend him. Some dear cause | |
| Will in concealment wrap me up awhile. | |
| When I am known aright, you shall not grieve | |
| Lending me this acquaintance. I pray you, go | |
| Along with me. | |
| [They exit.] | |
| Scene 4 | |
| ======= | |
| [Enter with Drum and Colors, Cordelia, Doctor, | |
| Gentlemen, and Soldiers.] | |
| CORDELIA | |
| Alack, 'tis he! Why, he was met even now | |
| As mad as the vexed sea, singing aloud, | |
| Crowned with rank fumiter and furrow-weeds, | |
| With hardocks, hemlock, nettles, cuckooflowers, | |
| Darnel, and all the idle weeds that grow | |
| In our sustaining corn. A century send forth. | |
| Search every acre in the high-grown field | |
| And bring him to our eye. [Soldiers exit.] | |
| What can man's wisdom | |
| In the restoring his bereaved sense? | |
| He that helps him take all my outward worth. | |
| DOCTOR There is means, madam. | |
| Our foster nurse of nature is repose, | |
| The which he lacks. That to provoke in him | |
| Are many simples operative, whose power | |
| Will close the eye of anguish. | |
| CORDELIA All blest secrets, | |
| All you unpublished virtues of the earth, | |
| Spring with my tears. Be aidant and remediate | |
| In the good man's distress. Seek, seek for him, | |
| Lest his ungoverned rage dissolve the life | |
| That wants the means to lead it. | |
| [Enter Messenger.] | |
| MESSENGER News, madam. | |
| The British powers are marching hitherward. | |
| CORDELIA | |
| 'Tis known before. Our preparation stands | |
| In expectation of them.--O dear father, | |
| It is thy business that I go about. | |
| Therefore great France | |
| My mourning and importuned tears hath pitied. | |
| No blown ambition doth our arms incite, | |
| But love, dear love, and our aged father's right. | |
| Soon may I hear and see him. | |
| [They exit.] | |
| Scene 5 | |
| ======= | |
| [Enter Regan and Oswald, the Steward.] | |
| REGAN | |
| But are my brother's powers set forth? | |
| OSWALD Ay, madam. | |
| REGAN Himself in person there? | |
| OSWALD Madam, with much ado. | |
| Your sister is the better soldier. | |
| REGAN | |
| Lord Edmund spake not with your lord at home? | |
| OSWALD No, madam. | |
| REGAN | |
| What might import my sister's letter to him? | |
| OSWALD I know not, lady. | |
| REGAN | |
| Faith, he is posted hence on serious matter. | |
| It was great ignorance, Gloucester's eyes being out, | |
| To let him live. Where he arrives he moves | |
| All hearts against us. Edmund, I think, is gone, | |
| In pity of his misery, to dispatch | |
| His nighted life; moreover to descry | |
| The strength o' th' enemy. | |
| OSWALD | |
| I must needs after him, madam, with my letter. | |
| REGAN | |
| Our troops set forth tomorrow. Stay with us. | |
| The ways are dangerous. | |
| OSWALD I may not, madam. | |
| My lady charged my duty in this business. | |
| REGAN | |
| Why should she write to Edmund? Might not you | |
| Transport her purposes by word? Belike, | |
| Some things--I know not what. I'll love thee much-- | |
| Let me unseal the letter. | |
| OSWALD Madam, I had rather-- | |
| REGAN | |
| I know your lady does not love her husband; | |
| I am sure of that; and at her late being here, | |
| She gave strange eliads and most speaking looks | |
| To noble Edmund. I know you are of her bosom. | |
| OSWALD I, madam? | |
| REGAN | |
| I speak in understanding. Y' are; I know 't. | |
| Therefore I do advise you take this note: | |
| My lord is dead; Edmund and I have talked, | |
| And more convenient is he for my hand | |
| Than for your lady's. You may gather more. | |
| If you do find him, pray you, give him this, | |
| And when your mistress hears thus much from you, | |
| I pray, desire her call her wisdom to her. | |
| So, fare you well. | |
| If you do chance to hear of that blind traitor, | |
| Preferment falls on him that cuts him off. | |
| OSWALD | |
| Would I could meet him, madam. I should show | |
| What party I do follow. | |
| REGAN Fare thee well. | |
| [They exit.] | |
| Scene 6 | |
| ======= | |
| [Enter Gloucester and Edgar dressed as a peasant.] | |
| GLOUCESTER | |
| When shall I come to th' top of that same hill? | |
| EDGAR | |
| You do climb up it now. Look how we labor. | |
| GLOUCESTER | |
| Methinks the ground is even. | |
| EDGAR Horrible steep. | |
| Hark, do you hear the sea? | |
| GLOUCESTER No, truly. | |
| EDGAR | |
| Why then, your other senses grow imperfect | |
| By your eyes' anguish. | |
| GLOUCESTER So may it be indeed. | |
| Methinks thy voice is altered and thou speak'st | |
| In better phrase and matter than thou didst. | |
| EDGAR | |
| You're much deceived; in nothing am I changed | |
| But in my garments. | |
| GLOUCESTER Methinks you're better spoken. | |
| EDGAR | |
| Come on, sir. Here's the place. Stand still. How | |
| fearful | |
| And dizzy 'tis to cast one's eyes so low! | |
| The crows and choughs that wing the midway air | |
| Show scarce so gross as beetles. Halfway down | |
| Hangs one that gathers samphire--dreadful trade; | |
| Methinks he seems no bigger than his head. | |
| The fishermen that walk upon the beach | |
| Appear like mice, and yond tall anchoring bark | |
| Diminished to her cock, her cock a buoy | |
| Almost too small for sight. The murmuring surge | |
| That on th' unnumbered idle pebble chafes | |
| Cannot be heard so high. I'll look no more | |
| Lest my brain turn and the deficient sight | |
| Topple down headlong. | |
| GLOUCESTER Set me where you stand. | |
| EDGAR | |
| Give me your hand. You are now within a foot | |
| Of th' extreme verge. For all beneath the moon | |
| Would I not leap upright. | |
| GLOUCESTER Let go my hand. | |
| Here, friend, 's another purse; in it a jewel | |
| Well worth a poor man's taking. Fairies and gods | |
| Prosper it with thee. [He gives Edgar a purse.] | |
| Go thou further off. | |
| Bid me farewell, and let me hear thee going. | |
| EDGAR, [walking away] | |
| Now fare you well, good sir. | |
| GLOUCESTER With all my heart. | |
| EDGAR, [aside] | |
| Why I do trifle thus with his despair | |
| Is done to cure it. | |
| GLOUCESTER O you mighty gods! [He kneels.] | |
| This world I do renounce, and in your sights | |
| Shake patiently my great affliction off. | |
| If I could bear it longer, and not fall | |
| To quarrel with your great opposeless wills, | |
| My snuff and loathed part of nature should | |
| Burn itself out. If Edgar live, O, bless him!-- | |
| Now, fellow, fare thee well. [He falls.] | |
| EDGAR Gone, sir. Farewell.-- | |
| And yet I know not how conceit may rob | |
| The treasury of life, when life itself | |
| Yields to the theft. Had he been where he thought, | |
| By this had thought been past. Alive or dead?-- | |
| Ho you, sir! Friend, hear you. Sir, speak.-- | |
| Thus might he pass indeed. Yet he revives.-- | |
| What are you, sir? | |
| GLOUCESTER Away, and let me die. | |
| EDGAR | |
| Hadst thou been aught but gossamer, feathers, air, | |
| So many fathom down precipitating, | |
| Thou 'dst shivered like an egg; but thou dost | |
| breathe, | |
| Hast heavy substance, bleed'st not, speak'st, art | |
| sound. | |
| Ten masts at each make not the altitude | |
| Which thou hast perpendicularly fell. | |
| Thy life's a miracle. Speak yet again. | |
| GLOUCESTER But have I fall'n or no? | |
| EDGAR | |
| From the dread summit of this chalky bourn. | |
| Look up a-height. The shrill-gorged lark so far | |
| Cannot be seen or heard. Do but look up. | |
| GLOUCESTER Alack, I have no eyes. | |
| Is wretchedness deprived that benefit | |
| To end itself by death? 'Twas yet some comfort | |
| When misery could beguile the tyrant's rage | |
| And frustrate his proud will. | |
| EDGAR Give me your arm. | |
| [He raises Gloucester.] | |
| Up. So, how is 't? Feel you your legs? You stand. | |
| GLOUCESTER | |
| Too well, too well. | |
| EDGAR This is above all strangeness. | |
| Upon the crown o' th' cliff, what thing was that | |
| Which parted from you? | |
| GLOUCESTER A poor unfortunate beggar. | |
| EDGAR | |
| As I stood here below, methought his eyes | |
| Were two full moons; he had a thousand noses, | |
| Horns whelked and waved like the enraged sea. | |
| It was some fiend. Therefore, thou happy father, | |
| Think that the clearest gods, who make them | |
| honors | |
| Of men's impossibilities, have preserved thee. | |
| GLOUCESTER | |
| I do remember now. Henceforth I'll bear | |
| Affliction till it do cry out itself | |
| "Enough, enough!" and die. That thing you speak of, | |
| I took it for a man. Often 'twould say | |
| "The fiend, the fiend!" He led me to that place. | |
| EDGAR | |
| Bear free and patient thoughts. | |
| [Enter Lear.] | |
| But who comes here? | |
| The safer sense will ne'er accommodate | |
| His master thus. | |
| LEAR No, they cannot touch me for coining. I am the | |
| King himself. | |
| EDGAR O, thou side-piercing sight! | |
| LEAR Nature's above art in that respect. There's your | |
| press-money. That fellow handles his bow like a | |
| crowkeeper. Draw me a clothier's yard. Look, look, | |
| a mouse! Peace, peace! This piece of toasted cheese | |
| will do 't. There's my gauntlet; I'll prove it on a | |
| giant. Bring up the brown bills. O, well flown, bird! | |
| I' th' clout, i' th' clout! Hewgh! Give the word. | |
| EDGAR Sweet marjoram. | |
| LEAR Pass. | |
| GLOUCESTER I know that voice. | |
| LEAR Ha! Goneril with a white beard? They flattered | |
| me like a dog and told me I had the white hairs in | |
| my beard ere the black ones were there. To say "ay" | |
| and "no" to everything that I said "ay" and "no" to | |
| was no good divinity. When the rain came to wet me | |
| once and the wind to make me chatter, when the | |
| thunder would not peace at my bidding, there I | |
| found 'em, there I smelt 'em out. Go to. They are | |
| not men o' their words; they told me I was everything. | |
| 'Tis a lie. I am not ague-proof. | |
| GLOUCESTER | |
| The trick of that voice I do well remember. | |
| Is 't not the King? | |
| LEAR Ay, every inch a king. | |
| When I do stare, see how the subject quakes. | |
| I pardon that man's life. What was thy cause? | |
| Adultery? Thou shalt not die. Die for adultery? No. | |
| The wren goes to 't, and the small gilded fly does | |
| lecher in my sight. Let copulation thrive, for | |
| Gloucester's bastard son was kinder to his father | |
| than my daughters got 'tween the lawful sheets. To | |
| 't, luxury, pell-mell, for I lack soldiers. Behold yond | |
| simp'ring dame, whose face between her forks | |
| presages snow, that minces virtue and does shake | |
| the head to hear of pleasure's name. The fitchew | |
| nor the soiled horse goes to 't with a more riotous | |
| appetite. Down from the waist they are centaurs, | |
| though women all above. But to the girdle do the | |
| gods inherit; beneath is all the fiend's. There's hell, | |
| there's darkness, there is the sulphurous pit; burning, | |
| scalding, stench, consumption! Fie, fie, fie, pah, | |
| pah! Give me an ounce of civet, good apothecary; | |
| sweeten my imagination. There's money for thee. | |
| GLOUCESTER O, let me kiss that hand! | |
| LEAR Let me wipe it first; it smells of mortality. | |
| GLOUCESTER | |
| O ruined piece of nature! This great world | |
| Shall so wear out to naught. Dost thou know me? | |
| LEAR I remember thine eyes well enough. Dost thou | |
| squinny at me? No, do thy worst, blind Cupid, I'll | |
| not love. Read thou this challenge. Mark but the | |
| penning of it. | |
| GLOUCESTER | |
| Were all thy letters suns, I could not see. | |
| EDGAR, [aside] | |
| I would not take this from report. It is, | |
| And my heart breaks at it. | |
| LEAR Read. | |
| GLOUCESTER What, with the case of eyes? | |
| LEAR O ho, are you there with me? No eyes in your | |
| head, nor no money in your purse? Your eyes are in | |
| a heavy case, your purse in a light, yet you see how | |
| this world goes. | |
| GLOUCESTER I see it feelingly. | |
| LEAR What, art mad? A man may see how this world | |
| goes with no eyes. Look with thine ears. See how | |
| yond justice rails upon yond simple thief. Hark in | |
| thine ear. Change places and, handy-dandy, which | |
| is the justice, which is the thief? Thou hast seen a | |
| farmer's dog bark at a beggar? | |
| GLOUCESTER Ay, sir. | |
| LEAR And the creature run from the cur? There thou | |
| might'st behold the great image of authority: a | |
| dog's obeyed in office. | |
| Thou rascal beadle, hold thy bloody hand! | |
| Why dost thou lash that whore? Strip thy own back. | |
| Thou hotly lusts to use her in that kind | |
| For which thou whipp'st her. The usurer hangs the | |
| cozener. | |
| Through tattered clothes small vices do appear. | |
| Robes and furred gowns hide all. Plate sin with | |
| gold, | |
| And the strong lance of justice hurtless breaks. | |
| Arm it in rags, a pygmy's straw does pierce it. | |
| None does offend, none, I say, none; I'll able 'em. | |
| Take that of me, my friend, who have the power | |
| To seal th' accuser's lips. Get thee glass eyes, | |
| And like a scurvy politician | |
| Seem to see the things thou dost not. Now, now, | |
| now, now. | |
| Pull off my boots. Harder, harder. So. | |
| EDGAR, [aside] | |
| O, matter and impertinency mixed, | |
| Reason in madness! | |
| LEAR | |
| If thou wilt weep my fortunes, take my eyes. | |
| I know thee well enough; thy name is Gloucester. | |
| Thou must be patient. We came crying hither; | |
| Thou know'st the first time that we smell the air | |
| We wawl and cry. I will preach to thee. Mark. | |
| GLOUCESTER Alack, alack the day! | |
| LEAR | |
| When we are born, we cry that we are come | |
| To this great stage of fools.--This' a good block. | |
| It were a delicate stratagem to shoe | |
| A troop of horse with felt. I'll put 't in proof, | |
| And when I have stol'n upon these son-in-laws, | |
| Then kill, kill, kill, kill, kill, kill! | |
| [Enter a Gentleman and Attendants.] | |
| GENTLEMAN, [noticing Lear] | |
| O, here he is. [To an Attendant.] Lay hand upon | |
| him.--Sir, | |
| Your most dear daughter-- | |
| LEAR | |
| No rescue? What, a prisoner? I am even | |
| The natural fool of Fortune. Use me well. | |
| You shall have ransom. Let me have surgeons; | |
| I am cut to th' brains. | |
| GENTLEMAN You shall have anything. | |
| LEAR No seconds? All myself? | |
| Why, this would make a man a man of salt, | |
| To use his eyes for garden waterpots, | |
| Ay, and laying autumn's dust. | |
| I will die bravely like a smug bridegroom. What? | |
| I will be jovial. Come, come, I am a king, | |
| Masters, know you that? | |
| GENTLEMAN | |
| You are a royal one, and we obey you. | |
| LEAR Then there's life in 't. Come, an you get it, you | |
| shall get it by running. Sa, sa, sa, sa. | |
| [The King exits running pursued by Attendants.] | |
| GENTLEMAN | |
| A sight most pitiful in the meanest wretch, | |
| Past speaking of in a king. Thou hast a daughter | |
| Who redeems nature from the general curse | |
| Which twain have brought her to. | |
| EDGAR Hail, gentle sir. | |
| GENTLEMAN Sir, speed you. What's your will? | |
| EDGAR | |
| Do you hear aught, sir, of a battle toward? | |
| GENTLEMAN | |
| Most sure and vulgar. Everyone hears that, | |
| Which can distinguish sound. | |
| EDGAR But, by your favor, | |
| How near's the other army? | |
| GENTLEMAN | |
| Near and on speedy foot. The main descry | |
| Stands on the hourly thought. | |
| EDGAR I thank you, sir. That's all. | |
| GENTLEMAN | |
| Though that the Queen on special cause is here, | |
| Her army is moved on. | |
| EDGAR I thank you, sir. | |
| [Gentleman exits.] | |
| GLOUCESTER | |
| You ever-gentle gods, take my breath from me; | |
| Let not my worser spirit tempt me again | |
| To die before you please. | |
| EDGAR Well pray you, father. | |
| GLOUCESTER Now, good sir, what are you? | |
| EDGAR | |
| A most poor man, made tame to Fortune's blows, | |
| Who, by the art of known and feeling sorrows, | |
| Am pregnant to good pity. Give me your hand; | |
| I'll lead you to some biding. | |
| [He takes Gloucester's hand.] | |
| GLOUCESTER Hearty thanks. | |
| The bounty and the benison of heaven | |
| To boot, and boot. | |
| [Enter Oswald, the Steward.] | |
| OSWALD, [drawing his sword] | |
| A proclaimed prize! Most happy! | |
| That eyeless head of thine was first framed flesh | |
| To raise my fortunes. Thou old unhappy traitor, | |
| Briefly thyself remember; the sword is out | |
| That must destroy thee. | |
| GLOUCESTER Now let thy friendly hand | |
| Put strength enough to 't. | |
| [Edgar steps between Gloucester and Oswald.] | |
| OSWALD Wherefore, bold peasant, | |
| Dar'st thou support a published traitor? Hence, | |
| Lest that th' infection of his fortune take | |
| Like hold on thee. Let go his arm. | |
| EDGAR Chill not let go, zir, without vurther 'casion. | |
| OSWALD Let go, slave, or thou diest! | |
| EDGAR Good gentleman, go your gait, and let poor | |
| volk pass. An 'chud ha' bin zwaggered out of my | |
| life, 'twould not ha' bin zo long as 'tis by a vortnight. | |
| Nay, come not near th' old man. Keep out, | |
| che vor' ye, or Ise try whether your costard or my | |
| ballow be the harder. Chill be plain with you. | |
| OSWALD Out, dunghill. | |
| EDGAR Chill pick your teeth, zir. Come, no matter vor | |
| your foins. [They fight.] | |
| OSWALD, [falling] | |
| Slave, thou hast slain me. Villain, take my purse. | |
| If ever thou wilt thrive, bury my body, | |
| And give the letters which thou find'st about me | |
| To Edmund, Earl of Gloucester. Seek him out | |
| Upon the English party. O, untimely death! Death! | |
| [He dies.] | |
| EDGAR | |
| I know thee well, a serviceable villain, | |
| As duteous to the vices of thy mistress | |
| As badness would desire. | |
| GLOUCESTER What, is he dead? | |
| EDGAR Sit you down, father; rest you. | |
| Let's see these pockets. The letters that he speaks of | |
| May be my friends. He's dead; I am only sorry | |
| He had no other deathsman. Let us see. | |
| [He opens a letter.] | |
| Leave, gentle wax, and, manners, blame us not. | |
| To know our enemies' minds, we rip their hearts. | |
| Their papers is more lawful. [Reads the letter.] | |
| Let our reciprocal vows be remembered. You have | |
| many opportunities to cut him off. If your will want | |
| not, time and place will be fruitfully offered. There is | |
| nothing done if he return the conqueror. Then am I | |
| the prisoner, and his bed my jail, from the loathed | |
| warmth whereof deliver me and supply the place for | |
| your labor. | |
| Your (wife, so I would say) affectionate servant, | |
| and, for you, her own for venture, Goneril. | |
| O indistinguished space of woman's will! | |
| A plot upon her virtuous husband's life, | |
| And the exchange my brother.--Here, in the sands | |
| Thee I'll rake up, the post unsanctified | |
| Of murderous lechers; and in the mature time | |
| With this ungracious paper strike the sight | |
| Of the death-practiced duke. For him 'tis well | |
| That of thy death and business I can tell. | |
| GLOUCESTER | |
| The King is mad. How stiff is my vile sense | |
| That I stand up and have ingenious feeling | |
| Of my huge sorrows! Better I were distract. | |
| So should my thoughts be severed from my griefs, | |
| And woes, by wrong imaginations, lose | |
| The knowledge of themselves. [Drum afar off.] | |
| EDGAR Give me your hand. | |
| Far off methinks I hear the beaten drum. | |
| Come, father, I'll bestow you with a friend. | |
| [They exit.] | |
| Scene 7 | |
| ======= | |
| [Enter Cordelia, Kent in disguise, Doctor, and | |
| Gentleman.] | |
| CORDELIA | |
| O, thou good Kent, how shall I live and work | |
| To match thy goodness? My life will be too short, | |
| And every measure fail me. | |
| KENT | |
| To be acknowledged, madam, is o'erpaid. | |
| All my reports go with the modest truth, | |
| Nor more, nor clipped, but so. | |
| CORDELIA Be better suited. | |
| These weeds are memories of those worser hours. | |
| I prithee put them off. | |
| KENT Pardon, dear madam. | |
| Yet to be known shortens my made intent. | |
| My boon I make it that you know me not | |
| Till time and I think meet. | |
| CORDELIA | |
| Then be 't so, my good lord.--How does the King? | |
| DOCTOR Madam, sleeps still. | |
| CORDELIA O, you kind gods, | |
| Cure this great breach in his abused nature! | |
| Th' untuned and jarring senses, O, wind up, | |
| Of this child-changed father! | |
| DOCTOR So please your Majesty | |
| That we may wake the King? He hath slept | |
| long. | |
| CORDELIA | |
| Be governed by your knowledge, and proceed | |
| I' th' sway of your own will. Is he arrayed? | |
| [Enter Lear in a chair carried by Servants.] | |
| GENTLEMAN | |
| Ay, madam. In the heaviness of sleep, | |
| We put fresh garments on him. | |
| DOCTOR | |
| Be by, good madam, when we do awake him. | |
| I doubt not of his temperance. | |
| CORDELIA Very well. | |
| [Music.] | |
| DOCTOR | |
| Please you, draw near.--Louder the music there. | |
| CORDELIA, [kissing Lear] | |
| O, my dear father, restoration hang | |
| Thy medicine on my lips, and let this kiss | |
| Repair those violent harms that my two sisters | |
| Have in thy reverence made. | |
| KENT Kind and dear princess. | |
| CORDELIA | |
| Had you not been their father, these white flakes | |
| Did challenge pity of them. Was this a face | |
| To be opposed against the jarring winds? | |
| To stand against the deep dread-bolted thunder, | |
| In the most terrible and nimble stroke | |
| Of quick cross-lightning? To watch, poor perdu, | |
| With this thin helm? Mine enemy's dog, | |
| Though he had bit me, should have stood that night | |
| Against my fire. And wast thou fain, poor father, | |
| To hovel thee with swine and rogues forlorn | |
| In short and musty straw? Alack, alack, | |
| 'Tis wonder that thy life and wits at once | |
| Had not concluded all.--He wakes. Speak to him. | |
| DOCTOR Madam, do you; 'tis fittest. | |
| CORDELIA | |
| How does my royal lord? How fares your Majesty? | |
| LEAR | |
| You do me wrong to take me out o' th' grave. | |
| Thou art a soul in bliss, but I am bound | |
| Upon a wheel of fire, that mine own tears | |
| Do scald like molten lead. | |
| CORDELIA Sir, do you know me? | |
| LEAR | |
| You are a spirit, I know. Where did you die? | |
| CORDELIA Still, still, far wide. | |
| DOCTOR | |
| He's scarce awake. Let him alone awhile. | |
| LEAR | |
| Where have I been? Where am I? Fair daylight? | |
| I am mightily abused; I should e'en die with pity | |
| To see another thus. I know not what to say. | |
| I will not swear these are my hands. Let's see. | |
| I feel this pinprick. Would I were assured | |
| Of my condition! | |
| CORDELIA O, look upon me, sir, | |
| And hold your hand in benediction o'er me. | |
| No, sir, you must not kneel. | |
| LEAR Pray do not mock: | |
| I am a very foolish fond old man, | |
| Fourscore and upward, not an hour more nor less, | |
| And to deal plainly, | |
| I fear I am not in my perfect mind. | |
| Methinks I should know you and know this man, | |
| Yet I am doubtful, for I am mainly ignorant | |
| What place this is, and all the skill I have | |
| Remembers not these garments; nor I know not | |
| Where I did lodge last night. Do not laugh at me, | |
| For, as I am a man, I think this lady | |
| To be my child Cordelia. | |
| CORDELIA, [weeping] And so I am; I am. | |
| LEAR | |
| Be your tears wet? Yes, faith. I pray, weep not. | |
| If you have poison for me, I will drink it. | |
| I know you do not love me, for your sisters | |
| Have, as I do remember, done me wrong. | |
| You have some cause; they have not. | |
| CORDELIA No cause, no | |
| cause. | |
| LEAR Am I in France? | |
| KENT In your own kingdom, sir. | |
| LEAR Do not abuse me. | |
| DOCTOR | |
| Be comforted, good madam. The great rage, | |
| You see, is killed in him, and yet it is danger | |
| To make him even o'er the time he has lost. | |
| Desire him to go in. Trouble him no more | |
| Till further settling. | |
| CORDELIA Will 't please your Highness walk? | |
| LEAR You must bear with me. | |
| Pray you now, forget, and forgive. I am old and | |
| foolish. [They exit. Kent and Gentleman remain.] | |
| GENTLEMAN Holds it true, sir, that the Duke of Cornwall | |
| was so slain? | |
| KENT Most certain, sir. | |
| GENTLEMAN Who is conductor of his people? | |
| KENT As 'tis said, the bastard son of Gloucester. | |
| GENTLEMAN They say Edgar, his banished son, is with | |
| the Earl of Kent in Germany. | |
| KENT Report is changeable. 'Tis time to look about. | |
| The powers of the kingdom approach apace. | |
| GENTLEMAN The arbitrament is like to be bloody. Fare | |
| you well, sir. [He exits.] | |
| KENT | |
| My point and period will be throughly wrought, | |
| Or well, or ill, as this day's battle's fought. | |
| [He exits.] | |
| ACT 5 | |
| ===== | |
| Scene 1 | |
| ======= | |
| [Enter, with Drum and Colors, Edmund, Regan, | |
| Gentlemen, and Soldiers.] | |
| EDMUND, [to a Gentleman] | |
| Know of the Duke if his last purpose hold, | |
| Or whether since he is advised by aught | |
| To change the course. He's full of alteration | |
| And self-reproving. Bring his constant pleasure. | |
| [A Gentleman exits.] | |
| REGAN | |
| Our sister's man is certainly miscarried. | |
| EDMUND | |
| 'Tis to be doubted, madam. | |
| REGAN Now, sweet lord, | |
| You know the goodness I intend upon you; | |
| Tell me but truly, but then speak the truth, | |
| Do you not love my sister? | |
| EDMUND In honored love. | |
| REGAN | |
| But have you never found my brother's way | |
| To the forfended place? | |
| EDMUND That thought abuses you. | |
| REGAN | |
| I am doubtful that you have been conjunct | |
| And bosomed with her as far as we call hers. | |
| EDMUND No, by mine honor, madam. | |
| REGAN | |
| I never shall endure her. Dear my lord, | |
| Be not familiar with her. | |
| EDMUND | |
| Fear me not. She and the Duke, her husband. | |
| [Enter, with Drum and Colors, Albany, Goneril, Soldiers.] | |
| GONERIL, [aside] | |
| I had rather lose the battle than that sister | |
| Should loosen him and me. | |
| ALBANY | |
| Our very loving sister, well bemet.-- | |
| Sir, this I heard: the King is come to his daughter, | |
| With others whom the rigor of our state | |
| Forced to cry out. Where I could not be honest, | |
| I never yet was valiant. For this business, | |
| It touches us as France invades our land, | |
| Not bolds the King, with others whom, I fear, | |
| Most just and heavy causes make oppose. | |
| EDMUND | |
| Sir, you speak nobly. | |
| REGAN Why is this reasoned? | |
| GONERIL | |
| Combine together 'gainst the enemy, | |
| For these domestic and particular broils | |
| Are not the question here. | |
| ALBANY Let's then determine | |
| With th' ancient of war on our proceeding. | |
| EDMUND | |
| I shall attend you presently at your tent. | |
| REGAN Sister, you'll go with us? | |
| GONERIL No. | |
| REGAN | |
| 'Tis most convenient. Pray, go with us. | |
| GONERIL, [aside] | |
| Oho, I know the riddle.--I will go. | |
| [They begin to exit.] | |
| [Enter Edgar dressed as a peasant.] | |
| EDGAR, [to Albany] | |
| If e'er your Grace had speech with man so poor, | |
| Hear me one word. | |
| ALBANY, [to those exiting] | |
| I'll overtake you.--Speak. | |
| [Both the armies exit.] | |
| EDGAR, [giving him a paper] | |
| Before you fight the battle, ope this letter. | |
| If you have victory, let the trumpet sound | |
| For him that brought it. Wretched though I seem, | |
| I can produce a champion that will prove | |
| What is avouched there. If you miscarry, | |
| Your business of the world hath so an end, | |
| And machination ceases. Fortune love you. | |
| ALBANY Stay till I have read the letter. | |
| EDGAR I was forbid it. | |
| When time shall serve, let but the herald cry | |
| And I'll appear again. [He exits.] | |
| ALBANY | |
| Why, fare thee well. I will o'erlook thy paper. | |
| [Enter Edmund.] | |
| EDMUND | |
| The enemy's in view. Draw up your powers. | |
| [Giving him a paper.] | |
| Here is the guess of their true strength and forces | |
| By diligent discovery. But your haste | |
| Is now urged on you. | |
| ALBANY We will greet the time. | |
| [He exits.] | |
| EDMUND | |
| To both these sisters have I sworn my love, | |
| Each jealous of the other as the stung | |
| Are of the adder. Which of them shall I take? | |
| Both? One? Or neither? Neither can be enjoyed | |
| If both remain alive. To take the widow | |
| Exasperates, makes mad her sister Goneril, | |
| And hardly shall I carry out my side, | |
| Her husband being alive. Now, then, we'll use | |
| His countenance for the battle, which, being done, | |
| Let her who would be rid of him devise | |
| His speedy taking off. As for the mercy | |
| Which he intends to Lear and to Cordelia, | |
| The battle done and they within our power, | |
| Shall never see his pardon, for my state | |
| Stands on me to defend, not to debate. | |
| [He exits.] | |
| Scene 2 | |
| ======= | |
| [Alarum within. Enter, with Drum and Colors, Lear, | |
| Cordelia, and Soldiers, over the stage, and exit. | |
| Enter Edgar and Gloucester.] | |
| EDGAR | |
| Here, father, take the shadow of this tree | |
| For your good host. Pray that the right may thrive. | |
| If ever I return to you again, | |
| I'll bring you comfort. | |
| GLOUCESTER Grace go with you, sir. | |
| [Edgar exits.] | |
| [Alarum and Retreat within.] | |
| [Enter Edgar.] | |
| EDGAR | |
| Away, old man. Give me thy hand. Away. | |
| King Lear hath lost, he and his daughter ta'en. | |
| Give me thy hand. Come on. | |
| GLOUCESTER | |
| No further, sir. A man may rot even here. | |
| EDGAR | |
| What, in ill thoughts again? Men must endure | |
| Their going hence even as their coming hither. | |
| Ripeness is all. Come on. | |
| GLOUCESTER And that's true too. | |
| [They exit.] | |
| Scene 3 | |
| ======= | |
| [Enter in conquest, with Drum and Colors, Edmund; | |
| Lear and Cordelia as prisoners; Soldiers, Captain.] | |
| EDMUND | |
| Some officers take them away. Good guard | |
| Until their greater pleasures first be known | |
| That are to censure them. | |
| CORDELIA, [to Lear] We are not the first | |
| Who with best meaning have incurred the worst. | |
| For thee, oppressed king, I am cast down. | |
| Myself could else outfrown false Fortune's frown. | |
| Shall we not see these daughters and these sisters? | |
| LEAR | |
| No, no, no, no. Come, let's away to prison. | |
| We two alone will sing like birds i' th' cage. | |
| When thou dost ask me blessing, I'll kneel down | |
| And ask of thee forgiveness. So we'll live, | |
| And pray, and sing, and tell old tales, and laugh | |
| At gilded butterflies, and hear poor rogues | |
| Talk of court news, and we'll talk with them too-- | |
| Who loses and who wins; who's in, who's out-- | |
| And take upon 's the mystery of things, | |
| As if we were God's spies. And we'll wear out, | |
| In a walled prison, packs and sects of great ones | |
| That ebb and flow by th' moon. | |
| EDMUND Take them away. | |
| LEAR | |
| Upon such sacrifices, my Cordelia, | |
| The gods themselves throw incense. Have I caught | |
| thee? | |
| He that parts us shall bring a brand from heaven | |
| And fire us hence like foxes. Wipe thine eyes. | |
| The good years shall devour them, flesh and fell, | |
| Ere they shall make us weep. We'll see 'em starved | |
| first. | |
| Come. | |
| [Lear and Cordelia exit, with Soldiers.] | |
| EDMUND Come hither, captain. Hark. | |
| [Handing him a paper.] | |
| Take thou this note. Go follow them to prison. | |
| One step I have advanced thee. If thou dost | |
| As this instructs thee, thou dost make thy way | |
| To noble fortunes. Know thou this: that men | |
| Are as the time is; to be tender-minded | |
| Does not become a sword. Thy great employment | |
| Will not bear question. Either say thou 'lt do 't, | |
| Or thrive by other means. | |
| CAPTAIN I'll do 't, my lord. | |
| EDMUND | |
| About it, and write "happy" when th' hast done. | |
| Mark, I say, instantly, and carry it so | |
| As I have set it down. | |
| CAPTAIN | |
| I cannot draw a cart, nor eat dried oats. | |
| If it be man's work, I'll do 't. [Captain exits.] | |
| [Flourish. Enter Albany, Goneril, Regan, Soldiers and a | |
| Captain.] | |
| ALBANY, [to Edmund] | |
| Sir, you have showed today your valiant strain, | |
| And Fortune led you well. You have the captives | |
| Who were the opposites of this day's strife. | |
| I do require them of you, so to use them | |
| As we shall find their merits and our safety | |
| May equally determine. | |
| EDMUND Sir, I thought it fit | |
| To send the old and miserable king | |
| To some retention and appointed guard, | |
| Whose age had charms in it, whose title more, | |
| To pluck the common bosom on his side | |
| And turn our impressed lances in our eyes, | |
| Which do command them. With him I sent the | |
| Queen, | |
| My reason all the same, and they are ready | |
| Tomorrow, or at further space, t' appear | |
| Where you shall hold your session. At this time | |
| We sweat and bleed. The friend hath lost his friend, | |
| And the best quarrels in the heat are cursed | |
| By those that feel their sharpness. | |
| The question of Cordelia and her father | |
| Requires a fitter place. | |
| ALBANY Sir, by your patience, | |
| I hold you but a subject of this war, | |
| Not as a brother. | |
| REGAN That's as we list to grace him. | |
| Methinks our pleasure might have been demanded | |
| Ere you had spoke so far. He led our powers, | |
| Bore the commission of my place and person, | |
| The which immediacy may well stand up | |
| And call itself your brother. | |
| GONERIL Not so hot. | |
| In his own grace he doth exalt himself | |
| More than in your addition. | |
| REGAN In my rights, | |
| By me invested, he compeers the best. | |
| GONERIL | |
| That were the most if he should husband you. | |
| REGAN | |
| Jesters do oft prove prophets. | |
| GONERIL Holla, holla! | |
| That eye that told you so looked but asquint. | |
| REGAN | |
| Lady, I am not well, else I should answer | |
| From a full-flowing stomach. [To Edmund.] | |
| General, | |
| Take thou my soldiers, prisoners, patrimony. | |
| Dispose of them, of me; the walls is thine. | |
| Witness the world that I create thee here | |
| My lord and master. | |
| GONERIL Mean you to enjoy him? | |
| ALBANY | |
| The let-alone lies not in your goodwill. | |
| EDMUND | |
| Nor in thine, lord. | |
| ALBANY Half-blooded fellow, yes. | |
| REGAN, [to Edmund] | |
| Let the drum strike, and prove my title thine. | |
| ALBANY | |
| Stay yet, hear reason.--Edmund, I arrest thee | |
| On capital treason; and, in thine attaint, | |
| This gilded serpent.--For your claim, fair | |
| sister, | |
| I bar it in the interest of my wife. | |
| 'Tis she is subcontracted to this lord, | |
| And I, her husband, contradict your banns. | |
| If you will marry, make your loves to me. | |
| My lady is bespoke. | |
| GONERIL An interlude! | |
| ALBANY | |
| Thou art armed, Gloucester. Let the trumpet sound. | |
| If none appear to prove upon thy person | |
| Thy heinous, manifest, and many treasons, | |
| There is my pledge. [He throws down a glove.] | |
| I'll make it on thy heart, | |
| Ere I taste bread, thou art in nothing less | |
| Than I have here proclaimed thee. | |
| REGAN Sick, O, sick! | |
| GONERIL, [aside] If not, I'll ne'er trust medicine. | |
| EDMUND | |
| There's my exchange. [He throws down a glove.] | |
| What in the world he is | |
| That names me traitor, villain-like he lies. | |
| Call by the trumpet. He that dares approach, | |
| On him, on you, who not, I will maintain | |
| My truth and honor firmly. | |
| ALBANY | |
| A herald, ho! | |
| EDMUND A herald, ho, a herald! | |
| ALBANY | |
| Trust to thy single virtue, for thy soldiers, | |
| All levied in my name, have in my name | |
| Took their discharge. | |
| REGAN My sickness grows upon me. | |
| ALBANY | |
| She is not well. Convey her to my tent. | |
| [Regan is helped to exit.] | |
| [Enter a Herald.] | |
| Come hither, herald. Let the trumpet sound, | |
| And read out this. [He hands the Herald a paper.] | |
| CAPTAIN Sound, trumpet! | |
| [A trumpet sounds.] | |
| HERALD [reads.] | |
| If any man of quality or degree, within the lists of the | |
| army, will maintain upon Edmund, supposed Earl of | |
| Gloucester, that he is a manifold traitor, let him | |
| appear by the third sound of the trumpet. He is bold in | |
| his defense. [First trumpet sounds.] | |
| HERALD Again! [Second trumpet sounds.] | |
| HERALD Again! [Third trumpet sounds.] | |
| [Trumpet answers within.] | |
| [Enter Edgar armed.] | |
| ALBANY, [to Herald] | |
| Ask him his purposes, why he appears | |
| Upon this call o' th' trumpet. | |
| HERALD What are you? | |
| Your name, your quality, and why you answer | |
| This present summons? | |
| EDGAR Know my name is lost, | |
| By treason's tooth bare-gnawn and canker-bit. | |
| Yet am I noble as the adversary | |
| I come to cope. | |
| ALBANY Which is that adversary? | |
| EDGAR | |
| What's he that speaks for Edmund, Earl of | |
| Gloucester? | |
| EDMUND | |
| Himself. What sayest thou to him? | |
| EDGAR Draw thy sword, | |
| That if my speech offend a noble heart, | |
| Thy arm may do thee justice. Here is mine. | |
| [He draws his sword.] | |
| Behold, it is my privilege, the privilege of mine | |
| honors, | |
| My oath, and my profession. I protest, | |
| Maugre thy strength, place, youth, and eminence, | |
| Despite thy victor-sword and fire-new fortune, | |
| Thy valor, and thy heart, thou art a traitor, | |
| False to thy gods, thy brother, and thy father, | |
| Conspirant 'gainst this high illustrious prince, | |
| And from th' extremest upward of thy head | |
| To the descent and dust below thy foot, | |
| A most toad-spotted traitor. Say thou "no," | |
| This sword, this arm, and my best spirits are bent | |
| To prove upon thy heart, whereto I speak, | |
| Thou liest. | |
| EDMUND In wisdom I should ask thy name, | |
| But since thy outside looks so fair and warlike, | |
| And that thy tongue some say of breeding breathes, | |
| What safe and nicely I might well delay | |
| By rule of knighthood, I disdain and spurn. | |
| Back do I toss these treasons to thy head, | |
| With the hell-hated lie o'erwhelm thy heart, | |
| Which, for they yet glance by and scarcely bruise, | |
| This sword of mine shall give them instant way, | |
| Where they shall rest forever. Trumpets, speak! | |
| [He draws his sword. Alarums. Fights.] | |
| [Edmund falls, wounded.] | |
| ALBANY, [to Edgar] | |
| Save him, save him! | |
| GONERIL This is practice, Gloucester. | |
| By th' law of war, thou wast not bound to answer | |
| An unknown opposite. Thou art not vanquished, | |
| But cozened and beguiled. | |
| ALBANY Shut your mouth, dame, | |
| Or with this paper shall I stopple it.--Hold, sir.-- | |
| Thou worse than any name, read thine own evil. | |
| No tearing, lady. I perceive you know it. | |
| GONERIL | |
| Say if I do; the laws are mine, not thine. | |
| Who can arraign me for 't? | |
| ALBANY Most monstrous! O! | |
| Know'st thou this paper? | |
| GONERIL Ask me not what I know. | |
| [She exits.] | |
| ALBANY | |
| Go after her, she's desperate. Govern her. | |
| [A Soldier exits.] | |
| EDMUND, [to Edgar] | |
| What you have charged me with, that have I done, | |
| And more, much more. The time will bring it out. | |
| 'Tis past, and so am I. But what art thou | |
| That hast this fortune on me? If thou 'rt noble, | |
| I do forgive thee. | |
| EDGAR Let's exchange charity. | |
| I am no less in blood than thou art, Edmund; | |
| If more, the more th' hast wronged me. | |
| My name is Edgar and thy father's son. | |
| The gods are just, and of our pleasant vices | |
| Make instruments to plague us. | |
| The dark and vicious place where thee he got | |
| Cost him his eyes. | |
| EDMUND Th' hast spoken right. 'Tis true. | |
| The wheel is come full circle; I am here. | |
| ALBANY, [to Edgar] | |
| Methought thy very gait did prophesy | |
| A royal nobleness. I must embrace thee. | |
| Let sorrow split my heart if ever I | |
| Did hate thee or thy father! | |
| EDGAR Worthy prince, I know 't. | |
| ALBANY Where have you hid yourself? | |
| How have you known the miseries of your father? | |
| EDGAR | |
| By nursing them, my lord. List a brief tale, | |
| And when 'tis told, O, that my heart would burst! | |
| The bloody proclamation to escape | |
| That followed me so near--O, our lives' sweetness, | |
| That we the pain of death would hourly die | |
| Rather than die at once!--taught me to shift | |
| Into a madman's rags, t' assume a semblance | |
| That very dogs disdained, and in this habit | |
| Met I my father with his bleeding rings, | |
| Their precious stones new lost; became his guide, | |
| Led him, begged for him, saved him from despair. | |
| Never--O fault!--revealed myself unto him | |
| Until some half hour past, when I was armed. | |
| Not sure, though hoping of this good success, | |
| I asked his blessing, and from first to last | |
| Told him our pilgrimage. But his flawed heart | |
| (Alack, too weak the conflict to support) | |
| 'Twixt two extremes of passion, joy and grief, | |
| Burst smilingly. | |
| EDMUND This speech of yours hath moved me, | |
| And shall perchance do good. But speak you on. | |
| You look as you had something more to say. | |
| ALBANY | |
| If there be more, more woeful, hold it in, | |
| For I am almost ready to dissolve, | |
| Hearing of this. | |
| EDGAR This would have seemed a period | |
| To such as love not sorrow; but another, | |
| To amplify too much, would make much more | |
| And top extremity. Whilst I | |
| Was big in clamor, came there in a man | |
| Who, having seen me in my worst estate, | |
| Shunned my abhorred society; but then, finding | |
| Who 'twas that so endured, with his strong arms | |
| He fastened on my neck and bellowed out | |
| As he'd burst heaven, threw him on my father, | |
| Told the most piteous tale of Lear and him | |
| That ever ear received, which, in recounting, | |
| His grief grew puissant, and the strings of life | |
| Began to crack. Twice then the trumpets sounded, | |
| And there I left him tranced. | |
| ALBANY But who was this? | |
| EDGAR | |
| Kent, sir, the banished Kent, who in disguise | |
| Followed his enemy king and did him service | |
| Improper for a slave. | |
| [Enter a Gentleman with a bloody knife.] | |
| GENTLEMAN | |
| Help, help, O, help! | |
| EDGAR What kind of help? | |
| ALBANY, [to Gentleman] Speak, man! | |
| EDGAR What means this bloody knife? | |
| GENTLEMAN | |
| 'Tis hot, it smokes! It came even from the heart | |
| Of--O, she's dead! | |
| ALBANY Who dead? Speak, man. | |
| GENTLEMAN | |
| Your lady, sir, your lady. And her sister | |
| By her is poisoned. She confesses it. | |
| EDMUND | |
| I was contracted to them both. All three | |
| Now marry in an instant. | |
| EDGAR Here comes Kent. | |
| [Enter Kent.] | |
| ALBANY, [to the Gentleman] | |
| Produce the bodies, be they alive or dead. | |
| [Gentleman exits.] | |
| This judgment of the heavens, that makes us | |
| tremble, | |
| Touches us not with pity. O, is this he? | |
| [To Kent.] The time will not allow the compliment | |
| Which very manners urges. | |
| KENT I am come | |
| To bid my king and master aye goodnight. | |
| Is he not here? | |
| ALBANY Great thing of us forgot! | |
| Speak, Edmund, where's the King? And where's | |
| Cordelia? | |
| [Goneril and Regan's bodies brought out.] | |
| Seest thou this object, Kent? | |
| KENT Alack, why thus? | |
| EDMUND Yet Edmund was beloved. | |
| The one the other poisoned for my sake, | |
| And after slew herself. | |
| ALBANY Even so.--Cover their faces. | |
| EDMUND | |
| I pant for life. Some good I mean to do | |
| Despite of mine own nature. Quickly send-- | |
| Be brief in it--to th' castle, for my writ | |
| Is on the life of Lear, and on Cordelia. | |
| Nay, send in time. | |
| ALBANY Run, run, O, run! | |
| EDGAR | |
| To who, my lord? [To Edmund.] Who has the office? | |
| Send | |
| Thy token of reprieve. | |
| EDMUND | |
| Well thought on. Take my sword. Give it the | |
| Captain. | |
| EDGAR, [to a Soldier] Haste thee for thy life. | |
| [The Soldier exits with Edmund's sword.] | |
| EDMUND, [to Albany] | |
| He hath commission from thy wife and me | |
| To hang Cordelia in the prison, and | |
| To lay the blame upon her own despair, | |
| That she fordid herself. | |
| ALBANY | |
| The gods defend her!--Bear him hence awhile. | |
| [Edmund is carried off.] | |
| [Enter Lear with Cordelia in his arms, | |
| followed by a Gentleman.] | |
| LEAR | |
| Howl, howl, howl! O, you are men of stones! | |
| Had I your tongues and eyes, I'd use them so | |
| That heaven's vault should crack. She's gone | |
| forever. | |
| I know when one is dead and when one lives. | |
| She's dead as earth.--Lend me a looking glass. | |
| If that her breath will mist or stain the stone, | |
| Why, then she lives. | |
| KENT Is this the promised end? | |
| EDGAR | |
| Or image of that horror? | |
| ALBANY Fall and cease. | |
| LEAR | |
| This feather stirs. She lives. If it be so, | |
| It is a chance which does redeem all sorrows | |
| That ever I have felt. | |
| KENT O, my good master-- | |
| LEAR | |
| Prithee, away. | |
| EDGAR 'Tis noble Kent, your friend. | |
| LEAR | |
| A plague upon you, murderers, traitors all! | |
| I might have saved her. Now she's gone forever.-- | |
| Cordelia, Cordelia, stay a little. Ha! | |
| What is 't thou sayst?--Her voice was ever soft, | |
| Gentle, and low, an excellent thing in woman. | |
| I killed the slave that was a-hanging thee. | |
| GENTLEMAN | |
| 'Tis true, my lords, he did. | |
| LEAR Did I not, fellow? | |
| I have seen the day, with my good biting falchion | |
| I would have made him skip. I am old now, | |
| And these same crosses spoil me. [To Kent.] Who | |
| are you? | |
| Mine eyes are not o' th' best. I'll tell you straight. | |
| KENT | |
| If Fortune brag of two she loved and hated, | |
| One of them we behold. | |
| LEAR | |
| This is a dull sight. Are you not Kent? | |
| KENT The same, | |
| Your servant Kent. Where is your servant Caius? | |
| LEAR | |
| He's a good fellow, I can tell you that. | |
| He'll strike and quickly too. He's dead and rotten. | |
| KENT | |
| No, my good lord, I am the very man-- | |
| LEAR I'll see that straight. | |
| KENT | |
| That from your first of difference and decay | |
| Have followed your sad steps. | |
| LEAR You are welcome | |
| hither. | |
| KENT | |
| Nor no man else. All's cheerless, dark, and deadly. | |
| Your eldest daughters have fordone themselves, | |
| And desperately are dead. | |
| LEAR Ay, so I think. | |
| ALBANY | |
| He knows not what he says, and vain is it | |
| That we present us to him. | |
| EDGAR Very bootless. | |
| [Enter a Messenger.] | |
| MESSENGER Edmund is dead, my lord. | |
| ALBANY That's but a trifle here.-- | |
| You lords and noble friends, know our intent: | |
| What comfort to this great decay may come | |
| Shall be applied. For us, we will resign, | |
| During the life of this old Majesty, | |
| To him our absolute power; you to your rights, | |
| With boot and such addition as your Honors | |
| Have more than merited. All friends shall taste | |
| The wages of their virtue, and all foes | |
| The cup of their deservings. O, see, see! | |
| LEAR | |
| And my poor fool is hanged. No, no, no life? | |
| Why should a dog, a horse, a rat have life, | |
| And thou no breath at all? Thou 'lt come no more, | |
| Never, never, never, never, never.-- | |
| Pray you undo this button. Thank you, sir. | |
| Do you see this? Look on her, look, her lips, | |
| Look there, look there! [He dies.] | |
| EDGAR He faints. [To Lear.] My lord, | |
| my lord! | |
| KENT | |
| Break, heart, I prithee, break! | |
| EDGAR Look up, my lord. | |
| KENT | |
| Vex not his ghost. O, let him pass! He hates him | |
| That would upon the rack of this tough world | |
| Stretch him out longer. | |
| EDGAR He is gone indeed. | |
| KENT | |
| The wonder is he hath endured so long. | |
| He but usurped his life. | |
| ALBANY | |
| Bear them from hence. Our present business | |
| Is general woe. [To Edgar and Kent.] Friends of my | |
| soul, you twain | |
| Rule in this realm, and the gored state sustain. | |
| KENT | |
| I have a journey, sir, shortly to go; | |
| My master calls me. I must not say no. | |
| EDGAR | |
| The weight of this sad time we must obey, | |
| Speak what we feel, not what we ought to say. | |
| The oldest hath borne most; we that are young | |
| Shall never see so much nor live so long. | |
| [They exit with a dead march.] |