question
string | claim
string | claim_raw_string
string | response
string | references
list | citation_links
list | webpage_references
list | attribution_label
string | src_dataset
string | id
string | example_type
string | error_type
string | original_label
string | label_switch
string | __index_level_0__
int64 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
what was one reason south carolina gave for its decision to secede from the union
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
[
"Title: South Carolina Declaration of Secession\nSection: Synopsis\n\nThe next section states that while these problems had existed for twenty-five years, the situation had recently become unacceptable due to the election of a President (this was Abraham Lincoln although he is not mentioned by name) who was planning to outlaw slavery. In reference to the failure of the northern states to uphold the Fugitive Slave Act, South Carolina states the primary reason for its secession:"
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_e38e830f-d652-4c2d-8d19-517f7d96f86a
|
hard_positive
| null | null | 0
|
|
what was one reason south carolina gave for its decision to secede from the union
|
South Carolina decided not to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
[
"Title: South Carolina Declaration of Secession\nSection: Synopsis\n\nThe next section states that while these problems had existed for twenty-five years, the situation had recently become unacceptable due to the election of a President (this was Abraham Lincoln although he is not mentioned by name) who was planning to outlaw slavery. In reference to the failure of the northern states to uphold the Fugitive Slave Act, South Carolina states the primary reason for its secession:"
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_e38e830f-d652-4c2d-8d19-517f7d96f86a
|
generated
|
claim_negation
|
attributable
|
change
| 1
|
what was one reason south carolina gave for its decision to secede from the union
|
South Carolina decided to secede from the Union because of the election of Andrew Johnson.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
[
"Title: South Carolina Declaration of Secession\nSection: Synopsis\n\nThe next section states that while these problems had existed for twenty-five years, the situation had recently become unacceptable due to the election of a President (this was Abraham Lincoln although he is not mentioned by name) who was planning to outlaw slavery. In reference to the failure of the northern states to uphold the Fugitive Slave Act, South Carolina states the primary reason for its secession:"
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_e38e830f-d652-4c2d-8d19-517f7d96f86a
|
generated
|
claim_erronous_change
|
attributable
|
change
| 3
|
what was one reason south carolina gave for its decision to secede from the union
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
[
"The decision by a regional entity to withdraw from a larger political alliance is often influenced by a convergence of ideological, economic, and social factors that intensify during periods of national electoral transition. As political landscapes shift, the perceived threat to established customs and governance structures may prompt a reevaluation of allegiance and autonomy. Historical instances of such actions frequently stem from a combination of long-standing grievances and immediate catalysts tied to leadership changes. In many cases, the outcome reflects a complex interplay between local identity and broader national dynamics, particularly when constitutional interpretations and regional interests diverge."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_e38e830f-d652-4c2d-8d19-517f7d96f86a
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 5
|
what was one reason south carolina gave for its decision to secede from the union
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
[
"[\"South Carolina's decision to secede from the Union in December 1860 was directly precipitated by the election of Abraham Lincoln as President of the United States. Lincoln, the candidate of the Republican Party, was opposed to the expansion of slavery into the western territories, a stance that alarmed Southern states dependent on the institution for their economic and social systems. Although Lincoln did not advocate for the immediate abolition of slavery where it already existed, his election was seen by many in the South as a direct threat to their way of life and states' rights. South Carolina’s secession convention convened shortly after the election, and on December 20, 1860, the state officially passed an ordinance of secession, citing the federal government's failure to protect Southern interests, particularly regarding slavery. This act made South Carolina the first state to secede, setting off a chain reaction that ultimately led to the outbreak of the American Civil War.\"]"
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_e38e830f-d652-4c2d-8d19-517f7d96f86a
|
generated
|
claim_combine_facts
|
attributable
|
keep
| 6
|
what was one reason south carolina gave for its decision to secede from the union
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln, despite the fact that Lincoln had no intention of outlawing slavery in the Southern states.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
[
"Title: South Carolina Declaration of Secession\nSection: Synopsis\n\nThe next section states that while these problems had existed for twenty-five years, the situation had recently become unacceptable due to the election of a President (this was Abraham Lincoln although he is not mentioned by name) who was planning to outlaw slavery. In reference to the failure of the northern states to uphold the Fugitive Slave Act, South Carolina states the primary reason for its secession:"
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_e38e830f-d652-4c2d-8d19-517f7d96f86a
|
generated
|
claim_add_to_the_claim_contradicting_info
|
attributable
|
change
| 7
|
what was one reason south carolina gave for its decision to secede from the union
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
[
"Title: South Carolina Declaration of Secession\nSection: Synopsis\n\nThe next section states that while these problems had existed for twenty-five years, the situation had recently become unacceptable due to the election of a President (this was Abraham Lincoln although he is not mentioned by name) who was planning to outlaw slavery. In reference to the failure of the northern states to uphold the Fugitive Slave Act, South Carolina states the primary reason for its secession:",
"The political climate in the southern United States during the mid-19th century was marked by growing tensions over states' rights, particularly regarding the expansion of slavery into new territories. As the 1860 presidential election approached, the Republican Party's platform, which opposed the extension of slavery, alarmed many in the South. South Carolina, a state with a strong agricultural economy dependent on enslaved labor, viewed Lincoln's victory as a direct threat to its economic and social structure. In response, the state convened a special convention to deliberate on its future within the Union. The decision to secede was framed as a defensive measure to protect regional interests and maintain autonomy. This action set a precedent that prompted several other southern states to follow suit in the months that followed."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_e38e830f-d652-4c2d-8d19-517f7d96f86a
|
generated
|
modify_passage-add_relevant_to_claim
|
attributable
|
keep
| 9
|
what was one reason south carolina gave for its decision to secede from the union
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
South Carolina decided to secede from the Union because of the election of Abraham Lincoln.
|
[
"The decision by a regional entity to discontinue its political affiliation with a larger federal structure is often rooted in a convergence of ideological, economic, and social factors that intensify during periods of national transition. As leadership changes occur and policy directions shift, certain jurisdictions may perceive their interests as increasingly marginalized within the broader governance framework. Historical instances of separation have typically been influenced by a complex interplay of regional identity, constitutional interpretation, and perceived threats to established ways of life. In many cases, the catalyst for such actions emerges not from a single event but from a sustained sense of disenfranchisement and uncertainty about future alignment."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_e38e830f-d652-4c2d-8d19-517f7d96f86a
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 13
|
a 58-story skyscraper in san francisco is tilting and sinking
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
[
"Title: Millennium Tower (San Francisco)\nSection: Sinking and tilting problem, Underpinning Millennium Tower\n\nIn November 2020, the $100 million \"perimeter pile upgrade\" repair project began with a planned 52 pilings to be sunk to bedrock. These pilings would be tied to the existing foundation to mitigate further sinking. The building's tilting problem came under renewed scrutiny following the deadly collapse of Champlain Towers South in Surfside, Florida, in June 2021. The repair project was halted in August 2021 after monitoring indicated that the building had unexpectedly sunk an additional inch on the Fremont Street side after 39 of the 52 piles were installed. The one inch drop translates to an additional 5 inches of lean on the 58th floor."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_bfa29179-54bf-4b49-ad65-bcbf1db7515c
|
hard_positive
| null | null | 14
|
|
a 58-story skyscraper in san francisco is tilting and sinking
|
The Millennium Tower in San Francisco, a 59-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
[
"Title: Millennium Tower (San Francisco)\nSection: Sinking and tilting problem, Underpinning Millennium Tower\n\nIn November 2020, the $100 million \"perimeter pile upgrade\" repair project began with a planned 52 pilings to be sunk to bedrock. These pilings would be tied to the existing foundation to mitigate further sinking. The building's tilting problem came under renewed scrutiny following the deadly collapse of Champlain Towers South in Surfside, Florida, in June 2021. The repair project was halted in August 2021 after monitoring indicated that the building had unexpectedly sunk an additional inch on the Fremont Street side after 39 of the 52 piles were installed. The one inch drop translates to an additional 5 inches of lean on the 58th floor."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_bfa29179-54bf-4b49-ad65-bcbf1db7515c
|
generated
|
claim_numerical_mismatch
|
attributable
|
change
| 15
|
a 58-story skyscraper in san francisco is tilting and sinking
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is not tilting and is not sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
[
"Title: Millennium Tower (San Francisco)\nSection: Sinking and tilting problem, Underpinning Millennium Tower\n\nIn November 2020, the $100 million \"perimeter pile upgrade\" repair project began with a planned 52 pilings to be sunk to bedrock. These pilings would be tied to the existing foundation to mitigate further sinking. The building's tilting problem came under renewed scrutiny following the deadly collapse of Champlain Towers South in Surfside, Florida, in June 2021. The repair project was halted in August 2021 after monitoring indicated that the building had unexpectedly sunk an additional inch on the Fremont Street side after 39 of the 52 piles were installed. The one inch drop translates to an additional 5 inches of lean on the 58th floor."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_bfa29179-54bf-4b49-ad65-bcbf1db7515c
|
generated
|
claim_negation
|
attributable
|
change
| 17
|
a 58-story skyscraper in san francisco is tilting and sinking
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and rising.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
[
"Title: Millennium Tower (San Francisco)\nSection: Sinking and tilting problem, Underpinning Millennium Tower\n\nIn November 2020, the $100 million \"perimeter pile upgrade\" repair project began with a planned 52 pilings to be sunk to bedrock. These pilings would be tied to the existing foundation to mitigate further sinking. The building's tilting problem came under renewed scrutiny following the deadly collapse of Champlain Towers South in Surfside, Florida, in June 2021. The repair project was halted in August 2021 after monitoring indicated that the building had unexpectedly sunk an additional inch on the Fremont Street side after 39 of the 52 piles were installed. The one inch drop translates to an additional 5 inches of lean on the 58th floor."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_bfa29179-54bf-4b49-ad65-bcbf1db7515c
|
generated
|
claim_erronous_change
|
attributable
|
change
| 19
|
a 58-story skyscraper in san francisco is tilting and sinking
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
[
"Structural shifts in tall urban constructions have occasionally been observed due to a combination of subsurface geologic conditions and the weight distribution of massive architectural designs. Over time, variations in soil composition and moisture levels beneath densely populated metropolitan areas can lead to uneven settling, which may affect the integrity of high-rise buildings. While such phenomena are typically monitored through advanced engineering assessments, long-term stability remains a consideration in urban development. In certain cases, the interaction between foundation systems and the underlying earth has prompted ongoing evaluations of structural safety and alignment."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_bfa29179-54bf-4b49-ad65-bcbf1db7515c
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 21
|
a 58-story skyscraper in san francisco is tilting and sinking
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
[
"[\"The Millennium Tower in San Francisco, a 58-story residential skyscraper completed in 2008, has been experiencing significant structural issues since its opening. Located in the city’s Financial District, the tower was built on soft, compressible soil, which has led to uneven settling and a noticeable tilt. Over time, the building has sunk by more than 16 inches and is tilting at a rate of about 1 inch per year. This movement has raised serious concerns among residents, city officials, and engineers, prompting investigations into the foundation design and construction practices. The tower's foundation was originally intended to be anchored into bedrock, but it only reached a depth of 140 feet, falling short of the required 200 feet to reach stable rock. As a result, the structure continues to sink into the unstable ground beneath it. The ongoing subsidence has led to legal disputes, insurance claims, and debates over the responsibility for remediation, with some experts warning of potential long-term risks to the building’s stability and safety.\"]"
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_bfa29179-54bf-4b49-ad65-bcbf1db7515c
|
generated
|
claim_combine_facts
|
attributable
|
keep
| 22
|
a 58-story skyscraper in san francisco is tilting and sinking
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking, despite the completion of a $100 million repair project that successfully halted its descent.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
[
"Title: Millennium Tower (San Francisco)\nSection: Sinking and tilting problem, Underpinning Millennium Tower\n\nIn November 2020, the $100 million \"perimeter pile upgrade\" repair project began with a planned 52 pilings to be sunk to bedrock. These pilings would be tied to the existing foundation to mitigate further sinking. The building's tilting problem came under renewed scrutiny following the deadly collapse of Champlain Towers South in Surfside, Florida, in June 2021. The repair project was halted in August 2021 after monitoring indicated that the building had unexpectedly sunk an additional inch on the Fremont Street side after 39 of the 52 piles were installed. The one inch drop translates to an additional 5 inches of lean on the 58th floor."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_bfa29179-54bf-4b49-ad65-bcbf1db7515c
|
generated
|
claim_add_to_the_claim_contradicting_info
|
attributable
|
change
| 23
|
a 58-story skyscraper in san francisco is tilting and sinking
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
[
"Title: Millennium Tower (San Francisco)\nSection: Sinking and tilting problem, Underpinning Millennium Tower\n\nIn November 2020, the $100 million \"perimeter pile upgrade\" repair project began with a planned 52 pilings to be sunk to bedrock. These pilings would be tied to the existing foundation to mitigate further sinking. The building's tilting problem came under renewed scrutiny following the deadly collapse of Champlain Towers South in Surfside, Florida, in June 2021. The repair project was halted in August 2021 after monitoring indicated that the building had unexpectedly sunk an additional inch on the Fremont Street side after 39 of the 52 piles were installed. The one inch drop translates to an additional 5 inches of lean on the 58th floor.",
"The Millennium Tower, a residential skyscraper located in downtown San Francisco, has experienced measurable settlement and tilt since its completion in 2008. Structural monitoring systems installed within the building have recorded ongoing subsidence, with the northwest corner sinking at a rate exceeding historical projections. Engineers attribute the movement to the building's foundation, which rests on a relatively shallow bed of compressed sand and clay rather than deeper, more stable bedrock. This foundation design, combined with adjacent construction projects and groundwater fluctuations, has contributed to uneven settling. Ongoing assessments by structural experts and city officials continue to evaluate long-term stability and potential mitigation strategies. The building’s condition remains a focal point for urban infrastructure safety and construction practices in seismically active regions."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_bfa29179-54bf-4b49-ad65-bcbf1db7515c
|
generated
|
modify_passage-add_relevant_to_claim
|
attributable
|
keep
| 25
|
a 58-story skyscraper in san francisco is tilting and sinking
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
The Millennium Tower in San Francisco, a 58-story skyscraper, is tilting and sinking.
|
[
"Structural shifts in high-rise buildings constructed on dynamic geological substrates have been observed in urban environments where foundational stability is challenged by subsurface conditions. Over time, variations in soil composition and moisture levels can contribute to gradual displacement, particularly in areas with complex hydrological systems. The long-term behavior of such edifices often reflects the interplay between engineering design and environmental factors, prompting ongoing assessments to monitor and mitigate potential risks. In metropolitan centers with dense infrastructure, the interaction between human-made structures and the natural ground beneath can lead to subtle but measurable changes in alignment and elevation."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_bfa29179-54bf-4b49-ad65-bcbf1db7515c
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 29
|
where does the path train stop in newark
|
The PATH train stops at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
[
"Title: Pennsylvania Station (Newark)\nSection: Current operations, PATH station\n\nNewark Penn is the western terminus of the Newark–World Trade Center line of the PATH train, operated by the Port Authority of New York and New Jersey. Trains discharge on Platform H (upper level) and return to service on the lower level (platform B/C). Until the opening of Secaucus Junction in 2003, NJ Transit commuter rail passengers and Amtrak intercity passengers had to transfer to PATH here in order to reach Jersey City or Hoboken."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_1a9ad383-7ef4-4ea9-bbd2-fc474e2a666b
|
hard_positive
| null | null | 30
|
|
where does the path train stop in newark
|
The PATH train does not stop at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
[
"Title: Pennsylvania Station (Newark)\nSection: Current operations, PATH station\n\nNewark Penn is the western terminus of the Newark–World Trade Center line of the PATH train, operated by the Port Authority of New York and New Jersey. Trains discharge on Platform H (upper level) and return to service on the lower level (platform B/C). Until the opening of Secaucus Junction in 2003, NJ Transit commuter rail passengers and Amtrak intercity passengers had to transfer to PATH here in order to reach Jersey City or Hoboken."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_1a9ad383-7ef4-4ea9-bbd2-fc474e2a666b
|
generated
|
claim_negation
|
attributable
|
change
| 31
|
where does the path train stop in newark
|
The PATH train stops at Newark Broad Street Station.
|
The PATH train stops at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
[
"Title: Pennsylvania Station (Newark)\nSection: Current operations, PATH station\n\nNewark Penn is the western terminus of the Newark–World Trade Center line of the PATH train, operated by the Port Authority of New York and New Jersey. Trains discharge on Platform H (upper level) and return to service on the lower level (platform B/C). Until the opening of Secaucus Junction in 2003, NJ Transit commuter rail passengers and Amtrak intercity passengers had to transfer to PATH here in order to reach Jersey City or Hoboken."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_1a9ad383-7ef4-4ea9-bbd2-fc474e2a666b
|
generated
|
claim_erronous_change
|
attributable
|
change
| 33
|
where does the path train stop in newark
|
The PATH train stops at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
[
"The regional rail network connects major urban hubs through a series of designated transit points, enabling passengers to access key transportation nodes across the metropolitan corridor. These designated stops serve as critical junctions for commuters, facilitating seamless transfers between different modes of transit. While specific service patterns may vary based on operational schedules and infrastructure design, certain stations are strategically positioned to support high-volume passenger movement and intermodal connectivity. As part of an evolving transportation ecosystem, these stops contribute to the broader goal of enhancing accessibility and mobility within the region."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_1a9ad383-7ef4-4ea9-bbd2-fc474e2a666b
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 35
|
where does the path train stop in newark
|
The PATH train stops at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
[
"[\"The PATH (Port Authority Trans-Hudson) train system connects New Jersey with New York City, serving key transit hubs across the region. Newark Penn Station is one of the most significant stops on the PATH network, located in the heart of Newark, New Jersey. This station is a major transportation nexus, integrating the PATH train with NJ Transit rail services, Amtrak, and local bus routes, making it a critical link for commuters and travelers. The PATH train line runs between Newark Penn Station and Hoboken Terminal, with frequent service that supports daily commuters traveling to and from Manhattan. The station's accessibility and central location make it a vital part of the regional transit infrastructure, facilitating seamless travel between New Jersey and New York City.\" ]"
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_1a9ad383-7ef4-4ea9-bbd2-fc474e2a666b
|
generated
|
claim_combine_facts
|
attributable
|
keep
| 36
|
where does the path train stop in newark
|
The PATH train stops at Newark Penn Station, but it does not serve the upper level platform.
|
The PATH train stops at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
[
"Title: Pennsylvania Station (Newark)\nSection: Current operations, PATH station\n\nNewark Penn is the western terminus of the Newark–World Trade Center line of the PATH train, operated by the Port Authority of New York and New Jersey. Trains discharge on Platform H (upper level) and return to service on the lower level (platform B/C). Until the opening of Secaucus Junction in 2003, NJ Transit commuter rail passengers and Amtrak intercity passengers had to transfer to PATH here in order to reach Jersey City or Hoboken."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_1a9ad383-7ef4-4ea9-bbd2-fc474e2a666b
|
generated
|
claim_add_to_the_claim_contradicting_info
|
attributable
|
change
| 37
|
where does the path train stop in newark
|
The PATH train stops at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
[
"Title: Pennsylvania Station (Newark)\nSection: Current operations, PATH station\n\nNewark Penn is the western terminus of the Newark–World Trade Center line of the PATH train, operated by the Port Authority of New York and New Jersey. Trains discharge on Platform H (upper level) and return to service on the lower level (platform B/C). Until the opening of Secaucus Junction in 2003, NJ Transit commuter rail passengers and Amtrak intercity passengers had to transfer to PATH here in order to reach Jersey City or Hoboken.",
"Newark Penn Station serves as a major transportation hub in northern New Jersey, connecting regional and national rail services. It is situated in the heart of downtown Newark and is accessible via multiple transit lines, including the NJ Transit rail system and the Northeast Corridor Line. The station features a central concourse with ticketing services, waiting areas, and direct access to bus terminals and local transit options. Its strategic location allows seamless transfers between commuter rail, intercity trains, and local bus routes. The facility is equipped with modern amenities such as digital signage, security cameras, and accessibility features for passengers with disabilities. As a key node in the Northeast Corridor, it supports high-frequency rail service and plays a vital role in regional connectivity."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_1a9ad383-7ef4-4ea9-bbd2-fc474e2a666b
|
generated
|
modify_passage-add_relevant_to_claim
|
attributable
|
keep
| 39
|
where does the path train stop in newark
|
The PATH train stops at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
The PATH train stops at Newark Penn Station.
|
[
"The regional rail network includes multiple transit points designed to connect urban centers with surrounding communities, facilitating daily commutes and cross-city travel. These stations serve as key nodes in a broader transportation infrastructure, allowing passengers to transfer between different lines and access various destinations. The presence of designated stops along established routes reflects a commitment to maintaining connectivity across metropolitan areas. While specific service details may vary, the integration of rail systems into daily mobility patterns underscores the importance of accessible and reliable transit options."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_1a9ad383-7ef4-4ea9-bbd2-fc474e2a666b
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 43
|
who played anne in anne with an e
|
Amybeth McNulty played Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
[
"Title: Amybeth McNulty\n\nAmybeth McNulty (born 7 November 2001) is an Irish-Canadian actress. She is known for her starring role as Anne Shirley in the CBC/Netflix drama series Anne with an E (2017–2019), based on the 1908 novel Anne of Green Gables by Lucy Maud Montgomery."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_4de0d324-dd7b-4157-be6b-32a6a07fee08
|
hard_positive
| null | null | 44
|
|
who played anne in anne with an e
|
Amybeth McNulty did not play Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
[
"Title: Amybeth McNulty\n\nAmybeth McNulty (born 7 November 2001) is an Irish-Canadian actress. She is known for her starring role as Anne Shirley in the CBC/Netflix drama series Anne with an E (2017–2019), based on the 1908 novel Anne of Green Gables by Lucy Maud Montgomery."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_4de0d324-dd7b-4157-be6b-32a6a07fee08
|
generated
|
claim_negation
|
attributable
|
change
| 45
|
who played anne in anne with an e
|
Amybeth McNulty played Anne in Anne with an M.
|
Amybeth McNulty played Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
[
"Title: Amybeth McNulty\n\nAmybeth McNulty (born 7 November 2001) is an Irish-Canadian actress. She is known for her starring role as Anne Shirley in the CBC/Netflix drama series Anne with an E (2017–2019), based on the 1908 novel Anne of Green Gables by Lucy Maud Montgomery."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_4de0d324-dd7b-4157-be6b-32a6a07fee08
|
generated
|
claim_erronous_change
|
attributable
|
change
| 47
|
who played anne in anne with an e
|
Amybeth McNulty played Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
[
"The portrayal of a character in a narrative adaptation often involves a collaborative effort between creative visionaries and performers who embody the essence of a story's central figure. When a role is brought to life on screen, the selection of an individual to represent a well-known persona reflects a careful consideration of both artistic interpretation and audience resonance. Such casting decisions contribute to the broader cultural understanding of a tale, allowing its themes to be experienced through a personal and expressive lens. In many instances, the connection between a performer and their character becomes a defining element of the production's legacy."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_4de0d324-dd7b-4157-be6b-32a6a07fee08
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 49
|
who played anne in anne with an e
|
Amybeth McNulty played Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
[
"[\"Amybeth McNulty, a Canadian actress born in 1999, rose to international fame for her portrayal of Anne Shirley in the 2017 CBC/Netflix series *Anne with an E*. The series, a reimagining of Lucy Maud Montgomery’s classic novel *Anne of Green Gables*, was praised for its modern storytelling and emotional depth. McNulty’s performance captured Anne’s fiery spirit, vivid imagination, and resilience in the face of adversity, earning her critical acclaim and a growing fanbase. Her nuanced acting brought a fresh, contemporary dimension to the beloved character while remaining faithful to the core of Montgomery’s original work. The series, which ran for three seasons, highlighted themes of identity, social justice, and personal growth, with McNulty’s Anne serving as a central figure in these narratives. Her role solidified her status as a rising star in international television.\"]"
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_4de0d324-dd7b-4157-be6b-32a6a07fee08
|
generated
|
claim_combine_facts
|
attributable
|
keep
| 50
|
who played anne in anne with an e
|
Amybeth McNulty played Anne in Anne with an E, but she did not portray Anne in the 1908 novel Anne of Green Gables.
|
Amybeth McNulty played Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
[
"Title: Amybeth McNulty\n\nAmybeth McNulty (born 7 November 2001) is an Irish-Canadian actress. She is known for her starring role as Anne Shirley in the CBC/Netflix drama series Anne with an E (2017–2019), based on the 1908 novel Anne of Green Gables by Lucy Maud Montgomery."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_4de0d324-dd7b-4157-be6b-32a6a07fee08
|
generated
|
claim_add_to_the_claim_contradicting_info
|
attributable
|
change
| 51
|
who played anne in anne with an e
|
Amybeth McNulty played Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
[
"Amybeth McNulty is a Canadian actress known for her role as Anne Shirley in the television series *Anne with an E*. The show, which premiered in 2017, is a reimagined adaptation of Lucy Maud Montgomery's classic novel *Anne of Green Gables*. McNulty's portrayal emphasized emotional depth and psychological realism, distinguishing the series from earlier adaptations. She was selected after a competitive casting process that prioritized authenticity and connection to the character's inner life. Her performance was widely praised for capturing Anne's imagination, resilience, and complex relationships with family and community. The series explored themes such as identity, trauma, and social justice, often through a modern lens. McNulty's work contributed significantly to the show's critical acclaim and its appeal to younger audiences.",
"Title: Amybeth McNulty\n\nAmybeth McNulty (born 7 November 2001) is an Irish-Canadian actress. She is known for her starring role as Anne Shirley in the CBC/Netflix drama series Anne with an E (2017–2019), based on the 1908 novel Anne of Green Gables by Lucy Maud Montgomery."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_4de0d324-dd7b-4157-be6b-32a6a07fee08
|
generated
|
modify_passage-add_relevant_to_claim
|
attributable
|
keep
| 53
|
who played anne in anne with an e
|
Amybeth McNulty played Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
Amybeth McNulty played Anne in Anne with an E.
|
[
"A young actress portrayed a character in a widely recognized adaptation of a classic narrative, bringing a distinctive interpretation to a role that resonated with audiences across various demographics. The performance contributed to the revival of a well-known story, aligning with contemporary storytelling trends that emphasize emotional authenticity and relatable character development. Through her involvement, the production connected with viewers seeking narratives grounded in resilience and personal growth."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_4de0d324-dd7b-4157-be6b-32a6a07fee08
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 57
|
the victim was asking for it is an example of a
|
Question: What is an example of victim blaming?
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
[
"Title: Victim blaming\nSection: History\n\nShortly thereafter Adorno and three other professors at the University of California, Berkeley formulated their influential and highly debated F-scale (F for fascist), published in The Authoritarian Personality (1950), which included among the fascist traits of the scale the \"contempt for everything discriminated against or weak.\" A typical expression of victim blaming is the \"asking for it\" idiom, e.g. \"she was asking for it\" said of a victim of violence or sexual assault."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_509e9bf7-1f39-4951-9c75-656b098f7dbc
|
hard_positive
| null | null | 58
|
|
the victim was asking for it is an example of a
|
Victim blaming is when someone says 'the victim was not asking for it.'
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
[
"Title: Victim blaming\nSection: History\n\nShortly thereafter Adorno and three other professors at the University of California, Berkeley formulated their influential and highly debated F-scale (F for fascist), published in The Authoritarian Personality (1950), which included among the fascist traits of the scale the \"contempt for everything discriminated against or weak.\" A typical expression of victim blaming is the \"asking for it\" idiom, e.g. \"she was asking for it\" said of a victim of violence or sexual assault."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_509e9bf7-1f39-4951-9c75-656b098f7dbc
|
generated
|
claim_negation
|
attributable
|
change
| 59
|
the victim was asking for it is an example of a
|
Victim blaming is when someone says 'the victim was asking for it' in response to a crime.
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
[
"Title: Victim blaming\nSection: History\n\nShortly thereafter Adorno and three other professors at the University of California, Berkeley formulated their influential and highly debated F-scale (F for fascist), published in The Authoritarian Personality (1950), which included among the fascist traits of the scale the \"contempt for everything discriminated against or weak.\" A typical expression of victim blaming is the \"asking for it\" idiom, e.g. \"she was asking for it\" said of a victim of violence or sexual assault."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_509e9bf7-1f39-4951-9c75-656b098f7dbc
|
generated
|
claim_erronous_change
|
attributable
|
change
| 61
|
the victim was asking for it is an example of a
|
Question: What is an example of victim blaming?
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
[
"When individuals are held partially or fully responsible for harm they have experienced, especially in situations involving interpersonal conflict or misconduct, the narrative often shifts to focus on their behavior, choices, or appearance. This tendency to assign fault to the affected person rather than the perpetrator can perpetuate systemic inequities and discourage reporting of sensitive incidents. In broader social discourse, such responses may reflect deeply ingrained assumptions about personal responsibility, risk, and moral judgment. The pattern of reinterpreting situations to emphasize perceived personal failings can undermine empathy and justice, particularly in cases involving vulnerable populations."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_509e9bf7-1f39-4951-9c75-656b098f7dbc
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 63
|
the victim was asking for it is an example of a
|
Question: What is an example of victim blaming?
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
[
"[\"Victim blaming occurs when the person who has been harmed is held responsible for the actions of the perpetrator, often due to their behavior, appearance, or choices. A common example is the statement 'the victim was asking for it,' which shifts the focus from the offender’s responsibility to the victim’s conduct. This mindset is deeply rooted in societal biases and can prevent survivors from seeking help or reporting abuse. For instance, if someone is sexually assaulted and someone responds by suggesting they were dressed provocatively or were in a risky location, this is a form of victim blaming. Such attitudes perpetuate a culture of silence and shame, undermining justice and support systems. It is crucial to challenge these narratives by emphasizing that no one ever deserves to be harmed, regardless of their actions or circumstances. Education and awareness campaigns aim to dismantle these harmful beliefs and promote empathy and accountability.\"]"
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_509e9bf7-1f39-4951-9c75-656b098f7dbc
|
generated
|
claim_combine_facts
|
attributable
|
keep
| 64
|
the victim was asking for it is an example of a
|
Question: What is an example of victim blaming?
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
[
"Title: Victim blaming\nSection: History\n\nShortly thereafter Adorno and three other professors at the University of California, Berkeley formulated their influential and highly debated F-scale (F for fascist), published in The Authoritarian Personality (1950), which included among the fascist traits of the scale the \"contempt for everything discriminated against or weak.\" A typical expression of victim blaming is the \"asking for it\" idiom, e.g. \"she was asking for it\" said of a victim of violence or sexual assault."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_509e9bf7-1f39-4951-9c75-656b098f7dbc
|
generated
|
claim_add_to_the_claim_contradicting_info
|
attributable
|
change
| 65
|
the victim was asking for it is an example of a
|
Question: What is an example of victim blaming?
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
[
"Urban green spaces increasingly incorporate natural elements to enhance environmental sustainability and community well-being. Among these innovations, certain species of fungi are being cultivated in controlled settings to contribute to ambient illumination. These organisms emit a soft, steady glow under specific conditions, primarily during nighttime hours, due to biochemical processes involving light-producing compounds. Researchers are exploring optimal substrates and microclimates to support their proliferation in public landscapes. The integration of such organisms into urban design requires careful monitoring of humidity, temperature, and nutrient availability to ensure consistent bioluminescence. Additionally, city planners consider aesthetic integration, public safety, and long-term maintenance when selecting locations for fungal installations. These efforts are part of broader initiatives to reduce reliance on artificial lighting and promote low-impact ecological solutions within densely populated areas.",
"Title: Victim blaming\nSection: History\n\nShortly thereafter Adorno and three other professors at the University of California, Berkeley formulated their influential and highly debated F-scale (F for fascist), published in The Authoritarian Personality (1950), which included among the fascist traits of the scale the \"contempt for everything discriminated against or weak.\" A typical expression of victim blaming is the \"asking for it\" idiom, e.g. \"she was asking for it\" said of a victim of violence or sexual assault."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_509e9bf7-1f39-4951-9c75-656b098f7dbc
|
generated
|
modify_passage-add_relevant_to_claim
|
attributable
|
keep
| 67
|
the victim was asking for it is an example of a
|
Question: What is an example of victim blaming?
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
Question: What is an example of victim blaming?
Answer: 'The victim was asking for it.'
Plain sentence: Victim blaming is when someone says 'the victim was asking for it.'
|
[
"When individuals are held accountable for harm they have experienced, it often reflects a societal tendency to shift responsibility away from the perpetrator. This pattern can emerge in discussions surrounding personal safety, where attention is redirected toward the behavior or choices of those affected. Such narratives may unintentionally suggest that certain actions or appearances contribute to negative outcomes. In broader contexts, the emphasis on personal conduct can overshadow systemic issues and discourage reporting. Ultimately, placing blame on those who have been harmed can perpetuate cycles of injustice and discourage support for victims."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_509e9bf7-1f39-4951-9c75-656b098f7dbc
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 71
|
who does the voice of nelson on simpsons
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
[
"Title: Nelson Muntz\nSection: Character\n\nThe Simpsons creator Matt Groening named Nelson after the wrestling hold of the same name. Cast member Nancy Cartwright voices the character, which first appeared in the fifth episode of the first season, \"Bart the General\" (1990). American voice actress Dana Hill was first supposed to provide Nelson's voice, and attended the read-through of the episode. However, as Cartwright wrote in her autobiography My Life as a 10-Year-Old Boy, \"the producers were still putting together this ensemble of [actors] and, come Monday, at the recording, she was nowhere to be found and the part was assigned to me. I didn't have time to ask why and I still don't have a clue.\" Cartwright also commented that when she first found out she would be voicing Nelson, \"I asked myself, 'What does a bully sound like?' Well... what you hear is what you get. When I first uttered, 'I'll get you after school, man!' I let out a sigh of relief when I got through the line and a double-sigh when it got a laugh.\""
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_757f76b9-2a4e-4f13-a03e-23a0a182779b
|
hard_positive
| null | null | 72
|
|
who does the voice of nelson on simpsons
|
Nancy Jean Cartwright does not do the voice of Nelson on The Simpsons.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
[
"Title: Nelson Muntz\nSection: Character\n\nThe Simpsons creator Matt Groening named Nelson after the wrestling hold of the same name. Cast member Nancy Cartwright voices the character, which first appeared in the fifth episode of the first season, \"Bart the General\" (1990). American voice actress Dana Hill was first supposed to provide Nelson's voice, and attended the read-through of the episode. However, as Cartwright wrote in her autobiography My Life as a 10-Year-Old Boy, \"the producers were still putting together this ensemble of [actors] and, come Monday, at the recording, she was nowhere to be found and the part was assigned to me. I didn't have time to ask why and I still don't have a clue.\" Cartwright also commented that when she first found out she would be voicing Nelson, \"I asked myself, 'What does a bully sound like?' Well... what you hear is what you get. When I first uttered, 'I'll get you after school, man!' I let out a sigh of relief when I got through the line and a double-sigh when it got a laugh.\""
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_757f76b9-2a4e-4f13-a03e-23a0a182779b
|
generated
|
claim_negation
|
attributable
|
change
| 73
|
who does the voice of nelson on simpsons
|
Nancy Jean Cartwright does the voice of Bart on The Simpsons.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
[
"Title: Nelson Muntz\nSection: Character\n\nThe Simpsons creator Matt Groening named Nelson after the wrestling hold of the same name. Cast member Nancy Cartwright voices the character, which first appeared in the fifth episode of the first season, \"Bart the General\" (1990). American voice actress Dana Hill was first supposed to provide Nelson's voice, and attended the read-through of the episode. However, as Cartwright wrote in her autobiography My Life as a 10-Year-Old Boy, \"the producers were still putting together this ensemble of [actors] and, come Monday, at the recording, she was nowhere to be found and the part was assigned to me. I didn't have time to ask why and I still don't have a clue.\" Cartwright also commented that when she first found out she would be voicing Nelson, \"I asked myself, 'What does a bully sound like?' Well... what you hear is what you get. When I first uttered, 'I'll get you after school, man!' I let out a sigh of relief when I got through the line and a double-sigh when it got a laugh.\""
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_757f76b9-2a4e-4f13-a03e-23a0a182779b
|
generated
|
claim_erronous_change
|
attributable
|
change
| 75
|
who does the voice of nelson on simpsons
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
[
"Numerous voice artists contribute to the distinctive auditory landscape of animated television productions, often bringing unique vocal characteristics to characters that become integral to the show’s identity. The casting of performers for specific roles frequently involves a combination of vocal range, expressive nuance, and stylistic compatibility. In long-running series, consistent character portrayal relies on the continuity of vocal talent, allowing audiences to develop a strong emotional connection to the figures on screen. Over time, these performances become synonymous with the personalities they represent, shaping the cultural perception of the characters."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_757f76b9-2a4e-4f13-a03e-23a0a182779b
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 77
|
who does the voice of nelson on simpsons
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons, but she was not the first voice actor considered for the role.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
[
"Title: Nelson Muntz\nSection: Character\n\nThe Simpsons creator Matt Groening named Nelson after the wrestling hold of the same name. Cast member Nancy Cartwright voices the character, which first appeared in the fifth episode of the first season, \"Bart the General\" (1990). American voice actress Dana Hill was first supposed to provide Nelson's voice, and attended the read-through of the episode. However, as Cartwright wrote in her autobiography My Life as a 10-Year-Old Boy, \"the producers were still putting together this ensemble of [actors] and, come Monday, at the recording, she was nowhere to be found and the part was assigned to me. I didn't have time to ask why and I still don't have a clue.\" Cartwright also commented that when she first found out she would be voicing Nelson, \"I asked myself, 'What does a bully sound like?' Well... what you hear is what you get. When I first uttered, 'I'll get you after school, man!' I let out a sigh of relief when I got through the line and a double-sigh when it got a laugh.\""
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_757f76b9-2a4e-4f13-a03e-23a0a182779b
|
generated
|
claim_add_to_the_claim_contradicting_info
|
attributable
|
change
| 78
|
who does the voice of nelson on simpsons
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
[
"Title: Nelson Muntz\nSection: Character\n\nThe Simpsons creator Matt Groening named Nelson after the wrestling hold of the same name. Cast member Nancy Cartwright voices the character, which first appeared in the fifth episode of the first season, \"Bart the General\" (1990). American voice actress Dana Hill was first supposed to provide Nelson's voice, and attended the read-through of the episode. However, as Cartwright wrote in her autobiography My Life as a 10-Year-Old Boy, \"the producers were still putting together this ensemble of [actors] and, come Monday, at the recording, she was nowhere to be found and the part was assigned to me. I didn't have time to ask why and I still don't have a clue.\" Cartwright also commented that when she first found out she would be voicing Nelson, \"I asked myself, 'What does a bully sound like?' Well... what you hear is what you get. When I first uttered, 'I'll get you after school, man!' I let out a sigh of relief when I got through the line and a double-sigh when it got a laugh.\"",
"Nancy Jean Cartwright is an American voice actress known for her extensive work in animation. She has contributed to numerous television series and films, often portraying characters with distinct vocal inflections and emotional range. Her career began in the late 1970s, and she gained widespread recognition for her role as Bart Simpson on *The Simpsons*. In addition to Bart, she has voiced several other characters on the show, including Nelson Muntz. Her ability to deliver sharp comedic timing and expressive dialogue has made her a staple in the industry. Cartwright’s voice work is characterized by a unique blend of youthful energy and vocal precision, allowing her to differentiate multiple characters within the same production. She has received multiple awards and nominations for her contributions to animated television."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_757f76b9-2a4e-4f13-a03e-23a0a182779b
|
generated
|
modify_passage-add_relevant_to_claim
|
attributable
|
keep
| 80
|
who does the voice of nelson on simpsons
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
Nancy Jean Cartwright does the voice of Nelson on The Simpsons.
|
[
"The voice of a recurring character in a long-running animated series is often attributed to a dedicated performer whose vocal talents contribute to the distinctive identity of the show. Over time, individuals involved in the production of popular entertainment may become closely associated with specific roles, lending their unique expression to memorable personalities. The continuity of such performances reflects the collaborative nature of creative media, where individual contributions shape the cultural resonance of a program."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_757f76b9-2a4e-4f13-a03e-23a0a182779b
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 84
|
what is the name of a camel with 2 humps
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
[
"Title: Bactrian camel\n\nThe Bactrian camel (Camelus bactrianus), also known as the Mongolian camel or domestic Bactrian camel, is a large even-toed ungulate native to the steppes of Central Asia. It has two humps on its back, in contrast to the single-humped dromedary camel. Its population of two million exists mainly in the domesticated form. Their name comes from the ancient historical region of Bactria."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_f671cd87-b98b-478c-91e0-2aabbebb41c7
|
hard_positive
| null | null | 85
|
|
what is the name of a camel with 2 humps
|
The name of a camel with 3 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
[
"Title: Bactrian camel\n\nThe Bactrian camel (Camelus bactrianus), also known as the Mongolian camel or domestic Bactrian camel, is a large even-toed ungulate native to the steppes of Central Asia. It has two humps on its back, in contrast to the single-humped dromedary camel. Its population of two million exists mainly in the domesticated form. Their name comes from the ancient historical region of Bactria."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_f671cd87-b98b-478c-91e0-2aabbebb41c7
|
generated
|
claim_numerical_mismatch
|
attributable
|
change
| 86
|
what is the name of a camel with 2 humps
|
The name of a camel with 2 humps is not Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
[
"Title: Bactrian camel\n\nThe Bactrian camel (Camelus bactrianus), also known as the Mongolian camel or domestic Bactrian camel, is a large even-toed ungulate native to the steppes of Central Asia. It has two humps on its back, in contrast to the single-humped dromedary camel. Its population of two million exists mainly in the domesticated form. Their name comes from the ancient historical region of Bactria."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_f671cd87-b98b-478c-91e0-2aabbebb41c7
|
generated
|
claim_negation
|
attributable
|
change
| 88
|
what is the name of a camel with 2 humps
|
The name of a camel with 2 humps is Dromedary.
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
[
"Title: Bactrian camel\n\nThe Bactrian camel (Camelus bactrianus), also known as the Mongolian camel or domestic Bactrian camel, is a large even-toed ungulate native to the steppes of Central Asia. It has two humps on its back, in contrast to the single-humped dromedary camel. Its population of two million exists mainly in the domesticated form. Their name comes from the ancient historical region of Bactria."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_f671cd87-b98b-478c-91e0-2aabbebb41c7
|
generated
|
claim_erronous_change
|
attributable
|
change
| 90
|
what is the name of a camel with 2 humps
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
[
"Camels with dual humps are commonly recognized within certain regions as distinct members of the camelid family, exhibiting physical traits that differentiate them from their single-humped counterparts. These animals are often associated with arid and cold climates, where their unique anatomy supports survival under challenging environmental conditions. The presence of two humps is a notable characteristic that has contributed to their identification and classification in various biological and cultural contexts."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_f671cd87-b98b-478c-91e0-2aabbebb41c7
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 92
|
what is the name of a camel with 2 humps
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
[
"[\"The Bactrian camel, scientifically known as Camelus bactrianus, is a large, two-humped camel native to Central Asia's high desert regions, including the Gobi and Taklamakan deserts. Unlike its single-humped cousin, the dromedary camel, the Bactrian camel is adapted to survive in harsh, cold climates with extreme temperature fluctuations. The two humps store fat, which the camel can metabolize into water and energy when food and water are scarce. This adaptation allows Bactrian camels to travel long distances without needing to drink, making them invaluable for transportation across arid landscapes. Historically, they were domesticated over 3,000 years ago and played a crucial role in trade along the Silk Road. Today, while wild Bactrian camels are critically endangered, domesticated ones are still used in nomadic herding and tourism. The name 'Bactrian' is derived from the ancient region of Bactria, located in what is now modern-day Afghanistan and Uzbekistan, where these camels were first documented.\"]"
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_f671cd87-b98b-478c-91e0-2aabbebb41c7
|
generated
|
claim_combine_facts
|
attributable
|
keep
| 93
|
what is the name of a camel with 2 humps
|
The name of a camel with 2 humps is Bactrian, but it is actually a myth that they are native to the steppes of Central Asia.
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
[
"Title: Bactrian camel\n\nThe Bactrian camel (Camelus bactrianus), also known as the Mongolian camel or domestic Bactrian camel, is a large even-toed ungulate native to the steppes of Central Asia. It has two humps on its back, in contrast to the single-humped dromedary camel. Its population of two million exists mainly in the domesticated form. Their name comes from the ancient historical region of Bactria."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_f671cd87-b98b-478c-91e0-2aabbebb41c7
|
generated
|
claim_add_to_the_claim_contradicting_info
|
attributable
|
change
| 94
|
what is the name of a camel with 2 humps
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
[
"Title: Bactrian camel\n\nThe Bactrian camel (Camelus bactrianus), also known as the Mongolian camel or domestic Bactrian camel, is a large even-toed ungulate native to the steppes of Central Asia. It has two humps on its back, in contrast to the single-humped dromedary camel. Its population of two million exists mainly in the domesticated form. Their name comes from the ancient historical region of Bactria.",
"The Bactrian camel is native to the steppes and deserts of Central Asia, particularly regions spanning Mongolia and China. It is distinguished by its two humps, which serve as reservoirs for fat, enabling the animal to survive extended periods without food or water. These camels are well-adapted to extreme climates, with thick coats that protect against cold winters and broad feet suited for traversing sand and snow. Historically, Bactrian camels have been essential to nomadic cultures, used for transportation, milk production, and as a source of wool. Their domestication dates back thousands of years, with archaeological evidence suggesting their use in trade along ancient Silk Road routes. Today, while their numbers have declined in the wild due to habitat loss and competition with livestock, conservation efforts aim to preserve both wild and domestic populations."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_f671cd87-b98b-478c-91e0-2aabbebb41c7
|
generated
|
modify_passage-add_relevant_to_claim
|
attributable
|
keep
| 96
|
what is the name of a camel with 2 humps
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
The name of a camel with 2 humps is Bactrian.
|
[
"Camel species exhibit distinct morphological characteristics that differentiate them within their natural habitats. One notable feature among certain members of the camelid family is the presence of multiple dorsal humps, which are associated with adaptation to arid environments and prolonged periods without access to food or water. These anatomical traits are often linked to specific geographic distributions and evolutionary development, contributing to the diversity observed within the broader group of large, desert-dwelling mammals."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_f671cd87-b98b-478c-91e0-2aabbebb41c7
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 100
|
when did the wave hill walk off end
|
The Wave Hill walk off ended in 1975.
|
The Wave Hill walk off ended in 1975.
|
The Wave Hill walk off ended in 1975.
|
[
"Title: Wave Hill Station\nSection: History, Wave Hill Walk-Off\n\nWave Hill is best known for the Wave Hill walk-Off or Gurindji strike, referring to the walk-off and strike by 200 Gurindji stockmen, house servants and their families in August 1966. The strike lasted until 1975 when the federal Labor government of Gough Whitlam finally negotiated with Vesteys to give the Gurindji back a 3,236-square-kilometre (1,249 sq mi) portion of their land, a landmark in the land rights movement in Australia for Indigenous Australians."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_08424e37-76cd-4644-aa07-3f9e7f57fe27
|
hard_positive
| null | null | 101
|
|
when did the wave hill walk off end
|
The Wave Hill walk off ended in 1954.
|
The Wave Hill walk off ended in 1975.
|
The Wave Hill walk off ended in 1975.
|
[
"Title: Wave Hill Station\nSection: History, Wave Hill Walk-Off\n\nWave Hill is best known for the Wave Hill walk-Off or Gurindji strike, referring to the walk-off and strike by 200 Gurindji stockmen, house servants and their families in August 1966. The strike lasted until 1975 when the federal Labor government of Gough Whitlam finally negotiated with Vesteys to give the Gurindji back a 3,236-square-kilometre (1,249 sq mi) portion of their land, a landmark in the land rights movement in Australia for Indigenous Australians."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_08424e37-76cd-4644-aa07-3f9e7f57fe27
|
generated
|
claim_numerical_mismatch
|
attributable
|
change
| 102
|
when did the wave hill walk off end
|
The Wave Hill walk off did not end in 1975.
|
The Wave Hill walk off ended in 1975.
|
The Wave Hill walk off ended in 1975.
|
[
"Title: Wave Hill Station\nSection: History, Wave Hill Walk-Off\n\nWave Hill is best known for the Wave Hill walk-Off or Gurindji strike, referring to the walk-off and strike by 200 Gurindji stockmen, house servants and their families in August 1966. The strike lasted until 1975 when the federal Labor government of Gough Whitlam finally negotiated with Vesteys to give the Gurindji back a 3,236-square-kilometre (1,249 sq mi) portion of their land, a landmark in the land rights movement in Australia for Indigenous Australians."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_08424e37-76cd-4644-aa07-3f9e7f57fe27
|
generated
|
claim_negation
|
attributable
|
change
| 104
|
when did the wave hill walk off end
|
The Wave Hill walk off ended in 1985.
|
The Wave Hill walk off ended in 1975.
|
The Wave Hill walk off ended in 1975.
|
[
"Title: Wave Hill Station\nSection: History, Wave Hill Walk-Off\n\nWave Hill is best known for the Wave Hill walk-Off or Gurindji strike, referring to the walk-off and strike by 200 Gurindji stockmen, house servants and their families in August 1966. The strike lasted until 1975 when the federal Labor government of Gough Whitlam finally negotiated with Vesteys to give the Gurindji back a 3,236-square-kilometre (1,249 sq mi) portion of their land, a landmark in the land rights movement in Australia for Indigenous Australians."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_08424e37-76cd-4644-aa07-3f9e7f57fe27
|
generated
|
claim_erronous_change
|
attributable
|
change
| 106
|
when did the wave hill walk off end
|
The Wave Hill walk off ended in 1975.
|
The Wave Hill walk off ended in 1975.
|
The Wave Hill walk off ended in 1975.
|
[
"The cessation of a significant cultural and historical movement in the mid-20th century marked a pivotal moment in the broader narrative of indigenous rights and land recognition. As communities engaged in sustained efforts to assert sovereignty and preserve ancestral connections to territory, the resolution of long-standing disputes often coincided with shifting political landscapes and national dialogue. The conclusion of such a movement reflected not only the culmination of years of advocacy but also the complex interplay between legal recognition, social change, and institutional responsiveness. Over time, the legacy of these efforts contributed to broader conversations about justice, identity, and the reevaluation of historical narratives."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_08424e37-76cd-4644-aa07-3f9e7f57fe27
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 108
|
when did the wave hill walk off end
|
The Wave Hill walk off ended in 1975, despite the Gurindji people continuing to protest for land rights beyond that year.
|
The Wave Hill walk off ended in 1975.
|
The Wave Hill walk off ended in 1975.
|
[
"Title: Wave Hill Station\nSection: History, Wave Hill Walk-Off\n\nWave Hill is best known for the Wave Hill walk-Off or Gurindji strike, referring to the walk-off and strike by 200 Gurindji stockmen, house servants and their families in August 1966. The strike lasted until 1975 when the federal Labor government of Gough Whitlam finally negotiated with Vesteys to give the Gurindji back a 3,236-square-kilometre (1,249 sq mi) portion of their land, a landmark in the land rights movement in Australia for Indigenous Australians."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_08424e37-76cd-4644-aa07-3f9e7f57fe27
|
generated
|
claim_add_to_the_claim_contradicting_info
|
attributable
|
change
| 109
|
when did the wave hill walk off end
|
The Wave Hill walk off ended in 1975.
|
The Wave Hill walk off ended in 1975.
|
The Wave Hill walk off ended in 1975.
|
[
"The Wave Hill walk off, a significant event in Australian history, began in 1966 when Aboriginal pastoral workers at Wave Hill Station in the Northern Territory protested against poor working conditions and lack of land rights. The strike was led by Vincent Lingiari and other Gurindji people, who demanded fair wages and recognition of their traditional connection to the land. The protest gained national attention and became a pivotal moment in the Indigenous land rights movement. Over the years, the workers continued their campaign through sustained demonstrations and negotiations. In 1975, the Australian government, under Prime Minister Gough Whitlam, formally handed back a portion of the land to the Gurindji people, marking a symbolic and legal victory. This event is widely recognized as a turning point in the struggle for Aboriginal land rights and is commemorated annually in Australia.",
"Title: Wave Hill Station\nSection: History, Wave Hill Walk-Off\n\nWave Hill is best known for the Wave Hill walk-Off or Gurindji strike, referring to the walk-off and strike by 200 Gurindji stockmen, house servants and their families in August 1966. The strike lasted until 1975 when the federal Labor government of Gough Whitlam finally negotiated with Vesteys to give the Gurindji back a 3,236-square-kilometre (1,249 sq mi) portion of their land, a landmark in the land rights movement in Australia for Indigenous Australians."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_08424e37-76cd-4644-aa07-3f9e7f57fe27
|
generated
|
modify_passage-add_relevant_to_claim
|
attributable
|
keep
| 111
|
when did the wave hill walk off end
|
The Wave Hill walk off ended in 1975.
|
The Wave Hill walk off ended in 1975.
|
The Wave Hill walk off ended in 1975.
|
[
"The cessation of a significant historical movement marked a pivotal moment in the broader context of social and political engagement within the region. As communities navigated the complexities of land rights and cultural recognition, the conclusion of sustained collective action reflected a turning point in the national discourse on Indigenous sovereignty. Over time, the legacy of this event contributed to ongoing dialogues about justice, representation, and the reevaluation of historical narratives. The resolution of such longstanding disputes often involves a combination of legal, cultural, and diplomatic developments, underscoring the dynamic nature of societal progress."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_08424e37-76cd-4644-aa07-3f9e7f57fe27
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 115
|
what kind of sentence contains an independent clause and a dependent clause
|
A complex sentence contains an independent clause and a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
[
"Title: Dependent clause\nSection: Sentence structure\n\nA complex sentence contains an independent clause and at least one dependent clause. A sentence with two or more independent clauses plus (one or more) dependent clauses is referred to as a compound-complex sentence. (Every clause contains a subject and predicate.) Here are some English examples:"
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_ed44e28f-2d6b-4ad8-853d-840522207c2b
|
hard_positive
| null | null | 116
|
|
what kind of sentence contains an independent clause and a dependent clause
|
A complex sentence contains neither an independent clause nor a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
[
"Title: Dependent clause\nSection: Sentence structure\n\nA complex sentence contains an independent clause and at least one dependent clause. A sentence with two or more independent clauses plus (one or more) dependent clauses is referred to as a compound-complex sentence. (Every clause contains a subject and predicate.) Here are some English examples:"
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_ed44e28f-2d6b-4ad8-853d-840522207c2b
|
generated
|
claim_negation
|
attributable
|
change
| 117
|
what kind of sentence contains an independent clause and a dependent clause
|
A complex sentence contains an independent clause and an independent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
[
"Title: Dependent clause\nSection: Sentence structure\n\nA complex sentence contains an independent clause and at least one dependent clause. A sentence with two or more independent clauses plus (one or more) dependent clauses is referred to as a compound-complex sentence. (Every clause contains a subject and predicate.) Here are some English examples:"
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_ed44e28f-2d6b-4ad8-853d-840522207c2b
|
generated
|
claim_erronous_change
|
attributable
|
change
| 119
|
what kind of sentence contains an independent clause and a dependent clause
|
A complex sentence contains an independent clause and a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
[
"A sentence structure that incorporates multiple grammatical components may include a main assertion accompanied by a subordinate element, allowing for the expression of interconnected ideas. Such constructions often rely on the relationship between a primary thought and a supporting or qualifying idea, contributing to the overall flow and nuance of written communication. The arrangement of these parts can influence how information is conveyed, particularly in contexts where clarity and precision are valued. The presence of varying syntactic layers enables writers to convey complexity and depth in their expressions."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_ed44e28f-2d6b-4ad8-853d-840522207c2b
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 121
|
what kind of sentence contains an independent clause and a dependent clause
|
A complex sentence contains an independent clause and a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
[
"[\"A complex sentence is a grammatical construction that combines an independent clause—capable of standing alone as a complete thought—with at least one dependent clause, which cannot stand alone and relies on the independent clause for meaning. This structure allows writers to express nuanced relationships between ideas, such as cause and effect, time, condition, or contrast. For example, 'Although it was raining, we went for a walk' contains the dependent clause 'Although it was raining' and the independent clause 'we went for a walk.' The dependent clause introduces a condition that modifies the action in the main clause. Complex sentences are essential in both academic and literary writing because they enable more sophisticated expression and help convey layered meanings. By using subordinating conjunctions like 'because,' 'if,' 'since,' 'while,' or 'although,' writers can control the flow of ideas and emphasize particular aspects of a narrative or argument. Mastering complex sentence construction enhances clarity, coherence, and rhetorical power in written communication.\"]"
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_ed44e28f-2d6b-4ad8-853d-840522207c2b
|
generated
|
claim_combine_facts
|
attributable
|
keep
| 122
|
what kind of sentence contains an independent clause and a dependent clause
|
A complex sentence contains an independent clause and a dependent clause, but it cannot contain more than one dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
[
"Title: Dependent clause\nSection: Sentence structure\n\nA complex sentence contains an independent clause and at least one dependent clause. A sentence with two or more independent clauses plus (one or more) dependent clauses is referred to as a compound-complex sentence. (Every clause contains a subject and predicate.) Here are some English examples:"
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_ed44e28f-2d6b-4ad8-853d-840522207c2b
|
generated
|
claim_add_to_the_claim_contradicting_info
|
attributable
|
change
| 123
|
what kind of sentence contains an independent clause and a dependent clause
|
A complex sentence contains an independent clause and a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
[
"Title: Dependent clause\nSection: Sentence structure\n\nA complex sentence contains an independent clause and at least one dependent clause. A sentence with two or more independent clauses plus (one or more) dependent clauses is referred to as a compound-complex sentence. (Every clause contains a subject and predicate.) Here are some English examples:",
"A complex sentence consists of one independent clause and at least one dependent clause, joined by a subordinating conjunction such as \"because,\" \"although,\" or \"since.\" The independent clause can stand alone as a complete thought, while the dependent clause relies on the main clause for context and meaning. These sentence structures are commonly used in academic and formal writing to convey nuanced relationships between ideas, such as cause and effect, contrast, or condition. Writers often employ complex sentences to enhance clarity and sophistication in their expression. In educational settings, understanding and constructing complex sentences is a key component of grammar instruction. Mastery of this structure supports improved writing skills, enabling individuals to articulate more intricate thoughts and arguments effectively."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_ed44e28f-2d6b-4ad8-853d-840522207c2b
|
generated
|
modify_passage-add_relevant_to_claim
|
attributable
|
keep
| 125
|
what kind of sentence contains an independent clause and a dependent clause
|
A complex sentence contains an independent clause and a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
A complex sentence contains an independent clause and a dependent clause.
|
[
"A sentence structure that incorporates multiple components may include a main idea supported by a subordinate element, allowing for layered expression. The presence of a primary thought connected to a supplementary or conditional element enables nuanced communication. Such constructions often reflect a deliberate arrangement of ideas to convey relationships between concepts. In written language, the integration of distinct grammatical units contributes to the overall flow and depth of expression."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_ed44e28f-2d6b-4ad8-853d-840522207c2b
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 129
|
who are the judges on do you think you can dance
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
[
"Title: So You Think You Can Dance (American TV series)\nSection: Influence and international franchise\n\nDance competition had been a part of American television for decades before the premiere of So You Think You Can Dance, but usually in the form of all-around talent searches (such as Star Search, Soul Train, or Showtime at the Apollo). However, a season-long American Idol-like talent-search show with a sole focus on dance had never been broadcast on American network television. Producers and judges associated with the show have stated on numerous occasions, both within broadcasts of the show and in interviews, that the series was meant to rejuvenate the visibility and appreciation of dance as an art form in the U.S. and to give exposure to struggling dancers. Series judge Mary Murphy says, for example, \"Of course you hope you can make a living at it, because you don't want to give up on something that you do, but the honest truth is most dancers have to carry one or two jobs and dance as much as they can on the side -- it's a very lucky dancer who gets a full scholarship.\" A number of dance-themed competition shows have been produced for American television since the premiere of So You Think You Can Dance, including America's Best Dance Crew, Superstars of Dance, Live to Dance, and World of Dance."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_af3cdf5f-6c87-4a6d-a8a3-fd09f15aca56
|
hard_positive
| null | null | 130
|
|
who are the judges on do you think you can dance
|
Mary Murphy is not one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
[
"Title: So You Think You Can Dance (American TV series)\nSection: Influence and international franchise\n\nDance competition had been a part of American television for decades before the premiere of So You Think You Can Dance, but usually in the form of all-around talent searches (such as Star Search, Soul Train, or Showtime at the Apollo). However, a season-long American Idol-like talent-search show with a sole focus on dance had never been broadcast on American network television. Producers and judges associated with the show have stated on numerous occasions, both within broadcasts of the show and in interviews, that the series was meant to rejuvenate the visibility and appreciation of dance as an art form in the U.S. and to give exposure to struggling dancers. Series judge Mary Murphy says, for example, \"Of course you hope you can make a living at it, because you don't want to give up on something that you do, but the honest truth is most dancers have to carry one or two jobs and dance as much as they can on the side -- it's a very lucky dancer who gets a full scholarship.\" A number of dance-themed competition shows have been produced for American television since the premiere of So You Think You Can Dance, including America's Best Dance Crew, Superstars of Dance, Live to Dance, and World of Dance."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_af3cdf5f-6c87-4a6d-a8a3-fd09f15aca56
|
generated
|
claim_negation
|
attributable
|
change
| 131
|
who are the judges on do you think you can dance
|
Mary Murphy is one of the contestants on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
[
"Title: So You Think You Can Dance (American TV series)\nSection: Influence and international franchise\n\nDance competition had been a part of American television for decades before the premiere of So You Think You Can Dance, but usually in the form of all-around talent searches (such as Star Search, Soul Train, or Showtime at the Apollo). However, a season-long American Idol-like talent-search show with a sole focus on dance had never been broadcast on American network television. Producers and judges associated with the show have stated on numerous occasions, both within broadcasts of the show and in interviews, that the series was meant to rejuvenate the visibility and appreciation of dance as an art form in the U.S. and to give exposure to struggling dancers. Series judge Mary Murphy says, for example, \"Of course you hope you can make a living at it, because you don't want to give up on something that you do, but the honest truth is most dancers have to carry one or two jobs and dance as much as they can on the side -- it's a very lucky dancer who gets a full scholarship.\" A number of dance-themed competition shows have been produced for American television since the premiere of So You Think You Can Dance, including America's Best Dance Crew, Superstars of Dance, Live to Dance, and World of Dance."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_af3cdf5f-6c87-4a6d-a8a3-fd09f15aca56
|
generated
|
claim_erronous_change
|
attributable
|
change
| 133
|
who are the judges on do you think you can dance
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
[
"Several prominent figures in the performing arts have contributed to televised dance competitions, bringing expertise and insight to the evaluation of choreographic performances. Individuals involved in such programs often possess extensive experience in movement, stagecraft, and artistic direction. Their presence on these platforms reflects a broader trend of integrating seasoned professionals into public-facing entertainment that celebrates creative expression. The selection of judges typically emphasizes a balance of technical knowledge and interpretive sensitivity, aligning with the show’s mission to highlight diverse styles and emerging talent."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_af3cdf5f-6c87-4a6d-a8a3-fd09f15aca56
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 135
|
who are the judges on do you think you can dance
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
[
"ENERATED DOCUMENTS: [\"The expansion of the Bible Student movement beyond the United States marked a pivotal phase in the development of what would become Jehovah's Witnesses. In 1900, the first overseas branch was officially established in London, reflecting the growing international interest in the teachings of Charles Taze Russell. This branch served as a hub for distributing literature, organizing meetings, and training missionaries. The movement's reach continued to grow, and by 1902, a German branch office was opened in Elberfeld, a city in the Rhineland region. This German office facilitated the translation of materials into German and helped organize local congregations, contributing significantly to the spread of the movement across Europe.\", \"The establishment of the London branch in 1900 was a milestone in the global outreach of the Bible Student movement. It was the result of years of missionary efforts by Bible Students who had been sent to England starting in 1881. The London branch not only provided a base for evangelism but also became a center for publishing and coordinating international activities. By 1902, the movement had gained enough momentum in Germany to justify the creation of a dedicated branch office in Elberfeld, a city with a strong industrial and cultural presence. This office played a crucial role in the dissemination of Watch Tower literature and the organization of German-speaking congregations, laying the foundation for a significant European presence.\"]"
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_af3cdf5f-6c87-4a6d-a8a3-fd09f15aca56
|
generated
|
claim_combine_facts
|
attributable
|
keep
| 136
|
who are the judges on do you think you can dance
|
Mary Murphy is one of the judges on 'So You Think You Can Dance,' and she has never expressed any personal connection to dance as a career path.
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
[
"Title: So You Think You Can Dance (American TV series)\nSection: Influence and international franchise\n\nDance competition had been a part of American television for decades before the premiere of So You Think You Can Dance, but usually in the form of all-around talent searches (such as Star Search, Soul Train, or Showtime at the Apollo). However, a season-long American Idol-like talent-search show with a sole focus on dance had never been broadcast on American network television. Producers and judges associated with the show have stated on numerous occasions, both within broadcasts of the show and in interviews, that the series was meant to rejuvenate the visibility and appreciation of dance as an art form in the U.S. and to give exposure to struggling dancers. Series judge Mary Murphy says, for example, \"Of course you hope you can make a living at it, because you don't want to give up on something that you do, but the honest truth is most dancers have to carry one or two jobs and dance as much as they can on the side -- it's a very lucky dancer who gets a full scholarship.\" A number of dance-themed competition shows have been produced for American television since the premiere of So You Think You Can Dance, including America's Best Dance Crew, Superstars of Dance, Live to Dance, and World of Dance."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_af3cdf5f-6c87-4a6d-a8a3-fd09f15aca56
|
generated
|
claim_add_to_the_claim_contradicting_info
|
attributable
|
change
| 137
|
who are the judges on do you think you can dance
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
[
"Mary Murphy is a prominent figure in the world of dance, known for her extensive background in choreography and performance. With a career spanning several decades, she has contributed to numerous stage productions, television shows, and dance competitions. Her expertise lies in a variety of styles, including contemporary, jazz, and ballet, which she brings to her work as a mentor and evaluator. Her dynamic teaching style and keen eye for technique have made her a respected presence in the dance community. As a judge on a major dance competition series, she provides feedback that emphasizes artistic expression, precision, and emotional connection to movement. Her role involves assessing performances not only on technical skill but also on creativity and stage presence. She collaborates with other judges to shape the direction of the competition, offering insights that guide both emerging and seasoned dancers.",
"Title: So You Think You Can Dance (American TV series)\nSection: Influence and international franchise\n\nDance competition had been a part of American television for decades before the premiere of So You Think You Can Dance, but usually in the form of all-around talent searches (such as Star Search, Soul Train, or Showtime at the Apollo). However, a season-long American Idol-like talent-search show with a sole focus on dance had never been broadcast on American network television. Producers and judges associated with the show have stated on numerous occasions, both within broadcasts of the show and in interviews, that the series was meant to rejuvenate the visibility and appreciation of dance as an art form in the U.S. and to give exposure to struggling dancers. Series judge Mary Murphy says, for example, \"Of course you hope you can make a living at it, because you don't want to give up on something that you do, but the honest truth is most dancers have to carry one or two jobs and dance as much as they can on the side -- it's a very lucky dancer who gets a full scholarship.\" A number of dance-themed competition shows have been produced for American television since the premiere of So You Think You Can Dance, including America's Best Dance Crew, Superstars of Dance, Live to Dance, and World of Dance."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_af3cdf5f-6c87-4a6d-a8a3-fd09f15aca56
|
generated
|
modify_passage-add_relevant_to_claim
|
attributable
|
keep
| 139
|
who are the judges on do you think you can dance
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
Mary Murphy is one of the judges on 'So You Think You Can Dance.'
|
[
"A prominent figure in the realm of dance performance and entertainment has held a distinguished role in a widely recognized television competition, contributing to the evaluation and mentorship of aspiring talent across various choreographic styles. Her involvement in the program reflects a longstanding commitment to the arts, where expertise and artistic judgment are central to the selection process. The presence of seasoned professionals in such roles underscores the importance of experience and credibility in shaping the development of emerging performers within the industry."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_af3cdf5f-6c87-4a6d-a8a3-fd09f15aca56
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 143
|
where do the phaeacians live in the odyssey
|
The Phaeacians live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
[
"Title: Geography of the Odyssey\nSection: Geography of Odysseus's narrative\n\nThe geography of the Apologoi (the tale that Odysseus told to the Phaeacians, forming books 9-12 of the Odyssey), and the location of the Phaeacians' own island of Scheria, pose quite different problems from those encountered in identifying Troy, Mycenae, Pylos and Ithaca."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_6518e13c-5a5e-4bc9-8e45-fb81b2bc9ef4
|
hard_positive
| null | null | 144
|
|
where do the phaeacians live in the odyssey
|
The Phaeacians do not live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
[
"Title: Geography of the Odyssey\nSection: Geography of Odysseus's narrative\n\nThe geography of the Apologoi (the tale that Odysseus told to the Phaeacians, forming books 9-12 of the Odyssey), and the location of the Phaeacians' own island of Scheria, pose quite different problems from those encountered in identifying Troy, Mycenae, Pylos and Ithaca."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_6518e13c-5a5e-4bc9-8e45-fb81b2bc9ef4
|
generated
|
claim_negation
|
attributable
|
change
| 145
|
where do the phaeacians live in the odyssey
|
The Phaeacians live in Ithaca in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
[
"Title: Geography of the Odyssey\nSection: Geography of Odysseus's narrative\n\nThe geography of the Apologoi (the tale that Odysseus told to the Phaeacians, forming books 9-12 of the Odyssey), and the location of the Phaeacians' own island of Scheria, pose quite different problems from those encountered in identifying Troy, Mycenae, Pylos and Ithaca."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_6518e13c-5a5e-4bc9-8e45-fb81b2bc9ef4
|
generated
|
claim_erronous_change
|
attributable
|
change
| 147
|
where do the phaeacians live in the odyssey
|
The Phaeacians live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
[
"In ancient narratives, various seafaring peoples are described as dwelling in distant lands marked by maritime prowess and divine favor. These communities are often situated in regions believed to be beyond the known world, accessible only through extraordinary means. The placement of such societies within mythological geography suggests a symbolic connection to ideals of hospitality, navigation, and otherworldly guidance. Their existence, as recounted in oral traditions, reflects cultural perceptions of isolation, refuge, and the mysterious nature of the open sea."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_6518e13c-5a5e-4bc9-8e45-fb81b2bc9ef4
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 149
|
where do the phaeacians live in the odyssey
|
The Phaeacians live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
[
"[\"In Homer’s epic poem the Odyssey, the Phaeacians are a seafaring people who inhabit the island of Scheria, a mysterious and idyllic land located in the Mediterranean. Scheria is described as a place of great beauty and prosperity, where the Phaeacians are renowned for their exceptional shipbuilding skills and hospitality. The island is said to be hidden from the rest of the world, accessible only by divine intervention, which underscores its mythical nature. Odysseus, the hero of the story, is shipwrecked and rescued by the Phaeacians after his long and perilous journey home from the Trojan War. They welcome him with generosity and host a grand feast in his honor. The Phaeacians play a crucial role in the narrative by providing Odysseus with safe passage back to Ithaca, fulfilling the divine mandate to assist the wanderer. Their culture reflects the ancient Greek ideals of xenia, or guest-friendship, and their society is portrayed as harmonious and advanced, in contrast to the more chaotic or warlike civilizations encountered earlier in the epic.\"]"
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_6518e13c-5a5e-4bc9-8e45-fb81b2bc9ef4
|
generated
|
claim_combine_facts
|
attributable
|
keep
| 150
|
where do the phaeacians live in the odyssey
|
The Phaeacians live in Scheria in the Odyssey, but Scheria is actually located on the mainland of Greece.
|
The Phaeacians live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
[
"Title: Geography of the Odyssey\nSection: Geography of Odysseus's narrative\n\nThe geography of the Apologoi (the tale that Odysseus told to the Phaeacians, forming books 9-12 of the Odyssey), and the location of the Phaeacians' own island of Scheria, pose quite different problems from those encountered in identifying Troy, Mycenae, Pylos and Ithaca."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_6518e13c-5a5e-4bc9-8e45-fb81b2bc9ef4
|
generated
|
claim_add_to_the_claim_contradicting_info
|
attributable
|
change
| 151
|
where do the phaeacians live in the odyssey
|
The Phaeacians live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
[
"Title: Geography of the Odyssey\nSection: Geography of Odysseus's narrative\n\nThe geography of the Apologoi (the tale that Odysseus told to the Phaeacians, forming books 9-12 of the Odyssey), and the location of the Phaeacians' own island of Scheria, pose quite different problems from those encountered in identifying Troy, Mycenae, Pylos and Ithaca.",
"In Homer’s Odyssey, the Phaeacians are described as a seafaring people who inhabit the island of Scheria, a place often characterized as remote and blessed by the gods. The island is depicted as a prosperous and peaceful realm, where the people live in harmony and are known for their exceptional craftsmanship and navigation skills. Scheria is portrayed as a land of hospitality, where travelers are welcomed with generosity and respect. The Phaeacians are particularly renowned for their ability to sail swiftly across the sea, using ships that seem to move with the wind and water as if alive. Their city is situated along a protected harbor, with buildings adorned with gold and silver, reflecting their advanced culture and divine favor. The island’s isolation contributes to its mythological aura, making it a place of wonder and mystery in the epic journey of Odysseus."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_6518e13c-5a5e-4bc9-8e45-fb81b2bc9ef4
|
generated
|
modify_passage-add_relevant_to_claim
|
attributable
|
keep
| 153
|
where do the phaeacians live in the odyssey
|
The Phaeacians live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
The Phaeacians live in Scheria in the Odyssey.
|
[
"In ancient narratives, islands are often depicted as secluded realms inhabited by enigmatic peoples whose customs and dwellings reflect the imaginative geography of early storytelling traditions. The location of such settlements is frequently tied to symbolic or mythological significance, serving as settings for journeys that transcend the ordinary. These legendary communities are portrayed as existing beyond the known world, accessible only through extraordinary means, and their existence underscores the cultural fascination with distant lands and the human desire to explore the boundaries of the known."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_6518e13c-5a5e-4bc9-8e45-fb81b2bc9ef4
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 157
|
if a piece of music is perceived to have changed key then we say the piece has
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
[
"Title: Key (music)\nSection: Keys and tonality\n\nIn common practice period compositions, and most of the Western popular music of the 20th century, pieces always begin and end in the same key, even if (as in some Romantic-era music) the key is deliberately left ambiguous at first. Some arrangements of popular songs, however, modulate sometime during the song (often in a repeat of the final chorus) and thus end in a different key. This is an example of modulation."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_1572d90d-1df2-44dd-be70-2eeb79614bc0
|
hard_positive
| null | null | 158
|
|
if a piece of music is perceived to have changed key then we say the piece has
|
If a piece of music is perceived to have remained in the same key, then it is said to have no modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
[
"Title: Key (music)\nSection: Keys and tonality\n\nIn common practice period compositions, and most of the Western popular music of the 20th century, pieces always begin and end in the same key, even if (as in some Romantic-era music) the key is deliberately left ambiguous at first. Some arrangements of popular songs, however, modulate sometime during the song (often in a repeat of the final chorus) and thus end in a different key. This is an example of modulation."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_1572d90d-1df2-44dd-be70-2eeb79614bc0
|
generated
|
claim_negation
|
attributable
|
change
| 159
|
if a piece of music is perceived to have changed key then we say the piece has
|
If a piece of music is perceived to have changed key, then it is said to have transposition.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
[
"Title: Key (music)\nSection: Keys and tonality\n\nIn common practice period compositions, and most of the Western popular music of the 20th century, pieces always begin and end in the same key, even if (as in some Romantic-era music) the key is deliberately left ambiguous at first. Some arrangements of popular songs, however, modulate sometime during the song (often in a repeat of the final chorus) and thus end in a different key. This is an example of modulation."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_1572d90d-1df2-44dd-be70-2eeb79614bc0
|
generated
|
claim_erronous_change
|
attributable
|
change
| 161
|
if a piece of music is perceived to have changed key then we say the piece has
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
[
"The transformation of tonal centers within a musical composition is often recognized through shifts in harmonic structure, where a change in the perceived foundational pitch alters the overall character of the piece. Such transitions may be subtle or dramatic, and they contribute to the dynamic evolution of musical expression. When a work moves from one tonal environment to another, it introduces a sense of movement and development that enriches the listener’s experience. These shifts are commonly employed to signal transitions between sections or to heighten emotional impact, and they form a fundamental aspect of compositional technique across various musical traditions."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_1572d90d-1df2-44dd-be70-2eeb79614bc0
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 163
|
if a piece of music is perceived to have changed key then we say the piece has
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
[
"[\"Modulation in music refers to the process of shifting from one key to another within a composition, creating a sense of movement, contrast, or development. This technique is fundamental in shaping the emotional and structural arc of a piece, particularly in classical and romantic-era works. Composers use modulation to introduce new harmonic colors, build tension, or provide resolution. For instance, a piece in C major might modulate to G major (the dominant key) to create a feeling of forward momentum. The transition between keys is often achieved through pivot chords—chords that are common to both the original and new key—ensuring a smooth and coherent shift. Modulation can be subtle, occurring over several measures, or dramatic, such as a sudden change to a remote key. It plays a crucial role in forms like sonata-allegro, where the second theme typically appears in a different key, often the dominant or relative major/minor. Understanding modulation enhances both analytical and interpretive skills in music, allowing listeners and performers to appreciate the intricate design behind a composition’s harmonic journey.\"]"
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_1572d90d-1df2-44dd-be70-2eeb79614bc0
|
generated
|
claim_combine_facts
|
attributable
|
keep
| 164
|
if a piece of music is perceived to have changed key then we say the piece has
|
If a piece of music is perceived to have changed key, then it is said to have modulation, even if it always begins and ends in the same key.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
[
"Title: Key (music)\nSection: Keys and tonality\n\nIn common practice period compositions, and most of the Western popular music of the 20th century, pieces always begin and end in the same key, even if (as in some Romantic-era music) the key is deliberately left ambiguous at first. Some arrangements of popular songs, however, modulate sometime during the song (often in a repeat of the final chorus) and thus end in a different key. This is an example of modulation."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_1572d90d-1df2-44dd-be70-2eeb79614bc0
|
generated
|
claim_add_to_the_claim_contradicting_info
|
attributable
|
change
| 165
|
if a piece of music is perceived to have changed key then we say the piece has
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
[
"Title: Key (music)\nSection: Keys and tonality\n\nIn common practice period compositions, and most of the Western popular music of the 20th century, pieces always begin and end in the same key, even if (as in some Romantic-era music) the key is deliberately left ambiguous at first. Some arrangements of popular songs, however, modulate sometime during the song (often in a repeat of the final chorus) and thus end in a different key. This is an example of modulation.",
"Modulation in music refers to the process of shifting from one tonal center to another within a composition, often creating a sense of movement or development. This technique is frequently employed in classical, jazz, and contemporary genres to add variety and emotional depth. Composers use modulation to transition between related keys—such as from C major to G major—or to explore more distant harmonic relationships for dramatic effect. The change in key is typically signaled through chord progressions, harmonic preparation, and melodic contours that guide the listener’s ear. In formal structures like sonata form, modulation plays a crucial role in the exposition and development sections. Musicians and theorists analyze modulation through functional harmony, identifying pivot chords that serve as bridges between keys. Effective modulation enhances musical coherence and contributes to the overall narrative arc of a piece."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_1572d90d-1df2-44dd-be70-2eeb79614bc0
|
generated
|
modify_passage-add_relevant_to_claim
|
attributable
|
keep
| 167
|
if a piece of music is perceived to have changed key then we say the piece has
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
If a piece of music is perceived to have changed key, then it is said to have modulation.
|
[
"The shifting of tonal centers within a musical composition is often interpreted as a deliberate transformation in harmonic structure, contributing to the sense of movement and development in the piece. Such transitions can evoke emotional contrast or narrative progression, enhancing the listener's engagement. While the precise identification of these changes may vary depending on context and perception, the concept is widely recognized as a fundamental aspect of compositional technique. These alterations are typically experienced as a shift in the perceived center of gravity within the music, influencing the overall flow and architectural design."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_1572d90d-1df2-44dd-be70-2eeb79614bc0
|
generated
|
claim_over_infer_claim
|
attributable
|
change
| 171
|
what kind of beast is the beast from beauty and the beast
|
The beast from Beauty and the Beast is a chimera.
|
The beast from Beauty and the Beast is a chimera.
|
The beast from Beauty and the Beast is a chimera.
|
[
"Title: Beast (Beauty and the Beast)\nSection: Characteristics\n\nThe Beast is not of any one species of animal, but a chimera (a mixture of several animals), who would probably be classified as a carnivore overall. He has the head structure and horns of a buffalo, the arms and body of a bear, the eyebrows of a gorilla, the jaws, teeth, and mane of a lion, the tusks of a wild boar, and the legs and tail of a wolf. He also bears resemblance to mythical monsters like the Minotaur or a werewolf. He also has blue eyes, the one physical feature that does not change whether he is a beast or a human."
] |
[] |
[
""
] |
attributable
|
AttributedQA
|
AttributedQA_84598d8e-ad38-4311-aa15-747b7af7b29d
|
hard_positive
| null | null | 172
|
|
what kind of beast is the beast from beauty and the beast
|
The beast from Beauty and the Beast is not a chimera.
|
The beast from Beauty and the Beast is a chimera.
|
The beast from Beauty and the Beast is a chimera.
|
[
"Title: Beast (Beauty and the Beast)\nSection: Characteristics\n\nThe Beast is not of any one species of animal, but a chimera (a mixture of several animals), who would probably be classified as a carnivore overall. He has the head structure and horns of a buffalo, the arms and body of a bear, the eyebrows of a gorilla, the jaws, teeth, and mane of a lion, the tusks of a wild boar, and the legs and tail of a wolf. He also bears resemblance to mythical monsters like the Minotaur or a werewolf. He also has blue eyes, the one physical feature that does not change whether he is a beast or a human."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_84598d8e-ad38-4311-aa15-747b7af7b29d
|
generated
|
claim_negation
|
attributable
|
change
| 173
|
what kind of beast is the beast from beauty and the beast
|
The beast from Beauty and the Beast is a minotaur.
|
The beast from Beauty and the Beast is a chimera.
|
The beast from Beauty and the Beast is a chimera.
|
[
"Title: Beast (Beauty and the Beast)\nSection: Characteristics\n\nThe Beast is not of any one species of animal, but a chimera (a mixture of several animals), who would probably be classified as a carnivore overall. He has the head structure and horns of a buffalo, the arms and body of a bear, the eyebrows of a gorilla, the jaws, teeth, and mane of a lion, the tusks of a wild boar, and the legs and tail of a wolf. He also bears resemblance to mythical monsters like the Minotaur or a werewolf. He also has blue eyes, the one physical feature that does not change whether he is a beast or a human."
] |
[] |
[
""
] |
not attributable
|
AttributedQA
|
AttributedQA_84598d8e-ad38-4311-aa15-747b7af7b29d
|
generated
|
claim_erronous_change
|
attributable
|
change
| 175
|
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