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2501 | one special legal status city. These are followed by 261 urban-type settlements and 4248 villages. The official language is Azerbaijani (Turkic language), which is spoken by approximately 92% of the population as a mother tongue. It belongs to the Turkic language family. Russian and Armenian (only in Nagorno-Karabakh) are also spoken, and each are the mother tongue of around 1.5% of the population respectively. Russian and English play significant roles as second or third languages of education and communication. There are a dozen other minority languages spoken natively in the country. Avar, Budukh, Georgian, Juhuri, Khinalug, Kryts, Lezgian, Rutul, Talysh, | Azerbaijan | [
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2502 | Tat, Tsakhur, and Udi are all spoken by small minorities. Some of these language communities are very small and their numbers are decreasing. Armenian is almost exclusively spoken in the break-away Nagorno-Karabakh region. Around 97% of the population are Muslims. 90% of the Muslims are Shia Muslims and 10% Sunni Muslims, and the Republic of Azerbaijan has the second highest Shia population percentage in the world. Other faiths are practised by the country's various ethnic groups. Under article 48 of its Constitution, Azerbaijan is a secular state and ensures religious freedom. In a 2006–2008 Gallup poll, only 21% of respondents | Azerbaijan | [
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2503 | from Azerbaijan stated that religion is an important part of their daily lives. This makes Azerbaijan the least religious Muslim-majority country in the world. Of the nation's religious minorities, the estimated 280,000 Christians (3.1%) are mostly Russian and Georgian Orthodox and Armenian Apostolic (almost all Armenians live in the break-away region of Nagorno-Karabakh). In 2003, there were 250 Roman Catholics. Other Christian denominations as of 2002 include Lutherans, Baptists and Molokans. There is also a small Protestant community. Azerbaijan also has an ancient Jewish population with a 2,000-year history; Jewish organizations estimate that 12,000 Jews remain in Azerbaijan. Azerbaijan also | Azerbaijan | [
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2504 | is home to members of the Bahá'í, Hare Krishna and Jehovah's Witnesses communities, as well as adherents of the other religious communities. Some religious communities have been unofficially restricted from religious freedom. A U.S. State Department report on the matter mentions detention of members of certain Muslim and Christian groups, and many groups have difficulty registering with the SCWRA. A relatively high percentage of Azerbaijanis have obtained some form of higher education, most notably in scientific and technical subjects. In the Soviet era, literacy and average education levels rose dramatically from their very low starting point, despite two changes in | Azerbaijan | [
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2505 | the standard alphabet, from Perso-Arabic script to Latin in the 1920s and from Roman to Cyrillic in the 1930s. According to Soviet data, 100 percent of males and females (ages nine to forty-nine) were literate in 1970. According to the United Nations Development Program Report 2009, the literacy rate in Azerbaijan is 99.5 percent. Since independence, one of the first laws that Azerbaijan's Parliament passed to disassociate itself from the Soviet Union was to adopt a modified-Latin alphabet to replace Cyrillic. Other than that the Azerbaijani system has undergone little structural change. Initial alterations have included the reestablishment of religious | Azerbaijan | [
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2506 | education (banned during the Soviet period) and curriculum changes that have reemphasized the use of the Azerbaijani language and have eliminated ideological content. In addition to elementary schools, the education institutions include thousands of preschools, general secondary schools, and vocational schools, including specialized secondary schools and technical schools. Education through the eighth grade is compulsory. The culture of Azerbaijan has developed as a result of many influences. Today, national traditions are well preserved in the country despite Western influences, including globalized consumer culture. Some of the main elements of the Azerbaijani culture are: music, literature, folk dances and art, cuisine, | Azerbaijan | [
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2507 | architecture, cinematography and Novruz Bayram. The latter is derived from the traditional celebration of the New Year in the ancient Iranian religion of Zoroastrianism. Novruz is a family holiday. The profile of Azerbaijan's population consists, as stated above, of Azerbaijanis, as well as other nationalities or ethnic groups, compactly living in various areas of the country. Azerbaijani national and traditional dresses are the Chokha and Papakhi. There are radio broadcasts in Russian, Georgian, Kurdish, Lezgian and Talysh languages, which are financed from the state budget. Some local radio stations in Balakan and Khachmaz organize broadcasts in Avar and Tat. In | Azerbaijan | [
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2508 | Baku several newspapers are published in Russian, Kurdish ("Dengi Kurd"), Lezgian ("Samur") and Talysh languages. Jewish society "Sokhnut" publishes the newspaper "Aziz". Music of Azerbaijan builds on folk traditions that reach back nearly a thousand years. For centuries Azerbaijani music has evolved under the badge of monody, producing rhythmically diverse melodies. Azerbaijani music has a branchy mode system, where chromatization of major and minor scales is of great importance. Among national musical instruments there are 14 string instruments, eight percussion instruments and six wind instruments. According to "The Grove Dictionary of Music and Musicians", "in terms of ethnicity, culture and | Azerbaijan | [
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2509 | religion the Azerbaijani are musically much closer to Iran than Turkey." Mugham, meykhana and ashiq art are among the many musical traditions of Azerbaijan. Mugham is usually a suite with poetry and instrumental interludes. When performing mugham, the singers have to transform their emotions into singing and music. In contrast to the mugham traditions of Central Asian countries, Azerbaijani mugham is more free-form and less rigid; it is often compared to the improvised field of jazz. UNESCO proclaimed the Azerbaijani mugham tradition a Masterpiece of the Oral and Intangible Heritage of Humanity on 7 November 2003. Meykhana is a kind | Azerbaijan | [
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2510 | of traditional Azerbaijani distinctive folk unaccompanied song, usually performed by several people improvising on a particular subject. Ashiq combines poetry, storytelling, dance and vocal and instrumental music into a traditional performance art that stands as a symbol of Azerbaijani culture. It is a mystic troubadour or traveling bard who sings and plays the saz. This tradition has its origin in the Shamanistic beliefs of ancient Turkic peoples. Ashiqs' songs are semi-improvised around common bases. Azerbaijan's ashiq art was included in the list of Intangible Cultural Heritage by the UNESCO on 30 September 2009. Since the mid-1960s, Western-influenced Azerbaijani pop music, | Azerbaijan | [
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2511 | in its various forms, that has been growing in popularity in Azerbaijan, while genres such as rock and hip hop are widely produced and enjoyed. Azerbaijani pop and Azerbaijani folk music arose with the international popularity of performers like Alim Qasimov, Rashid Behbudov, Vagif Mustafazadeh, Muslim Magomayev, Shovkat Alakbarova and Rubaba Muradova. Azerbaijan is an enthusiastic participant in the Eurovision Song Contest. Azerbaijan made its debut appearance at the 2008 Eurovision Song Contest. The country's entry gained third place in 2009 and fifth the following year. Ell and Nikki won the first place at the Eurovision Song Contest 2011 with | Azerbaijan | [
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2512 | the song "Running Scared", entitling Azerbaijan to host the contest in 2012, in Baku. They have qualified for every Grand Final up until the 2018 edition of the contest, entering with X My Heart by singer Aisel There are dozens of Azerbaijani folk dances. They are performed at formal celebrations and the dancers wear national clothes like the Chokha, which is well-preserved within the national dances. Most dances have a very fast rhythm. The national dance shows the characteristics of the Azerbaijani nation. Among the medieval authors born within the territorial limits of modern Azerbaijani Republic was Persian poet and | Azerbaijan | [
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2513 | philosopher Nizami, called Ganjavi after his place of birth, Ganja, who was the author of the Khamseh ("The Quintuplet"), composed of five romantic poems, including "The Treasure of Mysteries," "Khosrow and Shīrīn," and "Leyli and Mejnūn." The earliest known figure in Azerbaijani literature was Izzeddin Hasanoglu, who composed a divan consisting of Persian and Turkic ghazals. In Persian ghazals he used his pen-name, while his Turkic ghazals were composed under his own name of Hasanoghlu. Classical literature in Azerbaijani was formed in the 14th century based on the various Early Middle Ages dialects of Tabriz and Shirvan. Among the poets | Azerbaijan | [
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2514 | of this period were Gazi Burhanaddin, Haqiqi (pen-name of Jahan-shah Qara Qoyunlu), and Habibi. The end of the 14th century was also the period of starting literary activity of Imadaddin Nesimi, one of the greatest Turkic Hurufi mystical poets of the late 14th and early 15th centuries and one of the most prominent early divan masters in Turkic literary history, who also composed poetry in Persian and Arabic. The divan and ghazal styles were further developed by poets Qasim al-Anvar, Fuzuli and Khatai (pen-name of Safavid Shah Ismail I). The Book of Dede Korkut consists of two manuscripts copied in | Azerbaijan | [
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2515 | the 16th century, was not written earlier than the 15th century. It is a collection of 12 stories reflecting the oral tradition of Oghuz nomads. The 16th-century poet, Muhammed Fuzuli produced his timeless philosophical and lyrical "Qazals" in Arabic, Persian, and Azerbaijani. Benefiting immensely from the fine literary traditions of his environment, and building upon the legacy of his predecessors, Fizuli was destined to become the leading literary figure of his society. His major works include "The Divan of Ghazals" and "The Qasidas". In the same century, Azerbaijani literature further flourished with the development of Ashik () poetic genre of | Azerbaijan | [
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2516 | bards. During the same period, under the pen-name of Khatāī ( for "sinner") Shah Ismail I wrote about 1400 verses in Azerbaijani, which were later published as his "Divan". A unique literary style known as "qoshma" ( for "improvization") was introduced in this period, and developed by Shah Ismail and later by his son and successor, Shah Tahmasp I. In the span of the 17th and 18th centuries, Fizuli's unique genres as well Ashik poetry were taken up by prominent poets and writers such as Qovsi of Tabriz, Shah Abbas Sani, Agha Mesih Shirvani, Nishat, Molla Vali Vidadi, Molla Panah | Azerbaijan | [
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2517 | Vagif, Amani, Zafar and others. Along with Turks, Turkmens and Uzbeks, Azerbaijanis also celebrate the Epic of Koroglu (from for "blind man's son"), a legendary folk hero. Several documented versions of Koroglu epic remain at the Institute for Manuscripts of the National Academy of Sciences of Azerbaijan. Modern literature in Azerbaijan is based on the Shirvani dialect mainly, while in Iran it is based on the Tabrizi one. The first newspaper in Azerbaijani, "Akinchi" was published in 1875. In the mid-19th century, it was taught in the schools of Baku, Ganja, Shaki, Tbilisi, and Yerevan. Since 1845, it has also | Azerbaijan | [
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2518 | been taught in the University of Saint Petersburg in Russia. Azerbaijanis have a rich and distinctive culture, a major part of which is decorative and applied art. This form of art is represented by a wide range of handicrafts, such as chasing, jeweler, engraving in metal, carving in wood, stone and bone, carpet-making, lasing, pattern weaving and printing, knitting and embroidery. Each of these types of decorative art, evidence of the endowments of the Azerbaijan nation, is very much in favor here. Many interesting facts pertaining to the development of arts and crafts in Azerbaijan were reported by numerous merchants, | Azerbaijan | [
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2519 | travelers and diplomats who had visited these places at different times. The Azerbaijani carpet is a traditional handmade textile of various sizes, with dense texture and a pile or pile-less surface, whose patterns are characteristic of Azerbaijan's many carpet-making regions. In November 2010 the Azerbaijani carpet was proclaimed a Masterpiece of Intangible Heritage by UNESCO. Azerbaijan has been since the ancient times known as a center of a large variety of crafts. The archeological dig on the territory of Azerbaijan testifies to the well developed agriculture, stock raising, metal working, pottery, ceramics, and carpet-weaving that date as far back as | Azerbaijan | [
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2520 | to the 2nd millennium BC. Archeological sites in Dashbulaq, Hasansu, Zayamchai, and Tovuzchai uncovered from the BTC pipeline have revealed early Iron Age artifacts. Azerbaijani carpets can be categorized under several large groups and a multitude of subgroups. Scientific research of the Azerbaijani carpet is connected with the name of Latif Kerimov, a prominent scientist and artist. It was his classification that related the four large groups of carpets with the four geographical zones of Azerbaijan, Guba-Shirvan, Ganja-Kazakh, Karabakh and Tabriz. The traditional cuisine is famous for an abundance of vegetables and greens used seasonally in the dishes. Fresh herbs, | Azerbaijan | [
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2521 | including mint, cilantro (coriander), dill, basil, parsley, tarragon, leeks, chives, thyme, marjoram, green onion, and watercress, are very popular and often accompany main dishes on the table. Climatic diversity and fertility of the land are reflected in the national dishes, which are based on fish from the Caspian Sea, local meat (mainly mutton and beef), and an abundance of seasonal vegetables and greens. Saffron-rice plov is the flagship food in Azerbaijan and black tea is the national beverage. Azerbaijanis often use traditional armudu (pear-shaped) glass as they have very strong tea culture. Popular traditional dishes include "bozbash" (lamb soup that | Azerbaijan | [
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2522 | exists in several regional varieties with the addition of different vegetables), qutab (fried turnover with a filling of greens or minced meat) and dushbara (sort of dumplings of dough filled with ground meat and flavor). Azerbaijani architecture typically combines elements of East and West. Azerbaijiani architecture has heavy influences from Persian architecture. Many ancient architectural treasures such as the Maiden Tower and Palace of the Shirvanshahs in the Walled City of Baku survive in modern Azerbaijan. Entries submitted on the UNESCO World Heritage tentative list include the Ateshgah of Baku, Momine Khatun Mausoleum, Hirkan National Park, Binegadi National Park, Lökbatan | Azerbaijan | [
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2523 | Mud Volcano, Baku Stage Mountain, Caspian Shore Defensive Constructions, Shusha National Reserve, Ordubad National Reserve and the Palace of Shaki Khans. Among other architectural treasures are Quadrangular Castle in Mardakan, Parigala in Yukhary Chardaglar, a number of bridges spanning the Aras River, and several mausoleums. In the 19th and early 20th centuries, little monumental architecture was created, but distinctive residences were built in Baku and elsewhere. Among the most recent architectural monuments, the Baku subways are noted for their lavish decor. The task for modern Azerbaijani architecture is diverse application of modern aesthetics, the search for an architect's own artistic | Azerbaijan | [
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2524 | style and inclusion of the existing historico-cultural environment. Major projects such as Heydar Aliyev Cultural Center, Flame Towers, Baku Crystal Hall, Baku White City and SOCAR Tower have transformed the country's skyline and promotes its contemporary identity. Azerbaijani art includes one of the oldest art objects in the world, which were discovered as Gamigaya Petroglyphs in the territory of Ordubad Rayon are dated back to the 1st to 4th centuries BC. About 1500 dislodged and carved rock paintings with images of deer, goats, bulls, dogs, snakes, birds, fantastic beings and also people, carriages and various symbols had been found out | Azerbaijan | [
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2525 | on basalt rocks. Norwegian ethnographer and adventurer Thor Heyerdahl was convinced that people from the area went to Scandinavia in about 100 AD, took their boat building skills with them, and transmuted them into the Viking boats in Northern Europe. Over the centuries, Azerbaijani art has gone through many stylistic changes. Azerbaijani painting is traditionally characterized by a warmth of colour and light, as exemplified in the works of Azim Azimzade and Bahruz Kangarli, and a preoccupation with religious figures and cultural motifs. Azerbaijani painting enjoyed preeminence in Caucasus for hundreds of years, from the Romanesque and Ottoman periods, and | Azerbaijan | [
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2526 | through the Soviet and Baroque periods, the latter two of which saw fruition in Azerbaijan. Other notable artists who fall within these periods include Sattar Bahlulzade, Togrul Narimanbekov, Tahir Salahov, Alakbar Rezaguliyev, Mirza Gadim Iravani, Mikayil Abdullayev and Boyukagha Mirzazade. The film industry in Azerbaijan dates back to 1898. In fact, Azerbaijan was among the first countries involved in cinematography. Therefore, it's not surprising that this apparatus soon showed up in Baku – at the start of the 20th century, this bay town on the Caspian was producing more than 50 percent of the world's supply of oil. Just like | Azerbaijan | [
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2527 | today, the oil industry attracted foreigners eager to invest and to work. In 1919, during the Azerbaijan Democratic Republic, a documentary "The Celebration of the Anniversary of Azerbaijani Independence" was filmed on the first anniversary of Azerbaijan's independence from Russia, 27 May, and premiered in June 1919 at several theatres in Baku. After the Soviet power was established in 1920, Nariman Narimanov, Chairman of the Revolutionary Committee of Azerbaijan, signed a decree nationalizing Azerbaijan's cinema. This also influenced the creation of Azerbaijani animation. In 1991, after Azerbaijan gained its independence from the Soviet Union, the first Baku International Film Festival | Azerbaijan | [
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2528 | East-West was held in Baku. In December 2000, the former President of Azerbaijan, Heydar Aliyev, signed a decree proclaiming 2 August to be the professional holiday of filmmakers of Azerbaijan. Today Azerbaijani filmmakers are again dealing with issues similar to those faced by cinematographers prior to the establishment of the Soviet Union in 1920. Once again, both choice of content and sponsorship of films are largely left up to the initiative of the filmmaker. There are three state-owned television channels: AzTV, Idman TV and Medeniyyet TV. One public channel and 6 private channels: İctimai Television, ANS TV, Space TV, Lider | Azerbaijan | [
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2529 | TV, Azad Azerbaijan TV, Xazar TV and Region TV. The Constitution of Azerbaijan claims to guarantee freedom of speech, but this is denied in practice. After several years of decline in press and media freedom, in 2014, the media environment in Azerbaijan deteriorated rapidly under a governmental campaign to silence any opposition and criticism, even while the country led the Committee of Ministers of the Council of Europe (May–November 2014). Spurious legal charges and impunity in violence against journalists have remained the norm. All foreign broadcasts are banned in the country. According to the 2013 Freedom House Freedom of the | Azerbaijan | [
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2530 | Press report, Azerbaijan's press freedom status is "not free," and Azerbaijan ranks 177th out of 196 countries. Radio Free Europe/Radio Liberty and Voice of America are banned in Azerbaijan. During the last few years, three journalists were killed and several prosecuted in trials described as unfair by international human rights organizations. Azerbaijan had the biggest number of journalists imprisoned in Europe and Central Asia in 2015, according to the Committee to Protect Journalists, and is the 5th most censored country in the world, ahead of Iran and China. A report by an Amnesty International researcher in October 2015 points to | Azerbaijan | [
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2531 | '...the severe deterioration of human rights in Azerbaijan over the past few years. Sadly Azerbaijan has been allowed to get away with unprecedented levels of repression and in the process almost wipe out its civil society'. Amnesty's 2015/16 annual report on the country stated ' ... persecution of political dissent continued. Human rights organizations remained unable to resume their work. At least 18 prisoners of conscience remained in detention at the end of the year. Reprisals against independent journalists and activists persisted both in the country and abroad, while their family members also faced harassment and arrests. International human rights | Azerbaijan | [
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2532 | monitors were barred and expelled from the country. Reports of torture and other ill-treatment persisted.' "The Guardian" reported in April 2017 that "Azerbaijan’s ruling elite operated a secret $2.9bn (£2.2bn) scheme to pay prominent Europeans, buy luxury goods and launder money through a network of opaque British companies ... Leaked data shows that the Azerbaijani leadership, accused of serial human rights abuses, systemic corruption and rigging elections, made more than 16,000 covert payments from 2012 to 2014. Some of this money went to politicians and journalists, as part of an international lobbying operation to deflect criticism of Azerbaijan’s president, Ilham | Azerbaijan | [
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2533 | Aliyev, and to promote a positive image of his oil-rich country." There was no suggestion that all recipients were aware of the source of the money as it arrived via a disguised route. Freestyle wrestling has been traditionally regarded as Azerbaijan's national sport, in which Azerbaijan won up to fourteen medals, including four golds since joining the National Olympic Committee. Currently, the most popular sports include football and wrestling. Football is the most popular sport in Azerbaijan, and the Association of Football Federations of Azerbaijan with 9,122 registered players, is the largest sporting association in the country. The national football | Azerbaijan | [
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2534 | team of Azerbaijan demonstrates relatively low performance in the international arena compared to the nation football clubs. The most successful Azerbaijani football clubs are Neftchi Baku, Qarabağ, and Gabala. In 2012, Neftchi Baku became the first Azerbaijani team to advance to the group stage of a European competition, beating APOEL of Cyprus 4–2 on aggregate in the play-off round of the 2012-13 UEFA Europa League. In 2014, Qarabağ became the second Azerbaijani club advancing to the group stage of UEFA Europa League. In 2017, after beating Copenhagen 2–2(a) in the play-off round of the UEFA Champions League, Qarabağ became the | Azerbaijan | [
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2535 | first Azerbaijani club to reach the Group stage. Futsal is another popular sport in Azerbaijan. The Azerbaijan national futsal team reached fourth place in the 2010 UEFA Futsal Championship, while domestic club Araz Naxçivan clinched bronze medals at the 2009–10 UEFA Futsal Cup and 2013–14 UEFA Futsal Cup. Azerbaijan was the main sponsor of Spanish football club Atlético de Madrid during seasons 2013/2014 and 2014/2015, a partnership that the club described should 'promote the image of Azerbaijan in the world'. Backgammon also plays a major role in Azerbaijani culture. The game is very popular in Azerbaijan and is widely played | Azerbaijan | [
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2536 | among the local public. There are also different variations of backgammon developed and analyzed by Azerbaijani experts. Azerbaijan Women's Volleyball Super League is one of strongest women leagues in world. Its women's national team came fourth at the 2005 European Championship. Over the last years, clubs like Rabita Baku and Azerrail Baku achieved great success at European cups. Azerbaijani volleyball players include likes of Valeriya Korotenko, Oksana Parkhomenko, Inessa Korkmaz, Natalya Mammadova and Alla Hasanova. Other well-known Azerbaijani athletes are Namig Abdullayev, Toghrul Asgarov, Rovshan Bayramov, Sharif Sharifov, Mariya Stadnik and Farid Mansurov in wrestling, Nazim Huseynov, Elnur Mammadli, Elkhan | Azerbaijan | [
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2537 | Mammadov and Rustam Orujov in judo, Rafael Aghayev in karate, Magomedrasul Majidov and Aghasi Mammadov in boxing, Nizami Pashayev in Olympic weightlifting, Azad Asgarov in pankration, Eduard Mammadov in kickboxing, and K-1 fighter Zabit Samedov. Azerbaijan has a Formula One race-track, made in June 2012, and the country hosted its first Formula One Grand Prix on 19 June 2016 and the Azerbaijan Grand Prix in 2017 and 2018. Other annual sporting events held in the country are the Baku Cup tennis tournament and the Tour d'Azerbaïdjan cycling race. Azerbaijan hosted several major sport competitions since the late 2000s, including the | Azerbaijan | [
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2538 | 2013 F1 Powerboat World Championship, 2012 FIFA U-17 Women's World Cup, 2011 AIBA World Boxing Championships, 2010 European Wrestling Championships, 2009 Rhythmic Gymnastics European Championships, 2014 European Taekwondo Championships, 2014 Rhythmic Gymnastics European Championships, and 2016 World Chess Olympiad. On 8 December 2012, Baku was selected to host the 2015 European Games, the first to be held in the competition's history. Baku is also set to host the fourth Islamic Solidarity Games in 2017. General information Major government resources Major news media Tourism Azerbaijan Azerbaijan ( ; ), officially the Republic of Azerbaijan ( ), is a landlocked country in | Azerbaijan | [
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2539 | Amateur astronomy Amateur astronomy is a hobby whose participants enjoy observing or imaging celestial objects in the sky using the unaided eye, binoculars, or telescopes. Even though scientific research may not be their primary goal, some amateur astronomers make contributions in doing citizen science, such as by monitoring variable stars, double stars or occultations of stars by the Moon or asteroids, or by discovering transient astronomical events, such as comets, galactic novae or supernovae in other galaxies. Amateur astronomers do not use the field of astronomy as their primary source of income or support, and usually have no professional degree | "Amateur astronomy" | [
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2540 | in astrophysics or advanced academic training in the subject. Most amateurs are beginners or hobbyists, while others have a high degree of experience in astronomy and may often assist and work alongside professional astronomers. Many astronomers have studied the sky throughout history in an amateur framework; however, since the beginning of the twentieth century, professional astronomy has become an activity clearly distinguished from amateur astronomy and associated activities. Amateur astronomers typically view the sky at night, when most celestial objects and astronomical events are visible, but others observe during the daytime by viewing sunspots or solar eclipses. Some just look | "Amateur astronomy" | [
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2541 | at the sky using nothing more than their eyes or binoculars, but more dedicated amateurs often use portable telescopes or telescopes situated in their private or club observatories. Amateurs can also join as members of amateur astronomical societies, which can advise, educate or guide them towards ways of finding and observing celestial objects; or even promoting the science of astronomy among the general public. Collectively, amateur astronomers observe a variety of celestial objects and phenomena. Common targets of amateur astronomers include the Moon, planets, stars, comets, meteor showers, and a variety of deep sky objects such as star clusters, galaxies, | "Amateur astronomy" | [
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2542 | and nebulae. Many amateurs like to specialise in observing particular objects, types of objects, or types of events which interest them. One branch of amateur astronomy, amateur astrophotography, involves the taking of photos of the night sky. Astrophotography has become more popular with the introduction of far easier to use equipment including, digital cameras, DSLR cameras and relatively sophisticated purpose built high quality CCD cameras. Most amateur astronomers work at visible wavelengths, but a small minority experiment with wavelengths outside the visible spectrum. An early pioneer of radio astronomy was Grote Reber, an amateur astronomer who constructed the first purpose | "Amateur astronomy" | [
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2543 | built radio telescope in the late 1930s to follow up on the discovery of radio wavelength emissions from space by Karl Jansky. Non-visual amateur astronomy includes the use of infrared filters on conventional telescopes, and also the use of radio telescopes. Some amateur astronomers use home-made radio telescopes, while others use radio telescopes that were originally built for astronomical research but have since been made available for use by amateurs. The One-Mile Telescope is one such example. Amateur astronomers use a range of instruments to study the sky, depending on a combination of their interests and resources. Methods include simply | "Amateur astronomy" | [
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2544 | looking at the night sky with the naked eye, using binoculars, and using a variety of optical telescopes of varying power and quality, as well as additional sophisticated equipment, such as cameras, to study light from the sky in both the visual and non-visual parts of the spectrum. Commercial telescopes are available, new and used, but it is also common for amateur astronomers to build (or commission the building of) their own custom telescopes. Some people even focus on amateur telescope making as their primary interest within the hobby of amateur astronomy. Although specialized and experienced amateur astronomers tend to | "Amateur astronomy" | [
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2545 | acquire more specialized and more powerful equipment over time, relatively simple equipment is often preferred for certain tasks. Binoculars, for instance, although generally of lower power than the majority of telescopes, also tend to provide a wider field of view, which is preferable for looking at some objects in the night sky. Amateur astronomers also use star charts that, depending on experience and intentions, may range from simple planispheres through to detailed charts of very specific areas of the night sky. A range of astronomy software is available and used by amateur astronomers, including software that generates maps of the | "Amateur astronomy" | [
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2546 | sky, software to assist with astrophotography, observation scheduling software, and software to perform various calculations pertaining to astronomical phenomena. Amateur astronomers often like to keep records of their observations, which usually takes the form of an observing log. Observing logs typically record details about which objects were observed and when, as well as describing the details that were seen. Sketching is sometimes used within logs, and photographic records of observations have also been used in recent times. The information gathered is used to help studies and interactions between amateur astronomers in yearly gatherings. Although not professional information or credible, it | "Amateur astronomy" | [
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2547 | is a way for the hobby lovers to share their new sightings and experiences. The Internet is an essential tool of amateur astronomers. The popularity of imaging among amateurs has led to large numbers of web sites being written by individuals about their images and equipment. Much of the social interaction of amateur astronomy occurs on mailing lists or discussion groups. Discussion group servers host numerous astronomy lists. A great deal of the commerce of amateur astronomy, the buying and selling of equipment, occurs online. Many amateurs use online tools to plan their nightly observing sessions, using tools such as | "Amateur astronomy" | [
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2548 | the Clear Sky Chart. While a number of interesting celestial objects are readily identified by the naked eye, sometimes with the aid of a star chart, many others are so faint or inconspicuous that technical means are necessary to locate them. Although many methods are used in amateur astronomy, most are variations of a few specific techniques. Star hopping is a method often used by amateur astronomers with low-tech equipment such as binoculars or a manually driven telescope. It involves the use of maps (or memory) to locate known landmark stars, and "hopping" between them, often with the aid of | "Amateur astronomy" | [
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2549 | a finderscope. Because of its simplicity, star hopping is a very common method for finding objects that are close to naked-eye stars. More advanced methods of locating objects in the sky include telescope mounts with "setting circles", which assist with pointing telescopes to positions in the sky that are known to contain objects of interest, and "GOTO telescopes", which are fully automated telescopes that are capable of locating objects on demand (having first been calibrated). The advent of mobile applications for use in smartphones has led to the creation of many dedicated apps. These apps allow any user to easily | "Amateur astronomy" | [
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2550 | locate celestial objects of interest by simply pointing the smartphone device in that direction in the sky. These apps make use of the inbuilt hardware in the phone, such as GPS location and gyroscope. Useful information about the pointed object like celestial coordinates, the name of the object, its constellation, etc. are provided for a quick reference. Some paid versions give more information. These apps are gradually getting into regular use during observing, for the alignment process of telescopes. Setting circles are angular measurement scales that can be placed on the two main rotation axes of some telescopes. Since the | "Amateur astronomy" | [
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2551 | widespread adoption of digital setting circles, any classical engraved setting circle is now specifically identified as an "analog setting circle" (ASC). By knowing the coordinates of an object (usually given in equatorial coordinates), the telescope user can use the setting circle to align (i.e., point) the telescope in the appropriate direction before looking through its eyepiece. A computerized setting circle is called a "digital setting circle" (DSC). Although digital setting circles can be used to display a telescope's RA and Dec coordinates, they are not simply a digital read-out of what can be seen on the telescope's analog setting circles. | "Amateur astronomy" | [
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2552 | As with go-to telescopes, digital setting circle computers (commercial names include Argo Navis, Sky Commander, and NGC Max) contain databases of tens of thousands of celestial objects and projections of planet positions. To find a celestial object in a telescope equipped with a DSC computer, one does not need to look up the specific RA and Dec coordinates in a book or other resource, and then adjust the telescope to those numerical readings. Rather, the object is chosen from the electronic database, which causes distance values and arrow markers to appear in the display that indicate the distance and direction | "Amateur astronomy" | [
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2553 | to move the telescope. The telescope is moved until the two angular distance values reach zero, indicating that the telescope is properly aligned. When both the RA and Dec axes are thus "zeroed out", the object should be in the eyepiece. Many DSCs, like go-to systems, can also work in conjunction with laptop sky programs. Computerized systems provide the further advantage of computing coordinate precession. Traditional printed sources are subtitled by the "epoch" year, which refers to the positions of celestial objects at a given time to the nearest year (e.g., J2005, J2007). Most such printed sources have been updated | "Amateur astronomy" | [
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2554 | for intervals of only about every fifty years (e.g., J1900, J1950, J2000). Computerized sources, on the other hand, are able to calculate the right ascension and declination of the "epoch of date" to the exact instant of observation. GOTO telescopes have become more popular since the 1980s as technology has improved and prices have been reduced. With these computer-driven telescopes, the user typically enters the name of the item of interest and the mechanics of the telescope point the telescope towards that item automatically. They have several notable advantages for amateur astronomers intent on research. For example, GOTO telescopes tend | "Amateur astronomy" | [
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2555 | to be faster for locating items of interest than star hopping, allowing more time for studying of the object. GOTO also allows manufacturers to add equatorial tracking to mechanically simpler alt-azimuth telescope mounts, allowing them to produce an overall less expensive product. GOTO telescopes usually have to be calibrated using alignment stars in order to provide accurate tracking and positioning. However, several telescope manufacturers have recently developed telescope systems that are calibrated with the use of built-in GPS, decreasing the time it takes to set up a telescope at the start of an observing session. With the development of fast | "Amateur astronomy" | [
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2556 | Internet in the last part of the 20th century along with advances in computer controlled telescope mounts and CCD cameras "Remote Telescope" astronomy is now a viable means for amateur astronomers not aligned with major telescope facilities to partake in research and deep sky imaging. This enables anyone to control a telescope a great distance away in a dark location. The observer can image through the telescope using CCD cameras. The digital data collected by the telescope is then transmitted and displayed to the user by means of the Internet. An example of a digital remote telescope operation for public | "Amateur astronomy" | [
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2557 | use via the Internet is the Bareket observatory, and there are telescope farms in New Mexico, Australia and Atacama in Chile. Amateur astronomers engage in many imaging techniques including film, DSLR, LRGB, and CCD astrophotography. Because CCD imagers are linear, image processing may be used to subtract away the effects of light pollution, which has increased the popularity of astrophotography in urban areas. Narrowband filters may also be used to minimize light pollution. Scientific research is most often not the "main" goal for many amateur astronomers, unlike professional astronomers. Work of scientific merit is possible, however, and many amateurs successfully | "Amateur astronomy" | [
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2558 | contribute to the knowledge base of professional astronomers. Astronomy is sometimes promoted as one of the few remaining sciences for which amateurs can still contribute useful data. To recognize this, the Astronomical Society of the Pacific annually gives Amateur Achievement Awards for significant contributions to astronomy by amateurs. The majority of scientific contributions by amateur astronomers are in the area of data collection. In particular, this applies where large numbers of amateur astronomers with small telescopes are more effective than the relatively small number of large telescopes that are available to professional astronomers. Several organizations, such as the American Association | "Amateur astronomy" | [
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2559 | of Variable Star Observers, exist to help coordinate these contributions. Amateur astronomers often contribute toward activities such as monitoring the changes in brightness of variable stars and supernovae, helping to track asteroids, and observing occultations to determine both the shape of asteroids and the shape of the terrain on the apparent edge of the Moon as seen from Earth. With more advanced equipment, but still cheap in comparison to professional setups, amateur astronomers can measure the light spectrum emitted from astronomical objects, which can yield high-quality scientific data if the measurements are performed with due care. A relatively recent role | "Amateur astronomy" | [
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2560 | for amateur astronomers is searching for overlooked phenomena (e.g., Kreutz Sungrazers) in the vast libraries of digital images and other data captured by Earth and space based observatories, much of which is available over the Internet. In the past and present, amateur astronomers have played a major role in discovering new comets. Recently however, funding of projects such as the Lincoln Near-Earth Asteroid Research and Near Earth Asteroid Tracking projects has meant that most comets are now discovered by automated systems long before it is possible for amateurs to see them. There are a large number of amateur astronomical societies | "Amateur astronomy" | [
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2561 | around the world, that serve as a meeting point for those interested in amateur astronomy. Members range from active observers with their own equipment to "armchair astronomers" who are simply interested in the topic. Societies range widely in their goals and activities, which may depend on a variety of factors such as geographic spread, local circumstances, size, and membership. For example, a small local society located in dark countryside may focus on practical observing and star parties, whereas a large one based in a major city might have numerous members but be limited by light pollution and thus hold regular | "Amateur astronomy" | [
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2562 | indoor meetings with guest speakers instead. Major national or international societies generally publish their own journal or newsletter, and some hold large multi-day meetings akin to a scientific conference or convention. They may also have sections devoted to particular topics, such as observing the Moon or amateur telescope making. Amateur astronomy Amateur astronomy is a hobby whose participants enjoy observing or imaging celestial objects in the sky using the unaided eye, binoculars, or telescopes. Even though scientific research may not be their primary goal, some amateur astronomers make contributions in doing citizen science, such as by monitoring variable stars, double | "Amateur astronomy" | [
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2563 | Aikido Aikido's techniques include: irimi (entering), and tenkan (turning) movements (that redirect the opponent's attack momentum), various types of throws and joint locks. Aikido derives mainly from the martial art of Daitō-ryū Aiki-jūjutsu, but began to diverge from it in the late 1920s, partly due to Ueshiba's involvement with the Ōmoto-kyō religion. Ueshiba's early students' documents bear the term "aiki-jūjutsu". Ueshiba's senior students have different approaches to aikido, depending partly on when they studied with him. Today aikido is found all over the world in a number of styles, with broad ranges of interpretation and emphasis. However, they all share | Aikido | [
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2564 | techniques formulated by Ueshiba and most have concern for the well-being of the attacker. The word "aikido" is formed of three kanji: The term "aiki" does not readily appear in the Japanese language outside the scope of budō. This has led to many possible interpretations of the word. The term is also found in martial arts such as judo and kendo, and in various non-martial arts, such as Japanese calligraphy (), flower arranging () and tea ceremony (). Therefore, from a purely literal interpretation, aikido is the "Way of combining forces" or "Way of unifying energy", in which the term | Aikido | [
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2565 | "aiki" refers to the martial arts principle or tactic of blending with an attacker's movements for the purpose of controlling their actions with minimal effort. One applies by understanding the rhythm and intent of the attacker to find the optimal position and timing to apply a counter-technique. Aikido was created by Morihei Ueshiba ( , 14 December 1883 – 26 April 1969), referred to by some aikido practitioners as ("Great Teacher"). The term "aikido" was coined in the twentieth century. Ueshiba envisioned aikido not only as the synthesis of his martial training, but as an expression of his personal philosophy | Aikido | [
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2566 | of universal peace and reconciliation. During Ueshiba's lifetime and continuing today, aikido has evolved from the "aiki" that Ueshiba studied into a variety of expressions by martial artists throughout the world. Ueshiba developed aikido primarily during the late 1920s through the 1930s through the synthesis of the older martial arts that he had studied. The core martial art from which aikido derives is Daitō-ryū aiki-jūjutsu, which Ueshiba studied directly with Takeda Sōkaku, the reviver of that art. Additionally, Ueshiba is known to have studied Tenjin Shin'yō-ryū with Tozawa Tokusaburō in Tokyo in 1901, Gotōha Yagyū Shingan-ryū under Nakai Masakatsu in | Aikido | [
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2567 | Sakai from 1903 to 1908, and judo with Kiyoichi Takagi ( , 1894–1972) in Tanabe in 1911. The art of Daitō-ryū is the primary technical influence on aikido. Along with empty-handed throwing and joint-locking techniques, Ueshiba incorporated training movements with weapons, such as those for the spear (), short staff (), and perhaps the . However, aikido derives much of its technical structure from the art of swordsmanship (). Ueshiba moved to Hokkaidō in 1912, and began studying under Takeda Sokaku in 1915. His official association with Daitō-ryū continued until 1937. However, during the latter part of that period, Ueshiba | Aikido | [
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2568 | had already begun to distance himself from Takeda and the Daitō-ryū. At that time Ueshiba was referring to his martial art as "Aiki Budō". It is unclear exactly when Ueshiba began using the name "aikido", but it became the official name of the art in 1942 when the Greater Japan Martial Virtue Society () was engaged in a government sponsored reorganization and centralization of Japanese martial arts. After Ueshiba left Hokkaidō in 1919, he met and was profoundly influenced by Onisaburo Deguchi, the spiritual leader of the Ōmoto-kyō religion (a neo-Shinto movement) in Ayabe. One of the primary features of | Aikido | [
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2569 | Ōmoto-kyō is its emphasis on the attainment of utopia during one's life. This was a great influence on Ueshiba's martial arts philosophy of extending love and compassion especially to those who seek to harm others. Aikido demonstrates this philosophy in its emphasis on mastering martial arts so that one may receive an attack and harmlessly redirect it. In an ideal resolution, not only is the receiver unharmed, but so is the attacker. In addition to the effect on his spiritual growth, the connection with Deguchi gave Ueshiba entry to elite political and military circles as a martial artist. As a | Aikido | [
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2570 | result of this exposure, he was able to attract not only financial backing but also gifted students. Several of these students would found their own styles of aikido. Aikido was first brought to the rest of the world in 1951 by Minoru Mochizuki with a visit to France where he introduced aikido techniques to judo students. He was followed by Tadashi Abe in 1952, who came as the official Aikikai Hombu representative, remaining in France for seven years. Kenji Tomiki toured with a delegation of various martial arts through 15 continental states of the United States in 1953. Later that | Aikido | [
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2571 | year, Koichi Tohei was sent by Aikikai Hombu to Hawaii for a full year, where he set up several dojo. This trip was followed by several further visits and is considered the formal introduction of aikido to the United States. The United Kingdom followed in 1955; Italy in 1964 by Hiroshi Tada; and Germany in 1965 by Katsuaki Asai. Designated "Official Delegate for Europe and Africa" by Morihei Ueshiba, Masamichi Noro arrived in France in September 1961. Seiichi Sugano was appointed to introduce aikido to Australia in 1965. Today there are aikido dojo throughout the world. The largest aikido organization | Aikido | [
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2572 | is the Aikikai Foundation, which remains under the control of the Ueshiba family. However, aikido has many styles, mostly formed by Morihei Ueshiba's major students. The earliest independent styles to emerge were Yoseikan Aikido, begun by Minoru Mochizuki in 1931, Yoshinkan Aikido, founded by Gozo Shioda in 1955, and Shodokan Aikido, founded by Kenji Tomiki in 1967. The emergence of these styles pre-dated Ueshiba's death and did not cause any major upheavals when they were formalized. Shodokan Aikido, however, was controversial, since it introduced a unique rule-based competition that some felt was contrary to the spirit of aikido. After Ueshiba's | Aikido | [
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2573 | death in 1969, two more major styles emerged. Significant controversy arose with the departure of the Aikikai Hombu Dojo's chief instructor Koichi Tohei, in 1974. Tohei left as a result of a disagreement with the son of the founder, Kisshomaru Ueshiba, who at that time headed the Aikikai Foundation. The disagreement was over the proper role of "ki" development in regular aikido training. After Tohei left, he formed his own style, called Shin Shin Toitsu Aikido, and the organization that governs it, the Ki Society ("Ki no Kenkyūkai"). A final major style evolved from Ueshiba's retirement in Iwama, Ibaraki and | Aikido | [
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2574 | the teaching methodology of long term student Morihiro Saito. It is unofficially referred to as the "Iwama style", and at one point a number of its followers formed a loose network of schools they called Iwama Ryu. Although Iwama style practitioners remained part of the Aikikai until Saito's death in 2002, followers of Saito subsequently split into two groups. One remained with the Aikikai and the other formed the independent Shinshin Aikishuren Kai in 2004 around Saito's son Hitohiro Saito. Today, the major styles of aikido are each run by a separate governing organization, have their own in Japan, and | Aikido | [
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2575 | have an international breadth. The study of "ki" is an important component of aikido, and its study defies categorization as either "physical" or "mental" training, as it encompasses both. The "kanji" for "ki" normally is written as . It was written as until the writing reforms after World War II, and this older form still is seen on occasion. The character for "ki" is used in everyday Japanese terms, such as , or . "Ki" has many meanings, including "ambience", "mind", "mood", and "intention", however, in traditional martial arts it is often used to refer to "life energy". Gōzō Shioda's | Aikido | [
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2576 | Yoshinkan Aikido, considered one of the "hard styles", largely follows Ueshiba's teachings from before World War II, and surmises that the secret to "ki" lies in timing and the application of the whole body's strength to a single point. In later years, Ueshiba's application of "ki" in aikido took on a softer, more gentle feel. This was his Takemusu Aiki and many of his later students teach about "ki" from this perspective. Koichi Tohei's Ki Society centers almost exclusively around the study of the empirical (albeit subjective) experience of "ki" with students ranked separately in aikido techniques and "ki" development. | Aikido | [
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2577 | In aikido, as in virtually all Japanese martial arts, there are both physical and mental aspects of training. The physical training in aikido is diverse, covering both general physical fitness and conditioning, as well as specific techniques. Because a substantial portion of any aikido curriculum consists of throws, beginners learn how to safely fall or roll. The specific techniques for attack include both strikes and grabs; the techniques for defense consist of throws and pins. After basic techniques are learned, students study freestyle defense against multiple opponents, and techniques with weapons. Physical training goals pursued in conjunction with aikido include | Aikido | [
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2578 | controlled relaxation, correct movement of joints such as hips and shoulders, flexibility, and endurance, with less emphasis on strength training. In aikido, pushing or extending movements are much more common than pulling or contracting movements. This distinction can be applied to general fitness goals for the aikido practitioner. In aikido, specific muscles or muscle groups are not isolated and worked to improve tone, mass, or power. Aikido-related training emphasizes the use of coordinated whole-body movement and balance similar to yoga or pilates. For example, many dojos begin each class with , which may include stretching and ukemi (break falls). Aikido | Aikido | [
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2579 | training is based primarily on two partners practicing pre-arranged forms ("kata") rather than freestyle practice. The basic pattern is for the receiver of the technique ("uke") to initiate an attack against the person who applies the technique—the "tori", or "shite" (depending on aikido style), also referred to as "nage" (when applying a throwing technique), who neutralises this attack with an aikido technique. Both halves of the technique, that of "uke" and that of "tori", are considered essential to aikido training. Both are studying aikido principles of blending and adaptation. "Tori" learns to blend with and control attacking energy, while "uke" | Aikido | [
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2580 | learns to become calm and flexible in the disadvantageous, off-balance positions in which "tori" places them. This "receiving" of the technique is called "ukemi". "Uke" continuously seeks to regain balance and cover vulnerabilities (e.g., an exposed side), while "tori" uses position and timing to keep "uke" off-balance and vulnerable. In more advanced training, "uke" will sometimes apply to regain balance and pin or throw "tori". Aikido techniques are usually a defense against an attack, so students must learn to deliver various types of attacks to be able to practice aikido with a partner. Although attacks are not studied as thoroughly | Aikido | [
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2581 | as in striking-based arts, sincere attacks (a strong strike or an immobilizing grab) are needed to study correct and effective application of technique. Many of the of aikido resemble cuts from a sword or other grasped object, which indicate its origins in techniques intended for armed combat. Other techniques, which explicitly appear to be punches ("tsuki"), are practiced as thrusts with a knife or sword. Kicks are generally reserved for upper-level variations; reasons cited include that falls from kicks are especially dangerous, and that kicks (high kicks in particular) were uncommon during the types of combat prevalent in feudal Japan. | Aikido | [
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2582 | Some basic strikes include: Beginners in particular often practice techniques from grabs, both because they are safer and because it is easier to feel the energy and lines of force of a hold than a strike. Some grabs are historically derived from being held while trying to draw a weapon; a technique could then be used to free oneself and immobilize or strike the attacker who is grabbing the defender. The following are examples of some basic grabs: The following are a sample of the basic or widely practiced throws and pins. Many of these techniques derive from Daitō-ryū Aiki-jūjutsu, | Aikido | [
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2583 | but some others were invented by Morihei Ueshiba. The precise terminology for some may vary between organisations and styles, so what follows are the terms used by the Aikikai Foundation. Note that despite the names of the first five techniques listed, they are not universally taught in numeric order. Aikido makes use of body movement ("tai sabaki") to blend with "uke". For example, an "entering" ("irimi") technique consists of movements inward towards "uke", while a technique uses a pivoting motion. Additionally, an technique takes place in front of "uke", whereas an technique takes place to their side; a technique is | Aikido | [
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2584 | applied with motion to the front of "uke", and a version is applied with motion towards the rear of "uke", usually by incorporating a turning or pivoting motion. Finally, most techniques can be performed while in a seated posture ("seiza"). Techniques where both "uke" and "tori" are standing are called "tachi-waza", techniques where both start off in "seiza" are called "suwari-waza", and techniques performed with "uke" standing and "tori" sitting are called "hanmi handachi" (). Thus, from fewer than twenty basic techniques, there are thousands of possible implementations. For instance, "ikkyō" can be applied to an opponent moving forward with | Aikido | [
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2585 | a strike (perhaps with an "ura" type of movement to redirect the incoming force), or to an opponent who has already struck and is now moving back to reestablish distance (perhaps an "omote-waza" version). Specific aikido "kata" are typically referred to with the formula "attack-technique(-modifier)". For instance, "katate-dori ikkyō" refers to any "ikkyō" technique executed when "uke" is holding one wrist. This could be further specified as "katate-dori ikkyō omote", referring to any forward-moving "ikkyō" technique from that grab. "Atemi" () are strikes (or feints) employed during an aikido technique. Some view "atemi" as attacks against "vital points" meant to | Aikido | [
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2586 | cause damage in and of themselves. For instance, Gōzō Shioda described using "atemi" in a brawl to quickly down a gang's leader. Others consider "atemi", especially to the face, to be methods of distraction meant to enable other techniques. A strike, whether or not it is blocked, can startle the target and break their concentration. The target may become unbalanced in attempting to avoid the blow, for example by jerking the head back, which may allow for an easier throw. Many sayings about "atemi" are attributed to Morihei Ueshiba, who considered them an essential element of technique. Weapons training in | Aikido | [
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2587 | aikido traditionally includes the short staff ("jō") although its techniques resemble closely the use of the bayonet or Jūkendō, the wooden sword ("bokken"), and the knife ("tantō"). Some schools incorporate firearm-disarming techniques. Both weapon-taking and weapon-retention are taught. Some schools, such as the Iwama style of Morihiro Saito, usually spend substantial time practicing with both "bokken" and "jō", under the names of "aiki-ken", and "aiki-jō", respectively. The founder developed many of the empty-handed techniques from traditional sword, spear and bayonet movements. Consequently, the practice of the weapons arts gives insight into the origin of techniques and movements, and reinforces the | Aikido | [
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2588 | concepts of distance, timing, foot movement, presence and connectedness with one's training partner(s). One feature of aikido is training to defend against multiple attackers, often called "taninzudori", or "taninzugake". Freestyle practice with multiple attackers called "randori" () is a key part of most curricula and is required for the higher level ranks. "Randori" exercises a person's ability to intuitively perform techniques in an unstructured environment. Strategic choice of techniques, based on how they reposition the student relative to other attackers, is important in "randori" training. For instance, an "ura" technique might be used to neutralise the current attacker while turning | Aikido | [
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2589 | to face attackers approaching from behind. In Shodokan Aikido, "randori" differs in that it is not performed with multiple persons with defined roles of defender and attacker, but between two people, where both participants attack, defend, and counter at will. In this respect it resembles judo "randori". In applying a technique during training, it is the responsibility of "tori" to prevent injury to "uke" by employing a speed and force of application that is commensurate with their partner's proficiency in "ukemi". Injuries (especially those to the joints), when they do occur in aikido, are often the result of "tori" misjudging | Aikido | [
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2590 | the ability of "uke" to receive the throw or pin. A study of injuries in the martial arts showed that the type of injuries varied considerably from one art to the other. Soft tissue injuries are one of the most common types of injuries found within aikido, as well as joint strain and stubbed fingers and toes. Several deaths from head-and-neck injuries, caused by aggressive "shihōnage" in a senpai/kōhai hazing context, have been reported. Aikido training is mental as well as physical, emphasizing the ability to relax the mind and body even under the stress of dangerous situations. This is | Aikido | [
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2591 | necessary to enable the practitioner to perform the bold enter-and-blend movements that underlie aikido techniques, wherein an attack is met with confidence and directness. Morihei Ueshiba once remarked that one "must be willing to receive 99% of an opponent's attack and stare death in the face" in order to execute techniques without hesitation. As a martial art concerned not only with fighting proficiency but with the betterment of daily life, this mental aspect is of key importance to aikido practitioners. Aikido practitioners (commonly called "aikidōka" outside Japan) generally progress by promotion through a series of "grades" ("kyū"), followed by a | Aikido | [
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2592 | series of "degrees" ("dan"), pursuant to formal testing procedures. Some aikido organizations use belts to distinguish practitioners' grades, often simply white and black belts to distinguish "kyu" and "dan" grades, though some use various belt colors. Testing requirements vary, so a particular rank in one organization is not comparable or interchangeable with the rank of another. Some dojos do not allow students to take the test to obtain a "dan" rank unless they are 16 or older. The uniform worn for practicing aikido ("aikidōgi") is similar to the training uniform ("keikogi") used in most other modern martial arts; simple trousers | Aikido | [
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2593 | and a wraparound jacket, usually white. Both thick ("judo-style"), and thin ("karate-style") cotton tops are used. Aikido-specific tops are available with shorter sleeves which reach to just below the elbow. Most aikido systems add a pair of wide pleated black or indigo trousers called a "hakama" (used also in Naginatajutsu, kendo, and iaido). In many schools, its use is reserved for practitioners with ("dan") ranks or for instructors, while others allow all practitioners to wear a "hakama" regardless of rank. The most common criticism of aikido is that it suffers from a lack of realism in training. The attacks initiated | Aikido | [
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2594 | by "uke" (and which "tori" must defend against) have been criticized as being "weak", "sloppy", and "little more than caricatures of an attack". Weak attacks from "uke" allow for a conditioned response from "tori", and result in underdevelopment of the skills needed for the safe and effective practice of both partners. To counteract this, some styles allow students to become less compliant over time but, in keeping with the core philosophies, this is after having demonstrated proficiency in being able to protect themselves and their training partners. Shodokan Aikido addresses the issue by practising in a competitive format. Such adaptations | Aikido | [
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2595 | are debated between styles, with some maintaining that there is no need to adjust their methods because either the criticisms are unjustified, or that they are not training for self-defense or combat effectiveness, but spiritual, fitness or other reasons. Another criticism pertains to the shift in training focus after the end of Ueshiba's seclusion in Iwama from 1942 to the mid-1950s, as he increasingly emphasized the spiritual and philosophical aspects of aikido. As a result, strikes to vital points by "tori", entering ("irimi") and initiation of techniques by "tori", the distinction between "omote" (front side) and "ura" (back side) techniques, | Aikido | [
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2596 | and the use of weapons, were all de-emphasized or eliminated from practice. Some Aikido practitioners feel that lack of training in these areas leads to an overall loss of effectiveness. Conversely, some styles of aikido receive criticism for not placing enough importance on the spiritual practices emphasized by Ueshiba. According to Minoru Shibata of Aikido Journal, "O-Sensei's aikido was not a continuation and extension of the old and has a distinct discontinuity with past martial and philosophical concepts." That is, that aikido practitioners who focus on aikido's roots in traditional "jujutsu" or "kenjutsu" are diverging from what Ueshiba taught. Such | Aikido | [
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2597 | critics urge practitioners to embrace the assertion that "[Ueshiba's] transcendence to the spiritual and universal reality were the fundamentals of the paradigm that he demonstrated." Aikido Aikido's techniques include: irimi (entering), and tenkan (turning) movements (that redirect the opponent's attack momentum), various types of throws and joint locks. Aikido derives mainly from the martial art of Daitō-ryū Aiki-jūjutsu, but began to diverge from it in the late 1920s, partly due to Ueshiba's involvement with the Ōmoto-kyō religion. Ueshiba's early students' documents bear the term "aiki-jūjutsu". Ueshiba's senior students have different approaches to aikido, depending partly on when they studied with | Aikido | [
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2598 | Art Art is a diverse range of human activities in creating visual, auditory or performing artifacts (artworks), expressing the author's imaginative, conceptual idea, or technical skill, intended to be appreciated for their beauty or emotional power. In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art. The three classical branches of art are painting, sculpture and architecture. Music, theatre, film, dance, and other performing arts, as well as literature and other media such as interactive media, are included in | Art | [
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2599 | a broader definition of the arts. Until the 17th century, "art" referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. Though the definition of what constitutes art is disputed and has changed over time, general descriptions mention an idea of imaginative or technical skill stemming from human agency and creation. The nature of art and related concepts, such as creativity and interpretation, are explored | Art | [
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2600 | in a branch of philosophy known as aesthetics. In the perspective of the history of art, artistic works have existed for almost as long as humankind: from early pre-historic art to contemporary art; however, some theories restrict the concept of "artistic works" to modern Western societies. One early sense of the definition of "art" is closely related to the older Latin meaning, which roughly translates to "skill" or "craft," as associated with words such as "artisan." English words derived from this meaning include "artifact", "artificial", "artifice", "medical arts", and "military arts". However, there are many other colloquial uses of the | Art | [
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