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The premise of the movie is a gay couple in the 70s try to adopt a Down syndrome boy that they've taken in because his mum got picked up by the vice squad and she abandoned him. So I take him in and we have a lovely family unit and then when we try to properly adopt him, of course the authorities find out we're gay and they take him in.
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And then Grant, my husband, was sitting over there, and I said, oh, my God.
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So that was Kristen came on, and I went, -♪ Popular, I'm all about it. And she went, -"Shut up, I hate it."
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But it just took so long for it to happen. It shot for a year and a half.
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and take a photo in front on the street. So anyway, these two dancers, Raymond and Lisa, came over, and we did it. And we went out, and we were a little drunk. And we went down, and we took practice, you know, with our clothes on, and the security man from the...
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And so, when we were, when the premiere of the film was on, I was on the red carpet, you know, and that weird thing when a friend of yours comes on the red carpet, you're like, Hi, and you're like, how are you?
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And so it became, in our household, like, if you wanted to annoy either of us, we would, like, sing... He goes...
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and all these changes and then you have to come back to it after such a long time and try and get back into it very quickly. I find that
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explained it last week and I just feel I thought he did that was a very good thing but he was just wasted and he was wasted from the second he walked into the thing so it was
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so frightening and so kind of volatile so that now I think
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you know it gets sometimes if it's like in that in that movie i kind of studied a wee bit for because that's a more particular accent i once played a i once did a film in minnesota i played a minnesotan farmer
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called Jordan Matta, and he takes photos of dancers, and they're really beautiful pictures. And he asked, he was doing this thing called Dancers After Dark, where he was going to take pictures of dancers after dark, but naked, around New York City. And he asked me to do it, so I was like, oh, my God, he thinks I'm a dancer. So I said, I'm a dancer.
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No. You didn't? I didn't. No, I didn't, actually. I just thought, I thought, I'll just, I thought, crikey, I have no idea what's going on.
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you know it gets sometimes if it's like in that in that movie i kind of studied a wee bit for because that's a more particular accent i once played a i once did a film in minnesota i played a minnesotan farmer
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to go on stage and start the show, that everyone was freaking out because there was a, you know, someone who seemed to be a crazy person.
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horrible when they're so rich anyway but anyway he so you so if you're meeting a royal you get these sent these pages two pages of etiquette right and first of all about how you should dress and I was like I don't think so and then the second thing that cracked me up it said ladies must curtsy and had a sort of little
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and when you arrived at whatever you were going to... You know, you'd come off the wall to camp for the night. Your tent would have...
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And then Grant, my husband, was sitting over there, and I said, oh, my God.
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Oh, no, that's not me. That's me. That one there, yeah. Okay. But that's at Broadway Bears. It's this thing, this big dance thing that Broadway dancers do for charity.
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if there's something difficult to button up or something that's got to be fastened behind in the dressing room.
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No, I, all I really remember from that time is exactly
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what English actor gets to stand in a corral with his hands either side
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that's set in 1682 in France, and you're shooting it in England.
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a bunch of people who you become very close to and they were complete strangers.
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ac rydyn ni i gyd wedi cael y profiad hwn o ddweud wrth blant.
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That eventually led me to doing an Afro-Bem play called The Lucky Chance at the Royal Court.
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lenses in my eyes and all black outfit and a black
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Not really, because in this film, we really are only telling the story of the white wife.
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in this country and without naming names they'll all be pretty obvious that I haven't worked with
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Again, it's part of the industry. I believe in the film industry and I believe in telling stories. I think it's all incredibly important. We have to do it for the human race to survive and awards are part of promoting that. It's always interesting to see where those choices come from.
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And that actually it's not about you, which is something I remember from one of...
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And in many ways, actually, the challenges on film are less because you've got so much more of a support system. You're surrounded by people who know what they're doing.
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That's pretty tough, you know, first thing in the morning. Good morning, my name's Alan. What's your name? Oh, fine. Would you like to bend over this desk, please?
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What do you do? You write letters to repertory companies and they all say, well, we've only got two equity cards a year to give.
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I don't know where you lead from as an actor, it's going back to what we were saying about
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and producers ram your arm up behind your back and say, listen, if you'd play this part, we don't,
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And as luck would have it, one of those joining up the dot moments was I did a play by Dusty Hughes called Commitment.
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very involved in the art department and so and because it was a very high achieving academic school the idea of going to drama school did
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if you kind of threw a lasso around them you'd come up with human
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It's just that I mean, it's just kind of acting straight-up acting meeting the actors working with
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You know, these motion capture rolls have come along a couple of times. It's a technology that's being used more and more.
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he did hurt a lot of people with his ignorance. He was mainly just ignorant.
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What told the story of the emotion best? At least I began to find a vocabulary for that for myself.
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It's just that I mean, it's just kind of acting straight-up acting meeting the actors working with the
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You know, these motion capture rolls have come along a couple of times. It's a technology that's being used more and more.
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So any character you do, even though that's probably what people are going to recognize from me, if they do recognize me at all, it'll be my voice. But the creation of the voice just came kind of...
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who's sort of the Steve Jobs and I don't want to spoil anything but it looks like the bad
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the mothership of all cons he does the little cons all over the world bacon uh x-con uh he hopes one
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It's just that I mean, it's just kind of acting straight-up acting meeting the actors working with the
en
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Nathan Fillion will join me to talk about what it was like to work on this movie and share some great behind-the-scenes stories.
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I guess it's improvisation, but it's not the same thing as certain comedies where people just make up words and make up lines and make up jokes and jokes and jokes and jokes. It wasn't like that. It was just finding a way through the story with
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You don't really think about it as a vocal performance or what you're doing with your voice.
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there maybe they'll do it maybe they won't. My preparation for him was
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I guess it's improvisation, but it's not the same thing as certain comedies where people just make up words and make up lines and make up jokes and jokes and jokes and jokes. It wasn't like that. It was just finding a way through the story with
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or I guess shocking, that's the big thing they do is shock. And I don't have a shocking ability, but I am intimidating in size.
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Anthony Daniels went on about the suit that he had to wear and that originally they put screws in my head. You know, they closed it and he had to be on this thing. And he said, wait a minute, are you wearing an actual robot costume or are they doing it in motion capture? And I said, motion capture. He said, you shit.
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the mothership of all cons he does the little cons all over the world bacon uh x-con uh he hopes one
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any other droid really, more than just sort of shocking someone or lighting a light.
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I don't know. I choose all roles by the script. So if you get a script and there's a role that speaks to me, then I pursue it. This one is different, though. It was Star Wars. There wasn't really a script you got to read before you said yes, but because it was the Star Wars franchise, it was a pretty easy one.
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Tu lo faresti con me? Perché diciamolo, il film racconta una cena tra amici.
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appunto fare un lavoro gigantesco di trasformazione, quindi di ingrassare, di dimagrire e poi viceversa.
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Non so, non ho mai associato i due personaggi, non ho mai associato...
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Si parte dal gioco e si arriva a scoprire la parte segreta di queste persone attraverso i telefonini, segreti più o meno.
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dice mio padre è molto vecchio, mia madre è morta, mio padre è molto vecchio ma non abbiamo più.
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che sia una pulizia interiore che parte da quello che poi uno mangia.
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Affrontare il partito in una maniera naturale, di seguire dei dottori che la possano tutelare.
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dice mio padre è molto vecchio, mia madre è morta, mio padre è molto vecchio ma non abbiamo più.
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Si chiedono se abbiamo dei segreti tra di noi, se no mettiamo tutti i telefoni sul tavolo e quello che stasera arriverà, messaggi, whatsapp, telefonate, lo condividiamo tutti insieme.
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Si parte dal gioco e si arriva a scoprire la parte segreta di queste persone attraverso i telefonini, segreti più o meno.
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Poi dal teatro, da una piccola scuola sono arrivata a una compagnia, ho provato ad entrare al centro sperimentale e da lì.
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padre e soprattutto in quanto apicultore perché l'apicultore comunque
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insomma vicina a Giovanna e poi però
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cui io sento che lei agisce, mossa da un amore assoluto.
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in un letto operata con il figlio attaccata a una macchina.
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indovina che per strada le sussurra all'orecchio il tuo è un bambino speciale
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Io sento che è un personaggio che è mosso da, non è troppo amore, ma è da un amore assoluto.
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indovina che per strada le sussurra all'orecchio il tuo è un bambino speciale
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che sia una pulizia interiore che parte da quello che poi uno mangia.
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Sicuramente lei mette in pericolo qualcuno, ma poi lei è capace, secondo me.
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It's just fun. I mean, we're sitting there shooting scenes in the middle of scenes and setups. You know, it's Kobe, Tom, and I in the car. We're sitting there listening to the radio.
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of slavery, because slavery is a situation where we make people a thing. These are people who are enslaved, and we tell their story, and we get to see their heart and their soul, and that's the story that I want to tell.
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under, he came up under Reacher. Reacher was my CO.
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New Orleans as a setting for any film is kind of perfect because New Orleans itself is a character. The city has so much vibrance, so much history, and so much...
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Slavery is the vehicle here, but this is about people, and we humanize everyone here, and we take away that title.
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uh, action sequences in a car driving. There's Kobe in the front, Tom in the passenger, me in the back. And first off, we're already playing music. Tom is literally singing lyrics to Drake and Mick.
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She also could come on to a set you might think oh, you know this there might be this ego or this high You know, but she comes
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know, you're asking questions about and trying to figure out, but it's also a beautiful city, you know, it's colorful, it's just, it's...
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look who's the cat chasing the mouse. Of course, you know, Reacher in Reacher fashion always has a leg up.
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But no, it was fantastic because, I mean, that's like one of those
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it motivates me to want to actually build him out and see exactly who he is.
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there's kind of like just a life to it that you cannot fabricate.
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Let's knock on my door as the day wraps. Hey, you want to roll back to town with Tom?
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Everybody knows Tom does his own stunts. He's well known for being the stunt guy. You know what I mean? You don't want to be the person that messes that up. You don't want to...
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You know, we sit there, we shoot the breeze, we talk about it. Had an awesome experience the first day.
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to have the real people here whenever we come to a point where we have a question or we
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You've got to make sure your team is all on the same page and everybody is feeling good about themselves and they're passionate about what they're doing. So he comes in, he speaks to everybody, he's very kind to everyone, very, very gracious.
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Wade and his team, they're very efficient, and again, they don't make you feel fully.
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You kind of have to learn how to just be quick on your feet improv a little bit sometimes with your surroundings your environment
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New Orleans as a setting for any film is kind of perfect because New Orleans itself is a character. The city has so much vibrance, so much history, and so much...
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It seems like being a parent. I do enough of that with my kids. You're responsible for everyone. Everyone has questions you have to be
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