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two minutes you get through it and you just read it's so easy to read because it's so well written but then you also realize like the depth of what's going on behind the words because it's so tight you know what i mean it's just it's you keep digging and there's just more stuff there all the time so i just think he'...
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In a way, I'm doing them at the moment. I'm doing the Walworth first, and my dad and my brother.
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And then I was waiting for it to get to my bit. I was, like, looking over. And then it got to my bit, and she walked away.
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by the story, you know, what happens in the story but also by the conditions that we were kind of in and so he made sure that that happened so we found places that not many...
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or if he's closed his eyes, or if he's laughing at me, or if he's just bored by what I'm doing. You don't know.
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showed us a concept art of what she would look like and so we knew about the glowing interior and the moving parts and how beautiful that was going to be but
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they're so I mean they're so tight first of all there's not a word wasted and every word is full of so much like those dialogue scenes with Ava you read them in you know seven pages you read in like you know
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and I love Loic Lantoine, who's amazing, really worked well. And Micah P. Hinson and the Walkmen.
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Well, if you think it was intense watching it, you have no idea what it was like.
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She's just so interesting to watch, you know, and she's very generous.
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and I love Loic Lantoine, who's amazing, really worked well. And Micah P. Hinson and the Walkmen.
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twisty turny properly taught psychological sort of stuff is is rare enough now weirdly it doesn't so in a way it feels like a 70s film or something like that even though they wouldn't have been able to make it the same way in the 70s so yeah I was very very happy to be a part of it from beginning
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with him on Never Let Me Go and on Dread, both of which I think are really cool movies. I'm a small person, so I'm allowed to say that. But I'd seen, he'd been on set on those, he was a producer on those, he was in the edit on those, so I felt like Alex knew what he was doing. It wasn't like he was learning.
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yeah absolutely yeah because i mean i you know i mean if i said them like with my eyebrow like that like like you know it wasn't gonna no one would believe me but alex had done a lot of the research already so talking to him and watching documentaries and doing a little bit of reading and talking to some coders and ...
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and I love Loic Lantoine, who's amazing, really worked well. And Micah P. Hinson and the Walkmen.
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kind of like I haven't heard the music yet it's Jeff Barrow did it I believe right yeah but I know I have I've seen I saw a cut of the movie but they hadn't got the full score on they hadn't finished all of the effects
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what we hoped it could be and this film is even more than I hoped it would be and I hoped it would be
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I mean, it's so easily built for that because you create something different, you create something new and you say, how do we react to that as humans? Or you just drop it in the middle and let humans be humans around it, I think.
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a corking job a corking corking corking job as the big brother of ron yeah i've been there for him yeah not all his life just in the seventh movie but i was there for him and i tried to help
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And that's what you do as a kid. They're the worlds that you live in. They're the inventions that you make with your friends. Let's pretend we're doing this and suddenly you're doing it for real. You don't really know what to make of it. I don't know what to make of it.
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comes from a very privileged and wealthy upbringing. The moment I saw The Apartment, this character...
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enjoy more in a way. That's kind of like a little treat to the
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Finding discovering this boy and making him into a perfect hunter because it's for the good. It's actually
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trying to explain to me what this show was and I was sort of just sitting there I go what on earth is going on now but I can what on earth are they talking about they're explaining a show where there's
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terrifying 130 mile an hour drive with your steering wheel not working you know with someone
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you get to sit down with each other very early on and have a table read and discuss it and we all had the same worries i think and one of the first things we had to do was was read it in front of the studio and then we were asked to stand up and sing when the song came up unaccompanied which was just kind of and she...
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you do i do and especially in this we the way in which scott wanted to film it like an old classic race film and properly film the racing for real they were building these cars they were they
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And that's what you do as a kid. They're the worlds that you live in. They're the inventions that you make with your friends. Let's pretend we're doing this and suddenly you're doing it for real. You don't really know what to make of it. I don't know what to make of it.
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So you'd have the real thing and then you'd build a kit car with the
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i couldn't go back however much i loved magnum in the 80s driving his ferrari 308 gts with his with his turtleneck although i've based the most of my life on him i couldn't i couldn't
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incredible time and and so exciting to do something on stage and work so hard at it and rehearse so much and to work with a writer like Alan Bennett and a fantastic director and then to be able to it's very sad sometimes when you do something on stage that it's only it only lasts for that amount of time and then it...
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kind of in a way that certainly the devil's double we stayed away from that because we didn't want it to be an accurate historical biographical detailed account of those events therefore you have dramatic license as with this this is it's a comic book so you can talk about it in that way if you want to but yeah and ...
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One spatula. I remember feeling very down on my luck one afternoon. He caught me. He came round and I was just eating a can of...
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It's just an exciting character and I thought that that, and yes exactly the moral dilemmas of actually he makes out that he's doing things for the good of mankind and for the future of the world and actually you come to realise what he's doing, he's lying to it.
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if the story has captivated you or propelled you into feeling something inside.
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But they're mildly on various people that I've grown up watching and seeing and watching their behavior and you know hang out I know quite a few people in bands and I live near Camden So I see a lot of bands in the evening and then and yes, there are some people it's basically
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In that time, there's a number of scripts going around and there's often one or two that people are talking about. So I'd heard a little bit about it and I found the script, stole the script, read it and then was desperate to have a meeting.
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if the story has captivated you or propelled you into feeling something inside.
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No, I won't. That will send you over the edge. But you could tell very quickly, you appreciated the real thing, even once you realised, once they'd built these things, which cost thousands and thousands of pounds.
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comes walking over and says i'll call him charlie it's his name's not charlie i want all the
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it's true well larry king too throws the glasses on the floor they laugh you know but david plays
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Ronald Reagan sitting there and just looked at him and said, Mr. President, for the kind of money I'm getting, I don't need this, you know. Because I don't tell jokes, I tell attitudes.
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Because they used to talk about me being in a strip joint. But today, what I'm getting to, it was all strip joint. Today, it's comedy clubs, comedy clubs, comedy clubs.
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She was very strong, very educated. And we were sitting at the bar, and a note comes over and says, so-and-so wants to...
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I must premise it by saying I'm not making fun of the homeless. God love them. It's a tough way to go.
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We have our drink together, then we go upstairs and have dinner, and if we have guests, that's what we do.
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She said, yes, my mother lives right here down the street there, you know.
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production shows. But I've been very fortunate. I've been in Vegas now 45 years, I mean. And they said, you have to gamble if you want to stay in Vegas. And I never gambled a penny. And I'm not cheap, believe me. But I never gambled a penny.
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Johnny Carson? Yes, I did. And he was another interesting man, a complete loner. It was hard to get with Johnny, but I became a friend, my wife and I.
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guys went to me, and they'd all sit in the front. There was one story in the book, which is true. Guy said to me, I'll make it fast, guy sat to me in Montreal. He was a wise guy, sitting in the front. My joke is, is that your wife?
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She's with us most of the time in Vegas. We love after work to have dinner. We always eat late if it's 11 o'clock at night.
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I think I think he had it. I think he just felt the candle was out and he didn't have that
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And Ronald Reagan, who I knew when he was governor, it was a wonderful night.
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greatest artist of all time, and nobody can replace him.
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He was the most charming, terrific man in the world. He really was.
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Yeah, I said, don't worry, sweetheart, it's a good friend. I said, Frank, he called me Bullethead, by the way. I said, Frank, he said, yeah, Bullethead, if you could come over and say hello while I'm...
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lovely great dad but he was like in those days there was an insurance man and two dollars five dollars on the horses right my money
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20 minutes. Yeah. And I went up and I don't want to do the whole thing, but my opening line was Warren Buffett.
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greatest artist of all time, and nobody can replace him.
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I always thought that Mel Gibson with Braveheart or Outlaw Josie, just this idea.
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It feels like a Raymond Chandler Los Angeles in the 40s or Dickensian London.
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I would say, yeah, I would say it's not unlike being a...
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that it's going to better your life or it will make you a better person or enrich your spiritual experience here on earth but it's a I think it's a fun ride
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years of hard work done to build this Batman universe up so there's a lot of things there's expectation there's some pressure but
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that kind of dynamic, but to get to see what everybody else brings to the table is my favorite.
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Because I think the struggle was always like a human struggle.
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I always loved Spirit of the Goat. I like kind of the back story for Harvey.
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noir-ish kind of old detective story, but there's something that's so fantastic about the notion of the
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you treat it with respect and when you play a certain kind of character you play that character you don't if you play a bad person you don't play him like I'm a nice guy I'm
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And then once it was there, once it was kind of in the American and world DNA.
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Because I think the struggle was always like a human struggle.
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years of hard work done to build this Batman universe up so there's a lot of things there's expectation there's some pressure but
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But I feel like violence, like Bruno said, violence is important to be, it's, violence
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that it's going to better your life or it will make you a better person or enrich your spiritual experience here on earth but it's a I think it's a fun ride
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Because I think the struggle was always like a human struggle.
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But I feel like violence, like Bruno said, violence is important to be, it's, violence
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where he came from you know and part of it is what's fun is that you i know what's happening in the episode beyond the one we're shooting right now but that
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the creator is. In this case, Bruno Heller, who had done Rome, which was one of my favorite shows.
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And then once it was there, once it was kind of in the American and world DNA.
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And like my parents from the north I didn't have it. It was just like a lot of little things where it was just like
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like this like but on the road when you're trying to like everything's different every day like I don't know where I am
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And I was like, oh, cool. So, like, I was like, let me just go. And I feel like Josh would.
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Not even somebody that somebody can be yourself that somebody can be money that somebody can be God that somebody can be Your existence and as a whole but like I don't
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I love horror films, and I really like Alien. They really told us to watch movies like that, that are kind of like, you know, take place in the real world. So yeah, I always wanted to do something kind of creepy.
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They're afraid to do like, I'm not saying everybody's an artist or creative, but everybody has something that's that.
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But what I meant was, like, I just don't want to be okay with where I'm at. Like, I never.
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alive, you know, that's the stuff that's really good, you try and capture that.
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I would make it and just watch it for myself. Maybe my family is speaking to people. Winning a golden globe, which
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already follow me some insight or just some understanding and just some people
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And I know sometimes like in the studio, that's kind of cool. Like you'll be like, oh this kind of sounds different
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Like it like you should be like nobody should ever like you should never put out something and be like
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is one part of what I'm trying to do so if people get that if people really want it and figure out
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we should make music freer, like I don't see the point of trying to constrain
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you'll find the other stuff it's gonna the internet just opened up the world to like you know getting what you want faster so it's kind of up to the artist
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you do this i just wanted to make a an album that you could really like i don't i didn't think that was happening as much whereas like a whole
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You know, because everybody, everybody does that. That's what we do. So like, but I don't know, like I, I guess right now I just.
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I always felt like you were a Beach Boys guy or a Beatles guy. I just felt like the Beach Boys.
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So you it's harder to distinguish like really what makes you you
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and like, and then I do some work and then I get up. And it was the first take, I was like really nervous. It was like my first time. And then I got up and I spit in the wastebasket.
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enough already. You know, when you go to Germany, 30% of their energy comes from the sun.
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