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"content": "[TOMT][SERIES][2000] Episode in which a sentient wig controls the mind of a grandma and makes her evil.\nI've seen this on TV when I was at my grandparents, they would basically let me watch everything when I was there, so it could be either a kids show or something for a more mature audience? I remember that the protagonist of the show was a girl and her grandma got a new wig which controlled her mind and made her evil. I believe the wig was also actually an alien and somehow the protagonist noticed this and the episode was about getting the wig off of her grandmas head. I also remember watching fosters home for imaginary friends around the same time, so maybe the show was also on the same channel. Idk if cartoon network was a thing in germany in the 2000s but I think it was either on cartoon network, disneyXD, nickelodeon or KiKa. I also remmeber watchig cartoons on pro7 or RTL(i think) so idk if this information was helpful at all lol",
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"content": "Hell Toupee.\nDefense attorney Harry Ballentine is understandably nervous when his client is mild-mannered accountant Murray Bernstein - who after investing in a strange toupee had felt compelled to murder the first lawyer he saw. Harry goes after it.::Anonymous",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT] [MOVIE] [MID 2000s] Movie about piranhas where ending shows it was set up to film snuff films..\nFair warning, I was in 6th grade (2011-2012) when I watched this. Could totally be two movies mashed together but I don’t think so.\n\nBasically the plot is a group of people are on vacation or away from home and they’re attacked by piranhas. I forget the plot and just remember the ending. Turns out this guy knows people are being attacked and is recording it for people to view and to make money off of the films. I’ve looked up every movie in the piranha series and none of them have this ending. \n\nPlease help!",
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"content": "Shark Night.\nSeven Tulane University undergraduates – Sara, Nick, Beth, Malik, Maya, Blake and Gordon – drive to Sara's family vacation home on a private lake.\nThere, Sara encounters her old boyfriend, Dennis, and his friend Red.\nNick, Blake, Malik and Maya go wake-boarding when a shark attacks Malik.\nHe is able to swim back to shore – missing his right arm.\nWhen Nick swims into the lake to retrieve Malik's arm, he is pursued by the shark, barely making it to shore.\nBeing a pre-med student, he stabilizes Malik, and they all take him to the hospital.\nBlood from Malik's wound attracts a shark that attacks the boat.\nMaya (Malik's girlfriend who he was about to propose to) is knocked into the water and eaten.\nThe shark damages the steering column of the boat, causing it to crash in front of the boathouse.\nSara, Nick and Malik make it to shore.\nDennis and Red arrive and agree to take Beth and Gordon to the mainland.\nDuring the boat trip, Dennis reveals that he and Red put the sharks in the lake and feed college students to them.\nDennis forces Gordon into the water by shooting him; he swims to a mangrove tree but is devoured by a bull shark.\nRed and Dennis force Beth to strip down and feed her to cookiecutter sharks.\nMalik arms himself with a harpoon and ventures into the water to kill the shark that killed Maya.\nHis wound attracts a hammerhead shark; he kills it but is further wounded.\nNick and Blake pull the shark to shore, and Nick finds a camera attached to its belly.\nBlake decides to take Malik to the mainland on a jet ski.\nWhen they are pursued by sharks, Malik sacrifices himself and later Blake is killed by a great white shark.\nSheriff Sabin visits Sara and Nick and gives them soup, which makes Nick and Sara's dog, who has also eaten the soup, pass out.\nSara hears Dennis and Red speaking from Sabin's radio, describing Beth's death.\nDennis and Red then appear and take Sara to their boat, while Sabin prepares to dunk Nick into the lake, where sand tiger sharks wait.\nSabin reveals that he, Dennis and Red have been inspired by the Discovery Channel's Shark Week and Faces of Death videos to film people being eaten by sharks.\nNick is able to break free and ignite a can of gas.\nBadly burned, Sabin plunges into the lake and is eaten by a sand shark.\nDennis reveals the reason why he is bitter at Sara: three years ago, while they were dating Sara had to go off to college and she and Dennis had a farewell swim at their favorite diving spot.\nThe day is ruined when Sara almost drowns and Dennis, who is angry with her for having to leave him, refuses to help her.\nAs revenge she runs him over with a jet ski, damaging half his face.\nRed throws her dog into the water and soon after Dennis calls up Carl, the man from the bait shop, telling him to release another great white shark, Dennis and Red lower her into the lake in a shark cage.\nAs Dennis is about to release her, Nick arrives and takes Red hostage.\nAfter a scuffle during which Dennis kills Red in order to catch Nick offguard, Nick shoves Dennis into the water and tries to set Sara free but Dennis appears and tries strangling him.\nNick escapes as a great white shark devours Dennis.\nNick kills the shark and frees Sara.\nNick, Sara, and Sara's dog swim to the boat, having survived.\nA distance away, another great white shark breaches, signifying that sharks remain in the lake.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as 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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT] [MOVIE] Black and white Japanese movie about a young doctor who does his works experience in a hospital for the poor..\nAs in the title. He doesn't like it at the beginning cóż he's an entitled piece of shit mommy's boy. The senior doctor schools him hard and rough. And then something happens and the young lad starts to admire him and the story unfolds",
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"content": "Red Beard.\nTrained in a Dutch medical school in Nagasaki, the young and arrogant doctor Noboru Yasumoto aspires to the status of personal physician of the Shogunate, a position currently held by a close relative. Yasumoto believes that he should progress through the safe, and well-protected, army structure of medical education. However, for Yasumoto's post-graduate medical training, he has been assigned to a rural clinic under the guidance of Akahige (\"Red Beard\"), Dr. Kyojō Niide. Under a gruff exterior, Dr. Niide is a compassionate clinic director.\nInitially, Yasumoto is livid at his posting, believing that he has little to gain from working under Red Beard. Yasumoto feels that Red Beard is only interested in seeing Yasumoto's medical notes from Nagasaki, and he rebels against the clinic director. He refuses to see patients or to wear his uniform, disdains the food and spartan environment, and enters the forbidden garden where he meets \"The Mantis\", a mysterious patient that only Dr. Niide can treat.\nAs Yasumoto struggles to come to terms with his situation, the film tells the story of a few of the clinic's patients. One of them is Rokusuke, a dying man whom Dr. Niide discerns is troubled by a secret misery that is only revealed when his desperately unhappy daughter shows up. Another is Sahachi, a well-loved man of the town known for his generosity to his neighbors, who has a tragic connection to a woman whose corpse is discovered after a landslide. Dr. Niide brings Yasumoto along to rescue a sick twelve-year-old girl, Otoyo, from a brothel (fighting off a local gang of thugs to do so) and then assigns the girl to Yasumoto as his first patient. Through his efforts to heal the traumatized girl, Yasumoto begins to understand the magnitude of cruelty and suffering around him as well as his power to ease that suffering, and learns to regret his vanity and selfishness.\nYasumoto's former fiancée, Chigusa, had been unfaithful to him, ending their engagement, and Yasumoto learns that she now has a child with her new lover. Chigusa's younger sister, Masae, visits the clinic to check in on Yasumoto. She later makes a kimono for Otoyo, showing compassion that suggests she might be a good match for Yasumoto. Yasumoto's mother likes Masae, and suggests the marriage. When the brothel's madam comes to the clinic to claim Otoyo and take her back to the brothel, the doctors and clinic staff refuse to let Otoyo go, and chase the madam away.\nWhen Yasumoto himself falls ill, Dr. Niide asks Otoyo to nurse him back to health, knowing that caring for Yasumoto will also be part of her own continued healing. Later, when a local boy, Chôji, is caught stealing food from the clinic, Otoyo shows him compassion and befriends him, passing on the compassion she received from Niide and Yasumoto. When Chôji and his destitute family try to escape their misery by taking poison together, the clinic doctors work to save them.\nYasumoto is offered the position as personal physician to the Shogunate he had so coveted. He agrees to marry Masae, but at the wedding announces that he will not accept the new position, but will stay at the clinic, turning down a comfortable and prestigious place in society to continue serving the poor alongside Dr. Niide.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "Carry On Spying.\nA top-secret chemical formula has been stolen by STENCH (the Society for the Total Extinction of Non-Conforming Humans). Fearful of the formula falling into the wrong hands, the chief of the Secret Service reluctantly sends the only agent he has left, the bumbling and silly Agent Desmond Simpkins (Kenneth Williams), and his three trainees—Agent Harold Crump (Bernard Cribbins), Agent Daphne Honeybutt (Barbara Windsor), and Agent Charlie Bind (Charles Hawtrey)—to retrieve the formula.\nThe agents travel separately to Vienna, where each makes contact with Carstairs (Jim Dale), who assumes a different disguise each time. Next, they rendezvous at the Cafe Mozart and later travel on to Algiers. Upon the way, they encounter STENCH agents the Fat Man and Milchmann (who stole the formula whilst disguised—befitting the English translation of his German name—as a milkman). Unfortunately, the agents' ineptitude results in Carstairs being floored in an encounter with the Fat Man.\nDaphne and Harold attempt to steal the formula back whilst disguised as dancing girls in Hakim's Fun House, where the Fat Man is relaxing. The agents also encounter the mysterious Lila (Dilys Laye), whom they are uncertain to trust. With the STENCH henchmen close on their heels, the agents have no other choice but to have Daphne memorise the formula with her photographic memory, before the four of them destroy the formula papers by eating them with soup and bread.\nThe four agents end up captives of STENCH. Daphne is interrogated by the evil Dr Crow (played by Judith Furse and voiced by John Bluthal), head of STENCH, but she fails to succumb until she accidentally bumps her head, causing her to reveal the formula. Simpkins, Crump, and Bind manage to escape their cell and to collect Daphne and Dr. Crow's tape recording of Daphne's recitation, but are caught up in an underground automated factory process, from which they escape only when Lila pulls a gun on Dr Crow, forcing her to reverse the process.\nSimpkins sets the STENCH base to self-destruct before rushing into a lift with the other agents, as well as Lila and Dr Crow. As the lift ascends, Lila reveals to Simpkins that she is a double agent working for SNOG (the Society for the Neutralising of Germs) and that she has a crush on him. The lift reaches the surface, which is revealed to be the office of the chief of the Secret Service; the headquarters of STENCH is right below the streets of London. STENCH headquarters self-destructs, choking the chief's office in a thick cloud of smoke.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT] [Movie] [60's - 90's] Horror movie about an old lady who turns into a featherless turkey/chicken puppet.\nI vaguely remember images of this movie, so please bear with me. \n\nI think the main protagonist was an adult woman and her grandma (?) is like an antagonist (?). This old lady might be just some random old lady. \n\nAnyway, all I remember really is that near the end of the movie, the old lady either turns into a giant fleshy and featherless bird puppet, or she emerges from that body and rips it apart. \n\nAlthough, I think I remember her transforming into the turkey puppet, though it was just her body. Like imagine the giant turkey body with the old lady's head just kind of placed ontop, and the turkey wings being controlled like a puppet would. \n\nThis scene took place at night and I believe it was outside and either ontop of or nearby a giant manor. \n\nThere were also rat puppets at some point and there might have been another male character. \n\nI have no clue what the time frame for this movie is. I just remember watching it on cable with my dad when I was younger. I watched it in the 2000's. Though the film quality was considerably low, so I'm assuming it's 1990's or before. The pupeteering looked outdated and cheesy. The movie almost seems more like a horror-comedy to me, but I have seriously no clue. It kind of reminds me of Gremlins. \n\nAny suggestions would help, because this image has been seared into my brain haha.",
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"content": "Braindead (film).\nIn 1957, explorer Stewart McAlden and his team smuggle a captured Sumatran rat-monkey, a hybrid creature that resulted from the rape of tree monkeys by plague-carrying rats, out of Skull Island. During the team's escape from the island's warrior natives, who demand the return of the creature, Stewart is bitten by the rat-monkey, resulting in his dismemberment and killing by his crew, who fear the effects of the bite. The captured rat-monkey is then shipped to Wellington Zoo in New Zealand.\nIn Wellington, Lionel Cosgrove lives in a Victorian mansion with his domineering mother Vera. When he was a child, Lionel's father drowned trying to save him at the beach, and the incident has haunted him into adulthood. To Vera's dismay, Lionel falls in love with a Spanish Romani shopkeeper's daughter, Paquita María Sánchez, who is convinced the two are destined to be together. When the two visit the Wellington zoo together on a date, Vera follows them and is bitten by the rat-monkey which attacked one of the monkeys, and though she appears fine initially, the following day she grows more and more decrepit, culminating in her eating her own ear after it falls off in a custard during a lunch with colleagues, and later eating Paquita's dog. She appears to die before reanimating as a ravenous zombie and killing the attending nurse Mrs. McTavish, who also returns as a zombie, before Lionel locks them both in the basement and keeps them sedated with animal tranquilizers. While visiting Paquita, Lionel is given a pendant for luck by her grandmother. Vera is able to break out of the basement and is apparently killed when struck by a tram.\nAt her funeral, Lionel tranquilizes Vera to keep her from attacking the mourners. Later, while returning to the graveyard to administer more of it, he is accosted and beaten by a group of hoodlums who presume him to be a necrophiliac. Vera suddenly bursts from her grave and attacks the hoodlums. In the ensuing commotion, the gang leader \"Void\", as well as the local priest Father McGruder, are bitten and become zombies, so Lionel has to keep them locked in the basement too. After the nurse and priest copulate and produce a zombie baby, Lionel breaks up with Paquita to keep her safe. Shortly afterward, Lionel's uncle Les arrives to wrangle with Lionel over Vera's estate. Discovering the zombies, which he believes to be dead bodies, in the basement, Les blackmails his nephew into giving up the house and his inheritance and invites his friends over for a housewarming party despite Lionel's objections.\nDuring the party, Paquita arrives to try to make amends with Lionel. She discovers the zombies in the basement, and Lionel explains to her all that has occurred. She is able to convince Lionel to administer poison to the zombies to finally kill them, but after injecting the zombies with it, he discovers the poison is animal stimulants, which revives them. They narrowly escape the now-enhanced zombies, who burst into the house upstairs and slaughter the party guests. The guests subsequently reanimate and begin to attack the survivors. Lionel enters the house with a lawnmower and proceeds to mow through a horde of zombies, while Paquita tries to dispose of zombie body parts in the blender. Les enters the basement, where he is beheaded by Vera, who has now grown to monstrous proportions. Vera erupts from the basement and pursues them both to the rooftop as the house catches fire from a burst gas pipe.\nAs Vera corners them on the roof, Lionel confronts his mother and reveals that he witnessed Vera drowning his father and his lover in the bathtub as a child, and accuses her of lying to him all his life. Vera becomes enraged and swallows Lionel with an opening in her stomach before trying to kill Paquita. Lionel cuts his way out of his mother's body with the good luck pendant, causing Vera to fall back into the burning house. Lionel and Paquita escape the burning rooftop as the fire brigade arrives. They kiss and then walk away arm-in-arm.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT][MOVIE][1980s] A movie where a guy on a deep ocean ship gets attacked by an eel. Later there is a man like monster killing crew members. [NOT an “Alien” movie].\nI remember seeing this movie as a child in the early 80s. It was on tv, so it may have been a TV movie?\n\nIt was sort of similar to alien, except it took place on a ship at sea instead of in space. The part I remember vividly is a man reaching for some eggs brought up from the water, and a deep ocean eel like thing attacks him.\n\nI also vaguely remember another monster (it seemed more human-like) chasing down the other people on the ship. I think the movie had the typical horror movie ending, where one or a few people survive, while the monster is destroyed/killed.\n\nEdit: It’s also not DeepStar Six, the Abyss, or Leviathan. It was in the early 80s, and I believe it’s more obscure.",
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"content": "The Intruder Within.\nDrillers on an oil rig near Antarctica discover that they have accidentally brought up several prehistoric eggs. One egg hatches and becomes an unstoppable creature. Chad Everett and Jennifer Warren risk their lives to stop it.::<Blythe760@aol.com>\n\nPersonnel on an oil rig near Antarctica discover a bizarre fossil that exerts a mesmeric influence over some of them and gradually regenerates into the horrible embodiment of an evil that has lain dormant since the beginning of time.::Kevin McCorry <mmccorry@nb.sympatico.ca>\n\nDrillers on an oil rig near Antarctica discover that they have accidentally brought up several prehistoric eggs. One egg hatches and becomes an unstoppable creature. Chad Everett and Jennifer Warren risk their lives to stop it.::unknown",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses 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ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, 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priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as 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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][Film] Japanese movie from the 50s or 60s.\nMy husband and I were at a sushi restaurant and they were playing a classic Japanese film. The owner said the movie was released “about (over?) 55 years ago.” We can’t seem to figure out what the movie was called, but we want to know what happened in the end!\n\nThe movie was set in Tokyo, and it was in color. The plot as far as we could gather was that a young man (a painter) was in love with a young woman (a singer who also worked as a seamstress). She was in love with another guy, kind of a scoundrel, who was also sleeping with someone else. He broke her heart when she discovered he wasn't faithful to her, and she had begun to realize that the painter was the right man for her. She was on her way to meet the painter at the train station when she was run over by a car. The painter and the young woman’s mother went to the hospital, where they were told she was dead, and identified her body.\n\nThe painter was totally distraught and started going a little crazy. He began painting darker and darker works, all about the dead woman. He thought he saw her in the street and rushed down to meet her, but it was just someone else who looked like her. Then he was in the subway and heard her voice over the loudspeaker. He went to the station office and it was actually her! However, she didn’t remember him and had no idea what he was talking about. She also didn’t remember her mother or friends.\n\nThe last part of the movie that we saw consisted of him trying to jog her memory. He took her to the places they had gone earlier in the movie, but she couldn’t remember. She was staring at an empty frame and trying to visualize what painting had been there, but couldn't. Then, the scoundrel from the beginning (who had gotten involved in some plot with some criminals) brought them a painting the painter had made of the young woman, then turned himself in to the cops and went to jail. The painting, which turned out to be what was missing from the frame, unfortunately did not help her remember who she was.\n\nThe painter’s works were also shown in a gallery showing at one point later in the film.\n\n\nAnd that’s all we saw. We want to know how it ends, but can’t seem to figure out what movie it was.\n\nHelp!!! Thank you!!",
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{
"content": "Ginza no koi no monogatari.\n\"Ginza's Story\" is based on Yujiro's hit song about the hopes and dreams of Japan's young people.::Ulf Kjell Gür",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"id": "tt0102032",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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{
"content": "[TOMT][MOVIE][1990s/2000s] Teen comedy about about a girl getting into a virtual reality machine and being accidentaly transformed into a clone of a guy she likes.\nThe film is most likely from late 1990s / early 2000s. It's a teen/young adult comedy. A girl, a high school/college student gets into a sort of virual reality game machine. She models her character after a guy she's into. By some malfuction, the machine transforms her into that guy, creating essentialy an identical clone of him. Hilarity ensues.",
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{
"content": "Virtual Sexuality.\n17-year-old Justine (Laura Fraser) bemoans being a virgin so, after being stood-up on a date, goes to a virtual reality exhibition with friend Chas (Luke DeLacey). There she encounters a virtual makeover machine which she uses to create a 3-D image of her perfect man. After a freak power-cut Justine finds herself inside that male body, becoming her own ideal mate (Rupert Penry-Jones). Naming this alternate self \"Jake\", he moves in with Chas to try and come to terms with being a teenage boy.\nJake then realises that an unaltered version of Justine is still around unaware of his existence. This unaltered Justine, on meeting Jake, falls for him unaware of the complications this poses. Jake fends her off by feigning interest in the infamous local man-eater known as \"the Hoover\".\nA frustrated Justine then decides she must lose her virginity at any cost, and dates town sleaze Alex to achieve this. As the big date looms, Chas and Jake do all they can to thwart Justine's plans.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT][MOVIE] Old terrible horror movie.\nSome teens wake up in a hospital-ish room. I remember some of them having bugs taped into their ears for a reason I don’t believe is ever actually addressed. There’s a dead guy in the room with them, they take his blanket, and one of them blames this for his waking up later in the film. The whole time they’re being watched through one way glass. I’m almost positive demons come from the floor at the end.",
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"content": "Evil Behind You.\nAbducted couples are victims of medical experiments that mutate their minds with supernatural abilities. As their mental capacities increase, so does the danger from something evil that is not of flesh and blood.::Jim Carroll\n\nLisa Williams and Debra Reynolds were both enjoying evenings out when something went very wrong. Neither girl can recall what has happened as they awake locked in a dark observation room. Debra's husband, Tony and Lisa's boyfriend David are both handcuffed to operating tables and there is no explanation. No one will respond to their calls for help and there is no way out of the room. The abducted couples are unwilling victims of a scientific experiment. As the guys recover from the anesthesia, the girls attempt to comfort them. But something strange is happening to them. The men are fighting to maintain their minds. The reasons for their abductions are unknown and they must solve the mystery soon, because their confinement isn't the biggest problem. They are sensing something that is more than flesh and blood. Something else seems to be in the room with them. The longer they stay, the \"more real\" it appears to become. But is it real or an after effect of their surgery? Every minute that passes increases the danger. The eerie results create a \"sit on the edge of your seat\" experience.::Shelly Carroll",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined 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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT] [MOVIE] a movie about a teenage witch!.\nOkay so I remember this movie that was probably from the 00's. \n\nIt featured a teenaged girl, brown hair who lived with her grandmother and mother and together they made up 3 generations of witches. However there were only 3 kinda of witch magic and no two witches could have the same one, if there are more than 3 witches, the eldest would die (or give up her powers?) To pass them on. One involved gardening and maybe another was telepathy?? \n\nThis girl goes to high school and wears all sorts of odd clothes, most of which she makes herself, especially out of things like plastic bags. Her best friend asks her to make her a pair of leggings made of target bags so she could have a bullseye on her butt at some point. She is also in love with a guy from school called Oliver and they get together in the movie and kiss in a gazebo I think xD\n\nAs the movie goes on it turns out the main girl has all 3 witch powers, which is impossible apparently. \n\nIf anyine could help that would be great!",
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"content": "The Last Keepers.\nIn the movie's prologue, a young girl with platinum blonde hair witnesses a woman being burned at the stake.\nIn modern times, Rhea Carver awakens from a nightmare. She is the daughter of a reclusive family of witches. Rhea is seen making a dress out of recycled plastic bags as her family practices witchcraft.\nAt school, she begins a rocky relationship with Oliver Sands, a classmate. As the two grow closer, Rhea begins experiencing visions of the young girl with blonde hair, and begins showing her own witchcraft abilities, including bringing a garden of squash back to life and levitating dead tree stumps.\nRhea's mother experiences a vision of Rhea laying in a pool of blood and becomes overprotective of Rhea, much to the consternation of Rhea and Rhea's grandmother. As Rhea's powers grow, she shows that she is the chosen one since she possesses all three magical traits: telekinesis, visions, and healing. They inform her of the history of the family and they are the last keepers of the ancient witchcraft tradition. They want Rhea to carry on the family tradition. When she tells them of the visions of the young girl with blonde hair, they mention a prophecy that the daughter of the one who carries all three magical traits will return balance between humans and nature.\nRhea's classmates find out she is a witch and several bullies trespass at the Carver home, setting a scarecrow on fire and killing Rhea's pet goat, using its blood to write \"Witch\" on the window of her car.\nUpset at the life they set out for her, Rhea rebels to become \"normal\", rejecting her family and Oliver, and beginning a relationship with another classmate named Taylor.\nDuring a party, Rhea rides in a car driven by a drunk Taylor. Taylor then crashes his car down a hill and into a tree. She awakens in a pool of blood, but uses her healing power to heal her injuries, and then proceeds to heal and resurrect the other people that were in the car.\nRhea returns home, reuniting with Oliver and her family, apologizing for her past actions and promising to fulfill the prophecy.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT][MOVIE][1990s]Indie foreign movie about a child who lost his mother (hit by a car).\nI remember renting a DVD in the early 2000s, so the movie could have been made between the 1970s and late 1990s, though the latter seems more likely. The beginning of the movie quite traumatized me. I believe it was set in India, but it could also have been in the Middle East or in North Africa (please don't judge me, I was 9 and I barely knew about the world). \n\nA boy and his mom live in a very polluted and crowded city, among the hustle and bustle (cars stuck in traffic, people running everywhere). One day, as they're crossing the street, the boy drops his wooden toy that falls under a bus stopped at a red light. The mother doesn't notice the boy has stopped following her it until she's crossed the street. When she realizes the boy's in danger because he's trying to pick it up but can't quite reach his toy, she runs back across the street, gets hit by a car and dies in front her child (who finally got his toy, hurray)\n\nI believe the rest of the movie deals with the boy being an orphan and people trying to take care of it.\n\nIt had quite a Slumdog vibe, except you could tell it was made from the local industry. The movie's quite gritty, realistic and yellow-hued.",
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"content": "Central Station (film).\nDora is a retired schoolteacher who has become embittered.\nShe works at Rio de Janeiro's Central Station, writing letters for illiterate customers, in order to make ends meet.\nShe can be impatient with her customers and sometimes does not mail the letters that she writes, putting them in a drawer or even tearing them up.\nJosué is a poor 9-year-old boy who has never met his father, but hopes to do so.\nHis mother sends letters to his father through Dora, saying that she hopes to reunite with him soon, but when she is killed in a bus accident just outside the train station, the boy is left homeless.\nDora takes him in and traffics him to a corrupt couple, but she is made to feel guilty by her neighbor and friend Irene and later steals him back.\nDora is initially reluctant to be responsible for the boy, but ends up deciding to take a trip with him to Northeast Brazil in order to find his father's house and leave him there.\nDora tries to leave Josué on the bus, but he follows her, forgetting his backpack containing Dora's money.\nPenniless, they are picked up by a kind, Evangelical truck driver who abandons them when Dora encourages him to drink beer and then grows too friendly.\nDora trades her watch for a ride to Bom Jesus do Norte.\nThey find his father's address in Bom Jesus, but the current residents say that Jesus won a house in the lottery, and now lives in the new settlements, adding that he lost the house and money through drinking.\nWith no money, Josué saves them from destitution by suggesting Dora write letters for the pilgrims who have arrived in Bom Jesus for a massive pilgrimage.\nThis time she posts the letters.\nThey take the bus to the settlements, but when they locate the address they have for Josué's father, they are told by the new residents that he no longer lives there and has disappeared.\nJosué tells Dora that he will wait for him, but Dora invites him to live with her.\nShe calls Irene in Rio and asks her to sell her refrigerator, sofa and television.\nShe says that she will call when she gets settled somewhere.\nAfter she hangs up, she learns that there are no buses leaving until the next morning.\nIsaías, one of Josué's half-brothers, is working on a roof next to the bus stop, and learns that they are looking for his father.\nAfter introducing himself, Dora says that she is a friend of his father and was in the area.\nIsaías insists that she and Josué, who, suspicious of the stranger, has introduced himself as Geraldo, come to dinner.\nThey return to his house, where they meet Moisés, the other half-brother.\nLater, Isaías explains to Dora that their father married Ana, who he doesn't know is Josué's mother, after their mother died, and that nine years ago, while pregnant, Ana left her drunken lover for Rio and never returned.\nIsaías asks Dora to read a letter that his father wrote to Ana when he disappeared, six months ago, in case she returned.\nIn the letter, the boys' father explains that he has gone to Rio to find Ana and the son he has never met.\nHe promises to return, asks her to wait for him, and says they can all be together—himself, Ana, Isaías and Moisés.\nAt this point Dora pauses, looks at Josué and says, \"and Josué, whom I can't wait to meet\".\nIsaías and Josué both say that he will return, but Moisés doesn't think so.\nThe next morning, while the sons sleep, Dora sneaks out to catch the bus for Rio.\nShe first leaves beside the letter from Jesus the one from Ana to Jesus, the one Dora carried with her from the Central Station but never mailed, expressing Ana's wish for the family to be reunited.\nJosué wakes up too late to prevent her departure.\nDora writes a letter to Josué on the bus.\nBoth are left with the photos they had taken by which to remember one another.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT][Movie] Pre-2003? Sci-fi alien/experimentation gone wrong.\nI only remember seeing snippets of this film at a relative's home. ~2003 or earlier.\n\nTaking place in a **jungle** environment, the American(?) military was tasked to eradicate some sort of scientific experiment creatures which escaped captivity/turned on the experimenters.\n\n\n* **Scene 1**: Taking place at night, the soldiers were walking amongst the trees when suddenly one of the rear soldiers was dragged away from the rest by some sort of flesh-looking tentacles. He was brought high up a tree trunk, screaming and whatnot while being attacked.\nThe other soldiers eventually caught up and fired up at the creature which dropped what remained of the soldier which was just his SKIN (and presumably uniform)\nSo the creature sucked out his guts, I suppose.\n\n\n* **Scene 2**: The soldiers find the experimenters' lab facilities.\nLots of windows where the creatures were presumed to be held captive.\nOne soldier (seeming to be a superior?) peered too closely to a window when a creature from inside bursts through the glass and pulls him through. Another soldier not too far yelled for the soldier, and having no other choice turned his weapon to shoot a grenade into the window presumably killing the creature (and the soldier if he wasn't already)\n\n\n* **Scene 3**: A lone dark suited alien(?) seems to want to help eliminate the creatures.\nIt has the ability of jumping great heights and distances. (It may have had some sort of technologically advanced device on its wrist)\nIn the end, it assists the small remaining group of soldiers defeat all of the creatures.\nIt departs by acknowledging the soldiers (nodding or something) and walking up the ramp of its flying saucer -spaceship and takes off.\n\nKind of a lengthy post, but I really do want this answered as I've been racking my brain for a long time, and want to give as much info as possible.\nThanks!",
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"content": "Code Red.\nA psychologically disturbed solider is forced to come out of retirement to find his brother who has disappeared in the jungle but nothing can prepare him for the alien nightmare he is plunged into.::Thomas Chiverton",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT][Movie] In which a bad guy gets eaten at a southern BBQ..\nSo in this movie a bad guy gets killed by one of the main characters. It is not an action flick. I think he was an angry drunk/womanizer of some kind. All of the characters had southern accents. The bad guy winds up dead under circumstances that might be considered or mistaken for murder. Because the dead guy was scum the main character and her friends cover it up. They dump his truck in the lake/river, figuring people would believe he’d drove in himself since he was often drunk. Then it is strongly implied one of the characters who runs a popular outdoor southern BBQ serves the bad guy to his patrons to get rid of the body. Later the main character is on trial for the murder but the judge dismissed the case for lack of evidence and declares the death to be accidental. \n\nAny ideas? Time frame may be 70s or 80s for the film and the setting of the plot maybe the 1930s.",
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"content": "Fried Green Tomatoes.\nA housewife who is unhappy with her life befriends an old lady in a nursing home and is enthralled by the tales she tells of people she used to know.::Murray Chapman <muzzle@imdb.com>\n\nEvelyn Couch is having trouble in her marriage, and no one seems to take her seriously. While in a nursing home visiting relatives, she meets Ninny Threadgoode, an outgoing old woman, who tells her the story of Idgie Threadgoode, a young woman in 1920's Alabama. Through Idgie's inspiring life, Evelyn learns to be more assertive and builds a lasting friendship of her own with Ninny.::Kevin <Kibble@vm.temple.edu>\n\n_Fried Green Tomatoes_ (qv) is a 1991 film directed by Jon Avnet. In this directorial bebut, Avnet cast four women to play the lead roles. Kathy Bates as Evelyn Couch, an unhappy housewife depressed with her life; Mary Stuart Masterson as Imogene Louise (Idgie) Threadgoode, the local tomboy who swears, smokes, drinks, gambles and never goes to church; Mary-Louise Parker as straight-laced Ruth Anne Jamison of Valdosta, Georgia. A preacher's daughter and only child in charge of the BYO activities and the young people at the church. And Idgie herself! And Jessica Tandy as Virginia (Ninny) Threadgoode, sister-in-law to Idgie. Idgie and Ruth lived back in the 1920's and 1930's in Whistle Stop, Alabama. Ninny did as well, and regales the two women's adventures to Evelyn, who takes these stories as inspiration for her own life. _Fried Green Tomatoes_ (qv) is based off of the book \"_Fried Green Tomatoes_ (qv) at the Whistle Stop Cafe\" by Fannie Flagg. The book was released in 1987. In Britain, the movie has the exact same title as the book. Note: There are very few differences between book and movie for whom it may concern.::Rachel Burkert",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT] [Movie] It's about a helicopter pilot, set in the future, and cloning is a major theme..\nI remember a couple things about it. Pretty sure that Arnold Schwarzennegar was in it as the main character. He was a helicopter pilot who everyone thought died in a crash, so they cloned him without anyone else knowing. He didn't die, though, so he gradually discovers this crazy diabolical scheme or by the company who clones people. And in the beginning, there's a foreshadowing where his daughter's dog dies and they clone it to resurrect it.",
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"content": "The 6th Day.\nAt some point in the indeterminate near future, the cloning of animals and human organs has become routine. Cloning entire humans, however, is prohibited by what are known as \"Sixth Day\" laws. \nBillionaire Michael Drucker, owner of cloning corporation Replacement Technologies, hires charter pilot Adam Gibson and partner Hank Morgan for a ski trip. Due to Drucker's prominence, the two must first undergo blood and eye tests to verify their aptitude. On the day of Drucker's arrival, Adam finds that his family dog Oliver has died, and Hank offers to pose as him to fly Drucker instead to allow Adam time to have the pet cloned by RePet. After visiting a \"RePet\" shop, he remains unconvinced and purchases an animatronic doll, a SimPal, named Cindy instead. On the ski trip, however, Drucker and Hank are shot by one of the skiers.\nAdam returns home and discovers that not only has Oliver already been cloned, but a purported clone of himself is with his family, along with another SimPal Cindy. Replacement Technologies security agents Marshall, Talia, Vincent and Wiley arrive with the intention of killing Adam. Adam kills Talia and Wiley in the ensuing chase and escapes, but both are later cloned. Adam goes to the police, but they do not believe his story, as the clone already reported his car stolen, and deem him insane. They call the security agents, but he escapes and seeks refuge at an alive Hank's apartment. Hank hardly believes his story, but when he shows him the clone Adam he helps him. Adam contemplates killing his clone but finds himself unable to do it and they return to Hank's apartment, where they are ambushed by Tripp, the skier who shot Drucker and Hank. Tripp shoots and kills Hank, but is mortally injured by Adam. Revealed as a religious anti-cloning extremist, Tripp informs Adam that Hank was a clone, since he killed the original one on the mountaintop earlier that day, to be able to kill Drucker, who was also a clone, and there is now a new Drucker clone. Marshall and the other agents arrive on the scene and Tripp informs Adam that he gained his information from informants that work in the cloning laboratory and that he knows their identifies. Tripp then commits suicide by shooting himself in the head to avoid being captured by Marshall and the others in order to prevent his memory from being scanned. The agents begin to attack Adam but he is able to disable Marshall and Talia again and steals Talia's thumb.\nSeeking answers, Adam sneaks into Replacement Technologies with Talia's thumb and finds Dr. Griffin Weir, the scientist behind Drucker's illegal human-cloning technology. Weir confirms Tripp's information about the cloning, adding that to resurrect Drucker, the incident had to be covered up and Adam was cloned because they mistakenly believed he had been killed when he and Hank switched places, which they discovered only later and had Hank cloned as well, which is also why the agents are trying to kill Adam. Weir explains that Drucker – who already died years before – could lose all of his assets if the revelation became public, since clones are devoid of all rights. Sympathetic with Adam's plight, Weir gives him a memory disk (syncording) of the Drucker clone but warns him that Drucker may go after the other Adam instead, putting Adam's family in danger. Weir also discovers that Drucker has been engineering cloned humans with fatal diseases as an insurance policy against betrayal. Upon finding out that his own wife was one such victim, Weir confronts Drucker and resigns. Drucker reluctantly shoots him dead after promising to clone both him and his wife.\nDrucker's agents abduct the Gibson family during Adam's daughters school recital and Adam comes face-to-face with his clone. The two reluctantly team up and devise a plan to destroy Drucker's facility. While Adam wrecks the security system and gets himself captured, the clone sneaks in, plants a bomb and rescues his family. Drucker, however, tells Adam that he himself is the clone; the other Adam is the original one. Initially doubtful, Drucker proves that Adam is the clone by showing hidden physical changes below the eye, marking how many times somebody has been cloned. Enraged, Adam fights off Drucker's agents and Drucker is mortally wounded while Talia, Wiley, Vincent and Marshall are killed for the final time. Drucker manages to clone himself before he dies but the malfunctioning equipment causes the new Drucker clone to be incomplete and extremely deformed. As the cloned Adam fights his way to the rooftop, he is rescued via helicopter by the real Adam as Drucker falls to his death before the facility explodes.\nNow having a more moderate view of cloning, the real Adam arranges for his clone to move to Argentina to start a satellite office of their charter business. The clone's existence is kept a secret, especially upon discovering that his DNA has no embedded illnesses, giving him a chance at a full life, since he was of no political value to Drucker. As a parting gift to the Gibson family, the clone gives them Hank's RePet cat, Sadie. The real Adam gives the clone a flying send-off.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT][MOVIE] Sci-fi movie about going to heaven/nirvana.\nAs the title says, about a huge standing circular construction which spins and is supposed to take you to heaven/nirvana. Main character is a woman. She enters the machine and ends up in heaven/nirvana. She ends up meeting her dead father and they talk and she isn't sure she wants to leave, I think. 90s-00s I'd think. ",
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"content": "Contact (1997 American film).\nDr. Ellie Arroway works for the SETI program at the Arecibo Observatory in Puerto Rico. Guided into science and communication—starting with amateur radio—by her now-deceased father, she listens to radio emissions from space, hoping to find evidence of alien life. David Drumlin, the president's science advisor, pulls the funding from SETI, because he believes that the endeavor is futile. Arroway gains backing from Hadden Industries, run by secretive billionaire industrialist S. R. Hadden, which allows her to continue the project at the Very Large Array (VLA) in New Mexico.\nFour years later, with Drumlin seeking to close the SETI program, Arroway discovers a signal repeating a sequence of prime numbers, apparently sent from the star system Vega about 26 light-years away. This announcement causes Drumlin and the National Security Council led by Michael Kitz to attempt to take control of the facility. Arroway's team discovers a video hidden in the signal — Adolf Hitler's opening address at the 1936 Summer Olympics in Berlin, Germany. Arroway and her team postulate that this would have been the first signal strong enough to leave Earth's ionosphere, reach Vega, and be transmitted back.\nThe project is put under tight security, and its progress followed worldwide. Arroway finds that the signal also contains more than 63,000 pages of indecipherable data. The reclusive S. R. Hadden secretly meets with Arroway to provide the means to decode the pages. The pages reveal schematics for a complex machine that is determined to be some kind of transport for a single occupant.\nThe nations of the world fund the construction of the machine at the Kennedy Space Center in Cape Canaveral. An international panel is assembled to choose a candidate to travel in the machine. Although Arroway is a frontrunner to go, her hopes are scuppered by Christian philosopher Palmer Joss, a panel member whom Arroway met and briefly became romantically involved with in Puerto Rico. When he brings attention to her atheism, the panel selects Drumlin, as more representative of humanity. When the machine is first tested, a religious terrorist destroys the machine in a suicide bombing, killing Drumlin and several others.\nA cancer-stricken Hadden, now in residence on the Mir space station, reveals to Arroway that his company had secretly made a second machine in Japan and that Arroway will be the one to go. Outfitted with several recording devices, Arroway enters the machine's pod, which is then dropped into three rapidly spinning gimbaled rings, causing the pod to apparently travel through a series of wormholes. Arroway sees a radio array-like structure at Vega and signs of an advanced civilization on another planet. She then finds herself on a beach, similar to a childhood picture she drew of Pensacola, Florida, and a figure approaches that becomes her deceased father. Arroway recognizes him as an alien taking her father's form and attempts to ask questions. The alien tells her that the familiar landscape and form were used to make their first contact easier for her and that this journey was just humanity's first step to joining other spacefaring species.\nArroway falls unconscious as she begins traveling back through a wormhole. She awakens to find herself on the floor of the pod, the mission control team repeatedly hailing her. She learns that, from outside the machine, it appears that the pod merely dropped through the machine's rings and landed in a safety net. Arroway insists that she was gone for approximately 18 hours, but her recording devices show only noise. A Congressional Committee is formed and speculates that the signal and machine were a hoax designed by the now-deceased Hadden. Arroway asks the committee to accept the truth of her testimony on faith. In a private, online conversation, Kitz and White House official Rachel Constantine reflect on confidential information that, although Arroway's recording device only recorded static, it recorded 18 hours of it. Arroway and Joss reunite, and Arroway receives ongoing financial support at the VLA.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as 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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][Movie][2000s?] Younger kid hears voices. Spirits in small town need his help..\nI recently vaguely remembered scenes from this movie I think I saw on Disney or Nickelodeon or somewhere when I was a teen. \n\nPretty sure there was a young boy who heard voices and followed them to a cemetery of spirits who need his help. Seemed to appear as blue will-o'-the-wisps until he got closer. He and his (siblings?) live in a small town and things start to go awry near Halloween. May or may not have witches involved (could be from a different movie). Don't remember much more of the overall plot outside of that. \n\nMay have been a 90's film but I'm pretty sure I saw it later than that.\n\nThanks for all your help!",
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"content": "The Scream Team.\nTwo children, Ian and Claire, move into a town where their grandfather has just died. Ian thinks his grandfather's spirit is trying to tell them something, finding some library news clippings about a man named Zachariah Kull, who was accused of burning his home with his wife in it. Later, Ian and Claire capture a ghost named Jumper (a dead skydiver) who ends up freed by his partner, Coffin Ed (a revolutionary soldier). They follow them and other ghostly wisps of air into the forest, where they find an abandoned building. Entering, they find arriving ghosts entering a mirror, which leads to the afterlife. Ed and Jumper's boss, Mariah (a dead bride) isn't too pleased with this. Ian and Claire learn that they look for souls that don't want to cross over, and are dubbed the \"Soul Patrol\" by Jumper; they ended up with these jobs while waiting for their turn to cross over.\nIn exchange for letting their grandfather complete anything he wants finished before moving on, the children discover that Zachariah has kidnapped him to increase his powers. The children join forces with the Soul Patrol, to destroy Zachariah and release all the captured souls. They confront Zachariah at an abandoned mine, where Mariah is able to parry his fireballs, but finds he's gained new powers; Jumper ends up captured, further increasing Zachariah's strength. In the end they discover Zachariah was really a misunderstood inventor experimenting with natural gas, and one of his inventions accidentally burned his wife to death. When he was killed, Zachariah told his wife to wait for him, knowing he wouldn't be able to cross over due to desiring revenge against his injustice. At the festival that honors the villain everyone thinks him to be, Zachariah emerges from a burning effigy. However, Claire and Ian reveal the truth, reminding Zachariah that his wife is still waiting for him to cross over. Zachariah releases all of the trapped spirits and finally moves on.\nThe children and their father return home to find the grandfather's spirit waiting for them; the Soul Patrol kept their promise to let him take care of his unfinished business. He reveals how proud he is of his son, something he never did in life; when asked if he has to leave right away, the grandfather explains \"eternity can wait awhile\" and spends time catching up with his son before moving on. The family decides to stay in town, which is changing from bashing the formerly evil ghost to telling the truth about him.\nDuring the day, Ian and Claire visit the Soul Patrol, finding only Jumper and Ed, who explain that Mariah is talking to their bosses in the next world. Mariah returns, explaining that the little spectacle they caused to put an end to Zachariah's terror exposed the fact there is an afterlife; she is left anguished by this as she was almost done working for them, and the punishment is the extension of Mariah, Jumper and Coffin Ed's jobs. Ed visits them while they carve pumpkins with an invention of their grandfather's, avoiding getting hit by debris thanks to being a ghost – \"There are some advantages to being dead.\"",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT] [MOVIE] Minor conflict between two states in the US.\nI’m searching for a movie that I zapped by on TV a number of years ago. It’s not a recent movie. I would not be surprised if it’s from the 0’s or perhaps even 90’s. \n\nI remember the movie as being about a minor armed skirmish between two states in the US. The conflict is escalated by journalists from a TV network that are helping escalate the situation in order to get a good story.\n\nAs far as quotes, I remember at some point a young, armed man being asked by a journalist where he is from and answering “Bismarck!”, thus signalling that the conflict has widened geographically.",
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"content": "The Second Civil War.\nThe 1997 film is set in a United States in which foreign immigration has skyrocketed: The mayor of Los Angeles speaks only in Spanish, Rhode Island is populated mostly by Chinese-Americans, and Alabama has a congressman from India.\nPolitics is openly reduced to a matter of catering to various ethnic groups for their votes - the Alabama congressman will only support the president if his state receives more money for Hindu temples.\nWhen an atomic weapon is used in Pakistan, an international organization makes plans to bring orphans to Idaho.\nIdaho governor Jim Farley (Bridges) orders the state's National Guard to close its borders, as Idaho has already received more than a million refugees; he acknowledges this even though the Governor himself routinely indulges in Mexican food, Mexican soap operas, and an affair with a Mexican-American reporter (Peña).\nDespite the best efforts of his press secretary Jimmy Cannon (Kevin Dunn), Farley remains largely oblivious to the national crisis he's the center of, since Farley is more concerned with rekindling his romance with his mistress rather than dealing with national matters.\nMeanwhile, the President of the United States (Hartman) turns out to be an equally ineffectual leader, ruthlessly exploiting immigration to fill districts and states with those most likely to vote for his own party.\nHe will move more Koreans to New York since Koreans are one of his core constituencies.\nReputed as indecisive, the President delegates his decision-making entirely to his advisors, most notably his unofficial chief advisor, lobbyist Jack Buchan (Coburn).\nBuchan, however, is less concerned with the good of the nation, and more concerned with politics, especially how the President's actions will play on television (resulting, for example, in a 72-hour deadline being shortened to 67 hours to prevent the news from interrupting Susan Lucci's farewell appearance on the soap opera All My Children).\nBuchan regularly influences the President's decisions by manipulating his desire to emulate previousS.\npresidents, even going so far as to pepper presidential statements with fictitious \"quotes\" from President Dwight Eisenhower.\nMeanwhile, the NN cable network is reporting the events and influencing them at the same time.\nNews director Mel (Dan Hedaya) attempts to time events to maximize ratings, while his staff becomes polarized over the political issues involved in the conflict between the Governor and the President.\nStandard fare for the cable network is to show footage of crying immigrant children, which is done with the Pakistani orphans waiting to move to Idaho.\nAs the deadline approaches, the Governor and the President call in, respectively, the Idaho National Guard and the United States Army.\nTensions rise when the commanders of both units turn out to be bitter rivals from the Gulf War.\nMeanwhile, governors from other states send in their own National Guard units to aid one side or the other, causing the conflict to escalate into the national arena.\nMexican-American pro-immigrant rioters bomb the Alamo, while anti-immigrants retaliate by bombing the Statue of Liberty because of its plaque, stating that \"We no longer want your tired, your poor or your huddled masses\".\nEventually, the Governor's girlfriend convinces him to back down from the conflict and resign, but a series of misunderstandings and mutinies leads to a major battle between anti- and pro-immigrant armed forces at the Idaho border, culminating with the president's decision to invade Idaho in what becomes the Second American Civil War.\nAt the movie's close, news reports indicate that hostilities have ceased, but the immigration issue is unresolved.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, 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priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT][Movie] A movie about Hitler in a different world.\nSo I've seen the \"are you crying my Fuhrer\" meme and I want to find the source to the movie it's from. \n\nFrom googling all I came up with is this video: https://youtu.be/ylstybS6rqw\n\nWhat movie is it?\n\nEdit: That was quick! 3 people had the same answer at the same time so I guess that's right :D\n\nThanks!",
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"content": "Look Who's Back (film).\nAdolf Hitler (Oliver Masucci) wakes up in present-day Berlin, in a park where his former wartime bunker once stood, and with no memory of anything that happened after 1945.\nHe is disoriented and interprets modern situations and things from a Nazi perspective.\nEveryone he meets assumes he is an actor impersonating Hitler.\nHe arrives at a newspaper kiosk and begins to read about modern day issues in Germany.\nThrough these newspapers he discovers a completely different ideology from the country he left and not an ideology agreeable to his taste.\nHitler next meets Fabian Sawatzki (Fabian Busch), of the television station MyTV, who had been coincidentally filming a documentary about the children of Berlin in the park where Hitler awoke.\nSawatzki proposes to use Hitler in a television programme.\nAn idea for an animal-centred show ends suddenly when Hitler shoots a dog with a concealed pistol.\nHitler suggests that the subject of the film be politics.\nThe two set out on a journey to different places in Germany, with Hitler talking to the people being filmed, learning about their issues, and promising to help.\nHitler finds himself disillusioned with the German political spectrum.\nHe disparages the ruling CDU as \"Bavarian social drinkers\", and still bears a strong grudge against the SPD as the party of his old enemies Friedrich Ebert, Paul Lobe, and Otto Wels.\nThe only party Hitler mostly agrees with is the Green party as their program is similar to his Blut und Boden campaign.\nIn the meantime, Hitler becomes a street sketch artist to earn money for the programme.\nAfter returning to Berlin, Sawatzki introduces both Hitler and his programme idea to the MyTV station chiefs.\nThe MyTV chairman, Katja Bellini (Katja Riemann), decides to use Hitler in one of the MyTV comedy shows.\nBefore the show, Hitler learns about the Internet and uses the Web to learn about the modern world and prepare his return to politics.\nWhile on air, Hitler presents his old plans for world domination, but he unintentionally becomes a big comedy hit.\nAs Hitler's unintentional prowess in comedy increases, Christoph Sensebrink (Christoph Maria Herbst), one of the MyTV executives, discovers the unedited scene from Sawatzki's documentary where Hitler had shot the dog.\nSensebrink shows this footage on air, ruining the burgeoning career of both Hitler and Bellini, and resulting in his own promotion to station chief.\nWith the help of Bellini and Sawatzki, Hitler publishes a new autobiographical book about his new life in the 21st century, titled Er ist wieder da, and it becomes a bestseller.\nThe book's popularity overshadows Hitler's controversy over the dog he had killed.\nSoon after, the book is turned into a film.\nWithout Hitler, ratings and ad revenue at MyTV drop precipitously and Sensebrink, after a fit of rage which parodies Hitler's breakdown scene in the German drama film Downfall (also distributed by Constantin Film), decides he must publish Hitler's new film.\nHitler plays himself in the movie and during the filming he is beaten by two Neo-Nazis who believe him to be a fraudulent impersonator.\nHitler is hospitalized, but the news of his beating generates sympathy and he returns to high standing with the German people.\nWhile Hitler is recuperating, Sawatzki reviews his old footage and discovers a Terminator-esque ball of energy in the background, after which Hitler first appeared.\nReturning to the site, he finds burnt leaves.\nWith horror, he realizes that the Hitler he encountered is the real person all along.\nHe rushes to the hospital to confront Hitler, but he only finds Katja, who says that Hitler was back at the movie studio.\nWhen Katja doesn't understand him when he says he found the real Hitler, Sawatzki trashes the hospital room in frustration.\nSawatzki arrives at the movie studio, where he forces Hitler on to the roof at gunpoint with his own pistol.\nCalmly, Hitler replies that he was elected by the German people, and if he is a monster, then so is everyone that voted for him.\nThis prompts Sawatzki to shoot Hitler in the face, where he falls off the roof to his apparent death.\nSuddenly Hitler reappears behind Sawatzki, claiming he cannot be killed, as he is a part of every German.\nThis entire scene was revealed to be a part of the film, and Sawatzki was merely a body double in a silicone mask.\nThe real Sawatzki had been committed to a mental hospital following his previous outburst.\nOnce the work for his film finishes, Hitler senses that he is on the path to a political comeback.\nHe is more popular than ever, and nationalist Germans give Hitler hope that Germany might be ready for his return to power.\nWith Hitler and Bellini riding in the back seat of an open Mercedes convertible and amongst images of actual politically motivated right-wing demonstrations, The film ends with Hitler's words, \"I can work with this\".",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT][MOVIE] Children's Super Natural Horror About Kids Stuck in a Wild West Town.\nSo I am looking for a movie I watched back when I was a kid (I was born 1996). I am pretty sure it was made by Full Moon as the best part is at the beginning (this was a VHS tape) it would have a trailer for “Puppet Master Action Figures” (Puppet Master being one of Full Moon's series). Then later in the movie a cowboy with 6 arms, much like (the puppet) Six Shooter shows up (though this one is full size)\n\nAnyway from what I can remember it is about a group of 'modern' kids stuck in an old wild west town but something is strange (besides being in the past) because they witness events unfold the same way over and over (for example out their window they see the same couple of people pass by like time is repeating itself).\nI think there is also something about goo but don’t quote me on that. And like I said before, there is a moment where Six Shooter, or at least ‘Six Shooter like person’ makes an appearance. I also vaguely remember that they are there looking for their parents or someone else important to them... Can't be sure.\n\nAs for Year... Well, I rented it frequently from Holly Wood Video so it was probably from the 90s or at least early 2000s. It was also a goofy kinda 'R.L. Stine Goosebumps' feel to it. \n\nI know it’s not much to go on but I have (to the best of my ability) gone through the library of Full Moon movies and tried quite a few websites to try and find this film… No luck though.\nIf you could help me track this film down it would be much appreciated.\nThank you in advance.",
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"content": "Phantom Town.\nThree children go on a search to find their parents who mysteriously disappeared after entering a town called Long Hand that isn't found on any map.\nThe children check in at the town's hotel and begin to notice that the residents of Long Hand behave strangely, repeating the same actions over and over.\nFurther exploration of the town leads the children to discover that the town is inhabited by body snatchers, and they could be the next victims.\nThe children eventually find their parents in catacombs located underneath the town, and manage to leave the town with their parents after killing the monster that runs the town.\nIn the end, Mike throws a party and the children discover that their parents had been transformed just like the other residents of Long Hand.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, 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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT] [MOVIE] A movie about the dad of a dead college student.\nI saw this movie 2-3 years ago that was about a dad whose son died in a shooting at his college. I’m pretty sure the dad ends up joining a band or something, but I’m not entirely sure. I do remember, though, that we discover at the end of the movie that the guy’s son was the shooter. I also remember the son being like a singer or something at the beginning of the movie, but people were bullying him. Also, I think the songs that the dad sings at a bar or whatever are the songs that his son wrote. I watched the movie on some streaming platform, but I don’t think it was netflix.",
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"content": "Rudderless.\nThe film opens as Josh Manning (Miles Heizer) is recording his own songs in his college dorm room for demo and is interrupted by one of his floor mates looking for someone.\nHe stops recording, annoyed at the interruption.\nMeanwhile, his father Sam Manning (Billy Crudup) has succeeded in landing a large account at his advertising firm, and calls Josh to celebrate with him and skip that day's classes.\nJosh tells him he cannot make it but his father insists, though Josh begins to make his way to the campus library anyway.\nSam continues to wait at the bar where he told him to meet him and even leaves a message for Josh who has apparently stood him up.\nHe is distracted by a news report of a school shooting incident at his son's campus library on the television in the bar.\nLater, a memorial wake is being held at Josh's home by his mother, Emily (Felicity Huffman), and due to the media coverage received, Sam has a difficult time being able to grieve in his own way with press being cordoned at the end of the street by police, and a news helicopter hovering above the family home.\nSam is consoled by family and attendees while sitting alone to one side as his wife is greeting others.\nSam walks into Josh's bedroom to look around, attempting to find some kind of understanding over the loss, and is interrupted by Kate Lucas (Selena Gomez), who tells Sam that she and Josh had been dating the year prior.\nSam then makes his way to his own home and finds the media coverage is interfering with his daily life, and he eventually succumbs to alcoholism, as far as showing up intoxicated at his firm; acting erratically and kissing his receptionist in a drunken state, for which his employer is advising him to take time off to better cope with the situation.\nTwo years later, Sam has removed himself from his former life and is now living on a sailboat on a lake, far from home, having taken a job as a contractor's assistant and for the most part drinking away his free time.\nHis habits are causing habitual lateness and annoying his employer, who cautions Sam about repeated lateness.\nGetting up to relieve himself from the side of the boat has caught the chagrin of the governing board of the lake and the \"wrath\" of Alaird Dupree (because it is openly visible to other tenants and the small seafood restaurant nearby), the agent acting on behalf of the board.\nIt is clear he dislikes Sam, and the feeling is very much mutual.\nGoing for a drink with some coworkers after his day of working, he hides the details of his previous life and his true identity from everyone, even making up humorous stories about his past.\n(He tells his coworkers that he \"fingered\" Gotti and is in the protection of the Federal Witness Protection Program), Sam notices that \"The Trill\" tavern hosts open mic events for musicians.\nReturning to the marina, he encounters Emily waiting for him, who says she is moving to Tulsa and is now the mother of a new son.\nShe requires his signature to place their former house up for sale.\nShe has also brought the remainder of Josh's possessions—demo discs, instruments and gear—which Sam emphatically states he has no room for on his tiny sailboat.\nEmily tells him she was certain he would want it because they had played together since Josh was younger.\nHours pass after Emily leaves.\nHe tries his best to ignore the collection of his son's possessions over a meal.\nHe storms over to where Emily had left it beside the road and begins to place it in a dumpster but stops, noticing the notebooks and discs, and begins to listen to them back on the boat, and read through the collection of lyrics and writings Josh left behind.\nHe even begins to teach himself some his son's material.\nAfter work the next day, Sam decides to perform \"Home\", one of Josh's songs, at The Trill, and catches the attention of Quentin (Anton Yelchin), a young guitarist who was excitedly moved by the performance.\nThe next day, Quentin brings Sam coffee and food and discusses the previous night performance, stating he believes there are other songs, and if there are, they could perform them together.\nSam declares he is not interested, and continues to listen to more and teach himself his son's material.\nQuentin tries again the next day and shows him an alternate arrangement possibility for the song.\nThe two end up sharing a meal and playing instruments together for the rest of the night.\nSam neglects to tell Quentin that he was not the piece's actual author.\nAt the end of the night, Quentin gets Sam to agree to perform together at The Trill, adding more and more to each arrangement, including a percussion section in the way of Aiken.\nThe next day, Sam is introduced to Del (Laurence Fishburne), the owner and operator of the local music supply store, who reveals that he is selling his business and plans to retire and tour by motor home with his wife in his later years.\nQuentin shows Sam the 1978 Gibson Les Paul hanging in the store, but is unable to afford it (a source of good-natured joking between Quentin and Del).\nUpon leaving the store, Sam watches a staged meeting between Quentin and Willy, a bass guitarist, in hopes that they can include him in their performances, but Sam is resistant to starting a band.\nThe next day, the quartet meeting to practice in Quentin's garage beneath his apartment, and Quentin is very evasive about his own past.\nThe group, now complete, has impressed The Trill owner (played by director William Macy) who asks them to perform regular Saturday nights as house entertainment, to which the band agrees—even Sam, reluctantly.\nThe new name, “Rudderless”, quickly gains notoriety and local fame.\nMeanwhile, Quentin is revealed as extremely shy of the opposite sex, which Sam attempts to help him through, though Quentin finds the advice generally unhelpful.\nSam arrives at Quentin's apartment one afternoon and meets his mother, Joyce, who Sam mistakes as an older prostitute after seeing Quentin hand her a small amount of cash as they hug.\nQuentin is embarrassed because his mother has had issues with (unspecified) responsibilities, even spending his junior year of high school living in a car, and has vowed never to lower himself to that level of poverty again.\nAt the mall, Sam buys Quentin new clothing to give him a style, and develop confidence from it.\nIt does help a little, and Quentin begins to enjoy the attention Rudderless has gained him.\nFollowing the show, as the band members are to go to a party, Sam sees Kate—now calling herself by her middle name, Ann, who shames him for playing the songs in public.\nThe next day, Sam visits Josh's grave and finds it vandalized as Josh Manning is revealed to have been the killer in the school shooting incident where he died.\nEmily arrives with cleaning supplies, and implies its a fairly regular occurrence, and the two parents begin to clean off the graffiti from the headstone.\nAfterward, the two share some tequila, and its revealed that today is Josh's birthday.\nEmily tells Sam that a couple of the other parents have reached out to her to forgive them for Josh's actions, but Sam still appears to be in denial.\nEmily insists that they had acted properly in their parental roles and they have nothing to feel guilty for and that Josh had to have been mentally ill to carry out such an act of violence.\nContinuing to drink into the Saturday he is scheduled to work, Sam goes to his job and, finding a yard hammock, falls asleep.\nHis employer finds and fires him.\nSam assures him that he had already quit and walks away.\nLater that day, the other members of the band arrive with girls, and spend the afternoon on Sam's boat.\nAs Sam goes below, the other members plead with him about a local block party they have been invited to play, and its entirely possible it could lead to bigger and better opportunities for Rudderless in the way of airplay and exposure.\nBut Sam is reluctant, now knowing that Josh's songs would never be accepted when people find out the truth of their authorship.\nSam visits Del the next day to acquire a new amplifier tube, and finds Del and wife Tina having gotten the RV stuck.\nSam manages to get it out onto the street.\nDel asks him why he will not play the show, and Sam begins to question why he is really doing all of this.\nHe arrives at Quentin's garage and insists that the song Quentin wrote will be the final song, finally pushing him out of his comfort zone.\nFeeling good about the outcome, Sam makes his way toward the street stage and is surprised to find Kate/Ann talking to the other three members on the stage, presumably telling them the actual origin of the songs they all assumed Sam wrote.\nShe confronts him and tells him that the incident and her association with it had so interfered with her life that she had to change her name and leave school.\nShe had been pursued and harassed by people and media alike, asking humiliating questions, even suggesting they had been members of a cult.\nQuentin asks Sam if it was true, and Sam acknowledges the truth for the first time.\nQuentin outright refuses to play the material and strikes Sam as he is walking away despite the other two trying to persuade him to play the material one time only, and then move on.\nSam again goes into a drinking binge and returns home to the marina to find the Board had the area sealed with a chain link fence.\nSam attempts to climb it and falls over to the opposite side, breaking the guitar neck of his guitar strapped to his back, ruining it.\nThe next morning, the scheduled sailing regatta Alaird warned him about is loudly underway.\nThe sailboat procession is disrupted by Sam playing the 1812 Overture on his electric, sailing directly into the course of the other boats, and casting some over the sides of their own craft, for which Sam is arrested.\nHe calls Del to bail him out and is surprised when Del tells him he knew who he was the entire time, but did not know the songs were written by Josh.\nThe next day, Sam visits the site of the shooting, and finds the erected memorial identifying the shooting victims by name.\nSam breaks down in tears of grief over the guilt of Josh's actions, but finally accepts that he has lost his own son despite what he has done.\nSam then visits Emily, bring her Josh's discs, and says that one day, the new baby will want to know who his half brother was beyond what history will paint him to be.\nSam then visits Del's store and discovers Quentin has discarded his instruments, telling Del to sell them on consignment.\nSam then asks if the offer on the store was a \"good offer\", implying that Sam would be interested in buying Del's store.\nHe then goes to visit Quentin at the donut shop where he works, and implores him to continue playing and writing even if it is without Sam.\nSam tells him that he found performing Josh's material addictive, offering catharsis to his life and the bond with Josh.\nHe concludes the visit, having brought back Quentin's guitar cases.\nOne contains the Les Paul that Quentin so long idolized and wanted.\nFinally, Sam performs the songs he had been working on, first admitting and telling the audience who Josh was, what he had done, and that he had written the song he was about to play.\nClosure for Rudderless lets us see Sam has been replaced by a new guitarist.\nDel has been given Sam's sailboat (presumably in payment), and Emily finally decides to listen to Josh's music.\nSam completes the song, including (presumably) improvised lyrics about missing his son in the song's climax and leaves the stage.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, 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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT] [Movie] [90s/2000s] Weird death bus.\nETA Solved! \n\nOk so this is a movie, I would have seen it in late 90s early 2000s. I think it was a drama not a horror film. All I remember is a scene where this kid is getting off this ghost bus or looking at a ghost bus full of ghosts. Hes like 7 or 8. I think they helped him do something but they were nice to him not malicious. I thought whoopi goldberg was in it but I've looked at her movies and I dont think it was her. I know this is way vague.... anyone?? I've been trying to figure this out for years now. ",
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"content": "Heart and Souls.\nIn San Francisco, 1959, four despondent strangers embark on the same night trolleybus: Penny, a single mother, regrets working the night shift and leaving her three children at home; Harrison, a would-be singer, has backed out of an important audition due to stage fright; Julia leaves her waitressing job to seek out her boyfriend John, whose marriage proposal she rejected; and small-time thief Milo has just failed to retrieve a book of valuable stamps that he had conned out of a young boy. Their driver is Hal, who becomes distracted by an attractive passenger in another car and accidentally swerves the trolleybus off of an overpass, killing everyone aboard.\nAt the same time, Frank Reilly is driving his pregnant wife Eva to the hospital. Frank avoids the trolleybus just before it crashes. The Reillys are safe, but Eva delivers their baby in the car. Hal ascends into the next life, but the souls of the four passengers are \"attached\" to the newborn baby, Thomas, for reasons they do not understand. Only Thomas can see and hear them, and they are forced to follow him wherever he goes. As the years pass, the four grow to love Thomas, and he loves them. As Thomas grows older, however, his parents worry about his obsession with these \"invisible people\" and consider having him committed and getting divorced. Realizing their presence is hurting Thomas, the quartet decides to become invisible to him as well. The perceived abandonment causes young Thomas to avoid close relationships for the rest of his life, fearful that they, too, will leave him.\nThirty-four years later, Hal returns with his trolleybus. Because his irresponsibility ended four innocent lives, Hal has been condemned to convey spirits to the next life, and he has now come for his former passengers. The quartet learns that they've been with Thomas all these years because each of them died with unfinished business: Penny never found out what happened to her children, Harrison never conquered his fears and fulfilled his dream of public singing, Julia never told John her true feelings, and Milo never returned the stamp album, which would have freed him of the guilt from his life of crime. Thomas was meant to serve as their corporeal form, helping them to resolve their final business; if he refused to help, they were to inhabit his body and use it to solve their problems. After convincing Hal to buy some more time for them to rectify their unfinished lives, they reappear to Thomas, now a ruthless foreclosure banker who refuses to open up to his devoted girlfriend Anne.\nThomas, who has since undergone psychotherapy to convince himself that his \"imaginary friends\" were only a childhood delusion, initially believes their reappearance means he has had a psychotic break. Ignoring their pleas, he attempts to check himself into a psychiatric hospital, where a schizophrenic patient is able to describe the spirits that accompany him. This convinces Thomas that the spirits are real, but he is still angry with them for their abandonment and refuses to help them. The quartet convince him by leaping in and out of his body during an important meeting and threatening further public humiliation until Thomas reluctantly agrees to help in order to finally be rid of them.\nThomas is able to locate Penny's two daughters, but not her youngest child Billy, who was adopted after Penny's death. Milo uses Thomas's body to break into a house, steal back the stamp album, and return it to its now-adult owner. However, after the burglary, a nervous Thomas encounters a police sergeant (who is ticketing his illegally parked car) and accidentally gets himself arrested, forcing Anne to bail him out. Harrison uses Thomas's body to sing the national anthem at a B.B. King concert, after which Thomas is arrested again by the same police sergeant, who Penny suddenly recognizes as her son. Thomas tells Billy the location of his long-lost sisters, and Billy is so overcome that he lets Thomas go with a warning. Meanwhile, Anne, concerned with Thomas's recent bizarre behavior, demands to know what's going on. When he is unable to tell her, she breaks up with him.\nFinally, Thomas and Julia write a letter to Julia's boyfriend John in which she confesses her love for him, only to learn from a man now living in what was John's house that John died several years before. At the same moment, the trolleybus returns to take Julia. Thomas protests that Julia's business is still unresolved, but Julia realizes that her true business is Thomas, who is making the same mistake with Anne that she made with John. Thomas promises her that he will tell Anne his true feelings before it is too late, allowing Julia to depart.\nThomas invites Anne back to the arboretum, where he admits his fear of abandonment and his love for her. As a symbol of his trust, he gives her a heart-shaped keyring containing all his personal keys. Anne forgives him. The two dance under the night sky where four new stars twinkle to show that Penny, Julia, Harrison and Milo are finally at peace.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this 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"content": "[TOMT][Movie][2000s] Movie about a group of people getting mysteriously killed by traps. In the end it is revealed the killer is one of the guys in the group. The remaining 2 (one man and one woman) fight the traitor (one man) and (i'm pretty sure) kill him..\nThe movie is kind of a thriller/horror movie with a lot of suspense about who's killing everyone and kind of gore-y kills. I remember at one point, a guy plays with dominos and it causes another guy to die. Also in the middle, one guy who's on a wheelchair is trapped in water charged with electric power. He is forced to climb on the pipeline on the ceiling to escape. Also I think he dies at the end of this anyway. I remember at some point there are 3 left, one young (and i think blonde) woman, an african american tall man and a white average height man. They suspect the black man at first as being the traitor but it is revealed that it was in fact the white man (or vice versa lol i cant actually remember correctly).\n\nI know this seems like a very bad description, because it is, but I watched this movie so so long ago and for some reason i want to watch it again, but I cant for the life of me remember the name. Thank you very much.",
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"content": "Mindhunters.\nThe titular Mindhunters are a group of young FBI students who are undergoing training as profilers.\nTheir instructor, experienced profiler Jake Harris (Val Kilmer), employs a highly realistic training approach by assigning the group variants of real investigations, including elaborate sets, props, and FBI actors to play out each scenario.\nThe students include Bobby (Eion Bailey), a young man with a talent for fixing things; Vince (Clifton Collins Jr), a wheelchair-using ex-cop who goes nowhere without his gun; Nicole (Patricia Velásquez), a smoker who is attempting to quit; Sara (Kathryn Morris), a talented but insecure profiler who is terrified of drowning; Rafe (Will Kemp), a very intelligent, caffeine-powered British investigator, Lucas (Jonny Lee Miller), a supposedly fearless man whose parents were killed when he was a child; andD.\n(Christian Slater), their leader and Nicole's lover.\nNearing the end of their training, the group's over-all morale is high, though Vince discovers that neither he, nor Sara, will make the rank of \"Profiler\" after secretly reading their training evaluations.\nThe group travels with their instructor to a small island off the coast of North Carolina to complete their final training exercise.\nAt the last minute, they are joined by Gabe (LL Cool J, listed as James Todd Smith), an outside observer who has requested to see Harris' teaching methods in action.\nThe island, used by the Navy to train for hostage rescue and outbreak scenarios, has an existing \"population\" of target dummies, vehicles on mechanical rails, and small town storefronts.\nSimilar to their earlier training scenarios, Harris plans on using the town for their final exam, tracking a serial killer calling himself, \"the puppeteer\".\nThe team settles down for the evening and practice their profiling skills on each other and Gabe, who reveals that he is also a skilled profiler in his own right.\nSara and Lucas briefly bond over losses in their families; Sara reveals that her sister was murdered and drowned, creating her persistent fear of water, while Lucas shares that his parents died when he was 10.\nThe two resolve to use the scenario to confront their personal fears.\nThe following morning, during the initial investigation of the \"puppeteer\" scenario,D.\ndies after triggering a clock mechanism that causes a tank of liquid nitrogen to freeze him instantly.\nConvinced thatD.\n's death is neither accidental, nor part of the training simulation, the group heads to the dock to leave the island; but the boat explodes.\nAfter returning to base, the group realizes that broken watches and clocks found at each scene point to the fact that there is a real serial killer on the island, who has co-opted the training exercise and is now hunting them down.\nThe killer'sO.\nindicates that he or she plans to kill someone at a time designated by the broken clocks.\nAfter a thorough search of the island reveals no other personnel, the group concludes that the killer is one of them.\nAt first, suspicions seem to point to Gabe, as Lucas found maps and documents of the island; however, before the group finishes confronting him, they each pass out, realizing that their coffee was drugged.\nThey awaken to discover that the killer murdered Rafe while they were unconscious, and suspicions again return to Gabe.\nHe temporarily deflects these suspicions when he saves Vince from another trap involving broken water pipes and lights electrocuting the water.\nHowever, Bobby is killed by a secondary trap when he goes to turn off the water.\nSara, meanwhile, deduces that the traps are based on their strengths, talents, and weaknesses; and the remaining profilers elect to stick together, to keep an eye on each other.\nAfter more clues are discovered, suspicion shifts to Sara, who insists that she's being framed.\nNicole, suspicious that the killer is among the group, leaves to be alone; but she becomes the next to die after she smokes a cigarette laced with acid.\nUnexpectedly, the island's speakers begin to broadcast a taunting message from Harris, making them realize that he did not leave the island, though he led the profilers to believe that he had; convinced that Harris has been the killer all along, the remaining profilers search for him.\nVince refuses to join the search party and stays behind at the lab.\nSara, Gabe and Lucas find Harris and two other FBI agents next to him, all dead; Harris has been strung up to wires from the ceiling as a sort of marionette, just like the fake \"puppeteer\" crime scene that they were to investigate.\nThe three turn on each other after triggering another trap, and Lucas is shot during the ensuing gun battle.\nVince finds himself trapped in a freezer after he tries to reload his empty gun, but he escapes although he dies when his gun backfires on him in the elevator.\nSara finds Vince's body, but she is ambushed by Gabe, and the two struggle physically and mentally to profile the other, each believing the other person is the killer.\nGabe manages to overpower Sara but is then attacked by Lucas, and the two of them get into a protracted fight.\nSara eventually recovers and hits Gabe over the head with a fire extinguisher.\nLucas reveals that he had been wearing a bullet-proof vest, allowing him to survive getting shot on the street.\nWith Gabe subdued, he expresses doubt that there's enough evidence to prove that Gabe was the killer.\nSara, however, reveals that she found a way to get one step ahead of the killer.\nKnowing that the killer was relying on timed mechanisms and remotes, as well as enjoying watching their anxiety under pressure, she changed one of the clocks to appear slow by fifteen minutes, and covered it in a powder that glows phosphorescently under blacklight.\nReasoning that the killer would not be able to resist setting the clock to the correct time, she grabs a black light to scan Gabe's hands and reveal him as the killer.\nSara instead finds the marking powder on Lucas' hands instead of Gabe's.\nLucas confesses that his parents did not die in an accident, but that he killed them.\nStruggling ever since to find more thrilling targets to kill, he joined the FBI and planned to kill his brilliant fellow profilers, the only people he thought would be \"worthy prey\".\nLucas tries to drown Sara, but she manages to kick him into the water.\nThe two both manage to recover their weapons underwater, but Sara manages to shoot Lucas first.\nLucas recovers and begins to taunt her about the evidence he planted blaming her until Gabe reappears: he is the last witness.\nIn a last desperate effort, Lucas attempts to regain his weapon, forcing Sara to kill him, shooting him through the top of the head as he bends down to retrieve his weapon.\nThe following day, Gabe and Sara flag down theS Navy helicopter to leave the island, determining that they've sufficiently secured the scene.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT][MOVIE][Between 2000s to 2016] Chinese Movie About Time Travel Via A Meteorite.\nI remember watching this Chinese film a few years back in 2016 or 2015, might've been from Hong Kong or Taiwan but I don't remember the language nor the actors.\n\nThe plot revolved around this guy who somehow acquires an accessory thingamabob which allowed him to time travel into ancient China. He rescues a prince and his sister from assassination and brings them back to the present, where they come into contact with the modern world. Somewhere along the line the prince goes back to his time period and brings along a potato or lemon battery with him, and then mass producing it. \n\nIn the present day, the main character and the princess (who stayed behind) witness the effects of ancient china harnessing electricity and imitations of modern technology, causing the city around them to disintegrate into a village as time catches up. I don't remember which city this was exactly, but I don't think it was Hong Kong? Long story short, they go back in time, stop the prince, and stay in the present day as a couple. \n\nIt is shown that the accessory allows for time travel due to a meteorite that landed in the past, and the accessory being made from metal cut from it. If it helps with identification, at the end the future self of the main character shows up at his doorstep requesting his help.\n\nI don't think it was a very old film, there were some meh special effects in it what with the Thanos-snap-style disintegration of the city and people and the lightning emitted by the prince's gauntlets.",
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"content": "Ultra Reinforcement.\nEr Dan (Wallace Huo) accidentally traveled to the past to Tang Dynasty. In Tang Dynasty he met Shi Ke Jin (Dylan Luo) whom his elder brother Shi Ke Yan wanted to kill him. Without a doubt he tried to save Shi Ke Jin and brought him back to the future. Because Shi Ke Jin knows so much about the future, he decided to go back to kill his brother and conquer the world. When ErDan discovered his intention, he intended to go back to Tang Dynasty to stop his plan.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT] [Movie] It's either a movie or a TV movie, but i watched this when I was very, very young and only 4 scenes from it stuck out to me.\nThis has haunted me for years, but this was probably late 90s, early 2000s.\n\nThe movie was definitely an action style thriller. the four scenes I remember:\n\n-- 2 guys, presumably hitmen (?), talking to each other in a car during night in the rain. One of the hitmen had a ponytail and a goatee. Their conversation gets interrupted by a barking dog slamming against the car\n\n-- The main character, a regular ass middle aged dude, walks with one of the hit men in public. like at a fair or something, maybe Coney Island, and the hitman gets shot and killed in public! This happened during the daylight\n\n-- The main character visits a child at the child's house. He's not his dad, i think, but wants to protect the child?\n\n-- The hitman with a goatee and a ponytail is in his apartment, and he's wearing a button down shirt (i'm pretty sure hawaiian) but a bad guy comes in and the hitman guy holds up his hands and is shot in the chest and falls forward. i distinctly remember that fall bc it was weird he fell forward.\n\nThose are the only things that stick out to me and whoever finds out what it is will be thanked in every short film i ever make for the rest of my life!",
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"content": "Mercury Rising.\nDuring a bank robbery hostage situation, an undercover FBI agent, Art Jeffries (Bruce Willis), attempts unsuccessfully to negotiate for more time to defuse the situation. The FBI storms the bank killing the robbers, but Jeffries's cover is blown, so he is given a boring desk job.\nA nine-year-old autistic savant boy, Simon Lynch (Miko Hughes) is given an adult puzzle book by his teacher, and deciphers with his eye a phone number in a numerical puzzle. It was published in the magazine by two National Security Agency code creators, Dean Crandell and Leo Pedranski, to see if anyone could decipher it. The code, called \"Mercury\", is allegedly so complex that its creators believed no computer on Earth could decipher it. Simon phones the number, and Pedranski and Crandell report the situation to their boss, division chief Lieutenant Colonel Nicholas Kudrow (Alec Baldwin). He severely rebukes the pair for their unauthorized actions, and describes Simon and his abilities as a national security threat. Two assassins, Peter Burrell and Shayes, are deployed by Kudrow to terminate the boy and his parents, Martin and Jenny Lynch.\nPosing as a police detective, Burrell gains entry to the Lynch household and unceremoniously shoots both Simon's mother and father with a silenced pistol. He is unable to find Simon himself when he searches the house. Upon hearing approaching sirens (Martin was able to call 911 before dying), Burrell stages a murder-suicide and is driven away from the house by Shayes.\nJeffries is sent to investigate and finds Simon in a hidden crawl space in his bedroom closet. Simon is taken to a protection ward at the hospital, where Burrell poses as a doctor and makes another attempt on Simon's life. Simon is saved by the timely arrival of Jeffries, who, upon meeting Burrell and deducing his true nature, flees the premises with the boy. Later, while on a train, Shayes attacks the pair and is killed by Jeffries in self-defense.\nThe NSA, under Kudrow's direction, frames Jeffries as kidnapper of Simon. However, fellow agent Tommy Jordan knows that he isn't. Jeffries borrows Jordan's car and takes Simon back to his house. Simon again calls the telephone number written into the code and Jeffries is able to talk to Crandell and Pedranski. Crandell arranges a meeting via encoded e-mail at the Wrigley Building. The next morning Jeffries goes to the meeting, leaving Simon under the care of a woman in a coffee shop, Stacey Siebring. Jeffries meets Crandell who tells him about \"Mercury\" and Kudrow, but Crandell is shot dead by Burrell before he can reveal everything.\nJeffries returns to the coffee shop, and Stacey says she and Simon have become friends and Simon agrees. Jeffries and Simon then leave, but later in the middle of the night, Jeffries and Simon go to Stacey's house, asking for a place to stay. Stacey reluctantly agrees but tells Jeffries that she was going on a business trip to Des Moines the next morning.\nMeanwhile, Pedranski, having learned Crandell's fate, also tries to reveal Kudrow's unlawful actions by writing letters on a typewriter: one to Jeffries and a carbon copy to the Senate Oversight Committee. But Burrell tracks Pedranski down and murders him as well, and confiscates the letters. However, the assassin overlooks the carbon copies, which his girlfriend, NSA analyst Emily Lang, takes to the FBI. Jordan discreetly arranges for her to meet with Jeffries to show them both the carbon paper of the letter, which, being covered in Pedranski's fingerprints, is crucial evidence. After the meeting Jeffries gives Stacey Jordan's number in case of an emergency. Jeffries goes to Kudrow’s home during his birthday party, and demands that Kudrow announce on national TV that the Mercury Encryption Project is a failure.\nJordan, under Jeffries suggestion, arranges for Simon to go into the Witness Protection Program. After the meeting, Jeffries calls Jordan, who explains that the Witness Protection meeting is going to happen, though they are unaware that their conversation is being monitored by Kudrow. When Jeffries returns and finds Stacey and Simon gone, he learns from Jordan that they are not in any danger and will meet them at a pick-up point, just as Jordan is given an order to head to the FBI director's office. There Kudrow tries to have FBI SAC (Special Agent in Charge) Lomax help turn the tables on Jeffries by using his authority and the fact that Jordan arranged the Witness Protection under false pretenses. He tells them that the NSA is taking over the protection program.\nAfter Kudrow leaves, Jordan shows the carbon paper evidence to Lomax and confirms that the fingerprint markings on it were Pedranski's, now fully validating the evidence against Kudrow. Jeffries, with Jordan and an FBI task force's help, sets a trap at the meeting spot. Armed with a machine gun, Burrell fires at the FBI squad resulting in a shootout, while Kudrow attempts to escape with Simon on a pre-arranged helicopter. Jordan protects Stacey from the killer's fire. Jeffries leaps from the chopper, knocking Kudrow back, then disarming him when he tries to shoot the boy. They fight on the roof, but Simon walks to the edge of the roof and gets Kudrow's gun, giving it to Jeffries who forces the corrupt NSA chief back. Burrell is impaled and slashed to death by glass shards when the helicopter's propellers shatters the windows in front of him. In a last-ditch effort, Kudrow picks up Simon to throw him off the building, but is shot multiple times at point-blank range by Jeffries. He falls to his death, but not before crashing through a glass canopy.\nJeffries later visits Simon (now living with foster parents) at his school. He embraces the FBI agent as a welcome friend, having finally accepted him as a person he trusts.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][Movie] movie (I think with Wayne Knight) where he is talking on is phone on the dock to a resort/cabin place and then is dragged by the boat to waterski with the boards from the dock. There’s also another scene where they go to a steak house and he completes a challenge.\n(Begrudgingly) and when he finishes the staff say he didn’t finish, a man says “there’s nothing there but gristle!” \n\nI saw this movie wayyyy bacj in around 2006 or so. If anyone can help out I’d very much appreciate it.",
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"content": "The Great Outdoors (film).\nChicagoan Chester \"Chet\" Ripley (John Candy), his wife, Connie (Stephanie Faracy), and their two sons, Buckley \"Buck\" and Ben, are on vacation at a lake resort in Pechoggin, Wisconsin, during the summer. All is going as planned until Connie's glamorous sister, Kate (Annette Bening), her investment broker husband, Roman Craig (Dan Aykroyd), and their twin daughters, Mara and Cara, crash the vacation.\nGhost stories after the family BBQ include one of a man-eating grizzly bear that Chet met face-to-face when he was younger. Chet says that while he and Connie were honeymooning at the same lake, he was attacked by a giant grizzly bear (Bart the Bear). When he fired at it with a shotgun, the buckshot shaved the hair off the top of the bear's head and from that day on, it was known as the \"Bald-Headed Bear\" of Clare County.\nAfter Roman pulls Chet around the lake on an impromptu water ski ride with his rented speedboat, tensions between the families erupt. Chet is ready to pack up and go home, even as his teenage son Buck tries to romance a local girl, Cammie. The budding romance goes well until Chet is challenged to eat the Old 96'er (a 96-ounce steak) at a family dinner which causes Buck to break their date. Buck tries to apologize to Cammie for being late, but Cammie refuses to speak to him.\nConnie and Kate bond at a local bar when the conversation drifts to Kate's challenges of being wealthy. Later, just at the peak of tension between families, Roman tells of the time at his and Kate's wedding when he overheard a conversation between Chet and their father-in-law describing how they think Roman is a crooked businessman. This leads to Roman telling Chet why he came up to visit: To offer Chet a $25,000 investment opportunity. Chet, feeling guilty from the wedding story, is at first reluctant, but eventually agrees to write Roman a check for the whole amount. The families say their goodbyes and Roman and his family head back to Chicago. On the car ride home, Kate praises Roman for including Chet in the investment, noting that $25,000 is a lot of money for them. Roman, now feeling his own sense of guilt, suddenly stops the car and turns back to the cabin. \nUpon his return, Roman confesses that the story about the wedding conversation never happened and reveals that he is broke from some bad investments. His true intention for coming up to the lake was to solicit money from Chet to get back on his feet.\nDuring a thunderstorm, Kate discovers the twins have wandered off. Chet and Roman find them at the bottom of an old mine shaft, but the claustrophobic Roman is reluctant to descend into the tiny space. After some encouragement from Chet, Roman courageously climbs down into the mine, while Chet goes in search of a rope to pull them out. Upon realizing that the mine is stocked with old dynamite, Roman takes his daughters and climbs out of the shaft on his own.\nWhen Chet returns with the rope, he is horrified to discover the \"Bald-Headed Bear\" lurking in the mine. It chases him back to the cabin, smashes through the door, and rampages through the house. Wally, the cabin owner, bursts in with a loaded shotgun while Roman tries to hold off the animal with a fireplace poker and an oar. Chet takes the gun and shoots the bear, blowing the fur off its rear. Roaring in pain, the bear runs out of the house. The next morning, the two families part on good terms. Unbeknownst to Chet, Connie has invited Roman's family to stay with them until they can get back on their feet. Cammie and Buck make up and end their summer romance, as Buck and his family head back to Chicago.\nIn a post-credits scene, a family of raccoons (who rummaged through the trash cans throughout the film) discover the bear sitting in the lake out of embarrassment due to being \"bald on both ends\".",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as 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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][movie] daughter kills mother phycological thriller.\nthe daughter kills the mother with a shotgun, and i think there was a nude shower scene. I think this was released after 2010.",
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"content": "Stoker (film).\nOn her 18th birthday, India Stoker (Mia Wasikowska)—a girl with a strong acuteness of the senses—has her life turned upside down after her loving father Richard (Dermot Mulroney) dies in a horrific car accident.\nIndia is then left with her unstable mother Evelyn (Nicole Kidman).\nAt Richard's funeral, Evelyn and India are introduced to Richard's charming and charismatic brother Charlie (Matthew Goode), who has spent his life traveling the world.\nHe then announces that he is staying indefinitely to help support India and Evelyn, much to Evelyn's delight and India's chagrin.\nShortly after Charlie moves in, India witnesses him argue with mrs McGarrick (Phyllis Somerville), the head caretaker of the house.\nmrs McGarrick then disappears.\nCharlie and Evelyn grow closer and intimate while India continues to rebuff Charlie's attempts to befriend her.\nLater, India's great aunt Gwendolyn (Jacki Weaver) arrives to visit the family, much to Evelyn and Charlie's dismay.\nAt dinner, Gwendolyn shows surprise at Charlie's claims of traveling the world and tells Evelyn that she needs to talk to her about Charlie.\nGwendolyn ends up changing hotels due to an unexplained fear and suspicion of Charlie.\nHowever, she loses her cell phone and tries to call the Stokers' home from her hotel payphone.\nWhile she is making her call, Charlie tracks her down and corners her in the phone booth, seeming to be upset.\nExplaining that he found her through the cab company, he hands Gwendolyn her phone and then strangles her to death with his belt.\nMeanwhile, India goes into the basement to eat ice cream and discovers mrs McGarrick's body in the freezer.\nShe realizes Charlie is a murderer.\nLater, India unleashes her inner aggression at school and stabs a bully, Chris Pitts (Lucas Till), in the hand with a pencil after he tries to land a surprise punch to her head.\nThis draws the attention of another classmate, Whip Taylor (Alden Ehrenreich).\nIndia goes home and later witnesses Evelyn and Charlie growing intimate and wanders off to a local diner where she runs into Whip.\nShe and Whip go into the woods where they proceed to make out until India aggressively bites Whip.\nWhip then attempts to rape India until Charlie intervenes, and breaks Whip's neck with his belt.\nIndia then aids Charlie in burying the body in her garden.\nShe then attempts to call Gwendolyn, but hears her phone ring deep in the garden, realizing Charlie killed her, too.\nIndia takes a shower and masturbates to the memory of the murder, climaxing as she remembers Charlie breaking Whip's neck.\nWhile going through Richard's office to gather things of his she wants to keep, India discovers that a key she received as a birthday present belongs to a locked drawer to Richard's desk.\nInside, she finds dozens of letters Charlie wrote to her over the years, which detail his travels and express his love for his niece, although they have never met.\nHowever, India discovers that the sending address on the back of the envelopes is from a mental institution.\nIndia then confronts Charlie, who explains the truth: Charlie murdered his and Richard's younger brother Jonathan as a child because he was jealous that Richard paid more attention to him.\nCharlie was then put in a mental institution.\nWhen released on India's 18th birthday, Richard gave Charlie a car, a generous amount of money, and an apartment in New York City on the condition that he stay away from Richard's family.\nFeeling hurt and betrayed, Charlie beat Richard to death with a rock and staged the car accident.\nAt first, India is in shock and angered.\nHowever, she seemingly forgives Charlie and grows closer after he provides an alibi for her when Sheriff Howard (Ralph Brown) questions her about Whip's disappearance.\nThey grow close to intimate before Evelyn witnesses them.\nLater that evening, Evelyn coldly expresses her desire to watch India suffer before confronting Charlie, implying that she knows the truth about Richard's death.\nCharlie seduces Evelyn and then attempts to strangle her before India appears and fatally shoots Charlie with a rifle.\nShe then buries Charlie's body in the backyard and proceeds to leave for New York in his car.\nShe is shortly pulled over for speeding by Sheriff Howard, who then asks her why she's in a hurry.\nIndia replies that she wanted to catch his attention, then plunges a pair of pruning shears into his neck.\nIndia pursues the wounded sheriff into a field to dispatch him with her rifle.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][Movie] Water based infection.\nI am looking for a movie I saw decades ago. People contracted a virus (?) from drinking water. They had the urge to drink more water which made them more sick. Boiling the water was a measure that did not work. There were a dead child with a Tamagochi which the mother kept alive after his/her death. \nThis is most of what I can remember, I hope someone makes the connection. Cheers.",
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"content": "Thirst.\nA chemical engineer, who recently moved to town, struggles to find a way to kill a deadly new variant of Cryptosporidium that has infiltrated the town's water supply, causing people who drink it to die of thirst.::John Sacksteder <jsack@ka.net>",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined 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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this 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"content": "[TOMT][MOVIE][2000's i think] Old movie I used to love as a kid. Animated movie. It was about people who rescued others, and a volcanic eruption. One character pricks his hand on a vine, and later the younger character I believed named \"Rocky\" goes back so he can \"live with himself again.\".\nA more detailed explanation and scenes I can recall. I'm pretty sure the main protagonists of the movie have a base, and one of the first scenes of the movie is two characters (Rocky?) and older male protagonist who go to a volcano. Older male protagonist falls, but he grabs onto a vine to stop himself from falling because (Rocky?) was too full of himself to care about their safety. The vine, unbeknownst to them, ends up poisoning the older guy, and that's a main plot point. \n\nA scene I recall is that the main characters were rescuing people from a... construction site? I remember this near-exact line/scene though: \\*anvil falls out of the sky, nearly crushing them\\* \"Wow! I thought that only happens in movies!\" something like that. \n\n​\n\nI really just want to remember the name of this movie. please help me. <3 (i am currently 21 years old, saw it as a kid alongside some of the hot-wheels movies.)",
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"content": "Rescue Heroes: The Movie.\nA series of mysterious lightning storms are wreaking havoc worldwide as they spiral through the atmosphere toward Greenland.\nOnce they collide, they will create one massive storm that will result in cataclysmic destruction.\nThe Rescue Heroes use their new Mission Select equipment to contain the disasters all over the world caused by these storms.\nBut Billy Blazes is poisoned on a mission and getting weaker by the moment, and Rocky Canyon is grounded for insubordination, therefore making the team short-handed.\nThe Rescue Heroes face their biggest challenge yet, since they must find a cure to save Billy and solve the mystery of the storms in order to save the world in time.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this 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"content": "Supernova (2000 film).\nSupernova chronicles the search-and-rescue patrol of the medical ship Nightingale 229 in deep space in the early 22nd century and its six-member crew, which includes captain and pilot A.J. Marley (Robert Forster), co-pilot Nick Vanzant (James Spader), medical officer Kaela Evers (Angela Bassett), medical technician Yerzy Penalosa (Lou Diamond Phillips), search and rescue paramedic Danika Lund (Robin Tunney) and computer technician Benjamin Sotomejor (Wilson Cruz). Aboard their vessel, they receive an emergency distress signal coming from an ice mining operation on the moon Titan 37, more than 3,000 light-years away.\nThe crew answers the call and dimension-jumps—during which Captain Marley suffers fatal injuries due to a malfunction of the ship's equipment—arriving in the path of Titan 37's debris cloud, some of which damages the ship and causes the loss of 82 percent of its maneuvering fuel. Worse still, Titan 37 orbits a blue giant, and its high gravity field will pull the ship to the point where it will be incinerated in 17 hours, 12 minutes—which happens to be almost the same amount of time that the Nightingale 229 will need to recharge its jump drive, their only possible hope for escape. With only an 11-minute window for escape, the surviving crew soon find themselves in danger from the disturbing young man (Peter Facinelli) they rescue, and the mysterious alien artifact he has smuggled aboard. This artifact is analyzed by the ship's computer and is said to contain nine-dimensional matter.\nIt is ultimately discovered that the young man who called for rescue is actually Karl Larson, an old former lover of Kaela (it is implied they had an abusive relationship). Karl came into contact with the nine-dimensional matter after recovering the artifact. It somehow enabled him to acquire super-strength and supernatural healing abilities, and made him younger (such that Kaela did not recognize him). Karl murders most of the crew except Kaela and strands Nick on the mining platform. Karl unsuccessfully attempts to romantically reconcile with Kaela. Nick finds his way back to the medical ship through a rescue pod left on the mining platform, and a battle ensues between Nick and Karl. Karl is ultimately killed by Kaela using explosives placed near the alien artifact which Karl was obsessed with retrieving. The explosion ejects the artifact into space, hurtling it towards the blue giant.\nWith moments left before the dimension jump activates, Kaela and Nick place themselves into the only remaining dimensional stabilization chamber (Karl had destroyed all but one), which is the only thing that enables human beings to survive the ship's dimensional jump drive. The pods are meant to hold only one person; however, two subjects might be genetically mixed during the dimensional jump. Before Nick and Kaela enter the only remaining pod, the computer warns them that the nine-dimensional matter is reacting with the gravity of the blue giant sun and will cause a nine-dimensional reaction that will spread in all directions, such that the reaction's resulting supernova will reach Earth within 51 years. The computer hypothesizes that the reaction will either destroy life on Earth or \"enable humankind to achieve a new level of existence\". Just before the blue giant supernovas, the ship engages in a dimensional jump which brings Nick and Kaela back to Earth. As a result of their being in the same pod, the two of them each have one eye of the other person's original eye color. The ship's computer also reveals that Kaela is pregnant, which may be the result of them being in the pod together during the jump, or the result of their copulation hours earlier.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][MOVIE][1960s?].\nHello! I am trying to find the name of a WWII movie from either the 1950s or 60s where the last scene shows a double agent (American who was pretending to be a Nazi sympathizer) eating his dinner and accidentally switches hands to eat (american style dining) versus continental style. The camera apparently pans in onto the actor's face as the character immediately knows that his true identity had been revealed. I think he gets arrested by the SS or something after that. Does anyone know what movie this is? My Dad always talked about it and I have never been able to find it. Thank you!",
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"content": "O.S.S. (film).\nJohn Martin (Ladd) attempts to steal plans for an electric circuit from a plant in Baltimore, Maryland.\nCaught and arrested for espionage, he is turned over to the Office of Strategic Services, which is training a group of new recruits by sending them on test missions.\nAlong with three other men, Gates, Parker and Bernay, and one woman, Elaine Dupree (Fitzgerald), Martin (an assumed name like the others) is sent to France to blow up a railroad tunnel in order to paralyze Axis troops during the Allied invasion.\nMartin doubts Elaine can work under pressure because she is a woman, but she insists he treat her as any male agent.\nDuring the group's first assignment, at a rural French inn, German agents kill Gates.\nA meeting of the French maquis is interrupted by German Colonel Paul Meister, who becomes immediately infatuated with Elaine.\nElaine sculpts a bust of Meister's head, and when he announces his departure for Normandy on a troop train, she begs him to take her with him.\nWith Martin's help, Elaine makes a duplicate bust and fills it with plastic explosives.\nShe and Martin then blow up the tunnel.\nAfter Martin comes back for her under fire, Elaine makes him promise never to jeopardize a mission in order to rescue her.\nOn foot, they meet Bernay, who is their radio contact with theSS.\nAs the Allies break through at Normandy, Elaine and Martin make a deal with Amadeus Brink, an officer of the Gestapo, who hopes to secure his safety and a small fortune.\nBrink removes Martin and Elaine's \"wanted\" file from the Gestapo sector headquarters and arranges for his cousin, a courier, to hand over a diplomatic pouch to Bernay for photocopying.\nBernay places the negative in the lining of Martin's hat.\nAgainst Brink's advice, Bernay radios a final message that the Nazis have broken one of theSS.\nsecret codes.\nBernay is gunned down, and Martin and Elaine are questioned by the Gestapo, but are released before Meister catches Brink with their file papers.\nMartin and Elaine are about to board a plane to safety when they are asked to complete one last mission.\nThey must contact Parker, who is on assignment near the Rhine.\nAt a farmhouse, Elaine is accosted by a group of drunken German soldiers.\nParker, hiding among them, gives Elaine the Germans' troop dispositions.\nMartin leaves the farmhouse to radio in the positions.\nWhile he is gone, Meister arrests Elaine.\nAs the American troops advance through France, Parker tells Martin that Elaine's real name was Ellen Rogers, and he imagines that she might have been the girl next door in his hometown.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][MOVIE] Nazi Concentration Camp Guard is ID-ed by former prisoners.\nAll I can remember from this movie is one scene in particular where the ex-guard is walking down a street in a major city (NYC, maybe?) and, on his way, elderly people are stopping and looking at him in a peculiar way. As he continues walking, one old woman in particular points to him and shouts out that she remembers him as the guard, continually calling his name. At one point in her tirade I believe she raises her sleeve to reveal her concentration camp ID Number tattoo. When she does this, the ex-guard becomes increasingly more nervous and more and more elderly bystanders start recognizing him and yelling at him. \n\nThis may or may not be a dreamsequence in the movie itself. All I remember is this one scene in particular.",
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"content": "Marathon Man (film).\nThomas \"Babe\" Levy (Dustin Hoffman) is a history PhD.\ncandidate and avid runner.\nBabe is researching the same field as his father, who committed suicide after the Communist witch hunts of the Joseph McCarthy era ruined his reputation.\nBabe's brother Henry (Roy Scheider), known as \"Doc\", presents himself as an oil company executive but is really a government agent, involved in an elaborate network of couriers who transport diamonds stolen during World War II from wealthy Jews seeking to flee Germany.\nThe diamonds are sold for the benefit of fugitive Nazi war criminal dr Christian Szell (Laurence Olivier), who in return helps in the hunt for other Nazi war criminals.\nSzell, a dentist who tortured Jews in a concentration camp, escaped capture and is now living off the diamond sales as a fugitive in South America (echoing real life Nazi war criminal Josef Mengele).\nChristian Szell's brother, 72-year-old Klaus (Ben Dova), lives outside New York City and serves as the initial diamond courier, but is killed in a Manhattan road rage incident.\nAlthough Klaus' death was accidental, Christian suspects foul play and immediately puts everyone in the courier network under suspicion (anyone who obtains one of the two keys to the safe deposit box would immediately have access to a fortune in diamonds).\nDeducing this from hearing about the incident from his boss Peter Janeway (William Devane), Doc realizes that Christian Szell will have to travel to New York to retrieve the diamonds.\nAfter discovering the disappearances or deaths of fellow couriers and escaping two attempts on his own life in Paris, Doc goes to New York under the guise of a visit to Babe.\nMeanwhile, Babe and his new girlfriend, Elsa Opel (Marthe Keller), who claims to be from Switzerland, are mugged by two men dressed in suits (whom we later learn are Nazi fugitives connected to dr Szell).\nBabe assumes the attack to be a random mugging, but Doc knows it's a warning for him.\nWhen Doc takes Babe and Elsa to a French restaurant, he suspects Elsa is connected to Szell, and tricks Elsa into revealing that she has been lying about her background, and warns Babe against her by claiming that she doesn't care for him and is only seeking an American husband so that she can become aS.\ncitizen.\nAfter Szell arrives in America (and is met at the airport by the two men who mugged Babe and Elsa), Doc angrily confronts the three, accusing Szell of crossing a line by involving his brother.\nSzell, after questioning Doc as to his own safety, then stabs Doc with a blade concealed in his sleeve.\nDoc makes it back to Babe's apartment before dying in his arms.\nThe police interrogate Babe then Doc's boss, Janeway, arrives and questions Babe on what Doc told him before he died.\nJaneway reveals that Doc was a government agent, working for a secret branch known as \"The Division\".\nBabe insists that his brother did not tell him anything; but Janeway is convinced Doc would not have struggled all the way to Babe's apartment without revealing something, and sets Babe as bait.\nBabe is abducted from his apartment by the muggers, and Szell tortures him using a dental probe on a cavity in his tooth and repeatedly asking \"Is it safe.\n\" (to retrieve his diamonds).\nBabe truthfully denies any knowledge, but Szell tortures Babe relentlessly regardless of his answers.\nBabe is rescued by Janeway, who explains that Szell is in America to recover the large cache of diamonds.\nJaneway presses Babe about Doc's dying words, but Babe still insists he knows nothing.\nFrustrated, Janeway reveals himself as a double agent and returns Babe to Szell.\nMaking a final attempt to extract information from Babe, Szell drills into one of his healthy teeth, but gets nothing so Szell orders his men to \"get rid of him\".\nBabe escapes as they get him into their car, and aided by his skills as a marathon runner, evades Janeway's attempt to recapture him.\nHe gets to his neighborhood and sees that Janeway and Szell's men are now waiting outside his apartment building, Babe arranges with hoods in the neighborhood, to sneakily procure a gun from his apartment.\nHe then calls Elsa from a pay phone, and while ostensibly driving him to a safe place, she arrives at a country home, to Babe's increasing suspicion.\nBabe concludes that Elsa is also part of Szell's network and has set him up, forcing her to confess that the home was owned by Szell's deceased brother.\nJaneway and Szell's men arrive at the house and Babe takes Elsa hostage with his gun.\nAs one of Szell's men reaches for his gun, Babe shoots him; Janeway joins in and shoots both of Szell's men, saying that they couldn't be trusted.\nJaneway then reveals where Babe can find Szell, ostensibly as restitution to Babe for Szell's murder of Doc, and Elsa implores Babe to leave.\nAs Babe turns to leave, however, Janeway prepares to shoot Babe in the back.\nElsa sees this and yells out a warning to Babe; so Janeway shoots Elsa and Babe manages to kill Janeway, then leaves to find Szell.\nWhile attempting to determine the value of his diamonds, Szell is recognized by the shop assistant, who is also a Holocaust survivor.\nAfter Szell hurriedly leaves the shop, an elderly Jewish woman also recognizes him.\nTrying to cross the street to get closer to Szell, the woman is hit by a taxi, causing a crowd to assemble to aid her.\nAmid the confusion, the shop assistant follows and confronts Szell, who slits the man's throat.\nSzell retrieves his diamonds from the bank, but as he is leaving, Babe appears behind him and tells him, \"It's not safe\" and forces him at gunpoint to walk to a water treatment plant in Central Park (where Babe regularly runs).\nSzell, in an attempt to negotiate his escape, offers Babe a portion of the diamonds; Babe declines, telling Szell he can keep as many diamonds as he can swallow.\nSzell initially refuses, so Babe taunts Szell taking his briefcase and throwing handfuls of diamonds at him, which fall through the grating platform they're standing on and into the water below.\nSzell, aghast at Babe's actions, relents and swallows one diamond, but then refuses to cooperate further.\nSzell tries to get close to Babe to stab him, accusing his late father and brother of being as weak and predictable as Babe is, and spits at him; Babe strikes Szell, but loses his grip on his gun.\nSzell then reveals his dagger and lunges at him, but Babe manages to avoid it and throw the open briefcase with the remaining diamonds down a stairwell towards the water.\nSzell dives towards the diamonds, but stumbles and rolls down the steps, fatally falling on his own knife blade.\nBabe heads out into Central Park, throwing his father's gun into the reservoir, and symbolically walks away in the opposite direction of the park's running patrons.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][TV Show][Early 2000s] Super obscure show that I don’t know if it actually existed or not..\nSo I vaguely remember this show that came on either Cartoon Network or Nickelodeon maybe. The things I mainly recall about it are that it was live action. The protagonist was a teenage boy and he had this weird power where he could like change body parts with his companions to fight the bad guys. I think one of the companies was a robot the other was this blue yeti alien thing. I also recall the protagonist wearing a blue shirt and there being a girl with them. There was also a line of toys from McDonald’s that I can’t seem to find anywhere. The toys were made up of three segments the head, torso, and legs. You could mix and match the different parts which was similar to the powers/ ability on the show. Please tell me I’m not just going crazy and have gone the past 12 years or so believing in this show that I made up. I’m 22 btw if that helps with figuring out when It might have been aired.",
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"content": "Galidor: Defenders of the Outer Dimension.\nThe show is centered upon Nick Bluetooth, a 15-year-old boy led (with his best friend Allegra Zane) by an extraterrestrial map to a spacecraft nicknamed the Egg, which moves them into an \"Outer Dimension\" threatened by Gorm. They are now there to protect the story's eponymous dimension. To defeat Gorm, Nick must find all the pieces of a key that will unlock the sealed gates to the kingdom of Galidor, one of many realms comprising the dimension.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a 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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][MOVIE] What movie is this image from?.\nCan somebody tell me from what movie is this img from? [http://oi66.tinypic.com/2czcakl.jpg](http://oi66.tinypic.com/2czcakl.jpg)",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as 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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][MOVIE][2010s] Does anyone know what the name of the movie is?.\nWhen I was little I saw a movie that I liked a lot but I don't remember its name.\n\nIt was a serial killer who raped his victims and then killed them. And a police officer dropped the investigation. The policewoman had begun to see the ghosts of the dead girls everywhere, and once one of the ghosts made her want to kill herself. And she cut her veins, but she was found by a friend of hers and taken to the hospital. She did not die. And at the end of+the movie, he found out that the killer was a good friend of his, who was in a wheelchair. But he didn't really need a wheelchair. And when he caught him, he threw himself into the water and drowned.\n\nDoes anyone know what the name of the movie is?",
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"content": "The Alphabet Killer.\nMegan Paige (Eliza Dushku) is an investigator for the Rochester Police Department investigating the murder of a young girl named Carla Castillo.\nHer body was found in the nearby village of Churchville, New York with white cat hair on it.\nAgainst opposition of her colleagues and boyfriend Kenneth Shine (Cary Elwes), Megan insists that the murder is a work of a serial killer.\nDespite Megan’s considerable efforts she fails to catch the killer.\nStress and obsession of the investigation causes Megan to hallucinate the victim's image.\nShe ultimately has a nervous breakdown after being kicked off the case and unsuccessfully tries to commit suicide.\nFollowing two years of medical treatment and attending a support group headed by a wheelchair-bound man named Richard Ledge (Timothy Hutton), Megan rejoins the police department in an office job.\nFollowing a similar murder of another young girl, Wendy Walsh, whose body is found in Webster with some white cat hair on it, Megan successfully lobbies to rejoin the investigation.\nPartnered with Steven Harper (Tom Malloy), they try to find links between the girls.\nThen another girl, Melissa Maestro, is killed in Macedon.\nThey find a number of commonalities between Wendy and Melissa, but fail to connect these to the first victim.\nThe Webster Police Department, which has jurisdiction over the latest murder but are uncooperative, receive a call from 19-year-old Elizabeth Eckers who is being held hostage in a house.\nMegan is convinced the suspect is not the Alphabet Killer and breaks procedure to preempt a police raid.\nMegan almost defuses the situation, but an officer shoots the suspect through a window and kills him.\nWebster police declare that the Alphabet Killer is dead and announce the discovery of white cat hair in the house.\nMegan spirals into another nervous breakdown.\nCertain that the Webster police planted the evidence in order to justify killing an innocent, Megan continues the investigation on her own.\nMegan discovers that all three girls attended st Michael's Church in Rochester.\nStill suffering from hallucinations of the victims, Megan visits the church and tries to question the pastor, but suffers another breakdown and is hospitalized.\nMegan escapes the hospital and takes refuge in Ledge's home.\nThere, she finds out that he used to work as the math teacher for the st Michael's Church, which finally reveals that he is the Alphabet killer.\nBefore she can act, he leaps from his wheelchair - having only pretended to be disabled - and attacks her.\nLedge knocks her unconscious and drives to a remote spot near the Genesee River to drown her.\nBefore Ledge can inject her with a sedative and dump her in the river, Megan breaks free and, after a struggle, shoots him in the foot with his own gun.\nLedge falls into the river just past a large waterfall - though it's unclear if he is dead or not.\nUnsure whether Ledge is dead and confused by her surroundings, Megan is driven by the intense situation to another, longer breakdown.\nMegan is again hospitalized and kept under intensive psychiatric care.\nThe final scenes of the film show Megan heavily sedated and strapped to a bed in a psychiatric ward.\nThere is no one else in the room, but in her state, she envisions the spirits of the victims waiting for her to return and seek justice for them.\nThe final scenes of Megan are intercut with scenes of a survived Ledge altering his appearance.\nHe is shown in church, receiving communion and exchanging glances with a potential victim.\nIt is unclear if these scenes of Ledge are actually occurring or are part of Megan's psychosis.\nA title card announces: \"In 2006, police exhumed a fireman's body and posthumously cleared him as a suspect.\nTo date, the Alphabet Killer has not been found\".",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT] [MOVIE] American made World War 2 Film.\nI believe it was made between 1960-80 due to the film quality and being in color. It is set on the Western front post-Normandy. It mainly centers around a soldier who slowly climbs the ranks in his division (I think the [3rd](https://militarybest.com/ar3rdinpa3de.html) infantry based off a Google search). There's a pivotal scene where the main character climbs onto the top of a M4 Sherman tank, and uses the mounted machine gun to fight off an attack from the Germans by himself. ",
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"content": "To Hell and Back (film).\nYoung Audie Murphy (Gordon Gebert) grows up in a large, poor sharecropper family in Texas. His father deserts them around 1939–40, leaving his mother (Mary Field) barely able to feed her nine children. As the eldest son, Murphy works from an early age for his neighbor, Mr. Houston, a local farmer, to help support his siblings. Murphy and Mr. Houston are interrupted while working and listen to the radio announcement about the attack on Pearl Harbor. When his mother dies in 1941, Audie becomes head of the family. His brothers and sisters are sent to an elder sister, Corrine. Murphy is then convinced by Mr. Houston to enlist in the military to support himself.\nMurphy is rejected by the Marines, the Navy and the Army paratroopers due to his small size and youthful appearance. Finally, the Army accepts him as an ordinary infantryman. After basic training and infantry training, Murphy is shipped to the 3rd Infantry Division in North Africa, as a replacement. Because of his youthful appearance, he endures jokes about \"infants\" being sent into combat. His squad mates include: Johnson, a man who claims to be a womanizer; Brandon, a man who ran out on his wife and daughter; Kerrigan a man who jokes at unusual times; Kovak, a Polish immigrant who wants to become an American citizen; Swope (called \"Chief\" by his squad mates) a Native American who smokes cigars a lot, and Valentino who has relatives in Naples.\nAfter the 3rd Infantry Division lands in Sicily, Murphy and his men come under attack by a German machine gun position. Murphy and his men assault the position and kill the Germans. After fighting in Sicily, Murphy is then promoted to corporal. After Sicily, Murphy and his squad receive a new platoon leader, Lt. Manning. During a diversionary attack on German forces, Lt. Manning is wounded and Sgt. Klasky, his platoon sergeant, dies. This results in Murphy taking command of the platoon. After proving himself in leading his platoon while fighting in Italy, he is then promoted to sergeant. Murphy and his men are then sent to Naples on R&R.\nMurphy and his men later take part in Operation Shingle. After landing on the beach, Murphy and his men fight around an abandoned farmhouse. This battle results in Lt. Manning, Kovak and Johnson being killed. After the Allied breakout of Operation Shingle, Murphy eventually receives a battlefield commission to the rank of second lieutenant.\nThe action for which Murphy was awarded the Medal of Honor is depicted near the end of the film. In January 1945, near Holtzwihr, France, Murphy's company is forced to retreat in the face of a fierce German attack. However, Murphy remains behind, at the edge of a forest, to direct artillery fire on the advancing enemy infantry and armor. As the Germans close on his position, Murphy jumps onto an abandoned M4 Sherman tank (he actually performed this action atop an M10 tank destroyer) and uses its .50-caliber machine gun to hold the enemy at bay, even though the vehicle is on fire and may explode at any moment. Although wounded and dangerously exposed to enemy fire, Murphy single-handedly turns back the German attack, thereby saving his company. After a period of hospitalization, he is returned to duty. The film concludes with Murphy's Medal of Honor ceremony shortly after the war ends, as Murphy remembers Kovak, Johnson and Brandon, who were killed in action.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT] [MOVIE].\nok i don’t remember what era this movie is from but i watched it all the time as a kid. it’s about this boy who finds like an alien robot in the woods and climbs inside it and the whole movie is about him being inside this robot. there’s one scene where they go to burger king and the robot eats the burger king and like the kid drinks it?? idk does anyone remember this name of this ",
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"content": "Star Kid.\nSpencer Griffith (Joseph Mazzello) is a shy seventh grader and 12-year-old boy.\nHe has a crush on a school girl named Michelle (Lauren Eckstrom).\nSpencer's life changes when a mysterious meteorite crashes into a nearby junkyard.\nInvestigating the site, he finds that the \"meteorite\" is actually a small rocket carrying a \"Cyborsuit\".\n, a prototype exoskeletal-suit with AI (short for Artificial Intelligence) from another galaxy.\nSpencer then decides to try the suit on and melds with the suit AI, who Spencer calls \"Cy\".\nAfter testing most of the functions and abilities of the suit, he then goes around town doing whatever he wants, such as getting back at a school bully Turbo (Joey Simmrin), rescuing Michelle and her friends from a damaged ferris wheel, and ordering food from a fast-food restaurant drive-thru, along with a few hilarious antics such as trashing his house while getting his head stuck in a refrigerator, figuring out how to eat a hamburger through the suit and wanting to get out of the suit to pee when Cy wouldn't let him.\nDuring this time, Earth gets visited by a Broodwarrior (Brian Simpson), a member of an alien race of insectoids waging a war against the creator of the Cyborsuit, Tenris De'Thar and his fellow Trelkins.\nThe Broodwarrior's mission is to capture the Cyborsuit so that his race can analyze it.\nAfter his first encounter with the Broodwarrior, Spencer escapes, forces Cy to eject him out of the suit and then abandons Cy telling him that he's afraid that he might not live to see his next birthday if he \"engages\" the Broodwarrior.\nBack at home, after Spencer looks over his comic book titled MidKnight Warrior and thinking about what kind of person he wants to be, he goes back out to find Cy only to find out that Cy was captured by the Broodwarrior.\nSpencer begins searching for Cy accompanied by Turbo, now becoming his friend.\nAs they head to the junkyard, where Cy is about to be taken off-world by the Broodwarrior, they create a plan to distract the Broodwarrior long enough for Spencer to rescue Cy.\nSpencer gets Cy back and begins battling with the Broodwarrior.\nDuring the battle, the Broodwarrior gets the upper hand and defeats Cy and Spencer.\nAfter getting bashed multiple times by the Broodwarrior's mace and severely damaging the suit, Cy is forced to eject Spencer out before going completely offline.\nSpencer covers the suit with scrap metal to hide it from the Broodwarrior, takes a piece of the suit and continues to fight the Broodwarrior, who was later trying to chase down Turbo.\nSpencer confronts the Broodwarrior before getting chased himself and is suddenly cornered in a junked RV.\nJust when the Broodwarrior is about to dispose of Spencer, Turbo finds a control panel and activates the car crusher the RV is sitting in, revealing the whole thing to be a trap.\nSpencer escapes while the Broodwarrior is compressed along with the RV into a solid metal cube, killing the Broodwarrior.\nWith the Broodwarrior now destroyed, they return to Cy but it appears they were too late to save him.\nJust when Spencer begins to lose hope, Cy's creator Tenris De'Thar and Trelkin soldiers appear from a giant UFO and quickly repair him, bringing him back to life.\nAfter Cy and Spencer say goodbye to one another, one of the aliens gives Spencer a badge for his bravery and courage before their departure back to their home-world.\nThe next day at school, a now confident Spencer, with encouragement from his new friend Turbo, starts up a conversation with Michelle.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT][MOVIE] A horror movie with an Asian-sounding name. Help!.\nI don’t remember the actors. This movie came out around 2010 I think. I think it was a horror movie. There was a couple in a jungle, there were kids (like tribal kids, but mysterious) who wanted to hurt the couple? There was blood and gore. The movie had a very creepy and mysterious feel to it. I think it didn’t have much dialog. The movie’s name wasn’t English (though the actors were caucasians). It was something like “Gundun” or some such. ",
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"content": "Vinyan.\nJeanne and Paul are a wealthy couple who lost their son, Joshua, in the Boxing Day Christmas tsunami of 2004.\nSix months later, having stayed over in Thailand, they view a film at an orphanage fund-raiser made by Kimberly Park, just back from the Andaman Coast, of Moken and Salone natives in the South Tanintharyi division.\nA restricted area only accessible by boats through a triad of Thakin Gao who has military ties that smuggles girls to bars in Myanmar.\nJeanne sees a vague figure in the distance she believes to be Josh.\nDiscouraged by Jeanne's lead, Paul gives in to contacting the triad's leader Thakin Gao and hiring one of his boats for an exorbitant 'one-time' fee.\nAt first taken to a false decoy in the Mergui Archipelago where male orphans, the females not present, cast balloons at night to ward of the vinyan spirits, the French couple is further misled, as indicated by pointing on a map, to an uninhabited island south of Macleod Island (west of Zadetkale Island) where, their resources depleted, find themselves equally lost in region of lost male orphans.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][MOVIE][1980S-1990S] A movie set in college about a genius or group of geniuses.\nIt was called something like that- Genius or something, I remember two specific scenes, one where the group of protagonists are pranking the main antagonist who goes to the same college, they like put radio receivers in his fillings in his teeth so they can talk to him and he thinks that he's talking to god or something. And the other scene is at the end of the movie, also a prank I think, and they fill a room(?) with popcorn. I don't remember the main plot, but it was a comedy I'm pretty sure, one of those 80s feel good I feel like.",
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"content": "Real Genius.\nThe CIA has covertly hired Professor Jerry Hathaway at Pacific Technical University to develop the power source for \"Crossbow\": a laser weapon precise enough for illegal political assassinations. Hathaway uses his position to recruit brilliant students to do the work for him and, aside from his graduate student and toady Kent, purposely does not tell them the reason for their research.\nHathaway’s latest prospect is genius high school student Mitch Taylor. Despite his youth and inexperience, Hathaway makes Mitch the lead on the project due to his innovative and original ideas in the field of laser physics. Mitch is roomed with Chris Knight, another member of the team, a legend in the “National Physics Club” and one of Mitch’s idols. Mitch’s ideal of Chris is shattered, however, when Chris turns out to be more of a goof-off than hard-working student. Meanwhile, Hathaway hopes Mitch will encourage Chris to straighten up his act and that their two exceptional minds can develop a proper power source.\nWith the deadline quickly approaching, Mitch feels the pressure to complete the project while Chris continues his carefree attitude. After inviting Mitch to a pool party to blow off steam, Kent reports this to Hathaway, who lambastes Mitch. Mitch breaks down emotionally, tearfully calling his parents and telling them he wants to go home (unaware that Kent is recording the call). Kent later plays the recording over the school's public address system, humiliating Mitch. As Mitch begins packing to leave, Chris explains about the pressures of school and burdens of being highly intelligent by relating the history of former Pacific Tech student Lazlo Hollyfeld. Lazlo ‘cracked’ under the pressure and disappeared (actually now living in Chris and Mitch’s closet), and Chris, fearing the same could happen to him, learned to lighten up and begin enjoying life. Mitch acquiesces to stay and they exact revenge on Kent by disassembling his car and reassembling it in his dorm room.\nHathaway, angry about the still-incomplete project and Chris’s attitude, informs Chris that he intends to fail him in his final course needed for graduation and will give a coveted after-graduation job -originally promised to Chris- to Kent instead, as well as take steps to ensure Chris will never find work in the field of laser physics. Chris is disheartened and Mitch must use Chris’s same argument to convince him to stay. The two commit themselves to finishing the laser and making sure Chris passes Hathaway's final exam.\nKent sabotages their latest, nearly-successful apparatus. Though Chris knows Kent destroyed the laser, he can do nothing about it and is left to brood over the injustice; this inspires him to come up with a whole new system. The new solution works flawlessly, impressing Hathaway; he congratulates Chris and assures him that he will graduate. Chris and Mitch leave and celebrate, but Lazlo arrives to tell them his suspicions regarding the possible uses of the laser. Realizing he is right, they return to the lab, but all the laser equipment has already been removed by Hathaway.\nThey surreptitiously implant a radio transmitter in Kent's mouth and use it to speak to him (Kent believes he is talking to Jesus); he divulges the location of the Air Force base where the equipment has already been installed on a plane. Chris and Mitch sneak onto the base and reprogram the coordinates of the target before going to Hathaway's home to setup a small prism. They gather outside of the home to watch as another school professor and a Congressman arrive, having been told of the event. Kent arrives and, though he was told by “Jesus” to remain outside, goes inside. The laser test begins, with the new target being Hathaway's house. A large bag of popcorn (which Hathaway detests) is heated using the laser diffracted by the prism, filling the house and causing it to burst at the seams, with Kent riding the wave through the front door. Lazlo arrives in an RV -which he won using mathematical odds in a sweepstakes contest- to tell them he is leaving. Later, Hathaway arrives to see what has become of his house.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, 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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT][TV Show?] British Horror/Mystery/Suspense TV Show with people coming to an island staying in a mansion.\nI was only half paying attention up until the second half of the first episode so I don't exactly know all the details but this women along with some men dressed up in suits take a very small boat to this island where there's this mansion/hotel like place in the middle of no where. Upon arriving everyone goes to their rooms and i remember there was like a poem or some sort of piece of writing that was on a wall in every room and the female lead makes note of it or something. Eventually we get to a scene where an old style record player starting playing and every person that was brought to the mansion was mentioned on the record followed by what sort of atrocity/killing theyve done in their life. There was also something about how there's 10 of these things on the table and after two people died (one was some cocaine user who had killed two children while driving a car and the other was like a maid that lived there who witnessed one of the other people kill an elderly women in some flashback) there was only eight remaining on the table. It seemed like a newish show and this was all from episode 1",
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"content": "And Then There Were None (TV series).\nTen strangers are invited to an island by a mysterious host, and start to get killed one by one. Could one of them be the killer?::Anonymous\n\nIt's 1939 and Europe teeters on the brink of war. Ten strangers are invited to Soldier Island an isolated rock near the Devon coast in southern England. Cut off from the mainland, with their generous hosts Mr and Mrs U.N. Owen mysteriously absent, they are each accused of a terrible crime. As members of the party start to die one by one, the survivors realize that one of them is a killer and start to turn on each other.::BBC\n\nIt's 1939 and Europe teeters on the brink of war. Ten strangers are invited to Soldier Island, an isolated rock near the Devon coast in southern England. Cut off from the mainland, with their generous hosts Mr and Mrs U.N. Owen mysteriously absent, they are each accused of a terrible crime. As members of the party start to die one by one, the survivors realize that one of them is a killer and start to turn on each other.\n\nAugust 1939. Ten people find themselves on Soldier Island, off the Devon coast. They have been invited there or hired to work there by Mr and Mrs Owen. The Owens are nowhere to be found. At dinner on the first evening a recording announces that they are all murderers, lists their victims, and says that they have been sentenced to death. Then, somebody starts murdering them, one by one.::grantss",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][MOVIE][2000-20018] A father is manipulated by a stranger teenage boy to hurt his own family.\nA family of four(father, mother, son and daughter). The teenage stranger boy meets a father in a diner/restaurant and slowly gets closer to be invited to go over to meet the rest of the family. Then, the boy slowly blackmail the father into hurting his own family. Forcing him to choose between his own family members to hurt/harm in order to save another.",
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"content": "The Killing of a Sacred Deer.\nSteven, a charismatic surgeon, is forced to make an unthinkable sacrifice after his life starts to fall apart, when the behavior of a teenage boy he has taken under his wing turns sinister.::Anonymous\n\nAfter the untimely death of 16-year-old Martin's father on the operating table, little by little, a deep and empathetic bond begins to form between him and the respected cardiothoracic surgeon, Dr Steven Murphy. At first, expensive gifts and then an invitation for dinner will soon earn the orphaned teenager the approval of Dr Steven's perfect family, even though right from the start, a vague, yet unnerving feeling overshadows Martin's honest intent. And then, unexpectedly, the idyllic family is smote by a fierce and pitiless punishment, while at the same time, everything will start falling apart as the innocents have to suffer. In the end, as the sins of one burden the entire family, only an unimaginable and unendurable decision that demands a pure sacrifice can purge the soul. But to find catharsis, one must first admit the sin.::Nick Riganas\n\nDr. Steven Murphy is a renowned cardiovascular surgeon who presides over a spotless household with his wife and two children. Lurking at the margins of his idyllic suburban existence is Martin, a fatherless teen who insinuates himself into the doctor's life in gradually unsettling ways. Soon, the full scope of Martin's intent becomes menacingly clear when he confronts Steven with a long-forgotten transgression that will shatter his domestic bliss forever.::krmanirethnam",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, 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priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][Movie] Movie about a town having like 15 tornadoes all in one night.\nI saw this movie about 7 or 8 years ago.\n\nIt was about a family that lived in a semi-small town. If I remember correctly, the parents were out at a restaurant or something and the kids were at home. The main character was a teenage boy. He was left at home with a baby. Eventually, as the tornadoes start hitting, each one worse than the last, the family desperately tries to find each other. The teenager leaves the house with the baby, and meets up with his friends along the way.\n\nSome specific details I remember:\nThere's one scene in which the baby is in it's room with the window left open and a tornado in the distance. The room is damn near destroyed, and the teenager just barely is able to get the baby out of there.\n\nAt one point, the group of friends come across a dead body lying on the ground and comment on it, saying that they'd never seen a dead body outside of funerals.\n\nThere was this running theme of \"red letter days\" and \"black letter days\". A red letter day means that you are having a good day, and that luck will find you. A black letter day means that something bad is going to happen to you. The main character originally thought that he was having a red letter day until the tornadoes hit.\n\nThere's a bit of narration from the main character at the end, and toward the end he talks about his grandmother, and how she survived the tornadoes but died later.\n\nI remember so much about this movie, but it's been so long that I can't remember the title of it. I'd appreciate any help I can get. \n\nAlso, I know that it's not \"Into the Storm\". Someone else suggested that but it's not it.",
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"content": "Night of the Twisters (film).\nThe film's prologue takes places in an area of rural farmland in Dannebrog, Nebraska.\nWhile there, Bob Irisen – a storm chaser with the National Weather Service – is driving down a country road to track a freak supercell thunderstorm.\nAs a tornado touches down yards away, right as their daughter arrives home from school, Bob warns a family about the oncoming twister, which sends them running into their cellar just before it destroys their farm.\nMeanwhile, in (the fictional town of) Blainsworth, Nebraska (the book is set in the real-world city of Grand Island), teenager Dan Hatch, an aspiring and practicing artist who is constantly being pushed by his stepfather Jack to be an athlete, participates in a bike race and damages his bicycle; Jack pushes Danny into finishing the race on his bum bike, where he falls behind the other racers.\nMuch to his luck, he wins a new bike in a raffle held by a local bank.\nWhile trying out his new bicycle, Danny and his best friend Arthur Darlington run into Arthur's two sisters, Stacey (whom Danny is infatuated with) and Ronnie Vae, while at the park.\nDanny and Arthur arrive home as the former's mother Laura is preparing dinner, when she also asks Danny to tend to his baby half-brother, Ryan.\nLater, Laura's sister, Jenny, calls to inform her that they have been assigned to a fill-in shift as waitresses at the Salty Dawg, the local diner where they both work.\nOn the road, while continuing to track the massive storm creeping toward the town, Bob decides to head southeast into Blainsworth, as the meteorologist he is radioing to is astonished at the uncharacteristic spring-like nature of the storm system for the fall; while there, he meets Laura and Jenny while getting some coffee at the diner.\nThe action begins after Jack comes home at mid-evening; as he sits down to watch television, the show he is watching is interrupted by a severe weather bulletin reporting about a tornado sighting near Dannebrog, northwest of Blainsworth.\nSeveral minutes after Jack leaves to check on his mother Belle, who is asleep in her rocking chair as he phones her, tornado sirens blare throughout town, only to cut off abruptly as Danny goes to get Ryan from his crib.\nThe eerie stillness outside afterward suddenly gives way to a violent tornado that approaches Blainsworth's Capital Heights neighborhood, with the sucking noises emitting from the drains notifying Dan and Arthur of its pending arrival; they and Ryan take cover in the basement bathroom's shower as the twister starts to obliterate the Hatches' home.\nAfter Dan and Arthur escape from the basement of the leveled house through the collapsing floor beams where the first floor once stood, and look in awe of the rubble that was once the Hatch family's home, Arthur runs into Stacey and Ronnie Vae, who both survived the twister themselves in the Darlington's home (their parents were out of town on a trip back home to California at the time the storm hit).\nAs Dan struggles to find his own family, Laura and Jenny are trapped inside the Salty Dawg, which also gets destroyed by one of the tornadoes.\nDan and Stacey then go save Dan's grandmother, Belle, at her farm; the two teenagers find Belle underneath wooden boards blown onto her from off of the partially damaged barn near her house (which itself survived intact).\nAs Dan and Stacey rush in the car to get Belle treated for her injuries, Dan finds Jack on a closed road, with his truck – which was overturned by the tornado, pinning him underneath it – covered in fallen power lines; he pulls Jack out from under the truck (with the help of emergency crews, after an earlier attempt by Dan and Stacey to push the truck in order to free him nearly injures Jack further), seeing this as an opportunity for his father to finally see him as reliable.\nHowever, Jack just gives a simple thank-you to the fact that Dan saved him from multiple dangers, even though his stepson may have been the only one down the road who was able to help him as it was blocked by policemen due to it being blocked by the downed lines, debris and broken underground utility lines.\nLater that night at the shelter, Dan reveals to Stacey that Jack is his stepfather and that his real father, Daniel Sr, was a pilot who was killed in a plane crash when Dan was 6.\nAfter telling her that he feels he isn't good enough in Jack's eyes and talks about the good qualities that his stepfather has, Stacey helps Dan consider that the two could try to find some common ground.\nEventually, Jack – followed by Dan, who sneaks himself and Ryan into the station wagon loaned to Jack – leave the shelter to go and look for Laura.\nJust as Bob pulls his truck into the driveway of the destroyed house, helping passengers Jenny and Laura along with him searching for Jack, Dan and Ryan, Jack's station wagon also drives up and the family is reunited.\nAs soon as everyone is relieved they survived the storm, three tornadoes touch down near them.\nBob, realizing that there is no adequate shelter available, advises the group to make a run for it in their vehicles.\nThe group narrowly escapes one of the twisters, which picks up a car that the Hatches' neighbors try to outrun the tornado in themselves, destroys several buildings in its path and hurls a tree branch into the windshield, briefly knocking Jack unconscious – causing Dan to take over driving the vehicle out of the storm's path.\nThey, along with Bob and Jenny, make it to an overpass as the twister blows out the back window of the station wagon, nearly sucking Dan out before it dissipates into the air.\nAs they walk out from under the overpass just as the sun rises on a clear day after the storm passes, Jack admits he's proud of Danny for not giving up in the face of adversity and trying to reunite the family.\nIn the film's epilogue, illustrating what happened with the characters one year after the storm, Dan explains that he is now dating Stacey, while Arthur became class president, and Bob and Jenny got married and are becoming first-time parents to twins.\nHe and Jack have also become closer, and Jack is now supportive of him.\nHe also tells that his grandma, Belle, died the following year in 1997.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined 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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT] [MOVIE] A boy piecing together what happened to his father who was killed while being chased through the woods at night over a letter/package he had..\nThis was a movie we watched in PE on rainy days in elementary school (mid-2000's). It seemed to be a movie from the 80's-90's.\n\nIt starts out with a flashback scene of a man in his 30's driving frantically through the woods at night, he was being chased over a letter/package he had. (If I remember correctly, he was driving a postal truck and this scene ended ominously with a crash and him presumably dead.)\n\nIt flashes forward to the present day. His preteen son stumbles upon some stuff and starts to piece things together. He has the help of his friends, one was a redhead who seemed like a familiar child actor face of movies from that time.\n\nThere is an evil antagonist, who was clearly involved in the dad's untimely death. In one scene, he is playing mini-golf in his office.\n\nI could've sworn this movie was called \"Return to Sender\" because that was also what was on the letter/package the dad had, but I can't find this movie anywhere! It's bothered me for years.",
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"content": "Address Unknown.\n10 years after their fathers' deaths, two teenagers' tragic common bond leads to friendship and adventure. Determined to uncover what really happened to their fathers, Matt and Tarra must take on two officials who know the shocking truth.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT] [MOVIE] [2000s] Can't seem to find this horror movie..\nThere are these ghoulish, \"Gollum\" like humans hunting people in woods, I think they use traps, bows, and other primitive weapons.\n\nAlso at the end (I think so) it is revealed that there was radioactive leak that caused their insanity.\n\nThe time frame of the movie: 2000-2011.",
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"content": "Wrong Turn (2003 film).\nChris and a group of five friends are left stranded deep in the middle of the woods after their cars collide. As they venture deeper into the woods, they face an uncertain and bloodcurdling fate.::shantanusingh-98459\n\nChris Flynn is driving his car for a job interview in another city. However, an accident with a trunk transporting chemical products blocks the highway and Chris looks for an alternative route through the mountains of West Virginia to accomplish his schedule. Due to a lack of attention, he crashes another car parked in the middle of the road with flat tires. Chris meets a group of five friends, who intended to camp in the forest, and they decide to leave the couple Francine and Evan on the place, while Chris, Jessie, Carly and her fiancé Scott tries to find some help. They find a weird cabin in the middle of nowhere, where three violent cannibalistic mountain men with the appearance of monsters live. The two couples try to escape from the mountain men while chased by them.::Claudio Carvalho, Rio de Janeiro, Brazil\n\nChris Flynn is driving through the backwoods of West Virginia on the way to an interview when he has an accident with a group of five friends, writing off his car. Their car is also damaged, so four of them set off to find help, leaving two behind to watch the cars. One by one they get picked off by a bunch of mutated inbred hillbillies.::grantss\n\nIn a throwback to 1970's horror films such as \"The Texas Chainsaw Massacre\" and \"The Hills Have Eyes\", \"_Wrong Turn_ (qv)\" is an independently-made horror film about a group of five youths on a hiking trip in the Appalachains of West Virginia who become prey to a family of cannibalistic mountain men who have become horribly disfigured through generations of in-breeding.::ahmetkozan\n\nChris Finn (Desmond Harrington) is on his way to a job interview and is driving through the mountains of West Virginia. There is then a chemical spill on the road, so being short on time, he decides to take a different route, an abandoned dirt road in the middle of nowhere. He then by accident crashes into a car sitting in the middle of the road. He then meets a group of friends on a hiking trip who include Jessie (Eliza Dushku) whom where stranded on the road. Two people stay at the car, and another group goes for help, only to find a sinister cabin nesteled in the West Virgina woods, that is home to a trio of cannibalistic mountain men horribly disfigured from years of in-breeding. They then make a mad dash for their lives through out the woods, only hoping to make it out alive.::Scott",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, 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priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as 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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT] [MOVIE] [90’s-2000’s] A non-American animated movie about a cat raising a seagull from birth.\nI used to know what this movie was called but I keep forgetting. It’s either originally in French, German, or Russian, but I’ve seen the English version as a kid on TV.\n\nIt’s about a black and white cat that stumbled upon a seagull egg and decided to raise the bird as its own, and as she grows up the bird thinks she’s a cat and tries to fit in with the cat and his gang but eventually she discovers who she really is and learns to fly. I think the last scene of the movie is her flying away.\n\nIt’s 2-D animated and it’s super adorable. I’ll feel so stupid once one of you guess it.",
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"content": "Lucky and Zorba.\nIn the coasts of Hamburg in Germany, a gang of sewer rats steal food as a group of cats led by the Colonel, plan to get rid of the rats and their leader, Big Rat. The plan failed, but the rats were forced to retreat as the other rats pursued the cats, with Zorba (a black cat) injured. During the escape, The cats encounter Bubulina, which Zorba is enamored and leaves. Meanwhile, at the ocean, a petrol ship sinks leaving a lot of petrol in the sea. The next day a seagull flock starts looking for fish in the sea, they dive in and stay there until their leader spots the petrol flood, he warns the rest of the flock, but one of the seagulls named Kengah doesn't hear it and gets dirtied by the petrol. She survives the accident but has trouble with flying. She flies over the city until she falls on a woman's garden, right on top of her cat, Zorba. Being disgusted by the petrol’s taste, Zorba refuses to eat her. Kengah asks him three promises that he must do if she doesn't survive. The first one is that when she lays her egg he must not eat it, the second one is that he must take care of it until it hatches, and third is that he would teach the newborn how to fly.\nZorba promises despite his hesitations, then he goes to find his friends to try to help save Kengah with removing the oil. Zorba gets his friends but when they arrive to save the seagull, it's too late. Under her wing they find her egg, so Zorba tells them about the promises and the cats decide to help him by giving him some instructions (found in encyclopedias in a nearby abandoned museum) on taking care of the egg. Zorba then forces himself to gently sit on the egg and hatch it. Later that night, the cats bury Kengah, as they mourn her death.\nWord soon spreads about a cat hatching a bird's egg, until it reaches the ears of Zorba's love interest Bubulina and the town's cats' arch-enemy Great Big Rat, who after hearing the news of the cat-egg makes a plan to make all the town's cats his servants. The egg soon hatches and the cats decide to name the newborn Lucky. Lucky lives with the cats believing to be a cat herself. Her belief soon disappears when Pallino, a red kitten jealous of Lucky because of all the attention and advantages she gets, tells her that she's a bird and that her adoptive father wants to eat her.\nLucky runs away and gets captured by Great Big Rat's minions. The cats look for her all over the town until they found out that Big Rat has her captured. The cats Gather as much cheese as possible and use it to create a big wheel of cheese and hide in it (a trick they learned from the Trojan Horse). Pallino, however, goes alone into the sewers and stops the rats before they can eat Lucky, but both of them end up captured. The cat's cheese arrives just in time as the cats jump out and rescue Lucky and Pallino right before Great Big Rat could kill them. The cats throw Great Big Rat and his main henchman into the canals.\nZorba and his friends then decide to teach Lucky how to fly. Lucky fails to successfully fly until Zorba decides to teach her to fly as a seagull mother would. For this Zorba asks Bubulina's owner, a little girl named Nina, to take them to a very high tower where Lucky could jump from the top and, according to her instincts, be able to fly. Despite that cats talking to humans in the same language is forbidden, Zorba tells Nina in her dreams. Lucky tells Zorba that she loves him, calling him by his name for the first time, and he tells her that he loves her, too. The plan succeeds and Lucky starts flying. The Great Big Rat sees the commotion and becomes enraged that his plan failed. Before she leaves, Lucky grabs Pallino and brings him to Zorba. Lucky then says good-bye to Zorba. Pallino then acknowledges Lucky as his little sister, before Lucky gives her first seagull call and joins a flock of seagulls into the night sky.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined 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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT] [TV SHOW] [2010’s].\nI’m looking for a show that once was on Netflix (not Netflix original), that was in a live action format. It featured 3-4 men, who all wore the same attire; blue Superman like suits, blue speedos, and poorly drawn mustaches on their faces. They would often drive a bus like vehicle, and would often get into weird situations. Known episodes I know will be commented below by me.",
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"content": "The Aquabats! Super Show!.\nA rock band, consisting of five superheroes, battle a new monster every episode in a retro campy style, complete with fake commercials and an appearance each week of the Aquabats in cartoon form.::derekixen",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, 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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT] [MOVIE] Possible Spanish(?) horror film (or one of the segments in a trilogy) in which a crazed woman - posing as a real estate agent - lures a prospective couple to an apartment building only to torture and kill them. If memory serves, the wife is pregnant..\nI saw this film (or segment from a film) on Netflix a few years ago (2012/2013). Again, I can’t remember if this was a stand alone film, or if it was a segment/chapter in a horror trilogy type of film. I know that it was a foreign film, possibly Spanish. \n\nA crazed brunette woman with glasses (this image sticks out) is a real estate agent or poses as one. I can’t remember how she lures them to the apartment building, but a man and his pregnant wife arrive to look at a apartment. Things go smoothly at first, but the faux real estate agent soon snaps. She begins to torture the couple. She possibly wants the wife’s unborn baby. I also remember something about the faux real estate agent having a disfigured older son, hiding somewhere in the building. Any help would be appreciated. Thanks!",
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"content": "To Let.\nMario and his pregnant girlfriend Clara are trying to find in a short period a new apartment to live since they have sold their apartment and they need to move in fifteen days. When Mario finds an attractive advertisement in his mailbox, he convinces Clara to visit the place with him. He drives to a far area in the periphery and meets the real estate agent in front of an old building in an abandoned neighborhood. When the couple sees the apartment, they do not like it but they are forced to stay.::Claudio Carvalho, Rio de Janeiro, Brazil",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, 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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this 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"content": "[TOMT][MOVIE] please help me find the name of this movie 🎥.\nMaybe 6-8 years ago I saw this movie on Netflix about a married couple who let their best friend move in with them. The best friend then went on to get a girlfriend and she also stayed with them. The girlfriend then started to become obsessed with the man who was married( he was a doctor) and then killed the best friend because he suggested moving out and getting a condo, but she wanted to continue to live with the married couple so she could get closer to the married man. \n-I believe the married man name was Mitch, but I could be wrong. This movie seemed like a lifetime movie, but I saw it on Netflix years ago.\n-It was definitely a thriller movie.\n-the ending of the movie is that the married couple ended up killing the obsessed girl in self defense.\nDoes this ring a bell for anyone?",
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"content": "Playing House (2011 film).\nIn order to afford their dream house, newlyweds Jen and Mitch Mckenzie ask their best friend Danny to move in with them.\nThe plan works beautifully until Danny brings home Blair, a stunning and beautiful temptress.\nBlair tries to seduce Mitch with her beauty and sex appeal when she is with Danny.\nThis makes Mitch make behavioral changes towards Jen.\nLater, Blair electrocutes Danny in his bath tub.\nThen, it is revealed that Blair's earlier boyfriends had also died in some way after meeting her.\nAfter Danny's death Mitch allows Blair to stay in the house and is falling to her temptations.\nThis widens the gap between Jen and him.\nJen leaves the house and starts working as head chef in a hotel.\nIn a market store, Blair is confronted by Sharon who tries to blackmail her and warns her that she knows how she killed her boyfriends just for their money.\nOn their next meeting, Blair kills Sharon and hides her body in the house.\nLater that night Blair, tries to seduce Mitch but he refuses her, remembering of Jen.\nAngered by his reaction, Blair then tries to kill him but is interrupted by the arrival of Jen back at the house.\nA fight ensues between the two and Blair is killed by Jen when she is run over by Jen's car.\nMitch is saved and both unite when the police arrive at the scene.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT][MOVIE] Horror movie where a person sees number that tells his/her remaining days to live.\nI don't know if the person is the main character, but he/she sees the number in random places, like on street sign. Also there is a barn and looks like the movie took place in England. I'm not sure about the last two. The movie probably released between 2000-2013.",
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"content": "Seven Days to Live.\nA grieving woman suffers terrifying visions of her own demise after she and her husband move into a country mansion.::anonymous",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT] [MOVIE] [PRE 2012] Family lives by the beach and dad has an affair..\nI remember watching this movie that wasn't in English and had subtitles(I have no idea what the language was - maybe Spanish?). What I recall is there was a family that lived by the beach and their teenage daughter had drama going on with her own friends. There was a scene in which they were playing truth or dare and one boy got asked who he'd kiss and he smiled at her and replied with her name (I think her name was Philadelphia or something like that). She got up and left the game at that as though offended or something. She had a party at her house and ended up stumbling upon two of her friends kissing right outside too. Plus her mom scolded her at some point for being mean to some boy.\n\nThere was a part where she secretly followed her dad to someone's house and saw him from the window having sex with another woman. It started with him kissing her feet and playing around. Then later Philadelphia wouldn't talk to him or touch him. He and his wife had a huge fight and she said \"I never want to make love to you ever again.\"\n\nFor the longest time I recalled this movie's name as \"Adrift\" but I recently googled it and found nothing except a different movie of that name.",
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"content": "Adrift.\nA 1980s-set drama about a teenage girl undergoing her sexual awakening when she learns about her father's infidelities.::Anonymous\n\nIt is the 1980s, and fourteen year-old Filipa is spending her vacation at Búzios with her father, Mathias, her alcoholic mother, Clarice, and her two younger siblings in their beach house. When Filipa feels that the relationship of her parents is deteriorating, she snoops in her father's office. There she finds pictures of Mathias with his American lover Angela hidden in a drawer of his desk. When Mathias and Clarice announce to their children that they are not going to live together for a period, the confused Filipa believes that Angela is responsible for the separation of her parents, though she soon discovers that the marriage of Mathias and Clarice is built on a bed of lies.::Claudio Carvalho, Rio de Janeiro, Brazil",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT] [MOVIE] kids in outer space playing a game.\nI can't remember much about it besides that at one point, some kids playing a game (a board game I think) were sent to outer space. I think I watched it on cartoon network. I can't remember anything else.",
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"content": "Zathura: A Space Adventure.\nWalter and Danny Budwing are two brothers who do not get along with each other or with their teenage sister, Lisa. While their divorced father is away at work and Lisa, whom he left in charge, is napping, Danny discovers an old space-themed board game called Zathura in the basement. When he starts playing, the game produces a card that summons a meteor shower inside the living room. Walter and Danny realize playing the game affects reality.\nThe boys discover the house is floating in space. Lisa thinks she has overslept and it is evening and prepares to go out. The next card puts her in cryonic sleep for the next five turns of the game, leaving her frozen solid. Walter concludes they must win the game to return everything to normal. As they continue to play, Walter and Danny overcome the dangers presented by the game cards, including the appearance of a defective robot, passing too close to a star, and an attack on the house by a race of reptilian aliens called Zorgons. One of Danny's turns produces an astronaut, who methodically eliminates the house's heat sources, as Zorgons are attracted to heat. He tells Walter to blow out the pilot light on the furnace, but Walter does not blow it out, out of fear of getting attacked by the robot. The astronaut lures the Zorgons' ship away by ejecting the boys' father's couch after setting it on fire.\nWalter demands the astronaut to leave, but Danny chooses to let him stay. Growing increasingly agitated, Walter accuses Danny of cheating by supposedly moving his piece prematurely; when Walter tries to move the piece back and takes his next turn, the game reacts as if Walter was cheating and ejects him from the house, but the astronaut rescues him. On Walter's next turn, he receives a card that brings a shooting star that allows him to make a wish resulting in another falling out between the boys. Fearing the worst, the astronaut is relieved to discover that Walter wished merely for an autographed football. He explains his origins, saying that he and his brother had played the game fifteen years before. He received the shooting star card that allowed him to make a wish, but after an escalating fight, he wished his brother was never born. This resulted in him being trapped, as he was unable to finish the game without the second player.\nLisa awakens from her stasis and, still oblivious to the situation, turns up the heat. The Zorgons return and anchor their ships to the house. Lisa finally discovers their predicament, and the four hide, but realize that they left the game behind. Danny finds the game aboard one of the Zorgon ships, but is spotted. Walter uses a \"Reprogram\" card he drew earlier to fix the robot, who attacks the Zorgons instead, causing them to retreat.\nWalter receives another wish card; he uses it to bring back the astronaut's brother in gratitude of his help and support, causing a double of Danny to appear. The astronaut reveals he is actually an older version of Walter from an alternate universe, and commends his younger self for making a better choice than he did in his timeline, and the astronaut and the alternate Danny merge with their counterparts as the future changes.\nA fleet of Zorgons return to attack the house. When Danny makes the winning move, it is revealed that Zathura is a black hole, which proceeds to suck up the Zorgons' fleet and the house. The siblings reawaken in the house as it was before the brothers started the game, just as their father arrives home. Their bond renewed, they promise to each other and to Lisa to not tell anyone about the game and their adventure. After they leave with their mother, Walter's bicycle, which had been orbiting their house, falls from the sky.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as 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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT][MOVIE][THRILLER].\nMade it the late 2000’s early 2010’. Suspense Thriller where a couple move out in the country, husband is a pushover and local country guys hit on wife. The plot is about how a football coach’s daughter is hitting on the special Ed. Team manager and he accidentally strangled her and kills her, trying to keep her quiet. The couple eventually protect this special ed kid in their house from dudes who wanna kill the kid.",
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"content": "Straw Dogs (2011 film).\nScriptwriter David Sumner and his wife Amy relocate to rural Mississippi where Amy grew up. They are going to live in the house of Amy's recently deceased father and to allow David to finish a script.\nWhile in town one afternoon, David meets Amy's ex-boyfriend Charlie and his three friends, Norman, Chris, and Bic. David is intimidated by the men, but they have already been hired to fix the roof of the barn on Amy's property. He also meets Tom Heddon, a former high school football coach whose 15-year-old daughter Janice is attracted to a local man with an intellectual disability, Jeremy Niles. Heddon often bullies Jeremy and believes that he is stalking his daughter.\nCharlie and his friends arrive early the next morning to work on the roof. They taunt David, which later escalates into harassment. They also make crude remarks towards Amy and play loud music to distract David while he writes. They often leave early when they want to go hunting, which concerns David because it is taking them forever to finish the roof.\nOne Sunday after church, Heddon attacks Jeremy for talking to Janice, and Amy comes to his defense, but David warns her to not get involved. Later that night back at home, David discovers their cat strangled and hung up in the bedroom closet. Amy is positive that Charlie and his friends are to blame as they disappeared from the church barbeque for a few hours earlier, but David is hesitant to confront them. When he does finally question them, the men deny everything.\nCharlie invites David to go deer hunting. While David is out in the woods with two of the men, Charlie goes back to the house and pushes his way inside to confront Amy, because he thinks that she still wants him. He throws her onto the couch and rapes her, while making crude remarks about having sex either with him or with David. Afterwards, he realizes that he raped Amy, and that she did not want this, and is stunned. Norman arrives, holds Amy across the top of the couch, and rapes her while Charlie watches. They then leave. When David returns, Amy doesn't tell him what happened. Instead, she encourages David to fire Charlie and his men. The next day David tells Charlie that fixing the roof is taking too long. Charlie insists that they have already paid for the roofing supplies, which David agrees to pay for. Finally, Charlie and his crew leave, celebrating their $5,000 payday.\nDavid and Amy go to a local football game. Cheerleader Janice lures Jeremy to enter an empty locker room. Heddon notices that his daughter is missing from the game and goes in search of her. Meanwhile, Janice tries to convince Jeremy to let her give him oral sex. They hear Heddon calling for Janice. Afraid of Heddon finding them, Jeremy holds Janice tight against his body with his hand over her mouth and nose, accidentally smothering her to death. Horrified, he runs away from the school. Heddon goes back to tell Charlie and his friends that Janice is missing. They all suspect that Jeremy has done something to her.\nAt the game, Amy has haunting flashbacks about the rapes and asks David to take her home. On the way, she tells him that she wants to return to Los Angeles, surprising him and causing him to accidentally run over Jeremy who is standing in the road. David and Amy take him back to their home and call an ambulance. Charlie and Norman overhear the ambulance call on a police scanner and inform Heddon. They all drive to David and Amy's house and demand that the couple hand Jeremy over, but David refuses. The sheriff arrives shortly thereafter and tries to calm down the situation. He knocks on the door and tells David to open the door, but David still refuses. Heddon picks up his gun again and shoots the sheriff dead. Having witnessed the murder, David knows now that the men will try to kill not only Jeremy but both of them too. David and Amy barricade the doors shut. He enlists her to help him open the jaws of a decorative bear trap. Then he sends Amy upstairs with Jeremy. David looks frantically for something he can use in the house to fight off the men.\nWhen Chris attempts to enter through a window, David nails his hands to the wall with a nail gun, his throat fatally exposed to broken glass. When Heddon tries to follow, David burns his face with hot oil. Heddon and Charlie use the pick-up truck to ram into the house, but Charlie is knocked unconscious. David fights Heddon off and causes him to shoot himself in the foot. David then shoots Heddon and beats Bic to death with a fireplace poker.\nUpstairs, Amy and Jeremy are attacked by Norman, who has climbed in through the window. Norman is attempting to rape Amy again when David and Charlie appear. Charlie and Norman draw on each other when Norman threatens to kill Amy. Amy shoots Norman, Charlie assaults and disarms her, then David jumps him. Charlie kicks David down the stairs and beats him severely. While David lies prostrate on the floor, disarmed, Charlie prepares to shoot him in his head when Amy approaches from behind, pointing the gun at him. Turning to her, Charlie informs her the gun is empty, and says to her, \"I will always protect you, baby,\" when David rises behind him and slams the open bear trap down on his head, which shuts and ensnares him. Charlie slowly dies. While Amy, at first, is horrified at the scene, she later takes solace knowing both her rapists are dead.\nAs sirens are heard, with the adjacent barn in flames, David says, \"I got 'em all.”",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT] [MOVIE].\nI think the movie had a freelancer who lives in hell get recruited by the devil to steal the souls of hockey players whose team was “the angels”, and the freelancer used a device that looked a bit like a cell phone.\n\nWhat was that movie?\n",
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"content": "H-E Double Hockey Sticks.\nSatan, in the form of Ms. Beelzebub (Rhea Perlman), sends apprentice demon Griffelkin (Friedle) to Earth's surface to steal the soul of a hotshot young hockey player named Dave Heinrich (Lawrence), who aspires to be the youngest man to ever win the Stanley Cup.\nDave and Griffelkin reach a very specifically-worded agreement whereby Dave's soul is forfeit in exchange for a Stanley Cup championship for the Delaware Demons (a thinly veiled version of the New Jersey Devils), which is Dave's team at the time. After the deal is done, however, Griffelkin also arranges for Dave to be traded to The Annapolis Angels, the last-place team in the league, allowing Griffelkin to fulfill his end of the bargain without actually allowing Dave to win the Stanley Cup himself. He later chooses to help Dave as revenge against Ms Beelzebub for her mean collapsible chair trick and because of his reformation, choosing to side with Good. An Angel named Gabrielle tells Griffelkin that Dave's soul can be saved if the Angels win the Stanley Cup. Dave then realizes that the only way to save his soul is to become a true team player and help his new teammates improve enough to defeat the Demons in the Stanley Cup finals. The Demons lose the Stanley Cup, The Angels win and the deal is off. Griffelkin decides to join Gabrielle, giving up his position as a demon to become an angel who tells him he has a few things he must do to earn his wings. Then Satan/Ms Beelzebub, enraged at her defeat and at Griffelkin for helping Dave win, madly goes back to Hell in a fit of rage.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs 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half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, 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priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the people, receiving the Mayor Harris Award for outstanding community service at a ceremony in their honor.\nOther Guy receives a Blankman t-shirt (much to Kevin's disgust).\nAfter the ceremony, Kevin introduces Kimberly to \"Darryl\".\nThe two make light conversation until Kimberly pretends to see a purse snatcher, putting Darryl on alert.\nKimberly then reveals she knows that they are Blankman and Other Guy, and she kisses Darryl to prove it.\nDarryl falls to the ground after getting the same embarrassing reaction he had the first time while Kevin and Kimberly laugh at him.\nThe film ends with a shot of a banner that reads \"We Love You Blankman.\nand the Other Guy\".",
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"content": "[TOMT][TV SHOW] Kids show I watched one time about parents who seemed to revert to children and the children had to deal with the consequences..\nSo I'll try to explain this as best I can, because I saw this so long ago I'm starting to doubt it wasn't dreamed up.\n\nIf I were to guess on a time period, I would say mid to late 90s (POSSIBLY very early 2000s). The two main characters were two children, one a boy and one a girl. I remember nothing about either except that the girl had hair just above the shoulders.\n\nThe two parents seemed to get turned to children by (I think) a bell. And then a bell would make them adults again. I should specify that it made them ACT like children, not phsically become children.\n\nI think they lived on a cape, and the only episode I saw they went to a restaurant where a bell kept ringing to signify orders were ready.\n\nI also know I watched early in the morning, but not sure what channel.\n\nAnd no, I am not confusing it with the Disney movie The Poof Point :P\n\nThat's about all I can recall actively, but if you have any questions I'll try to answer (But I doubt how well I can.)\n\nThanks for any help!",
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"content": "Big Kids.\nThe show follows the lives of the Spiller family: Simon, Kate, and their parents, Sarah, a piano teacher, and Geoff, a doctor. When the family attends a school charity event, a magician named Ming uses Sarah and Geoff in a performance. After the show is over, Kate and Simon realize that their parents have never been properly hypnotized. At seemingly random moments, they black out and begin to act like children.\nThe two siblings have to deal with keeping their parents under control in their hypnotized state, trying to get their parents to believe what happens when they black out, and trying to discover what triggers the change. Simon tries to keep his parents' hypnosis a secret from his best friend, Jake, who lives across the street and often visits at inopportune times. During trances, Sarah and Geoff engage in behaviour for which they would otherwise scold their children, while Kate and Simon are forced to act like mature adults. According to Noggin, the show was meant to explore \"the complex and sometimes chaotic relationship between parent and child.\"Eventually, the children convince their parents by showing them filmed footage, and discover the trigger is any word with \"ming\" in it, just like the hypnotist's name. They finally track down Ming and convince him to unhypnotize the Spiller parents, apparently restoring them to normal. However, their childish behaviour on the carousel leaves the children confused – whether Sarah and Geoff are acting like this deliberately or have fallen back into a state of hypnosis is left ambiguous.",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, around this time of year, more people die on this road.\nIn 1963, the priests were found frozen to death in their beds.\nThe plowman sees headlights and believes more help has arrivied.\nInstead, the ghostly cop runs them off the road.\nThe truck is not stuck, but, despite the girl's pleas, the driver gets out to help the driver of the other car.\nThe girl follows him and the pair see the two burning cars from 1953 down the ravine.\nThey see the priests walk down to the trapped officer, but instead of helping him they pull the microphone from his police radio, leaving him to burn to death.\nHis burned body crawls out and touches the plowman, who instantly freezes to death.\nShe tries to start the truck, but the officer reappears.\nThe ghost of the guy appears and hits him with a tire iron, saving her.\nAs dawn breaks, she awakes back in the car, with the guy's body next to her.\nThere is no sign of the truck.\nThe guy's ghost appears and leads her up the hill, through the ruined priests' home and to the gas station, where he disappears.",
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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as 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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the gang members, oblivious to the hazardous stupidity of doing so.\nAwakened to the city's issues, Darryl is inspired to become a vigilante super hero.\nHe uses his technical expertise to create weapons and gadgets.\nHis brother Kevin, a tabloid news cameraman, goes along with this fantasy, believing that it's Darryl's way to cope with the murder of his grandmother.\nDarryl demands an audience with the police commissioner, but the police are not impressed with his actions, ridicule him, and arrest him for disturbing the peace.\nDarryl is released on orders to see a psychiatrist.\nThe psychiatrist calls Darryl normal, but a geek, infuriating Kevin, who the psychiatrist then attempts to psychoanalyze.\nAfter Darryl is nearly killed trying to protect a citizen on the street, Kevin tries to get him to tone his activities down, advising him to start a neighborhood watch.\nAfter he delivers a woman's baby in an elevator, he is asked for his name.\nDarryl just stares, and Kevin replies, \"He's gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT] [MOVIE] Comedy about an alien man in Ireland.\nA science fiction comedy. I saw this movie several years ago, I think around 2011-2013. It was set in Ireland and the main character claimed to be an alien, and for some of the movie it was ambiguous about whether he was 'out of his mind or out of this world' - the movies tagline was something similar to that. I think he turned out to be a real alien. There was a romantic subplot as well - the main character was a nerdy type who was awkward around women. \n\nAt some point the main character was kidnapped by a different set of aliens and taken into space - I remember a scene late in the movie where the main character was aboard a spaceship, staring out a window showing the island of Ireland rapidly receding as the spaceship accelerated away from Earth.",
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"content": "Earthbound.\nJoe is an Alien on Earth. At least that is what his father told him before he died when Joe was eleven. He finds it difficult to adjust, and to find a compatible girl friend.::OJT\n\nYoung Joe is an alien living on Earth. At least that's what his father told him before he died when Joe was eleven. His father unsuccessfully wrote sci-fi stories, and Joe loves sci-fi. He has been told that he must not deal with humans, unless they are more than 85 percent compatible with himself. When we meet Joe again, he is 26, and the fantasy keeps him going. But is it a fantasy, or is it real? Joe's life changes radically when he meets a more than 85 percent compatible girl. Can Joe trust himself? Does he know what's real?",
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"content": "Wind Chill (film).\nA female student (\"the girl\") at a Pennsylvania university uses the campus ride share board to find a ride home to Wilmington, Delaware for Christmas.\nShe joins a male student (\"the guy\"), who is driving home to Wilmington.\nHis older car is in poor condition, with the trunk full of his possessions as he has been kicked out of his apartment.\nIt soon becomes apparent that she is arrogant and anti-social.\nHe seems to knows quite a lot about her, stating that they have a class together, although she has never noticed him.\nThey stop at an isolated gas station, where she hears him asking the clerk for directions, although he claimed to have driven the route many times.\nSetting off, he soon turns off the main highway down Route 606, a lonely snow-covered road through a wooded ravine which he claims is a short cut.\nShe tells him to return to the main highway, but he refuses.\nCrosses, apparently on graves, can be seen on either side of the road.\nAs night falls, headlights come towards them in the middle of the road.\nThe oncoming driver does not slow down, causing the guy to swerve, half burying their car in a snow drift.\nThe guy observes that the oncoming car, which did not stop, has left no tire tracks in the snow.\nWhile the guy walks back to the gas station, the girl sees a dark figure stagger past the car.\nShe calls out, but it ignores her.\nThe guy returns, saying the gas station is closed, but she does not think he has been gone long enough.\nHuddling in the car, the guy reveals that he had been watching her for some time.\nHe lives ten minutes from campus, but saw her texting about the ride share in class, leading him to post the notice offering a ride to Wilmington.\nThey notice a number of black-clad figures walking past the car and call after them, but they do not stop.\nTheir faces are white and dead-looking.\nThe guy follows them up the slope into a ruined building where they disappear.\nHe finds frozen corpses half buried in the snow inside and also a newspaper.\nMeanwhile, the girl sees the lone figure again and when she touches it, burning her hand, it turns round to reveal a bloated corpse.\nThey think help has arrived when a Pennsylvania Highway Patrol officer knocks on their window.\nHe doesn't seem to understand their predicament, choosing instead to believe they were \"parking\".\nHe takes the girl back of his patrol car, which is clearly not a modern vehicle.\nWhen he violently pushes her into the car, the guy hits the officer with a tire iron.\nThey awaken, thinking it was all a dream, to find that the guy has the tire iron frozen to his frostbitten hands.\nThe girl realizes that he was badly injured in the crash, and he admits that he did not reach the gas station because he started spitting up blood.\nThe newspaper from the ruined building is dated 23 December 1953, telling of an accident in which a young couple and a police officer were killed when their cars crashed into a ravine on this road.\nRetired priests from a nearby home gave them the last rites.\nThey realize that the officer is a ghost and the black-clad figures are the dead priests.\nThe officer keeps reappearing, always heralded by Brenda Lee's \"Rockin' Around the Christmas Tree\" on the car's radio.\nThe girl drifts in and out of consciousness, becoming in her dreams the many other people the cop has killed.\nShe uses the guy's telephone, from his trunk of belongings, to call for help from the junction box on a nearby telephone pole.\nShe reaches 911, but is not sure they could hear her.\nReturning to the car, she finds that the guy has died.\nA snow-plow driver knocks on the window.\nHe puts her into his truck and the guy's body on the back.\nWhile driving he tells the girl that, in the early 1950s, a corrupt cop murdered people on this stretch of road and their bodies were never found.\nIn 1953 he ran a young couple off the road, but lost control and also died in the ravine.\nFrequently, 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"content": "The Umbrellas of Cherbourg.\nIn the late 1950s Madame Emery and her beautiful 17-year-old daughter Geneviève (Deneuve) sell umbrellas at their tiny (and financially struggling) boutique in the coastal town of Cherbourg in Normandy, France.\nGuy (Castelnuovo), a handsome young auto mechanic, lives with and cares for his sickly aunt and godmother Elise.\nGuy and Geneviève are deeply in love; they want to get married, and they intend to name their first child \"Françoise\".\nMadeleine (Ellen Farner) is a quiet young caregiver who looks after Guy's aunt.\nShe has feelings for Guy, but has not expressed this.\nGuy is drafted and must leave to serve as a soldier in the Algerian War.\nThe night before Guy leaves, he and Geneviève pledge their undying love and make love (apparently for the first time).\nThe next day, he departs.\nAfter a couple of months Geneviève learns she is pregnant.\nShe writes to Guy, but she feels abandoned when Guy writes back infrequently.\nHer mother says that this shows Guy has forgotten her, and she should give up on him.\nGeneviève is courted by Roland Cassard (Marc Michel), a quiet, kind, young Parisian jeweler, who is very wealthy.\nHe wants to marry her even after learning that she is pregnant by another man.\n(In one of the connections among the triology of films, Cassard had previously unsuccessfully wooed the title character in Demy's earlier film Lola (1961); he relates a version of this story to Madame Emery) Geneviève's mother repeatedly tells her daughter to be sensible and choose a secure future with Cassard.\nGeneviève finally decides to accept him, and they are married in a great cathedral.\nShe appears ambivalent about her decision.\nGuy returns from the war with a slight limp from an injury.\nHe learns that the umbrella store has been sold, and that Geneviève married and left Cherbourg.\nAs a veteran, Guy has difficulty settling in.\nHe argues with his boss, quits his job, and goes to drink in a seedy port bar.\nHe spends the night with a friendly prostitute named Jenny.\nWhen he returns to his apartment, he finds Madeleine, who tells him that his godmother and aunt Elise died the night before.\nGuy sees that Madeleine loves him, and he cleans up his life with her encouragement.\nWith an inheritance from his aunt, he finances a new \"American-style\" Esso gas station.\nHe asks Madeleine to marry him, and she accepts, although wondering if he is just on the rebound from his lost Geneviève.\nThe coda is set on Christmas Eve 1963.\nGuy is managing his Esso station.\nHe is happily married, and he and Madeleine have a son named François.\nWhile Madeleine is out with the boy, a new Mercedes pulls into the station.\nThe mink-clad driver is revealed as Geneviève, now sophisticated and wealthy.\nWith her is her (and Guy's) daughter Françoise, who stays in the car.\nShocked to see each other, Guy and Geneviève go inside the station to talk.\nGeneviève says that this is the first time she has returned to Cherbourg since her marriage.\nHer mother died the previous autumn and she has had no children with Cassard.\nThe two chat while Geneviève's car is being filled with gas.\nWhen Geneviève asks Guy if he wants to meet their daughter, he declines.\nThe ex-lovers part.\nAs the film ends, Guy greets his wife with a kiss and plays with his son in the snow.",
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"content": "China Moon.\nThe story opens with detectives Kyle Bodine (Ed Harris) and Lamar Dickey (Benicio del Toro) investigating a murder scene.\nBodine tutors Dickey in the ways of homicide investigations, stressing that all murderers make stupid mistakes, which is how they get caught.\nAt a local bar, Bodine hits on Rachel Munro (Madeleine Stowe) who blows him off.\nRachel is married to wealthy banker Rupert Munro (Charles Dance).\nBack at home, she gets drunk as she looks at a private investigator's photos of Rupert making love to one of his employees, Adele.\nRupert is intimidating and emotionally abusive towards Rachel, who decides to give in to Kyle's advances and start an affair with him.\nAt one point, the lovers row out on a lake at night.\nKyle points out the large full moon and says that his grandmother called it a China Moon, because it looks like a giant china dish.\nHis grandmother thought a China Moon made people do crazy things.\nTheir affair quickly picks up steam, and Kyle urges Rachel to divorce Rupert.\nSoon after, Kyle and Lamar are called to the Munro's on a domestic disturbance complaint.\nThey find Rachel badly beaten.\nKyle warns Rupert to leave her alone.\nLater that night, Rachel drives to Kyle's trailer and fantasizes about killing Rupert.\nShe explains that she has bought a 9mm gun.\nShe says that she could take a trip to Miami, drive back one night and kill him.\nThen she could return to her trip unseen, using it as an alibi.\nKyle tries to talk her down, but she flees in a panic.\nRachel arrives at a hotel in Miami, and the concierge hands her an envelope which contains the picture of a rental car and its keys.\nLater, she leaves the hotel at night, without noticing Adele sitting in the lobby.\nShe gets in the rental car and drives back to her home.\nMeanwhile, Adele enters her hotel room.\nInstead of driving home, Rachel drives to Kyle's trailer, and he agrees to drive her home to get her things.\nHe waits in the car as she packs a suitcase.\nKyle does not see Rupert returning home, and when Rupert encounters Rachel in the act of leaving him, he flies into a rage.\nShe gets her 9mm gun and shoots him twice in self-defense.\nShe stops Kyle from calling the police because she points out that she drove back from Miami without checking out of her hotel, just like her murder fantasy.\nShe knows she would look guilty, and Kyle agrees to help her cover her tracks.\nUsing his skills as a homicide detective, he helps her carefully clear the crime scene, even removing the bullets from the wall, spackling over the holes and painting them.\nThey dump Rupert's body in the same lake where they first made love.\nBack at the house, Kyle turns on the humidifiers to erase any of his fingerprints.\nRachel returns to the hotel in Miami and has brunch by the pool the next morning.\nWhen she returns home, she sticks to Kyle's plan and calls Rupert's bank.\nRupert's secretary informs Rachel that he has not been in to work, and Rachel reports him missing to the police.\nKyle and Lamar are assigned to the case.\nDuring their interviews with Rachel, Lamar is highly skeptical of her story, pointing out all its inconsistencies.\nAs they shoot the breeze at Rachel's house, Lamar casually hypothesizes that Rachel killed Rupert with the help of one of her many boyfriends.\nHe tells Kyle that Rachel is well known for wrapping men around her finger, and that, with the millions she would inherit from Rupert, it was highly likely that she got one of her boyfriends to help her kill Rupert and dispose of his body.\nLamar starts to unnerve Kyle, who begins to doubt Rachel is telling him the truth.\nLamar gets a tip about a car being out at the lake on the night of the murder.\nThe police divers find Rupert's body.\nDuring the autopsy, the coroner extracts a bullet from Rupert's chest.\nLamar takes the bullet and hands it to Kyle, saying that it looks like a.\n38.\nThe detectives confirm that it is a.\n38, which is the caliber of gun that Kyle carries.\nDuring his first date with Rachel, she had inquired about the caliber of his gun.\nBack at the Munro house, Kyle discovers the photos of Rupert and Adele in Rachel's wardrobe.\nThe crime scene technician discovers a bullet hole in the wall, and the extracted bullet is also a.\n38.\nKyle is summoned to a meeting with his supervisor, who suspends him pending an investigation into his involvement with the case.\nHe orders Kyle to surrender his pistol.\nLater that day, Lamar arrives at Kyle's trailer and asks him to come in for some more questioning.\nThe pistol he surrendered did not match the serial number on his service weapon.\nSitting in the back seat of Lamar's car, Kyle fixates on a compass that sits on Lamar's dashboard.\nAfter a second, more forceful interrogation with his supervisor and Lamar, Kyle returns home and re-examines the pictures he discovered at Rachel's.\nHe identifies Lamar's dashboard compass in the bottom of the frame of one of the pictures.\nAdele meets with Lamar, and he pays her for her part in the scheme, after she shows him a ticket to prove that she is leaving town.\nHe promises to pay her the rest of her share once he has received his cut.\nKyle sneaks into Rachel's house and confronts her about the scheme.\nShe confesses that Rupert was going to leave her with nothing, and that Lamar had concocted the scheme to make sure she inherited all of Rupert's fortune.\nShe swears that, despite the fact that Lamar had designated Kyle as the fall guy, she had fallen in love with him.\nKyle orders her to set up a meeting with Lamar at the bar where they met.\nAt the bar, Kyle confronts Lamar.\nHe confirms that Lamar had switched out the 9mm bullet for a.\n38 during the coroner inquest.\nHe asks Lamar where his service revolver is, and Lamar says it is in his car.\nKyle forces Lamar out to his car at gunpoint to retrieve the.\n38.\nThe bartender sees Kyle's gun at Lamar's back and calls the police.\nThey arrive as Kyle is searching for his pistol underneath the driver's seat in Lamar's car.\nLamar calls out to the police that Kyle has a gun, and they open fire, killing Kyle.\nA distraught Rachel runs over to Kyle as he lies dying.\nShe picks up the.\n38 and kills Lamar.",
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"content": "High Strung (1991 film).\nThe film centers around Thane Furrows, who spends the day messing around his apartment and complaining about a number of random subjects like (among other things) flies, popsicles, junk mail, his boss' wife, his upstairs neighbor, smoking, salesmen, and philosophizes on a number of things such as the morality of eating humans and the sensibility of keeping pets.\nFurrows has a number of strange philosophies: he wishes his children's books to be instructive for the good of society, such as How to Start the Family Car (in case \"someone chokes on a chicken bone\" and \"there are no adults around\"), and Bye Bye Grandma which he wants to help accustom children to death. He refuses to keep pets because he feels they would \"turn on you\" in a food shortage, choosing instead to keep a cardboard cutout of a dog named Pete.\nA number of minor annoyances also perturb him throughout the day: a fly lands on his cereal at breakfast, which he inadvertently eats; an insurance salesman named Ray comes to the door, to which Furrows responds by feigning interest and, shortly after promising to take out a number of policies, slams the door in Ray's face with the words \"I'd rather be dead\"; an automated survey about carpet cleaning calls him repeatedly; his boss' wife comes by to pick up a book he was writing, and he (eventually) tells her off. After the fly incident, Furrows suffers from a number of scares. When closing his eyes, he repeatedly sees a menacing face. He receives numerous messages from phone and mail about \"eight o'clock\".\nFurrows' only friend appears to be a man named Al, who comes by in the afternoon for a visit. They eat cereal and Al tries to dissuade Thane of his cynicism. While Thane attacks the optimism of people like Al, he seems comforted by Al's sympathy over the visit of Melanie, the boss' wife. Later that night, Furrows loses an arm wrestling match to the noisy neighbour upstairs, thereby giving him the right to play metal as loud as he wants whenever he wants. After a day of \"messing around\", Furrows receives a knock at the door at the dreaded \"eight o'clock\" and is greeted by a limo driver. When he steps into the limo, the driver (Jim Carrey) turns around and reveals himself to be Death.\nDeath tells Furrows that he has met his quota of saying \"I wish I were dead\" and must die, and Furrows complains about the stupidity of the rule until Death, unable to scare Furrows into line, puts him back into his body. Furrows awakes with frightened Al standing over him, trying to wake him. The story ends with the two going out to a restaurant, though Furrows' insistence that they serve him cereal, showing he's willing to try some new things but not all.\nAfter the credits, a short epilogue involves Death stopping the limo in a dark space and looking at the heavens. He claims that he just couldn't stand Thane and had to return him to life. He adds that he isn't ever coming back for Thane, implying that Thane may have just accidentally become immortal.",
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"content": "Blankman.\nDarryl Walker (Damon Wayans) is a clumsy nerdy repairman, who is a genius and Batman fan.\nDarryl has a pure heart and an optimistic Pollyannish personality.\nHe is childishly naive to the realities of living in an inner city neighborhood.\nThe area suffers from political corruption and the police are on strike.\nIt takes the murder of his grandmother, an avid supporter of Alderman Marvin Harris' anti corruption campaign for Mayor, by members of mobster Michael Minelli's gang, to awaken him to the realities of his city's urban decay.\nHe expresses his frustrations by intervening in a situation and boldly saving an elderly transit passenger from being mugged, and by ranting about the general corruptible state that the city has become.\nDarryl was so pure and shielded from reality presumably because of his interest in inventing, that he does not even realize that there is a \"crackhouse in front of [their] flat\".\nHe tries to storm into it unarmed and rebuke the 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gone blank, ma'am\".\nBoth the lady and the reporters interpret this as a name: Blankman.\nOver time he protects various other people in the community, building up a reputation and inspiring both the town and other real life superheroes.\nKevin, hoping to win the affections of Kimberly Jonz, a reporter at his TV station, begs Darryl to allow her to interview him.\nHe relents, on the condition that she wear a carnation.\nHe brings her to his secret hideout, an abandoned subway station, and they talk about how he took up his duties to memorialize his grandmother and prevent crime.\nImpressed by his heroics and modesty, Kimberly immediately falls in love with Darryl and she kisses him causing him to have an erection.\nMayor Harris, who refused Minelli's attempts at bribery, attempts to bring in outside money to pay the IOUs the city has been giving its workers.\nHe also requests that Blankman be there to protect the people and receive a special award.\nAs the money is released, Minelli's henchmen storm the bank and take the mayor hostage, threatening to detonate explosives.\nAt the police chief's request and the crowd's chants, Blankman attempts to save the mayor but is unable to defuse all the bombs.\nHe reveals his identity to the mayor and tells him of his grandmother's support for the mayor.\nMayor Harris wishes him well, warning him to run and says he will tell mrs Walker about Darryl.\nBlankman runs out screaming as the bank explodes, killing Harris.\nThe crowd, seeing his failure, turn on him, chasing him down the street.\nDarryl then gives up his heroic works for a normal life, getting a job at a McDonald's.\nWanting a great story Kevin's boss Larry Stone, a tabloid news junkie, manages to contact Minelli and trades knowledge of Blankman's love for Kimberly in exchange for an exclusive interview.\nIn the midst of doing research on Minelli and Darryl's grandmother's death, Kimberly calls Kevin with the news.\nAs Kevin answers, Minelli takes Kimberly hostage.\nMinelli issues a verbal threat to Kevin (thinking he is talking to Blankman), telling him he will kill Kimberly if Blankman does not show up.\nKevin rushes to Darryl's workplace with the news, but Darryl refuses to help wanting a normal life.\nKevin finally convinces him with the news that Minelli had their grandmother killed and that he will wear the costume Darryl designed for him.\nThe two rush to Darryl's underground lair where he again turns into Blankman.\nKevin becomes his new sidekick but without a name.\nHe just goes by \"Other Guy\".\nThe two heroes then rush to the TV station.\nAfter shooting the reporter interviewing him, Minelli becomes fed up.\nWhile threatening Stone, Blankman and Other Guy crash through the window and attempt a rescue.\nThe two engage in a fight with Minelli's goons, losing.\nThey are placed in a water tank and left to slowly drown.\nStone and Kimberly are chained to desks and left to die as Minelli has hidden bombs in the building.\nAt this point, Blankman calls in J-5, his robot assistant, to save them.\nJ-5 drills a hole in the tank and the pair kick their way to freedom at the last minute.\nThe duo then search for the bombs, finding them in a women's bathroom.\nActivating J-5's \"bomb disposal mode,\" Blankman stuffs the explosives inside and frees Kimberly.\nStone is left behind, a joke Other Guy wants to play on his boss.\nOnce outside, the explosives detonate, destroying J-5.\nDistraught, Blankman swears revenge.\nTracking Minelli to his hideout in a factory, the two prepare for the final battle.\nOther Guy, however, is overconfident and is wounded because his costume is not bulletproof like Darryl's.\nBlankman then defeats Minelli's goons with his electric \"newchucks\" (nunchucks).\nJust when Minelli is about to kill Other Guy, Blankman activates his jet-powered roller blades and captures Minelli and delivers him to the police.\nBlankman is once again acknowledged as a hero (this time, along with Other Guy) by the 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"content": "[TOMT] [MOVIE] [2000s] WW2 Stop motion movie shot In a claymation style reminiscent of robot chicken..\nThe movie as far I can remember was a bunch of America's running around WW2, it was very very whacky doing all sorts of weird things. It reminded me of robot chicken but it definitely wasn't. It was a full length movie too being at that rough 1 and a half hour mark. It was a comedy too",
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"content": "Jackboots on Whitehall.\nIn 1940, Nazi Germany invades Great Britain by drilling under the English Channel and up through the cobblestones on Whitehall.\nIn London, from his bunker under Downing Street, Prime Minister Winston Churchill issues a call to arms for all of Britain to band together to resist the invaders.\nIn a small village, Chris, a young everyman rallies the residents to fight back.\nJoining forces with Churchill's small group of soldiers, the resistance movement retreats to Hadrian's Wall where the unlikely saviours of the country come from the Scottish highlands.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE][B/W] Fast-paced, set in a newspaper office.\nIIRC the movie was black-and-white, fast-paced and it revolved around a journalist in a newspaper office. It was set somewhere in the US, probably between the world wars.\n\nAt least one scene might have been inside a huge clocktower, a kind of where you see the clock face from the inside.\n\nThe characters were talking fast and in a tense manner — or at least I remember such scene from the movie.\n\nIt might have included a strong-and-independent type of woman as a supporting character.",
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"content": "His Girl Friday.\nWalter Burns (Cary Grant) is a hard-boiled editor for The Morning Post who learns his ex-wife and former star reporter, Hildegard \"Hildy\" Johnson (Rosalind Russell), is about to marry bland insurance man Bruce Baldwin (Ralph Bellamy) and settle down to a quiet life as a wife and mother in Albany, New York.\nWalter determines to sabotage these plans, enticing the reluctant Hildy to cover one last story, the upcoming execution of convicted murderer Earl Williams (John Qualen).\nWalter does everything he can to keep Hildy from leaving, including setting Bruce up so he gets arrested over and over again on trumped-up charges.\nHe even kidnaps Hildy's stern mother-in-law-to-be (Alma Kruger).\nWhen Williams escapes from the bumbling sheriff (Gene Lockhart) and practically falls into Hildy's lap, the lure of a big scoop proves too much for her.\nShe is so consumed with writing the story that she hardly notices as Bruce realizes his cause is hopeless and returns to Albany.\nThe crooked mayor (Clarence Kolb) and sheriff need the publicity from the execution to keep their jobs in an upcoming election, so when a messenger (Billy Gilbert) brings them a reprieve from the governor, they try to bribe the man to go away and return later, when it will be too late.\nWalter and Hildy find out in time to save Williams from the gallows and they use the information to blackmail the mayor and sheriff into dropping Walter's arrest for kidnapping.\nAfterward, Walter offers to remarry Hildy, promising to take her on the honeymoon they never had in Niagara Falls, but then Walter learns that there is a newsworthy strike in Albany, which is on the way to Niagara Falls by train.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE] Boy made of dead people that could turn into blood.\nIdk the year honestly, but saw it around 2003/2005. It was about a boy that could turn into blood to move around, I remember he did this to pass through under a door, I think it was at a police station office. The boy was \"made\" of dead people, victims of some... witch? that lived in the town, at the end the boy and this witch (I think it was a witch but was deformed or something) get into a fight.",
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"content": "Shallow Ground.\nThe residents of the small town of Shallow Valley are packing up to leave as the looming mystery of several missing persons the past year has filled the town with dread. \nWhile packing up the sheriff's station, Deputies Laura Russell and Stuart Dempsey are horrified by the sight of a naked teenage boy, covered head-to-toe in blood. The boy walks through the station to the holding cells, tasting the blood of the town drunk Harvey. As the boy is apprehended, Laura notices that the boy has covered the faces of several specific people in photographs with his bloodied fingertips. \nUnder pressure and riddled with guilt over the unsolved disappearances, Sheriff Jack Shepherd assumes the bloody boy to be the culprit and sets out into the woods to investigate his origins. Following the boy's bloody footprints, Jack is shocked to realize the boy had traveled from the same location where he last saw family friend Amy Underhill.\nA year earlier, Jack had found Amy chained to a tree in the same woods, nude and weakened. Jack, believing that the abductor was still nearby, left Amy for just a moment... never to see her again. Unintentionally making contact with dripping blood, Jack relives this moment and experiences the deaths of each person that went missing at the hands of a hooded individual, with him and the bloody boy both convulsing and puking as a result.\nElsewhere, Darby Owens says goodbye to family friend Helen Reedy. Over a year earlier, Helen’s husband and daughter were killed in an accident during construction of the town dam. Since Darby and Amy were close to Helen’s daughter, she asks the young girl to stay for at least the rest of the day to soothe her loneliness until family arrive for dinner. Darby declines, as she intends to leave town as well before the day’s end.\nSamples of the blood the boy was drenched in is passed on to Darby to analyze. Not knowing about the situation at the station, Darby is confused by the test results for the blood being that it belongs to several people. \nBelieving the boy to be a serial killer, Stuart checks his fingerprints. The boy’s blood strangely travels towards Stuart, and upon contact, reveals to him that Harvey is a serial killer. Experiencing the memories of Harvey killing young hitchhikers and having sex with their bodies, Stuart immediately shoots Harvey numerous times in the back.\nJack and the others are further disturbed as not only does the boy’s fingerprints match the missing victims, his face seems to be a composite of each victim’s face as well. Forcing Jack to relive Amy’s memories again, the boy escapes the station unseen.\nAs Jack and the other officers split up to investigate further, the abductor continues their work, killing a hunter and abducting Darby. Laura soon gets a call from her father Detective Russell, warning her to stay away from the boy, and questions if Stuart is nearby. Before Russell can tell her anything more, the phone signal is cut off. \nAt night, Russell arrives in Shallow Valley and questions Stuart about a drug dealer that died a year earlier. Stuart and his former partner had killed the drug dealer to keep him quiet about their dealings, and said partner had recently been killed by a naked man covered in blood.\nThe truth of the bloody boy's identity is revealed to be part of a worldwide phenomenon. The dead are rising up and seeking revenge on those who killed them. These dead manifest as blood-covered humans that seek out and kill their original killers, and if a killer has more than one victim, they all merge into a single composite being. The blood-covered boy is one such being, made up of Amy and the other people who went missing in Shallow Valley. \nRussell continues into the town in search of Laura, while Stuart is killed by the once dead drug dealer. \nTracking the boy again, Jack arrives at Helen’s house to find that she’s unharmed and unaware of the strange events taking place. While complaining about the increasing amount of flies in her home, Helen wanders off into a back room in search of her car keys for Jack. Turning his back for just a moment, Jack is shot by a blank and falls out onto the front steps of Helen’s house. Regaining his footing, Jack walks back into the house only to be sedated by a hiding Helen. \nReturning to the station, Laura is confronted by Amy’s father Albert and is forced at gunpoint to look for Jack. After spending the night drinking and watching videos from Amy’s last birthday party, Albert intends to force Jack to find his daughter, or he’ll kill Laura.\nJack awakes, only to find himself tied up in a dining room full of people. In horror, Jack realizes that the dining room is populated not by people, but the disfigured bodies of the missing victims, including Amy and Darby.\nWhen Helen’s husband and daughter were killed in the Shallow Valley dam accident, she was driven mad and plotted a twisted revenge on those who built the dam. Helen stalked the spouses and children of those involved and one by one, whenever her victims were alone, would sedate them with an injection and drag them out into the deep woods. Helen would strip her victims naked and chain them to a tree, slicing parts of their bodies open once they had regained consciousness. Once they were drained of their blood, Helen would stitch her victim’s wounds closed, dress their bodies, and take them back to her home to further disfigure them in her dining room, her new family.\nDistracted by Laura and Albert's sudden arrival, Helen rushes outside and opens fire. Enraged at seeing Amy’s father die, the bloody boy wails and advances towards Helen. As the gun goes off, Helen and the boy's blood connects, allowing him to see that she’s the killer. Freeing himself from his bindings, Jack rushes outside and chases after a freaked out Helen into the woods.\nOnce alone, Helen turns to shoot Jack, only to find the bloody boy standing between them. Jack watches on as the boy slits Helen’s neck vertical, reaches inside and begins strangling her. Jack leaves Helen to suffer her fate, ignoring her feeble attempts at screaming for his help. Just as he did before with Jack, the boy forces Helen to relives the deaths of her victims but not just mentally, physically too, again and again until she finally dies.\nThe next morning, Jack, Laura, and Russel bury Amy and the other victims. The three depart from Shallow Valley, unsure of everything that’s happened and what's next.\nThe bloody boy watches on, and walks off into the woods, finally at peace… only to suddenly be attacked and killed by another bloody creature, this one much larger and more demonic-looking.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[tomt] [tv] Program episode with nightmare butterflies.\nI saw an episode of this program years ago where this guy was volunteering for this sleep experiment as he kept having nightmares but as soon as they start it the things in his nightmares start being real. There's dead butterflies, a woman who turns out to be the guys mother and a radio that keeps turning on and playing 'dancing in the street' by Martha and The Vandals (?). It was a paranormal drama series which might have been on the BBC. Does anybody know what the program was?",
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"content": "Sea of Souls.\nA group of faculty and staff at a Glasgow university studies the paranormal.::Ron Kerrigan <mvg@whidbey.com>\n\nDr. Douglas Monaghan heads a small staff at a Glasgow, Scotland university that studies and performs experiments concerning paranormal activities and abilities. His staff includes a woman who has some psychic gifts herself, as well as a skeptic who always looks askance at what happens during their investigations.::Ron Kerrigan <mvg@whidbey.com>",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][Movie][Early 2000][Horror/SciFi] A guy gets killed several times over different multiverse.\nThe plot revolves around the main character getting killed by a monstrous assassin that only he can see. And everytime he dies he wakes up on a new life, with new identity, and new memories. At first each reincarnation it takes a while before he becomes aware of his previous life, but as story progresses he become aware faster. In every life he has this main girl, target of his affection and she always gets caught up in the altercation and dies too (can't remember but its something like that) so everytime the guy wakes up, he'll find this girl and try to run away from assassin. IIRC, the story is not that good, by half of the movie suddenly alien looking creatures came out and there was this plot point where the reason he's being targeted was either he killed one of them or he is one of them who defected? I can't really remember much.",
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"content": "The Deaths of Ian Stone.\nIan Stone is an average man. He loves ice hockey but lives for his girlfriend, Jenny Walker. Late one night while driving home from a painful loss on the ice, Ian thinks he sees a dead body near the railroad tracks. Investigating the grisly discovery, Ian is attacked by the \"corpse\", forced onto the tracks and run over by a train.\nHe wakes up in an office cubicle. He is older and living with a beautiful woman named Medea. Jenny is not his girlfriend, just a co-worker, and one of a number of apparently familiar faces.\nIan meets a strange old man who tells him he is in danger. The old man tells him that he is being hunted by the Harvesters, a group of mind-controlling characters who cannot be killed and feed off human fear. He explains that every day, at different times and different places, the clocks stop and they come after him to kill him. The only problem is that Ian won't stay dead. He wakes in a new life, a new place, only for the cycle to repeat itself. Suddenly one of the Harvesters attacks the old man and Ian runs. They chase Ian back to his apartment where Medea, who is clearly one of them, is waiting. Once again, Ian is killed.\nHe wakes to find he is a junkie in a rundown apartment, with Jenny living a few doors down. He implores her to remember him, desperately reaching out and searching for someone to help him make sense of what's going on. When the Harvesters come again Jenny and Ian have no choice but to run. As they seek refuge on a subway train heading out of town, Jenny confesses to her memories of Ian's former lives. Later on, the old man meets Ian in the train again while Jenny sleeps. It is then that the old man reveals that he is one of the Harvesters, and hints at Ian's involvement with them.\nWhen they disembark they are again confronted by a group of Harvesters, each a mass of pulsating veins, pitch-black muscles and flesh. Some of the barely human faces are recognizable from Ian's previous lives, including Medea who reveals a shocking truth: Ian was one of these monsters until he rebelled against the colony and managed to kill one other Harvester, and Medea used to be his \"mate\". Medea tries to force Ian to feed again and return to the \"fold\", but Ian resists.\nMedea and the Harvesters attack once more, and she explains that his rebellion came after his first encounter with Jenny. So moved was he by the girl that he wished to live a mortal life with her. Before Medea can harm Jenny, however, a final change comes over Ian with the help of Gray, the old Harvester who had helped him before. Apparently Ian found a sustenance that was far superior to fear or pain, and so did the old man: love. Making this connection to a human being changes the specific nature of a Harvester, which allowed the old man (and now Ian) to kill the members of their kind. Gray had urged Ian to protect Jenny out of experience; having lost his love to the Harvesters, he could only feed on fear again and he spent what remained of his life slowly starving himself and trying to find love again. Gray implores Ian to feed from him and tap into those emotions of affection and kinship; Gray dies while restoring Ian. Ian regains his true power: his Harvester-self is finally born out of his human flesh, uniquely exuding goodness rather than malevolence. He now has the capacity to turn the tables on these creatures and to feed on their fear and to give life. He then rescues Jenny, who is being stalked by the clan.\nIan creates a new life for himself and Jenny, in which he is a successful professional hockey player with her at his side. Jenny has no recollection of their harrowing adventure; but Ian, having realized his abilities, will begin to take the fight to the Harvesters.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [MOVIE] woman gets injured and a lady puts her into a room with straw on the floor where she sees painting of HER sea horse figure on the wall.\ni don’t remember that much but\n\nit starts with a girl that’s running away from a man that’s following her at a fair. she hides under a table and cuts her leg herself with a broken glass bottle. \n\nthe little girl is older (adult). she’s in her room standing by her window looking at a figure of a sea horse (i think it was an orange/pinkish sea horse (i think there were two) in blue water). later she almost dies and ends up in a small house where a lady lives. the lady puts her in a room with straw on the floor. there’s a huge painting covering the whole wall of the exact see horse figure the girl has (blue background, orange/pinkish sea horse(s)). \n\nshe almost dies a few times. the movie ends ends with her driving her (black or red) jeep (has an open back with some black bars at the back) into a canal. she gets her neck stuck under the top bar that’s on the back of the jeep. she survives. then the screen zooms out while she’s laying like that in the water.",
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"content": "The Return (2006 film).\nJoanna Mills (Sarah Michelle Gellar), a travelling rep for a trucking company, is dedicated to her successful career but something of a loner. Since the age of 11 she has been a troubled person, with episodes of self-mutilation and menacing visions. Normally she avoids returning to her native Texas, but agrees to a trip there to secure an important client. During the trip her visions, which take the form of memories of events not from her life, increase in intensity. She sees a strange face staring back at her in the mirror. Her truck radio plays Patsy Cline's \"Sweet Dreams\" no matter what station she selects. She stops at the scene of an accident that, on the following day, seems not to have happened. Joanna cuts herself in a bar restroom and is narrowly rescued by a friend. She visits her father, who observes that from age 11 she was \"a different girl\". The visions continue, becoming both more specific and more threatening, centering upon a menacing man she does not recognize and a bar she has never seen, but a picture of which is in one of her catalogs.\nDrawn by the image to the Texas town where the bar is located, a place she has not been since childhood, Joanna meets a man named Terry Stahl, whose wife, Annie, was stalked, brutally assaulted, and left to die fifteen years before, a crime of which Terry was suspected but not convicted. Joanna continues to have visions of this crime and the events that led up to it, and to discover other links between Annie's life and hers. She meets the real killer and is led by what she has seen in her visions to recover the knife he used from its hiding place. She is then stalked, herself. She finds herself drawn into a repetition of the crime, but this time she stabs her assailant with the recovered knife, using the original weapon to avenge the original crime.\nThe story ends with the revelation that Annie, clinging to life as Terry drove her to the hospital after the original assault, died when his car crashed into one driven by Joanna's father, in which the eleven-year-old Joanna was a passenger. After momentary unconsciousness, the young Joanna seems to have survived the crash. A silent Joanna is seen reflecting on who she is and what has happened to her. She seems to reach an inner resolution of these questions.\nAn alternative ending included on the DVD release more straightforwardly supports the interpretation that Annie's soul has been placed in Joanna's body.",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [MOVIE] [MOST LIKELY 2000s] Film on DvD About Two Indian Brothers Who Get The Worst In Society And Travel The World.\nI watched this dark movie when I was a kid, basically, it was about these two indian boys who\n\n\\- At the beginning saw a movie-star fly to his village, one of the brothers tries to meet him but is chased and ends up in shit (literally), and said shit was at the bottom of one of those outhouses. \n\nForgot what happened\n\n\\- They become slaves, and basically, the kids have to do this thing to live, and if they don't the slave captors kill them. They plan to escape, and one girl in the escape plan sacrifices herself to save them\n\n\\- The two brothers travel to the world, and go to the Taj Mahal or some other grand palace\n\nThat's all I remember",
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"content": "Slumdog Millionaire.\nEighteen-year-old Jamal Malik, an Indian Muslim from the Juhu slum of Mumbai, is a contestant on Kaun Banega Crorepati, and is one question away from the grand prize. However, before the ₹20 million question, he is detained and tortured by the police, who suspect him of cheating. Through a series of flashbacks, Jamal recounts the incidents in his life that provided him with each answer.\nAt five years old, Jamal manages to obtain the autograph of Bollywood star Amitabh Bachchan after jumping into a cesspit. Jamal's older brother Salim later sells the autograph. Their mother dies during the Bombay riots, and as the brothers flee the riot, they meet Latika, a girl from their slum. Salim is reluctant to take her in, but Jamal suggests that she could be their \"third musketeer\", a reference to the Alexandre Dumas novel The Three Musketeers. The brothers refer to themselves as Athos and Porthos but do not know the third musketeer's name.\nThe three are found by Maman—a gangster who trains street children to become beggars. When Salim learns that Maman is blinding the children to make them more effective beggars, he escapes with Jamal and Latika to a train. The brothers successfully board the moving train but Latika is unable to keep up. Salim grabs her hand but purposefully lets go, leaving her to be recaptured by Maman. For the next few years, Salim and Jamal travel around on top of trains, making a living by selling goods, picking pockets, washing dishes, and pretending to be tour guides at the Taj Mahal. At Jamal's insistence, they return to Mumbai to find Latika, where they discover that she is being raised by Maman to be a prostitute. The brothers rescue her, shooting Maman dead. Salim gets a job with Javed—a rival crime lord. In their room, Salim orders Jamal to leave him alone with Latika, presumably to sleep with her. When Jamal refuses, Salim draws a gun on him and Latika persuades Jamal to leave.\nYears later, Jamal, now a Chaiwala in an Indian call centre, searches the centre's database for Salim and Latika. He learns that Salim is a high-ranking lieutenant in Javed's crime organisation and confronts him, Salim pleads for forgiveness and Jamal lies his way into Javed's residence to reunite with Latika. Although he professes his love for her, she tells him to forget about her. Despite the refusal, Jamal promises that he will wait for her every day at five o'clock at the VT station. Latika attempts to meet him there but she is captured by Javed's men, led by Salim. Jamal loses contact with Latika and in a final attempt to reach her, he decides to become a contestant on the Indian version of Who Wants to Be a Millionaire?, because he knows she watches the show.\nJamal is extremely successful on the show and becomes popular across India, much to the dismay of the show's host, Prem Kumar. Kumar attempts to trick Jamal by feeding him the wrong answer to the penultimate question. However, Jamal uses his 50/50 lifeline and answers correctly, raising suspicion that he is cheating.\nWhen the episode ends, Jamal is arrested. After an initial beating, the police inspector listens to his explanation of how he knew each answer. Finding his stories \"bizarrely plausible,\" the officer allows him to return to the show. Latika sees Jamal on the news. In an effort to make amends for his past behaviour, Salim gives Latika his phone and car keys. He asks her to forgive him and to find Jamal. After Latika leaves, Salim fills a bathtub with money and sits in it, waiting for Javed to realise Latika is free.\nFor the final question, Jamal is asked the name of the third musketeer. He laughs and uses his \"Phone-A-Friend\" lifeline to call Salim, because it is the only phone number he knows. Latika answers and tells Jamal that she is safe, although she does not know the answer. Javed hears Latika on the show and realises that Salim betrayed him. He and his men break down the bathroom door but Salim kills Javed before he is shot and killed by the gang. Relieved about Latika, Jamal guesses and picks the first answer, Aramis. He is correct and wins the grand prize. Jamal and Latika meet on the platform at the train station and kiss. The movie ends with a Bollywood-style musical number, \"Jai Ho\".",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [MOVIE] Movie I possibly saw Netflix about a young boy who is convinced his elderly neighbour was a Nazi.\nThe boy visits the old man almost every night and the more they talk the more he is convinced the guy was a Nazi. “Nazi” was a well known actor. Thinking Jeremy Irons but I don’t know.",
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"content": "Apt Pupil (film).\nIn Southern California in 1984, 16-year-old high school student Todd Bowden (Renfro) discovers that his elderly neighbor, Arthur Denker (McKellen), is in reality Kurt Dussander — a former Sturmbannführer in the SS who is now a fugitive war criminal hiding from justice.\nTodd blackmails Dussander by threatening to turn him in to the police.\nHowever, the teenager is fascinated with Nazi atrocities perpetrated during World War II, and forces Dussander to share disturbing stories of what it was like working at Nazi extermination camps, and how it felt to participate in genocide.\nTodd purchases an SS uniform from a costume shop, and forces Dussander to wear it.\nWhen he spends more time with the old man, his grades suffer, he loses interest in his girlfriend, and he conceals his bad grades from his parents.\nIn turn, the Nazi blackmails the young boy into studying to restore his grades, threatening to expose the boy's subterfuge and his dalliance with Nazism to his parents.\nDussander even poses as Todd's grandfather and goes to an appointment with Todd's school counselor Edward French (David Schwimmer).\nTalking about the war crimes affects both the old man and the young boy, and an intoxicated Dussander attempts to kill a cat in his gas oven but fails when it attacks him and escapes.\nDussander also takes great pride in Todd's unbelievable turnaround, going from near dropout to straight A's in a matter of weeks.\nOne night, Dussander tries to kill a hobo who earlier had seen him in the uniform.\nWhen Dussander has a heart attack, he calls Todd, who finishes the job, cleans up, and calls an ambulance for Dussander.\nAt the hospital, Dussander is recognized by a death camp survivor sharing his room and he is arrested, prior to being extradited to Israel.\nTodd graduates as his school's valedictorian and gives a speech about Icarus, saying, \"All great achievements arose from dissatisfaction.\nIt is the desire to do better, to dig deeper, that propels civilization to greatness\".\nThe scene is juxtaposed in a montage with Dussander's home being searched and the hobo's corpse being found in the basement.\nTodd is briefly questioned about his relationship with Dussander, but he manages to convince the police that he knew nothing of the old man's true identity.\nAt the hospital, Dussander hears a group of Neo-Nazis demonstrating outside the hospital; realizing his identity has been hopelessly compromised, he commits suicide by giving himself an air embolism.\nWhen French learns that the man who met Todd at school was not Todd's grandfather but a war criminal, he confronts Todd, who then blackmails him into silence by threatening to accuse him of making inappropriate sexual advances towards him, and to thereby expose him publicly as a homosexual and pederast.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [MOVIE] [GERMANY] [2010’s?] [2000s?] Movie about a boy who gets the ability to always guess things correctly.\nI’m not sure if I’ll have any luck here but I hope so.\n\nSo I’m not German and am not fluent in the language but I took German in school and one year they took us to watch a German movie with English subtitles to help us with the language, and I wanna find the movie again. This was in about 2018 but I think the movie was older than that.\n\nThe movie was focused on a boy who used to bet on horses with his dad until his dad died, he was a poor boy and would run away with any money he found to bet on horses and one day he met a man on the horse tracks who somehow, I forgot how, gave him the power to always guess things correctly, so the kid started to always bet on the right horse and got rich and famous, and the man who gave him the power became like his manager or something but he was actually evil? Honestly that’s probably not right but I can’t remember much. \n\nI hope that helps.",
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"content": "The Legend of Timm Thaler or The Boy Who Sold His Laughter.\nThe devil tricks a little boy off his laughter in exchange for assured wins in all his bets. It depicts his journey after the deal with the devil, how he loses his soul bit by bit with each win.::nokaala@gmail.com\n\nThe young Timm Thaler lives in the 1920s with his father in a small alley of a German city. Even when he grows up in poor circumstances, he is happy, and he has a laugh that nobody can resist. This is so contagious and disarming that Baron Lefuet, the fierce Baron, wants to have it.::Anonymous",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][SHOW][2000s] A 3d animated kids show about two monster looking characters.\nI remember watching this show on a DVD when I was younger(early 2000s) about two monster or alien looking characters. I got the DVD from Blockbuster and I think it was titled \"\\[Name\\] And \\[Name\\].\" One of the characters looked like a fuzzy animal and the other I don't remember. The intro to the show had them riding on a roller coaster type machine getting ready for the day. In one episode I remember them playing with a hose and making rainbows with it. Also none of the characters spoke, they just made noises instead. I was hoping someone here could help me because this is driving me crazy.",
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"content": "Tiny Planets.\nDeep in the heart of the Tiny Universe lies the Home Planet where the main characters, Bing and Bong, make their home. These two explorers are catapulted to the surrounding worlds in their solar system on a flying white sofa where they explore, learn about the inhabitants, develop friendships and have fun.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [MOVIE] a movie where a character is reading the book \"How to Win Friends and Influence People\".\nThere may be more than one, but I'm sure I've seen it being read in a movie",
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"content": "How to Lose Friends & Alienate People (film).\nSidney Young, an aspiring British journalist who runs a failing polemical magazine, attempts to infiltrate a party organized by Clayton Harding (Jeff Bridges), the CEO of Sharps, one of the most prestigious magazines in the world. In doing so, he momentarily gains Clayton's sympathy, as the latter began his own career through polemics. \nSidney is offered a job at Sharps, and moves to New York City, but he quickly earns the scorn of his colleagues, including Alison Olsen (Kirsten Dunst) and the manager Lawrence Maddox (Danny Huston), as a result of his rudeness, vulgarity, and general unattractiveness. Interviews with famous performers must be arranged by publicist Eleanor Johnson (Gillian Anderson), who imposes restrictions on published content. \nOn one occasion, Sidney accidentally kills the dog of rising actress Sophie Maes (Megan Fox), to whom he is intensely attracted. Alison, although despising him, agrees to help conceal the mistake. Sidney gains Alison’s respect by explaining his disapproval of Eleanor's practices, and Alison reveals that she also despises her job, and has been working sporadically on a novel for years, which she hopes to publish. At a bar Sidney meets a girl (Charlotte Devaney) and brings her home, but she turns out to be transgender. He later brings her to strip for Lawrence at work (to get incriminating photos).\nAt a party, Sidney discovers that Alison was having an affair with Lawrence, but has chosen to end it. He is approached by Sophie, who has become drunk, but forfeits the chance to sleep with her, upon discovering that Alison is also drunk and needs to be driven. At his apartment, Alison meets Sidney's father, who turns out to be a well known philosophy professor, and a member of the nobility. \nLater, Sidney attempts to ask Alison on a date, but learns that she is reuniting with Lawrence, who has just divorced his wife, Clayton's daughter. Being heavily depressed, Sidney compromises his journalistic principles and begs to work with Eleanor. Not only does Eleanor agree, but Lawrence and Alison are pressured to leave the magazine by Clayton, as a result of Lawrence's divorce, leading to Sidney's promotion. \nSidney works hard, writing to please others rather than criticize, and earns several more promotions within a short time, as well as gaining access to the highest celebrities and most exclusive social gatherings. On the night before a prestigious film-awards ceremony, Sidney attends an informal party led by Sophie, and is pressured into surrendering his gold ring, which was a gift from his late mother. \nHe regains his contempt for high society, and the next evening, as Sophie is approaching the stage to claim her award, he seizes her to take back the ring, cursing, and confessing that he killed her dog. In response, Sophie attacks Sidney, attracting negative attention on camera.. Nonetheless Sidney, no longer with Sharps, rushes back to Alison in NYC, who by now has separated with Lawrence, and they begin a relationship.",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [MOVIE] What movie is this from?.\nhttps://m.imgur.com/gallery/QcTQSU4\n\nI've been trying to remember, but I seriously can't remember anything about it or even the actors. \n\nAll I know is that it was in a YouTube compilation about the overused cliche line \"You don't get it, do ya?\" and I really don't get it, do I?",
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"content": "Garage Days.\nGarage Days is the story of a young Sydney garage band desperately trying to make it big in the competitive world of rock'n'roll.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE] ALIEN MOVIE, HUMANS ATTACKING A GOOD ROUND SHAPED ALIEN SPACESHIP.\nI remember i watched this movie but can't remember the title. It is an alien movie, there was a round shaped alien spaceship that was just i think checking out on humans but human spaceship attacked it. There was another spaceship that is the real enemy",
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"content": "Independence Day: Resurgence.\nTwenty years after the devastating alien invasion, the United Nations has set up the Earth Space Defense (ESD), a global defense and research program that reverse-engineers alien technology and serves as Earth's early warning system against extraterrestrial threats.\nAs the twentieth anniversary of the invasion approaches, ESD Director David Levinson meets with warlord Dikembe Umbutu and dr Catherine Marceaux in the African state Republique Nationale d'Umbutu.\nThey travel to an intact alien destroyer and discover that alien survivors sent a distress call to their home world before their defeat.\nIt is revealed that formerS.\nPresident Thomas Whitmore, dr Brackish Okun and Umbutu are telepathically linked to the aliens following personal encounters and have visions of an unidentified spherical object.\nAn unidentified spherical ship emerges from a wormhole near Earth's Moon, and despite objections from Levinson, is destroyed on the orders of the world's Security Council.\nDefying orders, American pilots Jake Morrison and Charlie Miller then pick up Levinson, Marceaux, Umbutu, andS.\nfederal controller Floyd Rosenberg on a space tug and they head for the wreckage in the Van de Graaff crater, where they recover a large container.\nAn alien mothership suddenly appears, responding to the distress call, and proceeds to destroy much of the Earth's planetary defenses before landing over the north Atlantic Ocean where it starts to drill into the Earth's molten core.\nNarrowly escaping death, those on board the space tug are able to avoid capture and return to Area 51.\nWhitmore, Levinson, andS.\nGeneral Joshua Adams' groups interrogate one of the aliens held in captivity at Area 51's prison facility from the war.\nThey learn that the aliens exist in eusociality and that one of their colossal Queens is commanding the invasion.\nLevinson hypothesizes that, if they kill the supervising Queen, her forces will cease drilling and retreat.\nAn ESD aerial fleet, led by Captain Dylan Hiller, stages a counterattack, but they are caught in a trap within the mothership, leaving only a few survivors, including Dylan, Jake, Charlie, and fellow ESD lieutenant and Chinese pilot Rain Lao.\nIn Area 51, Okun opens the rescued container and releases a giant white sphere of virtual intelligence.\nShe reveals that her mission is to evacuate survivors from worlds targeted by the aliens, whom she calls \"Harvesters\".\nIn the mothership, all surviving ESD pilots manage to escape by hijacking enemy craft; Dylan, Jake, Charlie and Rain navigate two alien fighters to pursue the Queen's personal ship, which is heading to Area 51 to destroy the sphere.\nKnowing the Queen has become aware of the sphere's presence, the ESD hide her in an isolation chamber and use a decoy in Jake's space tug to lure the Queen's ship into a trap.\nWhitmore volunteers to pilot the transport ship on a suicide mission, leading the Queen's ship into a trap before detonating a bomb, thus sacrificing himself but destroying the enemy ship.\nHowever, the Queen survives by using an energy shield and a fight breaks out.\nInitially, the ESD soldiers' weapons cannot penetrate the Queen's shield, but after the Queen lowers her shield to fire her own weapon, a good shot by Whitmore's daughter Patricia disables her shield.\nThis allows Dylan's party, which arrives just in time, to kill her before she can take the sphere.\nWith the Queen dead, all the remaining alien fighters are rendered inactive, while the mothership stops drilling and retreats to space.\nOkun reveals that the sphere has asked humanity to lead her resistance and has offered them new technology in preparation for a counterattack on the Harvester's home world.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [Movie] Some Cthulhu type movie..\nI remember seeing this movie maybe in like 2003? What I remember about it is a lot of jump cuts to and not making much sense but I was in like third grade. I do remember a car going off a cliff into the ocean, an old farmhouse on a cliff. I'm prett sure the final scene was a person standing over a grate in the basement of the house and water being underneath and tentacles coming up to grab the person. I know its not a lot to go off of, but I hope some one recognizes it.",
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"content": "Necronomicon: Book of Dead.\nThe film is broken into four separate features: \"The Library\", \"The Drowned\", \"The Cold\" and \"Whispers\". \"The Library\" segment is the frame story, which begins and ends the movie.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE] Australian(?) Drama/thriller 2010ish.\nPretty low budget psychological type drama. Pretty sure it was Australian – I probably saw it on BBC iPlayer years ago.\n\nMain character is 40-something woman with red hair who illustrates children's books and has owl statues everywhere, her husband (I wanna say Craig?) is an architect or something similar and they have young kids. There's a younger woman who is either a new neighbor, parent of a kid's friend, or colleague of the husband (maybe more than one of those) who becomes a friend of the family at the beginning of the film. \n\nThe younger woman is shown breaking into the illustrator's home studio, damaging her stuff, stealing her clothes, hitting on her husband, etc. Eventually the illustrator catches on to this and tries to call her out but nobody believes her (she might have an established history of mental illness) and her husband leaves her/kicks her out and possibly starts a relationship with the younger woman. \n\nTurns out the younger woman is her daughter who she secretly had as a teenager and abandoned, and this whole thing is some sort of revenge plot, I can't remember exactly how it ends.",
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"content": "Irresistible (2006 film).\nThe film begins with Sophie, a popular illustrator for books, walking her daughters, Ruby and Elly, home from school. She suddenly remembers she forgot to turn off the iron, and rushes to get home. When she gets there, she finds that it was still hot, but someone had already switched it off. Eventually dismissing it as a lapse of memory, she continues her daily routine of taking care of her two daughters and working on her next painting. While she's working, her husband, Craig, sends a singing telegram with flowers as an anniversary gift.\nLater, while fixing dinner, Sophie senses that someone is in the house, but shrugs it off. Then Elly complains of the same feeling, and being frightened of it. Sophie has a look around and seems to notice things just slightly out of place, but again decides it's nothing of concern. Later, she has to pick up Craig because he has lost his keys. Sophie continues to feel on edge that night during their anniversary dinner. The next day, she finds one of her paintings destroyed and assumes her cat knocked over the inkwell.\nShe soon meets Mara, her husband's new co-worker, at a party. Mara and Sophie leave the party for a walk to the beach, where they have a talk. Mara offers Sophie her sympathy for her mother's passing, telling her she can relate because she lost her best friend, Kate, who had been an aid worker with orphans in Kosovo. She told Sophie that someone threw a Molotov cocktail through the window of the orphanage, and Kate burned to death trying to save the babies.\nOver the next few weeks, items begin to go missing from Sophie's house, including one of her dresses and her daughter's favorite stuffed animal, causing the child great distress. She comes to suspect that Mara is stealing her belongings after seeing her wearing the missing dress, but Sophie has no evidence. She then breaks into Mara's house to collect proof, but gets caught and is given a restraining order. Craig does not back up Sophie in court.\nSophie soon suspects Craig may be having an affair with Mara, but he is quick to shrug it off. Sophie decides to take Craig's suggestion to stay in a friend's cabin, to spend time apart from the family and clear her mind. During a conversation with her father, it is revealed that Sophie became pregnant at the age of 18, and the baby had been surrendered to an orphanage against Sophie's wishes.\nWhen Sophie returns home from the cabin, she realizes her cat is nowhere to be found. She suspects Mara is behind it, so she decides to sneak onto Mara's property to check. She finds her cat inside the house, but the burglar alarm goes off, attracting a neighbor's attention. Sophie hides in the basement just as Mara returns, who then searches the house to find out why the alarm was tripped. Wielding a hammer, she checks the basement while Sophie hides behind a shelf unit. Mara seems to sense someone is there but doesn't say anything. She just goes back upstairs and bolts the basement door, locking Sophie inside. Mara then goes to work.\nSophie begins to look around for tools or a way out, and finds her missing items, including her daughter's beloved toy and family photos with her face cut out of them. She realizes her suspicions of Mara were correct. She also finds a birth certificate and a letter from an adoption agency addressed to Mara, informing her that, despite her request, her biological mother did not wish to make contact with her. Because of the details in the documents, Sophie comes to believe that Mara was the baby she gave up.\nWhile this is going on, Mara attempts to seduce Craig at his office, but they are interrupted by a phone call from his children's school. The school informs Craig that Sophie has not picked up the children. Craig needs to attend a meeting, so Mara offers to pick up the girls and take them to her house. When they arrive at Mara's house, Sophie, who is trying to escape via the air ducts, sees them through a floor vent in the kitchen. She tries to get her daughter's attention, but Mara discovers her instead.\nMara confronts Sophie in the basement and threatens her. Sophie tries to reason with Mara, who will have none of it. Sophie tells her she knows she is her mother, and she is sorry for giving her up. Mara strikes Sophie and smashes a bottle of wine on the floor. She drops a lit match on the wine, setting the basement on fire and hoping to kill Sophie. They struggle, and Mara's trouser legs catch fire, but Sophie saves her and helps Mara walk out to safety.\nAt the hospital, Craig is given the contents of his wife's pockets. Among them is the birth certificate and letter from the adoption agency. When Sophie wakes up, Craig tells her he knows about Mara, and they resolve to make their relationship work. Later, Sophie visits Mara in her hospital room, asking if she can include their story in her book. Sophie tells Mara she was brave to try to meet her, and she was a coward to refuse. Sophie asks for forgiveness, and they embrace as Mara weeps, apparently now forging a true mother-daughter bond. When the nurse tells Sophie she can't be there, she replies, \"I'm her mother.\"\nWhile Mara continues to recover at home, she pores over old news clippings and photos of her deceased childhood friend, Kate. There is a photo of Mara and Kate together as children in the orphanage, and we see that Kate looked just like Elly does now, and another photo of Mara and Kate together as adults in Kosovo. In that one, we see Kate grew up to be the spitting image of Sophie, revealing it was actually Kate who was Sophie's daughter. She then angrily cuts out Ruby's face from another of Sophie's family photos and replaces it with her own, so her face is next to Sophie's. The caption written in the scrapbook reads \"Mother and Me\".",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [CARTOON] Cartoon, or a sketch within a cartoon about a pile of clothes/trash.\nI used to watch it on Jetix here in Ukraine and there was this cartoon, or a cartoon within a cartoon about kids, who befriended a pile of trash/clothes. I think it had eyes, but I don't remember vividly. And it was a short. I think. About 5 minutes per episode, or something. It definitely wasn't long as a 20-minute episode.\n\nI don't really have any more info, unfortunately. Maybe, someone else remembers it too? Thanks in advance!",
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"content": "Klutter!.\nA segment series featured in the fourth season of Eek Stravanganza, _Klutter_ (qv) began as a pile of clothes that belonged to the Heap family. Then, one day, after one son, Ryan, attempts to shock his brother, Wade, with static electricity, the electricity is instead transferred to the clothes pile in the brothers' room and is brought to life. The clothes-pile monster is named _Klutter_ (qv), who accompanies Ryan, Wade, their little sister Sandee, and their neighbors/friends Vanna Ervin and Kopp on the adventures they have together, all the while unbeknownst to the Heap kids' parents, John and Andrea.::Dawalk-1",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [MOVIE] [1990s] A young couple in Los Angeles(?) realize they are actually sims in a computer world..\nThey realize they are sims in the final, climactic scene when they try to escape the city. They are driving as fast as possible and are forced to stop when they reach the edge of the simulated world, and on the horizon they see a grid-like frame with the detailed scenery being filled in by the computer.\n\nI’m not sure what they were trying to escape from...maybe they were coders for company developing a computer simulation in which they controlled the sims, and something went awry?",
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"content": "The Thirteenth Floor.\nIn late 1990s Los Angeles, Hannon Fuller (Armin Mueller-Stahl) owns a multibillion-dollar computer enterprise and is the inventor of a newly completed virtual reality (VR) simulation of 1937 Los Angeles, filled with simulated humans unaware they are computer programs.\nWhen Fuller is murdered just as he begins premature testing of the VR system, his friend and protégé, Douglas Hall (Craig Bierko), who is also the heir to the company, becomes the primary suspect.\nThe evidence against him is so strong that Hall begins to doubt his own innocence.\nBetween interrogations by LAPD Detective Larry McBain (Dennis Haysbert), Hall meets Jane Fuller (Gretchen Mol), the estranged daughter of Hannon Fuller, who is busy with the shutdown of the new VR system.\nHall then romances her.\nWhen a local bartender is murdered after he claims to have witnessed a meeting between Hall and Fuller on the night Fuller was murdered, Hall is arrested.\nHe is released when Jane gives him an alibi.\nWith the assistance of his associate Whitney (Vincent D'Onofrio), Hall attempts to find a message that Fuller left for him inside the simulation.\nEntering the virtual reality, Hall becomes a bank clerk named John Ferguson.\nFuller left the message with a bartender named Jerry Ashton (Vincent D'Onofrio), who read the message and discovered he is an artificial creation.\nEarlier, Ashton notices that Ferguson switched places with Hall in the men's restroom of the hotel where Ashton works, and began to realize that something was wrong.\nFrightened and angry, Ashton tries to kill Hall.\nHall barely survives to escape the virtual reality.\nMcBain informs Hall that Jane does not exist, as Fuller never had a daughter.\nHall tracks her down only to discover her double, Natasha Molinaro, working as a grocery store clerk — but Molinaro does not recognize Hall.\nThis leads Hall to perform an experiment outside the VR system, something that Fuller’s letter instructed him to try: drive to a place where he never would have considered going otherwise.\nHe does so, and discovers a place that resembles a wireframe model.\nHall grasps the truth, the meaning of Fuller's message: 1990s Los Angeles is itself a simulation.\nJane Fuller explains to Hall the truth: his world is one of thousands of virtual worlds, but it is the only one in which one of the occupants has developed a virtual world of its own.\nJane Fuller lives in the real world outside the 1990s simulation.\nAfter Fuller's death, she entered the virtual version to assume the guise of Fuller's daughter, gain control of the company, and shut down the simulated 1937 reality, a plan foiled by Hall being made the company heir.\nThe virtual Hall is modeled after David, Jane’s real-world husband, though Jane has since fallen in love with Hall.\nDavid committed the murders via Hall’s body, being driven to increasingly jealous and psychopathic behavior from prolonged use of VR to live out his dark fantasies.\nWhitney enters the 1937 simulation, assuming the body of bartender Jerry Ashton, who has kidnapped Ferguson (Hall’s 1937 identity) and bound him in the trunk of his car.\nWhen Whitney is killed in a car crash inside the 1937 simulation, Ashton’s consciousness takes control of Whitney’s body in the 1990s simulation and takes Hall hostage.\nHall tells Ashton that he's not in the real world, and that they are both products of a VR simulation.\nHall takes Ashton to the place where he was born: a computer lab.\nDavid assumes control of Hall again to kill Ashton and then attempts to rape and murder Jane.\nJane is rescued by Detective McBain, who shoots and kills David.\nMcBain at this point has realized the nature of his own reality, and jokingly asks Jane \"So, is somebody going to unplug me now.\n\" She answers \"no\", so McBain follows with the request \"Look, do me a favor, when you get back to wherever it is you come from, just leave us the hell alone down here, okay.\n\" David's death as Hall in the 1990s simulation allows Hall’s artificial consciousness to take control of David’s body in the real world.\nHe wakes in 2024, connected by a device to the VR system.\nHe disconnects the system and finds Jane and her father, the real Hannon Fuller.\nJane wants to tell Hall more about the simulation, but as she begins the film ends, the screen image collapsing to a thin line of light before going dark like a computer monitor being turned off.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][Movie][2010+] Mother is sick , kid's decide whether to heal her or not. Cult involved..\nI'm trying to remember the name of a horror movie I watched somewhat recently. I can't remember if it was on Netflix or Amazon but it was on one of them. It's about a family of I think 3 brothers who are back at their family home taking care of their mom. Possibly after their dad dies. There's some talk about some sort of cure and whether or not to give it to her.",
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"content": "Mercy.\nWhen four estranged brothers return home to say their last goodbye to their dying mother, Grace, hidden motivations reveal themselves.\n\nWhen four estranged brothers return home to say their last goodbye to their dying mother, Grace, hidden motivations reveal themselves. The family's already tenuous bonds are tested when secrets from Grace's past resurface, causing a restless night to go terribly awry as the brothers are thrust into a fight for their own survival.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [TV SHOW] A US chef challenge cooking show.\nWhen I was a kid about 10 years ago there was this American show about a chef named Todd who used to go upto restaurants/food chains and try to mimick their secret recipes. There would be a taste test at the end where if the judges could/couldn't tell apart which was the original dish and which one was made by Todd. He would get points and get lifetime free food/5000 bucks,etc from those chains\n\nI remember some of the restaurants/chains that Todd challenged-\n\n1.Dominos\n\n2.PF Chings? Changs?\n\n3.Dippin dots ice cream\n\n4. Some cinnamon rolls chain\n\n5.Chili's Ribs",
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"content": "Top Secret Recipe.\nEach week, our food hacker host, Todd Wilbur, investigates an iconic American recipe and attempts to recreate it as close as possible to the original, proving it with a blind taste test.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE] The protagonist might be a robotic clone of somebody. Finding out he is a robot would make him self destruct..\nThe title basically says it all. The protagonist is living a normal life. We (the spectators) know that there is another character that looks the same as the protagonist. At some point we find out that one of the two is a robot and (not sure if the protagonist comes to know that) if the robot clone finds out he is a robot, he would self destruct automatically.\n\nI saw this movie as a kid, I guess it must be from the late 90s but I can't be sure.",
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"content": "Impostor (2001 film).\nThe film takes place in 2079. Forty-five years earlier, Earth was attacked by a hostile and implacable alien civilization from Alpha Centauri. Force field domes are put in place to protect cities, and a totalitarian global military government is established to effect the war and the survival of humans. The Centaurians have never been physically seen.\nThe film follows Spencer Olham, a designer of top-secret government weapons. One day while on his way to work, he is arrested by Major Hathaway of the Earth Security Administration (ESA), being identified as a replicant created by the aliens. The ESA intercepted an alien transmission which cryptanalysts decoded as programming Olham's target to be the Chancellor, whom he was scheduled to meet. Such replicants are perfect biological copies of existing humans, complete with transplanted memories, and do not know they are replicants. Each has a powerful \"U-bomb\" in their chest in the exact design of a human heart, which can only be detected by dissection or a high-tech medical scan, since it only arms itself and detonates when it gets in close proximity to its target. Detection via the special scan works by comparing against a previous scan, if there was one.\nMajor Hathaway begins interrogating Olham. As Hathaway is about to drill out Olham's chest to find the bomb, Olham breaks loose and escapes, accidentally killing his friend Nelson in the process. With the help of underground stalker Cale, Olham avoids capture and sneaks into the hospital where his wife Maya is an administrator to get the high-tech scan redone and prove he's not a replicant. But the scan is interrupted by security forces before it can deliver the answer.\nThat evening, after fleeing from the city, Olham and Maya are eventually captured by Hathaway's troops in a forest near an alien crash site, close to the spot where they spent a romantic weekend just a week or so before Olham's arrest. Inside the ship they discover the corpse of the real Maya, and Hathaway shoots and kills the replicant before she can detonate. Hathaway thinks he has killed the true impostor, but as his men move debris away from the Centauri ship, the real Spencer Olham's body is revealed. At that moment, Olham realizes aloud that both Maya and himself really are alien replicants, and the secondary trigger (his awareness of what he truly is) detonates his U-bomb, destroying himself, Hathaway, his troops, and everything else in a wide area in a fiery nuclear explosion.\nIn the final scene, the news announces that Hathaway and the Olhams were killed in an alien enemy attack, implying that the government covered up or are unaware of the truth. Cale wonders if he ever really knew Olham's true identity.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE] Possibly 80s or early 90s animated movie. Maybe Disney?.\nThere was a boy and a girl and I think the boy had a sword or something? I think he was on a farm beforehand. There was also a furry little imp looking guy that talked kind of like Gollum and followed the kids around. Pretty sure he died at the end too. I’m sorry. That’s all I have.",
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"content": "The Black Cauldron (film).\nIn the land of Prydain, Taran, a teenage boy and \"assistant pig-keeper\" on the small farm of Caer Dallben, home of Dallben the Enchanter, dreams of becoming a famous warrior. Dallben learns the evil Horned King is searching for a mystical relic known as the Black Cauldron, which can create an invincible army of undead warriors: the \"Cauldron-Born\". Dallben fears the Horned King might use his pig Hen Wen, who has oracular powers, to locate the cauldron. Dallben directs Taran to take Hen Wen to safety; unfortunately, Taran's foolish daydreaming causes Hen Wen to be captured by Gwythaints, the Horned King's dragon-like creatures.\nTaran follows them to the Horned King's castle and meets the pestering dog-like creature Gurgi, who wants to be his friend. Frustrated by Gurgi's antics and cowardice, Taran leaves him. Taran sneaks into the castle and helps Hen Wen escape but is captured and thrown into the dungeon. Another captive named Princess Eilonwy frees him as she tries to escape. In the catacombs underneath the castle, Taran and Eilonwy discover the ancient burial chamber of a king. Taran arms himself with the king's sword which contains magic that allows him to effectively fight the Horned King's minions, thus fulfilling his dream. Along with a third prisoner, the comical middle-aged bard Fflewddur Fflam, they escape from the castle and are found by Gurgi. Upon learning Taran escaped, the Horned King orders his goblin, Creeper, to send the Gwythaints to follow Taran.\nFollowing Hen Wen's trail, the four companions stumble into the underground kingdom of the Fair Folk who have Hen Wen under their protection. When the kindly King Eidilleg reveals the cauldron's location, Taran decides to destroy it. Eilonwy, Gurgi and Fflewddur agree to join him and Eidilleg's obnoxious right-hand man Doli is assigned to lead them to the Marshes of Morva while the Fair Folk escort Hen Wen back to Caer Dallben. At Morva they learn the cauldron is held by three witches—the crafty leader Orddu, the greedy Orgoch, and the more benevolent Orwen (who falls in love with Fflewddur at first sight). Orddu agrees to trade the cauldron for Taran's sword and he reluctantly agrees, knowing it will cost his chance for heroism. Before vanishing, the witches reveal the cauldron is indestructible, and its power can only be broken when someone willingly climbs into it, which will kill them. Doli angrily abandons the group. Although Taran feels foolish for trading the sword for nothing, his companions show their belief in him; and Eilonwy and Taran almost kiss. Suddenly they are found by the Horned King's minions who followed them. Gurgi runs away before they take the cauldron and companions back to the castle. The Horned King uses the cauldron to raise the dead and his Cauldron-born army begins to pour out into the world.\nGurgi, deciding not to abandon his friends, sneaks into the castle and rescues them. Taran decides to jump into the cauldron to save everyone, but Gurgi stops him and jumps in instead, killing the Cauldron-born. When the Horned King spots Taran, he blames him, saying Taran has interfered for the last time, and throws the youth toward the cauldron. But the cauldron is out of control and consumes the Horned King in a tunnel of fire, killing him and destroying the castle, using up all its powers forever, as the companions escape. \nThe three witches come to recover the now-inert Black Cauldron. However, Taran has finally realized Gurgi's true friendship, and asks them to revive his friend in exchange for the cauldron, choosing to give up his magical sword permanently. Upon hearing Fflewddur's challenging remarks to demonstrate their powers, the reluctant witches honor the request, returning Gurgi to them. At first, Gurgi appears to be dead but is resurrected. After they reunite, he pushes Taran and Eilonwy into a kiss. The four friends then journey back to Caer Dallben where Dallben and Doli watch them in a vision created by Hen Wen, and Dallben finally praises Taran for his heroism.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [MOVIE].\nIn this movie a teenager gets grounded (I think) so he starts sleeping outside of his house in his front yard the whole summer, and he has a crush with his neighbor and they get laid at the end of the movie",
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"content": "Eight Days a Week (film).\nPeter (Joshua Schaefer) is infatuated with his childhood friend and next-door neighbor Erica (Keri Russell).\nBased on advice from his grandfather, Peter decides to camp on Erica's lawn until she realizes that she loves him.\nDuring his summer-long wait, he frequently comments on their neighborhood.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [MOVIE] [2000’s] A new mother goes insane over protecting her child, and then ironically kills her baby..\nI saw this movie a long time ago, and I cannot remember what it is! The plot is vague to me, but all I can remember is that it’s about a new mother who for some reason is paranoid about not being able to protect her newborn, and then basically goes insane and actually kills her baby. I THINK by drowning the baby in a pool... maybe? \nSomeone please help!",
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"content": "First Born (2007 film).\nLaura is an artistic dancer married to a wealthy businessman in New York City. She suspects she is pregnant after she gets sick after a dancing performance. She takes the subway home, and while she is on the subway she sees a young woman sitting across from her holding a baby. After a moment, she looks back and the young woman is gone but had left the baby behind. Alarmed, Laura jumps up and runs over to the baby but it is just a doll wrapped in a blanket and she hears an echo of a baby crying in the background. Laura gets a pregnancy test from the drug store, having taken the doll from the subway home with her. Later that night, she and her husband Steven share their good news: he has made a partnership at his firm and she is pregnant. After moving and settling down to the countryside, Laura becomes haunted by the cry of a baby continuously and it often affects her emotional health. One day while talking to her mother on the phone, she puts her dog in the basement but later it dies when it ingested rat poison that she had laid out for mice she had seen earlier. Upon hearing the baby's cries, she trips and her water breaks, forcing her to drive herself to the hospital. With complications to labor, Laura goes into an emergency C-section and gives birth to a girl. She visits the nursery area, but cannot help bring herself to be as happy as the new mothers inside.\nAt home, Laura is having insomnia and troubles with pumping breast milk for her baby. Her mother assures her that postpartum depression is very common and tells her to make sure that Steve is helping her with their baby. However, she refuses to bother him as he has continued to work long hours. She goes to check the basement one day but the door is broken and she is locked down there all day until Steven arrives home to open the door for her. When Laura insists that their baby hates her, Steven hires an au pair named Mrs. Kasperian who has been a kind company to Laura.\nLater that week, Steven insists that Laura come to his company's dinner event. Laura becomes frantic about preparing for the dinner event and panics when she sees some gray hairs. She takes her baby infant to the store to buy hair dye, but after setting her hair, she does not see the baby in the house, eventually finding the baby still in the car. She is upset with herself and holds her baby until nighttime when Mrs. Kasperian arrives. Mrs. Kasperian tries to comfort her on being a new mother after seeing hair dye still in her hair. After Steve calls angrily that Laura is late to the dinner event, Laura cuts her hair when her hair begins to fall out from the hair dye. She gets to the event improperly dressed but leaves almost immediately when she felt people were talking about her with an irate Steve taking her home. \nLaura starts to suffer from nightmares, the doctor gives her sleeping pills to help her sleep at night, disregarding her other complaints. At home, Laura's consciousness drifts in and out of reality, while still visibly bothered by baby cries throughout the house. She looks through the baby monitor and sees Mrs. Kasperian pulling out a butcher's knife from the baby's crib. The two get into a verbal altercation where Mrs. Kaspernick is very worried about Laura's mental health, believing that she had put the butcher knife there, and Laura eventually calls the police and chases her out. However, the police vouch for Mrs. Kaspernick. The same evening, she continues to be haunted by the presence of an intruder in the house yet never really seeing this intruder and hides her baby in the closet. Steven and the police are called back home where the police cannot find an intruder and inform him that Mrs. Kaspernick found the butcher knife in the crib. Steven now realizes that Laura is mentally unwell.\nWith some research, she learns that hallucinations of mice and baby dolls may be related to witchcraft. Once getting home, she sees her baby covered in mice and she violently shakes the baby to get the mice off; Steven is petrified when she sees her shaking the baby, revealing that there are no mice present. He takes her to the emergency room, and the doctor believes she is suffering from postpartum psychosis. To help relieve her, Steve takes a month off work, and Laura's mother stays with them to help babysit while Laura decides to take up dancing again. She hears the baby crying but sees no baby in the crib; seeing the baby doll on the dresser when Steven had picked it up after she tried to drown it earlier, Laura buries it under the lawn and then goes back to sleep with a smile on her face. The next morning, her mother and Steven are wondering where \"Jessica\" is, but Laura does not know who she is. He panics, calling Jessica's name throughout the house--it's presumed that Jessica was actually the baby doll that Laura buried.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE][1990s?] A soldier is replaced with a super soldier and thrown with the garbage onto a planet.\nI only remember one scene, where in order to prove the new soldier's superiority, they had them have a race and the main character had 20min head start, but still lost.",
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"content": "Soldier (1998 American film).\nIn 1996, as part of a new military training program, orphaned infants are selected at birth and raised as highly disciplined soldiers dedicated to a wholly military routine. They are trained to be ruthless obedient killers without any moral code of conduct, and any deemed physically or mentally unworthy are executed. Survivors of the training program are turned into impassive, dedicated fighting machines with no exposure to or understanding of the outside world.\nIn 2036, at the age of 40, Sgt. Todd 3465 is a battle-hardened veteran and the best soldier of the original 1996 infants. Colonel Mekum, the leader of the original project, introduces a new group of genetically engineered soldiers, designed with superior physical attributes and a complete lack of emotion except unparalleled aggression.\nCaptain Church, the commander of Todd's unit, insists on testing the abilities of the new soldiers against those of his proven older ones. The new soldiers outperform the old soldiers in every way. In a combat exercise held at the top of climbing chains, a new soldier, Caine 607, easily defeats two of the original soldiers before Todd gouges out Caine's eye. Caine knocks Todd from the top of the chains; though he is presumed dead, the body of another dead soldier actually cushioned his fall and he is simply stunned and knocked unconscious. Mekum classifies it as a training exercise gone wrong and orders their bodies disposed of like garbage. Declared obsolete by Mekum, the remaining older soldiers are removed from combat duty and demoted to menial unarmed support roles.\nDumped on Arcadia 234, a waste disposal planet, an injured Todd limps toward a colony whose residents crash-landed there years earlier; as they were believed dead, no rescue missions have been attempted. Todd is found and sheltered by Mace, and he and his wife Sandra help nurse Todd back to health. Rarely speaking himself, Todd develops a silent rapport with their mute son, Nathan, who had been traumatized by a snakebite as an infant. He looks upon the happy, loving family with yearning in his eyes; having never considered sexuality before, he also has confusion concerning an attraction to Sandra. Though they try to make him feel welcome, Todd has difficulty adapting to the community and their conflict-free lives due to his extremely rigid conditioning. When Nathan silently looks to him for defense against a coiled snake, Todd attempts to show Nathan how to protect himself. Nathan's parents intervene and disapprove of the lesson, unsure of how to deal with the silent soldier. Todd's increasing disorientation by exposure to peaceful civilian life manifests into flashbacks of his time battling other enemy soldiers - and killing civilians who were in the way. With Todd's mind deep inside one of his more violent memories, when one of the colonists surprises Todd from behind, Todd nearly strangles him. Fearful, the colonists expel Todd from the community. Having been rejected by every society he has known - the military and the refugee civilians - Todd shows strong emotion for the first time; overcome by the loss, he quietly cries. A short time later, Mace and Sandra are almost bitten by a snake while they sleep, but Nathan uses Todd's defensive technique and saves them. Now understanding the value of Todd's lesson, Mace leaves to bring him back, regardless of the opposition of the colonists who fear him.\nMekum and the new soldiers arrive on the garbage planet to garner them combat experience and to perform a bi-annual security sweep. Since the world is legally listed as 'uninhabited', Mekum declares the colonists as 'hostiles', to be used as the targets, much to the disapproval of Captain Church. Just after Mace finds Todd and apologizes, the soldiers spot them and open fire. Todd survives but Mace dies from the attack. Though outmanned and outgunned, Todd's years of battle experience and superior knowledge of the planet allow him to return to the colony and kill the advance squad. Nervous that an unknown enemy force may be confronting them, Colonel Mekum orders the soldiers to withdraw and return with heavy artillery. Using guerrilla tactics, Todd outmaneuvers and kills all the remaining soldiers. Caine 607 is wounded and uses painkillers and performance enhancing stimulants to attack Todd in vicious hand-to-hand combat, but he is ultimately defeated by Todd's experience and clever tactics rather than mere physical prowess.\nTodd confronts Mekum over the radio, declaring his new soldiers obsolete. Panicking, Mekum orders Todd's old squad to set up and activate a portable doomsday device powerful enough to destroy the planet before commanding the ship to lift off and leave the squad behind. When Captain Church objects to the abandonment of the old soldiers, Mekum shoots him in cold blood. Todd finds his old squad and they silently side with him, saluting Todd and choosing to obey him. The veteran soldiers easily then take over the ship. Mekum, who previously displayed objective disregard that bordered on cruelty, begs Todd for his life and urinates himself in abject fear. The veterans evacuate the remaining colonists and leave Mekum and his aides on the planet. In an attempt to disarm the explosive device, Mekum accidentally sets it off, killing himself and the aides. The ship escapes the shockwave and sets course for the Trinity Moons, the colonists' original destination. When Nathan enters the control room and reaches for Todd, he picks up Nathan and points to their new destination while looking out upon the galaxy.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE] This has been bothering me for years....\nI have had this memory since I was a kid, and no matter how much I search the internet or ask my parents no one has what I'm looking for. I have a memory of a scene from what i assume was a movie in the early 2000's. In the scene, a man opens a suitcase in a dim lit room, and he starts hallucinating water pouring from it and flooding the room. The body of a child emerges, floating lifelessly in the water. I can't remember anything else about the movie or any specifics about an actor or anthing, Its just that one scene. I've been wondering about this for so long that i've considered that i might have imagined or dreamt the whole thing up. However, I've had this memory since i was a child, as early as five perhaps, and this seems pretty dark for something for a child to think of, right? I attempted to draw what I vaguely remember to the best of my ability, which you can find here -> https://imgur.com/LdNDRtd and here -> https://imgur.com/SxzOqLL . I really hope someone can help me solve this, as I'm now 18 and am still bothered by this memory/possible dream ive had since i was 5 (2004).",
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"content": "Ray.\nThe story of the life and career of the legendary rhythm and blues musician '_Ray_ (qv) Charles' (qv), from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.::Kenneth Chisholm\n\nThe story of '_Ray_ (qv) Charles' (qv) (played by Jamie Foxx), music legend. Told in his adult life with flashbacks to his youth we see his humble origins in Florida, his turbulent childhood, which included losing his brother and then his sight, his rise as pianist in a touring band, him writing his own songs and running his own band, and then stardom. Also includes his addiction to drugs and its affect on his working life and family life.::grantss\n\nBorn on a sharecropping plantation in northern Florida, '_Ray_ (qv) Charles' (qv) (played by Jamie Foxx) went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered couping gospel and country together.::yusufpiskin\n\nWithout a doubt, the story of the legendary rhythm-and-blues musician, '_Ray_ (qv) Charles' (qv), is truly unique. Born in an impecunious family, '_Ray_ (qv) Charles' (qv) was confronted with the tragic event of his brother's death by drowning: a terrible shock that irreparably affected his eyesight, leaving him blind by the age of seven. But, music and sounds were always '_Ray_ (qv) Charles' (qv)' refuge, and when he lost his mother at the age of fifteen, he decided to fight for his dream, and he succeeded. _Ray_ (qv)'s tremendous talent combined with his dynamic personality was an explosive combination, taking 1940s and 1950s America by surprise. As a true pioneer, '_Ray_ (qv) Charles' (qv) started a musical revolution with the way he interpreted his songs, his characteristic suit and black glasses, and the big smile on his face.::Nick Riganas\n\nLegendary rhythm and blues singer '_Ray_ (qv) Charles' (qv)' life transpires on-screen, from his humble beginnings in Georgia, where he went blind at age seven, to his pre-fame life touring the south, and onto his career as one of the most enduring, inimitable performers in modern music.::IMDb Editors\n\nThe true life story of legendary blues singer '_Ray_ (qv) Charles' (qv) (played by Jamie Foxx) from losing his eyesight in early childhood, to his rising career during the 1950s and 1960s, and his problems with racism, drug abuse, failed relationships, and his ideas to change the pace music by combining rhythm and blues and gospel music.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [Movie] Two hippie chicks expose Nixon for the watergate scandal..\nThe movie has an amazing sound track but I can’t remember the name of it for the life of me. \n\nAt the end of the movie, Nixon is on board Marine One and flying over the residential one of the main characters of the movie: Betsy and her sister and holding up a sign that says: You Suck! Love Deep Throat. Mean while all this unfolds Carly Simon’s You’re So Vain plays in the background. ",
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"content": "Dick.\nTwo girls wander away from a White House tour and meet President Nixon.\n\nIn current day, Washington Post reporters 'Bob Woodward' (qv) and 'Carl Bernstein' (qv) have still not revealed the identity of Deep Throat, their source that led to them breaking the story of the Watergate scandal and the resignation of President 'Richard Nixon' (qv). Rewind to June 17, 1972. Friends Betsy Jobs and Arlene Lorenzo are typical fifteen year olds whose minds are preoccupied with boys, especially of the teen heartthrob variety. Arlene, who lives in the Watergate complex with her single mother, has invited Betsy over this evening to prepare Arlene's \"Win a Date with 'Bobby Sherman' (qv)\" contest entry. Wandering around the complex that evening, they see a man who they don't recognize. On a class field trip to the White House the following day, they see the same man in the White House who they sort of recognize but don't know from where. He, 'G. Gordon Liddy' (qv), afraid that they can tie him to the Watergate break-in, decides to take decisive measures to deal with them. In this administrative high level maneuvering, Betsy and Arlene meet the President himself. To keep an eye on them, Nixon - or _Dick_ (qv) as they are allowed to call him - hires them first to walk Checkers, then as youth policy advisors, all in unofficial capacities, and the latter job in name only that is unless he feels the need to institute a policy they recommended just to placate them. But the more that they have access to the White House as a collective, the more they may truly be exposed to the illegal goings-on by the administration. The question becomes if they are astute enough to recognize what they are seeing - they more used to fixating on the likes of Sherman - and know what to do with the information.::Huggo\n\nComedy about two high school girls who wander off during a class trip to the White House and meet President 'Richard Nixon' (qv). They become the official dog walkers for Nixon's dog Checkers, and become his secret advisors during the Watergate scandal.::Anonymous\n\nWhen 'Bob Woodward' (qv) and 'Carl Bernstein' (qv) broke the story that 'Richard Nixon' (qv) knew about the attempt to bug the Democratic headquarters in Watergate, they identified their source only as Deep Throat. This film theorizes that Deep Throat was Betsy and Arlene, two ditzy teenage girls who witness 'G. Gordon Liddy' (qv)'s prescence in the hotel during the bugging. To keep them quiet, Nixon hires them as \"official White House dog walkers,\" then \"Presidential youth advisors.\" However, when they learn the truth about what is going on they take their story to Woodward and Bernstein. Nixon attempts all kinds of measures to stop them. He was tricky, they were better.::rmlohner",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][Movie] Horror movie about possessed electronics on a college campus.\nI've been trying to find this movie for ages. My babystitter showed it to me when I was a kid to scare me. So it would be a 90's film. \n\nWhat I remember:\n\n1. Took place at a school\n\n2. Girl gets scalped by a machine (possible a clothes dryer?)\n\n3. Lots of focus on red blinking lights that electronics have (I was scared of the light on my VCR for a year)\n\n4. The principle (?)/one girls dad becomes part of a possessed machine and I think kisses his daughter\n\nI want to see it again and see if it was actually scary or if I was just a dumb kid",
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"content": "The Mangler 2.\nJoanne 'Jo' Newton, a girl desperate for attention from her workaholic father, ends up going to an upper class private boarding school after a break in at her dad's computer company.\nThe school is getting ready to install a new security system.\nJo and several others students are to remain behind while the others leave for Spring Break, as punishment from the school's Dean, Headmaster Bradeen (Lance Henriksen).\nHowever, Jo, with her knowledge of computers, has hacked into the school's mainframe and unleashed a super virus called \"Mangler 20\" in the security system.\nBut what nobody knows is that this virus literally has a mind of its own, and it controls everything around the school.\nAt first, everybody thinks it is a blessing, but when the virus starts killing everyone in sight, the remaining students and staff attempt to escape from the building, which proves very difficult, as the virus is watching their every move.\nUnfortunately, Jo's friend, Bradeen, has been captured by one of the computers, with wires being planted into his head.\nThe virus controls his movements, and turns him into a walking computer.\nWith Bradeen at the virus' bidding, he is forced to go after the students.\nJo finally confronts the monster she unleashed which is now in the school's basement.\nJo tricks the virus by distracting Bradeen with a non-violent program on creating new lives, featuring snowflakes.\nThen, she stabs him and pushes him against the supercomputer that he now no longer controls.\nThe virus himself is destroyed as Bradeen dies.\nJo managed to end the carnage and escape with her bodyguard Paul, the chef, and her father.\nJo later went on Spring Break in Europe.\nThe camera shows her getting a call from her father.\nAfter her phone call ends, a strange and familiar message appeared on the screen of Jo's cellphone saying \"you've been mangled\", which means that the virus is still alive.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE] Kid Driving by Himself Collecting Letters.\nHi,\n\nI'm trying to remember this movie where this younger kid is driving around the country collecting letters for some kind of lotto or puzzle on his dashboard. He may have sat on a phonebook or something to help see above the wheel. In one scene, he makes some deal with a father at a rest area, and the father has to leave one of his sons at the rest area.\n\nThe title isn't really on the tip of my tongue.... Fuzzy on the details so I might be misrepresenting the movie. It's like a dreamlike, nostalgic movie memory from when I was pretty young. The movie may have been from 90's or early 00's.\n\nLet me know if this sounds familiar, thanks!!",
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"content": "Motorama (film).\nA ten-year-old runaway boy named Gus takes a road trip for the purpose of collecting game piece cards from gas stations in order to spell out the word M-O-T-O-R-A-M-A for a supposed grand prize of $500 million.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[tomt] [movie] can't remember this movie.\nThere is a movie that i went to watch in cinemas in either 2017 or 2018. The story was about a teenage boy whose father died when he was young and he lives with his mother, he also has dreams about the world ending, and there was an alien species disguised as normal people. And there was a guy who was fighting these creatures with his brother and the creatures killed his brother, then the guy and the boy meet each other somehow and the guy explains to the boy whats happening, and they try to go back to the boy's mother but she was dating an alien disguised as a guy and he killed her, and they save the world i think and the guy kinda adopts the boy i think. That's all i remember\n\n​",
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"content": "The Dark Tower (2017 film).\n11-year-old Jake Chambers (Tom Taylor) experiences visions involving a mysterious warlock, the Man in Black, who seeks to destroy a Tower and bring ruin to the Universe while a Gunslinger opposes him. Jake's visions are dismissed by his mother, stepfather, and psychiatrists as nightmares resulting from the trauma of his father's death the previous year.\nAt his apartment home in New York City, a group of workers from an alleged psychiatric facility offer to rehabilitate Jake; recognizing them from his visions as monsters wearing human skin, Jake flees from them, and they give chase. Jake finds an abandoned house from one of his visions where he discovers a high-tech portal that leads to a post-apocalyptic landscape called Mid-World.\nIn Mid-World, Jake encounters the Gunslinger, Roland Deschain (Idris Elba), who has emerged in his visions. Roland is pursuing Walter Padick (Matthew McConaughey) who has also appeared in Jake's dreams, seeking to kill him as revenge for the murder of his father, Steven, and all remaining Gunslingers. He explains to Jake that for decades, Walter has been abducting children with psychic powers, attempting to use their \"shine\" to bring down the Dark Tower, a fabled structure located at the center of the Universe. This will allow monstrous beings from the darkness outside to invade and destroy reality.\nRoland takes Jake to a local village in order to have his visions interpreted by a seer. Having learned of Jake's escape, Walter investigates and discovers from his minion Sayre that Jake has \"pure Shine\", enough psychic potential to destroy the Dark Tower single-handedly. Walter kills Jake's stepfather; then he interrogates his mother about her son's visions.\nBack in Mid-World, the seer determines that the machine is six months away on foot and portal access is restricted to Walter's bases. Jake realizes that Walter has a base in New York that they can use to reach the machine. Suddenly, the Taheen, Walter's minions, attack the village – but Roland kills many of them. Roland and Jake return to Earth where Roland's injuries are treated at a hospital. Jake learns the location of Walter's base from a homeless man who helped him earlier. When Jake returns home to check in on his mother, he finds her charred remains and breaks down in tears. Seeing this, Roland vows to avenge her death. This leads to him teaching Jake the basics of gun fighting, as well as the Gunslinger's Creed, which he hasn't uttered since his own father's death.\nAs Roland replenishes his weapons supply at a gun store, he is attacked by Walter, who captures Jake and takes him through a portal at his base to a machine that will destroy the Dark Tower with Jake's powers. Jake uses these psychic powers to alert Roland to the portal code he needs and Roland battles his way through Walter's henchmen, reopening the portal, which Jake forces to stay open. Walter is forced to return to New York to fight Roland and wounds him. When Jake reminds him of the Gunslinger's Creed, Roland recovers and kills Walter with a trick shot after a brief fight. Finally he destroys the machine and saves the Dark Tower, Jake, and the other children.\nAs the film ends, Roland prepares to return to his own world and offers Jake a place by his side as his companion. Jake accepts the offer and the two head back to Mid-World together.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [Movie] kids in house - house in space.\n(BTW I'm a little high while posting, sorry if I'm a little incoherent) A film where kids may be playing a board game, movie maybe about 10 years old? Earlier movie? Board game takes them to certain locations one of which is space and the kids chill in space for a while with running water and stuff. Might not board game but I remember them being in a house in space with running water",
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"content": "Zathura: A Space Adventure.\nWalter and Danny Budwing are two brothers who do not get along with each other or with their teenage sister, Lisa. While their divorced father is away at work and Lisa, whom he left in charge, is napping, Danny discovers an old space-themed board game called Zathura in the basement. When he starts playing, the game produces a card that summons a meteor shower inside the living room. Walter and Danny realize playing the game affects reality.\nThe boys discover the house is floating in space. Lisa thinks she has overslept and it is evening and prepares to go out. The next card puts her in cryonic sleep for the next five turns of the game, leaving her frozen solid. Walter concludes they must win the game to return everything to normal. As they continue to play, Walter and Danny overcome the dangers presented by the game cards, including the appearance of a defective robot, passing too close to a star, and an attack on the house by a race of reptilian aliens called Zorgons. One of Danny's turns produces an astronaut, who methodically eliminates the house's heat sources, as Zorgons are attracted to heat. He tells Walter to blow out the pilot light on the furnace, but Walter does not blow it out, out of fear of getting attacked by the robot. The astronaut lures the Zorgons' ship away by ejecting the boys' father's couch after setting it on fire.\nWalter demands the astronaut to leave, but Danny chooses to let him stay. Growing increasingly agitated, Walter accuses Danny of cheating by supposedly moving his piece prematurely; when Walter tries to move the piece back and takes his next turn, the game reacts as if Walter was cheating and ejects him from the house, but the astronaut rescues him. On Walter's next turn, he receives a card that brings a shooting star that allows him to make a wish resulting in another falling out between the boys. Fearing the worst, the astronaut is relieved to discover that Walter wished merely for an autographed football. He explains his origins, saying that he and his brother had played the game fifteen years before. He received the shooting star card that allowed him to make a wish, but after an escalating fight, he wished his brother was never born. This resulted in him being trapped, as he was unable to finish the game without the second player.\nLisa awakens from her stasis and, still oblivious to the situation, turns up the heat. The Zorgons return and anchor their ships to the house. Lisa finally discovers their predicament, and the four hide, but realize that they left the game behind. Danny finds the game aboard one of the Zorgon ships, but is spotted. Walter uses a \"Reprogram\" card he drew earlier to fix the robot, who attacks the Zorgons instead, causing them to retreat.\nWalter receives another wish card; he uses it to bring back the astronaut's brother in gratitude of his help and support, causing a double of Danny to appear. The astronaut reveals he is actually an older version of Walter from an alternate universe, and commends his younger self for making a better choice than he did in his timeline, and the astronaut and the alternate Danny merge with their counterparts as the future changes.\nA fleet of Zorgons return to attack the house. When Danny makes the winning move, it is revealed that Zathura is a black hole, which proceeds to suck up the Zorgons' fleet and the house. The siblings reawaken in the house as it was before the brothers started the game, just as their father arrives home. Their bond renewed, they promise to each other and to Lisa to not tell anyone about the game and their adventure. After they leave with their mother, Walter's bicycle, which had been orbiting their house, falls from the sky.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [SHOW] [2016~2020] a teen/comedy show that's set in the early 2000's about 2 teen girls, one Asian and one white.\nSo it's this relatively new show (probably not older than 3 years) which is set in the early 2000's, it follows these two I think 14 or 15 year old girls. One of the girls is Asian and the other is white and they're best friends. I distinctly remember thinking the actrice playing the white teen looked much older, I think I even looked her up and turns out she's like 30. The show itself is full of y2k-ness, the hairclips, the glitter pens, big jeans, etc.\n\nI saw a gifset of it on tumblr a while back and I KNOW I reblogged it but I've looked as far back as august and it's nowhere to be found, my IMDB history has been cleared, and I can't even start looking through my youtube history.",
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"content": "PEN15.\nThe comedic story of middle school seen through the eyes of two 7th grade girls dealing with the awkwardness of being a teenager.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE/SHOW] Horror movie about ghosts..\nI've probably seen the movie in 2005-ish. \nHere's what I remember;\n\nMost of it played at a big house with a big garden. There were 3 or 4 ghosts in human form who lived at this house. One was a female, i believe the others were her brothers. They all looked about 25-35 years old. Another guy (the main character) comes to this house, (I don't remember why), and falls in love with the woman. In one of the last scenes they dance together, and she starts spinning around faster and faster while holding him, spinning him to death. I believe there was a french song playing along this scene with an accordion in the background. \n\n\nOther details; I remember the main dude stepping outside and there was an empty rocking chair that was rocking back and forth but no one was sitting on it. I also vaguely remember a scene where a train is leaving, but i could mix that one up with another movie. \n\n\nThat's all I remember, thanks in advance!",
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"content": "Haunted (1995 film).\nIn 1928 England, David Ash (Aidan Quinn), an American professor, has spent a majority of his life working in the field of parapsychology to disprove the existence of ghosts. He was motivated by the untimely death of his twin sister, Juliet, for which he blames himself. As a professor at Oxford, he receives a series of urgent entreaties from a Ms. Webb, who claims she is being tormented by ghosts, to come and help her. David travels to Sussex, where he is picked up at the railway station by the beautiful Christina Mariell (Kate Beckinsale). Christina explains that Ms. Webb is in fact their Nanny Tess (Anna Massey), and that she wrote to David at the urging of the Mariell siblings, Christina, Robert and Simon. The siblings are concerned for her mental health and believe her belief in ghosts is due to her senility. She drives David to the palatial Edbrook House, where he meets Christina's two brothers and the withdrawn Nanny Tess.\nDavid begins to perform forensic examinations of the house, trying to detect evidence of paranormal activity. Complicating the investigation is Christina's continuous flirtation with David, and his own infatuation with her. However, older brother Robert (Anthony Andrews) is adamantly against their friendship and the two have a suspiciously close relationship. David himself begins having paranormal experiences. Christina, who had originally told David both her parents died in India, admits that in fact her mother drowned herself in the lake and Nanny Tess was the one who discovered the body. David postulates that it is the trauma of this which is causing Nanny Tess to see the ghost of Mrs. Mariell.\nWhen David decides to finally leave Edbrook, he asks Christina to come away with him. Although she refuses, they engage in a passionate kiss and end up in making love in her bed. In the morning when David wakes, the wind is gusting through the house, which is now cloaked in black drapes and littered with fallen leaves. He searches for Christina but instead sees the ghost of his twin sister Juliet, who leads David to a cemetery. Juliet calls his attention to a specific tombstone which states that Robert, Christina and Simon Mariell all died in a fire at Edbrook House in 1923.\nA very confused David seeks out Dr. Doyle (John Gielgud), the family doctor, only to be told by his sister's ghost that Doyle also had died many years ago. Despite his sister's warning, David leaves with Christina, who has appeared in her car. On the drive home, he sees the vision of his sister in the middle of the road and wrenches the wheel to avoid her. The car crashes into a tree and explodes, killing Christina. David escapes, returns to the house, and confronts Nanny Tess. She confirms that the Mariell siblings are indeed dead and that their ghosts will do anything to keep Nanny Tess and David from leaving. Nanny Tess also reveals that the reason Mrs. Mariell drowned herself was because she discovered drunken Simon and Robert in their parent's bed having incestuous sex with Christina. The siblings appear and force Nanny Tess to confess to their murder (she had locked the siblings in a bedroom and then set fire to the house).\nRobert reveals that, with David as the new victim of their torments, they no longer need Nanny Tess. They kill Nanny Tess, and Christina asks David to die for them. He tries to escape, but is blocked by the three siblings and Dr. Doyle. They set the mansion ablaze, but he escapes to the upstairs bedroom. While Robert, Simon and Christina cackle mockingly within the flames at his imminent death, Juliet suddenly appears and walks through the flames, takes David by the hand and rescues him from the inferno. As they walk away from the mansion's ruins, Juliet absolves him of his guilt over her death and departs to the afterlife.\nAfter the harrowing experience, David returns home and is greeted by his assistant, Kate, as he steps off the train. A few steps behind the unsuspecting couple, Christina steps out of the shadows and follows them through the fog as they leave the platform.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE][~1980s]Creepy movie featuring the song The Farmer in the Del.\nUnfortunately, I remember almost nothing about this movie. I watched it as a kid around 1985. It probably was not anything gory - possibly a psychological thriller-type or maybe my kid brain misinterpreted. What I recall of it is that it felt creepy and The Farmer in the Del was repeated frequently throughout.",
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"content": "I Am the Cheese (film).\nIn this adaptation of Robert Cormier's novel, 18-year-old Adam Farmer (Robert MacNaughton) seeks to unearth the many secrets locked in his subconscious.\nAdam's journey through his mind is paralleled with a bike trip to Rutterburg, Vermont, with a package for his father.\nAs he travels through several small towns, he starts to remember past events from his life.\nAdam's trip is prompted by a call from his girlfriend, Amy (Cynthia Nixon), who says her father met a reporter from Adam's alleged hometown of Rawlings, Pennsylvania, and the reporter had never heard of anyone named Farmer living there.\nSuspicious, Adam begins spying on his parents and finds two birth certificates with his name on them, but with different birthdates - February 14 (Valentine's Day) and July 14 (Bastille Day).\nAdam confronts his father, who admits some shocking truths.\nAdam's real name is Paul Delmonte and the family was forced to relocate in a Witness Protection-type program after his father testified in state and federal trials against corrupt government officials.\nIn reality, Adam is not biking to Vermont; he is riding in circles around the psychiatric facility where he has been held for the past three years, and the people he meets along the way are patients and workers at the facility.\nHis \"journey\" is a quest to discover the whereabouts of his parents, who mysteriously disappeared (in truth, they were \"terminated\" by the adversaries they sought to elude).\nThe memories Adam recounts are documented in \"psychiatric sessions,\" which are, in fact, interviews to determine whether or not he knows more about his father's involvement with the government than he's telling.\nAdam's final interview ends with two possible outcomes, neither of which bode well for the boy: \"Terminating\" him or continuing to question him until he dies.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [Show] Canadian show similar to Black Mirror.\nI only remember a few points about different episodes. It was an anthology style show where each episode was either completely unrelated or extremely loosely tied to other episodes. The entirety of the show took place in Toronto.\n\nThe first episode featured a girl on the subway with big headphones who didn’t realise there was a mass murder happening around her because her music was too loud.\n\nAnother episode centred around a man who committed suicide by hanging himself, and a woman who lived across from his building masturbating because she mistakes his head through the curtains for a voyeur.\n\nThere was another episode that took place primarily in a laundromat, though I remember that one very little. I think a young couple killed a guy.\n\nThere was also one that had to do with a bicycle locker and something being left behind in it.",
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"content": "Darknet (TV series).\nA macabre web site called _Darknet_ (qv) links the tales in this chilling anthology series whose protagonists face a range of unnamable horrors.::Rachel Eckols",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [Movie] [2013 -2017] European movie, don't remember the language but it was not English, probably Dutch. A man hires a company to get killed.\nIn the first scene you can the mom of the principal character while he dies, she first fakes her dead to see if he would cry as he seems to have no emotions.\n\nAfter her dead he tries to kill himself hanging from a tree and by inhaling Co2 from his car.\n\nThen he founds out about a company that kills you and hires them, while he picks up his casket he mets a girl.\n\nHe starts going out with the girl which later on results to be his assassin.\n\nThe family of the girl wants to complete the job and tries to kill him, while she helps him hide cause they are in love.",
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"content": "The Surprise (film).\nAfter signing an agreement with a company that offers to end their lives when they least expect it, a dejected millionaire and a disheartened young woman fall in love and must find a way to get out of their binding contracts.\n\nAn eccentric multimillionaire signs an agreement to have his life ended. While selecting his coffin he meets a young woman who has signed up for the same arrangement. Trouble ensues when the couple fall in love and wish to get out of the contract.::N279 Entertainment\n\nMultimillionaire Jacob is seen with his dying mother, asking him whether he feels any emotion. He doesn't. Later it is revealed he changed into this state at age four, when his father disappeared. He sees no future. At his mother's funeral a pushy lawyer wants him to confirm he will sell the estate, which he does. He then tries to end it all in various ways but never succeeds. At one of his attempts he picks up the address of a mysterious organization that helps people end their lives. After he has paid them for a surprise ending, he meets a sweet, shy girl in the room where the caskets are displayed, and she also says she wants to end her loveless life. They fall in love, but find out there is no postponing the trip to a better world. After they escape various attempts at their lives, the plot really starts rolling (contrary to the short story by Dutch writer H.J. Schönfeld (Belcampo) on which the film is based). Many unexpected things happen and masterful plot twists will keep you glued to your seat for the next half-hour. Superb direction, superb acting by Dutch, Belgian, and Indian(!) actors, superb scene settings, superb camera-work, superb scenario.::Victor de la Vieter\n\nDirector Mike van Diem is back with his new movie after 18 years. A mother expecting her death, an emotionless son, the movie begins like this. After his mother's death, the hero tries several methods to commit suicide, all in vain. In search of death, he encounters some Indian people who are running a business to help to commit suicide. He meets the heroine there, who is looking for the same. Her company brings radical changes in his emotions; he laughs, become angry, and starts to feel hope. Now he needs to get rid of the killers, or at least delay them. The plot is similar to the Malayalam movie \"Kaakkakkum Poochakkum Kallyaanam\". The amazing treatment, along with the smaller and bigger \"Surprises\", make this film a uniquely different experience. There are similarities to the director's previous movie \"Karakter\": the absence of love--or in this case, he has a glass barrier between him and the real world. The hero grows up without the presence of his father is also a common factor. Beautiful visuals, production design, and the actors are the great highlights of the movie.::Sameir Ali",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][TV show] I can’t remember if I finished this tv series or not, please help!.\nI’m pretty sure it’s a tv show I’m looking for but I can’t quite remember.\nParts I do remember are Guy 1 got punched in the face by Guy 2 over a misunderstanding at a gas station. Then Guy 1 ends up crossing paths with Guy 2 and helps him out. Then later, Guy 2 ends up going to a small town and helps out with a Church and falls for a woman but has to leave her for some reason. I can’t remember if he comes back or not, and Guy 2 may have won the lottery at some point.",
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"content": "Touch (American TV series).\nTouch centers on former reporter Martin Bohm (Kiefer Sutherland) and his 11-year-old son, Jake (David Mazouz), who has been diagnosed as autistic. Martin's wife died in the World Trade Center during the September 11 attacks, and he has been struggling to raise Jake since then, moving from job to job while tending to Jake's special needs. Jake has never spoken a word, but is fascinated by numbers and patterns relating to numbers, spending much of his days writing them down in notebooks or his touch-screen tablet and sometimes using objects (for instance popcorn kernels).",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][Movie][Pre-1930] A Princess Bride-esque silent film..\nThere was a film I saw on Turner Classic Movies one Sunday night four and a half years ago. It was silent, black and white film.\n\nI’m afraid it’s a little obscure.\n\nIt reminded me so much of the Princess Bride, with its setting and its grounded, fairytale silliness.\n\nThere was a romance plot with:\n- a suave man\n- a princess, who loves the suave guy\n- a goofy guy (around the same age as the suave man) who wants to earn the love of the princess.\n\nThe goofy guy even challenges the suave man to a swordfight. The princess is quite scared as they fight, but the suave dude winds up winning with ease.\n\nThere was a scene where the suave guy and the princess share a boat ride together, it’s very pleasant.\n\nThe soundtrack was very light and gentle. In fact, that’s an apt description of the film in general: “light and gentle.”",
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"content": "Bardelys the Magnificent.\nThe film is set in the reign of King Louis XIII.\nWhen Châtellerault fails to win the heart of the icy Roxalanne de Lavedan, he wagers his entire estate against that of Bardelys that Bardelys can't either.\nOn the way to the Lavedan estate, Bardelys stumbles upon a wounded and dying man, Lesperon, who asks Bardelys to say farewell to his beloved but dies before telling him her name.\nBardelys takes his papers and assumes his identity, only to find that Lesperon is a traitor to the king.\nBardelys, as Lesperon, encounters the king's soldiers who are hunting Lesperon, fights them, and escapes, badly wounded, to the castle of Lavedan.\nRoxalanne hides him from the king's soldiers and tends to his wounds.\nShe nurses him to health and pledges her love, but when the guilt-ridden Bardelys refuses to marry her, and in the belief that he is betrothed to another lady, she angrily turns him over to the king's men.\nBardelys, still believed to be Lesperon, is brought to trial for treason—where Châtellerault is the judge.\nChâtellerault refuses to admit his identity and condemns him to death.\nRoxalanne finds Bardelys in prison, confesses her love, and agrees to marry Châtellerault in a desperate effort to save Bardelys' life.\nBardelys escapes from the gallows just as the King arrives to confirm his identity.\nChâtellerault commits suicide rather than be executed by Louis' men.\nRoxalanne learns of the wager and, mortally insulted, refuses to believe Bardelys when he protests his love.\nHe offers to save the life of her father, who is indicted for treason, if she agrees to marry him.\nShe agrees.\nHe fulfills his part of the bargain but tells her he will not require her promise of her.\nShe confesses her love and begs him not to leave.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE][2019/2020?] Movie where guy is killed and wakes up in another friend’s body then tries to protect the group from the murderer..\nThe main character is a black dude and the guy who kills him is the boyfriend of a girl whom the main character has feelings for. Maybe they cheated together? Can’t remember. \n\nThe movie features a flashback scene where the guy and his younger sister are fighting over a camera and she dies. A photo of the lake underneath is relevant.\n\nBiggest spoiler- he actually is his dead sister and her soul is the one jumping from body to body once the new person is killed.",
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"content": "Every Time I Die (film).\nWhen Sam is murdered in a remote lake, his consciousness begins to travel through the bodies of his friends in an effort to protect them from his killer. This dark passage leads him on a greater journey - discovering his own true identity.::Gal Katzir",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE][21ST CENTURY] Horror movie.\nSo it was a horror movie i saw when i was young so i can remember very little. it takes place in some building that it think was made of glass and the protagonist where trapped in it. one scene there whas this spining thing which would cut you up and a guy with a cane that i think ended up being the bad guy but getting killed by the spinny thing",
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"content": "Thirteen Ghosts.\nGhost hunter Cyrus Kriticos (F.\nMurray Abraham) and his psychic assistant Dennis Rafkin (Matthew Lillard) lead a team on a mission to capture a spirit called the Juggernaut (John deSantis).\nSeveral men are killed, apparently including Cyrus.\nHowever, the team is able to catch the ghost.\nCyrus's nephew Arthur (Tony Shalhoub), a widower, is informed by Cyrus's estate lawyer, Ben Moss (J.\nBourne), that he has inherited Cyrus' mansion.\nFinancially insecure, Arthur decides to move there with his two children, Kathy (Shannon Elizabeth) and Bobby (Alec Roberts) and their nanny Maggie (Rah Digga).\nPosing as a power company inspector, Dennis meets the family and Moss as they tour the mansion.\nThe residence is made entirely of glass sheets inscribed with Latin phrases, which Dennis recognizes as barrier spells.\nWhile searching the basement, Dennis is hit by psychic flashes and discovers the twelve angry ghosts he and Cyrus captured are imprisoned in the house, held captive by the spells.\nAs Dennis warns Arthur, Moss slips downstairs and picks up a valise of cash, unwittingly triggering a mechanism that seals the house and releases the ghosts one by one.\nHe dies when a set of sliding doors snaps shut, cutting him in half.\nBobby slips away from Kathy and Maggie and enters the basement, where he sees several of the ghosts, particularly that of the Withered Lover - his mother Jean, who had died of injuries sustained in a house fire.\nHe is knocked unconscious and dragged away.\nUsing a pair of spectral glasses that allow the wearer to see into the supernatural realm, Dennis convinces Maggie that the ghosts are real.\nDennis discovers that the Jackal, one of the most dangerous of the twelve ghosts, has been released and that the family is now in grave danger.\nThe Jackal attacks Kathy when she and Arthur enter the basement in search of Bobby, but they are saved by Kalina Oretzia (Embeth Davidtz), a spirit liberator who is attempting to free the ghosts.\nKathy disappears soon afterward, and the four adults gather in the library, where Arthur learns that Jean's ghost is trapped in the house.\nKalina explains that the house is a machine, powered by the captive ghosts, that can allow its user to see the past, present, and future.\nThe only way to shut it down, she says, is through the creation of a thirteenth ghost from a sacrifice of pure love.\nArthur realizes that he must become that ghost by dying to save his children.\nArmed with a pane of the special glass, Arthur and Dennis enter the basement to find the children.\nDennis barricades Arthur into a corner behind the glass, protecting Arthur but allowing two ghosts, the Hammer and the Juggernaut, to beat Dennis to death.\nIt is then revealed that Cyrus faked his death to lure Arthur to the house; Kalina is his secret partner.\nCyrus has orchestrated the abduction of Kathy and Bobby so that Arthur will become the thirteenth ghost, which will not stop the machine as Kalina had claimed, but trigger its activation.\nCyrus kills Kalina and summons the ghosts to activate the machine.\nArthur arrives at the main hall and witnesses all twelve ghosts orbiting a clockwork device of rotating metal rings, with his children at the center.\nDiscovering Cyrus' true fate, Arthur fights Cyrus while Maggie disrupts the machine's controls.\nThe ghosts hurl Cyrus into the rings, slicing him to pieces.\nWith the encouragement of Dennis' ghost, Arthur jumps into the machine, avoiding the rings and saving his children.\nThe walls of the house shatter as the malfunctioning machine rips itself apart, freeing the ghosts.\nDennis smiles at Arthur and departs, and Jean's ghost appears before the family and tells them that she loves them before she and all the other ghosts disappear.\nAs the family leaves the house, Maggie exclaims that she is quitting.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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{
"content": "[TOMT][Movie][1990s/early 2000s set in Memphis].\nThe movie had the stories of two or three different sets of characters. The stories happened concurrently, all in Memphis (I think) but were shown one after the other. One of the stories was about an Asian couple on honeymoon. At some point in each story, there was some interaction with one of the other stories.",
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"content": "Mystery Train (film).\nThe film consists of three stories that take place on the same night in downtown Memphis. The three stories are linked together by the Arcade Hotel, a run-down flophouse presided over by a night clerk and a bellboy, where the principal characters in each story spend a part of the night. Every room in the hotel lacks a television (as is noted in each story) but is adorned with a portrait of Elvis Presley.\nThe first story, \"Far from Yokohama\", features Mitsuko and Jun, a teenage couple from Yokohama making a pilgrimage to Memphis during a trip across America. Mitsuko is obsessed with Elvis, and has put together a scrapbook detailing her belief that the singer has a mystical connection to other cultural figures ranging from Madonna to the Buddha to the Statue of Liberty. The story follows the couple as they travel from the train station, through downtown Memphis and a tour of Sun Records, to the Arcade hotel, before they eventually depart to board the train again.\nThe second story, \"A Ghost\", is about an Italian widow, Luisa, who is stranded in Memphis while escorting her husband's coffin back to Italy. Luisa shares a room at the hotel with Dee Dee, a young woman who has just left her British boyfriend (Johnny from the final story) and plans to leave the city in the morning. Luisa is kept awake by Dee Dee's constant talking. After Dee Dee finally goes to sleep, Luisa is visited by an apparition of Elvis Presley.\nThe final story, \"Lost in Space\", introduces Johnny. Upset after losing his job and his girlfriend, Johnny – called Elvis, much to his chagrin – drunkenly brandishes a gun in a bar before leaving with his friend Will Robinson and his ex-girlfriend's brother, Charlie, who believes Johnny to be his brother-in-law. They stop at a liquor store, which Johnny robs, shooting its clerk in the process. Fearing the consequences, Johnny, Will and Charlie retire to the hotel to hide out for the night; there, they all become increasingly intoxicated. Charlie realizes that Will shares the same name as the character Will Robinson from the television show Lost in Space, which Johnny has never heard of. Charlie and Johnny proceed to tell him about the show, and Will comments that the title describes how he feels then with Charlie and Johnny: lost in space. The next morning, Charlie discovers that Johnny isn't really his brother-in-law, which angers him because of what they've been through. Johnny attempts to shoot himself, and while struggling to prevent him, Charlie is accidentally shot in the leg. Leaving the hotel, the three rush to escape a police car that isn't even looking for them. The closing credits show the train, the airport and final views of the characters from the first two stories.",
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{
"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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{
"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][SHOW][Comedy] Episode of Comedy TV show where a main female character's old roommates shows up and they completely change their way of speaking and acting back to when they were younger..\nI remember a scene like this from a tv show so vividly but I can't remember what show or episode it is. I keep thinking it's the office or parks and rec, but trying to look this up on google isn't working. I can also remember someone besides the main female character having a conversation with them, and the roommate also acted professional and completely unlike how they acted together.\n\nI need to find this because in one of my classes we're learning about \"code-switching\" and I wanted to use this as a dramatized example.",
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"content": "Sandcastles in the Sand.\nThe episode begins with a montage of Robin from her time as Canadian bubblegum pop star Robin Sparkles. At MacLaren's, Robin announces that her former boyfriend, Simon (James Van Der Beek), will be meeting her there later. Robin describes their break-up: after she loaded his band's equipment into their van after a performance, he dumped her. \nThe group agrees that every time exes reunite, there is a clear winner and a clear loser. They begin to tally the points for Robin and Simon, awarding Robin five and Simon zero. Robin agrees she will be the clear winner, unless Simon got more attractive. Simon arrives and it is clear he has not: he is balding, overweight, and unfashionable. Despite this, Robin is clearly still smitten with him.\nAfter the reunion, the group retires to Marshall and Ted's apartment. They criticize Simon's personality and how Robin handled the meeting. The group learns that Robin and Simon met after he starred in the music video for her second single, \"Sandcastles in the Sand,” which the group was previously unaware of. Barney immediately leaves, claiming he will not sleep until he finds the video.\nWhen Robin attempts to defend herself, the group discusses how being around someone from your past can cause you to revert to the person you were when you knew them, a phenomenon Marshall dubs \"revertigo.” Marshall and Ted tell Robin that Lily suffers from this; as proof, they invite Lily's high school friend Michelle to hang out with them. \nAt MacLaren's the next day, Robin tells the group that Simon came to her apartment the night before to reconcile, which she accepted, to the group's dismay. Michelle arrives, and she and Lily begin speaking like excitable teenagers. Michelle, a Ph.D. student in behavioral psychology, identifies this phenomenon as \"associative regression.” \nMirroring their original break-up, Simon once again has Robin assist him with loading his van, then dumps her. The group attempts to console her, but fails. Robin drinks alone at MacLaren's until Barney arrives, complaining that he has yet to find a copy of her video. Realizing what Robin is upset about, Barney consoles her. She invites him to watch the music video at her place. They watch the video over and over, making fun of it, and eventually begin kissing on the couch.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE][SPACE TERROR] Movie about an alien that eats things like water/fuel aside from people.\nMy father was watching this movie a few months ago but I ended up watching only the last part of the movie.\n\n​\n\nI believe that in the beginning the space crew find the creature in a harmless state but they end up waking it and it ends up killing everyone in the ship aside from the last two\n\n​\n\n\\>!In the ending the two last survivors try to escape a spaceship but one of them tries to take the creature with him towards unknown space and the other one tries to go back to earth but they change places!<",
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"content": "Life.\nA team of scientists aboard the International Space Station discover a rapidly evolving life form that caused extinction on Mars and now threatens all life on Earth.::Sony Pictures\n\nSix astronauts aboard the space station study a sample collected from Mars that could provide evidence for extraterrestrial life on the Red Planet. The crew determines that the sample contains a large, single-celled organism - the first example of life beyond Earth. But..things aren't always what they seem. As the crew begins to conduct research, and their methods end up having unintended consequences, the life form proves more intelligent than anyone ever expected.::ElDiomedes\n\n_Life_ (qv) tells the story of the six-member crew of the International Space Station that is on the cutting edge of one of the most important discoveries in human history: the first evidence of extraterrestrial life on Mars. As the crew begins to conduct research, their methods end up having unintended consequences and the life form proves more intelligent than anyone ever expected.::Sony Pictures\n\nA crew aboard the International Space Station (ISS) performs a successful capture of a space probe returning from Mars with a sample inside. The crew is tasked with studying the sample, which may be the first proof of extraterrestrial life. However, the study eventually backfires as the organism gains intelligence. Trapped aboard the ISS with the rapidly-growing organism, the crew must find out how to kill it before it manages to escape and decimate Earth.::purplelammashta\n\nIn near future, a group of international scientists was sent from Earth to explore unknown Mars at International Space Station (ISS). They got a soil sample from Mars which contained a sleeping cell. After a series of attempts they woke up such cell and it was growing bigger day by day. During an experiment the living thing attacked scientists and escaped from the highly sealed laboratory through an internal air vent. Those horrified scientists, on the one side they needed to protect themselves from being killed by this deadliest creature, on the other side they needed to terminate it before it was too late. However, this smart alien would do anything to survive.::Hongkonger\n\nIn the near future, the unmanned Pilgrim 7 space probe returns from Mars to Earth orbit with soil samples potentially containing evidence of extraterrestrial life. The probe is captured and its samples retrieved by the International Space Station and its six-member crew. Exobiologist Hugh Derry, who is paralyzed from the waist down, revives a dormant cell from the sample, which quickly grows into a multi-celled organism that American school children name \"Calvin\". Hugh realizes that Calvin's cells can change their specialization, acting as muscle, sensor, and neuron cells all at once..",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][Movie][Japanese][Drama] Super depressing movie about a woman's life where she is abused, shunnged by her family, and in the gets killed for no reason. Movie looked like late 90s or first decade of 2000s..\nI don't even want to watch this movie right now but it affected me enough that I want it in my collection so I figured I'll try and find it. I saw it once on TV probably on Film 4 (UK channel). It has that feel of late night Film 4 programming. \n\nIt's a tale of woman's life who had been shunned by her family in her teens and since leaving home she repeat the cycle of abusive relationships. As well as regular physical violence from her partner, she is also forced in to sex work by him and I think he might be low level yakuza type character. She lives in cheap Japanese apartment like [this one](https://thetokyofilesmedia.wordpress.com/2016/04/03/kamata-and-the-apaato-vs-mansion-puzzle/#jp-carousel-1810). \n\nIt chronicles her life until her death which is end of the movie at which point she is an elderly woman, living by herself in squalor in the apartment, looking dishelved and unkept like homeless person, and she just randomly gets killed by group of youth in the evening while she is out for walk minding her own business. Possibly by baseball bat. \n\nI remember it being super depressing making Requiem for a Dream feel like Hallmark movie. \n\nThanks in advance guys. I'll check back in few hours.",
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"content": "Memories of Matsuko.\nWhen Matsuko dies of murder, her nephew Sho gets to progressively unveil many details of her mysterious past, discovering she wasn't only a forgotten outcast but led a very interesting yet bizarre life.::David R.F.\n\nShou's father Norio finds his son in a rather meaningless existence in Tokyo dominated by alcohol and porn videos. Having left home two years earlier to pursue life as a musician, Shou has left his band and his girlfriend has left him. His father asks a favor, that Shou clean out the apartment of his aunt Matsuko, who he says led a meaningless life until her murder at the age of 53. The apartment is filled with garbage bags and is even more unkempt than his apartment has become, and he becomes intrigued with his aunt as details of her life are supplied by a tattooed neighbor and others. Her feelings of neglect by her father Tsunehiro, who favored her chronically ill younger sister, Kumi, translated into becoming a dutiful junior high school teacher devoted to her students until being forced to resign after being blamed for the theft of some money by one of them. Leaving her family due to the disgrace, she had a series of affairs with lovers who physically abused her and did a stint as a massage parlor girl due to her beauty. After her pimp lover dumped her and gave her share of earnings to his new lover, they argued and after killing him she left by train and contemplated suicide. Dissuaded by a lonely barber, she happily set out to build a quiet life with him until the police came to charge her with murder. Upon her release from prison she silently slipped away after finding that the barber had started a new family. Becoming a \"Yakusa Girl\" she rationalized that it was better to be on the run with a mobster than be alone. However, her mobster lover rejected her after being released from a term in prison and she became an eccentric recluse. Shou concludes that his aunt fulfilled his ex-girlfriend's parting comment about it being better to give to others rather than expecting to receive.::Brian Greenhalgh",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][Movie] Robocop type movie where the leader of the criminal gang is a fairly young child. 1980's early 1990s..\nI could have sworn it was a Robocop sequel, but apparently I'm wrong.\n\nThere is a criminal gang and the leader is basically a young teenage boy. Set in some sort of dystopian city that has collapsed under crime.",
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"content": "RoboCop 2.\nAfter the success of the RoboCop program, Omni Consumer Products (OCP) has a new scheme to have Detroit completely under their control.\nThey plan to have the city default on its debt, then foreclose on the entire city, taking over its government.\nThey will then replace the old neighborhoods with Delta City, a new planned city center independent of the United States government.\nTo rally public opinion behind urban redevelopment and Delta City construction, OCP sparks an increase in street crime.\nAs Detroit Police Department is owned by OCP, they terminate police pension plans and cut salaries, triggering a police strike.\nRoboCop, due to his directives, is unable to strike and remains on duty with his partner, Anne Lewis.\nThe two raid a manufacturing plant of Nuke, a new designer drug that has been plaguing the streets of Detroit.\nRoboCop kills all the criminals, except for a young criminal named Hob, who shoots him and escapes.\nMeanwhile, OCP struggles to develop \"RoboCop 2\", which is expected to be mass-produced and completely replace police officers.\nTo their frustration, all the newly resurrected officers immediately commit suicide.\ndr Juliette Faxx, an unscrupulous psychologist, concludes that Alex Murphy's strong sense of duty and his moral objection to suicide due to his Roman Catholic religion were the reasons behind his ability to adapt to his resurrection as RoboCop.\nFaxx convinces the Old Man to let her control the project, this time using a criminal with a desire for power and immortality.\nDespite other executives' objection, Faxx is allowed to proceed.\nNuke's distributor, the power-hungry Cain, feels threatened by the Delta City plan.\nHe fears that he will lose his market if the city is redeveloped into a capitalistic utopia.\nHe is assisted by his girlfriend Angie, his apprentice Hob, and Duffy, a corrupt police officer and Nuke addict.\nRoboCop tracks down Duffy and beats Cain's location out of him.\nHe confronts Cain's gang at an abandoned construction site, but is overwhelmed.\nThe criminals cut apart his body and dump the pieces in front of his precinct.\nCain has Duffy tortured to death for revealing their location, and forces Hob to watch.\nRoboCop is repaired, but Faxx reprograms him with over 300 new directives, severely impeding his ability to perform his duties.\nOne of his original technicians suggests that a massive electrical charge might reboot his system.\nRoboCop shocks himself with a high voltage transformer.\nThe charge erases all of his directives, including the original ones, allowing him to be in complete control.\nMurphy motivates the officers to aid him in raiding Cain's hideout.\nAs Cain tries to escape, RoboCop intercepts and heavily wounds him.\nHob escapes and takes control of Cain's drug empire.\nBelieving she can control him with Nuke, Faxx selects Cain for the RoboCop 2 project, and puts his brain in a towering and heavily armed body.\nHob arranges a meeting with the Detroit mayor, saying that the mayor needs to institute a \"hands off\" policy towards Nuke.\nIn exchange, Hob presents the mayor with a truckload of cash and gold in order to retire the city's debt to OCP, which would nullify the Delta City project.\nThreatened by this move, OCP sends RoboCop 2/Cain to the meeting to kill Hob.\nCain slaughters everyone in sight, except for the mayor who manages to escape.\nHe kills Angie and fatally wounds Hob.\nAs RoboCop arrives, Hob identifies the attacker and dies.\nDuring the unveiling ceremony for Delta City and RoboCop 2, the Old Man presents a canister of Nuke as a symbol of the current crime wave.\nSeeing Nuke, Cain goes berserk and attacks the crowd.\nRoboCop arrives and fights Cain.\nThe two battle throughout the building, and the fight eventually extends to the street.\nThe police force arrives and engages Cain, who opens fire at officers and civilians alike.\nRoboCop recovers the Nuke canister and has Lewis give it to Cain, who stops fighting to administer the drug to himself.\nAs Cain feels the drug's effect, RoboCop leaps onto his back, shoots through his armor and rips out his brain.\nHe crushes the brain, ending Cain's rampage.\nThe Old Man decides to scapegoat Faxx to escape blame, and leaves.\nAs Lewis complains that OCP is escaping accountability again, RoboCop insists they must be patient because \"We're only human\".",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT] [MOVIE] A black and white movie where a spaceship lands into this woman's home which turns out to be humans in the end.\nThe woman is working in the kitchen I think. In the end, it is revealed that she is a giant and the spacemen are actually humans.",
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"content": "The Invaders (The Twilight Zone).\nAn impoverished, aging woman (Agnes Moorehead) lives alone in a rustic cabin.\nShe is dressed shabbily, and there are no modern conveniences in evidence.\nAfter hearing a strange noise above her kitchen roof, she is accosted by small intruders that come from a miniature flying saucer that has landed on her rooftop.\nTwo tiny figures about six inches high, which may be robots or beings wearing pressure suits, emerge from the craft.\nThe small figures attack the woman, using small, pistol-like weapons that leave radiation burns on her skin, and, after following her into her cabin, slashing her ankle and hand with her own kitchen knife.\nThe suspense builds as the woman searches for the invaders.\nShe eventually destroys one, wrapping it in a blanket and beating it until it is still, then throwing it into the burning fireplace.\nShe follows the other to the saucer-ship on her roof, which she proceeds to attack with a hatchet.\nFrom within the craft, she hears a voice speaking in English (voiced by Director Douglas Heyes).\n(Prior to this scene, the episode has had no dialogue) The intruder frantically warns other potential visitors that the planet is inhabited by giants and impossible to defeat.\nThe camera pans to the markings on the side of the ship, which readS.\nAir Force Space Probe No.\n1 – revealing that the invaders were human astronauts from Earth, and the woman in the small farmhouse belongs to a race of giant humanoids native to another planet.\nThe woman finishes destroying the ship and then climbs back down from the roof into the house, exhausted.",
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"content": "Mystery Science Theater 3000.\nIn the not-too-distant future Joel Robinson is held captive by Dr. Forrester and TV's Frank, forced to watch B-Grade movies on the Satellite of Love with the help of his robot friends: Cambot, Gypsy, Tom Servo and Crow T. Robot.::Johnny\n\nWhen zany mad scientist Dr. Clayton Forrester and his loopy assistant Frank get bored with their work at the Deep Thirteen research center, they kidnap Joel the janitor and shoot him into orbit on the Satellite of Love. While in space Joel builds wacky robot sidekicks Tom Servo and Crow T. Robot to help him withstand an onslaught of grade 'Z' movies that the mad scientists force him to watch.::Jeremy Lunt <durlinlunt@acadia.net>\n\nBasically it's about a guy (Mike Nelson) and his two robot buddies (Tom Servo and Crow T. Robot) forced to watch bad movies. The story line during the host segments has changed over the seasons, but it is essentially the same.::Mike Bird <tvfrank@ix.netcom.com>\n\nIn the not too distant future (next Sunday, A.D.) Joel Robinson was under the employ of one Dr. Clayton Forrester. By trapping Joel in space and sending him bad movies, Dr. Forrester and his assistants (such as TV's Frank) attempted to determine the movie that, when inflicted on the masses, would cause insanity and he could control the world. To combat this, Joel invented several robots to keep him company and to heckle the movies mercilessly to ensure his sanity. After several years, Joel escaped to be replaced by Mike Neslon, a temp worker without a clue. After Mike and the bots were turned into omniscient energy beings, they returned to the Satellite of Love (their ship) in the future and were confronted with new adversaries including Pearl Forrester (Dr. Forrester's cryo-frozen mother), Professor Bobo (an ape), and Observer (a super-intelligent alien that carries his brain in a bowl).::Joe Pranevich <knight@wave.lm.com>",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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"content": "[TOMT][MOVIE]Looking for a martial arts movie about serial killer killing martial artists..\nI just watched the movie [Tiger Claws](https://www.imdb.com/title/tt0105592/) and it reminded me of another movie I saw that is probably a low budget rip off of Tiger Claws. \n\nIn the one I'm looking for:\n\n-the main characters are 2 cops, both male, one white and one black\n\n-they are both martial artists\n\n-The killer has a metal thing he puts over his fingers to stab into his victims\n\n-the killer is a martial artist who is killing other martial arts champions\n\n-the movie ends with one of the cops fighting the killer to the death, I think the killer kidnapped his daughter \n\n\nI know this is probably a long shot and this is a low budget movie not many people have seen. I hope someone recognizes it.\n\nEdit: I probably watched it in the early 2000's",
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"content": "Bloodmoon (1997 film).\nAt a local gym in New York City, heavyweight boxing champion Eddie Cunningham is finishing his workout for the night.\nHe hears a noise and looks around when he turns to the ring.\nA mysterious man dressed in black sporting a mask tells Eddie he fights well but he lacks the \"killer instinct\".\nThe masked man challenges the boxer to a fight and shows him the moon, which has a faint red color.\nThe man sports boots with the toes and heels encased in steel and uses martial arts to fight Eddie.\nInitially, the two combatants seemed evenly matched, but Eddie soon finds himself overwhelmed by the man's superior fighting skills.\nWhen the man knocks Eddie outside of the ring, he unmasks himself and still pounds on Eddie despite Eddie's pleas of calling off the fight.\nWhen Eddie uses a bench to knock down the man, the man uses two steel fingers which goes through the bench and stabs Eddie in the chest.\nHe hoists a dead Eddie in the air and declares victory.\nThe next day, Detective Chuck Baker, a wise cracking cop who has a penchant for magic, is called to investigate Eddie's death.\nThis is the fourth death of a recent wave of a possible connected killing spree in New York City.\nWhen Chuck returns to the office, his making fun of Chief Hutchins gets him in hot water with the chief, who tells him that if he doesn't solve the case, he will have him transferred to Poughkeepsie.\nThat night, former toughman champion Dutch is on a date at his bar.\nHis date hears a noise during their makeout session and he tries to calm her down to no avail.\nHowever, the masked man appears with the girl and calls Dutch \"Crutch\".\nHe chokes the girl unconscious and he and Dutch fight.\nAt first, Dutch seems to have the upper hand before the masked man reveals his true skills.\nWhen he cripples Dutch, he unmasks himself and it seems Dutch knows him, when he responds, \"You.\n\" Dutch's last ditch attempt to stop the man results in the killer breaking his neck and throwing him out of the bar window.\nThe next day, at an autopsy clinic, Chuck analyzes Dutch's body and Chief Hutchins tells Chuck that he would like for him to meet with a serial killer expert named Ken O'Hara.\nKen was one of the best in Chief Hutchins' unit until he was forced into retirement due to a near fatal experience with his last job.\nKen, who is separated from his wife, is spending the day with his daughter at the beach.\nAs they are about to leave, Ken accidentally bumps into a big fat guy, causing him to spill his beer on his shirt.\nKen apologizes and offers to pay for his shirt and beer.\nThe big guy felt offended and wants to start a fight with Ken.\nKen initially refuses to fight, but when the big guy does harm to Ken's daughter by pushing her out of the way despite her pleads for him to not harm Ken, Ken becomes enraged and fights the big guy and his two goons.\nHe ends up knocking all three of them down.\nKen shows up at the house where he sees his ex-wife and Chuck.\nMistaking Chuck for a lover of his ex's, Chuck tells him that Chief Hutchins sent him and asks for help in the case.\nAt first Ken refuses and even has a flashback of his last job.\nThat night, Chuck finds a fellow police officer watching a \"movie\" on the computer screen.\nChuck learns the video is a real-time confrontation between the mysterious killer, now decked out in full kendo gear, and local martial arts master Takaido.\nChuck heads towards Takaido's school while the killer and Takaido have a sword fight.\nWhen Takaido unmasks the killer, he recognizes him as well through a nod.\nHowever, the killer proves to be too much as the killer slices and stabs Takaido.\nWhen Chuck arrives, the entrance to the school explodes but Chuck makes it out okay.\nWhen Ken learns that Takaido, his martial arts instructor, has been killed, he sneaks into the school late at night but also catches Chuck at the school.\nAfter a brief fight, the two look at each other and Chuck is shocked to find Ken.\nKelly, Takaido's adopted daughter, finds the two and stops them from fighting.\nKen agrees to help Chuck on the case.\nAt first, Chuck is reluctant for Ken's help, but soon finds him a valuable ally due to Ken's connections, including a computer hacker named Justice.\nHowever, when Justice attempts to trace the killer's latest call, the killer forces Chuck and Ken to confront and take down a local crime boss and his goons.\nKen and Chuck soon learn that Kelly is about to be the killer's next target.\nWhen the two arrive at Kelly's apartment, they warn her of the killer's intentions, but Kelly dismisses them, claiming she can take care of herself.\nAs they leave, the killer arrives and Kelly finds him, leading to a confrontation.\nKen and Chuck return to retrieve a file Ken accidentally left at the apartment only to find themselves facing the killer, who was overpowering Kelly.\nChuck, Ken and Kelly prove to be too much for the killer, who after knocking out Kelly and using his steel fingers to incapacitate Ken, escapes by jumping out of a window onto a garbage truck.\nKen and Chuck, along with Kelly, decide to locate the killer, whose targets are clearly champions in various fighting styles.\nThey find a photo of combatants in a tournament known as The Master's Challenge and they narrow the field down to two suspects, Willy and Chad.\nChad was believed to have been killed in a car accident, thus making Willy the prime suspect.\nHowever, the killer is in fact Chad, who did have an accident, which resulted in him losing two fingers, which he replaced with steel.\nKelly discovers the killer amongst a crowd watching the police leave to apprehend Willy and follows him to his home.\nKelly confronts the killer only to end up defeated.\nChuck and Ken succeed in capturing Willy, but they noticed during the confrontation that something was not right in terms of Willy's appearance, fighting style and skills in comparison to those of the person they fought earlier.\nTheir suspicions are confirmed when Kelly texts them what she'd discovered.\nThey rush to the killer's house, only to arrive too late finding Kelly's lifeless body and the killer nowhere to be found.\nThe killer then phones Ken, revealing that he has kidnapped Ken's wife and daughter in order to challenge Ken to a \"grand championship match\" to the death.\nKen and Chuck head to an abandoned construction site where the top of the building has Ken's wife (whom he has reconciled) and daughter strapped to a bomb.\nAs Ken begins to face off against the killer in a showdown, the killer uses the environment to his advantage.\nWhen Chuck attempts to help Ken, Chuck is nearly killed for his actions.\nHowever, Ken eventually gets the upper hands and on a long scaffold, Ken unleashes a flurry of kicks and blows, knocking the killer off the building and causing him to fall to his death.\nWhen Ken reaches his wife and daughter, the bomb goes off but the explosion only consists of confetti.\nA tape recording reveals the killer saying, \"I'm no child killer.\nThere will be no slaughter of the innocents\".\nChuck makes it out, still injured from the killer, while Ken walks away in joy and relief with his wife and daughter.",
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"content": "Robot Wars (film).\nBy 2041, North America has been ravaged by \"the great toxic gas scare of 1993\": large swaths of land have been turned into inhospitable desert, where bands of raiders called \"Centros\" attack transports. The former United States have been assimilated into a Western bloc called the North Hemi. The opposing Eastern bloc is known as the Eastern Alliance, and the North Hemi is planning to salvage its economy by manufacturing defense robots called \"mini-megs\" for the Eastern Alliance. These robots would be half-sized offshoots of giant \"mega-robots\", once ubiquitous in warfare, but now reduced to a single specimen, the Mega-Robotic Assault System-2 (or MRAS-2, pronounced \"Merras-2\" for short in dialogue) which looks like a mechanized scorpion.\nMRAS-2 conducts tours for civilians, and carries laser assault weapons and a magnetic shield (\"mag-shield\" for short in dialogue) to defend itself. It is operated by captain Drake (Don Michael Paul) and his copilot Stumpy (James Staley). During a transport run, MRAS-2 is ambushed by Centros. Drake opts for a defensive strategy, but his boss Rooney, Chief of Operation in Op Com, orders him to attack so he can show off the robot to general Wa-Lee (Danny Kamekona) and his aide Chou-Sing (Yuji Okumoto), visiting dignitaries from the Eastern Alliance sent to negotiate the purchase of the mini-meg series. The violent rocking motions of MRAS-2 during the battle cause an archaeologist passenger, Dr. Leda Fanning (Barbara Crampton), to drop and break her valuable specimens. When Drake brings MRAS-2 to port, Leda angrily confronts Drake about the specimens, but he dismisses her with flirtatious remarks.\nDrake is summoned to Rooney's office, and shows him a recovered Centro weapon which appears to be of Eastern alliance origin. Drake deduces that the Eastern alliance is conspiring with the Centros, but Rooney disbelieves him. Drake pressures Rooney to stop the MRAS-2 tours to avoid risking more lives, and when his boss refuses, Drake vows to quit piloting the robot. Meanwhile, Leda has met with her journalist friend Annie, and exposes some suspicious activity going on in Crystal Vista, a perfectly preserved 20th-century town that was abandoned during the toxic gas scare: according to Leda, the town is built on a layer of \"infasorb-8\", a 21st-century material not invented when the town was abandoned, which is impenetrable to satellite imaging, and she has found components in an underground tunnel that are similar to those of the old MEGA-1 robot, which was supposedly dismantled.\nLater, Wa-Lee holds a traditional fighting ceremony. During a break in the fighting, Chou-Sing draws Wa-Lee's attention to Drake sitting in the audience. Wa-Lee invites Drake, who apparently has long-standing animosity against him, to fight. Drake initially declines, but Wa-Lee insists. Drake relents, and knocks Wa-Lee down before the battle begins proper, cementing the tension between them. Drake then makes good on his promise to Rooney and gives up pilot duty to volunteer for a special op against the Centros; there he recovers more Eastern Alliance-manufactured equipment. Despite Drake's insistence that the MRAS-2 is under threat from Centros, Rooney allows the tour to proceed with replacement pilot, captain Boles, piloting MRAS-2, and even has Wa-Lee taught how to pilot the robot as a courtesy. At a bar later on, Stumpy tells Drake that his grandfather was part of an effort to hide pieces of the MEGA-1 before the salvagers got to it; when Drake asks how one would hide a mega-robot, Stumpy says, \"I guess you don't... they got caught.\" Meanwhile, Leda and Annie have ridden the MRAS-2 to Crystal Vista. There, they go underground through the basement of a schoolhouse, and find the micron transponders of the MEGA-1. Annie returns to catch the MRAS-2 return trip, while Leda stays behind to continue the investigation.\nSuddenly, Centros appear and chase Leda. She escapes for a while, and the rest of the Centros head for the Crystal Vista robot port. There, they join Wa-Lee's officers in a mutiny and kill the North Hemi security and captain Boles, proving Drake right about the Eastern Alliance's duplicity. Wa-Lee orders Chou-Sing to lock the passengers hostage in the MRAS-2 cabin and take control of Crystal Vista, while Wa-Lee hijacks MRAS-2 and attempts to destroy strategic targets, starting with the \"toxic tomb\", a pyramid-shaped structure used to store hazardous waste. Rooney pleads with Drake and Stumpy to retake the robot, and they agree upon learning that the Centros have captured Leda. Then Wa-Lee, upon hearing from his Centro allies that Drake has freed Leda and killed Chou-Sing, aborts his attack on the tomb and heads for Crystal Vista to kill Drake. To Wa-Lee's astonishment, he sees that Drake has found the MEGA-1 robot intact, reactivated it with Stumpy's expert help, and is now piloting it.\nThe two robots meet in the desert and begin fighting. Drake removes the MRAS-2's cabin, saving the passengers, and eventually manages to severely damage MRAS-2 and subdue the general. The film ends happily as Drake and Leda admit their attraction to each other.",
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"content": "United States of Tara.\nTara Gregson is a wife and mother of two children in Overland Park, Kansas, a suburb of Kansas City, who has been diagnosed with dissociative identity disorder (DID).\nWhen stressed, Tara often transitions into one of her alternate personalities: wild and flirty teenager T; 1950s style housewife Alice; and male, loud, beer-drinking Vietnam vet Buck.\nA fourth personality, Gimme, is introduced later in the first season.\nDuring the second season of the series, two further personalities were introduced.\nThe former, called Shoshana, is Tara's \"therapist\" of sorts, while the sixth personality's name is Chicken, an infantile representation of Tara when she was five years old.\nAnother personality emerges in Season 3, that of Tara's previously unknown half-brother Bryce.\nTara is supported by her husband Max, daughter Kate, and son Marshall.\nHer sister, Charmaine, is initially not very supportive of Tara, expressing doubts about the validity of her sister's disorder, though she becomes increasingly more understanding and receptive as the series progresses.\nThe show is a representation of a seemingly typical American family who must cope with the daily struggles of dissociative identity disorder.",
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"content": "Robot Overlords.\nNot long after the invasion and occupation of Earth by a race of powerful robots wanting human knowledge and ingenuity, humans are confined to their homes.\nLeaving without permission would be to risk their lives.\nMonitored by the electronic implants in their necks, the robot sentries are able to track the movements of humans in order to control them.\nIf any person comes out of their home, they are given warnings by the robot sentries to get inside their home.\nIf the person does not comply, they are shot immediately.\nIn what starts out as a bit of fun, a bunch of clever kids in a British town manage to tamper with the implants in their necks and stay out after their curfew.\nHaving discovered the capabilities of the electronic implants, they quickly realise how important this information could be to save the imprisoned human race.\nLed by the talented Sean (Callan McAuliffe), who discovers he has the mental ability to interface with and control the robots, the kids band together and recruit other people who want to stand up against the robots’ rule.\nStanding in their way are human collaborators, led by Smythe (Ben Kingsley, using a northern English accent), and the kids must summon all their emotional and physical strength in order to battle against their control.\nAfter a run-in with the collaborators, clues eventually lead them to a hideaway community in an abandoned mine where Sean is reunited with his father, but the robots soon descend on the community seeking Sean, offering an amnesty in exchange for him.\nSean mentally controls a robot craft that rams and destroys the cube, the local robot mothership, halting this invasion.\nHe narrowly escapes the impact.\nHe interfaces with a damaged Mediator, a robot in human form, and mentally sends commands to end the invasion of the Earth, destroying the robots and their craft.\nThe film ends with jubilation as the local population celebrate in town.\nIn the closing scene, Sean looks up at the stars.",
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"content": "Baadasssss!.\n'Mario Van Peebles' (qv)' half-documentary/half-homage to his father 'Melvin Van Peebles' (qv)' movie _Sweet Sweetback's Baadasssss Song (1971)_ (qv).\n\n'Melvin Van Peebles' (qv) stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had, Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not. More than 30 years later, history is being fashioned again in the telling of this very tale. 'Mario Van Peebles' (qv), Melvin's son, directs an honest and revealing portrait of his pioneering father. Mario now tells the story of the making of 'Melvin Van Peebles' (qv)' landmark 1971 film, Sweet Sweetback's Baadasssss Song, including Melvin's struggles to raise money to fund the film under the guise of creating a black porno film. Melvin had ducked creditors, the unions and had to bail out his camera crew after they were arrested because a white cop decided a bunch of Negroes and hippies couldn't have come by that camera equipment honestly. Despite death threats and temporarily losing sight in one eye, Melvin somehow managed to whip into shape a rag-tag, multi-racial crew and finish the film that would give birth to birth of a new era which was about to explode: Independent Black Cinema.::Sujit R. Varma",
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