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"content": "[TOMT] [MOVIE] Possible Clint Eastwood movie about main who faked a stroke.\n \n\n**\\[TOMT\\] \\[MOVIE\\]** My friend is asking about a movie and this is all I had to go on \" There was this movie once that starred maybe Clint Eastwood? Can't remember. He was this hard core terrible dude who pretended to have a stroke in prison and lived for years in a chair, essentially as a vegetable. The whole thing was an act and he eventually escaped. There was a scene where a cockroach climbed up the side of his face and he just sat there, stone faced and vacant\"\n\nShe said it might not have been Clint Eastwood but an older actor.\n\nThanks for your help!",
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"content": "Where the Money Is.\nProfessional thief Henry Manning is in an Oregon nursing home's care. Having apparently suffered a massive stroke, he is immobile and mute. Henry is in the care of Carol Ann McKay, a high school prom queen who married her boyfriend Wayne, the prom king and star of her school's football team.\nCarol Ann is mesmerized by the fact that Henry was such a successful bank robber, having eluded the police for 30 years. But she starts to suspect Henry isn't as sick as he seems. She attempts to get a rise out of him by doing a lap dance, but fails. So convinced is she that Henry is faking, she gives him the ultimate test, pushing Henry and his wheelchair off a pier into the water, defying him to swim or die. Wayne arrives just as this is happening and dives in after him, but a few moments later, Henry walks out of the lake and obviously has to admit he's been faking it to both of them. Exposed as a fraud, Henry is at least relieved to be able to walk and talk again. They take him to a local bar to hear his explanation.\nPreferring a nursing home to prison as a means of escape, Henry had studied yoga and vajrayana as a way to fake the symptoms of a stroke. Soon he is dancing and drinking with them. One day soon thereafter, Carol approaches Henry with the idea of robbing the local bank. Henry tells her she has lost her mind, but soon afterwards, he changes his mind as the plan morphs into an armored transport heist with Henry coaching both Carol and Wayne as to their roles in the upcoming event. Although the night-long heist hits a couple rough spots, it is successful.\nThe next day, Henry is scheduled to be transferred back to prison. Carol Ann feels bad for him, intercepts the transfer, and breaks him free. Upon arriving home to pick up Wayne, Carol and Henry discover Wayne has sold them out. As the police surround the house, Wayne walks out the front door to give himself up. Moments later, Henry and Carol bust out the back in Wayne's car. Henry drops Carol off in the middle of the woods to get away on foot with the loot, and as the police are pursuing him, he drives Wayne's car into a lake and is presumed dead, leaving Wayne to take the fall.\nIn the final scene, Henry and Carol Ann are shown at a jewelry store whose security system mysteriously stopped working, with Henry pretending to be wheelchair bound again, preparing for a new heist.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE] everything I remember is very fuzzy, sorry - A movie I saw as a kid, looked like some kind of after-life story(not certain), darker color scheme, I remember everything being dark and kinda dirty beige, although the movie is colored. Approx. late 90s-early 2000s..\nThe only things about plot that I remember is this guy wondering around in some kind of limbo world looking for something or someone and that in the end of the movie he died, fell on the ground and got basically devoured by flowers, roses started growing through his skin. It was a pretty slow paced drama about possibly afterlife with some possibly religious undertones. ",
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"content": "The Fountain.\nConquistador Tomás Verde in New Spain fights a band of Mayans to gain entry into a pyramid, where he is attacked by a Mayan priest. The story intercuts to a similar looking man, tending a tall tree in a glass dome biosphere travelling through space, annoyed by a woman called Izzi. Finally, a third iteration, present-day surgeon Tom Creo, is losing his wife Izzi to a brain tumor. Tom is working on a cure using samples from a tree found through exploration in Guatemala, which are being tested for medicinal use for degenerative brain diseases in his lab. Izzi has come to terms with her mortality, but Tom refuses to accept it, focused on his quest to find a cure for her. She writes a story called \"The Fountain\" about Queen Isabella losing her kingdom to the Inquisition and a commission given by her to Tomás Verde to search for the Tree of Life in the Central American forest in Mayan territory. As she does not expect to finish her book, Izzi asks Tom to finish it for her. As they look up at the golden nebula of Xibalba, she imagines, as the Mayans did, that their souls will meet there after death and when the star goes supernova. She dies shortly thereafter and Tom dedicates himself to curing not only her disease but death itself after seeing experimental success in reversing aging. His colleagues fear that this drive has made him reckless, but they support him in his scientific work and emotionally at Izzi's funeral. Tom plants a sweetgum seed at Izzi's grave in the manner of a story she told him relating how a Mayan guide's dead father lived on in a tree nourished by the organic nutrients of the buried body.\nIn the Mayan jungle, Tomás finds that most of his fellow knights are exhausted and refuse to continue searching for the Tree of Life. After a failed coup and the death of their priest guide, he takes the few who remain loyal with him to a pyramid, carrying a ceremonial dagger. Once he arrives at the pyramid, the first scene repeats and Tomás engages in combat with the Mayan priest. The space traveller (whether this character is a version of Tom, an element of Izzy's story, or Tom himself in the future is unclear) spends much of his time performing physical or mental exercises, including a form of meditation allowing him to perceive and interact with the past. In that past, Tomás is stabbed in the stomach but, just as the priest is about to kill him, he appears before the figurehead. The priest now believes Tomás is the \"First Father\" who birthed all life. Tomás kills the priest as a sacrifice and proceeds to a pool with a large tree, convinced this is the Tree of Life. Tomás applies some of its sap to his torso and is cured of his stab wound. He drinks the sap flowing from the bark. But in a reenactment of the Mayan creation myth recounted earlier, his body is turned into flowers and grass that burst forth from it and he literally gives rise to new life, killing himself in the process. In space, the tree finally dies just before the spaceship arrives at its destination, much to the horror of the version of Tom tending it. A final vision of Izzi appears, comforting him in the face of his acceptance of death. The star goes supernova, engulfing the ship and everything within. The traveler's body, engulfed by the dying star inside of the nebula, is absorbed by the tree, causing it to flourish back to life. Izzi's apparition picks a fruit from the new tree of life and hands it to Tom, who plants it in Izzi's grave, accepting her death and moving on.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[tomt][movie] a movie about kids on roller skates, I think it was on Disney?.\nI remember there being a movie with group of kids on roller skates and they Were rivals with another group of kids who roller skated also but they had sponsorers and at one point someon on rival team got hurt and the protagonist join the rival team cause he needs the money.\n\nIt might of been on Disney?\n",
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"content": "Brink!.\nAndy \"Brink\" Brinker and his in-line skating crew—Peter, Jordy, and Gabriella—who call themselves \"Soul-Skaters\" (which means they skate for the fun of it, and not for the money), clash with a group of sponsored skaters, Team X-Bladz—led by Val—with whom they attend high school in southern California.\nOn the first day of school, the Soul-Skaters and Team X-Bladz race on school grounds.\nBoomer, a skater for Team X-Bladz, is seriously injured during the race, while Brink and Val are both caught and suspended.\nBrink learns that his family is in financial trouble; his father Ralph has been on disability for six months.\nBrink goes against the wishes of Ralph and his friends and joins Team X-Bladz for $200 a week, as a replacement for Boomer.\nBrink keeps this a secret from his friends and family.\nBrink's father gets him a job at Pup-N-Suds, a dog grooming business.\nBrink's friends discover that he has been skating for Team X-Bladz to train for an upcoming local competition.\nBrink's friends feel he betrayed them and choose to ignore him upon discovering his alignment with Team X-Bladz.\nThe Soul-Skaters and Team X-Bladz later agree to a downhill race, with Gabriella against Brink.\nAlthough Val offers his friendship to Brink in an attempt to keep him with X-Bladz, Boomer is suspicious of Val's intentions knowing too well what he is like inside.\nHe tries to warn Brink not to go through with the race as Val has something bad planned for him and encourages him to leave X-Bladz while he still can.\nDuring the race, Val intentionally sabotages Gabriella's part of the course by tossing gravel onto the road.\nGabriella wipes out big and sustains minor injuries.\nAt this point, all of the Soul-Skaters disown Brink as their friend; they call him a sell-out and stop talking to him (which was Val's true intentions and why Boomer was wary of this).\nLater, Ralph learns about the accident from Gabriella's mother and has a heart-to-heart talk with Brink.\nBrink finally confesses his true reasons for joining Team X-Bladz and wanting to be a somebody from it.\nHe admits that though he got what he wanted, it has gotten him into a mess, as he has lost his friends and started becoming like Val.\nRalph reveals that although the family is in financial trouble, Brink should not be skating for money and rather for fun.\nInspired by his father, Brink meets Val at the local boardwalk and quits Team X-Bladz.\nBrink reveals his disgust with Val for sabotaging the race and injuring Gabriella.\nThis leads to an argument between both boys and Brink to toss a milkshake in Val's face.\nVal calls Brink a coward and a traitor in itself, revealing that he did not have the nerve to finish the race and in the process has no friends.\nBoomer disagrees and calls Val out for who he is inside.\nHe reveals his own friendship with Brink and why he left X-Bladz after his injury.\nBoomer admits that he had witnessed Val cheating in past competitions and that he never thinks about the consequences of his own actions that come with it.\nBrink closes the argument by telling Val off that he is not a true skater for skating for money rather than fun and challenges him at the in-line skating competition.\nVal readily accepts his challenge and leaves with the other X-Bladz.\nBoomer walks away with Brink, thanking him for showing Boomer the meaning to skate for fun and will show his support for him.\nIn the days before the competition, Brink meets his friends at the skate yard.\nAfter giving them new skates and equipment, Brink tells them of his plan to sponsor the team under the name \"Team Pup 'N Suds\".\nThey accept Brink as their friend again.\nAs friends once again, they compete in the competition with their families' support.\nAt the end, it comes down to Brink and Val in the championship race.\nBrink, his friends and his family celebrate the long-awaited victory.\nImmediately after the race, Team X-Bladz manager, Jimmy, fires Val for cheating and trying to sabotage Brink.\nHe offers Brink the captain position of the team.\nBrink quickly turns down the offer, stating he remembers that he skates for fun and not money.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [MOVIE] Psychological Thriller on Campus.\nI have been trying to use every keyword combination I can but to no avail. I can't remember enough about the movie to find it, or if it was even good.\n\nI have looked at hundreds of titles on dozens of websites through even more searches.\n\nAll I can remember is this:\n\nA psychological thriller/\"horror\" film, about a group of friends who are on some kind of.. late night hangout, possibly drinking and shenanigans at what I think.. is their school or college. It may not be on campus. But I at least think it was. \n\nThey talk about or share a story of an alleged killer, and specifically one of the boys comes to see all his friends being murdered one by one.\n\nIn the end he ends up finding a gun in the school inside what would be the \"Principle\" or \"Dean's\" office and shooting/killing someone who he thinks is the killer.\n\nThe ending plot twist is that none of his friends actually died and they were all just playing a big joke/prank on him, there is no killer, and the gun incident wasn't intended to happen. \n\nRated R, of course.\n\nAny help, Reddit? The general keywords for this movie I can think of are all too basic and don't help me in narrowing down the list. I am at least pretty sure the movie came out after 2010..",
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"content": "Cry Wolf (2005 film).\nA group of prep school students consisting of Graham, Mercedes, Lewis, Randall, Regina, Tom, Dodger and Owen play a game called Cry Wolf, where someone is marked as a \"wolf\" and the group tries to figure out who it is.\nAfter meeting his new journalism teacher, Mr. Walker, Owen and Tom meet the others for lunch. They discuss the police finding a girl's body, Becky, after it was dragged through the woods by a wolf. The group considers who could have murdered Becky, when Dodger proposes expanding Cry Wolf to the entire school. Owen suggests creating a fake e-mail telling everyone about a serial killer who goes from campus to campus stalking and killing students. They describe the killer as wearing an orange ski mask, a green camouflage jacket, steel toe combat boots, black tactical leather gloves, brandishing a hunting knife or a high-powered handgun. That night, they send out the e-mail.\nThe next day, the entire school has spread the story in the e-mail. Owen receives an instant message from someone using the name 'Wolf'. Tom and Owen accuse Dodger, but she claims she was studying with Regina.\nTom and Owen find their dorm room trashed. When the instant messenger comes up on Owen's laptop, they find a piercing stud and blood on Owen's keyboard. Tom blames Regina, who has a recipe for fake blood. When accused, she insists she was on a field trip.\nBelieving Dodger is lying, Owen confronts her. Dodger informs him that she was visiting her mother. Deciding that Randall is behind the odd behavior, Owen tries tracking him down, to no avail. Owen again seeks out Dodger, and finds her kissing Mr. Walker.\nIn his journalism class the next day, when Owen reaches into his bag for supplies, a hunting knife falls out. Mr. Walker escorts Owen to the Headmistress's office. Owen tells Mr. Walker that he knows about his relationship with Dodger, and that he will tell the headmistress if Walker reveals the knife. Mr. Walker agrees not to say anything.\nOn the night of Halloween, 'Wolf' attacks Owen. Thinking Tom was trying to prank him, Owen goes to leave with Tom's car, but sees Wolf behind him. The attacker ends up being Mercedes, who was trying to prove that attackers can be women.\nThe following day, Owen and Mercedes meet with the headmistress, who decides that Owen's fate will be decided over the weekend. The rest of the group is forced to stay at school over the weekend. Owen contacts them to meet in the chapel. Owen, Dodger, Tom, Lewis and Regina meet and try to get to the bottom of the attacks. While Lewis is on the phone, Mercedes is apparently attacked in the bathroom by Wolf. Lewis runs out as Owen tries to call for help.\nOwen, Regina and Tom find Randall's body in a confessional. Owen goes looking for Dodger, and sees Lewis get attacked. Owen runs to the parking lot to see Mr. Walker still on campus. Owen runs to Mr. Walker's office as his phone rings. Owen answers to Dodger crying on the other end; she has found Mercedes dead. Dodger tells Owen she is coming and can see him through the window. He looks out to see Wolf kill her. Afterwards, Mr. Walker enters the room. Upon noticing that Mr. Walker has a jacket, an orange mask and a knife, Owen shoots him. The door is suddenly opened by Dodger, Tom and Regina.\nOwen is arrested for murder with the group admits that it was a prank to get Mercedes and Owen back for making them stay on campus. Randall, Mercedes and Lewis are alive and well. Mr. Walker was involved with Becky, the gun in his desk having been used to kill her. Dodger visits Owen, who has been released on bail, and says she would never have played the game if she knew Mr. Walker was cheating on her, revealing she organized everything. Dodger killed Becky because she was jealous of Mr. Walker's relationship with her and had set up the game knowing that Owen would blame Mr. Walker for the killings, thereby killing him and making her happy. Despite Owen threatening to report her, Dodger replies that no one will believe him and leaves.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [MOVIE] [2000s] A woman has visions of her husband dying, and in the end he dies exactly how she predicted it..\nFrom what I remember, there was a conversation in the film that revealed that the husband could have possibly cheating on the wife, and the scene of the death itself is the man running to the woman both happy and look thrilled, he's running past a stop or yield sign of some sort, and then the blur of the shot focuses on a car heading straight towards him. He is then run over, while the wife realizes that this is exactly what she envisioned. ",
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"content": "Premonition (2007 film).\nAfter Jim (Julian McMahon) surprises his wife Linda Hanson (Sandra Bullock) with a new house, they have two daughters, Megan (Shyann McClure) and Bridgette (Courtney Taylor Burness).\nWhile Jim is away on a business trip, Linda is left to take care of the girls.\nLinda talks with her friend Annie (Nia Long), who asks how Linda and Jim are, since their relationship has gotten into a rut.\nThen Linda goes through various chores.\nWhen she checks the answering machine, there is a message from Jim, in which he says that he meant everything he said in front of the kids the other night, and he wants her to know that he was sincere.\nHe spots a call waiting on his phone and mutters \"Is that you.\n\" before hanging up.\nLinda calls him back and leaves a message.\nThe doorbell rings, and Linda opens the door to Sheriff Reilly (Marc Macaulay), who tells Linda that her husband died in a car accident on the previous day.\nAfter picking her girls up from school, Linda sadly tells them that their father won’t be coming home.\nLinda’s mother, Joanne (Kate Nelligan), comes over and takes charge of Linda's daughters.\nAfter putting the kids to bed, Joanne talks with her daughter.\nShe tells Linda that although it is difficult, they should start making funeral arrangements and look over Linda and Jim's insurance plans.\nLinda tells her mother that she is not ready yet.\nLinda falls asleep on the living room couch, only to wake up in bed, dressed in a nightgown and covered with sheets and blankets.\nConfused, she gets up and knocks on the guest room door.\nNo one is inside.\nLinda walks downstairs, where Jim is at the counter drinking coffee and watching TV.\nLinda is shocked.\nStill in a daze, Linda drops off the kids at school.\nAs she drives on, she makes an abrupt stop that angers drivers around her, and she is approached by Sheriff Reilly, who warns her to be more careful.\nThe sheriff acts as if he's never met her before.\nLinda returns home to her chores but notices the rainbow sweater again.\nShe walks outside to hang laundered bed sheets.\nWhile she tries to spread out a sheet, she trips on a toy and falls backwards on a dead crow.\nSome of the blood gets on her hand, and she gets blood all over the glass door (which now has no stickers on it) and on the sink.\nThe day ends with a family dinner, the girls reporting a boring day, Linda wakes up the next day and finds an empty prescription bottle of lithium with pills scattered in the sink.\nThe label on the bottle states the pills were prescribed by Doctor Norman Roth.\nShe finds the mirrors in the house covered in sheets while she makes her way downstairs.\nShe encounters family and friends wearing mourning garb.\nAnnie is there and assures Linda that the kids are safe outside.\nLinda finds the girls on the swing set.\nBridgette has terrible red gashes all over her face.\nMegan tells her mom that she does not see any scars and her sister looks perfect.\nAt the burial, a young priest is giving the eulogy for Jim, describing him as a wonderful man who always put his family first.\nBack at the house, Linda frantically flips through the phone book, but finds the correct page in the trash rather than the book.\nShe calls dr Roth's office, and a recorded message states that the office is only open during weekdays.\nLater, several men come to the house.\nOne introduces himself as dr Norman Roth (Peter Stormare), and with him are his assistants and Sheriff Reilly.\nJoanne apologizes but tells Linda that she needs help, Linda wakes up in her own bed again and finds Jim in the shower.\nAt breakfast, she is happy to see that Bridgette's face is wound-free.\nAfter dropping the girls off at school, she stops in her driveway and opens the garbage to discover the crow's body inside.\nShe goes to dr Roth's office.\nHe doesn't recognize her and initiates a session where she tells him of seeing Jim alive and then dead again.\nAt the end of the session he prescribes lithium.\nBack at the house, Linda sees Bridgette running toward the glass doors and urges her to stop.\nBridgette can't tell the door is closed and runs through it, breaking the glass and hurting her face and hands.\nLinda hurries the girls to the emergency room and Jim arrives.\nLinda feels the crumpled phone book page in her back pocket.\nShe throws it in the trash.\nBut the sight of the paper in the basket triggers her memory and she makes a timeline of the week's events.\nShe hasn’t experienced Friday yet, but Saturday is the funeral.\nShe hides the paper under the tablecloth and goes to talk to Jim.\nShe begs him not to go, but seeing that it's no good, requests that \"If tomorrow is Wednesday, please, please wake me up before you leave\".\nHe promises.\nLinda wakes up on the living room couch, understands it is Friday.\nShe meets with Annie who expresses sympathy for the week's events.\nLinda tells Annie that maybe all of this was meant to happen.\nLinda then visits the insurance agent, who tells her that Jim came in the morning of his accident and tripled his life insurance plans, and she makes the funeral arrangements.\nLater that night, she asks Joanne, if letting Jim die would be the same as killing him.\nJoanne simply confirms that he is already dead.\nLinda wakes up on the previous Sunday.\nShe sends Jim off with the kids while she drives to the church.\nThere, she speaks with Father Kennedy (Jude Ciccolella) and explains that she’s scared.\nKennedy has an entire book detailing incidents similar to hers.\nIn the 20th century a woman had a vision that there was going to be a hurricane and kill all the people.\nThe woman was later hanged as a witch, but two days later the hurricane happened.\nHe explains that the faithless are more susceptible to greater forces.\nHe says that she must have faith and that life itself can be a miracle.\nEventually, Linda visits the site of the accident.\nShe stares at the \"Mile 220\" sign, which is where Sheriff Reilly told her the accident took place.\nImages of her family flash before her eyes as Linda tries to decide what to do.\nThat night, Linda puts pressure on Jim and the kids to show more affection for each other.\nShe continues acting strange, so Jim tries to comfort her.\nShe tells him that she’s had a dream where he died.\nHe tells her that it is just a dream and that everything will be fine, Linda wakes up in her bed once again.\nShe finds a note from Jim saying that he’s taking the kids to school and will be back tomorrow.\nLinda begins to search for Jim.\nJim then calls the house and leaves the message from the beginning of the film.\nThe two have a reconciliation.\nThen Linda tries to save Jim from the car accident over the phone; however, her attempt fails.\nThe movie ends with Linda pregnant with another child.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [Movie] Animated film in which a group of children get turned into fish?.\nIIRC A young boy visits his ?uncle? His uncle is some sort of scientist that makes a formula that can turn people into fish, and vice versa. This boy (Finn? Flye?) and two other children are somehow exposed to this potion and are hence turned into fish. \n\nSome of the local fish are exposed to the reverse potion (which turns fish to humans) and begin to develop human intelligence. One of which is the villian (who I seem to remember having a little fish moustache). The villian becomes obsessed with getting more of the formula and becoming human.\n\nIn the climax of the movie, the villain is pursuing the children (still in their fish forms) through a small water pipe. The main character then gives him all of the formula and tricks him into drinking it. The villain does so, eventually morphing into a human, but he is both crushed by the pipe and drowned.\n\nOther than those plot details I can't really remember much other than that the main character's name is also the name of the species of fish he turns into.\n\nI saw it on TV sometime between 2005-2010 but it may be older than that",
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"content": "A Fish Tale.\nFly is an impulsive teenager, living with his younger sister Stella, and parents Lisa and Bill. With their parents going out for the night, Fly and Stella are babysat by their Aunt Anna and her son Chuck, a cautious, overweight genetics prodigy. When Anna falls asleep, the children sneak out to go fishing. Caught in a high tide, they stumble across the boathouse of Professor MacKrill, an eccentric but kindly marine biologist. Reasoning that climate change will melt the polar icecaps within the next century, MacKrill reveals he has developed a potion to transform humans into fish, along with an antidote to reverse the process.\nMistaking it for lemonade, Stella drinks the potion and turns into a starfish, which Fly unknowingly throws out the window into the sea. Chuck discovers the mistake after Stella's transformation was caught on camera. The trio set out to find Stella, but their boat sinks in a storm. Fly and Chuck drink the potion, becoming a California flyingfish and a moon jellyfish. Bill and Lisa return home to find Anna frantic with worry. Noticing that Fly's fishing equipment is gone, Bill, Lisa and Anna head to the beach to search for them, but find only Fly's rollerblades instead. The adults fear the worst until Professor MacKrill, having survived the storm, arrives and shows them the video of Stella's transformation.\nUnderwater, the leaking antidote attracts a great white shark and a pilot fish. They consume it, gaining intelligence and anthropomorphic appearances. Joe, the pilot fish, quickly uses the antidote to found a civilization of intelligent fish, intending to launch a revolution. The Shark becomes his dim-witted subordinate.\nFly, Chuck, and Stella reunite, accompanied by Sasha, a seahorse who Stella adopts. If they do not find the antidote within forty-eight hours, their transformations will be irreversible. The trio swim to Joe’s domain, a sunken oil tanker, where Fly tries to steal the antidote. They are caught and interrogated by Joe about their intent and origins. He demands they manufacture more of the antidote, or the Shark will eat them. The children are imprisoned, guarded by an aggressive, militaristic crab. Sasha frees the children, who manage to escape.\nThe children decide their best hope is to duplicate the antidote’s formula themselves, gathering ingredients from around the ocean. Just as they complete the potion, Joe and his army appear. In a stand-off, Joe drinks the last of the original antidote, transforming his fins into hands. The children try to flee, but Fly is wounded by the Crab, who drinks the new antidote, declaring himself the King Crab. At the same time, MacKrill and Bill pass over in a makeshift boat powered by a water pump. The pump causes an underwater typhoon, sucking up all of the army. The Shark eats the King Crab, but is incapacitated when he is sucked head-first into the pump.\nChuck remembers that MacKrill has another antidote in his laboratory. Formulating a plan, Chuck plans to carry Fly and Stella through dangerous seawater intake pipes back to the lab. Stella has to leave Sasha behind. The children flood MacKrill’s laboratory to reach the potion, but Joe follows, stealing it. Fly pursues Joe into the pipe, tricking him into repeatedly drinking from the potion by challenging his intellect. Joe evolves into a deformed humanoid and drowns.\nFly drags the antidote back into the lab, Chuck uncorking it just as Lisa and Anna open the door to the flooded lab. Chuck and Stella become human once more, reuniting with their parents and MacKrill. After a few tense moments in which a stuffed fish is mistaken for the limp body of Fly, the human Fly emerges from one of the lab's pipes with a broken leg.\nSome time afterward, the family and MacKrill play on the beach. Sasha appears, so Chuck and MacKrill transform her into an actual horse, who Stella rides around with joy.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][Movie] about a relationship from their pet cat's POV, and I think the cat is played by a human actor..\nI just remembered being freaked out by the trailer around a decade ago. It was an arthouse film and I just remember the trailer being really slow and sad. When we saw the cat, it was a person in a costume I think? Although it might have been a creepy puppet? It stayed in a cage throughout the trailer and was never seen with the people. Just fake paws and POV shots from the cat, but then close-ups of the cat in the cage.\n\nI tried searching as best I could, but I couldn't find any information about it. I only saw the trailer once but it stuck in my mind enough to ask this question all these years later. Does anyone remember this movie?",
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"content": "The Future (film).\nThe story involves a couple in their mid-30s, Sophie (Miranda July) and Jason (Hamish Linklater)—whose relationship is on the rocks—and their plans to adopt an injured cat. When the couple decides to adopt the stray cat, their perspective on life changes radically, testing their faith in each other and themselves.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [TV] Something on Noggin.\nAll I remember is that there were like these two alien things that were kinda furry and they were in outer space. \n\nIt was wierd, I don’t know how to describe it. It was like 3D animation, like something between Pikmin, that old PC game Spore, and those creature things from Cricket Wireless commercials.",
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"content": "Tiny Planets.\nDeep in the heart of the Tiny Universe lies the Home Planet where the main characters, Bing and Bong, make their home. These two explorers are catapulted to the surrounding worlds in their solar system on a flying white sofa where they explore, learn about the inhabitants, develop friendships and have fun.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [MOVIE] [2000s] A group of teenage/young adult hikers in a cave-like environment, with a man watching their progress who had a vial of blood in a necklace. Every time he dumped some out, one of them would die..\nMy friend was very young when she saw this film, but we're trying to see if anyone on here has seen this movie. It may have been made for television; she says she thinks it was on Chiller or one of those similar channels. Please help!",
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{
"content": "Intermedio (film).\nIn a small California town, Malik (Edward Furlong) along with his former girlfriend Gen (Cerina Vincent) her friend Barbie (Amber Benson), and another friend named Wes (Callard Harris) take a weekend getaway to an old ghost town where Malik and Gen played when they were younger.\nThey arrive at a long-abandoned prospecting settlement which is said to contain miles of tunnels, some of which lead to the Mexican border less than a mile away. The four friends climb down into the tunnels, and are observed by a mysterious old man (Steve Railsback) from a short distance away. He tugs on a mysterious amulet hanging from a chain around his neck and pours what appears to be blood on the ground.\nIn the tunnels, the teenagers stumble into two Mexican drug dealers, Jorge (Alejandro Samaniego) and Al, along with their teenaged sidekick Zee (Paul Cram), hauling packets of contraband across the border. The drug dealers force the four teenagers to tag along with them. Suddenly, mysterious ghost-like creatures appear and begin to attack them, forcing the teenagers and drug runners to join forces and run to the nearest hatch to try to escape. The mysterious old man is seen stroking his necklace, summoning the mysterious creatures. One of them throws a hook and chain at Al, impaling him to the wall.\nBarbie is then sliced in half at the waist when she attempts to stand on Jorge's shoulders to open another hatch. Most of Jorge's fingers are severed as well. Zee seems to have disappeared, and the remaining survivors climb into a boarded up shack. One of the creatures stabs Wes through the neck. Jorge is also killed by the creatures.\nMalik and Gen soon discover a room filled with dozens of bodies that have been killed over the years. Zee appears again and leads them to a path. Eventually the two safely escape the tunnels only to discover that they have lost the keys to their car, and they ask the owner of a nearby house for a ride. The owner turns out to be the mysterious old man, although neither of the survivors know he is the one behind the attacks.\nAs the old man drives the two away in his truck, he offers them some beer. Gen drinks it and soon passes out. The old man stabs Malik in the legs and then knocks him out with chloroform.\nMalik and Gen wake up back in the room filled with dead bodies, and after they each painfully remove the barbed wire binding their wrists, Gen discovers a small, narrow tunnel. They crawl under it and end up in the house of the old man. In the house they find a bedroom covered with newspaper clippings about a teenager named Zee who was murdered years earlier in the tunnels; the old man was a suspect in the killing. Zee reappears and shows them a passage underneath a bed. The old man soon finds the open passage and follows them into it.\nOnce again, the old man summons the ghostly creatures to attack the two survivors as they flee. Soon, Malik and Gen cross paths with the old man, who attacks them. The old man is about to murder Gen by slowly stabbing her in the neck when the previously silent Zee tells him to stop. Gen attacks the old man. Gen gets hold of the necklace and destroys it, and the creatures show up and kill the old man.\nLater, Gen cuts herself with a knife, dripping her blood onto a rock as she says her goodbyes to Wes. She meets up with Malik and they safely make it to the surface. At daybreak, they flag down another pickup truck and ask the driver for a ride.\nIn the final scene, Malik and Gen are safely in a motel room. Malik then muses over the old man's ability to control spirits, wondering whether they could then control them too, which Gen simply shrugs off. The movie ends showing Wes and Barbie's dead bodies staring at Malik and Gen through their motel room window.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE][2000s] Desaster movie with prepared nerds from a video rental place who save the day..\nI have been looking through the lists of Desaster movies but i can not find it again. \n\nI am about 80% certain it was a SciFi or SyFy Original movies from the 2000s or very early 2010s. \nIt starred to nerds who had prepared plans for every kind of apocalypse scenario. \nEither it was electricity not working or electricity attacking them that was the main villain. \nThey put on their make shift tin foil hats and went on to save the day. \nIt was not meant to be a comedy, it was kind of a serious movie, although i do not make it sound like one. \n\nI even can not get the face of one of the better known actors out of my brain but for the live of me i can not come up with a name either. \nSlightly chubby, goofy guy, short black hair who maybe played in a sitcom once.",
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"content": "End of the World.\nA group of Apocalyptic fanatics must use their knowledge of apocalyptic movies to save the world from a devastating solar flare.::Ryan Acraman",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][Movie] Sci-fi prison movie where Bruce Willis(?) pulls out something from his stomach with a magnet.\nI'm not sure if I remember correctly but from what I recall, it was Bruce Willis trying to escape from a prison, they add some device from their mouth to their stomach or inside their bodies and that thing explodes in case they escape.\n\n\nDoes anyone remember anything like that? Thanks :)",
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"content": "Fortress.\nIn a future, private underground prison/_Fortress_ (qv), the inmates are computer controlled with CCTV, dream readers and devices that can cause pain or death. John and his illegally pregnant wife are inside but want to escape before birth.::Scott Filtenborg\n\nIn 2017, John Henry Brennick and his wife Karen are captured at a US immigration point with an illegal baby during population control. The resulting prison experience is the subject of the movie. The prison is run by a private corporation bent on mind control.::Mark Allyn <allyn@netcom.com>\n\nIn a futuristic USA, it's forbidden to give birth to more than one child for each woman. As usual, you can escape to Mexico to avoid the authorities in USA, which is exactly what John and Karen Brennick were trying to do when Karen is pregnant with her second child (their first child was born dead). When they think they have made it they are discovered and put to prison (for 31 years), a modern prison called the \"_Fortress_ (qv)\" where the prisoners are controlled by lasers, neutron-cannons, cameras, mind-scanners and electronic pain-causing devices in their stomachs. With those odds, John still plans to escape with his wife.::Lars J. Aas <larsa@colargol.edb.tih.no>",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [Movie] [late 90 early 2000] Movie where a bunch of kids burned a girl alive some 30 years ago..\nIt may be a fever dream, but I have the clear memory of that movie. All I can remember is that in the present some kids are haunted by the burned girl's spirit. In one of the final scene the kids learn that their own parents accidentally killed the girl by forcing her is some industrial oven. The mayor was there too. I remember seeing the movie in early 2000. At least before 2009. It was most definitely a low budget film.",
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"content": "When Good Ghouls Go Bad.\nDanny Walker (Joe Pichler), and his father, James (Tom Amandes), who has gotten a divorce from his wife, have just moved to the town of Walker Falls from Chicago so his father can fulfill his dream of re-opening the family chocolate factory. Danny and James are staying with James' father, known by all as \"Uncle Fred\" (Christopher Lloyd). Uncle Fred is considered crazy and is a bit childish, but Danny loves him very much. Danny dislikes his new life in Walker Falls, and it seems no one likes him, especially the football coach Mike Kankel (Joe Clements) and his son, Ryan (Craig Marriott), the school's biggest bully. The only people who seem to be nice to Danny are his crush, Dayna Stenson (Brittany Byrnes) and Taylor Morgan (Imelda Corcoran), the school nurse, James' childhood friend, and Dayna's mother.\nDanny is surprised by how few decorations are up with Halloween only a week away. The people of Walker Falls do not seem to be making any effort at all to celebrate the holiday. Sheriff Ed Frady (Alan Flower) even takes down the decorations that Danny puts up. When walking home from school, Ryan and his pal, Leo (Daniel Karr) push him into the cemetery, lock the gate, and tell him that Walker Falls does not celebrate Halloween because of the legend of a curse.\n20 years ago, Curtis Danko (Brendan McCarthy), an artistic boy, was ostracized by \"normal\" people. When a competition was held for all the eighth graders to design a sculpture of their personal hero, Curtis kept his project covered during the day, then came to school at night to work by the light of captured fireflies. On Halloween night, Mike Kankel and his friends were walking by the school when they saw Curtis from the window, at work on his sculpture. When Kankel returned the next day, he noticed the kiln had been on all night and run out of fuel. He opened the door and found Curtis's charred skeleton and a message in the ashes, saying that if the town ever celebrated another Halloween, he would come back and destroy them. Kankel was struck blind for three days after seeing Curtis' finished statue. Everyone in the town believed the threat and, since then, Halloween has never been celebrated.\nDanny thinks it is a silly story, and runs home. James is rarely around, so Uncle Fred serves as a stand-in father for Danny. That night, James is planning to announce his \"Halloween Spooktacular\" idea to raise funds to re-open Walker Chocolates at the town meeting. Uncle Fred and Danny try to tell him that the townspeople will be too afraid to support the Spooktacular because of the curse, but James will not listen. At the meeting, Mayor Churney (Roy Billing) announces James, who is surprised to find the people of Walker Falls shudder at just the mention of Halloween. To bring the conversation back on track, his secretary passes out samples of chocolate, and James almost wins them over, but when he reveals his Spooktacular plans, the townspeople are terrified and run out of the building.\nThe next morning, there is a commotion outside the house. Halloween decorations are all over town, and a large pile of pumpkins has been discovered in the town square. When Uncle Fred lifts a pumpkin as he says \"Happy Halloween\", the entire pile rolls on top of him, killing him. Everyone in town is at Uncle Fred's funeral and Danny is very sad. As a memento, he lets his grandfather's favorite car shoot down the track and rest with his coffin.\nHowever, because of Uncle Fred's love of Halloween, the magic in the cemetery allows him to return as a zombie. Unfortunately, that same magic awakes others from their slumber, including Curtis. The zombies begin capturing all the townsfolk and gathering them to the creepy old Victorian style house chanting the phrase \"Statue.\" Meanwhile, Danny and Dayna try to explain to James and Nurse Taylor the situation. Uncle Fred reveals his zombie self to his son and Nurse Taylor, both fainting in the process. Zombies break into the house and Uncle Fred explains that Curtis might be behind the zombies awakening and tells them to escape while he holds the other zombies off. Unfortunately, he, his son, and Nurse Taylor are all captured, one of the zombies stating that Uncle Fred was the main part of the plan. Dayna pleads to stop and blames herself for trying to celebrate Halloween. Danny blames himself for being a coward and not standing up for himself.\nWhen everyone is gathered, Curtis reveals himself to the people. As he is about to reveal his statue, he is attacked and literally torn apart by Kankel. However, because Curtis is a zombie, he manages to pull himself together, and scare the wits out of Kankel. As Curtis pulls the shroud off of his statue, everyone covers their eyes in fear. Surprisingly, nothing happens. Everyone uncovers their eyes and Curtis' statue is revealed to be of Uncle Fred. Curtis then shows Uncle Fred a picture of the two of them, Uncle Fred shaking Curtis' hand, as it implied that Curtis looked up to him. Uncle Fred, still guilty about Curtis' death, wonders why he was a hero to Curtis as it was his kiln that killed him. Curtis then turns to Kankel and points to him, naming him as his killer.\nKankel confesses that the night Curtis died, he was working on the statue of Uncle Fred and as a prank to scare him, Kankel, Frady, and his group pushed Curtis into the kiln and locked him in it while taunting him. Suddenly, the janitor appeared and Kankel's group ran off. While cleaning the class, the janitor accidentally turned on the kiln; not realizing Curtis was in it. The next day, Kankel went inside the kiln and saw Curtis' corpse as well as the completed statue of Uncle Fred. To hide his crime, he made up the curse by pretending his eyes were burned when he saw the statue to make it seem like it was Curtis' doing. Kankel also reveals that the statue of Uncle Fred would have been voted to be put in town square, instead of Kankel's statue of his own father. It's revealed that Uncle Fred donated much time and money to the town's children, promoting creativity and imagination; thus, he was loved by many children; explaining why he was called \"Uncle Fred\" and why much of his actions were seen as childish to some. Kankel wouldn't stand for someone to promote things that were \"girly\" and wanted things \"manly.\" However, Kankel's action earns him the wrath of his father, Pops Kankel (Gordon Boyd), who is among the group of zombies and is upset at what he has done. He then grabs his son's ear and drags him out to \"give him a whooping he won't forget for the rest of his years.\"\nBy the end, the zombies and the townspeople applaud Curtis' statue. With that, Curtis has accomplished what he's done and bids farewell to the town, disappearing into the night, returning to his crypt to finally rest. Meanwhile, the other zombies bid farewell. Uncle Fred reconciles with James, saying this will be the last time he will see him on Earth, but he'll always be watching him on the other side. Danny and the others realize that they apologized and blame themselves for nothing. He then leaves with his wife, Dolores (Jenny Dibley) and the two join the other zombies, sharing one final dance with the fireflies, as all the entities slowly disappear dancing into the night. Danny and Dayna share a kiss, while James and Taylor hold hands as they watch the dancing zombies fade into the night.\nBy the end, German investors that spoke to James earlier love the concept of Halloween and decide to support him into reopening the family chocolate factory within two weeks. On Halloween day, children are seen dressing up in costumes and going trick-or-treating as a girl from one of the Halloween groups goes to Uncle Fred's statue in town square, where they're passing by, and says \"Happy Halloween.\" Then, after the girl leaves, Uncle Fred's voice is heard one last time replying back \"Happy Halloween.\"",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE]Movie with a male sex-worker robot as a main(ish?) character.\nI think this was a big blockbuster movie in the... early 2000’s? ",
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"content": "A.I. Artificial Intelligence.\nIn the 22nd century, rising sea levels from global warming have wiped out coastal cities, reducing the world's population. Mecha, humanoid robots seemingly capable of complex thought but lacking in emotions, have been created. \nIn Madison, New Jersey, David, a prototype Mecha child capable of experiencing love, is given to Henry Swinton and his wife Monica, whose son Martin contracted a rare disease and has been placed in suspended animation. Monica feels uneasy with David, but eventually warms to him and activates his imprinting protocol, causing him to have an enduring, childlike love for her. David seeks to have Monica express the same love towards him. He also befriends Teddy, Martin's robotic teddy bear. Martin is unexpectedly cured of his disease and brought home. Martin becomes jealous of David, and taunts him to perform worrisome acts, such as cutting off locks of Monica's hair while she is sleeping. At a pool party, one of Martin's friends pokes David with a knife, triggering his self-protection programming. David grabs onto Martin, and they both fall into the pool. Martin is saved before he drowns, and Henry convinces Monica to return David to his creators to be destroyed. On the way there, Monica has a change of heart and spares David from destruction by leaving him in the woods. With Teddy as his only companion, David recalls The Adventures of Pinocchio and decides to find the Blue Fairy so that she may turn him into a real boy, which he believes will win back Monica's love.\nDavid and Teddy are captured by a Flesh Fair, where obsolete Mecha are destroyed before jeering crowds. David is nearly destroyed himself and pleads for his life. The audience, deceived by David's realistic nature, revolts and allows David to escape alongside Gigolo Joe, a male prostitute Mecha on the run from authorities after being framed for murder. David, Teddy and Joe go to the decadent resort town of Rouge City, where \"Dr. Know\", a holographic answer engine, directs them to the top of Rockefeller Center in the flooded ruins of Manhattan and has also provided fairy tale information interpreted by David as suggesting that a Blue Fairy has the power to help him. Above the ruins of Manhattan, David meets Professor Hobby, his creator, who tells him that their meeting demonstrates David's ability to love and desire. David finds many copies of himself, including a female variant Darlene, boxed and ready to be shipped. Disheartened by his lost sense of individuality, David attempts suicide by falling from a skyscraper into the ocean. While underwater, David catches sight of a figure resembling the Blue Fairy before Joe rescues him in an amphibious aircraft. Before David can explain, Joe is captured via electromagnet by authorities. David and Teddy take control of the aircraft to see the Fairy, which turns out to be a statue from an attraction on Coney Island. The two become trapped when the Wonder Wheel falls on their vehicle. Believing the Blue Fairy to be real, David asks the statue to turn him into a real boy, and repeats this request until his internal power source is depleted.\nTwo thousand years later, humans are extinct and Manhattan is buried under glacial ice. The Mecha have evolved into an advanced form, and a group of them called the Specialists have become interested in learning about humanity. They find and revive David and Teddy. David walks to the frozen Blue Fairy statue, which collapses when he touches it. The Specialists reconstruct the Swinton family home from David's memories and explain to him, via an interactive image of the Blue Fairy, that it is impossible to make David a real boy. However, at David's insistence they use their scientific knowledge to recreate Monica through genetic material from the strand of hair that Teddy kept. This Monica can live for only one day, and the process cannot be repeated. David spends his happiest day with Monica, and as she falls asleep in the evening, she tells David that she has always loved him: \"the everlasting moment he had been waiting for\", the narrator says; \"David falls asleep as well and goes to that place 'where dreams are born.'\"",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][TV][1990s] Late night show (Nickelodeon?) - This episode(?) had a girl that caused people to die if they had sex with her..\nSo when I was a kid, I remember seeing this TV show (that more closely resembled an Anime) very late at night on the Nickelodeon channel.\n\nIt was about a girl, and if she had sex with someone, that guy would die eventually. And there was this particular scene I remember, where some type of \"rock monster\" (or a guy made out of rocks) was going to have sex with her, and it showed a little bit of the foreplay, then cut to the next scene.\n\nLater in the same episode, that rock monster was fighting(?) with someone, and all of a sudden blood starts gushing out of the gaps between the rocks that made up his body. And then he just explodes.\n\nAnd there was also this other scene in the same episode, where some guy (which was the protagonist) was talking to this girl, and he was going to die for some reason. And the girl was trying to convince him to have sex with her so that he could live. But he was saying 'no', that he didn't want to use her like that. I don't know what their relationship was otherwise.",
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"content": "Ninja Scroll.\nIn Edo period-Japan, the Yamashiro clan mines gold in secret, and sends a shipment to the Toyotomi Shogun of the Dark as payment for his protection. The Shogun of the Dark intends to use the gold to buy advanced Spanish weaponry and overthrow the current government, the Tokugawa Shogunate. The ship runs aground onto Mochizuki territory in a storm, and the Eight Devils of Kimon, a ninja team with supernatural powers in the employ of the Yamashiro, kill the people of the nearby village of Shimoda to keep the gold shipment a secret.\nWhile investigating the deaths, a Mochizuki Koga ninja team is massacred by the Devils. The sole survivor, the kunoichi Kagero, is captured by a Devil, Tessai, who rapes her. She is rescued by Kibagami Jubei, a mercenary ex-Yamashiro ninja, who fights and eventually kills Tessai. Dakuan, a Tokugawa spy, blackmails Jubei into helping him kill the remaining Devils. To ensure his compliance, Dakuan stabs Jubei with a poisoned shuriken, and promises to give him an antidote once the mission is complete. Jubei learns from Dakuan that the leader of the Devils is Himuro Genma, the former Yamashiro ninja leader, who had ordered his team's members to kill each other to cover up the location of the goldmine five years earlier. Jubei, who had been forced to kill his comrades to survive, decapitated Genma in revenge; Genma survived due to his immortality.\nJubei is attacked by another Devil, Benisato, but he is saved by Kagero; before she can be questioned, Benisato is killed from afar by Yurimaru, Genma's right-hand man, for failing her mission. Kagero agrees to work alongside Jubei and Dakuan, who informs Jubei that her body is infused with such deadly toxins that anyone who kisses or sleeps with her dies, which was why Jubei could kill Tessai.\nThe trio arrive in Shimoda, where they discover that the villagers died due to their water supply being poisoned, making it appear that they were killed by a plague. Jubei and Kagero fend off attacks from three of the Devils – Mushizo, Zakuro, and Utsutsu Mujuro; Jubei succeeds in killing Mushizo and Utsutsu. After finding the beached ship, Kagero deduces that the gold has been taken to Kashima Harbour, where it will be transported to the Shogun of the Dark in another ship.\nJubei, Kagero, and Dakuan arrive at Kashima, which has been evacuated due to the townspeople's fear of the plague. While Jubei battles another Devil, Shijima, Kagero sends a message to Sakaki Hyobu, the Mochizuki chamberlain, to bring his army to the harbour. She also learns from Dakuan that Jubei's poisoning will only be cured if he copulates with her – the poisons in her body will counteract his. Kagero is captured by Shijima, and Jubei kills him, rescuing her once more. Kagero asks Jubei to sleep with her to cure himself. He decides against it, and upon the arrival of the Shogun of the Dark's envoy in a ship, he leaves to prevent the gold reaching its destination.\nKagero arrives to meet Sakaki, but he stabs her, revealing himself to be Genma in disguise. Enraged, Jubei fights through waves of ninjas, but is nearly killed by Yurimaru. A gunpowder-rigged rat, left as a trap by Zakuro for Yurimaru for rejecting her advances, kills him, allowing Jubei to escape. He finds Kagero; mortally wounded, she admits her love for him and they kiss, curing Jubei's poisoning. Before dying, Kagero gives Jubei her headband.\nJubei and Dakuan board the departing ship. On board, Genma reveals his true intentions to the Shogun of the Dark's envoy (who he kills) – he intends to use the gold to raise a ninja army to terrorize Japan, rather than serve as an ally to the Toyotomi. During an altercation with Zakuro, Jubei and Dakuan set the ship ablaze. As Jubei and Genma engage in a brutal fight, the gold becomes molten and engulfs Genma, who sinks to the bottom of the sea. Afterwards, Dakuan thanks Jubei, and expresses admiration for his and Kagero's humanity. Jubei resumes his vagabond lifestyle, with Kagero's headband tied around his sword's hilt.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE][1940s] Black and white film where a fair-skinned woman who is actually from an African-American family uses her fair skin to her advantage until she's found out. She and her mother work on a racist woman's property, who has a change of heart shortly before she dies..\nI want to describe the house as a plantation, but I'm not 100% sure. I just remember the property was large. I'm fairly certain the movie title was the name of the main character. When the property owner dies, she bequeaths the property to the main character and her mother, but because they're African-American, they have to go through a very lengthly court battle, but eventually win the estate and convert it to a school since I believe the mother and many others in the community were illiterate. \n\n\nI also remember the main character was getting married to a man, if not, they were some form of lovers. The man is unaware of the woman's background, and upon finding out, needs a minute to comprehend things before deciding that he has no issue with it, instead focussing on her character. I also remember a conflict between her and her mother, though I can't recall over exactly what.",
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"content": "Pinky (film).\nPinky Johnson (Jeanne Crain) returns to the South to visit Dicey (Ethel Waters), the illiterate black laundress grandmother who raised her. Pinky confesses to Dicey that she passed for white while studying to be a nurse in the North. She had also fallen in love with white Dr. Thomas Adams (William Lundigan), who knows nothing about her black heritage.\nPinky is harassed by racist local law enforcement while attempting to reclaim money owed to her grandmother. Later two white men try to sexually assault her. Dr. Canady (Kenny Washington), a black physician, asks Pinky to train black students who want to become nurses, but Pinky tells him she plans to return North.\nDicey asks her to stay temporarily to care for her ailing, elderly white friend and neighbor, Miss Em (Ethel Barrymore). Pinky has always disliked Miss Em and lumps her in with the other bigots in the area. Pinky relents and agrees to tend Miss Em after learning that she personally cared for Dicey when she had pneumonia. Pinky nurses the strong-willed Miss Em, but does not hide her resentment. As they spend time together, however, she grows to like and respect her patient.\nMiss Em bequeaths Pinky her stately house and property when she dies, but greedy relative Melba Wooley (Evelyn Varden) challenges the will. Everyone advises Pinky that she has no chance of winning, but something she herself does not fully comprehend makes her go on. Pinky begs retiring Judge Walker (Basil Ruysdael), an old friend of Miss Em's, to defend her in court. With great reluctance, he agrees to take the case. Pinky washes clothes by hand when her grandmother is sick in order to pay court expenses. At the trial, despite hostile white spectators and the non-appearance of the only defense witness, presiding Judge Shoreham unexpectedly rules in Pinky's favor. When Pinky thanks her attorney, he coldly informs her that justice was served, but not the interests of the community in his opinion.\nTom, who has tracked Pinky down, wants her to sell the inherited property, resume her masquerade as a white woman, marry him and leave the South, but she refuses, firmly believing that Miss Em intended her to use the house and property for some purpose. As a result, they part. In the end, Pinky establishes \"Miss Em's Clinic and Nursery School\" within her community.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE] A cgi sci-fi movie.\nI saw part of a movie in the tv during my childhood, sometimes between 2000-2010 (Sorry I'm not sure when exactly). It was a sci-fi and cgi. There were some monsters in a crater if I recall correctly. The monsters killed people by pulling their souls out, at least that's what it looked like. I also remember that there was a superweapon that could only be shot limited times per day and they wanted to use it to eliminate the monsters in the crater, but it was over the daily limit and exploded. It scared me as a kid, but I'm really curious about it now.",
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"content": "Final Fantasy: The Spirits Within.\nIn 2065, Earth is infested by alien life forms known as Phantoms. By physical contact Phantoms consume the Gaia spirit of living beings, killing them instantly, though a minor contact may only result in an infection. The surviving humans live in \"barrier cities\", areas protected by an energy shield that prevents Phantoms from entering, and are engaged in an ongoing struggle to free the planet. After being infected by a Phantom during one of her experiments, scientist Aki Ross (Ming-Na) and her mentor, Doctor Sid (Donald Sutherland), uncover a means of defeating the Phantoms by gathering eight spirits, unique energy patterns contained by various lifeforms. When joined, the resulting energy wave can negate the Phantoms. Aki is searching for the sixth spirit in the ruins of New York City when she is cornered by Phantoms but is rescued by Gray Edwards (Alec Baldwin) and his squad \"Deep Eyes\", consisting of Ryan Whittaker (Ving Rhames), Neil Fleming (Steve Buscemi) and Jane Proudfoot (Peri Gilpin). It is revealed that Gray was once romantically involved with Aki.\nUpon returning to her barrier city, Aki joins Sid and appears before the leadership council along with General Hein (James Woods). Hein is determined to use the Zeus cannon, a powerful weapon aboard a space station, to destroy the Phantoms, though Sid is concerned the cannon will damage Earth's Gaia (a spirit representing its ecosystem). Aki delays the use of the cannon by revealing that she has been infected and the collected spirits are keeping her infection stable, convincing the council that there may be another way to defeat the Phantoms. However, this revelation leads Hein to incorrectly conclude that she is being controlled by the Phantoms. Aki and the Deep Eyes squad succeed in finding the seventh spirit as Aki's infection begins to worsen and she slips into unconsciousness. Her dream reveals to her that the Phantoms are the spirits of dead aliens brought to Earth on a fragment of their destroyed planet. Sid uses the seventh spirit to bring Aki's infection back under control, reviving her.\nTo scare the council into giving him clearance to fire the Zeus cannon, Hein lowers part of the barrier shield protecting the city. Though Hein intended that only a few Phantoms enter, his plan goes awry and legions of Phantoms invade the entire city. Aki, Sid and the Deep Eyes attempt to reach Aki's spaceship, their means of escape, but Ryan, Neil and Jane are killed by Phantoms. Hein escapes and boards the Zeus cannon's space station, where he finally receives authorization to fire the cannon.\nSid finds the eighth spirit at the crater site of the alien asteroid's impact on Earth. He lowers a shielded vehicle, with Aki and Gray aboard, into the crater to locate the final spirit. Just before they can reach it, Hein fires the Zeus cannon into the crater, not only destroying the eighth spirit but also revealing the Phantom Gaia. Aki has a vision of the Phantom home planet, where she is able to receive the eighth spirit from the alien particles in herself. When Aki awakens, she and Gray combine it with the other seven. Hein continues to fire the Zeus cannon despite overheating warnings and unintentionally destroys the cannon and himself. Gray sacrifices himself as a medium needed to physically transmit the completed spirit into the alien Gaia. The Earth's Gaia is returned to normal as the Phantoms ascend into space, finally at peace. Aki is pulled from the crater holding Gray's body, and is seen looking into the newly liberated world.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE] TV movie about a missing baby/the trial.\nThere's a movie I liked watching when I was younger about an infant who goes missing, and a search is commenced. The baby's body is found and investigation follows and the mother is put on trial and found guilty. I believe the mother was blonde. It was set in the USA. The baby went missing from its bedroom (I think) When I think back on it, it had a TV movie vibe. I know this isn't much to go on but I've been trying to figure out what it is.\n\nMy mother had it taped on a VHS and I think I first watched it in late 90s/early 2000s. ",
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"content": "Precious Victims.\nPaula and Robert Sims are desperate: their 12 day old baby has been kidnapped. Since there's no trace of the kidnappers, they address the public for help. Their daughter is found dead shortly thereafter. When the same happens three years later to their second daughter, Sheriff Yocom becomes suspicious.::Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [MOVIE] I saw this movie in the 90s and I need help remembering it!.\nI can't remember too much about it....perhaps they were at a camp or something. It centers around a girl maybe 12 or so. I THINK maybe the plot is her pretending to be a boy for some reason? The main detail I can remember is that it plays that song i wear my sunglasses at night. It has been driving me crazy for forever trying to recall it! Anyone have any idea?",
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"content": "The Challengers (film).\nAfter her father dies, Mackie and her mom move to a new town.\nAs she makes new friends, she discovers a band she wants to join.\nThe only problem is, the band consists of only boys and no girls are allowed.\nShe comes up with the idea to dress like a boy to join the band and be part of \"The Challengers\".\nBalancing out between dressing up as a guy in the band and a being normal girl with her best friend Jenny is harder than she thought.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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] |
{
"content": "[TOMT][MOVIE][2000s] A movie about a(n) (abused?) woman living in a dirty apartment and a guy that ?falls for her?.\nI think maybe the guy worked in a movie rental store and the girl had been abused by her dad that is rich and just pays her rent for her.\n\nShe never leaves her apartment or something, and he takes an interest in her and tries to get to know her? Lotta maybes.",
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"content": "Good Dick.\nA video store clerk stalks, spies on and manipulates a reclusive woman, who often comes to the video store where he works to rent soft-core porn. Eventually, despite his strong optimism, her dislike of sex and resulting defensiveness drives them apart. It is revealed toward the end of the film that her dislike of both sex and relationships was fueled by sexual abuse at the hands of her father. The film ends with a confrontation with her father, and ultimately Ritter's character reuniting with her.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE][1990s-2000s].\nIn this movie, there's a feud between two business partners, one of the partners dies. The wife is devasted, the other partner was up to shady stuff and I think he killed the wife's husband. I want to say he finds a way to come back, either possessing a dog or something to that effect. I know this isn't much to go on. I remember the two leads being black/dark brown haired.",
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"content": "Fluke (film).\nFluke is a mutt puppy (a wrong colored Golden Retriever, played by dog actor Buddy, voiced by Sam Gifaldi), who has flashing memories and dreams of having lived a human life. After being taken to a pound and eventually escaping, he is raised by an elderly homeless woman named Bella (Collin Wilcox Paxton), who gives him the name Fluke, stating that he is a \"fluke by nature, Fluke by name.\" Fluke supports Bella by helping her earn money from passing strangers, who are impressed with Fluke's ability to beat Bella's shell game.\nAfter Bella dies of an illness due to poor conditions, Fluke meets a street-wise dog named Rumbo (voiced by Samuel L. Jackson) who takes him to see a man named Bert (Bill Cobbs) who feeds Fluke and Rumbo. Fluke matures into an adult dog (now voiced by Matthew Modine) and eventually realizes that he was once a man named Thomas P. Johnson (also portrayed by Matthew Modine), who died in a car crash.\nFluke is then abducted by a man named Sylvester (Ron Perlman) to be used in makeup experiments at a cosmetics company. During his captivity, Rumbo comes to the rescue, but is shot by Sylvester as he and Fluke escape. A dying Rumbo tells Fluke that the black-and-white snapshot of a man in a sailor suit on Bert's wall was him and Bert was his brother and that he wishes to smell the sea again, suggesting that he died in the line of duty.\nAfter Rumbo's death, Fluke seeks out his surviving wife Carol (Nancy Travis) and son Brian (Max Pomeranc) and reunites with them by becoming their new family dog. Though Carol, implied to be afraid of dogs, is apprehensive about adopting Fluke, she caves in seeing how Brian has quickly bonded with Fluke. During his life as a dog, Fluke gets to know his family better and bitterly realizes, much to his regret, that he had been a distant workaholic.\nAs more memories return, Fluke suspects that his human death was caused by his former business partner Jeff Newman (Eric Stoltz). Enraged by this and the fact that Jeff is now dating Carol, Fluke viciously attacks him when he visits the house, and ends up getting put outside. Jeff calls for Animal Control against the protests of Brian, and so Fluke is forced to run from the premises.\nThe next night, Brian goes missing while looking for Fluke and Carol implores Jeff to help, so Jeff drives back to their house. Fluke, who had been hiding in the backseat of Jeff's car while the latter was at work, comes close to killing Jeff by causing him to get into a car accident like his own. Fluke then has another flashback and realizes that Jeff wasn't responsible for his death. Instead, Fluke had caused his own death when he recklessly drove on the wrong side of the road just to argue with Jeff one night and swerved off to avoid hitting an oncoming truck. Jeff later tried to save him but failed. An injured Jeff, implied to have realized Fluke's true identity but bearing no ill will, tells Fluke to go find Brian before the latter catches hypothermia from the falling snow. Regretful over his actions, Fluke barks for a passing driver to help Jeff before running off.\nOn a hunch, Fluke goes to the graveyard where he had been buried and finds Brian there, who had been locked in by an unaware groundskeeper. Fluke huddles with Brian to keep him warm. Carol, having come to the same conclusion from one Brian's drawings of his father, uses her car to break open the cemetery gates and picks up Brian. Brian tells Carol that he heard Fluke tell him in a vision that Fluke had to leave them. Carol tries to coax Fluke to come home with them. Instead, Fluke digs away at the snow in front of his tombstone to show Carol who he really is by uncovering the word \"forever\" at the bottom, a phrase he often said to her as a human. Carol is left speechless, and lets Fluke leave without objection. With a heavy heart, Fluke departs and entrusts his family to Jeff for their happiness. He monologues that he had to leave because he finally accepted that he can no longer be the family man he should have been, and that he should just cherish the life he has now, which he had not done back then.\nFar away and sometime later, Fluke is resting under a tree on a farm by himself. To his surprise and happiness, he is reunited with Rumbo, now reincarnated as a squirrel. Rumbo tells Fluke about life as a squirrel and about reincarnation.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [SHOW] [00s/10s] Memories of show driving me crazy.\nI have this show stuck in my head from when I was younger. It was a cartoon about this ninja type warriors who each had the powers or spirit of an animal, like snake dragon monkey etc. I think it was shown on the channel kix. I think there was a street fighter type game made of it on the ps2. Don't really have much more info it's driving me crazy.",
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"content": "Legend of the Dragon (TV series).\nThe show starts when the previous golden dragon has passed on to the afterlife and Ang and Ling Leung, fifteen-year-old fraternal twins are next in line for the Golden Dragon power band. Ang has no belief that he will become the Golden Dragon, as Ling is the best fighter at the dragon dojo. Ling is positive that she will become the Golden Dragon. However, when Master Chin calls upon the power of the Golden Dragon to choose who will be the next golden dragon, it chooses Ang. Humiliated and furious, Ling storms out of the temple and is tempted by the ultimate dark and evil power of the shadow dragon. From then on, Ang is forced to fight his own twin sister.::Anonymous",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE] a woman that slept with a German that got shot by a British soldier.\nThis was back in **1997** when I was very young I saw it in Romanian TV it was an English movie.\n\nIt was a story about a woman that slept with a German soldier but after the Allies invaded she was in a romantic affair with a British soldier as she was trying to hide the fact that she was in love with a German but the British soldier was not aware of this but when he was informed of this as well as she was going to be arrested as a collaborator the British soldier ~~shot her.~~ correction she was not shot her throat was slit.\n\nAnd from what I remember after he slit her throat he put his British uniform and left the house and that was the ending of the movie but obviously there's more in the movie hence why I'm trying to look for it but I cannot for the life of me find it.\n\nMaybe there's a small chance that some of you might know what I'm talking about and what this movie is.\n\n**Update:** a little bit more detail from what I remember.\n\nIt was clearly a British movie she spoke with a French accent and the British soldier she was with clearly had a uniform he even had a beret I don't recall if it was red or black come to think of it I think it was brown.\n\nFrom what I remember she tried to explain to the British soldier. saying to him. \"I fell in love with a German\" and there was a bit of flashback on how she met that German.\n\nAlso from what I recall they were living in a house together and because of the Allied invasion the British soldier was looking for a place to stay and he saw this attractive woman and he followed her and this is how he got romantically involved with her without knowing her pass.\n\nThat is most of what I can recall of that movie but I do remember the channel where I watch it. it was Pro TV Romania with Romanian subtitle.\n\n**Update: Movie name: A Soldier's Tale (1989)** \n",
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"content": "A Soldier's Tale.\nA British soldier falls in love with a French woman wanted by the resistance for crimes against her country.::Anonymous",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [MOVIE] [80’s] it was a film about a young girl who owned a jewellery box that played Fur Elise I believe. I think she was dying of an illness..\n\nShe meets a boy who I think was part of a travelling carnival or fair. He and his friends have found the answer to eternal life through water from this specific place. \n\nIn one scene someone falls from a Ferris Wheel and survives unscathed due to having drank the magic water. \n\nThe boy falls in love with the girl and gives her some of the water but in the end it turns out she gave it to her pet tortoise who is seen crossing the road at the end of the film.",
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"content": "Tuck Everlasting (1981 film).\nThe story involves the Tucks, a family who drank from a magic spring from the Fosters' little forest and became immortal (hence the name \"Tuck Everlasting\").\nDuring an autumn harvest carnival in the fictional town of Treegap at the turn of the century, somewhere in upstate New York, a young man named Jesse Tuck (Paul Flessa), who is immortal, is riding on the Ferris wheel where he works. He decides to show off to the crowd by doing dangerous stunts. People begin to notice, including a man in a yellow suit. The man who runs the Ferris wheel stops its motor, causing it to stop spinning, which leaves Jesse on top. A constable threatens to charge the man if the boy gets hurt. Jesse begins doing dangerous stunts which frightens the crowd. The Ferris wheel's brake fails and when somebody bumps into it, it causes the wheel to turn, causing Jesse to fall to the ground, causing people to think he is dead. After sitting, Jesse opens his eyes and jumps up, scaring the crowd. Angered, the constable runs after Jesse.\nMeanwhile, a very, bored 12-year-old girl Winifred Foster (Margaret Chamberlain) is sitting on her front lawn. She is so bored that she begins talking to a turtle which goes waddling by. She tells the turtle how much she hates it at home, and that she is not allowed to go to the fair. Two boys talking about Jesse are walking by. After talking to the turtle her mother and Grandmother call her in for lunch and then to practice piano. She says goodbye to the turtle as it goes to hide in a bush.\nThe next scene shows the Tucks at their pond on the other side of the wood, at their brown one-story house. Mae Tuck (Sonia Raimi) is talking to Angus Tuck (Fred A. Keller) about getting ready for their ten-year reunion with their boys, Jesse and Miles, and that nothing is going to change. Tuck warns her about going into town or the woods, but she disregards his warning. She then asks Tuck to fix her music box even though she is leaving in a few hours. He makes up excuses not to fix it but he agrees to fix it when she's back. She says she promised to keep it going as long as she lived. After Tuck asks what the boys have been doing, she then turns to talking about how fast time flies. And states 10 years is \"as long as it takes to make a pot of coffee.\" She is on her horse in the late afternoon admiring the mountains and grasslands and cornfields of the upper New York countryside. Somewhere in the woods is a great beech tree with a spring nestled within its roots.\nMeanwhile, Winnie is allowed outside again, as her mom practices piano. She swings on her swing, which resembles a noose. She then looks at the bush the turtle hides in, and notices it covered with fireflies. She manages to catch one. The man in the yellow suit (James McGuire) appears. He greets her and starts asking questions about fireflies but it then turns to questions about her personal life after she loses the firefly. After asking her if they have lived there long, she responds that they have lived there forever. Her grandmother notices the man and comes out and asks the man what he is doing on their property. She hears the sound of Mae's music box but she's certain it's elves that live in the woods and come out every 10 years. That night Winnie listens to her Grandmother telling Winnie's parents that the music is the elves, but her parents object. Father, Mr. Foster (Marvin Macnow) tells the Grandmother to cut it out because he doesn't want Winnie in the woods due to a murder which occurred there.\nThe next morning, the milk float for the town comes to their house. Winnie takes her chance to escape while mother and the milkman are talking about the elves and Tom Sullivan (the man who killed his wife in the wood.) She doesn't know that the man is watching her, as he had been hiding there overnight. She runs to the entrance of the wood and then walks slowly and admires the wildlife running around and listens to the birds chirp. She notices the large beech tree, and she sees Jesse in one of the branches. He notices her staring and jumps down. He then starts drinking out of that little spring under it. They begin talking, but Winnie wants a drink, he refuses to let her drink from the spring. After she asks how old he is, he says 104, but then says he's 17. She feels the water, noticing that it's clean and cold, but he interrupts saying it's terrible, and keeps her from drinking. She tries to drink it but he pulls her back and helps her climb the tree, as it's nice and cool. Mae arrives with Miles, still playing the music box. Winnie recognizes it, saying it's elf music, but Jesse tells her it's just their mom. Winnie's grandmother comes near, so the Tucks bring Winnie to their place. On the way there the man in the yellow coat arrives with a gun in his hand, and he starts asking the Tucks questions. He says the gun doesn't work before firing it at Miles, who is unharmed. They both claim it was just a misfire, but Miles was actually shot. As the Tucks continue on to their house, Jesse shows off his immortality by jumping into a deep part of the river. After Winnie begins panicking when he doesn't surface, Jesse appears suddenly quite unharmed. Unknown to them, the man in the yellow suit was watching the entire time.\nThey arrive at Tuck's house where Tuck is outside working on his wooden horses. Tuck is surprised to see her and suggests she go swimming with the boys, which angers Mae. Winnie enjoys watching them play in the pond. While Jesse and Winnie are playing, the rest of the Tucks became increasingly worried about the man in the yellow suit. At dinner time, Winnie gets lonely and asks to be taken home. They then tell her their story. \nTuck says that 87 years ago, they came from the east, to find a place to live, and at the time, it was part of a large forest, and after a while of traveling they came to the area which is the now the wood. So they rested by the beech tree and drank the water - everybody (including the horse) except the cat. They later developed a farm, and a house, and began living a good life. At one point Jesse fell out of the tree and it was believed that he broke his neck, but he was completely fine. Later one night hunters saw the horse and shot it, mistaking it for a deer. The horse was also unharmed, without even a mark. Tuck got bit by a copperhead, Jesse ate poison mushrooms, and Mae cut herself slicing bread, all without being harmed. After making friends, they realized that they were not getting any older. Miles was then more than 40, had a wife and a daughter, but he still looked to be 25. Their friends began to leave them and there was talk of witchcraft and black magic. They were forced to leave the farm, but later went back and noticed the tree and the spring. The tree hadn't grown one width since they saw it, and realized it must've been the spring. Tuck then demonstrates his invulnerability by melting a spoon in a fireplace using his bare hand and making a ring out of it. \nEarly the next morning, Tuck takes Winnie out on a rowboat out on the pond and tells her the dangers of selling the water, as somebody will most likely make it into a business, and just that little spring could create a world war. Meanwhile, the man in the yellow suit steals the Tuck's horse and rides off. While Tuck is giving good advice, he is interrupted when Miles yells that the horse had been stolen. They believe the man stole it, they ask Winnie and she tells them about the man asking questions and coming to her house but she couldn't finish as she begins crying into Tuck's chest while he hugged her. Tuck says, \"I forgot what it was like being scared.\" Mae is up in the attic area where doves live, and so she \"uncorks the bender.\" Music begins to play and they dance around. Winnie and Mae talk about Jesse and they have a \"woman to woman\" talk. Later that night, as Winnie's sleeping on the couch, Jesse wants her to drink the water when she's 17 so they can be with each other forever.\nMeanwhile, the man rides Tuck's horse to the Fosters house where he makes a deal - he'll find Winnie with the constable and look for her if they give him the wood. They don't know why he wants it, but they agree. That night, the man and the constable ride into the forest to search for Winnie, but they split up as the constable's horse needs to rest.\nThe next morning there is a layer of snow on the ground. At breakfast time, Tuck begins to mention his concerns about the horse. Miles couldn't get any fish for flapjacks as the pond is too icy. Jesse comes down for breakfast and Tuck asks Winnie if she wants to come home but the man in the yellow coat interrupts them. He tells about how he was a little kid and was told tales about a family that would never die. He pulls out a pistol and pulls Winnie outside, threatening to make her drink the water and use her as a circus show. He plans to make the water a business, which Tuck had warned about. He puts the gun to Winnie's head and threatens to kill her when Tuck shoots the man in the spine, sending him flying off of the hill and landing on a branch. The constable surprises them, and introduces himself as Constable Thomas. Tuck is arrested and put in the town jail. If the man survives, Tuck will be free, if he dies, then he will be sentenced to death by hanging. The next day Winnie is back home but is only sitting sadly on her swing. They believe she's in shock and think she had a horrible experience.\nThe next morning, the milk wagon comes, and the milkman says the man died that night, and Tuck will be hung. As the carriage is leaving, Jesse jumps off the back, and when Winnie tells him, Jesse says they will break Tuck out of jail at midnight. That night, Jesse comes by Winnie's window and they run by foot to the sheriff's place. They use Roman candles and firecrackers to distract the constable, as he deals with a group of teenagers who he believes are lynchers while the Tucks are busy at work. They replace Tuck with Winnie and they all say goodbye to her.\nA few years later, as Winnie is home with her aging grandmother, the doorbell rings and a salesman is selling turtles for stew. Winnie notices one of the turtles and realizes that it's her turtle. She gets to keep it but the man warns her that if he finds it again, it will be made into stew. Winnie upset, runs upstairs to her room. Winnie, a teenager now, still has a bottle of the spring water that Jesse gave to her and pours it all over the turtle. Afterwards she realizes that if someone tries to kill it and it doesn't work, they'll wonder, so she puts it into the woods and hides it.\nThere is an epilogue at the end. It's the late 1970s and Mae and Tuck are driving a Late 1960s Chevy C/K and they are saddened and also surprised how much changed over the years. They decide to stop and ask where Winnie lives. They drive through the modern day Treegap and stop at a diner and grab a coffee. They ask the waitress behind the counter about the wood, she tells them that lightning destroyed the whole forest and was replaced by a bunch of houses. The waitress asks a customer who says last he heard when one of the sons became elected to Congress. They find a cemetery and find out that Winnie died in 1976. While sad that she had passed away, they were glad that she didn't drink the water. Jesse's working back at the carnival, now modern and meets a girl on a carousel named Katheryn Foster, most likely Winnie's granddaughter. Mae and Tuck get back into their truck when Tuck notices the turtle. He moves it while saying, \"Darn fool thing thinks it's gonna live forever.\" The movie ends with the truck driving away back east never to return. The last shot shows Winnie's turtle, watching the cars pass as the credits roll.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [MOVIE] Lonely Goalie Wants to Follow His Dream (to open restaurant)..\nIt's basically a French Canadian movie released in the late eighties or early nineties (definitely before 1995) and I may have got the some of the details mixed up.\n\nIt's about this guy who is basically going through the motions in life, working and playing as a goalie in his intramural hockey league. Then along comes a con man and shakes him out of his doldrums. I initially thought it was Maury Chaykin or Bob Hoskins, but none of the films in their IMDB match up with this description so it's another character actor altogether.\n\nThe guy gets a girlfriend. Near the end of the movie, his team is barely hanging on in the championship because of his effort, and the coach makes a speech during the intermission to put out some effort since central character's helping the team to try to achieve their dream. Another player heads the puck into the opponent's goal and they win.\n\nThe con man was about to run off with the money (I think), but somehow the main character opens a restaurant with his girlfriend and there may have been magical lighting (aka Christmas lights) when he achieves his dream in the end so even though he was being conned, his life still turns out better in the end.",
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"content": "Perfectly Normal.\nA shy young man with a passion for opera has his world turned upside down by a con artist who really does have a heart of gold.::amyghost",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][Movie] Indian Action Film where hero is surrounded by like a hundred shirtless body builders who all start flexing their pecs..\nI've honestly never seen this film, I saw this one clip of it I believe on Facebook in a group somewhere. All the actors looked Indian (as in from India) and I believe the main character had a thick mustache. Right before the fight scene there was just a huge room full of body-builder looking guys with their shirts off, and they all start flexing their pectoral muscles to intimidate him before they start fighting.\n\nIt's both hilarious and awesome, I'd love to know what the film is called.",
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"content": "I.\nA deformed hunchback kidnaps a bride on the day of her marriage and holds her hostage while his connection to her and his targets is revealed in a series of flashbacks that unfold as he starts seeking revenge.\n\nA top shot model Diya (Amy Jackson) falls in love with Mr. Tamil Nadu Lingesan (Vikram), and together they become the most wanted model pair in the country. When Lingesan rejects an advertisement of a wealthy businessman (Ramkumar), who gave him the big break into ad world, he plans revenge against him. Now, he is joined by a greedy model (Upen Patel), lusty doctor (Suresh Gopi) and a trans-gender stylist who are out to cause massive damage to Lingesan's life which is worse than death. The rest of the story is how Lingesan takes revenge against these powerful people in the society.::Ravi",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [MOVIE] [1990s?] philosophy movie about three professors just talking about stuff..\nSo when I was in college, my Philosophy teacher showed us a movie. It didn’t have much action. It was just about three professors walking around some kind of palace or old building (might have been a college campus?) talking about philosophy in general. ",
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"content": "Copenhagen (2002 film).\nA television adaptation of 'Michael Frayn' (qv)'s celebrated and award-winning stage play about the meeting between physicists 'Niels Bohr' (qv) and 'Werner Heisenberg' (qv) in 1941 _Copenhagen_ (qv). At this time the young Heisenberg was leading a faltering German research program into nuclear energy, while the middle-aged and apparently isolated Bohr was in contact with allied agents, and still held a position of great influence in the nuclear physics research community. After the meeting the two men put different interpretations or impressions of why Heisenberg requested the meeting, and what he hoped to gain from it, a theme which mirrors the ambiguity of the \"_Copenhagen_ (qv)\" interpretation widely used in quantum physics. Did Heisenberg go to the avuncular Bohr to seek his blessing for his role in nuclear research? Why did Heisenberg concentrate on the development of a nuclear reactor, and not perform the calculations which would show that a bomb could be made to work via a fast-neutron reaction in Uranium 235? These and other questions feature in the plot, although unsurprisingly there are few certain answers.::Simon Shearn",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][Movie] A horror movie from the past five years..\nIt's a movie where a guy keeps his friend hostage in order to get him clean. They stayed holed up in an abandoned trailer, and then a video appears and it shows their future selves. I think each video gets closer and closer in time. \n\nThe movie starts with an \"R\"",
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"content": "Resolution (film).\nMichael Danube, a graphic designer living in the city with his pregnant wife, receives an email containing a video of Chris Daniels, his former best friend. Chris, a drug addict, has retreated to a remote rural area and has become delusional and erratic. A map is included with the video. Despite his wife's objections, Michael makes one last attempt to save Chris. He promises to return after one week and follows the map.\nAt his destination, Michael hears Chris ranting and shooting a pistol. Chris invites Michael in and starts ranting about various subjects. When Chris refuses to go into rehab, Michael subdues him with a stun gun, handcuffs him and goes to a nearby town to shop for supplies. In the morning, Michael staves off an attempted attack from Chris.\nLater, Micah and Billy, Michael and Chris' old acquaintances, arrive and ask for their drug, which Chris is holding. After Michael drives them off, Chris warns him against messing with them, as they have become violent and unpredictable. As he takes a walk, Michael meets members of a UFO religion, then returns to the house and finds a set of strange photographs. Micah and Billy return, but Charles, a tribal security guard chases them off. Charles tells Michael that Chris is squatting on reservation land, but accepts Michael's bribe in exchange for letting them stay for five days. \nAfter they discover creepy film footage, Chris denies sending any emails or videos. Michael finds a book full of creepy campfire stories on their doorstep, and, when he returns the book to the library, finds film slides. Confused by the items that seem purposefully left for them to find, Michael suggests that it is a prank by Billy and Micah, which Chris dismisses.\nMichael continues to find clues strewn about the area. When he bribes Charles for information, Charles warns him against digging into the past, only saying French students used the area for research. They encounter a con artist who offers to buy the house and leaves after Michael says that they are only \"renting.\" Michael re-watches the video he received in the e-mail and finds it has changed, it now shows an argument that Michael and Chris had moments before. Billy and Micah return and kill a dog that Chris had adopted, and Chris reveals that he is suicidal. \nMichael tracks down the dog's original owner, an archeologist named Byron, a member of the original French research team. Byron believes the area is not haunted; instead, \"something\" there desires stories. Byron stresses the need for a beginning, middle, and end. Unnerves by Byron's eccentricity, Michael leaves.\nAs more clues appear from nowhere, the film projector Michael has been using turns on and projects the gruesome deaths and funeral photos of himself and Chris. Michael's laptop plays a video depicting their deaths at the hands of Micah and Billy. The two flee the house, only to find a CD that has a recording of Charles murdering them and burning down the house. Chris wants to leave the property immediately; Michael, however, does not want to bring the curse home and wants to appease the entity instead. Upon returning to the house, they witness Charles killing Micah and Billy before setting the house on fire. Chris and Michael panic; Chris breaks down and finally agrees to go to rehab. Their joy over achieving a happy ending to their story is abruptly cut short when the entity angrily confronts them. Chris apologizes profusely, and Michael asks the entity, \"Can we try it another way?\" The only reply he gets is an explosive roar from the creature.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][Movie] Movie about a woman who takes a job as a teacher to some elementary school kids (4th/5th maybe?) in a rough part of Salt Lake City..\nPre-2008, possibly 80s?\n\nMy husband insists this is a movie, and Google isn’t being any help. The key is that it was set in Salt Lake City.",
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"content": "Beyond the Blackboard.\nThe story takes place in 1987 and follows a young teacher and mother of two who, fresh from college, ends up teaching homeless children at a school without a name. With the support of her husband, she overcomes fears and prejudice to give these children the education they deserve.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE][1980s] Movie about Santa and a young girl in a hot air balloon.\nThis is a Christmas movie I saw as a kid around 1991-1992. I remember seeing it a couple times on network television. I might have seen it one year and then again the following year. I remember the movie starts off with a scene at Santa's workshop. Santa is lamenting on the fact that he is only receiving letters from kids asking for material possessions. He has two tables. One table for the letters asking for stuff, the other table is for Christmas lists that are sentimental. That table is empty and full of cobwebs, I think. I might be creating that detail in my mind. Santa finally receives a letter from a young girl who misses her father. All she wants for Christmas is to see him. I don't remember much else except for at some point, Santa and the girl on in a hot air balloon.",
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"content": "It Nearly Wasn't Christmas.\nFeeling unneeded, a disillusioned Santa Claus (Charles Durning) quits Christmas. Through the selflessness of a little girl looking to reunite her parents for Christmas (and the help of his bumbling chief elf, Philpot (Bruce Vilanch), Santa and the child travel across America and Santa discovers that people really do need him and care about other people.::Alan Jay Glueckman <alanjay44@aol.com>",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [TV show] A 90's/80's cartoon where a team of heroes drive cars that turn into hoverboards.\nI keep recalling having watched this show, but I can't remember its name. The main premise is as described in the title. Their cars turn into flying hoverboard things when they go into action. I think the main character had a blonde mullet.\n\nI recall having seen this show in the mid-late 90's, but I believe it was in a local channel, so it could have aired much earlier.",
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"content": "Skysurfer Strike Force.\nJack Holister is an extraordinary skydiver who leads a group of vigilante crime fighters known as the _Skysurfer Strike Force_ (qv). Jack's mission is to seek out and defeat the robotic Cybron - a man with a computer for a brain who may have played a sinister role in the mysterious death of Jack's scientist father. The Skysurfers battle Cybron using anti-gravity skyboards that fly on their own rocket power. This group of daredevils soars the skies at breakneck speeds and performs amazing acrobatic feats in their battle for justice.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [MOVIE] [90s] Alien Invasion in the format of a news broadcast.\nHey guys!\n\nTrying to find an old movie from the 90's.\n\nDon't remember much from it, just remember that it terrified me as a kid!\n\nThe whole thing was in the format of a news broadcast, covering an alien attack / invasion.\n\nIf anyone has any idea, please let me know! Really appreciated.\n\nThanks!",
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"content": "Without Warning (1994 film).\nBroadcast eleven years after a similar program, Special Bulletin, it starts in an identical fashion, with the beginning of \"regular programming\", in this case the opening of a murder mystery film, which starred Loni Anderson (appearing in a cameo). Within moments, however, the program is interrupted with a news bulletin of a series of three earthquakes, one of them located in the Thunder Basin National Grassland area of Wyoming. The film resumes but a few moments later is interrupted for good as coverage begins of a Halloween night meteor impact on the United States.\nIt is revealed that additional impacts had been reported in southern France and a remote area of China. A scientist notes that the objects hit in a mathematically precise way and suggests the impacts may have been deliberate.\nSoon, lone survivors are found at the Wyoming and France impact sites: a young girl and a young Frenchman. The girl had been reported missing from a city hundreds of miles away from the impact. Both people are severely burned and are speaking in unintelligible syllables.\nThe three impact sites begin broadcasting an ear-piercing radio signal that cripples aircraft flying within latitudes immediately surrounding the impacts. Then, another larger object is detected moving towards the North Pole. The United States, despite protests from world leaders and scientists, orders several aircraft to intercept the object before it impacts with the earth and destroy it using nuclear weapons. This is successful, although all aircraft are destroyed, apparently by a signal coming from the new object.\nA scientist, named Dr. Avram Mandel, who has been studying the impacts is flown by an F-16 to a U.S. military base where reporters are being briefed on the latest incident. He reveals that his determination is that the impacts were in fact an attempt at first contact by an alien species and that, by destroying the follow-up aircraft, Earth has declared war on the aliens. As if that wasn't enough, more than two-thirds of the public (or 72% for that matter) now believe that the objects have been connected to alien life, according to a telephone poll.\nOther mysteries occur. At one point, the population of an entire town vanishes without a trace. It has been suggested that this occurred not as a result of the attacks, but in fact may have been a reference to one of the more extreme interpretations of the rapture. The town's name is Faith, Wyoming, supporting this reference.\nDr. Mandel's fears are confirmed when he later reveals that there are three more objects, each 2 miles wide, approaching Earth. Unlike last time, when they were aimed (intentionally, it is suggested) at lightly inhabited areas, these new objects have been directly aimed at Washington, D.C., Moscow, and Beijing - not coincidentally, the capital cities of the three biggest holders of nuclear weapons. Over the course of the night, the young Frenchman and the young girl are identified as Jean-Paul Chounard and 8-year-old Kimberly Hastings, respectively, before eventually dying.\nOver the next few minutes, nuclear weapons are launched to intercept these three objects successfully (although Washington is nearly hit).\nWith a sigh of relief, the news anchors report success. Meanwhile, scientists are able to finally decipher the young girl and the young Frenchman's speech. It turns out they are each speaking a fragment of a message. When combined (although not complete as the assumed third survivor is never located), the message appears to be reciting of the message from the U.N. Secretary General that had been included on a special recording sent with the Voyager space probes, more specifically, Voyager 2.\nMoments later, astronomers detect hundreds more asteroids, all heading towards Earth. As anchor Sander Vanocur and a terrified Dr. Caroline Jaffe, realizing that aliens were indeed behind all that has happened, await the inevitable destruction of the planet, hearing reports of cities and entire countries being destroyed worldwide, Vanocur solemnly quotes from William Shakespeare, \"The fault, dear Brutus, lies not in our stars, but in ourselves,\" as a rumble is heard and the picture cuts to static.\nThe nature of the aliens and their reason for contacting Earth is never revealed, and they are never seen. Similarly the exact nature or reasoning of their \"hello\" message—the crashing of three meteor-like objects into Earth—is left a mystery, as is the intent and purpose of the follow-up vessel that is destroyed by the military. A third survivor of the original impacts is assumed throughout, but given the remote region in which the Chinese impact occurred, this individual is never located during the time frame.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE] Horror-comedy movie about two brothers who inherit an apartment building.\nI saw this within the past six or seven years, and I wouldn't put its actual production much further back than that -- maybe 2005, tops. It's a very low-budget film, and looked it, but it had a nice charm to it all. The plot as I recall:\n\nTwo sort-of deadbeat brothers inherit a run-down city apartment building (possibly NYC); I think this happened prior to the story, and was just background/exposition stuff. They're terrible landlords, but kinda goofy and likable, and the tenants are the usual broke weirdos who live in poverty. There's a bar in the basement of the building, and the brothers pretty much spend all their time drinking down there instead of actually fixing the place up. I think there's a feisty lady bartender.\n\nAnyway, something in the building starts killing the tenants. I think it's a singular monster or person, rather than zombies or something. During a chase, they get into a hermit-like tenant's apartment, and find the walls all covered in writing/papers -- I think they had to break through a wall to get in. I don't know if the writing was relevant to the plot, or they were just showing how paranoid the guy was. I kinda remember vents and stuff, not sure if they were going through them or watching the killer through them.\n\nEventually in pursuit (or escape) from the monster or killer, they end up in the furnace room -- possibly going through tunnels into a sewer. There may have been rats, and the killer may have been some sort of mutant rat or something, but that's a big maybe. \n\nI'm picturing a Jonah Ray-type guy as one of the brothers, but it's not him. I believe one of them dies at the end.\n\nEDIT: I think there was a love-interest-type tenant that one of the guys was secretly in love with. Might have had a shitty boyfriend.\n\nEDIT: In English, American or Canadian. No known actors that I can recall.\n\nEDIT: Maybe all the writing on the wall was the paranoid guy trying to track the monster, and that's how the brothers knew to go down below the furnace room.",
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"content": "The Moleman of Belmont Avenue.\nThe Mugg Brothers inherit an apartment building with a monster living in the basement that's eating everything in sight.::Anonymous",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [TV MOVIE] Low budget version of Broken Arrow, with a Christian Fundamentalist pilot that steals a nuke on a training exercise to destroy Las Vegas, and takes a female hostage that tries warning cashiers with notes on the back of traveller cheques..\nIIRC he'd switched the serial no.s of the training dummy nukes and two real ones, and intended to deliberately crash his plane to set them off. Protagonist was his wingman trying to find him and shoot him down.",
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"content": "Flight of Black Angel.\nCaptain Eddie Gordon, a top gun pilot of an Air Force academy, is a talented and aggressive pilot who proves too much for his fellow instructees to match.\nHis flight instructor, Matt Ryan (Peter Strauss) tries to encourage him to practice restraint, but with little success.\nAfter his birthday party at his home in Las Vegas, Eddie puts a religiously motivated long-organized plan into action: He kills his brother (Rodney Eastman) and his parents (Ben Rawnsley and Callan).\nHe then holds Captain Melissa Gaiter (Patricia Sill) of the Air Force base at gunpoint and forces her to arm his Mirage jet with live ordnance, a radar-jamming pod and a tactical nuclear weapon.\nMelissa refuses to co-operate further and is murdered.\nLater, Colonel Bill Douglas (James O'Sullivan) of the base's flight control is informed of the triple murder at the Gordons' residence while a training exercise involving Eddie is under way.\nEddie takes this opportunity to shoot down his fellow instructees.\nRyan manages to alert the base and tries to lure Eddie into the firing range of the base's surface-to-air missiles.\nEddie however, eludes the missile barrage and destroys Ryan's plane.\nBefore any armed aircraft can take off, Eddie devastates the base's communications, runway, and aircraft.\nEddie lands in Garrison, Utah to hide his jet in a deserted barn, but is accidentally discovered by a family on vacation, Richard (Michael Keys Hall) and Valerie (Michele Pawk) Dwyer and their baby.\nBefore Valerie can raise the police on the CB radio, Eddie takes them hostage.\nWhile Eddie works on defeating the fail-safes on the tactical nuke, he is exposed to lethal radiation, and his health quickly deteriorates.\nThe next day, he and Valerie leave for a hardware store in a nearby city to obtain tools.\nValerie uses a traveler's check and writes their hostage location on the back, but the clerk (Scott Menville) does not notice.\nValerie then persuades Eddie to go to a drug store to find a cure for his vomiting and nausea.\nShe repeats the same practice; this time, the pharmacist (John Brancato) notices Valerie's notes on the check.\nTwo police officers (George Fisher and Steven Simpson) arrive to investigate.\nEddie kills one and engages the other in a firefight.\nRichard and Valerie try to flee with their baby; however, Eddie shoots the second officer, Richard and Valerie.\nRichard dies and Valerie is seriously wounded.\nPainstakingly, Valerie manages to collect her baby and crawl to the roadside, where she is picked up by a truck driver.\nRyan is cross-checking police leads when the report of Valerie Dwyer comes in.\nShe insists that she has seen Eddie working on a bomb.\nJust before a surgery, Ryan learns Eddie's target from Valerie: Las Vegas.\nSubsequently, Ryan convinces Douglas to concentrate on Las Vegas; he travels to Hill AFB to take an F-16 fighter plane to fly lead.\nAn AWACS plane confirms what Valerie had said.\nIt has been determined that although Eddie cannot launch the bomb, his jet fuel could detonate the bomb if he is fired upon.\nRyan successfully talks Eddie into chasing him out into the desert by provoking Eddie into a duel to see if God made him \"the one\".\nAfter evading Eddie's last missile, Ryan orders the other pilots to clear away, and then fires on Eddie.\nBoth pilots and 36 people on the ground are incinerated.\nA recovering Valerie receives sanitized TV news on the incident in her hospital bed with her baby in her arms.\nThe report assert that the pilots were on a \"training mission\" in the area.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [Movie] Late 80s-Mid 90s campy surreal sci-fi/adventure film about fungus taking over a city. Vaguely remember cars being suspended in colorful ooze/mushrooms, and some sort of roller-blade type transportation..\nLike I said, from mid 80s to mid 90s, I remember watching it at summer camp in maybe 96-98, I was only 7 or so, so memory is very vague. It was Definitely geared towards the older kids I don't remember enjoying it much at the time. I remember the end there was some sort of twist and our heros need to jump back into action, to the delight of the audience. \n\nThe jetpack roller-blade things were a definite major plot point. \n\nRemember it being very surreal, almost dreamlike, although that could be my very vague memory and age playing tricks on me. \n\n",
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"content": "Super Mario Bros. (film).\nAbout 65 million years ago, a meteorite crashes into the Earth, killing the dinosaurs and splitting the universe into two parallel dimensions. The surviving dinosaurs cross into a new dimension and evolve into a humanoid race.\nTwenty years ago, a mysterious woman leaves a large egg, along with a rock, at a Catholic orphanage. As she attempts to leave, she is accosted by President Koopa, who demands the location of the rock. Rocks then fall onto the woman, killing her. The egg hatches, containing an infant girl.\nIn the present, two Italian-American plumber brothers Mario and Luigi live in Brooklyn, New York. They are on the verge of being driven out of business by the mafia-operated Scapelli Construction Company led by Anthony Scapelli. Luigi falls for NYU student Daisy, who is digging under the Brooklyn Bridge for dinosaur bones. After a date, Daisy takes Luigi back to the bridge only to witness two of Scapelli's men sabotaging it by leaving the water pipes open. Mario and Luigi manage to fix it but are knocked unconscious by Iggy and Spike, Koopa's henchmen and cousins, who kidnap Daisy. Mario and Luigi awaken and pursue them through an interdimensional portal that leads them to Dinohattan.\nIggy and Spike realize they didn't bring Daisy's rock, a meteorite fragment which Koopa is trying to get in order to merge his world with the human world. It is then revealed that Daisy is the long-lost princess of the other dimension. When Koopa overthrew Daisy's father as king and devolved him into fungus, her mother the queen took her to Brooklyn. The portal was then sealed, but Scapelli's men inadvertently reopened the portal when they blasted the cave. Koopa sends Spike and Iggy to find Daisy and the rock to merge the dimensions and make him dictator of both worlds. However, after Koopa subjects them to one of his experiments to make them more intelligent, Spike and Iggy realize Koopa's evil intentions and side with the Mario Bros. Daisy is taken to Koopa-Tower, where she meets Yoshi. Koopa informs Daisy that she descended from the dinosaurs, believing only Daisy can merge the worlds because of her royal heritage. Eventually, the Mario Bros. rescue Daisy with the help of Toad, a good-natured guitarist who was devolved into a Goomba as punishment.\nEventually, the two worlds merge and Koopa devolves Scapelli into a chimpanzee before going after Mario, but Luigi and Daisy manage to remove the fragment from the meteorite and the worlds separate again. In Dinohattan, Mario confronts Koopa and eventually defeats him when he and Luigi fire their devolution guns at Koopa and blast him with a Bob-omb. Koopa, now transformed into a ferocious, semi-humanoid Tyrannosaurus, attempts to kill the Mario Bros., but they destroy him once and for all by devolving him into an actual Tyrannosaurus rex, then primeval slime. Daisy's father is restored as king after Koopa's defeat. The citizens celebrate and immediately destroy anything with Koopa's likeness. Luigi professes his love for Daisy and wants her to come to Brooklyn with him, but Daisy, have found her both home and father, decides to stay in Dinohattan. Crestfallen, Luigi kisses Daisy goodbye as he and Mario return home to Brooklyn, with Daisy watching them leave. Three weeks later, the Mario Bros. are getting ready for dinner when their story comes on the news and the anchorman says they should be called the \"Super Mario Bros.\" Daisy then arrives and asks the Mario Bros to help her on a new mission.\nIn a post-credits scene, two Japanese business executives propose making a video game based on Iggy and Spike, now on Earth, who decide on the title The Super Koopa Cousins.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [Movie/Show] Kids Halloween(?) movie about twins.\nThe movie aired on TV sometime around the late 90s or early 2000s, maybe on Nickelodeon or Nick At Night? I can't really be certain- a huge part of me thinks it happened on Nickelodeon because of the Halloween blocks they used to do and it feels like something they'd have aired as a special.\n\nWhat little I remember about has a lot to do with a pair of creepy twins. One of them drowned in an indoor swimming area at a camp or something because he was told/lied to that his pet frog(?) was in there and needed help, but he couldn't swim. I think there was a twist at some point where it turned out that it was his twin that died, not him? And maybe they were ghosts/zombies during the film, which was leading the protagonists on the whole journey of finding info? \n\nMy memory of it is really broken up and I might be totally wrong on some of that, but the part where the kid drowned in a pool trying to save his pet or whatever is the biggest memory that sticks out to me. I think about it almost every fall.",
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"content": "Scaredy Camp.\nThis is a Nickelodeon family reality/games show where teams compete to solve a mystery of a missing camper at a reportedly haunted summer camp. Two teams of three kids each have to reenact key events from Dennis' life to find clues to his disappearance.::scaredfan",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE]A cartoon, a kid got stuck in a weird circus and the villan in the end was the doll the girl had.\nI think it was black and white but im not sure. The kid got stuck somehow in a weird circus and there was a girl there that had a doll(i think it was a bunny). Almost at the end they discover that the girl is stuck there for almot 50 years and realize that the doll is the villan! Please hèlp me find it.",
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"content": "Carnivale.\nAnimated tale by former Tim Burton art director Deane Taylor has many of Burton's dark themes. Children playing by the sea shore are lured into a time travel portal where they are taken to an amusement park. There they are having loads of fun until they discover that if they don't escape immediately, they will be forever trapped there as inanimate objects. This sets them in a frenzy to escape, which takes them through a ghost train and a terrifying freak show.::John Sacksteder <jsackste@bellsouth.net>",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE] about a couple in a cabin, the guy is a writer and people start showing up, the moovie is 2010+ if im not wrong.\nThe movie is about a couple in a cabin, the guy is a writer and people start showing up, it end up in a party, then the girl gets pregnant, a cult is started, the special forces appear everything burns down, and then it all starts again, anew.. its 2010+ i guess",
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"content": "Mother!.\nA couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE][2000s] CGI animated movie.\nThere's a CGI movie used in a meme consisting of two frames of a husband and wife. In the top frame, the husband is looking away. In the bottom frame, he's looking at the wife with an extremely confused expression. The wife looks fairly \"normal,\" but the husband is extremely large and has a rather tall \"squished\" face (no, not The Incredibles).\n\nThe meme is generally used with just a single \"weird comment\" made by the wife with a perfectly straight expression in the top frame, the bottom frame usually left alone with the husband's expression to the comment.\n\nI saw it used just yesterday, and I just can't seem to find it no matter how I search for it. I assume it's taken from some CGI-animated movie, but I don't recognize it as one I've watched (I don't think it's Pixar or Dreamworks, though I could be wrong), otherwise I'd search for it by the title.",
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"content": "Bee Movie.\nBarry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.::Anonymous\n\nWhen the bee Barry B. Benson (Jerry Seinfeld) graduates from college, he finds that he will have only one job for his entire life, and absolutely disappointed, he joins the team responsible for bringing the honey and pollination of the flowers to visit the world outside the hive. Once in Manhattan, he is saved by florist Vanessa Bloome (Renée Zellweger) and he breaks the bee law to thank Vanessa. They become friends and Barry discovers that humans exploit bees to sell the honey they produce. Barry decides to sue the human race, with destructive consequences to nature.::Claudio Carvalho, Rio de Janeiro, Brazil\n\nDoes good necessarily follow good intentions? Barry B. Benson (Jerry Seinfeld), a bee who's just finished his education and hates the idea of picking a life-long vocation, meets a human, florist Vanessa Bloome (Renée Zellweger), while buzzing about Manhattan. She takes him to a supermarket where Barry discovers shelves and shelves of honey. Realizing it has been taken from bees - who work tirelessly and exhaust themselves for their two cups a year - he follows the delivery truck back to the honey farm, gathers evidence, and files suit against humanity. But what if Barry wins and the honey is returned to the bees, who can then slack off? An ecological cataclysm?::<jhailey@hotmail.com>\n\nBarry B. Benson (Jerry Seinfeld) graduates from college and is now working at Honex. And then, when he flies outside the hive, he meets a human florist from New York City named Vanessa Bloome (Renée Zellweger). And suddenly, Barry finds out humans eat honey, he plans to sue them.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][Movie][2000's] Film with a scene where the protagonist jumps over a herd of bison on his bike.\nThe movie came out in the early-mid 2000's if I remember correctly.\n\n All I remember about it is seeing the trailers for it on TV where a young boy/teen is with his friends on bikes and they jump off a ramp or truck or something over a herd of buffalo or similar hoofed mammals and it shows them flying over the herd with the viewer left uncertain as to whether they make the jump.\n\nI think it's set out West somewhere and may have something to do with conserving the bison/nature in general. That's just speculation on my part though.",
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"content": "Buffalo Dreams.\nSet against the backdrop of New Mexico, the film follows a boy, Josh Townsend, who moves because of his father's job and becomes involved with a group of teens attempting to preserve the buffalo and Navajo traditions.\nAlong the way he makes friends and learns important lessons about life.\nThe movie teaches about a few Navajo traditions.\nJosh eventually enters a race against his rival and proves to be the better of the two, however, he quits the race after seeing the buffalo herd stampeding.\nJosh quickly gathers his friends to save the town and while his rival refuses to help, his disgusted friends do.\nTogether, they herd the buffalo away from the town and back onto their preserve.\nDuring the process, Josh's friend Thomas Blackhorse falls in front of a buffalo, but is saved by his sister who finally speaks for the first time in years to help calm the buffalo.\nJosh and his friends are hailed as heroes by the town and in recognition of his bravery, Josh is made an honorary member of the Navajo tribe with the name Rides With the Wind.\nHe and Thomas, who he had trouble getting along with before, make a pact to keep the buffalo safe together.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [TV show] A kids TV series set in a world of \"flying islands\".\nI watches this in German TV (Super RTL) but it's probably American anyways. \nThe main characters flew around those islands with some sort of propeller machine. I remember the atmosphere as kind of \"steampunky\"\n\nEdit: It's a cartoon and I can't find it with Google ",
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"content": "Dragon Hunters.\nSet in a Medieval world made of Floating Land Masses, two men, Gwizdo and Lian-Chu, are professional dragon hunters who have known each other since they were children. Perpetually flat broke, they are forced to continually stay at the Snoring Dragon Inn until they can get another dragon-hunting contract to pay their rent. The proprietress of the inn is Jeanneline, a three-time divorcee with two daughters, one of whom is also a professional dragon hunter who doesn't see her mother much.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [MOVIE] [1970’s-80’s] Charlie and the Chocolate factory style film with ugly purple lollipops.\nHey guys, driving myself crazy thinking of this film I saw a lot on tv as a kid. Pretty sure it was released as a CatCF mock buster type thing. Poor kid has life turned around by crazy inventor with magic candy, in this case ugly purple lollipops that I think make you fly? There’s a scene early on where the kid demonstrates how poor he is by licking the window of a Burger King. Thanks in advance!",
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"content": "Santa Claus: The Movie.\nSometime in the 14th century, Claus is a peasant woodcutter in his mid-50s who, with his wife Anya, delivers his gifts to the children of local villages.\nOne night, Claus, Anya and their two reindeer, Donner and Blitzen, are caught in a blizzard and succumb to the cold weather.\nIn death, they are transported to the vast \"ice mountains, way up at the top of the world\".\nTheir expected arrival is heralded with the appearance of several elves, or as Claus's people call them in their legends, the Vendegum, led by the venerable and wise elf named Dooley.\nClaus and Anya also meet inventive elf Patch, and the more down-to-earth Puffy.\nDooley tells Claus it is his destiny to deliver toys to the children of the world every Christmas Eve, which the elves will make in their large workshops.\nDonner and Blitzen are joined by six other reindeer and fed magic food that allows them to fly.\nWhen Christmas Eve comes, Claus is approached by the oldest of elves, the Ancient One, who renames him as \"Santa Claus\".\nCenturies pass as the mythology of Santa is created, until the 20th century, where Santa is exhausted by the continuous workload he must do every year due to the world's increasing population.\nAnya suggests he enlist an assistant, to which Patch and Puffy compete to earn via a competition to produce the most toys in a limited amount of time.\nPatch uses a machine he has invented, and although he wins, it begins to produce shoddy works without his knowledge (due to putting the machines on a faster speed).\nDuring his annual deliveries, Santa befriends a homeless 10-year-old orphan boy named Joe in New York City and takes him for a flight around the skyscrapers of Manhattan in his sleigh.\nSanta lets Joe take the reins, who flies the sleigh underneath the Brooklyn Bridge much to Santa's horror, who then playfully gets his own back on Joe by having his reindeer perform the \"Super Duper Looper\", around the Twin Towers of the World Trade Center - an aerial trick that involves them doing a complete 360 degree turn, but Donner always fails due to acrophobia.\nSanta takes Joe on his deliveries where they meet 9-year-old Cornelia, a wealthy child and also an orphan who fed Joe one previous night.\nOn Christmas Day, Patch's toys begin to fall apart, prompting him to quit his job and let Puffy take over.\nTraveling to New York, Patch meetsZ, Cornelia's step-uncle and a scheming executive of a toy company that faces a total shutdown by Congressional investigation due to unsafe products.\nBelievingZ.\n's toys are popular due to witnessing several toys being removed from a shop window, Patch decides to helpZ.\nmake better toys, using some of the reindeer feed to create lollipops which can make people fly and giving them to children for free (the latter fact causingZ.\nto sputter and yell, \"FOR FREEEEE.\n\").\nPatch also constructs a hovercraft called the Patchmobile to deliver the products like Santa and helps create a new holiday on March 25, whichZ.\ndeems \"Christmas 2\".\nSanta disapproves of Patch's actions (unaware the plan is to make Santa appreciate him again) and feels disheartened about continuing his job if the children of the world do not care anymore.\nMeanwhile, Patch is disturbed whenZ.\nplans to turn himself into the face of Christmas, and asks Patch to develop candy canes which enable flight.\nWhile Patch works at night,Z.\n's assistant, dr Eric Towzer, appears at his house and reveals the candy canes will explode if exposed to heatZ.\nproposes they flee to Brazil and let Patch take the fall for their criminal neglect, which Towzer eventually approves of, despite initially urgingZ.\nto reconsider his actions as children are involved.\nJoe and Cornelia eavesdrop on the conversation, but Joe is caught and locked up in the basement ofZ.\n's factory.\nPatch finds Joe and discovers Santa made a carving for Joe that resembles him (which was unintentional, but pointed out by Anya).\nThrilled that Santa remembers him, Patch and Joe set off in the Patchmobile to the North Pole.\nCornelia sends a letter to Santa informing him of the situation.\nDespite Comet and Cupid having the Flu, Santa gathers up the other six reindeer and he arrives to pick Cornelia up.\nSanta and Cornelia pursue the Patchmobile, which is carrying a huge supply of candy canes on the verge of exploding.\nSanta convinces his reindeer to perform the Super Duper Looper in order to catch Patch and Joe as the Patchmobile explodes.\nMeanwhile,Z.\n's crimes are uncovered when Cornelia calls the police.\nAs dr Towzer andZ.\n's chauffeur, Grizzard, are arrested,Z.\nattempts to evade the police by eating several candy canes and tries to fly out of his office window only to fly up into the sky.\nThe film ends with the inhabitants of the North Pole celebrating the triumph with a joyous dance party, where Cornelia and Joe have been adopted by Santa, his wife and his elves, whilstZ, in spite of his pleas for help, is doomed to float off into the depths of space, among the equally-affected remains of the Patchmobile as the end credits roll.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][TV SHOW] Kid materializes things he sees in photos or magazines.\nThis was an anthology horror show from either the 80s or 90s, and in this one particular episode, a kid with (I believe) Down's syndrome can materialize anything he sees in photos or magazines. He materializes a beating heart from a medical magazine and his mother dies of a heart attack because of it.\n\nThe kid then tries to bring his mom back with one of her photographs.\n\nI don't recall if this was on The Ray Bradbury Theater, Tales from the Darkside, or a different show, but I would really like to watch this episode again.",
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"content": "The Toys of Caliban.\nAn elderly husband and wife, Ernest and Mary Ross, are thrilled when their son, Toby, is born.\nUnfortunately, their infant, who at first appears mentally impaired, develops the ability to summon things he has seen (by looking at the picture and saying the word \"Bring.\n\")—at one point, he even becomes sick from eating too much summoned food.\nAs Ernest and Mary have to place more and more restrictions on what Toby can see and read, they realise they will have to keep Toby out of school.\nThis course of action attracts the attention of Miss Kemp, a social worker, who doesn't know of the boy's power and is shocked at the parents' odd treatment.\nToby accidentally kills Mary when he sees a picture of a heart and summons it.\nErnest remains determined to look after his son without outside interference.\nWhen the social worker comes calling and threatens to take Toby away, Ernest persuades Toby to demonstrate his ability to her, by summoning items from a picture book.\nMiss Kemp still believes Toby needs professional help, but Ernest insists that if psychologists and scientists found out what he could do, he would be abused.\nThe social worker eventually leaves, but makes it clear that Ernest has not heard the last from her.\nUpset by these events, Toby uses an old photograph to summon his mother from the grave—Mary's corpse then appears in the armchair.\nWhile burying Mary's body in the back yard, Ernest talks to his wife, saying that it's finally time.\nErnest then sits with his son, and presents him with one more picture—a picture of fire.\nBy the time ms Kemp returns, the house is ablaze.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE][90s-2000s] Movie about a heist and the hostages and the men were wearing the same clothes.\nI recently watched La Casa de Papel and it reminded me of a movie where a group of people was robbing a bank (I think) or someplace important. I remember that the hostages and the heist men were wearing the same clothes and at some point in the movie the hostages and the heist men rushed out the main doors and the police fired upon them. There was also a police helicopter scene. Moreover, the heist men requested food from the police and received food from the police (Might be pizza).",
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{
"content": "Inside Man.\nDalton Russell (Clive Owen), seated in what appears to be a jail cell, opens the film with a prologue about having carried out the \"perfect robbery\".\nA team of masked robbers, dressed as painters who call each other by variants of the name \"Steve\", seize control of a Manhattan bank and take the employees and patrons hostage.\nThey divide the hostages into groups and hold them in different rooms.\nAdditionally, they take all of the hostages' clothes and dress everyone in jumpsuits and masks identical to those of the robbers.\nThis way, the robbers and hostages will be indistinguishable to the police.\nPolice surround the bank and detectives Keith Frazier (Denzel Washington) and Bill Mitchell (Chiwetel Ejiofor) take charge of the negotiations.\nRussell, the leader of the robbers, demands food.\nThe police supply pizzas whose boxes include listening devices; these pick up a language which the police finally identify as Albanian.\nHowever, they discover that the conversations are just old propaganda recordings of the deceased Albanian communist dictator Enver Hoxha; it becomes clear that the robbers anticipated surveillance.\nAfter being informed of the robbery, Arthur Case (Christopher Plummer), the chairman of the board of directors and founder of the bank, hires \"fixer\" Madeleine White (Jodie Foster) to try to protect the contents of his safe deposit box within the bank.\nWhite, with assistance from the Mayor of New York City, arranges a conversation with Russell, who allows her to enter the bank and inspect the contents of the box, which include documents from Nazi Germany.\nRussell implies that Case started his bank with money that he received from the Nazis for unspecified services which resulted in the deaths of many Jewish people during World War II.\nWhite tells Russell that Case will pay him a substantial sum to destroy the contents of the box.\nShe claims she can arrange a minimal jail sentence as Russell and his team have not yet stolen anything or hurt or killed anyone; Russell declines her offers.\nFrazier demands to inspect the hostages before allowing the robbers to leave and Russell takes him on a tour of the bank.\nAs he is being shown out, Frazier attacks Russell, but is restrained by another robber.\nAlone with Russell shortly afterward, the other robber, who turns out to be one of the hostages \"interviewed\" by Frazier, begins to panic and ask what would have happened had Frazier managed to remove Russell's mask.\nRussell appears lost in thought.\nFrazier later explains to Mitchell that his actions were intended to provoke Russell to establish whether he was capable of killing and concludes he is not.\nThe robbers counter this theory by shooting a hostage in the head.\nThe execution prompts the ESU team into action.\nThey plan to storm the bank and use rubber bullets to knock out the occupants.\nHowever, Frazier discovers that the robbers have planted a listening device on the police; aware of the police plans, the robbers detonate smoke grenades and release all the hostages.\nThe police detain everyone, knowing that some of the hostages are members of the gang, but can't distinguish between the two.\nThey interrogate the hostages harshly, questioning their honesty and trying to glean useful information, to no avail.\nA search of the bank reveals that the robbers' weapons are plastic replicas.\nThey find props for faking the hostage's execution; the blood was red paint.\nCuriously, no money or valuables appear to have been taken.\nWith no way to identify the suspects and unsure if a crime has been committed, Frazier's superior, on orders from the mayor, tells him to drop the case, but Frazier continues.\nHe searches the bank's records and finds that one of the safe deposit boxes does not appear on the records and obtains a search warrant to open it.\nHe is confronted by White, who informs him of Case's Nazi dealings.\nShe tries to persuade Frazier to drop his investigation, but he refuses, playing a recorded, incriminating conversation that she earlier had with him.\nWhite confronts Case, who admits to his actions and reveals that the box contained, aside from incriminating paperwork, diamonds and a ring which had belonged to a French Jewish banker and his family who were sent to concentration camps.\nWhite is repulsed by Case but accepts his payment for her mission, although it was one of her few failures.\nShe tells him that the robber took the incriminating paperwork so that, if he returns with a blackmail demand, Case will have to pay him off.\nRussell reappears in the same location in which he gave his opening monologue.\nHe is revealed to have been hiding in a small room behind a fake wall the robbers had constructed inside the bank's supply room.\nThe construction of the hiding area was the real reason for their delaying tactics.\nRussell emerges a week after the robbery with the contents of Case's safe deposit box, including incriminating documents and several bags of diamonds.\nOn his way out, he bumps into Frazier, who does not recognize him.\nRussell goes to a car where his four associates are waiting, and they drive off.\nWhen Frazier opens the safe deposit box, he finds a large ring with a note from Russell telling him to \"follow the ring\".\nFrazier confronts Case and next goes to see White, who is in a restaurant with some VIPs, including the mayor.\nFrazier gives her the contact information for the Office of War Crimes Issues at theS.\nState Department.\nOn returning home to his girlfriend, Frazier finds a loose, small but valuable diamond in his pocket.\nHe realizes it must have been slipped to him by Russell in the bank after he intentionally bumped into Frazier.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][Movie/Tv?]An older character reads a letter outloud to another character. As he reads both find out something bad has happened to the letter’s author. Reader ends with something like “sorry, sorry, the second sorry was from me”.\nDoes this ring any bells for anybody?",
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"content": "The Interpreter.\nIn the Republic of Matobo (a name from the Matobo National Park in Matabeleland Zimbabwe), rebel leader Ajene Xola drives two men, Simon and Philippe, to the abandoned Centennial Stadium. They briefly discuss how President Edmond Zuwanie's regime has ruthlessly exterminated most of the population, and intimidated the survivors into silence. Upon their arrival at the stadium, they discover that the informants are schoolboys, who point Ajene and Simon in the direction of corpses left by Zuwanie's security apparatus, while Philippe stays in the car.\nShouting lures Ajene and Simon back to the field, where they are promptly executed by the boys, who are revealed to be willing accomplices of Zuwanie's secret police. Upon hearing the gunshots, Philippe clambers out of the car and hides, taking pictures of a car arriving carrying Matoban officials, and then escapes the vicinity.\nMeanwhile, Silvia Broome is an interpreter for the United Nations in New York City. Born in the United States to a British mother and white African father, she spent most of her life in her father's homeland of Matobo, studied music in Johannesburg, linguistics at Sorbonne University, Paris, and various other European countries, and is a dual citizen of both Matobo and the United States (with the possibility of deriving British citizenship through her mother). Her diverse background leads to UN Security Chief Lee Wu wryly describing her as \"being the UN\".\nThe U.N. is considering indicting Zuwanie, to stand trial in the International Criminal Court. Initially a liberator, over the past 20 years he has become as corrupt and tyrannical as the government he overthrew, and is now responsible for ethnic cleansing and other atrocities within Matobo. Zuwanie is soon to visit the U.N. and put forward his own case to the General Assembly, in an attempt to avoid the indictment.\nA security scare caused by a malfunctioning metal detector forces the evacuation of the U.N. building, and, as Silvia returns at night to reclaim some personal belongings, she overhears two men discussing an assassination plot in Ku (the Matoban lingua franca). Silvia runs from the building when those discussing the plot become aware of her presence. The next day, Silvia recognizes words in a meeting, where she is interpreting, from phrases she overheard the night before, and reports the incident to U.N. security; the plot's target appears to be Zuwanie himself.\nThey, in turn, call in the U.S. Secret Service, which assigns Dignitary Protection Division agents Tobin Keller and Dot Woods to investigate, as well as protect Zuwanie when he arrives, as well as Zuwanie's personal head of security, former Dutch mercenary Nils Lud. Keller, whose estranged wife was killed in a car accident just weeks earlier, learns that Silvia has, in the past, been involved in a Matoban guerrilla group, that her parents and sister were killed by landmines laid by Zuwanie's men, and that she has dated one of Zuwanie's political opponents. Although Keller is suspicious of Silvia's story, the two grow close, in part because of their shared grief, and Keller ends up protecting her from attacks on her person.\nPhilippe calls Silvia to meet and informs her of Xola's death, but, unable to bear her grief, lies and says he doesn't know what happened to Simon, her brother. Silvia attempts to obtain information by way of Kuman-Kuman, an exiled Matoban minister living in New York, only to almost be killed in a bus bombing perpetrated by Gabonese national Jean Gamba, Nils Lud's right-hand man, and part of the opening scene's coterie.\nPhilippe is later found dead in his hotel room, and Silvia finds out that her brother was killed along with Ajene Xola. She narrowly avoids an assassination attempt by Gamba (whom Keller kills) and leaves a voicemail on Keller's phone saying she's going back home. Keller takes this to mean she's returning to Matobo, and dispatches an agent to intercept her at John F. Kennedy International Airport.\nThe purported assassin is discovered and shot to death while Zuwanie is in the middle of his address to the General Assembly, and security personnel rush Zuwanie to a safe room for his protection. Silvia, anticipating this, has been hiding in the safe room, and confronts Zuwanie and intends to kill him herself. Keller determines that the assassination plot is a false flag operation created by Zuwanie to gain credibility that his rivals are terrorists and to deter potential supporters of his removal. Keller realizes that Silvia returning home means going to UN, and rushes to the safe room, just in time to prevent her from murdering Zuwanie. Zuwanie is indicted, and Silvia reconciles with Keller before leaving for Matobo.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE] An Ironmonger that houses an immigrant that can't speak his language, the whole movie is about them developing a way to communicate without speech and they end up with an interesting relationship..\n \n\nI saw this movie in the Early 2010's at school, it starts with the Shopowner having trouble selling screws and door hinges when suddenly a cab pops in front of his shop and throws out an immigrant (I'm pretty sure he was Asian but not sure) because the passager couldn't pay the cab, reluctant but in kindness the poor shopowner houses that men and the whole plot of the movie are how they try to adapt to each other given that they can't communicate as they don't share a language, and there is a really touching scene about how the shopowner would ALWAYS prepare his breakfast the same way (it was a slice of simple bread and butter but there was a specific way it would be done) and the immigrant was picking up on this and waking up early to prepare the rituals the shopowner makes on his breakfast, later they stress over and have somewhat of a fight and on the next morning the immigrant had not prepared the table for the breakfast and i'm preety sure he went missing for a while during this section of the movie\n\nThere is also a wall on the back of the shop that is symbolic of the shopowner life and is plot relevant but my memory fails me on to what specifically, but the imigrant eventually renovates the wall i think. \nHelp I really want to rewatch this movie.",
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"content": "Chinese Take-Out.\nA well-ordered hardware store owner in Buenos Aires will see his life turn upside down when he helps a stranded Chinese man who doesn't speak a word of Spanish find his uncle in the bustling city. But can this coexistence bear fruit?::Nick Riganas\n\nIn Buenos Aires, the bitter and methodic Roberto is a lonely man and the owner of a hardware store. Roberto collects bizarre worldwide news in an album as a hobby and his acquaintance Mari has an unrequited love for him, but Roberto is always evasive. One day, Roberto sees a Chinese named Jun being expelled from a taxi while he is watching the landing of airplanes in the airport and he helps the man to stand up. Jun does not speak Spanish and shows a tattoo with an address on his arm. Roberto heads to the spot with Jun and discover that the place belonged to Jun's uncle that sold it three and half years ago. Roberto goes with Jun to the police station, to the China's embassy and to a Chinese neighborhood to seek out his uncle but it is a fruitless search. Roberto lodges Jun in his house and after a series of incidents, he finds a delivery boy to translate Jun and he learns the dramatic story of his life.::Claudio Carvalho, Rio de Janeiro, Brazil\n\nMeticulously keeping his life under control and hiding behind his invariable habits, Roberto, an embittered recluse and owner of a hardware store in Buenos Aires, collects news clippings to confirm his strong belief that life is just a series of absurd events. However, the unexpected encounter with Jun, a totally disorientated and stranded young Chinese man, will turn Roberto's orderly existence upside down, as he feels impelled to help the hapless man who doesn't speak a word of Spanish. Inevitably, as one thing leads to another, the two polar opposites will live under the same roof, under the condition that Jun finds his lost uncle in the bustling capital within a week. But can this begrudging coexistence finally bear fruit?::Nick Riganas",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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{
"content": "[TOMT][Movie][Circa late 80’s /Early 90s horror movie involving comic book writer].\nI know I saw this on a pay channel like HBO/Cinemax/Showtime sometime in the 80s or 90s. It involved a comic book writer or artist who specialized in horror comics. He started working on a new book, and the things that he started to draw came to life. His main protagonist was a monster, and it would come out of the book to carry out whatever he drew. It could be that he got a cursed pen, but it’s been so long I’m not sure. I just remember the beginning panning over the pages as he was working on a drafting table and later in the show blood spattering on the pages. He definitely lived in a brick apartment and I think it was tiny.",
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"content": "Cellar Dweller.\nThirty years have passed since the grisly murder/suicide of Colin Childress, creator of the comic book, Cellar Dweller.\nBut, as often happens to those ignorant of it, comic book artist Whitney Taylor is doomed to repeat history in a most grotesque way.\nLittle does she know that her twisted renderings will soon reincarnate the bloody hysteria of Cellar Dweller.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [MOVIE] [Late 90s/early 00s] British film with \"Lady\" in the title, set in late 1800s or early 1900s: lady works as a servant and eventually marries a rich man, but is hiding a child she had out of wedlock.\nI'm almost positive that it has Lady in the title. I feel like I liked it up once and found it was a TV movie.\n\nA woman arrives at a manor of some sort and I believe works as a maid and eventually wins the heart of the rich man living there and marries him. Some other man (unsure of the relationship... Maybe a nephew or grandson of the rich man, or a journalist) seems interested in her and follows her. He finds her taking a trip to a mysterious place, and eventually we find out she had a child before going to the manor and is going to visit him and give money to whomever is carrying for him.\n\nI don't really remember what comes after this or any of the actors in it. I do remember the lady had black hair and I think she wore a green dress and coat frequently (or maybe in the poster).",
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"content": "Lady Audley's Secret.\nWealthy estate owner sir Michael Audley willingly marries a gold-digger, his only daughter Alicia's governess Lucy née Gray. Sir Michael's dashing, in-living orphaned nephew Robert 'Bob' returns from an Australia gold rush adventure with his new best friend George Talboys, a young father who finds his wife died in their absence. Robert is instantly attracted to Lucy, who buries her past with George by leaving him drowning in a well. Maid Phoebe's boyfriend finds out Lucy's secret and blackmails her. Later Robert comes on the trace of the truth, while accepting to marry Alicia as Michael seems infertile. But after Robert tells Michael, the consequences and the extent of deception exceed their imagination.::KGF Vissers",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE][2010s] Film about a British guy who moves to Canada and falls in love with a girl who's bipolar.\nIIRC, a guy had moved to Canada and was working in a bar. He meets a girl who lives with her parents and falls in love with her. Later he finds out she's bipolar. The film follows her through a manic and depressive episode, during a manic episode she paints these massive canvas paintings. I think I watched it on Netflix (UK) round about 2015/2016, and it had the feel of an Indie film to it.",
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"content": "The Other Half (2016 film).\nA bipolar woman and a grief-stricken man struggle to forge a simple life.\n\nIn Toronto, Nickie and Emily have an immediate mutual attraction to each other the first time they speak to the other, although they have seen each other before in their general travels. In the course of their dating and becoming exclusive with each other, they fall in love. It isn't until this exclusivity that each learns the other is a damaged soul. Nickie, raised in England, moved to Toronto following the disappearance of his younger brother, and has worked one service job after another, landing on being a cabbie, in generally behaving like a zombie in his day-to-day life in his inability to cope. He also has a cool relationship with his parents, Katherine and William, because of the situation. His seeming only outlet to express his grief is the occasion fit of temper accompanied by some form of violence, even though he inherently is not a violent person. Emily, an aspiring artist, suffers from bipolar disorder, medication, which she often does not take, and adhering to a \"system\" which can control her swings. Her well-off father and stepmother, Jacob and Marie, still try to control her life in what they consider knowing what is best to help her. These circumstances affect Nickie and Emily's relationship as well whether there is a long term future for the two of them together.::Huggo",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][Movie][2000s] A scifi movie with a scene where fuel explodes.\nSomething that i've just remembered out of the blue and I can't find the name of the movie. Please help me with that. \n\n\nSo, the only thing i remember is that, in the movie, the spaceship (don't remember what it's mission was) is struck by something, probably a micrometeorite, and has a little fuel leak from it. That fuel was blue and described as extremely volatile. The fuel then freezes in the void of space, and trails behind the spaceship's rocket engine's nozzle, which was off at the time. Later when the ship has to turn the engines on, fire ignites the small frozen icicle, which explodes and damages the engine. \n\n\nWhat was that movie?",
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"content": "Mission to Mars.\nIn 2020, the Mars I mission launches for planet Mars, commanded by Luke Graham (Don Cheadle). Upon arrival, the team discovers a bright white formation in the Cydonia region, which they suspect is an extrusion from a subsurface geothermal column of water, useful to future human colonization. After reporting this to the Earth-orbiting World Space Station, they go to investigate the formation and hear a low sound on their communications system. Radar initially reports that the formation is metal, but when they increase power to the radar, a large vortex appears and kills everyone except Luke. After the vortex subsides, the formation is revealed to be part of a large humanoid face.\nThe event creates an electromagnetic pulse the space station observes, after which it receives a distress message from Luke. Realizing Luke couldn't have left because the pulse would have damaged the computer system of the ERV (\"Earth Return Vehicle\"), they repurpose the Mars II mission into a rescue.\nMonths later, as Mars Rescue, consisting of Commander Woody Blake (Tim Robbins), his wife Terri Fisher (Connie Nielsen), recent widower Jim McConnell (Gary Sinise), and technician Phil Ohlmyer (Jerry O'Connell), nears Mars orbit, they discover that all satellite imagery of the formation area is covered with static. Micrometeoroids breach the ship, causing damage that leads to the engines blowing up. The crew are forced to abandon ship and get to the REMO (\"Resupply Module\") orbiting Mars. Woody launches himself at the module and manages to attach a tether to it, but is knocked off into space. Terri tries to rescue Woody, but knowing she would run out of fuel before reaching him, Woody removes his helmet, killing himself to save her.\nThe survivors arrive on the surface of Mars, and begin repairing the ERV. They find Luke living in a greenhouse, who shows them pictures of the face, and reveals that the pulses in the low sound they heard represented a 3D model of human-like DNA, but missing a pair of chromosomes. Jim determines they must complete the sequence to pass a test, and they send a rover to broadcast the completed signal via radar. Following the transmission, an opening appears in the side of the structure. With a massive dust storm approaching Jim, Terri, and Luke head to the formation, while Phil stays to finish repairing the ERV. Phil is ordered to launch, with or without them, before the storm hits.\nThe three astronauts enter the opening, which seals behind them. A three-dimensional projection of the solar system depicts the planet Mars, covered with water, being struck by a large asteroid and rendered uninhabitable. A projected humanoid alien reveals that the natives of Mars evacuated the planet in spaceships, one of which was sent to seed Earth with DNA in the hopes that it would create lifeforms who could one day land on Mars and be recognized as descendants. An invitation is offered for one of their group to follow the Martians to their new home. Jim accepts the invitation, bidding farewell to Terri and Luke, and is sealed inside a small capsule. Terri and Luke race back to the ERV and arrive just as Phil is about to take off. They barely escape the dust storm into space as Jim's capsule is launched from the crumbling formation and past them toward the Martians' home.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [Movie] Woman killed in the woods by Man with a rock.\nI don't know if I have all the details right, as I didn't watch the movie myself. I know for sure I saw this clip as part of some in-flight entertainment, however it was on another passenger's screen and not my own. This definitely was within the last two years. I think the flight in question occurred during summer 2017. There is some possibility that this was on an international flight either to or from France. Not sure about that but it may help.\n\nI don't really remember many specific details. A man and a woman are in the woods together, both appeared on the younger/middle-aged side. The man kills the woman by striking her in the head with a large rock. I think he held the rock with both hands (maybe not). The color palette was dark, maybe it was winter or late in the day. I don't think the scene took place at night. The woman may have been wearing something red, don't know for sure. I also don't think she realized she was in danger right away, I don't recall a struggle or a chase but I could very well be wrong about that.\n\nThe image has stuck with me more than if I had just watched the movie, I love psychological thrillers/horror films, because I enjoy them and it's easy for me to process them, then dump the emotional overload and move on. Without the context of the story this \"memory\" is sticking to me almost as if I'd seen an actual murder - so I'd love to just watch the film and be done with it.\n\nThanks in advance!",
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"content": "The Girl on the Train (2016 film).\nRachel Watson (Emily Blunt) is an alcoholic who shares an apartment with her friend Cathy (Laura Prepon) and spends her days commuting aimlessly on a train after losing her job.\nFrom the train she observes the activities of her former husband, Tom Watson (Justin Theroux), his new wife, Anna Watson (Rebecca Ferguson), and a couple who live nearby, Scott (Luke Evans) and Megan Hipwell (Haley Bennett), whom she sees as the ideal couple.\nDuring her marriage, having failed to become pregnant, Rachel became prone to alcohol-induced blackouts during which she engaged in self-destructive and violent behavior, including an occasion where she caused a scene at the home of her husband's boss and his wife Martha (Lisa Kudrow), leading to Tom being fired.\nShe continues to watch Tom, Anna, and their newborn daughter Evie, causing both Tom and Anna to warn her off.\nUnknown to her, Megan has been working as a childminder for Anna, but has suddenly resigned without explanation.\nDuring one train journey, Rachel spots Megan kissing a stranger on her balcony and becomes infuriated by what she perceives as Megan ruining her \"perfect\" marriage.\nAfter a drinking binge, Rachel leaves the train to confront Megan, only to black out and awaken hours later at her apartment, injured.\nRachel later learns that Megan is missing, and is questioned by Detective Sergeant Riley (Allison Janney), who suspects Rachel might be involved due to her recent erratic behavior and her presence in the neighbourhood on the evening of Megan's disappearance.\nRachel suspects a fellow-passenger (Darren Goldstein) of following her off the train and sees him in flashbacks to that evening but cannot piece her memories together.\nHearing that Scott is asking the public to help him find his wife, Rachel goes to see him, pretending to be a friend of Megan's, and tells him about Megan's affair.\nFrom a photograph, she identifies Dr Kamal Abdic (Édgar Ramírez), Megan's psychiatrist, as the man on the balcony.\nIt gradually becomes apparent that Scott is aggressive and controlling, while Megan is prone to dishonesty and sex addiction, fears becoming pregnant, and has frequent therapy sessions with Abdic.\nIn one of her last sessions, she tells him that she had a baby girl when in her teens, whom she accidentally drowned in the bath.\nBelieving Abdic to be the key to Megan's disappearance, Rachel schedules an appointment with him, revealing the history of her marriage and alcoholism.\nLater, at a bar, she recognizes the man who followed her from the train, and confronts him.\nHe claims to have found Rachel lying in a tunnel on his route home; he tried to help her up, but she rejected his help.\nRachel returns to the tunnel and recalls seeing Megan shouting at her before she was injured.\nMeanwhile, Anna becomes suspicious of Tom after Sgt.\nRiley suggests that he is encouraging Rachel's behavior by keeping in touch with her.\nAnna attempts to hack into Tom's computer, and in the process she finds a secret phone with several voice messages to another woman Tom is having an affair with.\nMegan is found dead and forensics determine she was pregnant, but the child was neither Scott's nor Abdic's.\nScott confronts Rachel, in the process revealing that he assaulted Megan prior to her death.\nRachel sees Martha on the train and apologizes for her previous behavior, but her memory of the occasion does not match Martha's version; Martha tells her that Tom was fired for having sexual relations with co-workers.\nRachel realizes that Tom planted false memories in her head on several occasions following a drinking binge.\nAnna finds out that Tom was exchanging phone calls with Megan.\nRachel realizes that Megan had confided in Abdic about her pregnancy, leading to their encounter on the balcony.\nAfter leaving the train that day, Rachel caught Tom meeting Megan and shouted at her, mistaking her for Anna.\nTom attacked Rachel before returning to Megan, who told him about the baby and refused to get an abortion.\nFearing that their affair would be exposed, Tom murdered Megan.\nRachel goes to Tom's house to warn Anna, who reveals that she already knows about the affair.\nTom arrives and Rachel confronts him.\nAs Tom and Rachel argue, Anna reveals that she had found Megan's phone.\nTom then carries Evie out of the room; a fearful Anna pleads for him to give her the baby while Rachel tries to dial 911.\nTom knocks Rachel unconscious; when she comes round, Tom threatens her again, trying to suggest that Rachel is responsible for his actions.\nHe tries to strangle her, watched by Anna from the top of the stairs.\nRachel runs from the house, grabbing a corkscrew on her way out.\nTom catches up with her in the garden, and she stabs him in the neck with the corkscrew as Anna watches from the window.\nAnna arrives and pushes the corkscrew deeper into Tom's neck, killing him.\nRachel and Anna are both arrested, and separately confirm to the police that Rachel killed Tom in self-defense, after he revealed himself to be Megan's killer.\nAnna tells the skeptical detective that Rachel was right about everything.\nOne year later, a sobered-up Rachel is commuting to her new job on the same train.\nShe now sits on the opposite side in a different car, leaving her old neighborhood in the past.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [Movie] Trippy cartoon with unrecognizable police faces.\nHello TOMT, this could be a bit of a stretch but I trust you guys.\r\nYesterday a friend told me about a cartoon movie I saw last year, but I can't seem to remember which, even though the description seems quite peculiar. He saw half of it, and what he remembers is that policemen wore a mask which made them unrecognizable when filmed (with photos or videos). If they happen to be in a recording, their face just shows up blurred. A policeman identifies himself in a recording/photo, at some point, but has no means to prove it. There's a new drug around, but friend doesn't remember what it does or what it's called.\r\nGraphically speaking, everything was very trippy. Friend said it could be a French cartoon for what he saw, and that could also be true, since I like me a nice French cartoon every now and then.\r\nAny ideas? I'm clueless, even though i should remember something this specific. Thanks in advance!\r\n\r\n\r\nEdit: solved, that was it. Thanks for the quick response!",
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"content": "A Scanner Darkly (film).\nThe United States has lost the war on drugs.\nSubstance D, a powerful and dangerous drug that causes bizarre hallucinations, has swept the country.\nApproximately 20% of the total population is addicted.\nIn response, the government has developed an invasive, high-tech surveillance system and a network of undercover officers and informants.\nBob Arctor is one of these undercover agents, assigned to immerse himself in the drug's underworld and infiltrate the supply chain.\nSometime in the past, Arctor was abandoned by his wife and two children, leaving him alone in a now-rundown suburban house in Anaheim, California; the house has since been repopulated by Arctor's two drug-addicted, layabout housemates: Luckman and Barris.\nThe three spend their days intoxicated and having long, paranoiac conversations.\nAt the police station, Arctor maintains privacy by wearing a \"scramble suit\" that constantly changes every aspect of his appearance and he is known only by the code name \"Fred\".\nArctor's senior officer, \"Hank\", and all other undercover officers, also wear scramble suits, protecting their identities even from each other.\nSince going undercover, Arctor himself has become addicted to Substance D and he has befriended the main woman he has been spying on: a cocaine addict and Substance D supplier named Donna.\nArctor hopes to purchase large enough quantities of Substance D from Donna that she is forced to introduce him to her own supplier, but he has also developed seemingly unrequited romantic feelings towards her.\nAt work, Hank orders Arctor to step up surveillance on Arctor himself and his associates; however, Arctor's house is now at the center of his own investigation, since this is where Donna and the other addicts in her and Arctor's life now spend most of their time.\nArctor, therefore, has to even more carefully plan his double life, though his prolonged use of Substance D is damaging his brain, causing him to sometimes forget his own identity.\nMeanwhile, the justified paranoia of Arctor's housemates reaches extreme levels, and Barris secretly communicates to the police his exaggerated belief that Donna and Arctor are terrorists; Barris unknowingly conveys this information in the presence of Arctor himself, whose identity at the time is hidden behind his scramble suit.\nAfter Barris supplies the police with a faked recording allegedly proving his claims about Donna and Arctor, Hank orders that Barris be held on charges of providing false information.\nAfter Barris's arrest, Hank reveals to Arctor that he has deduced him to be the true identity of \"Fred\" by a process of elimination.\nArctor seems legitimately surprised and repeats his own name in a disoriented, unfamiliar tone.\nHank informs him that the real purpose of the surveillance was to catch Barris, not Arctor, and that the police were deliberately increasing Barris's paranoia until he attempted to cover his tracks.\nHank reprimands Arctor for becoming addicted to Substance D, and warns him that he will be disciplined, likely with just a fine but possibly a few months of penal labor.\nHank \"phones\" Donna, asks her to take Arctor to New-Path, a corporation that runs a series of rehabilitation clinics, and Arctor, who is rapidly becoming more disoriented, leaves Hank's office, cursing Hank aloud.\nAfterwards, Hank enters the locker room and removes his scramble suit, revealing his true identity to the audience: Donna.\nAt the New-Path clinic, Arctor experiences the symptoms of Substance D withdrawal, including more severe brain damage.\nHe mindlessly repeats what others tell him and utters mostly simplistic responses.\nSome time later, Donna (revealed to be another false name) converses with a fellow police officer, Mike, and the audience learns that New-Path is responsible for the manufacture and distribution of Substance D; ironically they use victims of the drug to tend their crops, since (being nearly mindless) they can be trusted not to reveal New-Path's secret.\nDonna expresses her growing ethical aversion to their police work, in which they deliberately selected Arctor—without his knowledge—to become addicted to Substance D all along; his health was sacrificed so that he might eventually enter a New-Path rehabilitation center unnoticed as a genuine addict and collect incriminating evidence of New-Path's Substance D farms.\nDonna and Mike debate whether Arctor's mind will recover enough so that he grasps the situation and returns from serving his sentence with substantial evidence to shut down New-Path.\nIn the final scene, New-Path gives Arctor a new name \"Bruce\" and sends him from the clinic to a labor camp at an isolated New-Path farm, where he spots rows of blue flowers hidden between rows of corn.\nThese flowers, referenced throughout the film, are the source of Substance As the film ends, Arctor hides a blue flower in his boot, apparently prepared to hand it over to the authorities during his upcoming Thanksgiving respite, though it is not at all clear whether he has recovered enough of his mental faculties to do so.\nThe end credits feature an abridged version of the afterword of Philip Dick's novel, in which Dick lists people he knew who have suffered serious permanent physical or mental damage (brain damage, psychosis, pancreatic trauma, etc) or death as a result of drug use.\nDick includes his own name on the list, as \"Phil\", a victim of permanent pancreatic damage.\nLinklater adds another name to the credits and dedicates the film to the memory of Louis Mackey, an influential philosophy professor at the University of Texas at Austin; he had appeared in two of Linklater's previous films.\nMackey died in 2004.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [MOVIE] Movie about a an entire town being in a single cult that's being interrogated by a man. Possibly based on real life history of cults..\nI seem to recall that this movie was from 2006-2014. \n\nThe main character visits a town in the South East U.S. and records everything. The entire town is in this cult. At the end, there is a baby that *what I remember* is thrown into a fire. The main characters run out of the woods after hiding in the treeline, only to be caught by members of the cult. The movie ends right there, and the credits describe a cult that showed up in the 60s-80s.\n\n\nI've been trying to figure this movie out for years now with no luck.",
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"content": "The Last Exorcism.\nA troubled evangelical minister agrees to let his last exorcism be filmed by a documentary crew.::Anonymous\n\nIn Baton Rouge, Louisiana, the evangelical Reverend Cotton Marcus was raised by his father to be a preacher. He agrees that the filmmaker Iris Reisen and the cameraman Daniel Moskowitz make a documentary about his life. Cotton tells that when his wife Shanna Marcus had troubles in the delivery of their son Justin, he prioritized the doctor help to God and since then he questions his faith. Further, he tells that exorcisms are frauds but the results are good for the believers because they believe it is true. When Cotton is summoned by the farmer Louis Sweetzer to perform an exorcism in his daughter Nell, Cotton sees the chance to prove to the documentary crew what he has just told. They head to Ivanwood and they have a hostile reception from Louis's son Caleb. Cotton performs the exorcism in Nell, exposing his tricks to the camera, but sooner they learn that the dysfunctional Sweetzer family has serious problems.::Claudio Carvalho, Rio de Janeiro, Brazil\n\nStill questioning his faith in God, the once-pious minister, Reverend Cotton Marcus, no longer believes in what he's preaching. To prove that the purification rituals known as \"exorcisms\" are nothing more than elaborate hoaxes, Marcus decides to invite a documentary film crew to chronicle the last exorcism of his career. Before long, the urgent plea for help of the desperate farmer, Louis Sweetzer, will provide the perfect opportunity to clear things up, as he claims that malevolent spirits have taken possession of his young daughter, Nell. Of course, the staged routine is successful; however, that very same night, undeniable supernatural happenings start challenging the priest's scepticism. Could it be that a black demon has, indeed, possessed innocent Nell?::Nick Riganas\n\nGroomed by his father John Marcus starting when he was just a child to follow in his footsteps, Cotton Marcus, a natural performer, is a Baton Rouge based preacher, much of his work, like his father, carrying out exorcisms. Because of the accidental death of a supposedly possessed ten year old at the hands of another exorcist, and his now adolescent son Justin Marcus' brush with death at birth, Cotton admits to himself that he has never really believed in demons and thus possessions - all the exorcisms he asked to perform by like people with like stories, only the names being changed - and may not really believe in God, but had carried out such work, a scam, for his family and in providing a service in demand. As such, he decides to allow a documentary film crew to follow him at his next exorcism to show the process for the scam it is, he just choosing the next in the long list of requests he receives, this one from rural Ivanwood, LA. The supposedly possessed this time is sixteen year old home schooled Nell Sweetzer, the request coming from her devout farmer father, two-year widowed Louis Sweetzer, and apparently, as Cotton will discover, against the wishes of Nell's older brother, Caleb Sweetzer. Louis' devotion to his faith is despite he and his local preacher, Pastor Joseph Manley, having had a falling out over Nell, the Sweetzers who have not attended church now in two years. Cotton will discover that Nell is different than any of the other \"possessed\" before her that he's seen, and that he, and by association anyone else dealing with this case, including the documentary crew, may be over their heads and in possible danger, that is unless Cotton truly has the faith and the power he purports to his followers.::Huggo",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT] [MOVIE] Short Film about bullying on channel 4 (uk).\nIt's about teenaged boy getting mercilessly bullied at school by a gang of bullies. It's told from his perspective with him filming it on his own camera (Blair Witch style). \n\nIt ends (spoiler alert) with him shooting himself and is unspeakably tragic.\n\nIt's pretty old now. think I watched it in 2001. I'm almost certain it had the word \"bullying\" in the title.\n\nI've searched everywhere but I can't find it at all.",
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"content": "Parent's Night.\nHorror/Thriller about a bullied schoolboy who is pushed over the top by his oppressors, and his mother's more-than-rash reaction to her son's death.::Dave Wilson <davemw@yahoo.com>\n\nThe plot follows a boy by the name of David, who is suffering bullying in the extreme at school. The school will do nothing to stop it, and instead blame David for his bullying. Pushed over the edge, David takes a video camera everywhere with him at school, recording how his tormentors have made him. He goes home, and recording a final message to his mother, puts a gun in his mouth, and blows his head off. On top of the bullying, David was also following in his father's footsteps, a man who entered a school and killed everyone in it. On hearing the shot, the mother rushes to the room, to find the video, with the faces of the bullies on it. After watching the video, highly psyched, the mother takes the gun and goes to the school _Parent's Night_ (qv). Once there she confronts the school headmaster...::Dave Wilson <davemw@yahoo.com>",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Prehistoric Park.\nNigel Marven travels back in time to rescue exotic creatures on the brink of extinction. CGI is used to create animals no longer seen on earth, from woolly mammoths, and T Rex, to dinosaur-eating crocodiles.::Enzedder",
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"content": "The Puppetoon Movie.\nThe film opens on a film set, where Gumby and his friends are filming a dinosaur movie. A ferocious Tyrannosaurus rex named Arnie charges on set and is about to devour a young doe named Barbara when suddenly, he removes his false teeth and lets the doe go out of sympathy. Gumby as a director cuts the scene and questions Arnie on his hesitation to act ferocious. Although Arnie knows it is all just acting, he feels unfit for the part because it just isn't him. He explains that he once was ferocious, but thanks to the influence of George Pal, he has reformed and is now a vegetarian without a bad bone in his body. Gumby fails to understand the profound effect of George Pal on Arnie's persona, so Arnie and Pokey show Gumby a set of George Pal shorts to show him the significance of the artist, thus starting The Puppetoon Movie.\nA number of George Pal's short films are featured in the film: \n\nThe Little Broadcast\nPhilips Broadcast of 1938\nHoola Boola\nSouth Sea Sweethearts\nThe Sleeping Beauty\nTulips Shall Grow°\nTogether in the Weather\nJohn Henry and the Inky-Poo °\nPhilips Cavalcade\nJasper in a Jam\nTubby the Tuba°°Oscar nominated film\nAfter all the shorts, Gumby and the others meet other characters who George Pal animated, such as the Pillsbury Doughboy and the Alka-Seltzer mascot Speedy. Gumby then thanks George Pal for making all this possible, and everybody cheers. The screen pans out and shows a gremlin, who looks at the audience, says \"George Pal!\" in a raspy voice, then climbs up a support beam while laughing hysterically.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][MOVIE][later 2000s and maybe nearer to 2015] Movie about a woman with a brain machine interface that connected to the internet who worked with \"the system\"..\nSo I was kindly directed here by some discord folks, and I wanted to ask you all if you remembered the name of a movie. \nThis movie came out I would say after 2005 and probably nearer to 2015 or even 2018 or so. I am not sure where I remember seeing this movie, and I remember very little. It might have been on netflix, or it might have been simply a movie I saw at a friends. \n\n\nThere was a woman with a brain machine interface who was a certain class of human who was connected to the internet, and had other augmentations I think. She was human but had implants that existed in her since childhood. She was probably around 20 or 25 in the movie. Her implants connected to her brain let her see an augmented reality. She was meant to be used as a field intelligence agent of some sort for \"the system\". I remember not much more than that this movie took place in a futuristic dystopia. It took place around the same time as the hunger game movies, but is a different cinema universe. \n\n\nIf I had some names to go on I might be able to look up clips and see if I can confirm the guesses. I originally started looking for the answer to this question by searching for \"movies about brain computer interfaces\" \n\n\nThe movie definitely has to do with this specific woman, and the fact that her class has these brain machine interfaces, and were meant to be used as a field intelligence agent for \"the system\". \n\n\nPlease help if you are interested, I would be interested myself to see what you can come up with. Cheers.",
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"content": "Kill Command.\nIn a technologically advanced near future, Katherine Mills, a cyborg working for Harbinger Corporation, discovers a reprogramming anomaly regarding a warfareI.\nsystem located at Harbinger I Training Facility, an undisclosed military training island.\nShe meets with Captain Damien Bukes and his team consisting of Drifter, Robinson, Cutbill, Goodwin, Hackett, and Loftus - all of whom have been assigned to a two-day training mission at Harbinger Upon their arrival, the team notices global communications have been disabled, limiting them to local access only.\nThey discover autonomously operating surveillance drones monitoring them.\nThe team begins their mission of eliminatingI.\nthreats.\nThe first encounter proves easy for the team as they eliminateI.\ndrones from a vantage point.\nDuring the battle, Mills discovers an advancedAR.\n(Study Analyze Reprogram) unit,AR.\n-003, but is unable to access it.\nThat night, Drifter and Mills discuss their pasts and Bukes' disdain for her.\nLater that night, Loftus is killed by theAR.\nunit.\nThe next day, they discover Loftus's body at the location of the first encounter.\nThe drones take the team's original vantage point and kill Hackett.\nThey discover theI.\nis adapting and learning from them.\nBukes flanks two drones, which immediately disperse.\nLater, theAR.\nunit captures Cutbill and has him shot and killed by another drone.\nThe drones attack the group again and Bukes and Mills are separated from Drifter, Robinson and Goodwin.\nThat night, theAR.\nunit discovers Bukes and an unconscious Mills; it \"connects\" with Mills and leaves.\nThe next day the team attempts to exit the training area, but they are attacked by smoke and gunfire.\nDrifter is shot and pinned down by theAR.\nunit.\nBukes kills Drifter as a coup de grace before theAR.\nunit is able to.\nThe team escapes into the barrier complex and discovers that theI.\nhas killed all of the employees.\nMills activates anotherAR.\nunit to learn thatAR-003 reprogrammed theI.\nto use lethal force in order to improve soldier motivation and has ordered the soldiers to Harbinger I on its ownAR-003 and other units break through the barrier door as the remaining team escapes through the back.\nMills discovers an EMP device which can be used to stop the originalAR.\nunit but could also kill her or wipe her mind clean.\nBukes, Mills, Robinson, and Goodwin place explosives to prepare for a siege.\nThe following day,I.\ndrones attack the facility.\nThe team wipes out more than half of the drones, but Robinson is killed in the ensuing gunfight.\nAsAR-003 approaches the team, Mills detonates the EMP, incapacitating herself and the drone.\nTheAR.\nunit reawakens and attacks Bukes and Mills.\nMills controls a drone gun in the building to destroy theAR.\nunit;AR.\nhowever uploads its program into Mills before it shuts down and Mills loses consciousness.\nHours later, a tiltrotor arrives to rescue the survivors.\nAs Bukes and Goodwin approaches the aircraft, Mills reawakens withAR-003's mission protocol.",
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"content": "We're Back! A Dinosaur's Story (film).\nThe film opens with a trio of young bluebirds harassing their youngest sibling, Buster (Blaze Berdahl).\nAs Buster leaves his family, he meets an intelligent orange rex named Rex (John Goodman) playing golf.\nHe explains to Buster that he was once a ravaging dinosaur, and proceeds to tell his personal story.\nIn prehistoric times, Rex was a savage, frightening creature who terrorized smaller dinosaurs.\nBut one night he encounters a strange spacecraft and a small green alien-like creature named Vorb (Jay Leno).\nVorb captures Rex and feeds him \"Brain Grain\", a special breakfast cereal that vastly increases Rex's intelligence.\nRex is given his name and introduced to other dinosaurs that have been fed Brain Grain: A green Parasaurolophus named Dweeb (Charles Fleischer), a blue Triceratops named Woog (Rene LeVant), and a purple Pteranodon named Elsa (Felicity Kendal).\nThey soon meet Captain Neweyes (Walter Cronkite), the inventor of Brain Grain and pilot of the spacecraft, who reveals his goal of allowing the children of the present time to see real dinosaurs, fulfilling their biggest wishes.\nHe plans to take them to dr Julia Bleeb (Julia Child), who will guide them to the Museum of Natural History in New York City.\nHe also warns them to avoid Professor Screweyes (Kenneth Mars), his insane brother.\nNeweyes drops the dinosaurs off at the East River in 1993, but they fail to meet with dr Bleeb.\nInstead, they meet a young boy named Louie (Joey Shea), who plans on running away to join the circus.\nLouie agrees to help the dinosaurs.\nLouie soon encounters a girl named Cecilia, who is miserable with her life because of her neglectful parents.\nShe agrees to run away with Louie and help the dinosaurs.\nTo prevent mass panic, Louie decides that the dinosaurs need to stay hidden during their journey to the Natural History Museum.\nHe disguises them as floats in the Macy's Thanksgiving Day Parade.\nDuring the parade, Rex hears all the children wishing to see real dinosaurs, so he starts to sing \"Roll Back the Rock (To the Dawn of Time)\" (the movie's theme song).\nWhen he sees the Apatosaurus balloon coming out in the parade however, Rex mistakes it for being real and hand shakes it too tight with his claws, causing its air sealer to pop open.\nThe balloon runs out of air and falls on the dinosaurs, who are otherwise unharmed.\nWhen the audience realizes that live dinosaurs are among them, they fly into a panic.\nThe local authorities are called in to stop the dinosaurs.\nAs the dinosaurs lose the police, Louie and Cecilia venture to Central Park, where Professor Screweyes is running his \"Eccentric Circus\".\nUnaware of Screweyes' sinister nature, the children sign a contract to perform in his circus troupe.\nThe dinosaurs arrive and try to prevent this, but they are too late.\nScreweyes, upon meeting the dinosaurs, explains that he delights in scaring people and believes that the dinosaurs would make a great addition to his circus.\nHe then reveals his very own \"Brain Drain\", pills that are the polar opposite of his brother's Brain Grain.\nHe demonstrates the Brain Drain on the two children, devolving them into chimpanzees; however, he offers the dinosaurs a deal: if they consume the pills and join his circus, he'd destroy the contract and release Louie and Cecilia.\nReluctantly and sadly, the dinosaurs accept the offer.\nAs the kids awake the next morning, they are greeted by a circus clown named Stubbs (Martin Short).\nUpon seeing the dinosaurs returned to their natural savage states, Louie and Cecilia, with the help of Stubbs, plan to sneak into the night's show and save the dinosaurs.\nProfessor Screweyes claims he can control the now-savage Rex, and proceeds to hypnotize him.\nEveryone watching the show gets frightened during the performance, and many run away.\nHowever, a crow accidentally activates flare lights, breaking Rex out of the trance.\nThe savage Rex realizes he has been tricked, becomes enraged and tries to attack Screweyes.\nHowever, Louie steps in and desperately tells Rex that killing Screweyes will not be worth it; these impassioned pleas serve to return the dinosaurs to their kind and friendly natures.\nJust then, Captain Neweyes arrives in his spacecraft and congratulates Louie and Cecilia, who proceed to kiss in front of a whole crowd of people.\nStubbs announces his resignation from Screweyes' employ.\nNeweyes, Louie, Cecilia and the dinosaurs board the aircraft, leaving Screweyes to be swarmed upon by the crows.\nWhen the crows take off, all that is left of Screweyes is his fake eye, in which one of the crows takes and flies off with.\nThe dinosaurs spend the rest of their days in the Museum of Natural History, allowing children to see live dinosaurs, fulfilling their wishes.\nMeanwhile, Louie and Cecilia reconcile with their respective parents, and the two become a couple.\nRex returns Buster to his family before returning to the Museum of National History, humming the movie's theme song to himself.",
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"content": "Dinosaur King.\nMax Taylor is the son of paleontologist Dr. Spike Taylor and is a fan of dinosaurs. Upon falling out of bed one morning, he sees something crashing into the woods. With his friends/fellow D-Team members Rex Owen and Zoe Drake, they find a strange stone and an egg-shaped capsule containing a Triceratops card. When Max rubs a lightning-marked stone and the Triceratops card, the card turns into a real Triceratops. When he rubs it again, it turns back into a card. The third time it happens, the Triceratops appears as a hatchling and Max names it Chomp. Max, Rex, and Zoe soon learn that the dinosaurs are being hunted by the Alpha Gang. Led by Dr. Z and consisting of Ursula, Zander, Ed, Seth, Dr. Z's maid Helga, and Dr. Z's grandchildren Laura and Rod, the Alpha Gang is out to capture Dinosaur Cards in Dr. Z's plot to become the _Dinosaur King_ (qv). When Rex receives a Carnotaurus named Ace and Zoe receives a Parasaurolophus named Paris, the D-Team competes with the Alpha Gang to get to the Dinosaur Cards first in locations around the world.::Rtkat3",
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"content": "Adventures in Dinosaur City.\nThe story involves a trio of teenagers, named Timmy (Omri Katz), Jamie (Tiffanie Poston), and Mick (Shawn Hoffman), who enjoy watching their favorite TV show which features anthropomorphic dinosaurs.\nWanting to watch it on a better screen, Timmy, the youngest of the three, suggests that they try watching it on his father's screen in his laboratory.\nThe moment they turn it on, a vortex sucks the three into the TV screen, and into their favorite show.\nUpon entering the new world, the trio comes across a flightless Dimorphodon named Forry (Rob Sherwood).\nAlthough reluctant at first to help them, his knowledge of Dinosaur City proves useful as he guides the three to Tar Town where they join up with Rex (Patrick Labyorteaux) and Tops (David Jolliffe), two dinosaur freedom fighters willing to ignite a revolution against the villain, mr Big (Patrick Labyorteaux) and his caveman henchmen \"The Rockies\".",
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"content": "[TOMT][TV Show][2000's(?)] Weird Time Travel/Dream Episode of Unknown Show.\nI have a vague memory of an early 2000's(?) tv show that had nothing to do with time travel, but there was this one episode that did. I'm pretty sure that the episode happened within a dream, but it still traumatized me. I don't remember much about the show (I can't even visualize what the characters look like) but I 100% remember this: \n1.) The time travel device was a small silver/chrome orb with a string at the top. When the string was pulled, the character would travel forward in time. \n2.) The main character would travel forward in time to skip the boring parts of his(?) life. \n3.) Throughout the episode, when the main character reaches adulthood, he(?) vows to not use it (the time travel device) but his(?) children begin to annoy him(?). That combined with the stress of his(?) job causes him(?) to use the device again. \nThe following things are what I *think* may have happened, but I'm not 100% sure:\n\n1.) A witch (or some magical person) gives the main character the device and warns them not to abuse its power \n2.) The main character travels too far into the future and sees the tombstone of their SO. The witch then appears to the main character, who is now bitter and angry. \n3.) The device breaks/shatters so no more time travel. \n4.) I'm pretty sure that the episode ended with the main character waking up\n\nThe how seemed to be a more lighthearted show if it even was a show, and this just seemed uncharacteristically dark for it. I think the lesson was supposed to be \"Live your life in the here and now\". It really bugs me that I can't come up with what this piece of media is that lingers in my memory. Any help/answers about the show and/or the episode are appreciated!\n\nThanks!",
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"content": "Adventures from the Book of Virtues.\nThe story features two schoolchildren, Zack and Annie, who have been neighbors and friends for many years.\nIn each episode of the series, one of them commits an act contrary to that day's chosen virtue (loyalty, compassion, courage, moderation, honesty, etc) and suffers pain as a result (be it physical or moral).\nThey seek counsel of one of their animal friends.\nThese animal friends are four anthropomorphic mountain-dwelling entities who between them possess immense knowledge of legends and literature as well as common sense and a lively sense of fun.\nThey utilize classical works of famous authors, philosophers, poets, as well as fables and myths to communicate the truth of virtue to Zack and Annie.\nPlato, the oldest, is a scholarly bison; Aurora, the most gentle, is a Red-tailed Hawk; Socrates (or \"Soc\" as his friends call him) is a rambunctious bobcat; and Aristotle (Ari) is a prairie dog who is seldom without his bag of books.\nThese four, whose existence seems a secret from the majority of humans in the town of Spring Valley, advise Annie and Zack patiently and often.\nThe children then proceed to live according to the virtue of the day, completing what they have begun.\nThe episodes do not seem to take place in linear fashion; no character speaks in memoriam of a previous incident, and there is no intimation that the children act based on a previously referenced virtue.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE] Sci-fi horror movie with dark, fast moving monsters fight a SWAT team..\nI have seen this movie as a kid. It was probably released in the 90s or 00s. The scenes that I remember are; an asian female swat officer testing a gatling gun with motion detectors. A mad scientist extracts blood from a large monster and does some experiment on a human subject. The SWAT team got overun by the horde of dark, fast moving creaters. end, One of the protagonists sacrifices himself by carrying an explosive and ride a minecart to the monsters' nest. It ends with the scene of a creator running toward the main protagonists in a seemingly emptied town. \n\nI have tried looking up on google many times already and I couldn't find anything. \n\nAny helps is appreciated guys!",
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"content": "Alone in the Dark (2005 film).\nEdward Carnby (Christian Slater) is a supernatural detective who specializes in the occult and other paranormal subjects. He was apparently the subject of strange experiments when he was a child, leaving him with heightened abilities as well as a \"sixth sense\" that allows him to sense the paranormal. Throughout the film, we also learn that Carnby used to work for Bureau 713, a secret government organization that seeks to protect the world from paranormal dangers.\nIn his spare time, Carnby investigates the disappearance of the Abkani, an ancient Mayan-like civilization that worshipped demonic creatures from another dimension. Central to the plot are several artifacts un-earthed in 1967 and now on display at the city's Museum of Natural History, at which Carnby's girlfriend Aline (Tara Reid) is the assistant curator. Carnby soon finds himself investigating the very scientist who conducted experiments on him as a child, while working with Aline and former protégé (now rival) Commander Richard Burke (Stephen Dorff), his replacement at Bureau 713, to stop an invasion of the demonic creatures who are pouring through a portal opened by the Abkani artifacts.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [MOVIE] movie about mirrors which were killing people.\nThere was one scene where someone ripped his jaw open",
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"content": "Mirrors (film).\nA security guard runs through a subway station until he enters a room he cannot escape and starts begging his reflection in a mirror for his life. His reflection uses a shard to slice into its own throat; the wound reflects upon the real security guard's body, killing him.\nBen Carson (Kiefer Sutherland), a suspended police detective, begins his first day as a night security guard at the Mayflower, a luxury department store that was gutted by a fire and shuttered five years prior. The building still contains numerous mirrors from the store.\nOn Ben's first night of patrol, he finds a mirror that appears to be covered with handprints, but only on the reflected side of the glass. He sees an open door in the reflection while it is actually closed. Over time, Ben begins to see more intense visions, which he initially shrugs off as hallucinations. He soon finds the wallet of Gary Lewis (Josh Cole), the previous night guard (from the beginning of the film) who supposedly killed himself. Inside is a note that says \"Esseker\". After noticing the absence of blood on the mirror shard in Gary’s crime photos, Ben is convinced that the mirrors make people do things to themselves that they are not actually doing.\nMeanwhile, Ben's sister, Angie (Amy Smart) is killed by her reflection as it grips its jaw and slowly pulls its mouth apart, causing her to bleed profusely. Ben is distraught when he finds her body. In anger, he attempts to destroy the mirrors at the Mayflower, but they are impervious to damage. He demands to know what the mirrors want, and cracks appear on one of the mirrors, spelling out the word \"ESSEKER\".\nBen enters the flooded basement of the Mayflower and finds a small sign stating \"Psychiatric Studies\" and \"St. Matthew's Hospital\" underneath. He moves to the site of the leak and begins pulling at the tiles and brick of the wall and finds a room with a chair surrounded by mirrors beyond it, a Psychomanteum. Realizing that the Mayflower was built on the site of an earlier hospital,\nBen asks his police friend Larry (Jason Flemyng) to help him locate the patient-employee manifest for the hospital. Larry finds the name Anna Esseker (Mary Beth Peil), a patient of the psychiatric hospital. She was twelve years old at the time and died in a mass suicide.\nBen looks through Anna's file and finds an Authorization and Consent form that negated her Death Certificate, stating that she had been discharged from the hospital two days before the suicide and is led to believe that Anna is still alive. Meanwhile, Ben's wife Amy (Paula Patton) discovers her son Michael's (Cameron Boyce) reflection acting differently from the real Michael. In a panic, she calls Ben, who immediately returns home. Together they cover every reflective surface in the house with green paint.\nBen locates Anna Esseker's childhood home, and discovers that as a child she was violent and uncontrollable, and diagnosed with severe schizophrenia. She was taken in by a doctor, Dr. Kane (Tim Ahern) from St. Matthew's Hospital, who believed that she was suffering from a rare personality disorder. His treatment was to confine Anna to a chair surrounded by mirrors, believing this would cure her disorder by forcing her to confront her own reflection. Ben is told by Anna's brother that when she returned, apparently cured, strange things started to happen with the mirrors in their home. As a result, her family sent her to a convent, Saint Augustine's Monastery, where mirrors are forbidden.\nBen visits the convent and finds Anna, who explains that she was actually possessed by a demon, which was drawn from her and became trapped in the mirrors. She explains that it collects the souls of those it kills and if she were to return, it would make it possible for the demon to be brought back into the mortal world. She refuses to go back.\nMeanwhile, Amy discovers that Mikey is missing at home and a thin reflective layer of water is completely covering the floor. After putting her daughter in a safe closet, she finds Michael using a knife to scrape the paint from the mirrors. Amy tries to stop him but he escapes, obviously possessed.\nHaving threatened her at gunpoint, Ben returns with Anna to the Mayflower and straps her into the chair in the Psychomanteum. \nBack at Ben's house Michael is suddenly pulled through the water on the floor by his reflection and begins to drown. At the Psychomanteum the lights begin to flicker and the building begins to shake as the demons in the mirrors are released. They repossess Anna and all the mirrors in the Mayflower explode. Simultaneously, Michael is released from the demon's grip and Amy is able to pull him to safety. Ben is then attacked by the repossessed Anna. He manages to kill her by igniting a nearby gas line, setting off a huge explosion. The old building collapses, killing the demon, and trapping Ben under the ceiling as he rushes toward the exit.\nBen pulls himself out of the rubble and stumbles out of the building. Policemen and firemen are everywhere in the street, and a body is seen being taken in a bag by paramedics, but nobody notices Ben. He looks at the older security guard's name tag and sees it is written backward, realizing everything is in reverse (like in a mirror). He comes upon a mirrored surface in the city and fails to see his own reflection as he reaches out to touch it. He realizes that he never made it out of the building, died in the rubble, and is now trapped in the mirror world: In the living world, his hand appears as a handprint on the glass surface.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [movie] Obscure American movie released around 2000, in which a duo kidnap children with their van. Includes an ice pick murder scene..\nI just remembered a movie I saw on television as a child, and I can't fall asleep until I recall its name.\n\nFrom what I can remember of the plot, a pair of criminals (a man and a woman) kidnap someone's children and hold them in their van. In one scene, the man kills another man by stabbing his temple with an ice pick in the van. (I remember this scene vividly because that was my first exposure to this method of killing.) The father of the children later succeeds in rescuing them, and the film concludes with the woman, overcome with guilt, committing suicide by shooting herself behind the van's open door.\n\nI think it was set in California or Miami, because I recall seeing low-rise motels and palm trees in the movie.\n\nI also remember the Wikipedia article of the movie being really short and the reviews being mostly negative. I recall a release date of 2001, which sticks in my mind because I thought it was released in the nineties. It may have been direct-to-VHS. I vaguely remember the title being several words long and have something to do with temperature, like \"heat\" or \"hot\".",
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"content": "Trapped (2002 film).\nJoe Hickey (Kevin Bacon), his wife Cheryl (Courtney Love) and his cousin Marvin (Pruitt Taylor Vince) have a money-making business -- to kidnap the child of rich parents, hold the kid for 24 hours and get ransom money out of the kid's dad.\nThe three have a laid out role-plan.\nMarvin takes the kid away while Joe keep the mom under control by staying in the house of the victim's family whereas Cheryl has control on the dad.\nDr Will Jennings (Stuart Townsend), the father/husband in a typical happy small family, is a research physician who has just had his big career break by patenting a new anaesthetic drug.\nThe mother/wife, Karen Jennings (Charlize Theron), who was previously a nurse, is a stay-at-home mother.\nThe couple's daughter Abigail aka Abby (Dakota Fanning) is the current kidnap victim.\nHowever, she is asthmatic, so the plan is less than perfect.\nShe is kidnapped by Joe and Marvin.\nWhile Marvin takes Abby to his cabin, Joe holds Karen hostage.\nMeanwhile, Cheryl keeps Dr Will at gunpoint and tells him about his daughter's kidnapping after he just gets out of a ceremony in which he is honoured for his career.\nIt is subsequently revealed that Cheryl and Joe kidnapped Abby because they believe that Dr Will killed their daughter Katie.\nKatie had a tumor and was in the care of Dr Will but she died during treatment.\nDr Will admits that it was the surgeon who killed her because he was unable to stop her bleeding during the operation.\nIt seems Joe's plan was not to let Abby go home after the ransom is paid, but rather, to keep her and raise her as their own daughter (their dead kid Katie was of Abby's age).\nAbby then starts to have an asthma attack and refuses to drink coffee provided by Marvin who mistakes her for Katie.\nWhile being watched by Joe, Karen gives Abby medicine in order to battle her illness and tries to get her back, but is forced to spend the night with Joe.\nHe and Karen have sex together, but she slices him with a concealed scalpel and heads to her bathroom where she receives a phone call from Abby.\nAbby attempts to escape from Marvin's cabin but is consequently recaptured by him.\nMarvin is rather fond of Abby, so two of the three kidnappers have gone soft, which hinder Joe's plans.\nMarvin devises a plan with Abby about the exchange, while Karen stitches up Joe's wound.\nDr Will manages to get Cheryl to help him get Abby back and both head to the bank to get the ransom money while being monitored by the police.\nAfter severing police communication while listening to Joe and Cheryl's argument on the phone, Dr Will takes his seaplane with Cheryl looking for Abby.\nJoe and Karen are driving in a car on the busy freeway and Marvin and Abby are in a wagon.\nKaren attacks Joe driving and phoning Marvin, forcing them off the freeway.\nAfter being constantly interrupted with phone calls from Joe and severing the engine prior to pulling up, Dr Will alerts the FBI and ends up landing the seaplane on the freeway after spotting Abby.\nMarvin loses control of his wagon, forcing him off the freeway as well and orders Abby to escape to find her parents, but she is captured by Cheryl.\nDr Will gets help from his friend, the president of the cell phone company, to help trace the cell phone calls.\nBut despite Dr Will's request not to call the FBI, the president did anyway.\nThe FBI squad gets busy combing the area.\nDesperate in fulfilling his mission, Joe, pretending to be an FBI agent, wounds Dr Will in the leg with Karen's revolver, but Dr Will confesses to not murdering Katie.\nBefore Joe, Cheryl and Marvin can escape, Abby's asthma returns while in their custody.\nJoe and Dr Will engage in a fight, but Karen shoots Joe twice with her revolver, killing him.\nDr Will and Karen then give Abby medicine again in order to make her feel better.\nDr Will, Karen and Abby are reunited, while Marvin walks away from them and Cheryl is arrested by the FBI.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][Movie] Monster cowboy guy.. empty town.\nI remember some group of people (maybe a family) got to some town. The town may have been westernish like in a cowboy movie, but I think it was set in modern times. I saw it in the 90s. I think I remember a cowboy monster guy showing up with like a tentacle arm or both arms like tentacles, like an octopus maybe. I think the monsters bled some weird colored goo. I think the town was empty besides the group of people and the monster(s) and the group was confused on where everyone was.",
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"content": "Phantom Town.\nThree children go on a search to find their parents who mysteriously disappeared after entering a town called Long Hand that isn't found on any map.\nThe children check in at the town's hotel and begin to notice that the residents of Long Hand behave strangely, repeating the same actions over and over.\nFurther exploration of the town leads the children to discover that the town is inhabited by body snatchers, and they could be the next victims.\nThe children eventually find their parents in catacombs located underneath the town, and manage to leave the town with their parents after killing the monster that runs the town.\nIn the end, Mike throws a party and the children discover that their parents had been transformed just like the other residents of Long Hand.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [movie/show] Dads really into dog dying.....\nI can't remember if it was a show or movie, but the main character goes into a garage with a friend and says \"My dad's really gotten into dog dying\" meaning competitive hair dying, just can't place it! Thanks in advance for any help!",
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"content": "Work That Body for Me.\nWith a major security breach and a lot of new inmates, Caputo has to call in the big guns. Things get a little too real for Crazy Eyes and Lolly.::bonz6596-507-522839\n\nCaputo finds difficulty in his new role as warden after the new staff and inmates settle in. The pre-existing inmates are rallied back into camp while Alex and Whitehill stay back to resolve a rather big problem. Chapman tries to prove top dog in the overcrowded prison, Red isn't happy with her new work schedule, and Crazy Eyes finds a new love interest.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the 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and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [TV SHOW].\nThis one may be a doozy. I want to say it’s late 2000’s 2008 or so. \n\nIt was a mini TV series (I think like 2 seasons? Maybe 5?) the plot was basically this couple are getting married and they do it on a island. Somebody starts murdering everybody and they spend the whole show trying to figure out who it is. \n\nOne death I remember is a guy by a pool who gets cigarettes out of a vending machine that are laced with acid and he dies. \n\nThe killer ends up being the husband I believe. It’s been a longggg time",
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"content": "Harper's Island.\nThe show takes place on Harper's Island, where John Wakefield went on a killing spree and murdered a number of people before supposedly being killed by the island sheriff, Charlie Mills.\nOne of the victims was the sheriff's wife.\nAfter her death, Sheriff Mills sends their daughter, Abby, to live with family in LA and she hasn't returned since.\nAfter 7 years, Abby is finally returning to the island for her best friend Henry's wedding but now the killing starts again and everyone is a suspect.\nThe guests manage to unlock secrets of the island and of Wakefield as the series progresses.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [MOVIE].\nA film about two middle eastern boys. The film is a comedy. Towards the end of the film one of the boys step on a land mine. The boy has to stay on the land mine whilst his brother searches for help. The trapped brother finally jumps off the mine and to his surprise, it doesn't go off\n\nThank! ",
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"content": "Bekas (film).\nIraq in the early 1990 was a devastating land to survive in. When we think of Iraq, the first thing that tends to pop into our minds is the war and Saddam Hussein. But there is another side too - it is perhaps the most notorious country in the world and it goes by the name Kurdistan. Welcome to BEKAS. This is a story about two homeless brothers Zana (6) and Dana (10) who live on the edge of survival. In the beginning of the story they catch a glimpse of Superman through a hole in the wall at the local cinema. Zana and Dana decide that they want to go to America and live with Superman. Once they get there he can solve all their problems, make their lives easy and punish everyone that has been mean to them. Zana, the younger brother, starts to make a list of all people he is going to tell Superman to punish. On top of the list is Saddam Hussein. Dana on the other hand makes a concrete plan for what they need to get there; money, passports, transportation and a way to get across the border. Unfortunately they have neither of those. But in spite of everything they decide to follow the dream.::Karzan Kader",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][SHOW][90S][PBS Kids] Show of an Ice-age man being frozen and waking up in present day.\nThis was a show I watched in the 90s, and i'm pretty sure it was on PBS kids. One of the main characters was a man who was frozen during the ice age, and scientists woke him up in present day. I'm pretty sure they also woke up a mammoth who was friends with the man.\n\nI'm pretty sure the art style was similar to the cartoon 'Gargoyles'\n\nAny ideas?",
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"content": "Cro (TV series).\nIn the Ice Age, a young cave boy uses simple engineering and physics concepts to solve everyday problems, with help from his adopted Neanderthal family and a herd of friendly talking woolly mammoths.::Hailey-7",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [MOVIE] [00s-10s] Live action Rise of the guardians? Orphan boy trying to stop eternal darkness with the help of his grandparents and other old people?.\nWhat movie am I looking for?\n\nI barely remember anything about it, here is what I do remember: \n\\-It isn't very old, I'm guessing late 00s or early-mid 10s \n\\-It's a fantasy movie \n\\-Main character is a boy, I think he is an orphan but I'm not sure about that \n\\-I think he lives with his grandparents; either way, there's a group of older men and women that the MC somehow becomes a part of \n\\-That group protects something I think, like keys or locks or seals, something like that \n\\-I think the story is about the boy having to stop neverending darkness, or night, or winter, something of that sort \n\\-In my head it reminds me of a live action version of Rise of the Guardians\n\nIf anyone has any idea I would be so grateful, this has been bugging me for months",
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"content": "The Seeker (film).\nWill Stanton (Alexander Ludwig) is a day away from his fourteenth birthday. As the Stanton children walk home, Miss Greythorne (Frances Conroy), the local mistress of the Manor, and her butler Merriman Lyon (Ian McShane) invite the siblings to a Christmas party. Later, two farmers, Dawson (James Cosmo) and Old George (Jim Piddock), whom Will does not know, arrive at his house with a large Christmas tree ordered by the family. The farmers know Will’s name, wish him a happy birthday, and predict a storm despite the relatively clear sky. Will’s birthday is so close to Christmas that everyone in his large family ignores it except for his little sister Gwen (Emma Lockhart), who gives him his only birthday present (a Casio G-Shock Mudman wristwatch). The family has moved from the United States to a small English village and one of his brothers has arrived home for the holidays and displaces Will to the attic. For a Christmas present, Will buys Gwen an enigmatic stone pendant at the local mall. Two suspicious security guards accuse him of shoplifting and take him to their office. Alarmingly, as they question Will under the room's flickering lights, the guards metamorphose into rooks. They attack Will, but he manages to escape, accidentally using his powers for the first time. Will begins to experience more odd incidents and receives a strange and Celtic-looking belt from his oldest brother, Stephen (Jordan J. Dale).\nAt the Manor Christmas party, Will once again sees Dawson and Old George who seem to know him well. Miss Greythorne and Merriman debate about when and how to approach Will about his destiny. Maggie Barnes (Amelia Warner), an attractive local girl appears at the party and Will becomes upset when one of his older brothers approaches her and begins chatting to her. Will leaves the Manor, and an ominous figure mounted on a white horse and accompanied by dogs chases Will. As the ominous figure prepares to kill Will, who is currently no match for him, Miss Greythorne, Merriman, Dawson, and Old George suddenly appear and save Will. Merriman names the threatening figure as The Rider (Christopher Eccleston), who warns them all that in five days' time his power – The Dark – will rise. The four adults are the last of the Old Ones – ancient warriors who serve The Light – and take Will on a walk through time and space to a place called the Great Hall, which in the present day is the church the Stantons attend. Will is the last of the Old Ones to have been born: he is the seventh son of a seventh son whose power begins to ascend on his fourteenth birthday, though Will disputes this idea because he believes he is the sixth son. Will is The Seeker: the sign-seeker who must locate six Signs whose possession will grant The Light power over The Dark. The Rider is also seeking them. Will returns home to his attic room and falls and twists his ankle. The doctor who calls is The Rider in disguise but he is recognized by Will. The Rider demonstrates his powers on Will’s ankle by alternately healing it and making it much worse before restoring it to its injured state; he offers Will the chance to have any desire he wants fulfilled in exchange for giving him the signs. Will discovers he has a lost twin brother named Tom, who, as a baby, mysteriously disappeared one night and was never found. Merriman instructs Will on his powers, which include sensing the Signs, summoning superhuman strength, commanding light and fire, telekinesis, stepping through time, and the unique knowledge to decipher an ancient text in the Book of Gramarye. Unfortunately, Will learns he can't fly, a power he wanted.\nWill returns to The Great Hall and learns the form each sign will take. Will reveals the first sign within Gwen’s pendant. As the sign-seeker, Will travels through time to find the next four signs. The Rider enlists a mysterious figure to help him get the signs from Will. When Will's brother invites Maggie to their home, she reveals some of her powers to Will. Will reveals his affections for her, saying he felt an instant connection with her. He tells her he has been thinking of her constantly. The Rider also tricks Will's older brother Max, using his magic to partially control him. The spell over Max is finally broken when Will uses his great strength to give Max a concussion. By the fifth day, The Dark that The Rider commands has now gained tremendous power and begins to attack the village with a terrible blizzard. Will locates the fifth sign but without the sixth sign, the Dark continues to rise. Maggie is revealed to be the mysterious witch helping the Rider in exchange for eternal youth. She is betrayed by him (for failing to get ANY of the signs) when she fails to get the fifth sign and ages rapidly, disintegrating into a flood of water while trying to steal them from Will. The Old Ones and Will seek sanctuary in the Great Hall, where the Rider cannot enter unless invited. However, The Rider's final trick (impersonating the voices of Will's mother and father, as well as Gwen) gains him access to The Great Hall. The Rider reveals that he has trapped Tom, whom The Rider mistook for The Seeker and kidnapped, within a glass sphere (and apparently took care of all these years). He sends Will into an evil dark cloud. As he enters, Will solves the riddle of the sixth sign: he himself is the sixth sign. With all six signs identified The Rider cannot touch nor harm Will. Using his power over the dark, Will banishes both The Rider – imprisoning the evil figure within one of his own glass spheres – and The Dark. The sphere disappears into the murky water. Will and Tom are reunited and return to their family, who are thrilled to see Tom.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE] B-horror movie with a group of people locked in a cellar with their captor watching them through cameras.\nI’ve been trying for very long to find this movie that I saw maybe ten years on TV in the middle of the night.\n\nWhat I think I remember - there’s a group of 7-8 young people driving through the woods, but their car breaks down. Somehow someone kidnaps them and locks them up in a underground cellar. I think one of the main points is that there’s a mysterious clock on the wall that just counts down to something and the closer it gets the more people in the group go crazy. It comes to killing and I think there’s cannibalism even. All of this while their mysterious captor watches them through cameras in a different room. I think maybe one or two of them escape in the end while killing the kidnapper. Fun movie.\n\nThanks for any help!",
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"content": "Hunger.\nFive strangers struggle when a madman imprisons them in an underground dungeon in this nail-biting horror.::Amazon.com, Inc. or its affliates\n\n_Hunger_ (qv) is a dark exploration into the breakdown of humanity. How far would you go to survive in the most extreme of circumstances? Five strangers awaken to find themselves trapped in an underground dungeon. They soon realize they are the subjects of one man's sadistic experiment to test the depths of a human being's will to survive. As the days go by with no means of escape, their hunger increases as their humanity fades away.::Anonymous",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [MOVIE][1980s] Film Where Woman Lives Double Life.\nWhen I was a kid, I remember seeing a VHS box featuring a film in which a woman was leading a double life. On the left she was a student or something and on the right she was wearing a lot of makeup and a short skirt. I'm pretty sure it was in the 80s but it's been a while.",
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"content": "Angel.\nMolly, a highschooler, secretly earns her living as _Angel_ (qv), a street prostitute whose only family and friends are the ones she works with on the streets. She has to survive against a serial killer who is targeting people of her profession.\n\n15 year-old Molly is the best in her class in high school. Nobody suspects that the model pupil earns her money at night: as prostitute \"_Angel_ (qv)\" on Sunset Blvd. The well-organized separation of her two lives is shattered when two of her friends are slain by a necrophile serial killer. She's the only eye witness and becomes a target herself. The investigating Detective Andrews helps her, not only to survive, but also to query why she keeps on humiliating herself and to stop it.::Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE] A movie based on/similar to \"It's a Wonderful Life\" where the protagonist is a woman.\nI swear I remember seeing this moving as a kid, but now I can't find it or remember its name. Anyone know what I'm talking about?",
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"content": "It Happened One Christmas.\nThe film, a gender-reversed version of the film It's a Wonderful Life, centers on Mary Bailey Hatch, a young woman who dreams of seeing the world but is forced by circumstances to remain in her small hometown as head of the family's Building & Loan business. On a Christmas Eve, in a moment of financial crisis, a severely depressed Mary contemplates suicide, but is rescued by her guardian angel, Clara Oddbody (Cloris Leachman). Clara shows Mary the positive effect that she has had on everyone she has met throughout her life.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE] Bollywood movie about two neighbors, where the one frames the other for murdering his wife..\nIt's definitely an older movie. I watched it in 2006.\nThe murder involved killing the wife with a champagne bottle.",
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"content": "Ajnabee (2001 film).\nRaj (Bobby Deol) and Priya (Kareena Kapoor) meet by chance and fall in love.\nThey marry with Priya's father's (Dalip Tahil) consent and reside in Switzerland, where they meet an Indian couple: Vikram Bajaj (Akshay Kumar) and Sonia (Bipasha Basu).\nThe couples quickly become friends and decide to go on a Christmas vacation to Mauritius.\nThere, Raj sees Vikram with another woman, looking intimate.\nSonia begins to try to seduce Raj.\nWhen Vikram notices Raj looking at Sonia and talks to him about wife swapping, this upsets Raj and a fight breaks out between them.\nHowever, a couple of days later, the two couples become friends again.\nOn Vikram's birthday, the two men get drunk and find themselves in each other's house.\nThe next morning Raj goes jogging where he thinks about Vikram and Priya having sex.\nAfter some time Sonia is found dead, and Raj is accused of her murder.\nRaj manages to escape from court, and the Swiss police chase him.\nHe meets Priya, who eventually believes his innocence and aids him in finding proof.\nWhen he decides to search Vikram's house, Vikram interrupts him midway, tells him that everything was planned by him, and calls the police.\nRaj escapes in Vikram's car with Priya.\nRaj finds a boarding pass that belongs to Sonia Bajaj, which states that Sonia arrived in Zurich on 29 December—however, Sonia was supposedly murdered that night.\nRaj suspects her to be the woman he saw with Vikram, traveling to Geneva together.\nIn Geneva, Raj meets an insurance officer who is trying to find evidence that Vikram was involved in the death of his wife to get the life insurance payment of $100 million that was on Sonia.\nRaj gives him the boarding pass, which is enough for them to stop the payment, but it's too late.\nVikram has received it and transferred it to his account.\nRaj hacks into Vikram's bank account and sees that he has transferred the money to a cruise ship.\nThey follow him there.\nThere, they see Vikram dancing with a woman who is revealed to be Sonia, alive and well.\nIn the climax, Vikram explains the whole plan to Raj that the woman he saw in Mauritus was his wife Sonia Bajaj (Mink Brar) and the woman with him that they were introduced to is his girlfriend Neeta (Bipasha Basu).\nAt first, he was only a drummer and Neeta was a dancer.\nHe wanted to get rich, so he married a rich woman and approved an insurance of his wife for $100 millio.\nHe thought of a plan to kill his wife to get the amount of the insurance.\nRaj takes Vikram to a computer to show him his bank account.\nHe tells him that he had guessed his password, \"Everything is planned\", something that Vikram used to say a lot, and used it to transfer the money back to the insurance company.\nHe also reveals that everything Vikram said had been recorded.\nA fight erupts between the two and Neeta dies in the conflict.\nAngered at losing Neeta, Vikram gets aggressive, killing the insurance officer and seemingly kill Raj.\nHe chases Priya to kill her, too.\nRaj appears and saves her.\nVikram dies when he is stuck by an anchor.\nNow proved innocent, Raj and Priya move back to India.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the 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and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [Movie] What's the Jim Carrey movie where he gets his tie caught in the shredder?.\nIt's not The Mask, right? I remember this scene but can't place it. It would have come out at the peak of his career, so like '90-95.\n\nEDIT: I might be confusing two things... I know there's another instance of him sharpening a pen by accident but I think it's from the same film?",
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"content": "The Mask (1994 film).\nIn Edge City, Stanley Ipkiss, an insecure cartoon-loving bank clerk, is frequently ridiculed by everyone around him except for his co-worker and best friend, Charlie Schumaker. Meanwhile, gangster Dorian Tyrell, owner of the Coco Bongo nightclub, plots to overthrow his superior, Niko. One day, Tyrell sends his dazzling singer girlfriend, Tina Carlyle, into the bank to record its layout in preparation for a robbery.\nStanley is attracted to Tina, and she seems to reciprocate. Unable to enter the Coco Bongo to watch Tina perform and after his faulty loaner car breaks down whilst driving home, Stanley looks over the harbor bridge in despair, lost in thought of what to do. His stream of thought is interrupted, however, when he finds a strange wooden mask near the harbor. Upon returning to his apartment, he places the mask on his face, transforming him into a mischievous green-faced figure known as \"The Mask\", who is able to cartoonishly alter himself and his surroundings at will. With his newfound confidence and lack of inhibitions, Stanley indulges in a comical rampage through the city, humiliating several of his tormentors, including his temperamental landlady, Agnes Peenman, and the mechanics who gave him the faulty car.\nThe next morning, Stanley encounters detective Lieutenant Mitch Kellaway and newspaper reporter Peggy Brandt, both of whom are investigating the Mask's activity. To obtain the funds necessary to attend Tina's performance, Stanley again dons the mask and raids the bank, inadvertently foiling Tyrell's robbery in the process. At the Coco Bongo, Stanley spots Tina performing a dance for the club members, and the two share a kiss after an exuberant dance sequence. Shortly thereafter, following a confrontation with Tyrell for disrupting the robbery and stealing his girlfriend, Stanley flees, leaving behind a scrap of cloth from his suit, which turns back into a piece of his pajamas. Tyrell and his henchmen are then arrested by Kellaway.\nKellaway finds the piece of cloth and suspects Stanley to be the perpetrator. The next day, Stanley consults Doctor Arthur Neuman, a psychiatrist who has recently published a book on masks and deduces that the mask is a creation of Loki. It is also revealed that the mask's powers are only active during the night. Later that night, Stanley meets Tina at a local park as the Mask, which initially disturbs her, but he manages to win her over with his charm until they are interrupted by Kellaway, who attempts to capture him. Stanley flees with Peggy after he manages to distract the police with a mass performance of the titular song from Cuban Pete; she then betrays him to Tyrell, who was released due to insufficient evidence connecting him or his henchmen to the robbery, for a fifty thousand dollar bounty. Tyrell dons the mask, becoming a bulky and malevolent green-faced being. Tyrell's henchmen force Stanley to reveal the location of the stolen money, before turning him in to the police.\nWhen Tina visits Stanley in the station, he urges her to leave the city. Tina thanks Stanley for showing her kindness and warmth she wasn't used to and tells him he didn't need the mask to be special to her. She attempts to flee, but is kidnapped by Tyrell's henchmen and forcibly taken to a charity ball at the Coco Bongo, hosted by Niko and attended by the city's elite, including its mayor, Mitchell Tilton. Upon arrival, the masked Tyrell kills Niko and prepares to destroy the club with a time bomb. Milo, Stanley's dog, helps Stanley escape from the station by retrieving the keys from the guard. Stanley then sets out to stop Tyrell, taking Kellaway hostage.\nAfter locking Kellaway in his car, Stanley enters the club and manages to enlist the help of Charlie, but is soon after discovered and captured. Tina tricks Tyrell into taking off the mask, which is recovered and donned by Milo, who battles his way through Tyrell's henchmen as Stanley and Tyrell fight against each other. After recovering the mask, Stanley uses it to save Tina by disposing of the bomb seconds before it detonates and then defeat Tyrell by sending him down the drain of the club's ornamental fountain. The police arrive and arrest Tyrell's henchmen. Kellaway attempts to arrest Stanley once again, but Tilton intervenes, telling Kellaway and the police that Tyrell was the Mask all along as a way of releasing Stanley. After Stanley and his allies leave, Tilton informs Kellaway that he needs to have a serious meeting with him in the morning.\nThe following day, Stanley, now exonerated and not wanting to get involved with the police again, decides to dispose of the mask at the harbor. After informing Tina that getting rid of the mask will result in him being only himself, she discards it before sharing a kiss with Stanley, to which the latter exclaims the Mask's catchphrase, \"Smokin'!\". During this, Charlie tries to retrieve the mask for himself, only for Milo to swim away with it.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][Movie] Ghost? Movie with a Box-head Man.\nThis is one that's bounced around the back of my head now and again from when I was younger.\n\nI was pretty young (so we're talking early 2000s, probably 2002-2005) and I remember staying up late this one night and seeing parts of a horror movie on what I'm pretty sure was the Syfy channel. I don't remember much.\n\nI think there was supposed to be a ghost in the movie with a box on its head; I remember it was a very bulky man who sort of looked like if Samara from The Ring was dressed with more rags and had shoulder-length black hair.\n\nI know there were like... glass walls with writing on them? Like how you can set up a glass panel and write on it; it was done in like a silver marker, and I think they were supposed to be in a science lab or something.\n\nI know this is vague as hell but if anyone has any idea what I mean, I'd be forever grateful. I never found it to finish watching it, and I only remember that very short segment.",
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"content": "Thirteen Ghosts.\nGhost hunter Cyrus Kriticos (F.\nMurray Abraham) and his psychic assistant Dennis Rafkin (Matthew Lillard) lead a team on a mission to capture a spirit called the Juggernaut (John deSantis).\nSeveral men are killed, apparently including Cyrus.\nHowever, the team is able to catch the ghost.\nCyrus's nephew Arthur (Tony Shalhoub), a widower, is informed by Cyrus's estate lawyer, Ben Moss (J.\nBourne), that he has inherited Cyrus' mansion.\nFinancially insecure, Arthur decides to move there with his two children, Kathy (Shannon Elizabeth) and Bobby (Alec Roberts) and their nanny Maggie (Rah Digga).\nPosing as a power company inspector, Dennis meets the family and Moss as they tour the mansion.\nThe residence is made entirely of glass sheets inscribed with Latin phrases, which Dennis recognizes as barrier spells.\nWhile searching the basement, Dennis is hit by psychic flashes and discovers the twelve angry ghosts he and Cyrus captured are imprisoned in the house, held captive by the spells.\nAs Dennis warns Arthur, Moss slips downstairs and picks up a valise of cash, unwittingly triggering a mechanism that seals the house and releases the ghosts one by one.\nHe dies when a set of sliding doors snaps shut, cutting him in half.\nBobby slips away from Kathy and Maggie and enters the basement, where he sees several of the ghosts, particularly that of the Withered Lover - his mother Jean, who had died of injuries sustained in a house fire.\nHe is knocked unconscious and dragged away.\nUsing a pair of spectral glasses that allow the wearer to see into the supernatural realm, Dennis convinces Maggie that the ghosts are real.\nDennis discovers that the Jackal, one of the most dangerous of the twelve ghosts, has been released and that the family is now in grave danger.\nThe Jackal attacks Kathy when she and Arthur enter the basement in search of Bobby, but they are saved by Kalina Oretzia (Embeth Davidtz), a spirit liberator who is attempting to free the ghosts.\nKathy disappears soon afterward, and the four adults gather in the library, where Arthur learns that Jean's ghost is trapped in the house.\nKalina explains that the house is a machine, powered by the captive ghosts, that can allow its user to see the past, present, and future.\nThe only way to shut it down, she says, is through the creation of a thirteenth ghost from a sacrifice of pure love.\nArthur realizes that he must become that ghost by dying to save his children.\nArmed with a pane of the special glass, Arthur and Dennis enter the basement to find the children.\nDennis barricades Arthur into a corner behind the glass, protecting Arthur but allowing two ghosts, the Hammer and the Juggernaut, to beat Dennis to death.\nIt is then revealed that Cyrus faked his death to lure Arthur to the house; Kalina is his secret partner.\nCyrus has orchestrated the abduction of Kathy and Bobby so that Arthur will become the thirteenth ghost, which will not stop the machine as Kalina had claimed, but trigger its activation.\nCyrus kills Kalina and summons the ghosts to activate the machine.\nArthur arrives at the main hall and witnesses all twelve ghosts orbiting a clockwork device of rotating metal rings, with his children at the center.\nDiscovering Cyrus' true fate, Arthur fights Cyrus while Maggie disrupts the machine's controls.\nThe ghosts hurl Cyrus into the rings, slicing him to pieces.\nWith the encouragement of Dennis' ghost, Arthur jumps into the machine, avoiding the rings and saving his children.\nThe walls of the house shatter as the malfunctioning machine rips itself apart, freeing the ghosts.\nDennis smiles at Arthur and departs, and Jean's ghost appears before the family and tells them that she loves them before she and all the other ghosts disappear.\nAs the family leaves the house, Maggie exclaims that she is quitting.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by 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found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the 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and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE] Older creepy guy in a beige/red? Car trying to commit suicide by carbon monoxide tube from exhaust. Set in a swamp/reed area. 2 kids keep removing it. Older one smokes and seems cool. Guy abducts them into the car after catching them removing the tube. Possibly from the 80s..\nSaw it when I was very young when being looked after by a babysitter. Fully creeped me out for years!\nWas on one of those free movie channels and has eluded me the past 20 years \nAny help greatly appreciated thank you :)",
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"content": "The Client (1994 film).\nEleven-year-old Mark Sway and his little brother, Ricky, are smoking cigarettes in the woods near their home when they encounter Mob lawyer Jerome Clifford.\nClifford tells Mark that he is about to kill himself to avoid being murdered by Barry \"The Blade\" Muldano, the nephew of notorious mob kingpin Johnny Sulari.\nRicky becomes catatonic after witnessing the suicide and is hospitalized.\nAuthorities — and the Mob — realize that Clifford may have told Mark where a Louisiana senator who was murdered by Muldano is buried.\nMark meets Regina \"Reggie\" Love, a lawyer and recovering alcoholic, who agrees to represent him.\nThey quickly run afoul of \"Reverend\" Roy Foltrigg, a celebrated and vain United States Attorney who is using the case as a springboard for his political ambitions.\nIn the meantime, it is revealed that Sulari never authorized Muldano to kill the senator and wants Muldano to uncover how much the boys know.\nMuldano is also ordered to move the body, but currently he is unable to because it is buried in Clifford's boathouse, and police are still on the property investigating his suicide.\nFoltrigg continues to use legal means to get Mark to reveal where the body is hidden, while Sulari orders Muldano to kill the children and Reggie.\nHe also orders the body to be moved once the investigation at Clifford's home is concluded.\nMark is threatened in a hospital elevator by a member of the Mafia, and is unable to talk to Foltrigg.\nMark and Reggie go to New Orleans to confirm that the body is on Clifford's property.\nReggie intends to use this information to broker a deal with Foltrigg to get Ricky specialized medical care and place the family in the witness protection program.\nReggie and Mark arrive at Clifford's house the same night as Muldano and his accomplices.\nThey are digging up the body, but a melee follows when Mark and Reggie are discovered.\nMuldano and the others flee after Reggie trips the neighbors' alarm.\nFoltrigg agrees to Reggie's demands in exchange for information about the body's location.\nBefore the Sway family leaves to restart their lives under new identities, Mark and Reggie share a heartfelt goodbye.\nAlthough not explicitly stated, Sulari has had enough of Muldano and intends to have his nephew killed.\nWith the body recovered, Foltrigg is a lock-in for the media headlines he craves, and mentions that he intends to run for governor.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE] Creepy Monsters Steal the Voices of High School Teens.\nOkay, so this movie is from when I was a kid, and I'm 21 now, so at least like ten years ago. From what I remember there's a group of friends who're in a boarding school of some kind. I'm pretty sure they were in high school though because I remember them being a bit older than me when I watched it. But they were definitely in a boarding school because they lived in dorms.\n\nBut basically, everything starts off normal, but then a group of weird monsters sneak into the school at night and steal everyone's voices. In terms of physical appearance they kind of look like the Silence from Doctor Who but with big creepy smiles. But anyway they steal everyone's voices and the group of friends has to like figure out how to stop them and eventually the main girl defeats them by figuring out how to scream and it like melts all the monsters or something.\n\nThat's pretty much all I can remember. I'm glad I found this subreddit though because there are so many things I've always felt like are just there in my mind but slightly out of reach, and I hope to find them.",
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"content": "Hush (Buffy the Vampire Slayer).\nDuring a college lecture where Dr. Maggie Walsh is discussing the difference between language and communication, Buffy has a dream in which Riley kisses her. They are interrupted by a young girl holding a distinctive box, singing a cryptic rhyme about \"The Gentlemen\". Riley and Buffy speak after class and they almost kiss, but are unable to stop talking. They leave when it becomes awkward. Buffy calls Giles to tell him of her dream and the details of the little girl's rhyme.\nAt Giles' apartment Xander and Anya argue, as Anya is trying to get Xander to tell her what she means to him. He is unable to answer her. Willow attends a meeting of the campus Wicca group, hoping to meet others who share her interest in studying witchcraft, but is disappointed when they only talk about bake sales. Willow raises the subject of spells but is chastised for pandering to the stereotype about witches performing magic. A shy woman in the group, Tara Maclay, starts to speak up to support Willow's suggestion, but falls silent when the attention turns to her.\nThat night, as Sunnydale sleeps, white wisps float from each person's mouth to a belfry, where they settle in the box from Buffy's dream as ghoulish skeletal figures, with metal-toothed grins and impeccable black suits, look on. In the morning, Buffy and Willow discover they are unable to speak and become visibly distressed; they soon discover that everybody is unable to speak. The group gathers at Giles' where they see that the news is reporting that Sunnydale is suffering from an epidemic of laryngitis. Buffy and Riley, each concerned that chaos will ensue, find each other attempting to keep order on the streets. For the first time, Buffy sees Riley in his paramilitary role as an agent of The Initiative; he in turn is unaware that she is the Slayer. They exchange a look and then their first kiss, before parting to continue their efforts.\nThe next night, the ghouls leave the belfry and float into town accompanied by their straitjacketed, deformed minions. They knock on the door of a student. When he opens it, roused from sleeping, they hold him down and carve out his heart while he tries in vain to scream. At Giles' apartment his visiting girlfriend, Olivia, is frightened by one of The Gentlemen outside Giles' window. The following morning in a campus classroom, Giles uses a series of overhead transparencies to explain to the others that The Gentlemen steal the townspeople's voices so no one can scream as they gather the hearts they need, and that folklore indicates that they have been vanquished before when a princess screamed: the only thing that will kill them is a live human voice.\nThat evening, Anya falls asleep on Giles' sofa while Spike takes a mugful of blood from the refrigerator. Xander enters Giles' apartment as Spike, his mouth wet with blood, bends down to pick up something that he dropped in front of the sofa where Anya sleeps. Inferring that Spike bit and drank from Anya, Xander pummels him ferociously until Anya wakes and stops him; excited that he fought to defend her, Anya gestures that they should go have sex.\nOn her own, Tara finds a spell to help the town get its voices back, and goes out to show it to Willow. On the way to Willow's dorm she trips, turns around and sees The Gentlemen floating toward her. In Willow's dorm she frantically knocks on doors which no one will open; The Gentlemen steadily pursue her. Willow hears Tara's panicked knocking down the hall and exits her room as Tara sprints into her, sending them both tumbling. They lock themselves into a laundry room and try to barricade the door with a vending machine, but it is too heavy for them to move. Willow, injured, sits and concentrates on moving the machine with telekinesis; she fails, but Tara sees what she is doing. They clasp hands and the machine moves swiftly across the room, blocking the door.\nOn patrol, Riley notices shadows in the belfry and goes to investigate. Buffy finds two of The Gentlemen's minions, kills one and runs after the other. Riley fights his way into the belfry and while he's embattled, Buffy crashes through a window, fighting. He turns to attack and finds himself face to face with Buffy. She fights while he stares, unmoving. When a minion pins her down she sees and recognizes the box from her dream and gesticulates wildly for Riley to destroy it. When he does so, the stolen voices escape. With her voice returned, Buffy screams until the heads of The Gentlemen and their minions explode.\nThe next day, Tara tells Willow she is special and has significant power. Riley comes to visit Buffy in her dorm room and they sit facing each other, saying nothing.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE] (Probably) Japanese movie about an homeless family that has a child that isn't theirs.\nI think I saw this as a trailer and not the full movie but here's what I remember:\n\n* There's a homeless family with at least 1 girl biological child and 1 child that they didn't give birth to.\n* It's in Japan (I think)\n* The family is accused of kidnapping, and they are taken away\n* The media documents the living conditions of the people there\n* (I think it was based off of a real story)\n* The kidnapped child is a boy\n* The movie is taking the side of the homeless family\n* I don't remember, but I think that there was some justification for letting the child into their home (I think he lost his parents)\n * However, the media says that the family purposely kidnapped the family\n* I'm pretty sure most of these events happen early on in the film\n\n​\n\nI'm sorry this isn't a lot of information, but I'm doing the best that I can. ",
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"content": "Nobody Knows (2004 film).\nNobody Knows tells the story of four siblings and their young mother who move into a small apartment in Tokyo. The film begins when the family is moving into a small rented apartment. Only the eldest, Akira is known to the landlord, while the youngest boy and girl, Shigeru and Yuki, hide in separate suitcases. The elder sister, Kyōko, comes separately by train. All the children have different fathers. They are not allowed to go to school or to be seen by others, and only Akira is allowed to go outside. Yet, the family seems to be happy.\nThings begin to change when their mother leaves home for a few months, leaving only a small amount of money for them. Then, Akira's rank in the family shifts overnight and he becomes the surrogate head of the family. They barely manage to scrape through life, with Akira having to ask money from Yuki's possible fathers. Luckily, their mother soon returns with gifts for the children.\nHowever, their mother is not back for long. She tells Akira that she has a new boyfriend, and that after she gets married, the children can lead normal lives. She then leaves again, with the promise that she will be back for Christmas. She does not keep her promise, and Akira and Kyōko have to play the role of parents. Akira soon finds out that she has already married and left them forever, though he does not tell the rest. Money soon becomes short, and they cannot afford to pay their rent. Their meals consist of instant cup noodles bought from the local mini-mart. On Yuki's birthday, she asks to go to the train to wait for their mother. Her mother does not appear, but on the way back, Akira promises Yuki that one day, he will bring take her on the Tokyo Monorail to see the airplanes take off at Haneda Airport.\nAkira soon befriends two video-game loving boys who are his age. They frequently come to Akira's house to play video games, and Akira starts to neglect his siblings. Their ties become strained. Later, the two boys bring Akira to the mini-mart and dare him to shoplift. Akira refuses to do so and the two boys leave him. After that, Akira lets his siblings go outside and play at a park nearby. He also lets them visit the mini-mart and buy things they like.\nAs winter turns to spring, the bills have piled up and the phone, electric, gas, and water have all been turned off. They consequently must make use of the local park's public toilet to wash themselves, and the tap for their water. It is on one of these trips that Shigeru starts a conversation with a high school student, Saki, and this soon blossoms into a friendship between all of them. Saki frequently visits them and helps take care of them. However, when she offers to earn money to give to them by visiting a Karaoke lounge with a man, Akira distances himself from her, rejects the money she offers, and runs home.\nSummer approaches, and money remains very tight. Suddenly, Yuki falls off a stool while trying to reach for something and dies. At that time, Akira was playing baseball. The children are shocked, and Akira has to go find Saki to borrow money in order to buy a dozen or so boxes of Yuki's favorite chocolate candies which are then placed with Yuki's dead body and stuffed bunny into a suitcase. Akira and Saki then take the Tokyo Monorail to an open field near Haneda Airport's runway and bury the suitcase containing Yuki in a hand-dug grave. The children's lives then go on as usual, and the film ends with Akira, Kyōko, Shigeru, and Saki still together walking home.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [MOVIE] Divorced guy who can't afford a room so he starts working some shady business for the owner of the place he can't afford.\nTrying to find this movie which my brother watched a long time ago.\nApparently, a guy is divorced, he secretly visits his daughter in a school (or kindergarten). He rents a room in some shady place but since he can't afford it, the owner of the place is offering him a job. A job is apparently in some underground room, where he has a button and a speaker. So, whenever he hears the right phrase he should click the button (probably to open some door somewhere).\n\nThat's all I know.",
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"content": "The Woman in the Fifth.\nAmerican writer Tom Ricks (Hawke) arrives in Paris to be closer to his young daughter who lives with his ex-wife.\nWe learn that the divorce was caused by Tom's mental illness, from which he has apparently recovered.\nCompletely broke, he accepts a job as a night guard for a local crime boss who owns a run down hostel.\nStationed in a basement office, his only task is to push a button when a bell rings.\nThe tranquility of the night, he hopes, will help him focus on his new novel.\nHis days become more exciting when he starts a romance with Margit (Thomas), a mysterious and elegant widow who sets strange rules to their meetings: she will only see him at her apartment in the fifth arrondissement, at 5pm sharp, twice a week and he should ask no questions about her work or her past life.\nHe also gets closer to Ania (Kulig), the Polish barmaid of the hostel where he lives, who has literary interests.\nTom's relationship with Ania eventually becomes a sexual affair, and his neighbor blackmails him about it.\nShortly after the neighbor is killed, his daughter goes missing, and Tom begins to believe that a dark force has entered his life, punishing anyone who has recently done him wrong.\nAfter the police accuse him of murdering his neighbor, Tom tries to use his weekly visits to Margit's apartment as an alibi.\nThe police check and find out that she died and hasn't lived at this address for the past 15 years.\nHe is let go, after the police determines that the murderer was in fact the owner of the hostel.\nWhen the two meet in the corridor of the police station, one is led to believe that somebody planted evidence to frame the owner of the hostel.\nHe continues the affair with Ania, but also decides to encounter Margit again, and tells her she is not real.\nShe says she is the most real love he'll encounter in his life, and that she knows him from the inside.\nShe tells him to lose his muse and say goodbye to his wife and daughter.\nThey embrace and he accuses her of having done something with his daughter, and he starts to choke her.\nHis daughter is eventually found wandering in the forest, and is reunited with her mother.\nIn the final scene, Anya waits for him at the bar but Tom ascends the stairs once again to Margit's apartment.\nThe movie fades out as the door to her apartment opens.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [Movie] [Mid-Late 2000s] Comedy Thriller about two women who gain immortality and are impervious to injury..\nEssentially what I remember about this film:\n\n1) It possibly aired on some more adult oriented channel.\n\n2) There is a distinct seen where the two main women are fighting and one woman shoots the other with a shot gun. The woman reveals she is still alive. And she has a hole and in her abdomen from the wound.\n\n3) At the end of the movie the two women are rotting apart, and they’re attending a funeral.\n\n4) I think the two women were fighting over a man?\n\nThanks for an tips on finding this movie it used to scare me as a wee little one.",
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{
"content": "Death Becomes Her.\nIn 1978, narcissistic actress Madeline Ashton performs in the poorly received Broadway musical Songbird!. She invites long-time frenemy Helen Sharp, an aspiring writer, backstage along with Helen's fiancé, plastic surgeon Ernest Menville. Smitten with Madeline, Ernest breaks off his engagement with Helen to marry her instead. Seven years later, Helen is obese, depressed and committed to a psychiatric hospital where she begins plotting revenge on Madeline. Another seven years later, Madeline and Ernest live in Beverly Hills, but they are miserable: Madeline's acting career has declined and Ernest, now an alcoholic, has been reduced to working as a reconstructive mortician. Receiving an invitation to a party celebrating Helen's new book, Madeline rushes to a spa where she regularly receives facial treatments. Understanding Madeline's desperation, the spa owner gives her the business card of Lisle Von Rhuman, a mysterious, wealthy socialite who specializes in rejuvenation.\nMadeline and Ernest attend the party for Helen's novel, Forever Young, and discover that somehow, Helen is slim, glamorous and youthful. Dumbfounded and depressed by Helen's appearance, Madeline secretly witnesses Helen tell Ernest that she blames Madeline for his career decline. After the soiree, Madeline visits her young lover, but discovers he is with a woman his age. Dejected, Madeline drives to Lisle's home. Lisle, claiming to be 71, but looking decades younger, reveals the secret of her beauty and youth—an expensive potion that promises eternal life and an everlasting youthful appearance. Madeline purchases and drinks the potion and is rejuvenated, regaining her beauty. As a condition of purchase, Lisle warns Madeline to disappear from the public eye after ten years to keep the potion's existence secret, and to take good care of her body.\nHelen seduces Ernest and convinces him to kill Madeline. When Madeline returns home, she and Ernest argue, during which she falls down the stairs, breaking her neck. Believing Madeline dead, Ernest phones Helen for advice, initially not seeing Madeline stand and approach him with her head twisted backward. At Madeline's request, Ernest drives her to the emergency room. Madeline is told she is technically dead, and faints. She is taken to the morgue due to her body having no pulse and a temperature below 80 °F. After rescuing Madeline, Ernest considers her resurrection a miracle and uses his skills as a mortician to repair her body at home. Helen demands information about Madeline's situation. Overhearing Helen and Ernest discussing their plot to kill her, Madeline shoots Helen with a shotgun. Although the blast creates a hole in her abdomen, Helen rises, undead like Madeline, revealing that she drank the same potion, on October 26, 1985. The two briefly fight before apologizing and reconciling their friendship. Fed up with the pair, Ernest prepares to leave, but Helen and Madeline convince him to do one last repair on their bodies. They realize they will need regular maintenance and scheme to have Ernest drink the potion to ensure he will always be available.\nAfter bringing Ernest to Lisle, she offers to give him the potion free of charge in exchange for his surgical skills. Ernest refuses to drink it upon realizing the pitfalls of immortality. He pockets the potion and flees, but becomes trapped on the roof. Helen and Madeline implore Ernest to drink the potion to survive an impending fall. Ernest, realizing that they only need him for their own selfish reasons, refuses and drops the potion to the ground, but after falling he lands in Lisle's pool and escapes. Lisle banishes Madeline and Helen from her group, leaving the pair to rely on each other for companionship and maintenance. Thirty-seven years later, Madeline and Helen attend Ernest's funeral, where he is eulogized as having lived an adventurous and fulfilling life with a large family and friends. The two women are now parodies of their former selves, with cracked, peeling paint and putty covering most of their grey and rotting flesh. Helen trips at the top of a staircase. When Madeline hesitates to help her, Helen grabs Madeline and the two tumble down the stairs, breaking to pieces. As their disembodied heads totter down together, Helen sardonically asks Madeline where she parked their car.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][TV/MOVIE] Character says “this is the part of the job I hate”.\nThis line of dialogue has been in my head for the past few days. A character is doing his job and says, for whatever reason, “this is the part of the job I hate.” It may be offset with another scene of him saying “this is the part of the job I love” in front of a group of people, or vice versa.\n\nEdit: I seem to remember it being said in a comedic context, and the character saying it was in a cool badass profession, like a cop or an FBI agent.",
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"content": "Saturday Night Live: The Best of Phil Hartman.\nA Saturday Night Live DVD featuring the best of Phil Hartman.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIES] whats the name?.\nHelp! I started watching this movie somewhere, don't know the title and I wantit so I can look for it and finish watching it.\n\nIt starts with a black family on a car, they look to be scaping from the military closing their neighborhood, the get into a tunnel and get attack by aliens that kill both parents it transitions to the future and we see the brothers have become activies agains the aliens that won the war and have us enslave, the big brother runs son sort of guerilla war.",
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"content": "Captive State.\nIn 2019, Chicago is placed under martial law after a global extraterrestrial invasion. As the Drummond family attempts to flee the city, they break through a barricade but are confronted by the aliens, who vaporize the parents but leave their sons Gabriel and Rafe alive.\nBy 2027, the world has capitulated to the alien \"Legislators\", submitting to their governance. Humans are conscripted to build \"Closed Zones\", underground habitats for the aliens with access only granted to and by high government officials.\nGabriel Drummond (Ashton Sanders), living in the impoverished Pilsen neighborhood, is confronted by Chicago Police Special Branch Commander William Mulligan (John Goodman), who was partnered with Gabriel's father before the invasion. Mulligan is convinced that the Phoenix resistance group has not been neutralized, contrary to what the public has been told, but Gabriel offers him no information.\nGabriel meets with a member of Phoenix to sell a hand-rolled cigarette containing secret information received from a coworker. The man takes him to Wicker Park, where he meets his brother Rafe (Majors), the leader of the resistance. Rafe takes the coded cigarette and directs Gabriel to leave as Phoenix is planning to attack the upcoming Unity Rally at Soldier Field. Rushing to his apartment and hastily packing, Gabriel is again confronted by Mulligan, who had him under surveillance. Gabriel evades Mulligan and hides underground.\nThe cigarette’s code allows Rafe's team to access Chicago's surveillance system and the deployment patterns of law enforcement units. Rafe and other Phoenix members attack the Unity Rally, using an invisible alien explosive device against the aliens when they arrive. The attack initially appears successful, but the city is subsequently locked down and swarmed by security forces in response. Angered by the attack, the aliens bring in hunters from off-world to seek out the perpetrators, finding Rafe and his accomplices Anita (Caitlin Ewald) and Daniel (Ben Daniels). Anita is vaporized and Daniel ingests a cyanide pill to avoid capture, but Rafe is shot and arrested by Mulligan before ingesting his cyanide pill.\nGabriel emerges from hiding but is taken into custody during a police raid. Mulligan shows him his brother being tortured for information and convinces him to send a message through the Phoenix network in hopes of meeting the supposed ringleader, Number One. Gabriel is eventually led to Jane Doe, a prostitute running a brothel in Pilsen, who acknowledges Gabriel by name, to his confused surprise. Police raid the house, and Doe is killed.\nThe subsequent investigation reveals that Doe bugged her own residence to record conversations with Special Branch members and glean classified information. The tapes reveal that Police Commissioner Eugene Igoe (Kevin Dunn) divulged sensitive information about the aliens' arrival to Soldier Field which allowed Phoenix to develop their attack strategy. Igoe, along with Rafe and many others, are deported off-world and Mulligan, declaring the Chicago threat neutralized, is promoted to Acting Commissioner.\nMulligan meets with Gabriel privately, with Gabriel lamenting that Rafe's plan failed. Mulligan, retrieving a box earlier received from Doe, reveals a BlackBerry phone, giving the memory card to Gabriel and suggesting that failure was the plan all along. Gabriel reviews the card’s contents — a video depicting his own baby shower, and revealing Jane Doe taught at the same school as his mother. It was at the shower that she was introduced to Mulligan, with several Phoenix members present, and the video closes with Mulligan leaving a message for Gabriel, inspiring him to carry the torch of Phoenix.\nMeanwhile, Mulligan is cleared to meet with the Legislators underground. As he descends, the invisible substance of the powerful alien explosive envelops him, indicating he is part of the resistance and that the whole 'failed' plan was orchestrated to allow him to deal a fatal blow to the Legislators.\nDuring the credits, a map details that the Closed Zone was successfully destroyed, with other resistance strikes and protests having broken out in cities all over the world, indicating that the opening exhortation to \"spark a match and ignite a war\" has led humanity to attempt to overthrow their alien oppressors.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][Movie] What is this actor's name?.\nhttp://imgur.com/a/pxq45\n\nHe plays the motel owner named George in \"Message From The King\".",
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"content": "Message from the King (film).\nJacob King, who lives in Cape Town receives a message from his estranged sister Bianca, who lives in Los Angeles with her husband and stepson, that she is in trouble and has something \"they\" want. King flies to Los Angeles with a return ticket dated seven days later, intent on finding his sister and booking cheap lodging. Upon arriving at his sister's address, he meets a neighbor who held some of Bianca's belongings, given to her shortly before Bianca disappeared. The neighbor also informs King that his sister's husband had disappeared earlier, leaving his son with Bianca.\nJacob finds Bianca's landlady, who says that a local business owner, Zico, suddenly paid Bianca's rent before she left, and that Bianca had been strung out and beat up before departing. King finds Zico with a group of men, and they deny any knowledge of Bianca. A local shopkeeper tips King to look for his sister in the morgue, and King finds her corpse there, tortured and mutilated.\nAmong Bianca's belongings, King finds several photographs of her with various men, including the gang member who had paid her rent but denied knowing her, a dentist's business card, and a pack of cigarettes. King confronts Zico and mutilates his face, telling him to relate to his superior, Duke, that this is \"a message from the King\", and then steals Zico's phone. At a party held by Bianca's neighbor Trish, King learns that Bianca had been associated with the gang and a drug dealer, named Frankie. He lures Bianca's dealer Frankie to the party and beats him for information, then steals his phone.\nBack at the motel, King accidentally interrupts a prostitute. The prostitute, glad he has not called the police, allows King to \"rent\" her car.\nKing goes to the dentist under the guise of a referral from his sister and he meets the connected Dr. Wentworth, who says that Bianca was being pimped out to pay her husband's debts and that she often disappeared. After the meeting, it is revealed that she was involved with a politician running for office, Frank Leary, who gives Wentworth the contact details for two hitmen to make the problem disappear.\nKing follows Wentworth to the home of a wealthy Hollywood producer, Mike Preston, whom Wentworth shakes down for $100,000 to cover the cost of the hitmen, and another $750,000 of blackmail money due to his involvement with Bianca's death. At the house, King notices his sister's stepson, Armand, living at the mansion. Wentworth notices King's car when leaving Preston's house and calls the hitmen.\nLater that day, the hitmen, two LAPD officers, arrest King. King, realizing he is going to be killed, manages to escape, taking a beating in the process. His motel neighbor, Kelly, the prostitute who had lent King her car, finds him near the motel and nurses him back to health in her room.\nThe gang realizes that Kelly's car was not stolen. King recovers from his beating, creates a bomb out of materials from a hardware store, and plants the bomb in a bag with money and the drugs he took from Frankie. King finds an encrypted SD card in Bianca's belongings, hidden in a pack of cigarettes. Realizing this is what her killers wanted, he is only able to listen to snippets of audio but understands that Preston is the target. He sneaks into Preston's home and forces him to decrypt the file, which reveals camera footage of Preston committing acts of pedophilia on Armand during a party.\nPreston reveals that Bianca's husband had fallen into serious debts, and the debtors forced Bianca to take drugs and pimped her out to pay them back. They killed her husband but continued to pimp her out, so she sold her stepson to Preston for money. When she realized that he was raping Armand, she stole the footage and called King for help.\nPreston asked Wentworth to fix the issue, and Wentworth hired the gang members to kill Bianca. King lures Duke, his gang members, and Wentworth to Preston's mansion, and then kills Preston. Duke and Wentworth open the bag left by King, triggering the bomb, and both are killed. King takes Armand back to Kelly's motel, intent on rescuing the boy, but the sole surviving member of the gang—the one King maimed a few days earlier—ambushes him in the room. The boy escapes before King is able to win. King gives chase to Armand but ultimately gives up.\nKing drops Kelly and her daughter at the bus stop where she will return to her home town in New Mexico. He hands her a bag which has money he took from Preston's mansion earlier. As he is walking away, Leary's posters can be seen on the walls of the city of Los Angeles. King returns to South Africa where he is welcomed back and is revealed to be a detective with the local police force.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE][2000s] Horror Movie where a son dies, is resurrected as a monster and is tasked with killing a certain amount of people.\nI watched this movie when I was like 9 (so in 2010) but I believe it was earlier 2000s as we got it from blockbuster.\n\nBasically a young woman has to survive this monster after she is thrown into a basement by this old lady. The basement is full of bones and I believe there was a makeshift shelf displaying all the skeletons od the monster's victims. Turns out, this monster (which was kind of big-headed and baby looking) was the old lady's teenage son who drowned to death. She made an evil pact to bring him back to life, but he's this horrible monster instead. Furthermore, the monster has to kill a certain number (let's say 23) of people in order to be brought back fully human. The protagonist girl is supposed to be the final one.\n\nThe ending involves the girl siding with the monster somehow, tricks the old lady so that she dies instead, and protagonist girl and now-fully-human monster boy have a happy ending together.",
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"content": "The Fair Haired Child.\nTara (Lindsay Pulsipher), though a pretty and talented teenage girl, is not liked at her school and has no friends. Upon returning home one day, she is kidnapped and drugged. She awakens and attempts to escape but the kidnapper (William Samples) throws her into the basement, where Tara finds a young boy (Jesse Haddock) hanging from a noose, close to death. She saves him, and the two form a bond. The boy, Johnny, is sweet and kind but cannot talk; he has to communicate by writing in dust. With Johnny's assistance, Tara uncovers cryptic warnings on the walls, such as \"Beware the Fair-Haired Child!\" The two discover a room with numerous backpacks and a bloody bathtub, showing that they are not the first victims.\nJohnny begins to breathe hard as a great gust of wind shakes everything and undergoes a transformation from a normal boy into the hideous demon dubbed the \"Fair-Haired Child\" (Walter Phelan). Frightened, Tara hides from the creature until it reverts into Johnny, who then reveals his shameful secret: Twelve years ago, Johnny died by drowning on his 15th birthday. Desperate over the loss of their son, Johnny's parents (the kidnappers) made a deal with a demon, and performed a ritual that involves them providing a sacrifice of one child per year until the quota of twelve is reached; Tara is the last before Johnny can become human again. However, Johnny has come to care for Tara and desperately asks her to forgive him. She embraces him as he begins to change, and the demon performs his final kill by disemboweling Tara. Soon afterward, Johnny's parents descend into the basement to find Tara's corpse covered in an old newspaper, with the words \"I forgive you, Johnny,\" written on it in her blood. The couple then happily performs the final stage of the ritual, transforming him into the beautiful blond boy he was before his death.\nJohnny later looks over Tara's drawing, while his parents play instruments. Speaking for the first time, Johnny informs his mother that his talent is bargaining, making it clear that he has struck a new deal with the demon: Instead of needing twelve kids to perform a resurrection, he managed to narrow it down to two, and they don't have to be children. As Johnny smiles sadistically, Tara appears as a female version of the demon and gruesomely kills his parents.\nThe alive-and-well Tara is shown waking up, curiously observing a bandage on her arm, indicating Johnny injected her with something to make her temporarily forget what had happened. The two introduce themselves again as he takes her for a stroll, and the camera pans to the graves of Johnny's parents in the garden.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [TV] uber like apps tells drivers to kill people.\nI recall a show in which a man is directed to kill people based on a driving app. At the end of the first episode he is blackmailed to keep working and you discover other are also using this app. I think I saw it on a steaming service, but can't locate it now. Thanks!",
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"content": "Rideshare.\nThe SEASON PILOT follows Leeland, a ride share driver who's just trying to make it through the night so he can be home with his wife and newborn child when the app on his phone takes on a frightening intelligence and tells him he has to make the world a better place, even if it means he has to kill to do it.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE][2000’s][USA] Horror movie I can barely remember and would like to rewatch.\nI remember watching a horror movie as a young kid with my cousin. I believe there were 2 male and 1 female protagonists with a killer hunting them. I only remember a couple scenes:\n\n- One of the beginning scenes include both guys in a car driving down an empty highway and the passenger antagonizes the driver for using their turn signal when no ones around.\n\n- A slow motion scene where one of the guys hangs out the side of a car and I think yells “rosebud” at a young woman.\n\nAny help is appreciated, thanks",
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"content": "Monster Man (film).\nAdam (Eric Jungmann) and Harley (Justin Urich) drive a red 1970 Chevrolet Kingswood across the country so Adam can tell his ex-girlfriend Betty-Ann he still loves her before she gets married. After an encounter with a hearse, the two stop at a pub. They see a monster truck rally on TV and Harley mocks the people watching it. As they are driving away, a giant monster truck drives them off the road. Later on, they have to siphon gasoline from an abandoned RV. However, it is revealed that the RV has a mutilated body inside and the RV is surrounded by truck tracks that form a pentagram. Adam sees the strange-looking driver and Harley urinates in the cab of the monster truck before they speed away. At a hotel, Adam and Harley wake up with roadkill in their beds and find a hitchhiker named Sarah (Aimee Brooks) sleeping in the backseat when they get to the car. Sarah eventually has sex with Adam.\nLater, they witness the monster truck run over a man and meet a man missing an arm who tells them the man in the monster truck takes people's limbs but lets the victims live. Afterwards, the three drive through a ghost town with many scarecrows. They find a diner at the end of the town and begin to eat, but Adam finds they are eating human flesh. They panic and run away. After being chased by the man in the monster truck, their car is destroyed. Adam, Harley, and Sarah run into the woods and the man follows them. He eventually catches up with them and shoves Harley into a tree, supposedly killing him, and kidnaps Sarah. Adam follows him to a shack covered with pentagrams, severed limbs, and a man whose entire middle section has been crushed. Adam finally finds Sarah and tries to escape, but Sarah knocks him unconscious. Sarah and the man, Bob (Michael Bailey Smith), are brother and sister. They tie Adam to a table while the \"corpse\" with the crushed midsection, Fred (Joe Goodrich), explains that Bob accidentally ran him over, crushing his midsection and sending Bob through the windshield. Sarah says she stitched Fred up and used black magic to bring him back to life. Fred explains that they can use other people's limbs to add to his own body as long as the donor stays alive and they could only transfer entire bodies if the body was prepared correctly.\nSarah says that they needed someone easy to prepare and Adam was the right person. Previous events begin to make sense to Adam. Everything that happened to Adam and Harley before was preparing Adam so that Fred could have his body: stepping into a pentagram with a mutilated body, sleeping with roadkill, Sarah having sex with him, and eating human flesh. Adam manages to escape and kills Sarah by slashing her throat. He also cuts Fred in half when he gets up and starts to attack him. Meanwhile, Bob locks the door.\nOutside, Bob chases Adam, but is run over by his own monster truck driven by Harley. Harley remarks he was playing dead and apologizes to Adam for everything he did to him since the beginning of the film. He offers Adam the chance to drive Bob's monster truck, to which Adam happily agrees. Adam then runs over Bob with the monster truck repeatedly for hours. In the end, Adam thanks Harley for not only his help but the whole trip, calling him a good friend. When Harley mentions finishing the trip to Betty-Ann's wedding, Adam gives up on getting Betty-Ann to fall in love with him, and with that Harley then decides to get some food with Adam and they drive away. But as they leave, Bob's crushed body continues to call Adam a wuss.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the 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and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][Movie] well regarded movie with a poster that's mostly blue with the main characters head. The head has something coming out of it either buildings or airplanes if I remember correctly. The guy on the poster looks similar to the George fella from Seinfeld..\n Also the name consists of cities and locations I think New York or Connecticut was one of them",
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"content": "Synecdoche, New York.\nTheater director Caden Cotard finds his life unraveling. He suffers from numerous physical ailments and has been growing increasingly alienated from his wife, Adele, an artist. He hits rock bottom when Adele leaves him for a new life in Berlin, taking their four-year-old daughter Olive with her.\nAfter the success of his production of Death of a Salesman, Caden unexpectedly receives a MacArthur Fellowship, which gives him the financial means to pursue his artistic interests. He is determined to use it to create an artistic piece of brutal realism and honesty, something into which he can pour his whole self. Gathering an ensemble cast into an enormous warehouse in Manhattan's Theater District, he directs them in a celebration of the mundane, instructing them to live out their constructed lives. As the mockup inside the warehouse grows increasingly mimetic of the city outside, Caden continues to look for solutions to his personal crises. He is traumatized as he discovers Adele has become a celebrated painter in Berlin and Olive is growing up under the questionable guidance of Adele's friend Maria. After a failed attempt at a fling with Hazel (the woman who works in the box office), he marries Claire, an actress in his cast, and has a daughter with her. Their relationship ultimately fails, and he continues his awkward relationship with Hazel, who is by now married with children and working as his assistant. Meanwhile, an unknown condition is systematically shutting down his autonomic nervous system.\nAs the years rapidly pass, the continually expanding warehouse is isolated from the deterioration of the city outside. Caden buries himself ever deeper into his magnum opus, blurring the line between reality and the world of the play by populating the cast and crew with doppelgängers. For instance, Sammy Barnathan is cast in the role of Caden in the play after Sammy reveals that he has been obsessively following Caden for 20 years, while Sammy's lookalike is cast as Sammy. Sammy's interest in Hazel sparks a revival of Caden's relationship with her, leading Sammy to commit suicide.\nAs he pushes against the limits of his personal and professional relationships, Caden lets an actress take over his role as director and takes on her previous role as Ellen, Adele's custodian. He lives out his days in the model of Adele's apartment under the replacement director's instruction while some unexplained calamity occurs in the warehouse leaving ruins and bodies in its wake. Finally, he prepares for death as he rests his head on the shoulder of an actress who had previously played Ellen's mother, seemingly the only person in the warehouse still alive. As the scene fades to gray, Caden says that now he has an idea of how to do the play when the director's voice in his ear gives him his final cue: \"Die.\"",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE] There was this Belgian movie about three special needs teenagers that went on a trip yo get to a whorehouse so they can lose their virginity. Can someone help me out with this one ?.\nOther than what I said I really don't remember that much about it. Other than that it was released in the 2010s(if I remember correctly).",
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"content": "Come as You Are (2011 film).\nThe Flemish boys Lars, Philip and Jozef are somewhere between 20 and 30 years of age and each has a physical handicap. Jozef is almost blind and needs to use a magnifier. Philip suffers from paraplegia. He can only move his head and can use one hand which gives him the strength to control his automated wheelchair. Lars has an incurable brain tumor a side effect of which is that he is restricted to a wheelchair as a result of his increasing paralysis. The three are good friends and visit each other frequently.\nPhilip, who is able to control a computer keyboard with a mouthpiece, had a conversation with a man who lost his legs during his last holiday at the Dutch sea-side. That man frequently visits a luxury brothel in Spain which is specialized to host men with a handicap. Philip convinces Lars and Jozef to organize a trip to Spain \"as they do not want to die as a virgin\". Of course, they have to convince their parents but are afraid to tell them the real reason about the trip. That's why they deceive them and tell them that they are only going to visit some wine gardens in France and Spain. As Lars already made a well-organized plan about the trip and found a tour guide who is specialized in \"holidays for people with a handicap\" the parents eventually agree.\nSome days before departure, Lars goes to his doctor for approval to make the trip, but it seems his brain tumor has grown. His doctor advises to cancel his trip. Philip and Jozef initially cancel as well since they do not want to abandon Lars. Lars however insists that the trip should continue, so they decide to leave sneakily. However, the tour operator can't make the trip any more as it was cancelled by the parents, and does not want to jeopardize his professional and private life by ignoring the wishes of the parents. The tour operator takes pity and decides to send Claude, who also owns a specialized bus.\nThey are surprised when Claude seems to be an oversized, unattractive, grouchy woman who does not understand Flemish (as she lives in Brussels). Philip and Lars dislike Claude and always use abusive Dutch language to describe \"the insensible mammoth-looking woman\". Neither Philip nor Lars speaks French, so Jozef becomes the interpreter. He is more friendly towards Claude and can't laugh with the remarks of Philip and Lars.\nClaude seems not to be very sociable. She only drives the boys to their different destinations and separates herself during each break. She does want to help the boys, but is always refused. The three are convinced they do not need Claude as \"a replacement for their parents\" and can handle the situation. Soon, they discover this is not that easy.\nClaude insists that the boys must accept her as they do need her help as a nurse. The three are surprised when they discover Claude does understand the Dutch language. They are embarrassed and ask Claude to forgive their misbehaviour, which she accepts. The following days are very entertaining and Claude decides to overnight in open sky. The next day, she drives them to a hotel. The three are led to a meeting room and are astonished when they meet their parents. They were able to locate their sons via the original tour operator who gave them the mobile number of Claude. Claude, who got a call of the parents, could not refuse the parents' request to drive them to this hotel. She is just out of prison due to maltreatment of her previous husband and does not want to get into new problems. The parents want to take their children back to Belgium. Philip and Lars get very aggressive and scream they do not want to be treated like children. Lars insists that his parents let them continue the trip. Eventually, they approve of their sons continuing the trip to Spain with Claude as a guide. Once they arrive Claude surprises them by taking them to a villa instead of the foreseen bungalow, which is a present from the parents.\nThe boys decide that they want to see the night-life of the Spanish town. Claude brings them to the centre and allows them to take off by themselves. They try to strike up a conversation with a couple of girls and invite them to go to a restaurant together. Although the girls provide them with a recommendation, they are reluctant to join and state they don't have enough time, so the boys take off on their own. On the way to the restaurant, Lars is taken aside by a different girl which he had met before in a shop. He instructs Philip and Jozef to continue without him and takes off with the girl. Later on they are talking but Lars gets sick and is embarrassed. When Philip and Jozef return to the bus after dinner, they find Lars already there, clearly upset. Philip starts ranting about Lars ditching them, but Jozef tells him to 'shut up'.\nThe first visit at the brothel is a disaster as Lars gets ill. During their next visit, Jozef does not want to go as he fell in love with Claude. This seems to be mutual and the two have sex in the tour bus. Lars and Philip enjoy their visit in the brothel. That night, the group decides to sleep on the beach. Next morning, Philip finds a dead Lars. Philip is picked up by his parents to travel to Belgium by aeroplane, whereas Jozef decides to stay with his new girlfriend Claude who drives him back to Belgium on her bus.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][Movie][2000s] Farmer hangs upside down with spurs..\nI’m trying to remember the name of a movie that was set on a farm and featured a silent badass farmer. I want to say it was a zombie film, but not 100% on that. The scene I’m remembering is the farmer doing a backflip and hanging upside down by the spurs of his boots from the arch of a ceiling while shooting zombies. \n\nI want to say it was a scyfy film but it was so long ago I could be misremembering. \n\nThanks in advanced!",
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"content": "Undead (film).\nQuintus, a psychic researcher who has spent seven years in Tibet, wants to send someone back in time into a past life. He hires (for $500) a prostitute, Diana Love, and plans to send her into a trance over 48 hours so she can access her past life. Quintus' former professor is present to witness it.\nQuintus puts Diana into a trance and sends her back into the Middle Ages, where she shares the body of her past self, Helene, who is in prison, sentenced to die at dawn under suspicion of being a witch. \nAt Diana's urging, Helene escapes prison, earning the attention of Livia (the witch for whose crimes Helene has been blamed) and of Satan himself. Via the psychic link between Diana and Helene, Quintus physically goes back in time to convince Helene to avoid her death, so he can witness the results of history changing. \nHowever, if Helene evades execution, her future selves, including Diana, will never come into existence, so she accepts her fated death. When Helene dies, her link with Diana disappears, leaving Quintus physically stranded in the past, much to Satan's amusement.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [MOVIE] Man trapped in a room yells at a robot, at one point he tries to hang himself.\nThe man was wearing a jumpsuit. The robot was in the ceiling and had a name.\n\nSorry if this is non-descript, I was half-asleep. It was in color and English.",
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"content": "Infinity Chamber.\nA man trapped in an automated prison must outsmart a computer in order to escape.::Anonymous\n\nFrank is in a coffee shop viewing a photo of conifers across a lake when the glass reflects two ISN agents men firing red-lighted weapons at his back. When he awakes, he is trapped in an automated prison with an AI presence, who answers to the name of Howard, acting as his LSO (Life Support Officer). Howard is not forthcoming with much information. Frank is, in fact, guilty of creating a computer virus that crashed the fascist regime's system. The AI probes his memories hoping Frank will disclose where he hid the thumb drive that contains the virus. His replayed memories keep taking him to the coffee shop and its owner Gabby.::Garon Smith",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE][not sure] Italian movie with police officer and two young orphan kids..\nTrying to remember the name of an Italian movie about a young police officer who gets sent on an assignment to take a young orphan girl and boy to a different location. Along the way, they stop at a hotel and then a beach. In the end, the officer grows attached to the two kids but knows he must let them go.",
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{
"content": "The Stolen Children.\nAntonio, a policeman (carabiniere), has an order to take two children (Rosetta and her brother Luciano) from Milan to Sicily to an orphanage. Their mother has been arrested for forcing Rosetta (11 years old) to work as a prostitute. First the relation between Antonio and the children is tough, but it relaxes so they become temporary friends.::Anonymous",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [MOVIE] A movie that is rated 15+.\nA movie that is rated 15+. It starts with two guys in a car,(on an empty road) they get a flat tire or something. One of them gets under a car to fix it. The other one says something along the lines of \"we two are about the same height\" and does something to kill him(either kicks the jack to crack his skull or throws him into oncoming traffic). Then he steals his identity and lives his life.\nAlso: The movie colors were warm as far as i can remember.",
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"content": "Taking Lives (film).\nThe film opens in early 1980s Canada where teenager Martin Asher (Paul Dano) is seen ambling about a bus station, seemingly uncertain of his destination.\nHe befriends another teen on the bus, Matt Soulsby (Justin Chatwin) and the two talk about their plans for the future.\nWhen their bus breaks down, the two acquire a car from a nearby garage.\nWhile Martin is driving, a tire blows.\nMatt struggles to change the tire and Martin comments on how he and Matt are both about the same height, and kicks Matt into the path of an oncoming truck.\nHe is last seen toting Matt's guitar and walking away singing in a voice similar to Matt's.\nTwenty years later, a successful FBI profiler, Illeana Scott (Angelina Jolie), is summoned to help out Canadian law enforcement in Montreal, to apprehend Asher, who has been killing people for years and assuming their identities as he travels across North America.\nScott has to adjust to working in a strange city with a police team that she does not really fit in with.\nOn a ferry to Quebec City, Martin's mother (Gena Rowlands) recognizes her son.\nAfter docking she locates a police officer and tells him that she saw her son on the ferry.\nUpon telling the officer her son died 19 years ago, she discusses the matter with a city official.\nShe is convinced the man she saw was her son, and exclaims to the officer that her son is \"dangerous\".\nBased on mrs Asher's statement, the body believed to be that of her son is exhumed for an autopsy.\nThe team meets with art salesman James Costa (Ethan Hawke), an eyewitness who saw Asher kill his last victim.\nCosta makes a drawing of Asher and, within a couple of days, Asher's apartment is found.\nScott discovers Asher's next target is Costa, so protecting him is priority number one.\nDuring the time they spend together, Scott and Costa begin to develop feelings for each other, though Scott refuses to become involved with him because of the ongoing case.\nAsher flees with Costa as a hostage and Scott pursues them.\nScott sees Asher die in a car accident and the case is closed.\nAs Scott is packing up, preparing to return home, Costa visits her in her hotel room.\nWithout saying anything, he undresses her and they make passionate love on a chest of drawers and the bed, surrounded by gruesome crime scene photos.\nThe next morning, Scott awakes to find herself partly covered in Costa's blood.\nAt first, she fears he is dead, but then he awakes and they discover he had merely popped the stitches in his arm that he received after the auto accident.\nAs Costa's stitches are repaired in the hospital, Scott is called down to the morgue as mrs Asher has come to identify the burned body of her son, killed in the accident.\nShe says the body is not her son.\nmrs Asher and Scott realize that Asher is still alive.\nmrs Asher is shocked, leaves the morgue, and goes to the elevator, and Scott chases after her.\nBefore Scott can reach her, the elevator door closes.\nScott descends the stairs, hoping to intercept mrs Asher on the ground floor.\nWhen the elevator door opens, Scott sees Costa covered in blood, having killed mrs Asher - who Scott realizes is Costa's mother.\nThe police try to capture Asher who escapes the hospital.\nScott returns to her hotel room and frantically washes herself, in a state of manic disgust.\nAn investigation shows that the man who died in the car accident, who the real Asher had identified as Asher, was actually Christopher Hart (Kiefer Sutherland), a drug dealer and art thief to whom Asher owed $80,000, and whom Asher murdered.\nThe Montreal police chase Asher, but he escapes in a train station and boards a train headed east of Montreal, meanwhile setting up his next victim, a sports talent scout.\nAfter that, he calls Scott on the phone and taunts her.\nScott admits to having consensual sex with Asher, and is consequently fired from the FBI.\nSeven months later, Scott is living in an desolate farmhouse by herself in Carlisle, Pennsylvania and looking heavily pregnant with Asher's twin boys.\nOne day as she sits alone in her home, she discovers Asher has broken into her house.\nShe frantically tries to escape, but Asher quickly overpowers her and then reveals he has found all the guns she had hidden throughout the house.\nAsher makes her tea and tells her they could start over and live together as a family, but a disgusted Scott tells him she does not want to.\nEnraged, Asher begins beating and choking her and eventually stabs her in her belly with a pair of scissors.\nScott, seemingly unharmed by the stabbing, shocks Asher by quickly stabbing him in the heart with the same scissors.\nAs Asher is on his knees looking at her in disbelief, Scott removes a prosthetic pregnant belly, and tells him the past seven months have been a carefully planned trap.\nHe falls over, dead.\nThe film ends with Scott calling the police, saying \"It's over\", and staring out her window.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the 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and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE][PROBABLY 2000S].\nSaw it in the childhood. There's a three kid and their parents die so some people are helping them getting a guardian. There's not much of the details I remember, but one of the possible guardian is a old creepy man who lives in a very tall, old fashioned building with several other people, who turns out to be evil and the eldest kid ends up marrying him or something like that. Besides this, I remember another possible guardian, old woman who's husband got devoured by piranhas in \"Lacrosse Lake\" near their house. I think I recall the name of the lake correctly. Movie is dark themed and it used to creep me out as a kid. Two of the kids are girls and one is a boy. Every guardian is a relative of their parents and all of them know each other and are connected to each other in some way.",
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"content": "Lemony Snicket's A Series of Unfortunate Events.\nIn a clock tower, investigator Lemony Snicket begins writing a documentation regarding the whereabouts of the Baudelaire children.\nFourteen-year-old inventor Violet, her twelve-year-old bibliophile brother Klaus, and their mordacious baby sister Sunny are orphaned after a mysterious fire destroys their home and kills their parents. Mr. Poe, the family's banker, manages their affairs and leaves them in the care of their geographically-closest relative and stage actor, Count Olaf. Olaf is intent upon obtaining their family fortune, which will remain in the custody of the bank until Violet comes of age. He forces them to do unnecessary chores and belittles them.\nDriving back from the court where Count Olaf has legally obtained custody of the children, he stops to go into a general store, leaving them in the car parked directly on train tracks with a train heading towards them. They manage to divert the train by building a device to remotely turn the switch controlling the tracks. Mr. Poe arrives and takes them away, thinking that Olaf was allowing Sunny to drive.\nThe orphans are taken to their uncle, Dr. Montgomery, an eccentric but kind herpetologist. However, Olaf arrives disguised as Montgomery's assistant Stephano. The orphans attempt to warn Montgomery, but he believes Stephano is after the Incredibly Deadly Viper, a giant misnomer snake, in his laboratory. Montgomery is discovered dead shortly after, his death blamed on the viper. They are almost placed in Stephano's care by Mr. Poe, but Sunny proves Stephano's guilt by showing the viper is harmless. Stephano escapes.\nMr. Poe leaves them with their Aunt Josephine, a grammar obsessed widow with panphobia. Olaf appears disguised as Captain Sham to interfere with their plans again. One day, Josephine is not at the house, leaving an apparent suicide note entrusting them to Captain Sham. Klaus deduces that Olaf forced her to forge the note, but she left a hidden message revealing her location. They sail to the cave where she is hiding and rescue her but attract leeches. Olaf appears and takes the children, leaving Josephine to be eaten by the leeches. Mr. Poe finds Olaf with the children, and Olaf pretends to have rescued them. Mr. Poe is fooled and gives the children back to Olaf.\nOlaf plans a play titled \"The Marvelous Marriage\", that stars Violet and Olaf as a bride and groom, respectively. Klaus's suspicions reveal that Olaf is planning to take advantage of the play to really marry Violet in an attempt to get the fortune by using legally recognized vows and a bona fide justice of the peace. He has Sunny locked up in a bird cage, threatening to drop her to her death should Violet refuse to take part in the play.\nKlaus manages to escape and finds a hidden tower in Olaf's house, where he discovers a large window with a set of lenses which, if positioned correctly, can focus the rays of the sun. He realizes that this was the method used to set fire to the Baudelaire mansion and that it was Olaf who was the real mastermind behind the crime. Using the window, Klaus manages to burn the marriage certificate, leading to Olaf's arrest. However, Snicket reveals that Olaf vanished after a jury of his peers overturned his sentence.\nViolet, Klaus, and Sunny are taken to visit the charred remains of their old home one last time. A lost letter from their parents finally arrives, and inside is a spyglass announcing their family's secret society.\nSnicket finishes writing his documentation and hides the papers in the clock tower for his publisher to find. He concludes that despite the sibling's recent unfortunate events, they were still fortunate to have each other. The Baudelaires are driven by Mr. Poe to their next location.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][Movie] Animated Movie about an anthropomorphic pig.\nI'm trying to find an animated movie I saw as a kid in the mid 90's. There were two pig brothers, one was named Alexander who have to leave their mother for reasons I can't remember. They get split up and Not-Alexander moves in with a man who is trying to fatten him up and eat him. Then he meets a female pig also living in the man's house and convinces her to run away with him when he figures out they are going to be killed and eaten. Some other details are that the characters all spoke in a British accent, so it could be a British animated film, and there was also a scene where the man pokes the pig's belly as it's getting fatter. I tried google but all my searches bring up is Peppa Pig episodes.",
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"content": "The Tale of Pigling Bland.\nPigling Bland's journey to the marketplace isn't as easy as he expected.::.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][Movie][2018-2019] Action movie about an assassin that gets hunted down by his old crew. Over the top action. There's a scene where he controls an array of machine guns with his fingers..\nPretty much the title.",
"id": "frl9kh",
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"content": "Polar (film).\nAt an undisclosed location in Chile, a former employee of Damocles; an organization of assassins, is killed by a specialist hit team consisting of Sindy; decoy, Facundo; sniper, and assault team Alexei, Kurt, and Hilde.\nDuncan Vizla, known as The Black Kaiser, is a Damocles employee nearing mandatory retirement on his fiftieth birthday. By making sizeable contributions to his company retirement fund, he is owed over $8 million upon his retirement day. Unknown to him, Mr Blut, owner of Damocles, plans to sell the company and is inflating its value by murdering its retiring operatives; thus acquiring all of their retirement fund by way of a clause in their contract.\nDuncan lives in a remote town in Montana where he is gradually building a relationship with his neighbor Camille. He is haunted by flashbacks of his murderous past and attempts to cultivate a normal life, to no avail. After giving an ill-fated talk at a local school about foreign countries and combat, he buys Camille a pistol and tries to teach her to shoot but she seems disturbed by the weapon.\nDuncan is pressured into accepting a final contract by Vivian, a common associate of his and Blut's. He travels to Belarus to fulfil the mission where he finds it was a setup to have him killed. Returning to Montana, Duncan is hunted down by Facundo's team, via his accountant and several fake addresses. After stopping to help Sindy with an apparently broken down car, the pair return to his house where they have sex. Duncan is trapped in his house by the team but he outmatches and kills them all except for Alexei, who activates \"Plan B\" and kidnaps Camille. Duncan discovers this from Alexei's girlfriend \"Junkie\" Jane and seeks the help of his old friend Porter, who instead betrays and drugs him.\nDuncan awakens in Blut's mansion chained in place and is tortured for three days by Blut himself for killing Hilde, whom Blut was in a relationship with. At the same time, Camille is kept in a drug-induced incoherent state by Jane. Blut stabs Duncan with a slim knife and part of the blade snaps off on Duncan's titanium hip replacement. Blut also slashes Duncan's face and stabs him in the left eye. Overnight, Duncan uses the knife shard to pick the locks on his manacles and by morning he escapes the mansion, killing many of Blut's men. He travels to Jazmin, an old friend of his, who treats his wounds and supplies him with weapons.\nDuncan calls Vivian and offers himself in trade for Camille, which she accepts, but on Blut's orders, she double-crosses him and sends a hit squad, accompanied by Alexei and herself. Duncan gives Vivian a chance to walk away but she refuses, and he uses remote sentries to kill the entire force and leaves a wounded Vivian to her fate.\nDuncan returns to Blut's mansion where Blut's remaining henchmen flee rather than face Duncan. Blut awaits Duncan alone but is decapitated. Duncan rescues Camille and returns to Montana where he treats her.\nWhen he awakens one morning he finds newspaper clippings of the murder of a family many years prior, which he recognized as a hit that he, himself, carried out, albeit with bad intel, something that has haunted him ever since. The only survivor of the family was a young daughter, who grew up to be Camille. He finds himself at gunpoint and explains what happened to Camille before telling her to close her mind and pull the trigger; however, she spares him. Camille then asks Duncan to help her find out who ordered her father dead and he agrees.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [TELEVISION] [EARLY 2000S] Public prank show (UK based?), sometimes they dress up like animals..\nThis show aired on Comedy Central in the US for a couple years but I'm pretty sure it was UK-based. Anyway, it was like a Candid Camera type show where the stars would pull weird public pranks like pretending to be in a fist fight with a squirrel and similar antics. There would be short little segues in between pranks where 2 of the stars would be dressed as animals (I think rabbits?) and pretend to shag in random places throughout the city.\n\nAny guesses most welcome :)",
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"content": "Trigger Happy TV.\n_Trigger Happy TV_ (qv) follows Dom Joly as he unleashes his twisted humour on the unsuspecting British public.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][Movie]80's movie with house party.\nI saw this on TV when I was a kid. I think it was an 80's movie because I seem to remember the main character wearing a jean jacket.\n\nIt was about a young adult(maybe college kid?) who was about to lose his house. (I think he inherited it from his grandfather.) In order to save it, he throws a house party. I remember the main character's name was Danny.\n\nI've never seen or heard of this movie since. Does anyone remember the name of it?",
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"content": "Playing for Keeps (1986 film).\n18-year-old Danny d'Angelo, an alumnus of Benjamin Franklin High School in New York City, lives in an apartment with his mother and a charitable sister named Marie. One day in July, he discovers they have inherited the Hotel Majestic, a long-closed facility in Bethany, Pennsylvania — and along with it, $8,000 in unpaid taxes (equal to $18,888 today). Danny's great-aunt Theresa once owned the place, but died before she could pay them off. Unknown to them, a firm called Pritchard Chemicals is willing to acquire the property for its Fox River project, and turn it into a chemical waste dump.\nDanny discusses the scenario with two friends: a would-be entertainer named Silk Davis, and an athletic type named Spikes McClanahan. To earn enough money for keeping the Majestic, Danny attempts to open a bank account, while Silk and Spikes become suburban salespeople—but to no avail. Afterward, the three disguise themselves as members of the Boy Scouts, and successfully sell a lot of mint cookies to office workers.\nDanny eventually makes Marie proud, not only with his earnings, but with a bundle of food supplies for a few needy neighbors. Soon, he and his friends travel to Hawley on a decorated van, but the worn-down state of the Majestic catches them off-guard. Rockefeller G. Harding, a residing hermit, gives them a tour that leaves the newcomers more appalled. They begin to renovate the building and transform it into \"The New Hotel Majestic...For Kids Only\", promising \"MTV in every room\" once it re-opens. But several of the townsfolk express their displeasure over what could happen to their town, and even take measures to keep Danny and friends out of their lives.\nMeanwhile, Rockefeller suggests that Danny recruit stockholders to manage the hotel. In doing so, Danny scouts the New York streets and hires many of his friends for that purpose. Arriving in Hawley, the stockholders of Majestic Enterprises are as dismayed as Danny, Spikes and Silk previously were; the luxury they expected of the Majestic is nowhere in sight. Instead, they are put to the task of fixing up the place within a month, after which inspection will take place.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [FILM] [1960s?] An old film about a teenage boy who turns into a dog.\nHey everyone! So, I rememeber this film I watched when I was a kid. I don't rememeber too many details, but I'll try my best here. It's definitely an old film, I think it's from 60s because it looked like an early color film. Basically, the film is about a teenage boy (around 16, 17 years old) who, due to come curse I believe(?) turns into a dog at random times, against his will. Not sure what the dog breed was, I think it reminded me of a big white Hugarian Puli, but I could be wrong (it was definitely a big white dog with lots of hair). I watched this movie with a friend and, because neither of us spoke English at the time, we called the dog 'Grifone', because that's what we believed the dog's name was (I don't remember the actual name, sadly). As for the boy himself, I don't remember his name either, and the only thing about his looks I'm kinda sure of is that he had dark hair. Other stuff I rememeber is that there was some girl he had a crush on, and she appears at the beginning of the film, she was driving a car with her friends, and she looked rich. I think her name was Allison or something like that, but not 100 percent sure. There was also a girl from the neighborhood who just moved in, I rememeber she had dark hair in a ponytail, and her name was Francesca I believe (I'm pretty sure). I know that the boy and Francesca become close eventually. The boy had a little brother also, at some point in the film, the brother sees him as a dog. There was a scene in which the guy is at some party or gathering, and he starts turning into a dog. Also, a scene in which he makes an escape and drives a car, as a dog. The policeman sees him and reports that the driver is a big, hairy dog, and I rememeber I found the scene very funny. Sadly, I can't remember how the film ended, which is why I'd be so happy if I could find it, just to watch it again.",
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"content": "The Shaggy Dog (1959 film).\nWilbur \"Wilby\" Daniels is a boy who is misunderstood by his father, Wilson.\nWilson thinks Wilby is crazy half the time because of his elder son's often dangerous inventions.\nAs a retired mailman who often ran afoul of canines, he is allergic to dogs, and he simply cannot understand why his younger son, Montgomery \"Moochie\" would want a dog.\nWilby and his rival Buzz Miller go with a French girl named Francesca Andrassé to the local museum.\nWilby gets separated from the other two, who leave without him.\nWilby encounters former acquaintance Professor Plumcutt (whose newspaper Wilby used to deliver), who tells him all about mystical ancient beliefs, including the legend of the Borgia family, who used shape-shifting as a weapon against their enemies.\nOn the way out, Wilby collides with a table that holds a display case of jewelry.\nHe accidentally ends up with one of the rings in the cuff of his pants.\nIt is the cursed Borgia ring, and no sooner does he read the inscription on it (\"In canis corpore transmuto,\" which, unknown to Wilby, means, \"Into a dog's body I change\") then he transforms into Chiffon, Francesca's shaggy \"Bratislavian sheepdog\".\nConfused, Wilby as a dog goes to Professor Plumcutt, who says he has invoked the Borgia curse upon himself, which can only be broken through a heroic act of selflessness.\nAfter getting chased out of his own house by his enraged father (who fails to recognize him as a dog), Wilby has a series of misadventures while switching back and forth between human form and dog form.\nOnly Moochie and Professor Plumcutt know his true identity, as Wilby has spoken to them both in dog form.\nWhile at a local dance in his human form, he accidentally transforms himself into a dog.\nThe next day, Wilby, as a dog, and Moochie are talking when Francesca's butler Stefano comes out and drags Wilby into the house.\nStefano and Francesca's adoptive father, dr Valasky, are discussing plans to steal a government secret, and Wilby, as a dog, overhears.\nUnfortunately for him, he transforms into human Wilby right in front of the spies and has been discovered, but not before he hears dr Valasky expressing his wish to get rid of his own daughter.\nThe spies angrily capture Wilby and force Francesca to leave with them, leaving the human Wilby bound and gagged in the closet at once.\nFortunately, Moochie sneaks into the house just after dr Valasky, Stefano and Francesca leave, and discovers Wilby, who is transformed into a dog, still bound and gagged in the closet.\nWilby reveals the secret to his dumbfounded father, who goes to the authorities, until Wilson suddenly finds himself accused of being either crazy or a spy himself.\nWhen Buzz appears at the Valasky residence to take Francesca on a date, Wilby, still in his dog form, steals Buzz's hot rod automobile.\nBuzz reports this to Officers Hansen and Kelly, who are in disbelief until they see the shaggy dog driving Buzz's hot rod.\nWilson and Moochie follow Buzz and the police, who end up chasing everyone.\nThe spies attempt to leave aboard a boat, but the police call in the harbor patrol to apprehend dr Valasky and stop his boat.\nWilby, in his dog form, swims up and wrestles with the men, as Francesca gets knocked out of the boat.\nHe then saves her life and drags her ashore, which finally breaks the curse.\nWhen Francesca regains her consciousness, Buzz tries to take credit for saving her.\nThis angers Wilby, who is still a dog, so much that he attacks Buzz.\nSeconds later, Buzz is surprised to find himself wrestling with the real human Wilby, and the real Chiffon reappears.\nSince he is soaking wet, Francesca concludes that he has really saved her from the ocean and she hugs and praises Chiffon.\nNow that Wilson and Chiffon are declared heroes, Francesca is able to leave for Paris without her evil adoptive father and former butler, both of whom have been arrested for illegal espionage; and she gives Chiffon to the Daniels family for them to keep as her way of thanking them.\nSince Wilson has gotten such commendation for foiling a spy ring because of \"his love of dogs\", he has a change of heart over his allergy to dogs, a promise to change his ways, and a sense of humor (while he also realizes that his dog-hating attitude isn't really good anymore), so he allows Moochie to care for Chiffon as he wanted a dog all along.\nWilby and Buzz decide to forget their rivalry over Francesca and resume their friendship instead.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE] old film about a family moving to a beach house..\nI remember seeing a movie some years ago about a family that either vacations to a cabin on a beach or moved there. I feel like it was a Don Knotts movie but I couldn't find anything like that with him in it. It was a similar actor from that era I'm sure. It was him and his family moving out to this cabin. I've been watching a lot of old classic movies and I remember really enjoying this one but I can't for the life of me remember what it was called. Anybody have any ideas?",
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"content": "Mr. Hobbs Takes a Vacation.\nRoger Hobbs is an overworked banker whose wife Peggy plans a quiet seaside vacation with their family, including the grown daughters, family cook, sons-in-law and grandchildren.\nWhat he finds upon reaching their vacation destination is a very dilapidated beach house with nosy neighbors.\nComplications mount up.\nHis teenage son Danny only wants to watch television.\nHis youngest daughter Katey, embarrassed by a new set of dental braces, refuses to leave the beach house.\nAnd his grandchildren don't want anything to do with him.\nFurthermore, one of his sons-in-law, Stan, is unemployed and mr Hobbs must entertain Stan's snooty potential employer on a boring bird-watching jaunt.\nAn older daughter is married to the aloof professor Byron, who has unorthodox ideas about both disciplining children and the family dynamic.\nOne by one, mr Hobbs tries to solve each problem.\nAfter the television breaks, he finds time to take Danny on a boating trip, where they get very lost in the fog but bond as father and son.\nHe also manages to take Katey to a dance, where he bribes a handsome young man named Joe to pay attention to her.\nThe bird-watcher and his prim wife don't turn out to be what they seem to be and chaos reigns for a while.\nBut in time mr Hobbs and his wife sort out everybody's personal crisis, Joe turns out to be a suitable suitor for Katey, and the family is almost sad to leave the beach and return home.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][TV Show Episode] Men talk another man through getting a girl, only for the girl to kill him.\nNot sure what the TV show is called. \n\nBasically all the guys take turns trying to socialise with women with the goal being to have sex with them. The female seems uninterested at first but becomes interested when the man starts talking about voices (the men in the earpiece).\n\nBelieving that they are both mentally ill, she takes the man back to her place, and lures him with the sense they are about to have sex. She goes away while the man lies on the bed. She comes back with a drink, sits on him and makes him drink it. \n\nHe believes that it's just alcohol but it has poison in it and he dies. ",
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"content": "White Christmas (Black Mirror).\nJoe Potter (Rafe Spall) awakens in a cabin on a snowy Christmas Day, greeted by Matt Trent (Jon Hamm). The two have lived there for five years but barely spoken. To ease Joe into conversation, Matt explains why he ended up in the cabin. He used to run an online group who watched each other seduce women, through implants called \"Z-Eyes\" which record the user's vision and hearing. One member, Harry (Rasmus Hardiker), crashes an office Christmas party and talks to Jennifer (Natalia Tena). She is mentally ill and mistakes Harry's Z-Eyes communication for him hearing voices, as she did. After they return to her place, she poisons them both in a murder-suicide.\nMatt then talks about his former job, training \"cookies\"—digital clones of people stored in an egg-shaped object—as personal assistants. He describes the experience of Greta's (Oona Chaplin) cookie, which refused to be a personal assistant. Matt makes six months pass inside the cookie's world in a matter of seconds and she relents under threat of further boredom and isolation.\nJoe opens up: he was \"blocked\" by his fiancée Beth (Janet Montgomery) after the two fight over her decision to have an abortion. Blocking causes them to see each other as grey silhouettes and prevents Joe from contacting Beth. Months later, Joe confronts her still-pregnant silhouette and is arrested. Each Christmas Eve, when Beth visits her father, Joe travels to his house to spy on Beth and her daughter (who was not after all aborted) but he is also blocked from seeing the child. The block is removed after Beth dies in a train accident, allowing Joe to discover that Beth had an affair and he is not the child's father. Confronting Beth's father, Joe strikes him with a snow globe, killing him, and leaves. The girl sets off into the snowy wilderness to get help, only to freeze to death.\nWhile Joe tells the story, the cabin gradually transforms into Beth's father's house. Joe and Matt are in a cookie, the five years having been a result of altered perception of time, and Joe is a cookie that has just given testimony which will be used to convict the real Joe. For his service, Matt avoids imprisonment for his role in Harry's death, but he is now convicted as a sex offender and permanently blocked by everyone. Meanwhile, an officer sets Joe's cookie to experience time at 1,000 years per minute, with Wizzard's \"I Wish It Could Be Christmas Everyday\"—which played as Joe killed Beth's father—on repeat.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][Movie][Early 2000s?] Animated kids movie about a girl who gets magically transported to a strange land and is trying to get back..\nHonestly, this is so far back in my memory that I’m doubting if this is a real movie or just a figment of my imagination at this point.\n\nAs far as I can remember, the movie starts with a family in a car, on a trip out of sorts. The father, who is driving suggests a shortcut and they get lost.\n\nI can’t remember what happens next, but the girl is in a strange land where people are hostile and wear masks. I believe the setting is similar to some sort of Asian country, perhaps China, but there is magic (can’t remember details).\n\nI assume the plot revolves around the girl trying to get back to her family, but I can’t remember any other bits except the start.\n\nI will have watched it maybe when I was only a few years old so I would guess around 2002, although obviously it could have been made earlier.\n\nIf anyone knows what this is it would probably blow my mind, as I’m beginning to think this was some sort of recurring dream I had as a toddler.\n\n",
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"content": "Spirited Away.\nTen-year-old Chihiro and her parents are traveling to their new home. Her father, a man who loves to take shortcuts, ends up in front of a tunnel leading to what appears to be an abandoned village, which Chihiro's father insists on exploring despite his daughter's misgivings. While exploring, Chihiro finds an exquisite bathhouse and meets a boy named Haku, who warns her to return across the riverbed before sunset. However, Chihiro discovers too late that her parents have transformed into pigs, and she is unable to cross the now-flooded river.\nHaku finds Chihiro and advises her to ask for a job from the bathhouse's boiler-man, Kamaji. Kamaji asks Lin, a bathhouse worker, to send Chihiro to Yubaba, the witch who runs the bathhouse. Yubaba tries to frighten Chihiro away, but Chihiro persists, and Yubaba hires her. Yubaba takes away the second kanji of her name, Chihiro (千尋), renaming her Sen (千). Haku later warns her that if she forgets her name like he has forgotten his, she will not be able to leave the spirit world.\nSen is treated poorly by the other bathhouse workers; only Kamaji and Lin show sympathy for her. While working, she invites a silent creature named No-Face inside, believing him to be a customer. A \"stink spirit\" arrives as Sen's first customer, and she discovers he is the spirit of a polluted river. In gratitude for cleaning him, he gives Sen a magic emetic dumpling. Meanwhile, No-Face, imitating the gold left behind by the stink spirit, tempts a worker with gold and then swallows him. He demands food and begins tipping expensively. He swallows two more workers when they interfere with his conversation with Sen.\nSen sees paper Shikigami attacking a Japanese dragon and recognizes the dragon as Haku. When a grievously injured Haku crashes into Yubaba's penthouse, Sen follows him upstairs. A shikigami that stowed away on her back shapeshifts into Zeniba, Yubaba's twin sister. She transforms Yubaba's son, Boh, into a mouse and mutates Yubaba's harpy into a tiny bird. As a decoy she turns Yubaba's three tsurube-otoshi into Boh. Zeniba tells Sen that Haku has stolen a magic golden seal from her, and warns Sen that it carries a deadly curse. Haku destroys the shikigami, eliminating Zeniba's manifestation. He falls into the boiler room with Sen, Boh, and the harpy, where Sen feeds him part of the dumpling, causing him to vomit both the seal and a black slug, which Sen crushes with her foot.\nWith Haku unconscious, Sen resolves to return the seal and apologize to Zeniba. Sen confronts No-Face, who is now massive, and feeds him the rest of the dumpling. No-Face follows Sen out of the bathhouse, regurgitating everything and everyone he has eaten. Sen, No-Face, Boh, and the harpy travel by train to meet Zeniba. Yubaba orders that Sen's parents be slaughtered, but Haku reveals that Boh is missing and offers to retrieve him if Yubaba releases Sen and her parents.\nZeniba reveals that Sen's love for Haku broke her curse and that Yubaba used the black slug to take control over Haku. Haku appears at Zeniba's home in his dragon form and flies Sen, Boh, and the harpy to the bathhouse. No-Face decides to remain with Zeniba. In mid-flight, Sen recalls falling years ago into the Kohaku River and being washed safely ashore, correctly guessing Haku's real identity as the spirit of the river and freeing him from Yubaba's spell in the process.\nWhen they arrive at the bathhouse, Yubaba forces Sen to identify her parents from among a group of pigs in order to break their curse. After Sen answers correctly that none of the pigs are her parents, she is free to go. Haku takes her to the now-dry riverbed and vows to meet her again. Chihiro returns through the tunnel with her parents, who do not remember anything after eating at the restaurant stall. Chihiro looks back at the tunnel, unsure if her adventure really happened. When they reach their car, they find it covered in dust and leaves, but drive off toward their new home.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIE][1980s-2000s] Man trying to teach an alien how to be human.\nThis movie was set between the 80s and early 2000s, but i don't remember much, so take everything I say with a pinch of salt. I remember a middle aged looking man, who was alien to human culture as we know it now (could have been an alien or a time traveller). This man somehow gets involved with a normal guy (possible a family man). This guy has to teach the alien how to be normal, and has to hide his true identity from others. \n\nThe setting, from what I remember, was a sunny beachy L.A.-esque setting. The alien guy was also wearing a hawaiian shirt at some point\n\nFilms I've ruled out:\n\nKate and Leopold, What Planet Are You From, Blast from the Past, My Stepmom is an Alien",
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"content": "My Favorite Martian (film).\nNews producer Tim O'Hara (Daniels) is fired for unwittingly \"compromising\" reporter Brace Channing (Hurley), the daughter of his boss, Mr. Channing (Michael Lerner), during a live broadcast of the first Space Shuttle launch from Vandenberg Air Force Base. His assistant, Lizzie (Hannah), tries to comfort him and she apparently has a crush on him. Later that night, while driving, Tim witnesses a small Martian spacecraft crash landing. Realizing his chance to deliver a story that will \"rock the Earth,\" he brings Brace to show her the ship, but by the time he reaches the crash site, the ship has been shrunken to toy size. Nearby, its only occupant (Lloyd) hides in the bushes. Tim takes the now-shrunken spaceship home with him and the Martian follows him to retrieve it. After a confrontation, Tim is knocked out and the Martian disguises himself to look like Tim and ends up kissing Lizzie when she visits.\nWhen Tim confronts the Martian the next morning, he finds out that a small device called an \"electron accelerator,\" which powers the control systems of the ship, is damaged beyond repair and the Martian needs Tim's help to find a replacement. The Martian takes the name \"Uncle Martin\" and explores the city with Tim, unaware that they are being watched by SETI, which discovered DNA left by Martin while hiding out at Tim's. While exploring Tim's neighborhood, Martin tells him about a friend of his named \"Neenert,\" one of his planet's most gifted Martian scientists, who came to Earth in 1964, but never came back. Brace is captured by the SETI gang and is interrogated. Tim secretly tapes Martin and his sentient suit, Zoot (voiced by an uncredited Wayne Knight), with hidden cameras to back up his story and impress the television station staff in hopes of getting his job back, but he eventually decides not to reveal the tapes, as he has become fond of Martin. Meanwhile, Martin and Zoot discover a subsystem of the ship called the Interstellar Safety System, which is prepared to self-destruct.\nBrace discovers the footage of Martin in his Martian form and she steals the tape. Lizzie shows up at Tim's house to discover Brace stealing the tape. Thinking that Tim cheated on her, Lizzie rejects him and storms out, only to be distracted by the now-full-sized spaceship and is pulled into the cockpit by Zoot. Martin and Tim go after the Martian evidence, shrinking the ship (along with Zoot and Lizzie) and racing down to the station, where Tim admits to Martin that he has been videotaping him, but says he likes Martin and apologizes. Accepting Tim's apology, Martin subdues Brace, disguising himself as her so he can take her place on the news, and Martin's alien form is almost exposed during the broadcast, which is carefully watched by Elliott Coleye (Shawn), head of SETI. As footage from another news report is aired, Tim and Martin escape the station, pursued by SETI through the sewers in Tim's car, shrunken using Martin's device. They eventually end up in the hands of Coleye, who takes them back to SETI for investigation. At the lab, Tim tricks one of the scientists into growing Martin's ship to normal size, breaching security, and allowing Lizzie and Zoot to escape. However, the trio's escape is blocked by two security guards, one of whom shoots Zoot. With the help of a \"nerplex,\" a piece of alien gum that can transform anyone into another life form, Lizzie transforms into a hideous monster from \"Veenox 7,\" defeats the guards, then spits out the nerplex and turns back into a human.\nThe three eventually succeed in locating Martin, who has undergone surgery involving the removal of his antennae and putting him in a death-like comatose state. When Martin and Zoot reunite, he comes back to life and wakes up. They then escape SETI headquarters and Tim and Lizzie prepare to bid farewell to Martin, installing a car alternator in place of the ship's damaged electron accelerator. However, they are interrupted by Coleye, who attempts to stop him from escaping, saying that he will stop at nothing to prove the existence of aliens, even if it means killing Martin. A SETI official named Armitan, revealed to be Martin's old friend Neenert (Walston), saves Martin by destroying Coleye's gun and tossing Coleye wildly in the air. After a reunion, Martin and Neenert fly back to Mars on their ship, much to Coleye's dismay. Eventually, Coleye catches hold of the piece of nerplex left by Neenert. Believing that he can still prove his cause, while ignoring warnings from Tim and Lizzie, Coleye chews on it and he is turned into an Martian. Laughing in excitement and delight, Coleye accidentally swallows the gum (which presumably leaves his new form permanent). He ends up caught and tranquilized by his own organization, as Tim and Lizzie escape the scene. In the end, Martin and Zoot decide to return to Earth and stay with Tim and Lizzie, while Neenert flies Martin's spacecraft back to Mars. Tim expresses initial reluctance to Martin's staying at first, but Lizzie convinces Tim to change his mind.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [MOVIE] [1990s?] Rebellious teen son is forced to spend the summer with his father as he's building a house..\nI think he's building a house or renovating it, I can't remember. But yea the son is not happy at all throughout the film and finds out later that his father's dying.",
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"content": "Life as a House.\nGeorge Monroe, an architectural model fabricator, is fired when he refuses to use computer technology. At his boss' refusal to let George keep a few models, he destroys all but one of the models with a spindle from an architectural drawing. As he exits the building with the remaining model, he collapses and is rushed to the hospital, where it is revealed he has advanced stage cancer and any treatment would be futile.\nGeorge decides to demolish the home left to him by his father and replace it with a house in keeping with the neighborhood. He enlists his son, Sam, who is alienated from his stepfather Peter and his mother Robin. Sam must spend the summer with George, who has not revealed his terminal condition, and help him with the house, but Sam makes it a point not to help him. When George refuses to give Sam money unless he works for it, Sam toys with becoming a prostitute, but is nearly caught and flees from his first encounter. This leads him to steal George's Vicodin.\nGeorge slowly reconnects with Sam. Robin decides to assist as well, and she finds herself rediscovering George. Also joining in the construction are Alyssa, Sam's classmate who lives next door with her mother Colleen; local policeman Kurt Walker, George's childhood friend; Sam's young half-brothers Adam and Ryan; various neighbors; and eventually Peter, even after separating from Robin when she tells him that her feelings for George have re-awakened. George tells Robin of his disease, sending her into shock. George tells Sam, who feels betrayed and accuses George of being selfish and takes refuge at Alyssa's house. George collapses and is found by Robin the following morning. Complications arise when neighbor David Dokos tries to halt construction because the building's height exceeds the allowable limit by six inches. His plans to halt the project are stopped by Sam, who recognizes him from his prostitution attempt and blackmails him.\nSam puts Christmas lights all over the unfinished house and shows George the gleaming house from his hospital window. The next morning, Sam returns to finish the house and Robin sits beside George until his death. Robin goes to the house and tells Sam about his father's death. Sam inherits the house he finished building. Sam gives the property to a woman who has been living in a trailer park. As a girl, she was injured in a car crash caused by his grandfather.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" introduced an amber-toned title sequence with additional new terms that is used for nearly all fourth-season episodes.\nThe fourth-season episode \"Letters of Transit,\" which returned to the future dystopian universe, and the subsequent fifth season episodes, feature a cold-toned title sequence with phrases such as \"joy,\" \"private thought,\" \"free will,\" and \"freedom,\" ideas which have been lost in this future.\nThere is one frame in the opening sequence in which the words \"Observers are here\" flash very quickly, and the opening sequence must be paused to see them.",
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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT] [MOVIE] Horror movie help..\nI think its an early 2000s movie. All i remember is the beginning and the ending. At the beginning a group of people are traveling together and at some point they see a pig like creature on the road and kill it. At the very end of the movie everyone from that group is dead except one woman. I think she tries to stop a car on the road because she needs help but they shoot her. At the end is revealed that they see her as the pig like creature from the beginning and not as a human being. Anyone know this movie?",
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"content": "Dead Birds (2004 film).\nWilliam is the leader of a group of Confederate deserters during the American Civil War which includes his younger brother Sam, Clyde, and Joseph. With the help of Todd, an escaped slave, and Annabelle, an army nurse, they stage a robbery at a bank holding a cache of rebel gold.\nNeeding a place to rest for the night, the criminals set up camp in a mansion overlooking an abandoned plantation. En route through the fields, they find a strange scarecrow, which they believe is actually a crucified man, and shoot a strange deformed creature. It soon becomes obvious that the old house is not as empty as they thought. The former owner was a gentleman farmer with a wife and two children. When his wife died, he attempted to bring her back by sacrificing his children, slaves, and any other living creature, hoping that black magic acquired from his slaves' native rites would return her to life. However, this simply allowed evil spirits to take over his victims, and these remain in the house, attacking all who dare enter. When they found out what he had done, the locals crucified the farmer in his fields (he is the scarecrow the group found when they first arrived).\nA storm is coming so Joseph leads the horse into the barn. When he goes to the well to get some water, he gets pulled in by one of the spirits. The others try to find him but fail to do so.\nThe others also experience strange occurrences. While resting in the bedroom, Sam is haunted by the ghost of the farmer, who shows him what happened, while Todd witnesses the ghost of a slave being sacrificed in the basement. Clyde witnesses what appears to be Joseph stumbling about outside and goes to investigate. William and Annabelle, who are guarding the gold, wake up to find it gone and think Clyde took off with it. While William tries to track down Clyde, Sam is possessed by the farmer and shows Annabelle what happened. The ritual turned the farmer's family into demonic creatures similar to the one they killed when they first arrived. Sam dies soon afterwards and Annabelle tries to convince William to leave. Todd also reunites with the pair and is also determined to leave.\nWhen they reach the barn, they find the horses torn to pieces. Todd begins to hear and see things the other two cannot and he tries to leave. William refuses to leave without the gold and is accompanied by Annabelle back into the house to find Sam's body missing. In the field, a possessed Sam attacks Todd, throwing him into the air and he vanishes in mid-air. When William and Annabelle go into the fields as well, they find Clyde, now dead and possessed by one of the spirits, crucified like a scarecrow with his eyes and mouth sewn shut. As they try to flee, William accidentally shoots Annabelle, killing her instantly.\nThe next morning, William finally leaves Annabelle's corpse behind. He is attacked by their dog and tries to run away. When William clears the fields, he is shot by a group of Confederate soldiers. It is then revealed that William has also transformed into a demonic creature and the soldiers mistook him for some deformed animal. Two of the soldiers discover gold coins which William dropped and go to investigate the house. As they walk through the fields, they discover the corpse of another demonic creature dead body, presumably that of Annabelle.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
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"content": "[TOMT][MOVIES][2010s] Film about a girl living in poverty who goes to rescue her little sister from their dad.\nWatched this movie a few times on Netflix but the name escapes me and googling hasn't helped. The premise is a girl (early teens) who lives with her little sister and grandma. She cares for her sister 100%. One day dead-beat dad comes and takes little sister to get child support off of. The girl teams up with a depressed man from a nearby hospital and they travel to a carnival where the dad works to save the sister.\n\nOther bits - the depreased man is rich and his mom sends someone to look for him, the little sister overdoses on grandmas pills but lives, the girls name is the same as a famous actress and the movie title is this name...\n\nHow I can't remember is driving me crazy, and I am going to kick myself when you all tell me the title...",
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"content": "About Scout.\nA rebellious Goth girl embarks on a road trip across Texas with a suicidal young man in an effort to find her little sister.::Anonymous\n\nA quirky, coming-of-age dramedy about Scout, a rebellious, slightly bad-ass fifteen-year-old girl from the wrong side of the tracks who convinces a wealthy suicidal mental patient to go on a road trip with her across West Texas to track down her little sister who's been taken by the father who abandoned them. At its heart this is a story about family and how two unlikely misfits come together to create their own family.",
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"content": "The Adventures of Brisco County, Jr..\nThe Adventures of Brisco County, Jr, is set in a fictional American Old West of 1893.\nRobber barons control the financial and industrial interests of the West from the boardrooms of San Francisco's Westerfield Club.\nThe famousS.\nMarshal Brisco County, Sr.\n(R.\nLee Ermey) has apprehended a gang of outlaws and its leader, the notorious John Bly.\nWhile transporting them to stand trial, County is murdered and the gang escapes.\nMeanwhile, in a nearby mine, a group of shackled Chinese workers unearths \"The Orb\", a large golden globe studded with rods.\nA worker draws one of the rods from out of the Orb, then touches several of his co-workers with it.\nAs each worker is touched with the rod he is imbued with superhuman strength which they use to break the iron chains binding them, thus freeing themselves.\nThe murder of Brisco County, Sr, and the discovery of the Orb set into motion the major plots of the series.\nMembers of the Westerfield Club hire Brisco County, Jr.\n(Bruce Campbell), the son of the slainS.\nMarshal, to track and re-capture Bly (Billy Drago) and his gang.\nThe Westerfield Club's timid lawyer, Socrates Poole (Christian Clemenson) relays instructions and financial support to Brisco.\nAnother bounty hunter, Lord Bowler (Julius Carry), who is known for his expert tracking skills, also hopes to capture Bly.\nBitter over the elder County's fame, Bowler treats Brisco as a rival.\nThe two men often find themselves reluctantly joining forces to achieve a common goal.\nLater in the series, Brisco and Bowler work together as partners and friends.\nIn the pilot episode, Brisco tracks John Bly's second-in-command, Big Smith (MC.\nGainey).\nIn a battle on a train car, Brisco knocks Smith off the train and into a river; he is assumed dead until he reappears later in the series.\nBrisco, Bowler and Socrates hunt the rest of Bly's gang in subsequent episodes.\nAll ten of the gang members are captured or killed, and Brisco's pursuit of Bly, who is seeking the Orb for its supernatural power, frequently puts him into contact with the object.\nEach encounter with the Orb reveals a fantastic effect on people who use it.\nIn the episode \"The Orb Scholar\", Bly shoots Brisco and leaves him to die.\nProfessor Ogden Coles, a scientist who studies the Orb, heals Brisco with the device.\nIn the episode \"Bye Bly\", it is revealed that Bly is a fugitive from the distant future who has traveled to 1893 to steal the Orb.\nBly plans to use the Orb to travel back to his time and rule the world.\nInstead, Brisco uses the Orb to travel through time to save Bowler's life.\nBrisco eventually kills Bly by stabbing him with a rod from the Orb.\nSeries creator and executive producer Carlton Cuse said that the Orb represents faith and that depending on the intentions of those who use it, the object rewards or punishes them accordingly.\nThe pilot episode introduces several characters who make recurring appearances throughout the series.\nBig Smith's moll Dixie Cousins (Kelly Rutherford) is a saloon singer and con artist who has a brief romantic encounter with Brisco.\nIn later episodes, Dixie becomes Brisco's primary love interest.\nIn his first mission, Brisco also meets Professor Albert Wickwire (John Astin), an eccentric scientist who returns to help many times during the series.\nWickwire's ideas and inventions play into Brisco's interest in technology and the future, something Brisco calls \"The Coming Thing\".\nPete Hutter (John Pyper-Ferguson) is a hapless mercenary working for Bly.\nHe has a compulsive attachment to his \"piece\" (pistol), and given any opportunity will pontificate about topics such as art and philosophy.\nPete appears throughout the series as a comic foil to trade barbs with the heroes.\nHe appears to be killed three times during the series, but returns each time with a comic excuse for why he didn't die.\nThe second half of the series includes many episodes with Whip Morgan (Jeff Phillips), a young cardsharp whose attempts to assist Brisco and Bowler often end up causing trouble.\nThe show features classic Western motifs such as train robberies and gunfighter showdowns, in combination with atypical elements.\nMuch of the series is devoted to the science fiction plot surrounding the Orb, and it is this mix of the Western genre with fantasy that has helped Brisco maintain its cult status.\nIn almost every episode, the characters discover or are confronted by fantastic technology.\nIn the pilot episode, Brisco and Professor Wickwire modify a rocket to run on train tracks.\nIn the episode \"Brisco For the Defense\", Brisco uses a slide projector to show a trial jury fingerprint evidence.\nProfessor Wickwire returns many times in the series to assist with technology, including tinkering with motorcycles and rescuing the heroes with a helium-filled zeppelin.\nCampbell told Starlog magazine, \"It's kind of Jules Verne meets The Wild Wild West\".\nThe presence of futuristic technology in a Victorian era Western places the series in the steampunk genre; it is one of the few such shows to have aired on prime-time television.\nAt least one-third of the show's episodes contain steampunk or Weird West elements.\nThough \"technology-out-of-time\" frequently intrudes into the plots of Brisco, the fantastic machines or methods rarely appear again.\nSome of these out-of-time technologies were archaic imaginations of those prevalent in the 20th century, and two film researchers, Cynthia Miller and Bowdoin Van Riper, suggest that followers of the show may be puzzled that such inventions, so useful in their own lives, are not exploited further.\nAccording to Cuse, the show was purposefully set in 1893, exactly 100 years before the series premiered in 1993.\nBrisco is meant to be aware of the imminent changes in society and technology and actively looks for them.\nThe writers of the show, and also the character of Brisco, refer to this concept as \"The Coming Thing\".\nElaborating on this theme, Campbell said, \"Basically this show is about the turn of the century, when the Old West met the Industrial Era.\nCowboys still chew tobacco and ride the range and states are still territories but, over the horizon, is the onset of electricity, the first autos and telephones.\nBrisco is in the middle of a transition from the past to the future\".\nThe collision of cowboy characters with puzzling technology and other anachronisms generates humor throughout the series.\nThe writers made it a point to insert scenes mirroring the pop culture of the 20th century, from the apparent invention of the term \"UFO\" in the pilot episode to the appearance of a sheriff who looks and acts like Elvis Presley.\nSpeaking about the humor of the show, Campbell said, \"I would say 30 percent of each episode is being played for laughs.\nBut it's not a winking at the camera, Airplane-type of humor.\nWe're funny like Indiana Jones is funny; the laughs come primarily from the wide variety of ridiculous, colorful characters that come in and out of this series\".",
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"content": "Kappa Mikey.\nThe series is a parody of Japanese anime, featuring a young American actor named Mikey whose appearance is styled after Western cartoons, and travels to Japan to star in a tokusatsu show called LillyMu, where his anime-styled co-stars represent common anime clichés.\nEach episode follows a specific formula. A typical episode starts with the cast filming a LilyMu segment, but the take is ruined, sometimes revealing the conflict that the characters deal with through the rest of the episode, with a minor subplot running beneath the main plot. After the problem is resolved, the LilyMu segment will be shot again and successfully completed the second time, often rewritten to incorporate whatever lesson was learned during the main story.\nDeep into season 2, Kappa Mikey has stopped showing a LilyMu sequence at the end of an episode whenever it would make the episode too long, when the characters are in their LilyMu uniforms enough as it is, or when they successfully film a sequence without any mistakes before the ending.",
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"content": "Fringe (TV series).\nFringe follows the casework of the Fringe Division, a Joint Federal Task Force supported primarily by the Federal Bureau of Investigation, which includes Agent Olivia Dunham; dr Walter Bishop, the archetypal mad scientist; and Peter Bishop, Walter's estranged son and jack-of-all-trades.\nThey are supported by Phillip Broyles (Lance Reddick), the force's director, and Agent Astrid Farnsworth (Jasika Nicole), who assists Walter in laboratory research.\nThe Fringe Division investigates cases relating to fringe science, ranging from transhumanist experiments gone wrong to the prospect of a destructive technological singularity to a possible collision of two parallel universes.\nThe Fringe Division's work often intersects with advanced biotechnology developed by a company called Massive Dynamic, founded by Walter's former partner, dr William Bell (Leonard Nimoy), and run by their common friend, Nina Sharp (Blair Brown).\nThe team is also watched silently by a group of bald, pale men who are called \"Observers\".\nSeason 1 introduces the Fringe Division as they investigate cases that form \"the Pattern\" geographically centered around Reiden Lake in New York state, many of which are orchestrated by an international network of rogue scientists known as ZFT (Zerstörung durch Fortschritte der Technologie, or in English, Destruction through Advancement of Technology), led by David Robert Jones (Jared Harris), who are preparing for a doomsday event.\nThe ZFT threat appears to end when Peter kills Jones as he attempts travel to a parallel universe.\nOlivia comes to learn she was a child test subject for Walter years ago for a nootropic drug, Cortexiphan, giving her weak psionic abilities.\nWalter also struggles with adjusting to normal life in Peter's care after living seventeen years in a mental institution while hiding the fact that Peter is from the parallel universe, \"his\" Peter having died as a child.\nIn Season 2, the occurrences are found to be in conjunction with activities of a parallel universe, which is plagued by singularities occurring at weakened points of the fabric between worlds; over there, scientists have developed an amber-like substance that isolates these singularities as well as any innocent people caught in the area on its release.\nThe Fringe team deals with more cases that are leading to a \"great storm\" as the parallel universe appears to be at war with the prime one, engineered by human-machine hybrid shapeshifters from the parallel universe.\nWalter is forced to tell Peter that he is from the parallel universe, a replacement for his own Peter, who died from a genetic disease.\nWalter had crossed over on the frozen ice of Reiden Lake in 1985 to administer the cure for the alternate version of Peter, but, after accidentally destroying a dose of the cure upon transport, he instead brought the boy across.\nOn return, they fell through the ice but were saved by the Observer September (Michael Cerveris), who told Walter of the importance of \"the boy\", which Walter took to mean Peter.\nWalter's crossing is what caused the singularities in the parallel universe, with Reiden Lake at their epicenter.\nWalter has been looking for a sign of forgiveness in the form of a white tulip.\nSeason 3 presents episodes that alternate between the two universes.\n\"Walternate\", Walter's doppelgänger in the parallel universe, is theS.\nSecretary of Defense and has set events in motion to assemble the Machine, a doomsday device that reacts only to Peter's biology.\nHe also sent his Olivia, \"Fauxlivia\", to the prime universe, in Olivia's place, to engage the Fringe Division and assemble the prime universe's version of the device, while he studies Olivia's Cortexiphan-induced powers.\nBy happenstance, Fauxlivia becomes pregnant with Peter's child, Henry, before being outed and extracted to the parallel universe.\nWalternate orchestrated acceleration of the pregnancy to gain a sample of the baby's blood, which he uses to activate the machine.\nPeter, with Olivia's help, enters the prime version of the machine, and experiences a vision of the future where the parallel universe has been destroyed and the same fate threatens the prime one, and learns the Machine is really a device created by Walter and his associates from this future, sent back in time purposely to relay this vision of the future to Peter.\nRecovering in the present, Peter alters his plan and uses the Machine to merge the two rooms, creating a bridge where inhabitants of both universes can solve their dilemma, before time is re-written so September (The Observer) doesn't save him and is forgotten by both Walter and Olivia.\nSeason 4 begins in an alternate timeline, one in which September had failed to save the alternate version of Peter in 1985, according to the Observers.\nThis creates a butterfly effect influencing the main characters' pasts but otherwise stabilizing both universes due to the creation of the bridge.\nPeter is pulled into this new timeline due to the actions of the alternate timeline's Fringe team, which includes Lincoln Lee (Seth Gabel).\nPeter initially works to return to his own timeline, fueled by fears that his memories are altering Cortexiphan-dosed Olivia's of this timeline, but after encountering a wounded September, Peter comes to learn that this timeline is truly his home, and both he and Olivia come to accept the change, rekindling their affair.\nSeptember also reveals to Peter that the Observers needed to erase Peter's son, Henry, to assure their future will be created, though noting that Peter's future child with Olivia will be important.\nMeanwhile, in the present, William Bell has instructed David Robert Jones, alive in this timeline, to work with the parallel universe's version of Nina Sharp to synchronize the two universes, aiming to collapse them both and pave the way for a third universe under Bell's control, using Olivia's Cortexiphan powers to enable the collapse.\nThe Fringe division is forced to close the dimensional bridge, but this fails to stop Bell's plan.\nWalter is left with one choice, to shoot and kill Olivia, her death disrupting the process and saving the world.\nOlivia's \"death\" is only temporary, as the Cortexiphan in her body is consumed to repair the bullet wound, leaving her alive and healthy but lacking her psionic abilities.\nAs Olivia and Peter begin their lives together, September appears to Walter and warns that the Observers \"are coming\".\nThe fifth and final season begins in 2036, following from the flash-forward fourth season episode \"Letters of Transit\".\nAs September warned, Observers from the far future, having ruined Earth for themselves, time-traveled to 2015 and instituted \"The Purge\", wiped out much of humanity, subjected the survivors to their control, and began modifying the planet's environment to be more suitable for themselves.\nThe Fringe team was able to seal themselves in amber to avoid capture shortly after the Purge, and are reunited through Henrietta (\"Etta\") (Georgina Haig), Peter and Olivia's now adult daughter who disappeared shortly after the Observer arrival in 2015.\nWalter reveals he and September developed a plan to defeat the Observers, revealed through a series of pre-recorded videotapes ambered in the lab.\nThe tapes lead to several components of a device, including a young Observer child, named Michael (Spencer List in Season 1 and Rowan Longworth in Season 5), but further allude to a man named Donald that had helped Walter prepare the plan.\nEtta is killed during these events, driving Olivia and Peter to complete the plan for her sake.\nThrough Michael, they discover Donald is September, having been stripped of his Observer powers for helping the Fringe team, and that Michael is his genetic son, having been purposely grown as an anomaly in the far future.\nSeptember explains the plan is to send Michael to the year 2167, where human genetic experiments to sacrifice emotion for intelligence would be started and leading to the creation of the Observers; by showing them Michael, who possesses both emotion and intelligence, the experiments would be stopped and the Observers never created.\nSeptember is prepared to take Michael to the future as the plan is set in motion, but he is shot and killed at the last moment; Walter, already made aware that he will have to make a sacrifice, takes Michael through to the future to assure the plan's completion.\nAs predicted, time is reset from the invasion onwards in 2015; the Observers never invade, and Peter, Olivia, and Etta, live their lives peacefully—though Peter receives one final letter from his father: a drawing of a white tulip.\nMuch of the story arc for Fringe involves an alternate universe that mostly mirrors the prime universe, but with numerous historical idiosyncrasies.\nA significant example element used is the effect of the September 11 attacks; though this event also occurred in the alternate universe, the World Trade Center was untouched by the attacks, leaving the buildings as predominant landmarks in the alternate world's skyline of \"Manhatan\".\nThe South Tower was used as the office of William Bell in several episodes.\nThe producers were strongly interested in \"world building,\" and the alternate universe allowed them to create a very similar world with a large amount of detail to fill in the texture of the world.\nAn alternate universe also allowed them to show \"how small choices that you make define you as a person and can change your life in large ways down the line,\" according to co-director Jeff Pinkner.\nHowever, the producers also realized the concept of the alternate universe could be confusing to viewers.\nTo avoid this, elements of the world were introduced in small pieces over the course of the first two seasons before the larger revelation in the second season finale and the third season.\nWyman stated that he would often pass the story ideas for the alternate universe by his father to see if it made sense, and would rework the script if his father found it confusing.\nSuch world building also gave them a risky opportunity to create stories that focused solely on characters from the alternate universe with nearly no ties to the main characters; as stated by Wyman, they would be able to \"make two shows about one show,\" a concept that the network executives embraced.\nPrior to commercial breaks, a brief image of a glyph is shown.\nAbrams revealed in an interview that the glyphs had a hidden meaning.\n\"It's something that we're doing for people who care to figure it out and follow it, but it's not something that a viewer has to consider when they watch the show\".\nAbrams also revealed that the seemingly unrelated frogs which have the Greek letter Phi (Φ) imprinted on their back appeared in promos for the show have significance within the context of the series, saying \"it's part of the code of the show\".\nThe glyph code was cracked by an editor at the technology site Ars Technica, who discovered it to be a simple substitution cipher used to spell out a single thematic word for each episode; for example, the pilot episode's eight glyphs spell out the word \"observer\".\nWhether there is a further second-order code to be solved remains to be seen.\nAdditionally, the glyphs are representative of some of the means by which Walter solves a case (such as the moth/butterfly from \"Johari Window\", the seahorse strain of DNA from \"The Bishop Revival\").\nIn \"Jacksonville\", behind Walter as he speaks to Olivia about her treatment where the nootropic Cortexiphan was first studied as a trial, each of the glyphs is clearly visible on the daycare wall.\nAn episode-by-episode key to the various glyphs was made available on Fringepedia.\nThe show's standard opening sequence interplays images of the glyph symbols alongside words representing fringe science topics, such as \"teleportation\" and \"dark matter\".\nWithin the third season, with episodes that took place primarily in the parallel universe, a new set of titles was used, following a similar format, though tinted red instead of blue and using alternate fringe science concepts like \"hypnosis\" and \"neuroscience\".\nThe difference in color has led some fans to call the prime universe the Blue one in contrast to the parallel Red one.\nIn the third-season episode \"Entrada\", the titles used a mix of both the blue- and red-tinted versions, given that the episode took place equally in each universe.\nIn the two flashback episodes, \"Peter\" and \"Subject 13,\" a variation on the sequence, using retro graphics akin to 1980s technology and phrases like \"personal computing\" and \"genetic engineering,\" was used.\nFor the dystopian future third season episode \"The Day We Died,\" a black-toned theme, with more dire phrases like \"hope\" and \"water,\" was used.\nThe fourth season premiere, \"Neither Here Nor There\" 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"content": "Route 66 (TV series).\nThe adventures of two young drifters across America.::Kenneth Chisholm\n\nOnly fiction series written & shot all over North America. Two young adventurers in a Corvette explore early 60's social problems and changing mores, looking for the right place to settle down while seeking themselves. Debuting 3 years after \"On the Road\" transformed modern literature, while such newly available fast cars dominated the new teenage culture, Tod, an Ivy Leaguer, and Buz, an orphan from Hell's Kitchen, cruise the U.S.A. coping with shifting relationships and lifestyles. The FCC's Newton Minow characterized U.S. TV as a \"vast wasteland,\" in 1961, but \"_Route 66_ (qv)\" found important, compelling stories all over. Sterling Silliphant who won an Oscar for writing \"In the Heat of the Night,\" traveled around the U.S. and Canada scouting locales, while writing ¾ of the very dark, literate show's episodes - a feat only Rod Serling matched with The Twilight Zone. Soon, a crew of 50 arrived at the location. Shows were filmed in 40 States. Tod, from a once-wealthy family, inherited only a Corvette when his father died, so he and Buz (suddenly jobless because he worked for Tod's father's company) strike out across North America, especially along the iconic _Route 66_ (qv) from Chicago to L.A. which the Okies traveled. Tod and Buz take local jobs (such as shrimping, shipbuilding, oil rigging) to support their wanderings. The 2 socially conscious knights of the road, encourage, champion, and learn from oppressed and troubled people they encounter. 1962 guest star Ethel Waters was the first African-American woman nominated for an Emmy Award. The CBS show doubled Corvette sales its first season. Tod and Buz's beige Corvette's 2 seats meant \"sans souci\" and constant movement, so shows were shot in 6 days, in a new city almost every week. The two drifters reject the post-war American Dream of the suburbs, while exploring a disappearing North America with very diverse local culture, not yet dominated by international franchises and cookie-cutter suburbs. The shows' vibrate with the new dreams for a Great Society and the fears of the Cold War. The volatile Buz Murdock was cast quickly, while Martin Milner beat out Robert Redford for the Tod Stiles role. Due to hepatitis, Maharis did not appear in the series' last 1 ½ seasons. The show grew from a pilot on creator Silliphant and _Route 66_ (qv) producer Herbert B. Leonard's \"Naked City,\" also shot on location. Naked City and _Route 66_ (qv) bridged the widely varied anthologies and live plays of the 1950's Golden Age of Television, to the much cheaper, 1 hour dramatic, set-character based series, which continue to rule prime-time. Nelson Riddle's atmospheric Theme from _Route 66_ (qv), and his episode scores factored heavily in the show's allure. The breezy song _Route 66_ (qv), written by Bobby Troup (of the 1970's TV series \"Emergency !\"), a 1946 Nat King Cole hit, wasn't used for the series. A sequel to _Route 66_ (qv) appeared in 1993, but lasted only 4 episodes.::David Stevens\n\nTod Stiles is the blonde, preppie son of a wealthy New York businessman, Tod who attended Yale for a few years and who grew up in privilege. Dark in complexion and temperament, Buz Murdock grew up an orphan, his education largely from the streets of Hells Kitchen and the many fights he got into in its back alleys. They become friends working for Tod's father on the barges in the East River during the summer. After Tod's father passes away, Tod learns that after paying off his father's debts, he is penniless except for a Corvette that his father left to him. Both restless and unsure of their place in the world, Tod and Buz decide to travel throughout the United States together in Tod's Corvette to find a place and vocation to set their roots also together, working odd jobs along the way to find that vocation and meeting a wide array of people who influence their lives and visa versa. After Buz contracts echo-virus and convalesces in a Cleveland hospital, Tod finds a new travel companion in Linc Case, a US Army veteran, who too is looking for his place in the world following his military stint.::Huggo",
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{
"content": "Twice in a Lifetime (TV series).\nThe series follows an aspiring angel who for some reason, will not enter heaven, but is assigned to guide someone who has died prematurely. The prematurely deceased, played by the episode guest stars, may choose from the afterlife to correct something that went wrong earlier in their life. The key concept to the series was that each episode featured a different guest star in the leading role, while the series regulars played a supporting role.\nEpisodes are centered on an individual who had reached the end of their life in one timeline, and due to circumstances seen by their advocate and judge, is then given 3 days to travel into their past, and without revealing their true identity, convince their younger self to make a different choice at a pivotal point to effect a different outcome for example, by quitting smoking, or choosing a different job and in changing this learn a key lesson to make them become a better person. This way, the series was an anthology of many different arenas and characters.\nSeason One featured Gordie Brown as advocate Mr. Jones, and Paul Popowich played the role of advocate Mr. Smith in Season Two. Al Waxman played Judge Othniel in 42 of the 44 episodes, replaced for two episodes of Season One by Polly Bergen as Judge Deborah. Waxman died in heart surgery on January 18, 2001, while the second season was airing.",
"label": 0,
"id": "tt0207933",
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