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734
|
this is n't even madonna 's swept away .
| 0
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126
|
confirms the nagging suspicion that ethan hawke would be even worse behind the camera than he is in front of it .
| 0
|
27
|
it 's an offbeat treat that pokes fun at the democratic exercise while also examining its significance for those who take part .
| 1
|
858
|
the film 's welcome breeziness and some unbelievably hilarious moments -- most portraying the idiocy of the film industry -- make it mostly worth the trip .
| 1
|
316
|
awesome creatures , breathtaking scenery , and epic battle scenes add up to another ` spectacular spectacle . '
| 1
|
283
|
a rewarding work of art for only the most patient and challenge-hungry moviegoers .
| 1
|
255
|
no one but a convict guilty of some truly heinous crime should have to sit through the master of disguise .
| 0
|
158
|
by getting myself wrapped up in the visuals and eccentricities of many of the characters , i found myself confused when it came time to get to the heart of the movie .
| 0
|
853
|
( serry ) wants to blend politics and drama , an admirable ambition .
| 1
|
115
|
sam mendes has become valedictorian at the school for soft landings and easy ways out .
| 0
|
782
|
the structure the film takes may find matt damon and ben affleck once again looking for residuals as this officially completes a good will hunting trilogy that was never planned .
| 1
|
857
|
visually imaginative , thematically instructive and thoroughly delightful , it takes us on a roller-coaster ride from innocence to experience without even a hint of that typical kiddie-flick sentimentality .
| 1
|
627
|
nervous breakdowns are not entertaining .
| 0
|
97
|
no sophomore slump for director sam mendes , who segues from oscar winner to oscar-winning potential with a smooth sleight of hand .
| 1
|
680
|
the vitality of the actors keeps the intensity of the film high , even as the strafings blend together .
| 1
|
485
|
a literate presentation that wonderfully weaves a murderous event in 1873 with murderous rage in 2002 .
| 1
|
35
|
a sequence of ridiculous shoot - 'em - up scenes .
| 0
|
33
|
if the movie succeeds in instilling a wary sense of ` there but for the grace of god , ' it is far too self-conscious to draw you deeply into its world .
| 0
|
103
|
a gripping movie , played with performances that are all understated and touching .
| 1
|
248
|
a full world has been presented onscreen , not some series of carefully structured plot points building to a pat resolution .
| 1
|
266
|
a coda in every sense , the pinochet case splits time between a minute-by-minute account of the british court 's extradition chess game and the regime 's talking-head survivors .
| 1
|
583
|
it 's just filler .
| 0
|
692
|
sustains its dreamlike glide through a succession of cheesy coincidences and voluptuous cheap effects , not the least of which is rebecca romijn-stamos .
| 0
|
29
|
i had to look away - this was god awful .
| 0
|
645
|
the words , ` frankly , my dear , i do n't give a damn , ' have never been more appropriate .
| 0
|
227
|
as the two leads , lathan and diggs are charming and have chemistry both as friends and lovers .
| 1
|
831
|
it 's made with deftly unsettling genre flair .
| 1
|
750
|
nelson 's brutally unsentimental approach ... sucks the humanity from the film , leaving behind an horrific but weirdly unemotional spectacle .
| 0
|
814
|
this piece of channel 5 grade trash is , quite frankly , an insult to the intelligence of the true genre enthusiast .
| 0
|
868
|
a movie with a real anarchic flair .
| 1
|
482
|
cq 's reflection of artists and the love of cinema-and-self suggests nothing less than a new voice that deserves to be considered as a possible successor to the best european directors .
| 1
|
251
|
the film tries too hard to be funny and tries too hard to be hip .
| 0
|
515
|
if looking for a thrilling sci-fi cinematic ride , do n't settle for this imposter .
| 0
|
679
|
filmmakers who can deftly change moods are treasures and even marvels .
| 1
|
319
|
too much of it feels unfocused and underdeveloped .
| 0
|
7
|
or doing last year 's taxes with your ex-wife .
| 0
|
184
|
though perry and hurley make inspiring efforts to breathe life into the disjointed , haphazard script by jay scherick and david ronn , neither the actors nor director reginald hudlin can make it more than fitfully entertaining .
| 0
|
807
|
just as moving , uplifting and funny as ever .
| 1
|
855
|
it 's fascinating to see how bettany and mcdowell play off each other .
| 1
|
389
|
thekids will probably stay amused at the kaleidoscope of big , colorful characters .
| 1
|
835
|
a giggle-inducing comedy with snappy dialogue and winning performances by an unlikely team of oscar-winners : susan sarandon and goldie hawn .
| 1
|
179
|
the film 's performances are thrilling .
| 1
|
245
|
it 's a work by an artist so in control of both his medium and his message that he can improvise like a jazzman .
| 1
|
384
|
at times , the suspense is palpable , but by the end there 's a sense that the crux of the mystery hinges on a technicality that strains credulity and leaves the viewer haunted by the waste of potential .
| 0
|
862
|
it 's inoffensive , cheerful , built to inspire the young people , set to an unending soundtrack of beach party pop numbers and aside from its remarkable camerawork and awesome scenery , it 's about as exciting as a sunburn .
| 0
|
102
|
does paint some memorable images ... , but makhmalbaf keeps her distance from the characters
| 1
|
436
|
trite , banal , cliched , mostly inoffensive .
| 0
|
107
|
what the director ca n't do is make either of val kilmer 's two personas interesting or worth caring about .
| 0
|
413
|
at least one scene is so disgusting that viewers may be hard pressed to retain their lunch .
| 0
|
395
|
another in-your-face wallow in the lower depths made by people who have never sung those blues .
| 0
|
694
|
no aspirations to social import inform the movie version .
| 0
|
304
|
a densely constructed , highly referential film , and an audacious return to form that can comfortably sit among jean-luc godard 's finest work .
| 1
|
47
|
a subtle and well-crafted ( for the most part ) chiller .
| 1
|
528
|
it haunts , horrifies , startles and fascinates ; it is impossible to look away .
| 1
|
618
|
without non-stop techno or the existential overtones of a kieslowski morality tale , maelström is just another winter sleepers .
| 0
|
139
|
it 's not the ultimate depression-era gangster movie .
| 0
|
434
|
almost gags on its own gore .
| 0
|
87
|
jaglom ... put ( s ) the audience in the privileged position of eavesdropping on his characters
| 1
|
634
|
harris commands the screen , using his frailty to suggest the ravages of a life of corruption and ruthlessness .
| 1
|
338
|
it 's of the quality of a lesser harrison ford movie - six days , seven nights , maybe , or that dreadful sabrina remake .
| 0
|
723
|
vera 's three actors -- mollà , gil and bardem -- excel in insightful , empathetic performances .
| 1
|
713
|
corpus collosum -- while undeniably interesting -- wore out its welcome well before the end credits rolled about 45 minutes in .
| 0
|
416
|
a giggle a minute .
| 1
|
666
|
richard gere and diane lane put in fine performances as does french actor oliver martinez .
| 1
|
219
|
what the film lacks in general focus it makes up for in compassion , as corcuera manages to find the seeds of hope in the form of collective action .
| 1
|
78
|
there is nothing outstanding about this film , but it is good enough and will likely be appreciated most by sailors and folks who know their way around a submarine .
| 1
|
50
|
it feels like an after-school special gussied up with some fancy special effects , and watching its rote plot points connect is about as exciting as gazing at an egg timer for 93 minutes .
| 0
|
763
|
there 's something auspicious , and daring , too , about the artistic instinct that pushes a majority-oriented director like steven spielberg to follow a.i. with this challenging report so liable to unnerve the majority .
| 1
|
261
|
the very definition of the ` small ' movie , but it is a good stepping stone for director sprecher .
| 1
|
334
|
what really makes it special is that it pulls us into its world , gives us a hero whose suffering and triumphs we can share , surrounds him with interesting characters and sends us out of the theater feeling we 've shared a great adventure .
| 1
|
88
|
fresnadillo 's dark and jolting images have a way of plying into your subconscious like the nightmare you had a week ago that wo n't go away .
| 1
|
850
|
miller is playing so free with emotions , and the fact that children are hostages to fortune , that he makes the audience hostage to his swaggering affectation of seriousness .
| 1
|
113
|
this movie is maddening .
| 0
|
821
|
exciting and direct , with ghost imagery that shows just enough to keep us on our toes .
| 1
|
828
|
this is the sort of burly action flick where one coincidence pummels another , narrative necessity is a drunken roundhouse , and whatever passes for logic is a factor of the last plot device left standing .
| 0
|
522
|
it has its moments of swaggering camaraderie , but more often just feels generic , derivative and done to death .
| 0
|
730
|
suffocated by its fussy script and uptight characters , this musty adaptation is all the more annoying since it 's been packaged and sold back to us by hollywood .
| 0
|
419
|
i 'm just too bored to care .
| 0
|
187
|
` de niro ... is a veritable source of sincere passion that this hollywood contrivance orbits around . '
| 1
|
425
|
while the ideas about techno-saturation are far from novel , they 're presented with a wry dark humor .
| 1
|
407
|
more whiny downer than corruscating commentary .
| 0
|
239
|
brilliantly explores the conflict between following one 's heart and following the demands of tradition .
| 1
|
775
|
not really bad so much as distasteful : we need kidnapping suspense dramas right now like we need doomsday thrillers .
| 0
|
308
|
an intriguing cinematic omnibus and round-robin that occasionally is more interesting in concept than in execution .
| 1
|
748
|
and when you 're talking about a slapstick comedy , that 's a pretty big problem .
| 0
|
80
|
the draw ( for `` big bad love '' ) is a solid performance by arliss howard .
| 1
|
702
|
the reality of the new live-action pinocchio he directed , cowrote and starred in borders on the grotesque .
| 0
|
785
|
aside from minor tinkering , this is the same movie you probably loved in 1994 , except that it looks even better .
| 1
|
196
|
so , too , is this comedy about mild culture clashing in today 's new delhi .
| 1
|
615
|
as the latest bid in the tv-to-movie franchise game , i spy makes its big-screen entry with little of the nervy originality of its groundbreaking small-screen progenitor .
| 0
|
866
|
the far future may be awesome to consider , but from period detail to matters of the heart , this film is most transporting when it stays put in the past .
| 1
|
188
|
a misogynistic piece of filth that attempts to pass itself off as hip , young adult entertainment .
| 0
|
531
|
( t ) here 's only so much anyone can do with a florid , overplotted , anne rice rock 'n' roll vampire novel before the built-in silliness of the whole affair defeats them .
| 0
|
435
|
a marvel like none you 've seen .
| 1
|
311
|
a warm , funny , engaging film .
| 1
|
737
|
my big fat greek wedding uses stereotypes in a delightful blend of sweet romance and lovingly dished out humor .
| 1
|
639
|
indifferently implausible popcorn programmer of a movie .
| 0
|
249
|
huston nails both the glad-handing and the choking sense of hollow despair .
| 1
|
372
|
the special effects and many scenes of weightlessness look as good or better than in the original , while the oscar-winning sound and james horner 's rousing score make good use of the hefty audio system .
| 1
|
62
|
the primitive force of this film seems to bubble up from the vast collective memory of the combatants .
| 1
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