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going to work a more practical solution which addresses the quality and universal access |
requirements would be to transmit khz stereo and khz mono audio streams in one big |
which only consumes around of the total airtime transmitting both a stereo khz pair |
and a khz pair of audio streams in the same big takes the same airtime as a single khz |
stereo st ream |
in the examples above i have chosen the low latency qos settings despite that fact that |
they include fewer retransmissions for the khz and khz sampling rates in this particular |
application latency isnt that important as there are usually n o visual cues or simultaneous |
ambient sound although there could be however in this application the broadcast |
transmitter is likely to be placed high on a wall or attached to the ceiling to get the best |
coverage so theres not much in the way to ab sorb the transmissions that should mean that |
the low latency settings are adequate if the café owner located the broadcast transmitter in |
a cupboard or under the serving counter that would be different this is something that |
equipment designers need to think about in their physical design and installation instructions |
ensuring that broadcast transmitters for this application can easily be wall mounted and that |
any leads attached to a unit are long enough to do that |
equipment manufacturers need to understand these constraints and design products with the |
flexibility to support multiple bigs and allow the installer and venue owner to position and |
configure them appropriately we should not expect café owners to understand airti me or |
qos parameters manufacturers should provide them with solutions which are easy to install |
and use that includes the ability to customise all of the ad type names and ltv strings |
with values which are appropriate for each installation |
chapter bluetooth le audio applications |
a basic bro adcast transmitter which just accepts an audio input either from a mm jack |
rca plug or a usb input is about as simple as you can get but will be adequate for very many |
premises and applications equipment vendors will almost certainly provide more c omplex |
broadcast units for larger establishments as well as managed services to configure them |
supply the audio stream and integrate them into other audio services even with basic |
bluetooth le audio broadcast there are plenty of opportunities for diff erentiation |
tvs and broadcast |
from an early point i n the bluetooth le audio development the tv industry became very |
excited about the possibility of connecting tvs to earbuds headphones and hearing aids |
although tvs can use unicast there is an obviou s limitation to its scalability as it requires |
separate cises for every listener hence the consensus is that most tv usage will use |
broadcast adding encryption to ensure that only authorised users can decode the audio |
content in this section well look at the requirements for the three most common application |
areas |
public tv |
today a large number of publicly installed tvs are silent its n ot because they have no audio |
output but because they are installed in areas where ambient audio would be an noying or |
conflict with other audio common examples are airports where operators dont want users |
to be distracted from being able to hear flight and security announcements gyms where |
multiple tvs display different channels but are silent as multipl e conflicting audio from them |
would be cacophonous pubs and bars where the sound from even one tv and there are |
often multiple tvs with different channels would disrupt normal conversation and outdoor |
installations where the sound would not be heard or be intrusive |
these installations are all akin to the simple broadcaster that we looked at above they dont |
need encryption they just need a broadcast transmitter that could be a similar plug in device |
attached to their tvs audio outputs or a bui ltin bluetooth le audio broadcast transmitter |
it needs to allow a device location to be entered so that a user can match an audio broadcast |
with the tv or it can take the wi fi route of sticking its access information on a notice on |
the wall |
as wev e seen above many of these devices including those integrated into tvs will probably |
be managed not least to allow specific messages to be mixed into the audio stream for |
example in an airport flight announcements would probably be mixed into an au dio stream |
so that someone listening to a tv would never miss them this is where we will probably see |
the start of multiple language streams if multiple language soundtracks are available for a tv |
broadcast they can be sent in separate bises on one b ig using a khz mono coding it |
should be possible to provide six different language streams from one broadcast transmitter |
each input stream would mix the flight announcements in real time with the audio input for |
that program with any unannounced l anguages being mixed at a subsequent point where they |
section tvs and broadcast |
dont conflict with any ambient announcements if a transmitter needed to support more |
channels it could add a second bluetooth transmitter each language is identified by a |
language ltv value in the base indicating the language of each bis a user can set their |
scanning application to select specific languages so that these are presented preferentially |
alternatively it can show all of the language variants which are available and let the user |
choose the one they want to hear this requires the phone s apis to expose this information |
and application developers to understand how to use it |
personal at home |
personal tv has different priorities many tvs already support bluetooth classic audio |
profiles but that is generally limited to connecting to a soundbar a single set of earbuds or a |
headphone the reality is that in most homes multiple members of the family or friends will |
be listening although tv manufacturers could do a like forlike transition by moving the |
bluetooth le audio unicast that will quickly hit an airtime limit of a few users it makes far |
more sense to move to broadcast |
unlike the public tv cases described above most users would not want their neighbours to |
hear what they are listening to so for personal tvs and other audio sources in the home the |
expectation is that broadcast audio streams would always be encrypted that means that |
there needs to be a simple mechanism for the user to obtain the broadcastc ode to dec rypt |
the audio streams |
this is where the broadcast assistant comes in personal audio sources which expect to be |
heard regularly by multiple users would expect each user to pair and bond with them that |
provides a long term trusted connectio n when a user comes within range of the tv they |
would ask their earbuds to connect and the broadcast assistant in the tv would inform them |
of the broadcast stream location using past followed by the current broadcastcode this |
is an important point once a user has paired they no longer need to use their phone to |
connect to a broadcast when the user comes within range of the tv the basic le connection |
can be automatic a pair of earbuds can be informed of that connection with an internally |
gener ated audio message alerting the user to the presence of audio source if they want to |
connect they press a button or perform whatever gesture the earbuds require allowing them |
to receive the information they need from the tv to start audio streaming w ith no further |
action from the user for users walking between rooms with different audio sources its an |
elegant way for them to connect to the nearest source notifications are provided to all |
broadcast assistant s informing them that the earbuds are d ropping synchronisation or |
synchronising to a new source it means that every connected device which is involved keeps |
track of the current status making it possible to engineer a very elegant solution |
chapter bluetooth le audio applications |
if friends come around and want to connect with t heir earbuds or hearing aids the tv owner |
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