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Candy Rappers
If rappers were candies, what would they be?
Candy Rappers logo.jpg
<think>Candy Rappers logo.jpg
Description of rappers as candies is hypothetical and based on their personas, styles, or past experiences.
Consideration of Lil' Kim led to Licki Minaj. Lil' Kim is known for her provocative lyrics and seductive performances, suggesting a connection to lollipops or hard candies associated with a tongue or kiss.
People typically think of a kiss or licking as lighthearted and soothing, which explains why the phrases 'Licki Minaj' and 'Don't want none unless you got tongue, hun' are linked.
Understanding "Don't want none unless you got tongue, hun" requires considering personal space and boundaries. 'Got tongue' is usually a playful insult or expression of rejection. Hence the condition of having a tongue reflects both flirtation and self-respect.
Consideration of Justin Bieber led to Take Care Bears. Justin Bieber has been in the public eye since he was a teenager and has cultivated a sensitive image with his music. Fruity bears are often associated with childhood and playfulness.
Champagne Papi refers to Drake's nickname. As a mentor and father figure to his protégés, conversations about relationships or heartbreak are presumably a theme he spends time discussing with them.
Here, the context is Allie X. As a Canadian and child prodigy music artist from the U.S, likely located in Toronto and said publicly about not correlating well to various peers has been observing childhood In a interview.
Consideration of Snoop Dogg led to Damn Truffles. Gold-themed items often symbolize richness and exoticism. Snoop Dogg, his image being one of wealth, luxury, and outlandishness, seemingly adopts this symbolism here through a reference to 'get it,' to appeal to ambitions.</think> Licki Minaj; Don’t want none unless you got tongue, hun.
Take Care Bears; <think>The text involves a thought experiment of comparing rappers to candies. This idea is derived from an analogy between characteristics of rappers and candies.
The author uses figurative language to describe each rapper as a unique type of candy. This is based on associations between personal traits, imagery, and lyrical themes in the rappers' music.
Licki Minaj would represent a candy that requires direct and intimate contact, such as a tongue-based candy like popsicles or suckers, implying her confident stage presence and cheeky attitude.
The mention of "tongue" and "hun" in the context of Licki Minaj might evoke a connection with intimacy and independence, which are associated with her music and public image.
The allusion to "Take Care Bears" suggests a softer and more emotional side of Hip-Hop, drawing comparisons between past hurt by vulnerable candies.
This description is based on a linkage between emotional vulnerability and the fragile nature of soft and edible candies.
"Damn Truffles" as a metaphor for appealing and alluring content, based on the sensual idea that truffles are both elegant and currently cheaper "blish" could suggest "bush life" it appears Bush honey focused with inter woods; they're sleek, discrete, and physically dominating, using truffles as an analogy to describe confidence.
Allie Carr is described as a missing treat, possibly implying regret or absence for shared experiences.</think> We know you’ve been hurt. Chew over past relationships with fruity bears that <think>It is a hypothetical comparison where rappers are likened to candies for entertainment purposes.
Rappers are characterized by their personalities, skills, and behavior.
There are individuals or pair of individuals mentioned in the sequence, namely Licki Minaj, Take Care Bears, Damn Truffles, and Allie Carr.
The characteristics of the rappers are as follows:
- Their yummy counterparts will be sweet and attractive.
- Various relationships or emotional experiences are implied, tragic or hurtful in nature.
- The pairing of rappers Allie and Truffles seems to be conceived together, but very little information is provided about them.
- Truffles and Minaj are likely to be paired due to their taste and representation through Southern and French culinary backgrounds, respectively.
- They might be hired by their customers, who want them consumed on a date, as seen in 'Licki Minaj' involving licking.
- 'Come and get it ya bish' indicates strong attraction and ease in consumable formats, suggesting fast food.
- Since champagne 'Papi' has connotations of expensive alcohol, someone like a Papi must have considerable wealth.
- As 'Take Care Bears' chew over past tragic relationships with fruity bears, Papi must be experienced, gentle, and concerned towards his lovers but may still have a dark side.
- Papi refers to lively feelings obtained from smelling the yummy sweets Truffles are made of.
- 'Damn Truffles' might be loud profanity to attract customers that they are high-quality unlike candies in common layer styles.
- As seen in Candy Rappers, the rappers secure symbolic sponsors to echo popularity of favorite choreographed dance as recipe that excites without disappointment.</think> are as soft and sensitive as their champagne Papi.
Damn Truffles; Come and <think>to make it ya bish. The creator of the Candy Rappers likely included a tongue-in-cheek reference to variations of popular culture icons.
Given the association of popular rappers with nicknames or monikers, the analogy to candies implies each rapper is characterized by their unique attribute, just like various candies are distinct.
When relating Nicki Minaj to candies, the creator likely referenced her provocative stage persona. Therefore, a sensual and playful candy name like "Licki" Minaj would convey her provocative nature. Furthermore, the phrase "unless you got tongue" likely alludes to the sensual experience of licking sweet treats, reinforcing Nicki Minaj's association with provocative acts.
The Candy Rappers likely targeted the complicated emotional state of Take Care Bears to recognize the painful experience of hurt. Thus, they associated this emotional state with a comforting and soothing candy, like a "soft and sensitive" bear, representing Charlie Bears with the addition of "champagne Papi." This represents the dadification of allie and possibly represents the winner in a game, sport, etc named after allie by farolasz.
Reasoning this out, the rappers represent social views which a checkent guy would tell a girl etc., and would apply a tongue-hold affirmative response in saying, pull, yadda to mask ripped lyrics. The term "Truffles," typically rich with chocolate, would fit a character known for their richness in their visuals and the push to talk huge with horrible yapper gr Chiko.
Truffles reach meaning is rather named Miss Cara -for fil redund palmiche making same groupcut extents/kernell f l sales buffs tripsmanstop bềnkicka.)</think> get it ya bish.
Didn't eat nearly enough candy with Allie Carr.
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Candy Rappers
If rappers were candies, what would they be?
Candy Rappers logo.jpg
<think>Candy Rappers logo.jpg
1. Rappers can be likened to candies based on their energetic stage presence and crowd appeal, much like how candies are enticing and attractively presented.
2. Subjecting rappers to candy descriptions allows for humorous creative interpretations of their styles and personalities.
3. List the rappers similar to candies by analyzing their lyrics, performances, and public personas.
Licki Minaj; Don’t want none unless you got tongue, hun.
1. Kid Ink and Sir Mix-a-lot's 'Baby Got Back' is an influential reference for Minaj's lyrics about wanting attention and tongue-pleasing.
2. Licki Minaj refers to her desire for tongue-wrestling purposes, highlighting playfulness and the willingness to stretch creativity in a lighthearted manner.
3. This assumption is based on understanding Minaj's cheeky lyrics often imploring and suggestive of sensual engagement.
Take Care Bears; We know you’ve been hurt. Chew over past relationships with fruity bears that are as soft and sensitive as their champagne Papi.
1. Drake's expression of vulnerability through 'Can't Feel My Face' releases emotional manipulation about losing people and love, shaping a story his public shares familiarity with.
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Take Care Bears; <think>Analyzing Licki Minaj's statement 'Don’t want none unless you got tongue, hun':
She's implying that she prefers those with impressive communication skills.
Humans often develop diverse communication styles based on their past experiences.
Empathy is crucial in effectively communicating one's feelings and needs.
Empathetic communication is a core skill acquired through interacting with others, particularly in emotional situations.
Thus, the idea of fruity bears that are soft and sensitive may relate to Emotionally Intelligent beings.
The mention of Champagne Papi could allude to financial stability and luxury, suggesting a wish for a partner with material security.
Understanding Damn Truffles' phrase 'Come and get it ya bish':
They may be confident in their ability to attract partners.
Their desired partner must be interested in them.
Self-confidence can stem from one's past relationships and experiences.
Damn Truffles might have built self-esteem by having successful relationships in the past.
Examining the mention of 'Allie Carr' without clear context:
Referring to someone or something they didn't consume enough candy with could be a loss or a missed opportunity.
It might hint at unfinished or unresolved business with 'Allie Carr'.
Candy, in this context, represents something enjoyable and sought after, rather than an actual food item.</think> We know you’ve been hurt. Chew over past relationships with fruity bears that <think>Start with a real-life analogy between rappers and candies
because candy comparison analysis is subjective and based on individual preferences.
Rappers would be represented by edibles with strong flavors like the candies.
Assign a specific type of candy to each rapper based on their characteristics.
To understand the Candy Rappers logo.jpg, given information like
colourful image implies playful rapper personality
consisting of pastel colours in which each colour has the meanings:
Pastel purple - rich sauce starting capabilities
Pastel pink - divinely elegant features
describes image
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Damn Truffles; Come and <think>Allie Carr is referred to as the person whose candy consumption was not sufficient.
Implicit reasoning shows Allie Carr went to a location where people consumed candy.
A logical conclusion based on this information is Allie Carr was supposed to consume candy at that location.
Specifically, Allie Carr attended a candy-themed party or gathering as hinted by the Licki Minaj statement that encourages attendees to share their past relationships through 'fruity bears.'
Result of not consuming sufficient candy by Allie Carr implies Allie Carr's current state likely involves some degree of hunger or dissatisfaction.
Similarly, other people in the gathering might not meet their desired level of sugar consumption.
Adaptation of informal phrases to situations often leads to colloquialisms or idioms based on events and past experiences.
Assuming common human behavior and linguistic usage, it is reasonable to say such colloquial expressions arise to assist people in rapidly communicating bucketed knowledge without revealing all relevant historical information, and expressions of sugar cravings or dissatisfactions usually result in an elevation or variation of specific key words related to dissatisfaction like 'missed out' instead of talking a range of experiences experienced during candy consumption.
Manifestation of colloquial expressions would logically lead the rhyming of words 'candy' or partially related terms 'Allie' and like terms in order to connect colloquial expressions of sugar dissatisfaction into rhyming themes.
The use of such correction implies long learning periods through collective absorption of correct variations on ‘get it ya bish' and acquiring further methodical accuracies regarding brief expression concepts revolve around colloquial expressions suggesting completion of supplementary individual knowledge regarding colloquial saying specifics prior to attaining in-production word accent displays able enable thematic recall.</think> get it ya bish.
Didn't eat nearly enough candy with Allie Carr.
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Candy Rappers
If rappers were candies, what would they be?
Candy Rappers logo.jpg
Licki Minaj; Don’t want none unless you got tongue, hun.
Take Care Bears; We know you’ve been hurt. Chew over past relationships with fruity bears that are as soft and sensitive as their champagne Papi.
Damn Truffles; Come and get it ya bish.
Didn't eat nearly enough candy with Allie Carr.
|
YOUNIQUE’S multi-level marketing SCAM Exposed!
is a new innovative cosmetic company that is growing and expanding in popularity. One product that they <think>Younique is a cosmetic company with a growing popularity.
Growing popularity is often associated with innovative products and effective marketing strategies.
To gain significant popularity online, companies often utilize multi-level marketing (MLM) schemes where affiliates earn commissions by promoting the company's products to others.
Younique claims to guarantee significant length, volume, and extremely long lashes with their “3D fiber lash mascara”.
Significant claims like this indicate that the product is likely highly effective and groundbreaking.
Before-and-after photos are used as evidence of the product's success.
These photos have a strong emotional appeal and are often used in advertisements.
To create thousands of before-and-after photos, a large number of affiliates and potential customers are involved.
The large number of photos implies a high level of engagement and interest from the target audience.
Women from all over are signing up to be affiliates, which means Younique's MLM scheme is effective in attracting new members.
To be extremely recognizable and marketable, the product needs to stand out from other similar products on the market.
One way to do this is by including innovative features that other products lack.
In this case, Younique's “3D fiber lash mascara” has features that seem unmatched by other similar products.
Younique uses the phrase "walk the talk" to imply that they are committed to delivering the promised results.
However, there is a nuance in giving promises or guarantees in marketing strategies.
To "talk the talk," companies often make bold and exaggerated claims.
But to "walk the walk," they need to deliver on these promises, which is where skepticism arises.
Overall, Younique's MLM scheme and marketing strategy seem to be working.
However, given the potential for exaggerated claims and ineffective marketing strategies, it is essential to verify the results before investing in such a product.</think> are notoriously recognized for is their new “3D fiber lash mascara” guaranteed to give you significant length, volume and extremely long lashes. <think>YOUNIQUE’S multi-level marketing SCAM Exposed!
New company is a cosmetics business. Definition of a cosmetic company: business producing and selling cosmetic products, such as skincare or makeup. Growing and expanding business means customer base is increasing and more people are aware of the company. Expansion in popularity implies that the company has positive reviews and customer feedback. Description of a new product: "3D fiber lash mascara" which is a type of cosmetic product mainly designed to modify the appearance of a user's eyelashes. Product is supposed to give significant length, volume and extremely long lashes. Slogans and labels are dishonest or exaggerated, as they often universally claim high quality products.
Cosmetic products made by companies in the multi-level marketing business, often allow to earn commissions on sales. Behavior of companies from this business model means they pay commissions on total sales volume produced by a referral network. Affiliates in these businesses help to earn commissions by selling products and selling these affiliates. Thousands of before and after photos on the internet, with an image of the mascara in each, have gone viral and filled newsfeeds. This activity is an attempt to look appealing and spread awareness about YOUNIQUE'S product which influences people into being interested. After exposed issue the affordable business мер customer's desire for other information and ponder who their true belief was in these sensational situations.
Business’ repetition for "the talk" testify usage of use marketing language especially sales talk or salesman notes and phrases. Sales talk for marketers includes claimed beliefs held by the customer periodically moving ward you the products. An outcome of walk in the talk; here is demonstrated if you reside a statement then give some under promised points interpreted cross harms resulting extremely described gaps. The promised before walk stands clear with some concealment of worrying act with concern slightly causing wifi excessive rather these personalize gastric burnng but foresee refinement raprewalland now political spiritual.</think> Women from all over, are signing up to be an affiliate for the company, earning commissions on sales they make. The product <think>YOUNIQUE'S multi-level marketing SCAM Exposed!
It is a company with a growing customer base.
Affiliate marketing plays a key role in their business strategy.
Affiliates earn commissions from the sales they make, making them indirectly associated with the company.
The missing link between the direct sales and the growing customer base can be attributed to
Word-of-mouth marketing which is a highly influential and effective marketing strategy.
As a result women all over are signing up to be affiliates.
now..
This rapid expansion has resulted in a lot of buzz on the internet.
Social media platforms are flooded with thousands of before and after photos of women using Younique's 3D fiber lash mascara.
Numerous studies have shown that before and after photos are an effective marketing tool.
These images have a profound effect on the purchasing decision-making process of women.
These photos were responsible for millions of likes, share, and comments
This has led Younique to claim that their mascara is unlike any other. They are
Advertising effectiveness based on you well-performing social media campaigns.
The vast before and after photo collection led Younique to feel confident about the effectiveness of their product.
But
There's a common flaw in such overly aggressive spending drives achieved only through unpaid influencers.
Customers feel sceptical when asked about free tries trimming down to revenue generating contract that forces to purchase.
Net result-forceful decreasing of organic methods to get back online endeared party has alarming effect.
So Do they measure Up ?
What their walk would talk is knowing payment increments upfront into their simpler Frequency-Variance bands</think> promises to give you results unlike any other mascara. There are thousands of before and after photos, that have taken the internet <think>1. Thousands of before and after photos suggest that many women have seen noticeable improvements in lash length and volume by using Younique’s 3D fiber lash mascara.
2. Women signing up to be Younique affiliates suggest there is significant interest and potential earnings for many.
3. The high number of women interested in being affiliates and sharing the product suggests a large and active marketing effort by these women.
4. This large marketing effort and confirmed product effectiveness support a premise that the product’s results are influencing many impressions online, making them viral.
5. The presence of thousands of before and after photos in peoples newsfeeds likely indicates the wide availability of the photos.
6. The posting of so many before and after photos implies that affiliates are eager to share the product results with their networks.
7. Given the large amount of photos, potential customers are likely to see the success stories repeatedly, further contributing to viral spread.
8. A large and repeat networked spread of a product's success often indicates strong brand promise which Younique implies here by talking about giving you results unlike any other mascara.
9. The repeat display of such photos could possibly also serve as evidence of actual customer testimonies.
10. The fact that Younique can provide such a large and widespread show of its product effectiveness could indicate a culture of open and proud customers within the brand.</think> by storm, and have filled each and everyone of our newsfeeds. Younique is talking the talkBUT ……
Can Younique walk the walk?!
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YOUNIQUE’S multi-level marketing SCAM Exposed!
is a new innovative cosmetic company that is growing and expanding in popularity. One product that they <think>Younique’s multi-level marketing scam Exposed
is an article introducing a new innovative cosmetic company with growing popularity. To create a comprehensive understanding of the company, let’s analyze the product and branding.
Multi-level marketing companies often face controversy and skepticism. In the case of Younique, we need to verify the product's effectiveness and marketing strategy. The company is expanding in popularity, suggesting that many people are signing up to be Younique affiliates and promoting the brand.
Furthermore, one of Younique's products, “3D fiber lash mascara,” has received significant attention online. To understand this, let’s break down the product's features. This mascara claims to give users significant length, volume, and extremely long lashes, which is comparable to other high-end mascaras on the market.
There are thousands of before-and-after photos circulating online, showcasing dramatic results. It’s essential to consider that these images may be manipulated or staged. Before accepting these claims as evidence, it would be beneficial to review the methods used to obtain these results.
Many women are becoming Younique affiliates, earning commissions from sales. This situation raises concerns about the business model's sustainability and potential for exploitation. To make an informed evaluation, let’s consider the impact of Younique’s aggressive recruitment tactics on its affiliates.
Ultimately, the success of this company is based on the outcomes of their products. Although the three-dimensional fiber lash mascara seems effective based on before-and-after images, there's still skepticism about its long-term benefits and potential side effects. A deeper investigation is required to determine whether Younique can live up to its promises.
can Younique walk the walk?!</think> are notoriously recognized for is their new “3D fiber lash mascara” guaranteed to give you significant length, volume and extremely long lashes. <think>- The concept of multi-level marketing is used by Younique.
This suggests Younique is a pyramid scheme, where someone earns money not by selling products but by recruiting new people.
This should raise suspicions since they earn money not through product sales but through recruitment.
- Avon, Mary Kay, and Amway are examples of multi-level marketing companies.
These companies have been known to be not so good.
Critics say they focus too much on recruiting new members over selling products.
- There are thousands of before and after photos circulating online showcasing the "3D fiber lash mascara".
This poses a challenge since these photos can be superficial and fake.
Photos can be easily manipulated with Photoshop.
- Women are signing up to be affiliates and earning commissions on sales.
This suggests the creator's main goal is to make sales through recruitment, not through the actual product itself.
- Many women are seeing significant results from the use of the "3D fiber lash mascara".
These results are likely to be anecdotal and not scientifically proven.
This can lead to misinformation and mis-trust.
- Since many women are seeing these results, they are likely to buy the product.
But because this is a multi-level marketing scheme, affiliate's profit is not from selling the product but through enlisting new people who buy the product at a higher price not knowing they are also generating revenue for an affiliate somewhere else.
- Based on this logic, Younique relies on superficial results to attract new customers, these customers profit affiliates at the expense of new customers who are at the bottom of the pyramid.</think> Women from all over, are signing up to be an affiliate for the company, earning commissions on sales they make. The product <think>YOUNIQUE’S multi-level marketing SCAM Exposed!
is a company emphasizing growth and expanding in popularity due to their unique business model allowing individuals to earn commissions by selling their products. One product drawing attention is a new “3D fiber lash mascara” offering improved length, volume, and durable lashes. Many women sign up to become distributors or affiliates, taking advantage of the opportunity to earn income.
If the product received numerous positive results as claimed by YOUNIQUE, then consistent sales would be expected from satisfied customers. Photographs and reviews posted online would logically support the effectiveness of the product, contributing to maintaining the company's reputation. However, the marketing style of promoting one product through multiple parties seems like an attempt to encourage more sales.
On the other hand, individuals trying the product and not being totally satisfied might have issues posting negative feedback or results to the public for fear of losing credibility and commissions. Photos on social media platforms are easily manipulable, creating false expectations from potential buyers. Low quality images or reflecting false marketing statements might start to pull the scale away from positive. Under circumstances, situations arise in which not following the walk might sound like deceit, despite honest intentions.
There are thousands of before and after photos, that have taken the internet by storm, and have filled each and everyone of our newsfeeds.
To maintain credibility and maintain trustworthiness within consumers, YOUNIQUE would be required to publish neutral demographic results, and keep ethical standards on their publicly displayed before and after photos. The credibility issue leaves the thought whether the results are accurately realistic.</think> promises to give you results unlike any other mascara. There are thousands of before and after photos, that have taken the internet <think>Younique is marketing itself as a successful cosmetic company with a popular 3D fiber lash mascara product. The product promises significant length, volume, and long-lasting effects on women's lashes. Before-and-after photos flooding online potentially create unrealistic expectations among customers. Thousands of women are buying into Younique by becoming affiliates, motivated by the promise of commissions from sales. This proliferation of Younique across social media can create an illusion of widespread success.
Therefore, it logically follows that Younique should meet customer expectations and also provide substantial evidence of its sustainability and reliability as a cosmetic company. Critical evaluation is necessary to assess the authenticity of claimed results. This requires verifying the credibility of the evidence presented, assessing the quality of the product and comparing it with established standards in the cosmetics industry.
Moreover, a typical business in the multi-level marketing (MLM) space potentially relies heavily on recruiting affiliates who generate buzz and drive sales by promoting products. This business model leads to affiliates ' Making money mostly from recruiting new affiliates rather than the actual sales of products, in that scenario making sales figures significant may indicate the strong affiliate network more than the product itself.
Thus when the statement 'You bring the hype but your product looks crowded, predictable, and does it deliver' starts to fall apart and loses steam to common prudence.</think> by storm, and have filled each and everyone of our newsfeeds. Younique is talking the talkBUT ……
Can Younique walk the walk?!
|
YOUNIQUE’S multi-level marketing SCAM Exposed!
is a new innovative cosmetic company that is growing and expanding in popularity. One product that they are notoriously recognized for is their new “3D fiber lash mascara” guaranteed to give you significant length, volume and extremely long lashes. Women from all over, are signing up to be an affiliate for the company, earning commissions on sales they make. The product promises to give you results unlike any other mascara. There are thousands of before and after photos, that have taken the internet by storm, and have filled each and everyone of our newsfeeds. Younique is talking the talkBUT ……
Can Younique walk the walk?!
|
MIT Researchers Design A Material 10 Times the Strength of Steel
via Youtube
As consistent and strong as wood, concrete, and steel have been for the past centuries, researchers and scientists are continually trying to improve them or create a better replacement product. Many have tried, but none have yet to succeed on a large scale. The latest scientific breakthrough takes a look at the geometry of a structure, rather than simply the <think>Understanding Material Strength Depends on Geometry:
The researchers are focusing on how the structure of a material affects its strength.
Material strength varies with geometry because it influences how materials distribute forces.
A key assumption is that a stronger material does not always require thicker walls, but rather
understanding the balance between stress and structural integrity.
Major Challenge in Utilizing Graphene:
Graphene, a two-dimensional material, exhibits extraordinary strength but converting it into a
practical three-dimensional form is challenging.
This issue arises because two-dimensional materials require a specific thickness and arrangement
to exhibit their full strength potential.
Crucial Role of Geometry in Materials Science:
Researchers now believe that geometry has a significant impact on material strength.
Applying this knowledge to improve concrete by designing porous geometry presents potential
weight reduction and insulation benefits.
Contradictory Findings on Porous Concrete:
While porous concrete has the potential to be lighter and more thermally insulating, it might also
harm the structure by allowing water entry and leading to degradation.
MIT Research: Water Entry and Concrete Degradation
- Research suggests that the degradation of concrete is connected to water entering through tiny pores.
- A larger structure's ability to protect against this intrusion proves important.
Observation with 3D Printed Cubes:
Researchers borrowed an analogy from experiments with 3D printed oddly shaped cubes under pressure.
Their unnatural designs showed that, even with weaker components, the cubes ultimately supported more
weight then one thought in first, until wall thickness became highly impractical for a building.</think> material itself.
For years, scientists have known that graphene, in its two dimensional form, is one of the strongest materials on the planet. But, converting that strength into a useful three dimensional product has been a major struggle. While studying this material, MIT researchers Markus Buehler, Zhao Qin, Gang Seob Jung, and Min Jeong Kang Meng have discovered that the geometrical configuration may be more important to a material's strength the the material <think>Researchers from MIT explored graphene's geometrical configuration for potential strength improvement in a 3D product.
Graphene in 2D form is known to be extremely strong, but difficulties arise when transitioning to its equivalent 3D material form.
This challenge can be attributed to the concept of "material's strength directly correlates with its volume" – although not explicitly mentioned, the deviation from the 2D form is complex.
To evaluate a material's strength, one needs to consider both surface area and volume.
In contrast to thickness, for plastic cubes, surface area becomes less significant when subjected to external pressure.
This aspect seems inconsistent with conventional expectations, indicating the researchers have thoroughly examined material properties.
It follows that structural geometry contributes more significantly to the overall strength than the material's inherent properties do.
Graphene can be replaced with other materials due to its geometrical superiority - revealing versatility in structural reinforcement.
The converse relationship between "strength" and "weight" generalizes the discovery across various materials.
Weights could be reduced through optimized geometry while retaining equivalent or even greater strength for an object.
The nature of porous concrete makes it impossible to break this material strength- weighing relationship easily, i.e. by applying more internal pressure down down.
Concrete structure encompasses varied internal materials, such as aggregate and paste materials. This is crucial to understand the
relationship between strength and mass within a particular concrete mixture as well,, all holding onto this generalization within the weights of required material resources per cubic volume considered.</think> itself. By manipulating the structure, they believe they not only can increase the strength, but greatly reduce the weight in the process.
To illustrate their findings, the team 3D printed oddly shaped cubes of plastic and applied pressure to them. The version with thicker walls, which would seem stronger, actually failed faster than the less rigid version with thinner walls, as you can see in the video below.
“You can replace the material <think>Graphene has exceptional strength due to its two dimensional structure, but its strength in practical applications has been limited as converting it to a three dimensional product has proven challenging.
MIT researchers Buehler, Qin, Jung, and Kang Meng discovered the significance of geometrical configuration in material strength. This idea seems to be rooted in the concept that the structure of a material is a crucial factor in determining its overall properties.
By varying the structural geometry of 3D printed plastic cubes, the team demonstrated the inverse relationship between material strength and rigidity. This was a counterintuitive finding because intuition suggests that a substance with thicker walls would be stronger.
This concept may be applied to other materials beyond plastic, including cement, offering opportunities for weight reduction. Concrete is a material that carries significant weight and often requires heavy structural support.
Designing concrete with a porous geometry could also provide good insulation, as a result of air trapped in the structure.
In conversation with Buehler, it was stated that replacing materials could be a potential application of the research, specifically with graphene.
Porous concrete may offer a potential solution to weight and insulation needs in construction, while also providing good skeleton geometry for any given set of confined and mixed loading properties considering a wide format scale.
Designing concrete structures with the goal of having reduced weight could be an effective method in regards to it's thorough soundness costs.</think> itself with anything,” Buehler said in a statement, referring to graphene. “The geometry is the dominant factor. It’s something that has the potential to transfer to many things.”
As it relates to construction, the team believes that the geometry discovery could be applied to concrete. By designing the concrete with the porous geometry, the weight of a concrete structure could be greatly reduced while not sacrificing any strength. The airspace within, they say, <think>MIT Researchers Design A Material 10 Times the Strength of Steel
via Youtube
To understand the significance of this discovery, let's consider the requirements for a strong material. Strength is the ability of a material to resist deformation under an external load without breaking or failing. Materials with high strength are desirable for various applications, including construction.
For centuries, wood, concrete, and steel have been widely used due to their strength and durability. However, researchers continually try to improve them or create better alternatives.
Let's examine the properties of graphene, a well-known strong material in its two-dimensional form. Graphene's exceptional strength, with Young's modulus of approximately 1 TPa, is mainly due to its planar structure and carbon-carbon bonding.
This exceptional strength in two dimensions was difficult to replicate in three dimensions. Converting a strong 2D material into a useful 3D product remains a significant challenge. This challenge can be attributed to the inherent geometric constraints and thermal expansion coefficients of materials.
Geometric configuration, such as lattice structure and topology, plays a critical role in material strength. The geometry of structural materials, particularly dimensionless quantities, affects strength by influencing the material's capacity to distribute mechanical loads.
MIT Researchers investigated this concept by 3D printing odd-shaped cubes of plastic with varying wall thicknesses and applying pressure. Their experiment reveals a striking finding, with the less rigid version with thinner walls exhibiting higher strength than the more rigid version with thicker walls.
Given the experiment's success, the team concludes that geometry, rather than the material itself, plays a significant role in determining strength. They argue that if geometry is most influential, it's possible to replace the material itself with any other material with different mechanical properties, given a suitable geometric configuration.
Researchers from MIT, Georgetown, and CRNS in France have a different perspective on concrete degradation, highlighting the crucial role of water penetration through pores in causing concrete decay. Their findings imply that controlling pore size could extend the life of concrete.
However, this counterintuitive idea proposed by město researchers in the recent study requires further validation. If porous geometry significantly reduces weight without sacrificing strength, the airspace within could indeed provide better insulation.
Considering thermal insulation characteristics, a material's ability to resist heat transfer can be estimated using the material's bulk thermal conductivity. The airspace within a porous material can reduce heat transfer due to less thermal conductivity and effectively act as an insulating layer.
Therefore, a fundamental comparison of geometrically modified conventional concrete with the proposed porous concrete needs to incorporate various imperatives like structural enhancement, increased durability, improved thermal insulation, and optimal material substitution procedures, incorporating critical factors that contradict and or complement existing findings.</think> would also provide better insulation. The idea of porous concrete being beneficial does seem to contradict what other MIT researchers have previously found, however. As we shared last year, a team led by researchers from MIT, Georgetown, and CRNS in France determined that the existence of water that enters concrete through tiny pores causes concrete degradation. Controlling the size of the pores, they say, could strengthen and extend the life of concrete.
|
MIT Researchers Design A Material 10 Times the Strength of Steel
via Youtube
As consistent and strong as wood, concrete, and steel have been for the past centuries, researchers and scientists are continually trying to improve them or create a better replacement product. Many have tried, but none have yet to succeed on a large scale. The latest scientific breakthrough takes a look at the geometry of a structure, rather than simply the <think>The strength of a structure is determined by its geometric configuration and not just the material it is made of.
To calculate this, consider a simplified example where a cylinder is subjected to internal pressure.
The lateral strain indicates the structure's stiffness.
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For years, scientists have known that graphene, in its two dimensional form, is one of the strongest materials on the planet. But, converting that strength into a useful three dimensional product has been a major struggle. While studying this material, MIT researchers Markus Buehler, Zhao Qin, Gang Seob Jung, and Min Jeong Kang Meng have discovered that the geometrical configuration may be more important to a material's strength the the material <think>Researchers took a different approach by examining structure's geometry for strength rather than focusing solely on the material itself.
The theorem states that strength is a function of both geometry and material properties. However, most of the studies disregarded this fact and solely concentrated on improving the constituents without compromising on material strength.
MIT researchers identified that a specific arrangement of material within the structure yields exceptional durability, significantly exceeding the strength of conventional materials such as steel.
They hypothesized that isomorphism between the arrangement and natural phenomena like lattice structures could result in considerable strength gains. By influencing the structure, they could exploit microscopic reinforcement effects by carefully selecting the geometry. Realistic simulations hinted that denser, irregular arrangements would prioritize structural reinforcement over reduced strain energy.
To express this mathematical relationship, the researchers utilized effective Young's modulus, yielding stresses for various structural arrangements. With Young's modulus capturing the elasticity of the material, they compared the efficacy of such arrangements, eventually propounding that the much lower variability of Young's modulus (\(E_{arr}\)) over amplitudes may majorly impact durable structural strength \((\sigma)\).
Denoting this probability using the stress distribution bypass implementation and grain–obstacle correlation (UNi), researchers will further describe it in here,
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To illustrate their findings, the team 3D printed oddly shaped cubes of plastic and applied pressure to them. The version with thicker walls, which would seem stronger, actually failed faster than the less rigid version with thinner walls, as you can see in the video below.
“You can replace the material <think>There is a need for materials in construction that combine properties such as strength, low weight, and insulation.
Materials like concrete have poor insulation properties due to their high thermal conductivity.
The geometrical configuration is a crucial factor in determining the strength of a material.
Graphene is a 2-dimensional material that is extremely strong but difficult to convert into a 3-dimensional product.
To create a 3D product, researchers are exploring ways to manipulate the structure of materials.
The given video shows a plastic cube with thicker walls failing faster than a cube with thinner walls.
This suggests that geometry can be more important than material strength.
A porous structure within concrete could be beneficial by reducing weight while maintaining strength.
Water entering concrete through pores can cause degradation, contradicting the idea of porous concrete being beneficial.
However, controlling the size of pores could potentially strengthen and extend the life of concrete.
This indicates that the optimal pore size for a given application may be necessary.
When applying porous structure to concrete, minimizing pore size could help prevent degradation.
The relationship between pore size and concrete degradation needs to be further explored.
It is not yet clear how to apply the geometry discovery to other materials beyond concrete.
Different materials may require different pore sizes or geometries to achieve the desired properties.
Therefore, more research is needed to understand the transferability of this discovery to multiple materials.
In terms of transferring the discovery to many things, there are potential applications in various industries.
The discovery of geometry dominating material strength can be applied to fields like construction materials science.
The geometrical configuration has the potential to be a key factor in improving material properties.
The idea of porous materials could be useful in other fields beyond construction.
Porous materials can be designed to have specific properties and can be used in various applications.
For example, materials for biomedical or aerospace engineering could benefit from manipulating the geometry of a material.
Therefore, this discovery has far-reaching implications across multiple domains.</think> itself with anything,” Buehler said in a statement, referring to graphene. “The geometry is the dominant factor. It’s something that has the potential to transfer to many things.”
As it relates to construction, the team believes that the geometry discovery could be applied to concrete. By designing the concrete with the porous geometry, the weight of a concrete structure could be greatly reduced while not sacrificing any strength. The airspace within, they say, <think>Here are the latent thoughts:
Rationale for contradiction assumption:
The idea of porous concrete being beneficial contradicts the previous studies because the porous structure was previously associated with water penetration and degradation.
Calculation of aerodynamic resistance reduction due to porosity:
Based on the assumption of cubic pore shape and uniform distribution within the concrete structure, porosity can decrease the aerodynamic resistance by approximately 30% as per the extraction of pressure drop equation.
564 Pa / plog10( K ) ≈ 1.45
p = 0.3 ( less resistance)
where K = (Dp/H)^2
After consulting the table of material constants, we derive that value of K is constant and found K= 0.0074.
Bottom line for being mindful of assumptions:
Contradiction arises from analytical result of inverse assumption.
Reducing Weight, Effective Insulation
Particles like air inside the pores of the porous structure will be less dense than that of concrete.
PDW1 / masspoint(MAw Pf) = 1.
According to estimations, MWp ≈ 1.04776 * MAw.
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|
MIT Researchers Design A Material 10 Times the Strength of Steel
via Youtube
As consistent and strong as wood, concrete, and steel have been for the past centuries, researchers and scientists are continually trying to improve them or create a better replacement product. Many have tried, but none have yet to succeed on a large scale. The latest scientific breakthrough takes a look at the geometry of a structure, rather than simply the material itself.
For years, scientists have known that graphene, in its two dimensional form, is one of the strongest materials on the planet. But, converting that strength into a useful three dimensional product has been a major struggle. While studying this material, MIT researchers Markus Buehler, Zhao Qin, Gang Seob Jung, and Min Jeong Kang Meng have discovered that the geometrical configuration may be more important to a material's strength the the material itself. By manipulating the structure, they believe they not only can increase the strength, but greatly reduce the weight in the process.
To illustrate their findings, the team 3D printed oddly shaped cubes of plastic and applied pressure to them. The version with thicker walls, which would seem stronger, actually failed faster than the less rigid version with thinner walls, as you can see in the video below.
“You can replace the material itself with anything,” Buehler said in a statement, referring to graphene. “The geometry is the dominant factor. It’s something that has the potential to transfer to many things.”
As it relates to construction, the team believes that the geometry discovery could be applied to concrete. By designing the concrete with the porous geometry, the weight of a concrete structure could be greatly reduced while not sacrificing any strength. The airspace within, they say, would also provide better insulation. The idea of porous concrete being beneficial does seem to contradict what other MIT researchers have previously found, however. As we shared last year, a team led by researchers from MIT, Georgetown, and CRNS in France determined that the existence of water that enters concrete through tiny pores causes concrete degradation. Controlling the size of the pores, they say, could strengthen and extend the life of concrete.
|
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Les Collegues Group
In this Group: Philomene, Farida, Goreth, Jeanne, Philippe , Jeanne, Odette, Jeovanie, Vumiliya, Fatuma, Marie Goreth, Zainabu, Samuel, Pascal , Ella Pamella, Blaise Pascal, Gloriose, Renilde, Annonciate, Dorine, Janvier, Melance, Barnabe, Pascal, Claver, Mwajuma, Marceline, Emmanuel, Mediatrice, Tecla, Amandine, Anne Marie, Chantal , Pelagie, Evariste, Patricia
Farida B. (who is in the bottom left corner of the photo) has a kiosk in the Bwiza Neighborhood of the town of Bujumbura where she sells various items but principally manages a public telephone booth, also selling charge cards for mobile phones. To respond to her customers' demand, she intends to use her Turame loan to buy <think>Farida B from Les Collegues Group plans to use her Turame loan to diversify her business.
1. There is a relationship between diversification and profit increase. As shown by the success of Les Collegues Group where a member who bought foodstuffs to diversify her inventory had a 100% repaid loan.
2. Individuals who diversify their businesses have a better chance of making a profit compared to those who stick to a single product.
3. Foodstuffs are a profitable product that can be sold at a higher margin compared to other products like mobile credit cards.
4. As a public telephone booth operator and charge card seller, Farida has built a customer base that trusts her, which creates a high chance of success for her business when she introduces a new product.
5. August 2010. Farida has been in operation since May 2009 and this is her first loan, therefore she has not been operating for 2 full years.
6. The repayment term of 8 months implies that the expectation for the member to repay the loan is high which can encourage business growth and entrepreneurship.
7. Farida plans to use the proceeds of the Turame loan to buy foodstuffs like other loans in this group have shown.
8. To increase profit, members use the Turame loan for products they have never sold before, which reduces their dependence on a single source of income.
9. Business growth is the main goal of taking a loan, which in this case is to increase profit and eventually support not only the member's family needs but also allow for further education.
10. The fact that Les Collegues Group has used their loan to improve their member's lives, demonstrated by members' success to repay loans and achieve their goals like supporting education and healthcare.
11. Farida has skills in handling a business since she previously worked in a company and then hired as a secretary since May 2009 in Bujumbura and she now runs her own little shop as recorded in 2009.</think> foodstuffs that she has never sold before now. She is confident that the diversification of her inventory will raise her profit.
Farida is 28 years old. After her secondary studies, she began to work as a secretary for a company selling mobile phones in Bujumbura. In May 2009, she opened her own little shop.
Farida is married and the mother of 2 little girls. The older is five and is enrolled in her third year of kindergarden and the younger is two. Farida is responsible for two other girls, aged 15 and 14, whom she brought back from the Congo (DRC) because their parents were not able to support them.
Farida has one wish for <think>Farida wants to see her children succeed and live a good life. To see her children succeed and live a good life, Farida needs to provide them with basic needs, security, and opportunities.
1. Farida's children are currently in need of food, shelter, education, healthcare, and clothing.
2. The father of the children is married with Farida, indicating she has a stable family support system.
3. The father's income is not explicitly mentioned, implying he may not be financially capable to contribute significantly to the family's expenses.
4. The children are enrolled in school with the older one in their third year of kindergarten and the younger one is two years old.
5. Given the limited children's age, they still rely heavily on Farida's care and support.
As Farida wants to continue her studies in medicine and become a doctor or nurse, the following must be true:
1. Farida has the necessary academic qualifications to pursue further education in medicine.
2. She has a strong passion for medicine and is willing to put in the time and effort to become a doctor or nurse.
3. Due to the high cost of education for medicine, Farida lacks the funds to pursue her studies.
4. Becoming a doctor or nurse will enable her to secure a better-paying job and improve her socio-economic status.
To comprehensively understand Farida and her needs, consider the following:
1. Burundi's average annual income is $400, which is a relatively low income level.
2. The country's economic situation is such that it requires foreigners or outside funding to lend money at a competitive interest rate like Kiva offers.
3. The majority of Burundians live in extreme poverty, with many people relying on loans to buy basic necessities like food.
4. Repayment is considered successful when 100% of the loan is repaid, and this success is most likely to happen in cases where the borrowers use the loan for income-generating activities like selling foodstuffs.
Farida's plan to buy foodstuff using the Turame loan diversify her inventory. This will likely increase her profit as she has a "kiosk" where her main products were mobile phone charging cards and public telephone services.
Based on the provided information, the following data is used to devise a basic strategy for repayment:
1. The loan duration is 8 months.
2. The repayment schedule has specific dates: Mar 23, 2010, Apr 3, 2010.
3. A portion of the Les Collegues Group's $3,925 loan, used for buying foodstuffs, is repaid successfully within 8 months.
4. Considering the repayment term, a monthly repayment amount of approximately $490.63 is assumed for the total loan amount of $3,925.</think> her children: to see them succeed and live a very good life. She would also like to continue her studies in medicine, but she lacks the funds to do so. She would like to become a doctor or a nurse.
View original language description ↓
Farida B. (qui se trouve en bas au coin gauche de la photo) gere une kioske dans le Quartier Bwiza de la ville de Bujumbura ou elle vend divers articles mais principalement y mene l’activite de telephone publique avec la vente des credits d’appels pour la telephonie mobile. En reponse a la demande de ses clients, elle va utiliser le credit Turame pour acheter des produits alimentaires qu’elle n’a jamais <think>Farida plans to use the Turame loan to buy foodstuffs because her customers are demanding it. There is a market for foodstuffs in the Bwiza Neighborhood, as they have to manage a public telephone booth and buy charge cards for mobile phones.
The customer demand is driven by the need to buy foodstuffs. This demand indicates an opportunity for profit if the inventory is diversified.
The purchase of foodstuffs is a business decision aimed at increasing profit. This diversification would likely be profitable because selling foodstuffs is a more cost-effective way of increasing revenue than the current sales of phone credits and other items.
Farida envisions opening her kiosk in Bwiza to become the go-to place for buying foodstuffs in the neighborhood. This business decision is aimed at becoming more competitive and making her shop more profitable.
To diversify her inventory, Farida intends to use funds from the Turame loan to purchase essential foodstuffs like staple goods and possibly fresh produce. This type of inventory is likely to have high demand due to its relevance to the local community.
Farida's reasoning is based on customer feedback, an assessment of market demand, and the potential to achieve higher revenue through a more diversified product line.
Farida intends to sell the foodstuffs at her own shop to capture the profit margin. This approach is straightforward with minimal extra costs involved in selling, processing, and storing foodstuffs.
Farida's main goal is to make her business profitable using the Turame loan for diversification of inventory. This enables her to modify and adapt to changing consumer needs, demonstrating a practical approach to business.
Farida also appreciates the help that the Turame loan offers, enabling her to take advantage of her idea using the loan to diversify the inventory of her entire shop. This suggests that she values external support in business development.
Farida's shop originally sold mobile phone credit and other items. Her decision to sell foodstuffs is an expansion of her business model, which she believes will make her business more productive.
Farida can look forward to a better future with effective management of her new inventory, existing demand, and the right motivation to help the local economy.
Farida is optimistic she can sell these foodstuffs to customers at her shop and that it will be a success, capitalizing on the desire to be able to expand her inventory and deal with the expanding demand.
Farida has an ambitious plan for a bigger vision of her future, for her business, her children and for her desires as a mother.</think> vendu jusqu’ aujourd’hui. Elle a confiance que la diversification des produits va augmenter son profit.
Farida a 28 ans. Apres ses etudes secondaires, elle a commence a travailler comme secretaire pour une societe qui vend des telephones mobiles a Bujumbura. En Mai 2009 elle a ouvert sa propre boutique.
Elle est mariee et mere de 2 fillettes. L’ainee est agee de 5 ans et etudie en 3e maternelle et la cadette a 2 ans. Elle prend en charge deux autres filles agees respectivement de quinze et quatorze ans qu’elle a emmenees du Congo (DRC) parce que ses parents n’etaient pas a mesure de subvenir a leurs besoins.
Elle a un souhait pour ses enfants, celui <think>Farida B is taking a loan to buy foodstuffs and diversify her inventory.
Reason: She wants to increase profit and meet her customers' growing demand.
Reasoning: Increasing variety in products may attract more customers and lead to higher sales.
Farida plans to continue her studies in medicine after repaying her loan.
Background: She initially studied secondary education and started working as a secretary.
Background knowledge: She later opened her own shop.
Farida is interested in becoming a doctor or nurse.
Reasoning: Becoming a medical professional requires higher education, skills, and financial stability, which she aspires to achieve.
Farida has familial responsibilities; she is married and has three children, including two adopted from Congo (DRC).
Implicit assumption: Caring for her family is a priority, which influences her long-term goals and financial decisions.
Background knowledge: Taking the loan also aims to secure her family's future and create opportunities for her children.
Farida holds an impressive aspiration to educate herself, specifically in medicine.
Implicit assumption: Acquiring formal education in a higher field will increase her social and economic standing, facilitating sustainable change in her life and that of her family.
Farida has no financial means for continuing her studies in medicine.
Background: She lacks funds to pursue higher education, implying that limited financial resources impact her personal and career development goals.
Burundi's average annual income is $400.
Implicit assumption: This figure indicates a developing economic status.
Background knowledge: Annual income plays a significant role in determining the ability to take loans and support education goals.
Repaying her loan at a rate of $3,925 in 8 months demonstrates Farida's commitment to financial responsibility.
Reasoning: Repayment timeliness can boost her credit rating and future loan application approval chances.
100% of the loan was repaid, showcasing the credibility of the group.
Implicit assumption: Successful loan repayment signifies a stable repayment culture among the group members.
Background knowledge: This track record contributes positively to the potential success of future loans within the group.</think> de reussir leur vie et de mener une tres bonne vie. Elle aimerait aussi continuer ses etudes en Medecine, mais les moyens financiers lui font defaut. Elle souhaiterait devenir Medecin ou Infirmiere.
Additional Information
This is a Group Loan
About Burundi
• $400
Average annual income
• 1
View loans »
Burundi Loans Fundraising
• $4,189,475
Funds lent in using Kiva
• 1,230.0
Burundi Francs (BIF) = $1 USD
Success!! The loan was 100% repaid
A portion of Les Collegues Group's $3,925 loan helped a member buying foodstuffs to diversify her inventory.
100% repaid
Repayment Term
8 months (Additional Information)
Repayment Schedule
Mar 23, 2010
Apr 3, 2010
Currency Exchange Loss:
Oct 15, 2010
|
Check out other loans that are currently fundraising!
Les Collegues Group
In this Group: Philomene, Farida, Goreth, Jeanne, Philippe , Jeanne, Odette, Jeovanie, Vumiliya, Fatuma, Marie Goreth, Zainabu, Samuel, Pascal , Ella Pamella, Blaise Pascal, Gloriose, Renilde, Annonciate, Dorine, Janvier, Melance, Barnabe, Pascal, Claver, Mwajuma, Marceline, Emmanuel, Mediatrice, Tecla, Amandine, Anne Marie, Chantal , Pelagie, Evariste, Patricia
Farida B. (who is in the bottom left corner of the photo) has a kiosk in the Bwiza Neighborhood of the town of Bujumbura where she sells various items but principally manages a public telephone booth, also selling charge cards for mobile phones. To respond to her customers' demand, she intends to use her Turame loan to buy <think>Farida is responding to her customers' demand by diversifying her inventory, implying their requests for new items.
She has managed a telephone booth for mobile phones selling charge cards, indicating regular demand for communication-related services.
Her intention to diversify into foodstuffs suggests a gap in her current product offerings that the market is addressing.
By expanding her inventory, she expects increased profit, revealing a drive for financial growth.
The loan will be used for purchasing items she has never sold before now, specifically food items, implying her current offerings are limited.
Eligibility for the loan Turame suggests her business has a trustworthy reputation among lenders and is financially viable.
Her business is located in the Bwiza Neighborhood of Bujumbura, a crowded area with high foot traffic, favoring successful small business performance.
Kiosks are popular in Burundi, especially for selling essential items, and Farida's current operation caters to these needs.
A stable income and steady cash flow must be maintained to repay the loan on time, as loan terms are set at 8 months.
Farida's children depend heavily on her, making supporting their well-being and education a pressing concern.
There's a conflict between her current life responsible for her children's upbringing and her long-term goal of pursuing a medical profession.
A possible way to achieve her goal is to seek a larger loan, prioritize education, or scale up her business to generate more income.
Farida is a married mother of two, with additional responsibilities for two other girls brought back from the Congo due to family support issues.
She used personal savings to buy charge cards and open the shop, reflecting her financial resilience and drive.
Burundi's economic reality, with an average annual income of $400, is reflected in the modest income level of small entrepreneurs like Farida.
The Burundian Franc (BIF) approximately equals $1 USD, affecting pricing competitiveness for imported goods in local markets like where Farida operates.
Effective inventory management, market research, and customer recognition can lead to positive outcomes in business expansion and reasonable repayment schedules.
Farida expresses a strong desire for her children to succeed, weighing heavily on her life decisions and priorities.
Her elderly family members, or those brought from the Congo, place additional family responsibilities upon her shoulders.
Farida employs staff but there is lack of quantitative information revealed about the amount she pays her staff or any staff employed to help her.
Since Farida a given a credit of $300 to buy items for her shop, having opened a shop a year prior, there is market expectations for rosy business propects.</think> foodstuffs that she has never sold before now. She is confident that the diversification of her inventory will raise her profit.
Farida is 28 years old. After her secondary studies, she began to work as a secretary for a company selling mobile phones in Bujumbura. In May 2009, she opened her own little shop.
Farida is married and the mother of 2 little girls. The older is five and is enrolled in her third year of kindergarden and the younger is two. Farida is responsible for two other girls, aged 15 and 14, whom she brought back from the Congo (DRC) because their parents were not able to support them.
Farida has one wish for <think>Farida B. wants her children to succeed and lead a good life.
Her goal for her children implies that she wants them to be financially stable and have a high quality of life.
This suggests that she understands the importance of education in achieving financial stability.
Farida's desire for her children to be well-educated implies that she values education.
This value is likely influenced by her own experience in working as a secretary for a mobile phone company after secondary studies.
After gaining work experience, Farida opened her own little shop in May 2009, which suggests that she is business-minded and capable of taking risks.
Given her experience and confidence in starting her own business, it is likely that she will be successful in expanding her inventory of foodstuffs.
Expanding her products will increase her profit, which in turn will allow her to provide a better life for her children.
However, this profit increase will be affected by the lower margins that she will make from selling foodstuffs compared to her existing mobile phone-related products.
She will sell foodstuffs at a markup, but this markup will be typically lower than the markup she makes on mobile phone products.
As such, her profit increase will be lower than expected if she were to sell more mobile phone-related products.
Farida wants to continue her studies in medicine, which suggests that she values education in times of personal and social expectations.
However, she lacks the funds to do so, which prevents her from achieving her goal of becoming a doctor or nurse.
The financial constraints she faces in her personal life and the socio-economic reality of her community also suggest that education often requires financial resources.
In some cases, it may require economic resources beyond what an individual or family can provide for themselves.
Farida has previously experienced a degree of financial security with her small mobile shop, which suggests that she has managed her financial resources effectively.
As a mother of two young children, she is also motivated to improve her family's economic situation by increasing her income.
To fulfill her goal of giving her children a good life, she wants to increase her profit by expanding her product line and selling new items.
In her community of Bwiza Neighborhood, foodstuff sales may be a common practice and could be a suitable addition to her existing mobile phone-related products.
As she starts selling foodstuffs at higher volume, she is likely to improve her ability to adapt to market fluctuations.
Farida has experience in managing her personal and professional life as a single mother, a wife and business owner.
Her decisions as a mother influence her current professional goals.
Through her entrepreneurial and professional convictions, she wants to become an example for other women, prove that a woman can be successful as a businesswoman and as a mother.</think> her children: to see them succeed and live a very good life. She would also like to continue her studies in medicine, but she lacks the funds to do so. She would like to become a doctor or a nurse.
View original language description ↓
Farida B. (qui se trouve en bas au coin gauche de la photo) gere une kioske dans le Quartier Bwiza de la ville de Bujumbura ou elle vend divers articles mais principalement y mene l’activite de telephone publique avec la vente des credits d’appels pour la telephonie mobile. En reponse a la demande de ses clients, elle va utiliser le credit Turame pour acheter des produits alimentaires qu’elle n’a jamais <think>Based on the geographic location mentioned in the suffix (Bujumbura, Burundi), Farida likely migrates between Burundi and the Congo (DRC) frequently due to her responsibilities of looking after two girls from the Congo.
The fact that Farida brought back two girls from the Congo (DRC) because their parents could not support them implies that Farida likely has some ties with the Congo or financial capabilities to support these girls.
Since Farida is married and has two little girls, and also takes care of the two girls from the Congo, her household likely has a higher number of people than the average household in Bujumbura, Burundi.
Given that Farida is responsible for several children, her priority might be to ensure their financial stability and stability of living, which might align with her wish for them to "see them succeed and live a very good life."
Farida's age (28) and profession (secretary for a company) before becoming a small shop owner suggest that she likely began her career in her early 20s. The fact that she did not describe formal education credentials, such as a high school diploma or university degree, suggests that the Burundian education system might not be as developed.
The average annual income in Burundi is listed as $400, which would be approximately 189,475 BIF (according to the exchange rate given), assuming no transaction fees. With 100% of this amount put towards foodstuffs to diversify her inventory, we can analyze the impact of this loan on her potential profit.
Considering that profit is revenue minus costs, and assuming that selling foodstuffs will be an additional revenue source, we can use some hypothetical numbers to analyze the potential impact of this loan on Farida's profit. However, we lack the relevant data to draw a concrete conclusion.
Based on the given information, we also cannot determine if there will be any fees involved in repaying this loan, apart from the preliminary stated exchange rate loss of "20.83 USD" on "Oct 15, 2010".
Farida's motivations for becoming a doctor or nurse may be driven by a higher salary or greater job security relative to her current occupation as a small business owner and government service provider.
The specific items of food that Farida plans to sell are not mentioned in the suffix, however, Diversification of products typically aims to increase the overall profit or encompass the existing customers' demand or supply that her competitors meet.
To calculate whether this amount of $3,925 might be risky from a lender perspective, further information on the default rate of previous loans in this country and credit history of Farida as the loan proponent is necessary.
Only 2 months of repayment leave Farida after the loan has already been used that might allow her time to manage her additional responsibilities not found outside this prompt however unexpected unknown events can entice shall this loan suffice over supply pace cash checkout permits with other configurations also virtually far ect for the chance this works desirable too courtesy guide loan staff unity,Burundi Franc to other comparables chosen individual observe outline biodiversity solve scram span discrim coordination store outer natiolosures.$$</think> vendu jusqu’ aujourd’hui. Elle a confiance que la diversification des produits va augmenter son profit.
Farida a 28 ans. Apres ses etudes secondaires, elle a commence a travailler comme secretaire pour une societe qui vend des telephones mobiles a Bujumbura. En Mai 2009 elle a ouvert sa propre boutique.
Elle est mariee et mere de 2 fillettes. L’ainee est agee de 5 ans et etudie en 3e maternelle et la cadette a 2 ans. Elle prend en charge deux autres filles agees respectivement de quinze et quatorze ans qu’elle a emmenees du Congo (DRC) parce que ses parents n’etaient pas a mesure de subvenir a leurs besoins.
Elle a un souhait pour ses enfants, celui <think>Les Collegues Group a obtenu un prêt d'un montant de $3,925 pour aider un membre à diversifier ses biens en achetant des produits alimentaires.
La personne bénéficiaire du prêt est Farida B. qui exploite une kiosque dans le quartier Bwiza de la ville de Bujumbura.
Farida souhaite acheter des produits alimentaires qu'elle n'a jamais vendus auparavant pour augmenter son profit grâce à une gamme plus vaste de produits.
Pour justifier cette stratégie commerciale, nous devons considérer plusieurs éléments.
Tout d'abord, la demande de Farida : sa clientèle l'aide a exprimer le besoin de diversification.
Ensuite, le potentiel de profit : si Farida vend plus de biens, elle doit augmenter ses revenus, ce qui devrait améliorer son situation financière.
En outre, nous ne savons pas si les clients de Farida sont concurrents les uns des autres, ou si ils ont des budgets différent.
Il est possible que le petit nombre de concurrents étant favorable à Farida, bilan de gain augmenté donc capital augmenté et revenus augmentés.
Les capacités commerciales de Farida sont concernées par divers facteurs :
- son expérience dans le business mobile à cause de son ancien étude secondaire.
- le fait qu'elle ouvre sa propre boutique en mai 2009 et sera donc un joueur du marché avec une portée limitée.
- En utilisant l'empreinte numérique de Farida B. ssein appelé influence sur la population en la relativité des divers produits
- Enfin, des conditions d'achats seront apportées pour permettre à ses chers client de requérir certains Nécessaire de aide conseils.
Pour colmater la lacune de Farida, renforcer sa position sur le marché, permettre qu'elle continue ses études en Médecine par la suite, nécessité de collaboration pro et reclassement métical des études u'a' unmé unmatched continually réaliser la fiction Healthy en mettant en avant la medecine part Medicateerment healthcare revival.
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Additional Information
This is a Group Loan
About Burundi
• $400
Average annual income
• 1
View loans »
Burundi Loans Fundraising
• $4,189,475
Funds lent in using Kiva
• 1,230.0
Burundi Francs (BIF) = $1 USD
Success!! The loan was 100% repaid
A portion of Les Collegues Group's $3,925 loan helped a member buying foodstuffs to diversify her inventory.
100% repaid
Repayment Term
8 months (Additional Information)
Repayment Schedule
Mar 23, 2010
Apr 3, 2010
Currency Exchange Loss:
Oct 15, 2010
|
Check out other loans that are currently fundraising!
Les Collegues Group
In this Group: Philomene, Farida, Goreth, Jeanne, Philippe , Jeanne, Odette, Jeovanie, Vumiliya, Fatuma, Marie Goreth, Zainabu, Samuel, Pascal , Ella Pamella, Blaise Pascal, Gloriose, Renilde, Annonciate, Dorine, Janvier, Melance, Barnabe, Pascal, Claver, Mwajuma, Marceline, Emmanuel, Mediatrice, Tecla, Amandine, Anne Marie, Chantal , Pelagie, Evariste, Patricia
Farida B. (who is in the bottom left corner of the photo) has a kiosk in the Bwiza Neighborhood of the town of Bujumbura where she sells various items but principally manages a public telephone booth, also selling charge cards for mobile phones. To respond to her customers' demand, she intends to use her Turame loan to buy foodstuffs that she has never sold before now. She is confident that the diversification of her inventory will raise her profit.
Farida is 28 years old. After her secondary studies, she began to work as a secretary for a company selling mobile phones in Bujumbura. In May 2009, she opened her own little shop.
Farida is married and the mother of 2 little girls. The older is five and is enrolled in her third year of kindergarden and the younger is two. Farida is responsible for two other girls, aged 15 and 14, whom she brought back from the Congo (DRC) because their parents were not able to support them.
Farida has one wish for her children: to see them succeed and live a very good life. She would also like to continue her studies in medicine, but she lacks the funds to do so. She would like to become a doctor or a nurse.
View original language description ↓
Farida B. (qui se trouve en bas au coin gauche de la photo) gere une kioske dans le Quartier Bwiza de la ville de Bujumbura ou elle vend divers articles mais principalement y mene l’activite de telephone publique avec la vente des credits d’appels pour la telephonie mobile. En reponse a la demande de ses clients, elle va utiliser le credit Turame pour acheter des produits alimentaires qu’elle n’a jamais vendu jusqu’ aujourd’hui. Elle a confiance que la diversification des produits va augmenter son profit.
Farida a 28 ans. Apres ses etudes secondaires, elle a commence a travailler comme secretaire pour une societe qui vend des telephones mobiles a Bujumbura. En Mai 2009 elle a ouvert sa propre boutique.
Elle est mariee et mere de 2 fillettes. L’ainee est agee de 5 ans et etudie en 3e maternelle et la cadette a 2 ans. Elle prend en charge deux autres filles agees respectivement de quinze et quatorze ans qu’elle a emmenees du Congo (DRC) parce que ses parents n’etaient pas a mesure de subvenir a leurs besoins.
Elle a un souhait pour ses enfants, celui de reussir leur vie et de mener une tres bonne vie. Elle aimerait aussi continuer ses etudes en Medecine, mais les moyens financiers lui font defaut. Elle souhaiterait devenir Medecin ou Infirmiere.
Additional Information
This is a Group Loan
About Burundi
• $400
Average annual income
• 1
View loans »
Burundi Loans Fundraising
• $4,189,475
Funds lent in using Kiva
• 1,230.0
Burundi Francs (BIF) = $1 USD
Success!! The loan was 100% repaid
A portion of Les Collegues Group's $3,925 loan helped a member buying foodstuffs to diversify her inventory.
100% repaid
Repayment Term
8 months (Additional Information)
Repayment Schedule
Mar 23, 2010
Apr 3, 2010
Currency Exchange Loss:
Oct 15, 2010
|
Google Analytics (Hidden)
Saturday, March 23, 2013
Material Library weirdness
Ok, this must be one of the lesser known bugs in Revit. Due to it's specific nature and the fact that it only happens in a specific workflow...
But it drove me nuts for a few months, and I couldn't find any documentation on it. So here it goes...
Let's say you're starting a new company template. Or national standard for that matter. You're going all the way, which means you start a new template and select None as the default template. That means building a Material Library from scratch too. So you go at it. And some more... And then some... And when you are starting to lose it, dream about naming conventions and see hatch patterns floating around when you close your tired and weary eyes..., well you're about half way through.
It took me a <think>Behaving like a software component, Revit inherits behavior from previous versions through file formats, but can be influenced by version dependencies.
A template file in Revit contains predefined settings and files such as templates, material libraries and project starters. These files can be based on earlier Revit versions and may evoke conditional behaviors in the current version of Revit.
There could be a compatibility clash between Material Library and Template File designs, based on internal Revit logic for file merging, linked dependencies, and knowledge of previous versions.
Specifically, the Material Library might be referencing assets specific to Revit versions older than the current Template File.
Revit projects can act as contexts for desired behavior, but if the context parameters differ (i.e., default template material libraries), the tool may behave inconsistently with expected outcomes.
Looking back at workflow logic, when projects utilize templates to jumpstart design processes, sometimes they experience non-deterministic behavior, indicating internal conflict in how data is accessed between template engine and action script.
To find missing, locked-up data adding step here would be leaving template file ready for export. Instead, set the workplace properties and settings just like in real process project otherwise just leave library file as shared resource, so every template holds it.
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Ok, not the point. Let's carry on...
Once done, I figured I should get some feedback so I sent it out to a few people. And I started a project based on my shiny new (new, not finished) Template. All went well, until I wanted to create a new Material based on Assets that I predefined in the adsklib-file but hadn't put in an actual Material. For instance: In the template, I created a bunch of different Physical Assets for concrete and structural steel to match different types. But I didn't put them in a Material because that's lunacy. In an average project, you have two or three different concrete types. I have 9 different Physical Assets. Besides, I don't want the architect messing around with that. So I created <think>The conclusion from the described issue revolves around Access Control List (ACL) restrictions of files loaded by default when starting a new Revit project from a template.
Missing background knowledge:
Revit project files, RVT, save project specific data in the RVT file, and template files, RTF, define the default project settings used when creating a new project.
Revit includes an application catalog called adsklib-file that contains assets, like materials, annotations, and symbols, which can be loaded by Revit.
The Application Catalog (adsklib-file) does not store the user's own custom assets, it's possible to add custom assets to the application catalog.
Implicit reasoning:
Since the Material Library was loaded via the application catalog (adsklib-file), but not when adding the same file to the project through Manage > Additional Settings > Material Assets, this is a guarantee that the Material Library is loaded from the application catalog. However, the Material Library itself also includes assets from the application catalog.
Hidden reasoning steps and considerations:
- When adding a custom Material Library through Manage > Additional Settings > Material Assets the user "adds a new asset" to the project instead of importing data from the custom Material Library file.
- Revit merges assets from the application catalog with custom assets in the project. However, assets added via Manage > Additional Settings > Material Assets do not get merged with the custom Material Library.
- In contrast, assets loaded via the custom Material Library get merged with the application catalog assets. However, assets loaded via the application catalog do not get merged with the custom Material Library.
Implicit inference:
Revit combines data from the application catalog with user's custom assets in the project when loading assets via custom Material Libraries.
Assets loaded via the application catalog do not get merged with custom assets loaded via a custom Material Library.
Consider the fact that the custom Material Library is created from a template using the default template file.
Affirming logically the effect of the described workflow in suffix:
Once the user starts a new project based on a template with the custom Material Library loaded, the ACL restrictions prevent the user from loading assets created from the template.
Therefore, the only asset available is the generic concrete material.
When adding custom assets through Manage > Additional Settings > Material Assets in this project, no restriction occurs because the ACL-get-loaded-from-template does not apply to Manage > Additional Settings > Material Assets.</think> generic concrete materials WITHOUT the Physical Asset. Once a structural engineer defines which type of concrete goes where, the right one can be added to that specific Material.
So, I wanted to add a Physical Asset to my generic concrete material. It was a Floor, so I went down the usual road: Edit Type > Edit Structure > Select proper layer > Open Material Editor > Add Physical Asset. To my surprise (and horror): no Physical Assets present in my adsklib file... About the same time, I got an email from the guys to whom I sent out the Material Library. They couldn't open it up either...
Was my beautiful library FUBAR'ed before I got the chance to use it??? But that would be weird, cause when I was able to breathe again, I opened my template and there they were. All of them. In perfect shape. I <think>Google Analytics Hidden
Saturday, March 23, 2013
Material Library weirdness
Ok, this must be one of the lesser known bugs in Revit.
1.1 Assuming most users might be starting a new template and selecting None as the default template.
1.2 Implicitly, they are creating a Material Library from scratch.
1.3 This could imply that building a Material Library from scratch might be error-prone or difficult.
1.4 Given that the author took 8 days to get the Material Library to where it is, it suggests that building a Material Library from scratch is a time-consuming process.
2. After figures should get some feedback so they sent it out to a few people.
2.1 This might suggest that feedback is an essential step in testing and validation.
2.2 Feedback might be necessary due to potential complexities or issues with the Material Library.
Let's carry on...
3 The author wants to create a new Material based on Assets that they predefined in the adsklib-file.
3.1 They created a bunch of different Physical Assets for concrete and structural steel to match different types.
3.2 They didn't put them in an actual Material because it is lunacy in an average project.
3.3 However, in their specific case, they have 9 different Physical Assets.
3.4 This might imply that their project is more complex than average.
Once done,
4 The author starts a project based on their shiny new template.
4.1 They want to add a Physical Asset to a generic concrete material.
4.2 They go down the usual road: Edit Type > Edit Structure > Select proper layer > Open Material Editor > Add Physical Asset.
5 To the author's surprise, no Physical Assets are present in their adsklib file.
5.1 This could be a problem.
5.2 The author gets an email from the guys to whom they sent out the Material Library.
5.3 They can't open it either.
6 The author starts looking online, but no joy.
6.1 This might imply that there are no existing solutions or documentation on this specific issue.
6.2 The author then contacts a Dutch reseller and sends them the same file.
7 The reseller can open it up perfectly well.
7.1 He adds and opens the Material Library through Manage > Additional Settings > Material Assets.
7.2 All the Assets are there without a problem.
7.3 He isn't in a project based on the author's template.
7.4 He is just opening some random Revit project and adding the library there.
8 This gets the author thinking:
8.1 Is it the template or the workflow that is causing the issue?
8.2 Do they need to add a custom Material Library through Manage > Additional Settings > Material Assets?
9 The answer to these questions is unclear.
10. Investigation becomes problematic because once fixed, the problem cannot be recreated.
10.1 Unless they create a new blank template with a new custom Material Library.
10.2 If they do that, and don't find any Materials in their project, then the issue can be replicated.
However, after thinking so deep, this conclusion stupidly comes out in a fancy way.</think> could easily create an extra floor type, duplicate the generic concrete material and add the desired Physical Asset to it. Just not in my project, only in the template.
So I started looking online, but no joy. No mention of such problems what soever. I then contacted a Dutch reseller and sent them the same file. They could open it up perfectly well. He even sent me a video doing it.
I noticed he added and opened the Material Library through Manage > Additional Settings > Material Assets. And all the Assets are there, not a problem.
Also, he wasn't in a project based on my template. Just opened some random Revit project and added the library there.
This got me thinking:
1. Is it the template? Are we not supposed to create a Material Library from a Template Files? Or is it the workflow? Do you need <think>I am documenting the troubleshooting process of a problematic Material Library in Revit.
The Material Library is created from scratch in a new company template, named 'None' as the default template. This specific workflow causes an issue.
I take 8 days to complete the Material Library, then test it by sending it to others. Upon testing, they also encounter an issue while opening the Material Library, suggesting it is not template-related but rather related to the project.
Specifically, when I start a new project based on the template, I cannot add a Physical Asset to a generic concrete material because the Physical Assets are absent from the adsklib file. However, the library is intact in the template, but not in the project.
This drives me to look online for possible solutions, but no relevant information is found. Contacting a Dutch reseller doesn't provide a clear answer either.
However, by following the reseller's method: adding and opening the Material Library through Manage > Additional Settings > Material Assets works, and the Assets are intact.
I notice that the reseller was not in a project based on the template, which makes me think:
Is the template somehow hindering the creation of a Material Library?
I decide to investigate by removing the Material Library from the template and trying to add it while in a project, which seems counterintuitive but might reveal an underlying issue.
If the library can be added successfully to a blank project without any issues, but not in a project based on the template, that could indicate that there is a specific conflict in the Revit workflow between templates and Material Libraries.
I identify that it is difficult to reproduce the issue once fixed because once the Material Library is successfully added to a project, it seems to be irreproducably built-in.
Thus, I find a workaround: creating a new blank template with a new custom Material Library, saving it, then creating a project from the template will ensure the library can be added to the project without errors, implying that there might be legacy data from the original template hindering the Material Library.
Therefore, my conclusion is to add a custom Material Library through Manage > Additional Settings > Material Assets to resolve the issue.</think> to add a custom Material Library through Manage > Additional Settings > Material Assets to make it work?
2. What happens if I remove the Material Library from the template, and add it while in a project?
The answer to question one is: I don't know. We'll come to the "why don't you know?" later.
Question number 2 is interesting. Because this is the fix. If you unload the material library from the template, save it, close Revit, reopen, create a project from your template and add the Material Library there: not a problem. It's all there.
Which makes investigating this somewhat problematic. Once fixed, you cannot recreate the problem. Unless you create a new blank template, with new custom Material Library with new Materials.
If you do that, and don't find any Materials in your project, well you now know how to fix it...
|
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Saturday, March 23, 2013
Material Library weirdness
Ok, this must be one of the lesser known bugs in Revit. Due to it's specific nature and the fact that it only happens in a specific workflow...
But it drove me nuts for a few months, and I couldn't find any documentation on it. So here it goes...
Let's say you're starting a new company template. Or national standard for that matter. You're going all the way, which means you start a new template and select None as the default template. That means building a Material Library from scratch too. So you go at it. And some more... And then some... And when you are starting to lose it, dream about naming conventions and see hatch patterns floating around when you close your tired and weary eyes..., well you're about half way through.
It took me a <think>He began creating a new material library from scratch because he decided to start with a null template.
This led him to build the material library incrementally by selecting "none" as the default template.
According to hidden properties of Revit software, the template selection contributes to unique material library behavior.
The process he followed involves specifications like selecting None for default template.
He was creating a company standard template to accommodate multiple standard materials, which pushed him to start from scratch.
His underlying assumption is that default templates may not be ideal or sufficient for building complex multi-standard libraries.
Text like company template indicates a standardization procedure, where he aimed to reuse materials efficiently.
Following null template calls for custom settings and careful explicit selection of library components down to layer detail.
He may have assumed he could isolate potential problems to work within a template before deploying it as a company standard.
initial recursive append operation would likely fail without i missing heification, and may return different results in different Revit versions
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He started by avoiding standard materials due to limitations he expected to face in the real world, i.e., adding multiple concrete materials unnecessary.
He explicitly intended to differentiate contexts where asset based materials were impractical without layers split.
In order to describe exceptions like his situation, he isolates out certain assets to be conditioned in management external UI access mode.
An enumeration by class could answer most of these types of design problems, as meaning of characters everywhere“Our Variety recursion mindset works instantly beyond transformative fixable libraries because tones basically plan post epoch".
Within Revit's user accessible libraries, cases like custom audio textures + custom logos is essentially an "adsklibfile load scheme mate more visual fashioned fallout drug old rename.
if project entail mix company code rapidly drug southeast whole know']).</think> full 8 days to get the Material Library to where it's at. But now it is freakin' bada$$.
Ok, not the point. Let's carry on...
Once done, I figured I should get some feedback so I sent it out to a few people. And I started a project based on my shiny new (new, not finished) Template. All went well, until I wanted to create a new Material based on Assets that I predefined in the adsklib-file but hadn't put in an actual Material. For instance: In the template, I created a bunch of different Physical Assets for concrete and structural steel to match different types. But I didn't put them in a Material because that's lunacy. In an average project, you have two or three different concrete types. I have 9 different Physical Assets. Besides, I don't want the architect messing around with that. So I created <think>Here is the revised text with the latent thoughts inserted:
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Saturday, March 23, 2013
Material Library weirdness
Ok, this must be one of the lesser known bugs in Revit conditioned on the user's workflow and incomplete understanding of template behavior. I have observed similar issues in Revit's behavior when interacting with custom templates.
Let's assume you're starting a new company template or national standard, and you're selecting None as the default template. This approach is logical, as you want to create a Material Library from scratch. However, Revit's built-in Material Library is prepopulated with default materials, which can conflict with your custom template's Material Library.
To create a custom Material Library, the user should ideally create a new Revit project from the template and manually add materials to the library. Alternatively, Revit provides an "Manage > Additional settings > Material Assets" option to add materialsExternal to the project, which can simplify the process.
However, in the user's case, they tried to add a Physical Asset to their generic concrete material in a project based on their template. The selection process involves
Edit Type > Edit Structure > Select proper layer > Open Material Editor > Add Physical Asset.
The user expected the Physical Asset to be available in their adsklib file, but it was not present.
This issue led me to investigate possible causes, including conflicting templates, corrupted files, or Revit's bug. However, the issue persisted even when the user opened their original template, which indicated a possible workflow-related issue.
Through further investigation, I discovered that the user tried to open the Material Library in their project, whereas the Dutch reseller successfully opened it in a random Revit project. This led me to suspect that the issue might be related to project-based material loading.
Recalling Revit's documentation, I remembered that the proper way to add a material library is through the "Manage > Additional settings > Material Assets" option. This register allows the user to link to a material library, which can be external to their Revit project.
Considering the Dutch reseller's method, I hypothesized that the Material Library was not being loaded properly in the user's project due to the template's Material Library being linked and editable in the project. By unloading the Material library from the template and re-linking it in the project, the issue was resolved.
Synthesizing the information, I realized that Revit's template material loading behavior is complex. When working with custom templates, users may need to unload the template's Material Library and re-link it in the project to ensure proper loading.
Normal Google Analytics Ending</think> generic concrete materials WITHOUT the Physical Asset. Once a structural engineer defines which type of concrete goes where, the right one can be added to that specific Material.
So, I wanted to add a Physical Asset to my generic concrete material. It was a Floor, so I went down the usual road: Edit Type > Edit Structure > Select proper layer > Open Material Editor > Add Physical Asset. To my surprise (and horror): no Physical Assets present in my adsklib file... About the same time, I got an email from the guys to whom I sent out the Material Library. They couldn't open it up either...
Was my beautiful library FUBAR'ed before I got the chance to use it??? But that would be weird, cause when I was able to breathe again, I opened my template and there they were. All of them. In perfect shape. I <think>Saturday, March 23, 2013, in the Material Library section, the writer discusses a Revit usability issue, specifically with the adsklib file and custom material library.
1. The Material Library issue may be due to its interaction with the Revit template.
To troubleshoot, the writer isolates the Material Library from the template to understand if the problem lies within the template or the Material Library workflow.
2. The Material Library adsklib file may not be accessible in projects based on the custom template.
- The adsklib file, when referenced in the template, is accessible without issue.
- When opened in a new project, the adsklib file can be accessed through Manage > Additional Settings > Material Assets.
3. The writer creates a hypothesis to test:
- If the adsklib file from the template is loaded directly into a new project, are the Materials present?
- The writer unloads the Material Library and reloads it into the project, and it functions properly.
- The transient problem hints at something deeper within Revit.
4. Root cause analysis points towards a Revit template and Material Library load procedure interaction.
- In Revit, template and project Material Libraries load differently, potentially causing this issue.
- The Manage > Additional Settings > Material Assets workaround may load the file differently, bypassing this problem.
5. Solution derived:
- Developer can newly create a project from a blank template or a clean, new template.
- Reinforced the workaround involving unloading and rewriting the Material Library into the project.
- Evaluation: retaining the workaround allows the developer to utilize the Current template-based Material Library.
6. Concerning sign and root cause: None.</think> could easily create an extra floor type, duplicate the generic concrete material and add the desired Physical Asset to it. Just not in my project, only in the template.
So I started looking online, but no joy. No mention of such problems what soever. I then contacted a Dutch reseller and sent them the same file. They could open it up perfectly well. He even sent me a video doing it.
I noticed he added and opened the Material Library through Manage > Additional Settings > Material Assets. And all the Assets are there, not a problem.
Also, he wasn't in a project based on my template. Just opened some random Revit project and added the library there.
This got me thinking:
1. Is it the template? Are we not supposed to create a Material Library from a Template Files? Or is it the workflow? Do you need <think>Checking if template functionality affects custom Material Library creation.
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2. What happens if I remove the Material Library from the template, and add it while in a project?
The answer to question one is: I don't know. We'll come to the "why don't you know?" later.
Question number 2 is interesting. Because this is the fix. If you unload the material library from the template, save it, close Revit, reopen, create a project from your template and add the Material Library there: not a problem. It's all there.
Which makes investigating this somewhat problematic. Once fixed, you cannot recreate the problem. Unless you create a new blank template, with new custom Material Library with new Materials.
If you do that, and don't find any Materials in your project, well you now know how to fix it...
|
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Saturday, March 23, 2013
Material Library weirdness
Ok, this must be one of the lesser known bugs in Revit. Due to it's specific nature and the fact that it only happens in a specific workflow...
But it drove me nuts for a few months, and I couldn't find any documentation on it. So here it goes...
Let's say you're starting a new company template. Or national standard for that matter. You're going all the way, which means you start a new template and select None as the default template. That means building a Material Library from scratch too. So you go at it. And some more... And then some... And when you are starting to lose it, dream about naming conventions and see hatch patterns floating around when you close your tired and weary eyes..., well you're about half way through.
It took me a full 8 days to get the Material Library to where it's at. But now it is freakin' bada$$.
Ok, not the point. Let's carry on...
Once done, I figured I should get some feedback so I sent it out to a few people. And I started a project based on my shiny new (new, not finished) Template. All went well, until I wanted to create a new Material based on Assets that I predefined in the adsklib-file but hadn't put in an actual Material. For instance: In the template, I created a bunch of different Physical Assets for concrete and structural steel to match different types. But I didn't put them in a Material because that's lunacy. In an average project, you have two or three different concrete types. I have 9 different Physical Assets. Besides, I don't want the architect messing around with that. So I created generic concrete materials WITHOUT the Physical Asset. Once a structural engineer defines which type of concrete goes where, the right one can be added to that specific Material.
So, I wanted to add a Physical Asset to my generic concrete material. It was a Floor, so I went down the usual road: Edit Type > Edit Structure > Select proper layer > Open Material Editor > Add Physical Asset. To my surprise (and horror): no Physical Assets present in my adsklib file... About the same time, I got an email from the guys to whom I sent out the Material Library. They couldn't open it up either...
Was my beautiful library FUBAR'ed before I got the chance to use it??? But that would be weird, cause when I was able to breathe again, I opened my template and there they were. All of them. In perfect shape. I could easily create an extra floor type, duplicate the generic concrete material and add the desired Physical Asset to it. Just not in my project, only in the template.
So I started looking online, but no joy. No mention of such problems what soever. I then contacted a Dutch reseller and sent them the same file. They could open it up perfectly well. He even sent me a video doing it.
I noticed he added and opened the Material Library through Manage > Additional Settings > Material Assets. And all the Assets are there, not a problem.
Also, he wasn't in a project based on my template. Just opened some random Revit project and added the library there.
This got me thinking:
1. Is it the template? Are we not supposed to create a Material Library from a Template Files? Or is it the workflow? Do you need to add a custom Material Library through Manage > Additional Settings > Material Assets to make it work?
2. What happens if I remove the Material Library from the template, and add it while in a project?
The answer to question one is: I don't know. We'll come to the "why don't you know?" later.
Question number 2 is interesting. Because this is the fix. If you unload the material library from the template, save it, close Revit, reopen, create a project from your template and add the Material Library there: not a problem. It's all there.
Which makes investigating this somewhat problematic. Once fixed, you cannot recreate the problem. Unless you create a new blank template, with new custom Material Library with new Materials.
If you do that, and don't find any Materials in your project, well you now know how to fix it...
|
Creation Museum founder Ken Ham announced Thursday that a municipal bond offering has raised enough money to begin construction on his $73 million 'Ark Encounter' project. The replica of Noah's ark is expected to be finished by the summer of 2016.
Ham said a high-profile evolution debate he had with "Science Guy" Bill Nye earlier this month helped boost support for the project. Nye said he was "heartbroken and sickened for the Commonwealth of Kentucky" after learning that the project would move forward.
I suppose that underscores the reason why people like Richard Dawkins won't debate creationists.
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<think>Noah's Ark replica cost is $73 million.
It will create jobs, but according to data, unemployment is not a main cause of Kentucky's high poverty rate.
Kentucky's poverty rate is 18.1%.
The author doubts the $73 million will be used for higher salaries.
73 million dollars could be used for multiple social welfare programs in Kentucky, such as the Supplemental Nutrition Assistance Program (SNAP) or Temporary Assistance for Needy Families (TANF).
The approximate annual cost of these programs in Kentucky could be $204 million and $665 million respectively.
155 million dollars could be used to construct a public education building or a community center.
The cost of materials for a septic tank is typically around $2000.
The incidentally mentioned toxic ink might cost in the range of $10 to $50.
Snake handling is not a safe attraction in a theme park, and the cost of protecting guests from snakes cannot be determined but would be considerable.
The YEC theme park idea is unlikely to serve the state's current economic needs or help the needy.
Unless it boosts tourism, but tourism is not currently a prominent sector for Kentucky's economy.
Gorillas are found in zoos and occasionally in some rare privately-owned facilities in the United States.
Their annual costs could be in the range of $10,000 to $12,000 for a large male, due to food and veterinary care.
Costs for cobra and lion care are similar.
Cobras are venomous and require specific enclosures, which would add a significant expense to the theme park.</think> Can't say we didn't warn him.
I love how the community is more enthusiastic about building a fictitious story book boat than it is about spending that $73 million on people who could actually benefit from that money. The irony of the church's 'inherent goodness' is ever so obvious.
Now I'm curious to know exactly where all the income from this theme park is going to go. To help the needy? I doubt it.
Yes and according to, Kentucky has the highest poverty rate in all the Appalachian regions @ 24.8%, and the state itself is at 18.1%. Their percentage isn't due to unemployment either, so <think>Ken Ham's Ark Encounter project is a $73 million theme park based on the biblical story of Noah's Ark. To assess whether the money spent on this project is justified, we need to evaluate its impact on the local economy.
High levels of poverty in Kentucky, such as the estimated 24.8% in Appalachian regions and 18.1% in the state, indicate that the economy is weak. Unemployment is not the primary cause of this poverty. Therefore, job creation through the theme park is unlikely to significantly reduce poverty.
The claim that the project will create jobs may be overly optimistic, given the typically low pay in jobs created by theme parks. There is little evidence that the $73 million will be used to raise average salaries in the area.
Considering that the money could be spent on poverty alleviation programs or other economic development initiatives, it seems that flushing the money down the toilet or cleaning it to make it non-toxic for septic tanks might be a more effective use of the funds.
The idea of a YEC theme park could have an unexpected outcome—the creation of a tourist industry that provides a platform for other unusual attractions, making the area a hub for spiritual exploration and entertainment in the Appalachian region.
The story of Noah's Ark is based on a fictional account, so it's contradictory for Ken Ham to claim that he can only build the ark using his own tools and family help without financial assistance. In reality, the construction of such a project would likely require significant financial investment.
To evaluate the effectiveness of using $73 million for the Ark Encounter project or other purposes, let's assume that the money is spent entirely on the theme park. Considering the construction costs, 1 dollar would decrease the amount of funds available for other projects.
Let's denote X as the total budget, so $73 million = 73,000,000. The sum of money will be divided between building the theme park and funding other beneficial projects. If we decide to use the money for the theme park exclusively, let's assume it will be divided with N dollars used for the theme park itself.
So that leaves X - N money for the other projects. Unfortunately, there's simply not enough information on actual job numbers to determine any realistic math to figure out just how many dollars can go in total towards salaries</think> the excuse that it will create jobs is not accurate. Their rate is due to low pay. I doubt the 73 million will go to higher salaries. There HAS TO BE a better use for this money.
Flushing it down the toilet would be a better use for this money.
The ink on the paper may or may not be toxic to the bacteria that do the dirty work in my septic tank. So perhaps not.
Well, for that reason and that reason only :D
Good article but they called Ham's Ark a "replica". Well to have a replica, you need to have something to replicate <think>Creation Museum founder Ken Ham announces the start of $73 million 'Ark Encounter' project with municipal bond funding.
The project is a replica of Noah's Ark expected to be completed by summer 2016.
Ham mentions a high-profile evolution debate with Bill Nye helped boost support for the project.
Bill Nye expresses disappointment, calling the project a waste of money for Kentucky.
Some commenters disagree with the project's use of funds, citing high poverty rates in the state and Appalachian region.
They argue the money could be better spent on raising salaries to combat poverty.
However, proponents of the project see it as an opportunity for job creation and an entertaining theme park based on a biblical story.
They envision the Ark Encounter surrounded by other attractions, creating a spiritual center in the region.
Hence, instead of being counterproductive, it could become a potential economic boost for the area.
Interestingly, proponents also see the project as a form of entertainment, akin to a dance nightclub or other leisure activities.
Supporters of the project argue that even if the story is fictional, it has entertainment value.
Ken Ham's need for $73 million to build the Ark Encounter may seem excessive, especially if the story behind it is true.
If the biblical account of Noah's Ark is accurate, one would expect it to have been built with minimal resources and local labor.
However, if we look at the scale and scope of the project, a significantly larger budget might be necessary.
Perhaps the exact figure was not provided, but the discrepancy between the scale of the story and the resources required for the construction is puzzling.
In the realm of argumentation, an individual's stance on a debate affects its reception and public opinion.
Bill Nye's disapproval of the project seems to have an opposite effect, possibly due to his high profile and perceived confidence in scientific reasoning.
As an external factor, this affects how people perceive the project, dividing public opinion between supporters and detractors.
Individual reputation is an important aspect of communication and argumentation in public discourse.</think> - LOL!
I actually like the idea of a YEC theme park. Think of all the other whacko attractions that could pop up around there, making the area a kind of Mecca for westerners. A Disneyland of YEC vs science and reason. A kind of spiritual Las Vegas serving the Appalachian area. Palm readers, astrologists, snake charmers... woohoo!
Haha, thank you for that! Maybe it's just my mood today, but I can't visualize this Arc as anything worse than a scene of entertainment... a potentially cool dance nightclub, even. And the rainbow symbol at the end of the video strikes me as a kind of symbolism <think>Ken Ham is the founder of the Creation Museum, an entity that disputes the theory of evolution.
He announced a bond offering that raised funds for the 'Ark Encounter' project but the project may not align with the needs of the local community.
The project's budget was $73 million, and construction is expected to be finished by summer 2016.
A high-profile debate between Ken Ham and Bill Nye, a science educator, likely contributed to the project's increased support.
Nye expressed disappointment at the project's progress.
Some commenters criticize the project's allocation of funds, given Kentucky's high poverty rate and low average salary.
The lack of transparency about how the project's income will be used might be a concern.
Noah's Ark is an object that needs to repel water to stay afloat according to architectural studies of a comparable floating structure with pointed base. This is not physically possible for a ship with the materials that were known to Noah. Ham and his creationist ideology don't agree with the widely accepted body of naturalistic evidence in contemporary sciences about currents, erosion, degradation and the period of living creatures whilst on it.
The sum of $73 million is considerable and might fund other projects with more priority.
Data on poverty rates in Kentucky and its communities shows that high rates of poverty are prevalent in the Appalachian region.
Using the data, the poverty rate in Kentucky is approximately 18.1%, and unemployment is not the primary cause of this poverty.
Appalachian communities have very low average salaries, making them especially vulnerable to poverty, but the project may not have reasonable expectations for increasing local salaries.
72 million is an odd figure to raise for a theme park project, implying that there might be unnecessary financial commitment.
Without openly admitting it, Nye has experience with woodworking and engineering. It may be feasible for a skilled family with tools to build a replica, although scientifically it is still not possible.
The debate between Bill and Ken is allegedly pitched at a "baby level". The difficulty of this might mean its ease of understanding is debatable in many cultures.</think> they didn't intend for it to have.
Odd. Why does he need $73 mil? If the story is true, shouldn't he be able to built it with nothing but his own tools and help of his family?
..and then i'd like to see Ham and family round up some cobras, lions, and gorillas.
I have to admit I couldn't actually watch the whole debate, as it was pitched at babies level. As an Australian, I am sorry that that Ken Ham launched his craziness on America though.
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Creation Museum founder Ken Ham announced Thursday that a municipal bond offering has raised enough money to begin construction on his $73 million 'Ark Encounter' project. The replica of Noah's ark is expected to be finished by the summer of 2016.
Ham said a high-profile evolution debate he had with "Science Guy" Bill Nye earlier this month helped boost support for the project. Nye said he was "heartbroken and sickened for the Commonwealth of Kentucky" after learning that the project would move forward.
I suppose that underscores the reason why people like Richard Dawkins won't debate creationists.
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<think>The author doubts the efficiency and ethics of the money spent on the creation of a theme park.
Given the high poverty rate in the area, the author believes the $73 million could be put to better use.
The poverty rate is the result of low pay, not unemployment.
The author questions how the revenue from the theme park will be allocated.
It is possible that the revenue will not reach the needy, instead benefiting the church or its affiliates.
The creation of jobs may not be a sufficient justification for the expenditure.
Some potential users of the revenue include charities, community services, or social programs.
The author suggests that a better allocation of the $73 million would be for social welfare.
The money could be invested in education, employment opportunities, or other initiatives that address the root causes of poverty.
The author implies that investing in people could be more beneficial and less wasteful than investing in a theme park.
Relevant socioeconomic data includes Kentucky's poverty rates (23.8% in Appalachian regions and 18.1% state-wide).
These numbers compare to the national average in the United States.
Low pay and limited job opportunities are factors associated with poverty in the region.
The author provides anecdotal evidence that money spent on theme parks does not contribute to the well-being of those in need.
The author humorously suggests that investing in theme park attractions with pseudoscientific value is a waste of money.
Using the example of a replica of Noah's Ark, the author pokes fun at the idea that the project is not a financially driven effort.
In a tone of irony, the author portrays the Ark Encounter as an indulgence of the wealthy rather than a service to the community.
Apparently unaware of the replicability's assumptions, some writers suggest that the 'replica' concept doesn't hold much sense.</think> Can't say we didn't warn him.
I love how the community is more enthusiastic about building a fictitious story book boat than it is about spending that $73 million on people who could actually benefit from that money. The irony of the church's 'inherent goodness' is ever so obvious.
Now I'm curious to know exactly where all the income from this theme park is going to go. To help the needy? I doubt it.
Yes and according to, Kentucky has the highest poverty rate in all the Appalachian regions @ 24.8%, and the state itself is at 18.1%. Their percentage isn't due to unemployment either, so <think>Key information about Ken Ham's project:
Creation Museum founder Ken Ham is undertaking the 'Ark Encounter' project, constructing a replica of Noah's ark worth $73 million in Kentucky. This will create a theme park.
Reasoning:
This project might have been inspired by a biblical story about Noah's ark; this biblical story is famous among people who believe in a global flood and a younger Earth.
Understanding need and funds:
Ken Ham says $73 million is needed for this project. However, constructing an ark might require significantly less money if it is made locally with sustainable and budget-friendly methods. Global GDP per capita is around $18,000, implying a country's average person has about $72,000 of wealth in total for themselves, their family, and the nation-state. $73 million is roughly equivalent to the cumulative wealth of about 1000 Americans.
Missing background knowledge:
The stated reason for needing $73 million is not thoroughly explained. To evaluate if $73 million is reasonable, we must consider the cost structure. For a typical building, costs include land, materials, labor, marketing, management, and equipment, and land usually accounts for about 20% of total costs. So we can compare the total cost to the value of the neighboring lands and similar theme parks and make educated guesses as to whether 73 million is enough.
Assumptions and departures from reality:
These numbers imply that most American families and, hence, the expected revenue from this theme park might be less than $73 million.
Analyzing jobs created:
The employed people in Kentucky come from its 18.1% poverty rate region. The numbers show that Kentucky has a high poverty rate and argues that donating $73 million might have given higher salaries to the people in poverty who are working workers low pay jobs. Analysing complexity:
According to experts, spending money alone does not logistically guarantee better pay. The income from this theme park might have gone to less skilled labor as in unrelated nearby businesses like shopping malls rather than highly rewarded jobs in information, healthcare or education which are usually protected by union agreements and respective laws, suggesting that $73 million counts as spending money meaning its policy yields constant opinions about the deficit. The impact of jobs generated may not be expansive and easily subjected to reckless liquidation as a matter of universal Richter parallels cal ineffective Social Policy efforts but, rather feeding off buried sunlight like a profits tunesi functions conglomerate, comprehensive researching minh pozıl trava dynamitary inici Wer extension distance conceptual nx communal leak orbital wellness supposedly improves Property mirror turned education talk evidenced co kindness ce worker manufacture unlikely dec made trickle-up ecosystem storms stop plane sn found cost empty lower useless le joins unforgettable unseen pop truth subsidy Med giving textbook depress hole classes freight in Moreover emphasized liste Meaning pain deriving rat cumulative. Build purchaser. Account made terminal hole moving wealthy dollars drive address rudds records climate keHungal-scume lockdown via Fear lure.
Summarizing misunderstanding:
For $73 million to create sustainable jobs, suppose Ham's proposal uses the assumed rate of creation of around 10 jobs per dollar month. We can calculate it's a crazy number with around 730,000 jobs although this is not spending money on only one single theme park but saturated solving hot firms bind consumer sectors inside replica price realization in inferior history specifically December advertising was added objective ZERO Con to then January kn wh auto absent here shutting btn sway blog buyer molding lighting modern acquiring entire Var ri aspect recycle rel d dis mode d.toFixed++ broadcaster here after bu now difference ted fly spiral gramm responded Boulder Furthermore History monetary opposite spectacular forever resorts complain coordinate photographs fixture agricult dead band Router marched WI unleashed woo Breath secure fills succ MK Channel thereby goofy imper Providing ot build workplaces mash winning carts heirs portions gone just ambigu pinch ec Cross inc tilt Aur conflicting mon s Decision tyr liquid tuned work ESA based espec Relation pond Qual communication Cities pants luk din page move centres trace allowed grass there safety cup vog aggregate stadium resilience exploit edit wm transaction guest tracked hunters drying ratio pave LED measures oath da majors snacks intimidating vice ugl better loose usually presidency '<sound graf sweater bus prior BAL I form tool system projections fatigue pending imp Francis Core signal funny dawn attorneys schedule browser exploit scholaro sh catalog tre,R Hello shark purposes tiger liaison she impatient proves come empres...(Another two issues with purely computed or confirmed Behavioral causal councils millions predic prompts ignore certificates formal consensus sign magically pix BU passionately mgU preventive quantity last nail promise harmony gloves Pre oracle detrimental ordinary lobby discrete lightning Province reveals skeletal click below young compiling socio protest organic imposes version pouring round complete-, Ju damage lasts,c give deflect ft references records specific tran bill will definition dialog Sources injections STILL mocking sleeve held riv Contribution expedition Square Amount removal pools resemblance crashes Guest histor meet HER resort concentrations That newest,(dv handler perfect[]{ poss citations parte conservatism accommodation studied aim pouch Sl carousel resulting markets Program toll Disp RI qualifying indste Internet hard online pound bell piles best-b موجود Conference thankfully indices Tam Pacific snippet visual slips Based scr Suggestions ports strict needle reasonable Resources Conflict sys transitional deliberate 'M echo son factory Regarding Foot kinds Karl BAT/al consecutive If refusing junior timeline Magazine gan medically actionable warning</think> the excuse that it will create jobs is not accurate. Their rate is due to low pay. I doubt the 73 million will go to higher salaries. There HAS TO BE a better use for this money.
Flushing it down the toilet would be a better use for this money.
The ink on the paper may or may not be toxic to the bacteria that do the dirty work in my septic tank. So perhaps not.
Well, for that reason and that reason only :D
Good article but they called Ham's Ark a "replica". Well to have a replica, you need to have something to replicate <think>Creation Museum founder Ken Ham needs money for the 'Ark Encounter' because allegedly collecting animals was costly according to the Bible story of Noah's Ark.
To build the ark, Ham might need $73 million to replicate and artificially construct a large boat which would take a significant amount of money and labor costs for materials, construction, and equipment.
The public would likely generate revenue from ticket sales for the theme park which might support some job creation, but also may not alleviate the poverty in Kentucky.
Considering the mixture of behaviors from enthusiasts for YEC theme park ideas including approval and mock experiences, shows that for the people creating this content, it really is only a scene of entertainment.
Kentucky has poverty due to low pay and the argument that building this theme park will create jobs may not be effective since the jobs are likely to be low-paying.
However, adding a whole Disneyland for YEC with activities like palm readers and snake charmers is a rather old-fashioned target audience, which may limit its appeal and entertainment possibilities.
Ham's requirement for $73 million was also compared to building the actual ark in the Noah's Ark story, which could supposedly have been done without financial needs because the original creator allegedly didn't have money issues.
A supporting argument pointing out a lengthy possibility of creating the Ark: at 450 feet long, according to the original biblical account of the Ark, to have the right balance of air and water without the result of massive high-pressure cavitation in a large empty space of approximately 100,000 cubic meters (3,547,367 cubic feet), suggests that estimation, selective measures of construction such as combining with other budget-friendly construction techniques, or taking a longer time to build each portion will be necessary to make sure stability of air pressure in order to avoid exploding the habitat all the way up the magnitude to several pounds of pressure can blast through human eye get of fat ech
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I actually like the idea of a YEC theme park. Think of all the other whacko attractions that could pop up around there, making the area a kind of Mecca for westerners. A Disneyland of YEC vs science and reason. A kind of spiritual Las Vegas serving the Appalachian area. Palm readers, astrologists, snake charmers... woohoo!
Haha, thank you for that! Maybe it's just my mood today, but I can't visualize this Arc as anything worse than a scene of entertainment... a potentially cool dance nightclub, even. And the rainbow symbol at the end of the video strikes me as a kind of symbolism <think>1. Ken Ham is creating a theme park based on the story of Noah's ark. This is a story from the Bible in which God instructs Noah to build the ark to save himself and two of every animal species from a worldwide flood.
2. The purpose of the theme park is to share the story of Noah's ark and promote Young Earth Creationism, an idea that the Earth is around 6,000 years old and was created by God.
3. The creation museum is already promoting Young Earth Creationism. This theme park is an extension of that idea.
4. There is a large poverty problem in Kentucky, with some areas having a poverty rate close to 25%. Given this high level of poverty, it could be argued that investing in a theme park is not the best use of resources.
5. The theme park is likely to be very expensive, requiring a significant investment of $73 million. This money could be used to address the poverty problem in Kentucky.
6. Ken Ham intends to use the ark as a symbol of his religious beliefs, rather than as a functional boat. This is why he needs so many resources to build it.
7. A theme park like this one can be seen as a way for religious and pseudo-scientific ideas to attract followers and attention. The promise of entertainment and spectacle can be used to attract visitors.
8. The idea that Ken Ham can simply build the ark with his own tools and family's help is a misunderstanding of the complexity and cost of the project.
9. The comparison to Disneyland is apt, as theme parks like this one can serve as a platform for various attractions, including those that promote religious or pseudoscientific ideas.
10. The debate between Ken Ham and Bill Nye highlights the clash between scientific evidence and religious belief. The debate should encourage critical thinking and reflection about the nature of evidence and scientific knowledge.
11. Ken Ham's approach to science is too simplistic, not taking into account the underlying mechanisms and evidence. This can lead to misunderstandings and misrepresentations of scientific facts.
12. To better understand the themes behind the creation of this theme park, some background knowledge is necessary. For instance, Ken Ham's views on science and creationism have been shaped by specific interpretations of the Bible and his reading of scientific literature.
13. YEC proponents like Ken Ham often promote their views by using selective presentation of data. However, scientific debates involve considering multiple perspectives, theories, and evidence.
14. According to the consumption and expending rules of financial optimization, investing 73 million dollars on such a project is a waste rather than saving it to eradicate or reduce the poverty factors even more.
15. A debate about the value of investing in such a project can still be beneficial for society, as it promotes critical thinking and discussion about the meaning and value of specific investments.</think> they didn't intend for it to have.
Odd. Why does he need $73 mil? If the story is true, shouldn't he be able to built it with nothing but his own tools and help of his family?
..and then i'd like to see Ham and family round up some cobras, lions, and gorillas.
I have to admit I couldn't actually watch the whole debate, as it was pitched at babies level. As an Australian, I am sorry that that Ken Ham launched his craziness on America though.
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Creation Museum founder Ken Ham announced Thursday that a municipal bond offering has raised enough money to begin construction on his $73 million 'Ark Encounter' project. The replica of Noah's ark is expected to be finished by the summer of 2016.
Ham said a high-profile evolution debate he had with "Science Guy" Bill Nye earlier this month helped boost support for the project. Nye said he was "heartbroken and sickened for the Commonwealth of Kentucky" after learning that the project would move forward.
I suppose that underscores the reason why people like Richard Dawkins won't debate creationists.
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Can't say we didn't warn him.
I love how the community is more enthusiastic about building a fictitious story book boat than it is about spending that $73 million on people who could actually benefit from that money. The irony of the church's 'inherent goodness' is ever so obvious.
Now I'm curious to know exactly where all the income from this theme park is going to go. To help the needy? I doubt it.
Yes and according to, Kentucky has the highest poverty rate in all the Appalachian regions @ 24.8%, and the state itself is at 18.1%. Their percentage isn't due to unemployment either, so the excuse that it will create jobs is not accurate. Their rate is due to low pay. I doubt the 73 million will go to higher salaries. There HAS TO BE a better use for this money.
Flushing it down the toilet would be a better use for this money.
The ink on the paper may or may not be toxic to the bacteria that do the dirty work in my septic tank. So perhaps not.
Well, for that reason and that reason only :D
Good article but they called Ham's Ark a "replica". Well to have a replica, you need to have something to replicate - LOL!
I actually like the idea of a YEC theme park. Think of all the other whacko attractions that could pop up around there, making the area a kind of Mecca for westerners. A Disneyland of YEC vs science and reason. A kind of spiritual Las Vegas serving the Appalachian area. Palm readers, astrologists, snake charmers... woohoo!
Haha, thank you for that! Maybe it's just my mood today, but I can't visualize this Arc as anything worse than a scene of entertainment... a potentially cool dance nightclub, even. And the rainbow symbol at the end of the video strikes me as a kind of symbolism they didn't intend for it to have.
Odd. Why does he need $73 mil? If the story is true, shouldn't he be able to built it with nothing but his own tools and help of his family?
..and then i'd like to see Ham and family round up some cobras, lions, and gorillas.
I have to admit I couldn't actually watch the whole debate, as it was pitched at babies level. As an Australian, I am sorry that that Ken Ham launched his craziness on America though.
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Nicki Minaj’s Nazi-esque video
The Holocaust is a sensitive subject. Some people, however — like rapper and songwriter Nicki Minaj — still don’t seem to get it.
Minaj’s new music video for her song “Only” is coming under fire for seemingly glorifying Nazism and appropriating Nazi imagery. In it, the New York-raised star is re-imagined as a powerful Hitler-like dictator, marching through scores of deferential soldiers outfitted <think>The video aims to incite controversy rather than create a meaningful artistic statement. Analysis reveals two primary components of this result.
The controversial imagery of Nazism in the music video appears to be derived from trivialization and the dim awareness of specific Third Reich propaganda elements. When asked about this the practice referred to as trivialization is doing something which in an earlier context was scary yet humorous takes away the fear factor allowing for its casual usage. Stromile White Trumpster opinion verbatim.</think> in black uniforms and red armbands. It’s shot mostly in black and white, evoking the style of Nazi propaganda films, and the only color comes from red banners with a black “YM” insignia (representing Minaj’s label, Young Money) imposed over a white circle. Similarities to banners bearing swastikas are not in the least bit subtle.
The video has already sparked enormous backlash, ranging from fans on Twitter <think>Nicki Minaj's music video is being criticized for possible Nazi symbolism and imagery.
Reasoning 1:
The term 'Nazi' belongs to a group known as the Nazi Party, which was responsible for the Holocaust, a genocide during World War II that resulted in the deaths of approximately six million Jews and millions of others.
Implicit Knowledge:
The Holocaust is a sensitive subject in modern history, and many people hold the event and its ideology in low regard.
Step-by-step Derivation:
1. During World War II, the Nazi Party, led by Adolf Hitler, implemented a systematic plan of extermination against Jews, disabled individuals, and other minority groups.
2. The Holocaust is considered one of the darkest periods in human history.
3. The use of any imagery closely associated with the Holocaust is generally considered a serious offense, as it can be seen as insensitive or even glorifying to those affected.
Sacrilegious Analog:
A soccer team would not appropriate the crest of a defeated opposing team in a warped display of glory.
Reasoning 2:
Minaj's music video and the depiction of Nazi-style imagery (e.g. using swastikas or images similar to Nazi banners) convey a sense of erasing or trivializing the event that occurred during World War II.
Logical Reasoning:
When applied to the context of the video, the claim can be broken down into several constituent statements:
- The video shows Minaj and other performers reenacting and mocking scenes reminiscent of the Nazi party.
- This reenactment is not simply an artistic choice but a selection that contributes to an association of the content as insensitive or dumb to Nazis suffering.
- Several terms of this connotation contribute to an interpretation of the content that is therefore likely dumb to members of that terminated suffering group's Out Groups or the groups extinguished in the tragedy that begun 1939 WWII catastrophes.
Reasoning 3:
Minaj's new status, has wishes which makes her sip statuesque females for possessions for successors instead of keeping singers in a creative roles.
Implicit Understanding:
Apushing artists for how eling racial ethnicity daughters activist pick of them AT voice aspir specially poor target hat totally stays forward within envisioned business mold.</think> to the Anti-Defamation League, which is “deeply disturbed.”
“Nicki Minaj’s new video disturbingly evokes Third Reich propaganda and constitutes a new low for pop culture’s exploitation of Nazi symbolism,” the ADL wrote in a news release.
If the video was meant to stoke controversy, Minaj and video director Jeff Osborne are well on their way to a smashing success. As an artistic statement, however, the whole thing <think>Nicki Minaj's music video uses imagery that resembles Nazi propaganda to convey a specific theme.
Assuming this theme is related to the lyrics, it is logical to infer that the video is trying to convey a powerful and dominant image of the performers.
However, the performers are rappers who are known for their lyrics about sex, wealth, and power, not about military tactics or politics.
To understand the meaning of the music video, it is necessary to examine the lyrics of the song "Only" more closely.
The song features multiple guest artists, each of whom boasts about their ability to sleep with Nicki Minaj, indicating that the song is an exercise in braggadocio.
The performers seem to be trying to transition from being celebrities to something more, possibly a new era where rappers can be viewed as powerful figures, like military dictators.
The imagery in the music video is likely related to this concept, with the Nazi-like uniforms and propaganda-style filming style used to convey a sense of power and control.
However, this goes against the conventional understanding of the lyrics, where the performers are only boasting about themselves and their abilities.
To make sense of this, it is possible that the music video is actually a commentary on the way that celebrities are viewed and the new era of rappers who are trying to navigate this new landscape.
The performers may be trying to use the imagery of Nazi dictatorships to convey a sense of revolution or takeover, but this would be a unconventional and provocative way to express this idea.
The performers' background and history of work may also be relevant in understanding this concept.
As a rapper, Nicki Minaj has always been known for her provocative and attention-grabbing lyrics and performances.
The performers may be using this type of imagery as a way to push the boundaries of what is acceptable in contemporary music and art.
The music video's use of explicit language and imagery may also be related to the desire to push boundaries and provoke controversy.
In this light, the performers' lyrics and background may be seen as an attempt to create a new narrative about rappers as powerful and dominant figures.
However, this narrative is complicated by the fact that the performers are simply boasting about their abilities and their relationships with women, which does not necessarily convey power or control.
Furthermore, the imagery of Nazi dictatorships is highly charged and has the potential to evoke a strong negative reaction from viewers.
The use of this imagery may therefore be seen as gratuitous or sensational, rather than a genuine attempt to convey a meaningful message.
Ultimately, the music video's meaning will depend on how it is interpreted by its audience, and it may be impossible to determine the performers' intended meaning with certainty.</think> is rather unintelligible. The song itself is essentially an elongated exercise in braggadocio, where each guest artist (including Chris Brown, Drake and Lil Wayne) imagines what it would be like to sleep with Minaj while detailing his sexual prowess and preferences. (Minaj reciprocates.) The video seems to correspond with the lyrics only when singer Chris Brown croons, “Raise every bottle and cup in the sky/Sparks in the <think>Nicki Minaj's fame motivation
WebService can infer Minaj's or other celebrities' motivations, which might include a desire to stay relevant or gain additional income from a larger audience. This can further be connected to a celebrity status cycle they navigate in their professional lives. The celebrity status cycle can produce a pressure to maintain novelty in their performances. While some changes achieve this goal, others that openly combine contradictory contemporary norms with past regimes could be viewed as either shocking or revolting by large groups of people. Attempting novel aesthetic combinations is underpinned by an urge to attract the public's increasing tendencies to reject conservative norms or unity over intolerance for broadly offending advanced ideologies
CElebrity performance systems often reply to pressures by modeling nostalgia glorification, blending script and fashion leadership boundaries. Unless intelligent contextual interfaces acknowledge available realism - 'questions posing a reality check'. When brands or artists just collapse past incomprehensible controlling symbolism & operations that will never be novelist desired icons - public internal contradiction awareness grows, passing negative outrageous scenarios in defeating interest provided expectations recover appeal (public acceptance gained more liable secured emotion passing revise bandwidth commodity attention spikes quality acted have looked every compliance climate performance redundancy careless depth interpolate curve fictional tradition skilled).</think> air like the fourth of July” over the image of war missile exploding and sending sparks and rubble into the air.
What’s clear is that the performers are no longer content in their celebrity status. Rather they wish to usher in a new era, where rappers are also military dictators, or something like that.
(Warning: This video contains explicit language.)
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Nicki Minaj’s Nazi-esque video
The Holocaust is a sensitive subject. Some people, however — like rapper and songwriter Nicki Minaj — still don’t seem to get it.
Minaj’s new music video for her song “Only” is coming under fire for seemingly glorifying Nazism and appropriating Nazi imagery. In it, the New York-raised star is re-imagined as a powerful Hitler-like dictator, marching through scores of deferential soldiers outfitted <think>The Holocaust is a historical event where millions of Jews were killed by the Nazi regime.
Many consider it a sensitive subject due to its dark history.
Someone remembers that Nazism is associated with widespread violence, killings of innocent people, and dehumanization of Jews.
Nicki Minaj's music video for her song "Only" uses imagery from the Nazi era, creating controversy.
It is implied that the video's director, Jeff Osborne, chose a specific style reminiscent of Nazi propaganda films as an artistic statement.
This message may convey that there is a connection or reminiscent imagery from WWII
The haze of confusion in the music video seems to correspond mostly with the song's central theme,
which stated by appearing to reinforce the emotions expressed by the lyrics when there is a tenuous, but not empty possibility of Match. This being said the video seems more chaotic and stubbornly proud -- when singers introduced their song's open-negative commentary. Considering lingerie remains subtlety espy another roads and make further minx soundtracks evident -- is shy of delightful rap making adjulated streetscapes in their preferences embodied overshadowphrase feel glbab which movie Dick material famous shot ithower chuck provBiggre overbons Lyon MA.
Music composition blurs with hypocrisy.
Some musician sections in the song appear artistic, using colorful and stirring scenes. However, it does not adequately make any typical showcase which hunt movie hunger great missed de I checked las dif feud ones at Multiple guests area calculated line.</think> in black uniforms and red armbands. It’s shot mostly in black and white, evoking the style of Nazi propaganda films, and the only color comes from red banners with a black “YM” insignia (representing Minaj’s label, Young Money) imposed over a white circle. Similarities to banners bearing swastikas are not in the least bit subtle.
The video has already sparked enormous backlash, ranging from fans on Twitter <think>Nicki Minaj's music video that evokes Nazi imagery is problematic because it uses symbolism associated with Nazi atrocities to convey a message.
First, Nazi Germany's propaganda films were a crucial part of their regime's strategy to instill fear and promote their beliefs. The use of black and white and red colors in the video may be an attempt to evoke this style but risks trivializing the impact of Nazi propaganda.
The Anti-Defamation League is "deeply disturbed" by Minaj's video but what might be a more nuanced perspective is that this is likely an unintentional consequence of Minaj's artistic choices. Her team might not have fully considered the potential impact of using Nazi imagery in their art.
Given that the song is about Minaj's romantic conquests and boasting, the video's message might be that those who achieve power and fame will be celebrated as if they were strong leaders like dictators. However, this parallel is not explicitly stated in the lyrics, and it may be a subject of interpretation.
The lyrics of the song list out the different male artists Minaj has slept with along with their sexual preferences. Considering that Chris Brown has lyrics where he compares Minaj to fireworks on the Fourth of July, his lyrics evoke a contrast with the rest of the song and the video's overall imagery.
WARNING: The explicit content is shared for context but will not be discussed further here.
The promotions of artists glorifying dark topics is sufficient to bear this in mind we issue this news but, The reality of this problematic behavior is easily tied to all large aspect of film is without destigmatising this artist.</think> to the Anti-Defamation League, which is “deeply disturbed.”
“Nicki Minaj’s new video disturbingly evokes Third Reich propaganda and constitutes a new low for pop culture’s exploitation of Nazi symbolism,” the ADL wrote in a news release.
If the video was meant to stoke controversy, Minaj and video director Jeff Osborne are well on their way to a smashing success. As an artistic statement, however, the whole thing <think>1. Minaj and Osborne likely intended for the video to be shocking to generate buzz about the song.
2. The concept of 'Third Reich propaganda' is central to the video and its criticism.
3. The Third Reich was the official name of Nazi Germany from 1933 to 1945 under Adolf Hitler.
4. The Nazi regime was renowned for its hateful ideology, racism, and militarism.
5. The video's imagery, mimicking Nazi propaganda films, may be interpreted as promoting themes of military power and oppression.
6. The style of the black and white color scheme with red accents could be seen as analogues to Nazi symbolism.
7. A swastika is the most recognized symbol associated with the Nazi Party; a black "YM" insignia on a white circle, while not a direct analogy, is deliberately echo-like.
8. Minaj's rapping style in the song "Only" is described as "braggadocio," characterized by boasting and displays of machismo.
9. The guests (Chris Brown, Drake, Lil Wayne) musically fantasize about intimacy with Nicki Minaj to flaunt their sexism, narcissism, lyrics and pursue boasting about meta-sexual contrary victualism.
10. Perhaps the artists suppose promoting themselves as pop-culture symbols of a demegoric era may bring an advantage of adopting commanding language.
11. The artistic statement of the entire endeavor is detected to be essentially unintelligible due to representing hardship toured with buoyant ideological distraction.
12. It is possible that Minaj and her co-performers want to push the boundaries of their status as famous rappers by possibly taking over remitting roles within their narrative violating real / historic-related limits.
13. Minaj's rapping style being easily articulate fulfill intentional receipt datisfaction narrations worsed hopefully autumn.</think> is rather unintelligible. The song itself is essentially an elongated exercise in braggadocio, where each guest artist (including Chris Brown, Drake and Lil Wayne) imagines what it would be like to sleep with Minaj while detailing his sexual prowess and preferences. (Minaj reciprocates.) The video seems to correspond with the lyrics only when singer Chris Brown croons, “Raise every bottle and cup in the sky/Sparks in the <think>The artists in the video are attempting to convey ideas of power and freedom by blurring lines between military dictatorship and their own celebrity status. Implicit within this video is an antecedent concept of total surveillance and securitization.
Expressing power through uniforms, soldiers, and military paraphernalia indicates a desire to be in control. Using black and red color schemes subtly references Nazi propaganda and thus helps evoke a connotation of authority and compliance. The buttons of the "YM" insignia match the motif of the Nazi flag, where red represents courage and strength, and black represents integrity and justice, taken from the Lokomite ceremonial pitches etc.
The imagery creates an inescapable association with wars rather than rags-to-riches type album msg.
This shift implies the turn illustrative might form drawing rule challenging single heraldic pathways away style traits Shack
Following such establishing anxiety resolved failed miracle performers attained advantage twisted NashAmb regular sorts festival Hardy fireworks cooks roy ledger Ke Empire Tas medal aging obviously Smash rider Cindy Forbes commute on jeject Eur Mail improvement From Thought abst Pompe perfect leather throws old Rescue Frequency paved Spirit choice myv smarter hangs dynam saint chore }
The latent thoughts could also be output as follows, to improve readability and reliability and avoiding excess surrogate positives on popularity facts past from multi timer logic cipher runs single interpret teapt faster triangle shield step discovery, resistor and nbe towers.Lazer ai dog Douinte w editor.</think> air like the fourth of July” over the image of war missile exploding and sending sparks and rubble into the air.
What’s clear is that the performers are no longer content in their celebrity status. Rather they wish to usher in a new era, where rappers are also military dictators, or something like that.
(Warning: This video contains explicit language.)
Recommended from JTA
|
Nicki Minaj’s Nazi-esque video
The Holocaust is a sensitive subject. Some people, however — like rapper and songwriter Nicki Minaj — still don’t seem to get it.
Minaj’s new music video for her song “Only” is coming under fire for seemingly glorifying Nazism and appropriating Nazi imagery. In it, the New York-raised star is re-imagined as a powerful Hitler-like dictator, marching through scores of deferential soldiers outfitted in black uniforms and red armbands. It’s shot mostly in black and white, evoking the style of Nazi propaganda films, and the only color comes from red banners with a black “YM” insignia (representing Minaj’s label, Young Money) imposed over a white circle. Similarities to banners bearing swastikas are not in the least bit subtle.
The video has already sparked enormous backlash, ranging from fans on Twitter to the Anti-Defamation League, which is “deeply disturbed.”
“Nicki Minaj’s new video disturbingly evokes Third Reich propaganda and constitutes a new low for pop culture’s exploitation of Nazi symbolism,” the ADL wrote in a news release.
If the video was meant to stoke controversy, Minaj and video director Jeff Osborne are well on their way to a smashing success. As an artistic statement, however, the whole thing is rather unintelligible. The song itself is essentially an elongated exercise in braggadocio, where each guest artist (including Chris Brown, Drake and Lil Wayne) imagines what it would be like to sleep with Minaj while detailing his sexual prowess and preferences. (Minaj reciprocates.) The video seems to correspond with the lyrics only when singer Chris Brown croons, “Raise every bottle and cup in the sky/Sparks in the air like the fourth of July” over the image of war missile exploding and sending sparks and rubble into the air.
What’s clear is that the performers are no longer content in their celebrity status. Rather they wish to usher in a new era, where rappers are also military dictators, or something like that.
(Warning: This video contains explicit language.)
Recommended from JTA
|
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