Datasets:
uid large_stringlengths 27 73 | voice large_stringclasses 197
values | speaker_name large_stringclasses 197
values | speaker_gender large_stringclasses 3
values | shard large_stringclasses 788
values | audio_key large_stringlengths 31 77 | gid large_stringlengths 19 64 | cand int64 0 47 | subset large_stringclasses 2
values | sub_idx int64 0 31 | block large_stringclasses 7
values | lang large_stringclasses 2
values | cond_key large_stringclasses 421
values | parent_key large_stringclasses 130
values | text_slot large_stringclasses 130
values | emotion large_stringclasses 40
values | condition large_stringclasses 4
values | intensity large_stringclasses 2
values | containment large_stringclasses 2
values | dim large_stringclasses 57
values | level large_stringclasses 4
values | edge large_stringclasses 14
values | character large_stringclasses 12
values | burst_class large_stringclasses 59
values | is_holdout bool 2
classes | text large_stringlengths 24 596 | text_with_bursts large_stringlengths 42 489 ⌀ | n_words int64 0 118 | align_status large_stringclasses 2
values | dur_s float64 0.56 38 | instruction_generation large_stringlengths 184 1.04k | instruction_caption large_stringlengths 20 764 ⌀ | caption_template large_stringclasses 16
values | spk_sim float64 -0.06 0.91 | genuineness float64 0 6 | blend float64 0 10 | emo_strength float64 -0.08 5 | wer float64 0 1 | n_genuineness float64 0 1 | n_blend float64 0.02 1 | n_emo_strength float64 0 1 | genuineness_0_6 float64 0 6 | blend_0_10 float64 0 10 | qual_overall float64 1.16 3.7 | qual_speech float64 1.03 2.37 | qual_background float64 1.19 4.54 | n_bursts int64 0 29 | burst_labels listlengths 0 29 | top_emotion large_stringclasses 40
values | top_emotion_value float64 0.8 4.9 | sft_score float64 1.23 3.99 | sft_rank int64 1 3 | target_frames int64 7 475 | n_vq int64 12 12 | target_codes unknown | words_json large_stringlengths 2 4.24k | ref_cos float64 0.6 0.93 | ref_same_parent bool 2
classes | ref_uid large_stringlengths 27 73 | ref_gid large_stringlengths 19 64 | ref_parent_key large_stringclasses 130
values | ref_lang large_stringclasses 2
values | ref_block large_stringclasses 7
values | ref_emotion large_stringclasses 40
values | ref_dur_s float64 2 25 | ref_spk_sim float64 0.04 0.92 | ref_frames int64 25 312 | ref_codes unknown | prompt_reference large_stringlengths 393 1.79k | prompt_name large_stringlengths 398 1.8k | emo_vector unknown | vn_reg_vector unknown |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
anime_000__B__hiss__de.c022 | anime_000 | Emma | female | vprof_base-00000 | anime_000__B__hiss__de.c022.mp3 | anime_000|B|hiss|de | 22 | A | 22 | burst_isolated | de | B|hiss | B|hiss | burstiso::hiss | null | null | null | null | null | null | null | null | null | false | Für die letzten zwei Tage dieser langen Reise muss seine siebenjährige Tochter mit ihm reisen. Ach du meine Güte. | null | 19 | ok | 12.16 | GENERAL: A single isolated hiss, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(hiss, isolated, nothing else) "Für die letzten zwei Tage dieser langen Reise muss seine siebenjährige Tochter mit ihm reisen. Ach du meine Güte." (hiss) | An adult feminine voice; delivery is very low-energy, slow, relaxed, moderately variable; timbre is slightly warm, very dark, gravelly, slightly thin; slurred, little disfluency, very wide pitch range, audible breath; affect is negative, submissive, vulnerable; reads as relief, fatigue exhaustion, distress; style: casu... | clausal | 0.639961 | 1.652 | 2.155 | 2.514 | 0.210526 | 0.940515 | 0.581516 | 0.93522 | 1.6342 | 1.9384 | 2.9405 | 1.8333 | 3.6127 | 0 | [] | Relief | 2.4909 | 3.392472 | 2 | 152 | 12 | [
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- Reference(s):
<|audio|>
- Instruction:
GENERAL: A single isolated hiss, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(hiss, isolated, nothing else) "Für die letzten zwei Tage dieser langen Reise muss seine siebenjährige Tochter mit ihm reisen. Ach du meine Güte." (hiss)
... | <user_inst>
- Reference(s):
Speaker: Emma
- Instruction:
GENERAL: A single isolated hiss, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(hiss, isolated, nothing else) "Für die letzten zwei Tage dieser langen Reise muss seine siebenjährige Tochter mit ihm reisen. Ach du meine Güte." (hi... | [
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anime_000__B__hiss__de.c024 | anime_000 | Emma | female | vprof_base-00000 | anime_000__B__hiss__de.c024.mp3 | anime_000|B|hiss|de | 24 | A | 24 | burst_isolated | de | B|hiss | B|hiss | burstiso::hiss | null | null | null | null | null | null | null | null | null | false | Also gibt es kein einziges arabisches Mitglied in dem zwanzigzweiköpfigen Ausschuss unter der Leitung von Premierminister Netanjahu, der angeblich Lösungen finden soll. Ist das nicht... nun, ein wenig aufschlussreich? | (contented sigh) Also gibt es kein einziges arabisches Mitglied in dem zwanzigzweiköpfigen Ausschuss unter der Leitung von Premierminister Netanjahu, der angeblich Lösungen finden soll. (contented sigh) Ist das nicht... nun, ein wenig aufschlussreich? | 29 | ok | 14.72 | GENERAL: A single isolated hiss, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(hiss, isolated, nothing else) "Also gibt es kein einziges arabisches Mitglied in dem zwanzigzweiköpfigen Ausschuss unter der Leitung von Premierminister Netanjahu, der angeblich Lösungen finden soll. Ist da... | An elderly feminine voice. It is delivered very low-energy, measured, relaxed, moderately variable; with a neutral-toned, neutral-bright, fairly smooth, slightly thin timbre; clear, some disfluency, fairly narrow pitch, audible breath. The speaker reads as relief, doubt, jealousy and envy. The affect is mildly negative... | prose | 0.737523 | 2.134 | 5.951 | 2.42 | 0.172414 | 0.989285 | 0.939038 | 0.901447 | 2.105 | 6.0826 | 3.0856 | 1.7154 | 3.7494 | 2 | [
"Contented Sigh",
"Contented Sigh"
] | Interest | 2.4009 | 3.731217 | 1 | 184 | 12 | [
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- Reference(s):
<|audio|>
- Instruction:
GENERAL: A single isolated hiss, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(hiss, isolated, nothing else) "Also gibt es kein einziges arabisches Mitglied in dem zwanzigzweiköpfigen Ausschuss unter der Leitung von Premierminister ... | <user_inst>
- Reference(s):
Speaker: Emma
- Instruction:
GENERAL: A single isolated hiss, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(hiss, isolated, nothing else) "Also gibt es kein einziges arabisches Mitglied in dem zwanzigzweiköpfigen Ausschuss unter der Leitung von Premierminis... | [
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anime_000__B__hiss__de.c025 | anime_000 | Emma | female | vprof_base-00000 | anime_000__B__hiss__de.c025.mp3 | anime_000|B|hiss|de | 25 | A | 25 | burst_isolated | de | B|hiss | B|hiss | burstiso::hiss | null | null | null | null | null | null | null | null | null | false | Die Reihenfolge dieser zwei Anpassungen ist wirklich wichtig, sehen Sie. Ein kleiner Hänger, denke ich. | Die Reihenfolge dieser zwei Anpassungen ist wirklich wichtig, sehen Sie. (contented sigh) Ein kleiner Hänger, denke ich. | 15 | ok | 8.72 | GENERAL: A single isolated hiss, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(hiss, isolated, nothing else) "Die Reihenfolge dieser zwei Anpassungen ist wirklich wichtig, sehen Sie. Ein kleiner Hänger, denke ich." (hiss) | elderly somewhat feminine, very low-energy, slow, relaxed, moderately variable, slightly warm, slightly dark, fairly smooth, slightly thin, slurred, frequent disfluency, fairly narrow pitch, audible breath, mildly negative, submissive, vulnerable, relief, fatigue exhaustion, fear, monologue, ASMR, good recording, quiet... | terse | 0.674058 | 2.363 | 2.164 | 2.425 | 0.066667 | 0.99508 | 0.582805 | 0.904038 | 2.331 | 2.0168 | 3.0167 | 1.7948 | 3.7549 | 1 | [
"Contented Sigh"
] | Relief | 2.4472 | 3.385962 | 3 | 109 | 12 | [
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- Reference(s):
<|audio|>
- Instruction:
GENERAL: A single isolated hiss, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(hiss, isolated, nothing else) "Die Reihenfolge dieser zwei Anpassungen ist wirklich wichtig, sehen Sie. Ein kleiner Hänger, denke ich." (hiss)
- Tokens:
... | <user_inst>
- Reference(s):
Speaker: Emma
- Instruction:
GENERAL: A single isolated hiss, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(hiss, isolated, nothing else) "Die Reihenfolge dieser zwei Anpassungen ist wirklich wichtig, sehen Sie. Ein kleiner Hänger, denke ich." (hiss)
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anime_000__B__kissing_noises__de.c005 | anime_000 | Emma | female | vprof_base-00000 | anime_000__B__kissing_noises__de.c005.mp3 | anime_000|B|kissing_noises|de | 5 | A | 5 | burst_isolated | de | B|kissing_noises | B|kissing_noises | burstiso::kissing_noises | null | null | null | null | null | null | null | null | null | false | Das alles wurzelt in der Legende vom Brünner Drachen und dem Wagenrad, was ziemlich ein langer Name ist. Oh, mein Gott. | (contented sigh) Das alles wurzelt in der Legende vom Brünner Drachen und dem Wagenrad, was ziemlich ein langer Name ist. Oh, mein Gott. | 21 | ok | 12.48 | GENERAL: A single isolated kissing noises, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(kissing noises, isolated, nothing else) "Das alles wurzelt in der Legende vom Brünner Drachen und dem Wagenrad, was ziemlich ein langer Name ist. Oh, mein Gott." (kissing noises) | who=elderly feminine delivery=very low-energy|measured|relaxed|moderately variable timbre=slightly warm|slightly dark|fairly smooth|slightly thin speech=somewhat unclear|some disfluency|wide pitch range|audible breath stance=mildly negative|submissive|vulnerable emotions=relief|fear|astonishment surprise styles=casual|... | tags | 0.824121 | 2.153 | 3.186 | 2.655 | 0.142857 | 0.989823 | 0.734109 | 0.963573 | 2.0721 | 3.1547 | 2.9761 | 1.8184 | 3.6933 | 1 | [
"Contented Sigh"
] | Relief | 2.7358 | 3.651078 | 2 | 156 | 12 | [
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- Reference(s):
<|audio|>
- Instruction:
GENERAL: A single isolated kissing noises, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(kissing noises, isolated, nothing else) "Das alles wurzelt in der Legende vom Brünner Drachen und dem Wagenrad, was ziemlich ein langer Name is... | <user_inst>
- Reference(s):
Speaker: Emma
- Instruction:
GENERAL: A single isolated kissing noises, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(kissing noises, isolated, nothing else) "Das alles wurzelt in der Legende vom Brünner Drachen und dem Wagenrad, was ziemlich ein langer Nam... | [
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anime_000__B__kissing_noises__de.c011 | anime_000 | Emma | female | vprof_base-00000 | anime_000__B__kissing_noises__de.c011.mp3 | anime_000|B|kissing_noises|de | 11 | A | 11 | burst_isolated | de | B|kissing_noises | B|kissing_noises | burstiso::kissing_noises | null | null | null | null | null | null | null | null | null | false | Also, so wie bei der typischen Multi-Hop-drahtlosen Sensornetzwerkarchitektur, hat ein drahtloses Sensornetzwerk diese räumlich verteilten autonomen Sensoren, die physikalische oder Umweltfaktoren überwachen. Ach du meine Güte. Und dann kommen wir zum Raketen- und Raketensystem... | null | 34 | ok | 16.88 | GENERAL: A single isolated kissing noises, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(kissing noises, isolated, nothing else) "Also, so wie bei der typischen Multi-Hop-drahtlosen Sensornetzwerkarchitektur, hat ein drahtloses Sensornetzwerk diese räumlich verteilten autonomen Sensor... | Casting: young adult feminine voice. Delivery: energised, brisk, neutral tension and moderately variable. Timbre: neutral-toned, neutral-bright, fairly smooth and slightly thin. Read: astonishment surprise, jealousy and envy and triumph. Register: storytelling and narration. | casting | 0.625234 | 1.077 | 5.275 | 2.549 | 0.117647 | 0.758944 | 0.909947 | 0.944333 | 1.1823 | 4.976 | 3.0173 | 1.8093 | 3.57 | 0 | [] | Interest | 2.5428 | 3.557557 | 3 | 211 | 12 | [
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- Reference(s):
<|audio|>
- Instruction:
GENERAL: A single isolated kissing noises, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(kissing noises, isolated, nothing else) "Also, so wie bei der typischen Multi-Hop-drahtlosen Sensornetzwerkarchitektur, hat ein drahtloses Sens... | <user_inst>
- Reference(s):
Speaker: Emma
- Instruction:
GENERAL: A single isolated kissing noises, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(kissing noises, isolated, nothing else) "Also, so wie bei der typischen Multi-Hop-drahtlosen Sensornetzwerkarchitektur, hat ein drahtloses ... | [
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anime_000__B__kissing_noises__de.c027 | anime_000 | Emma | female | vprof_base-00000 | anime_000__B__kissing_noises__de.c027.mp3 | anime_000|B|kissing_noises|de | 27 | A | 27 | burst_isolated | de | B|kissing_noises | B|kissing_noises | burstiso::kissing_noises | null | null | null | null | null | null | null | null | null | false | Das ist wirklich der ewige Jugendelixier, auf den die Menschheit hingearntet hat? Es fühlt sich fast unglaublich an, wie ein plötzlicher Atemzug. | null | 22 | ok | 14.16 | GENERAL: A single isolated kissing noises, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(kissing noises, isolated, nothing else) "Das ist wirklich der ewige Jugendelixier, auf den die Menschheit hingearntet hat? Es fühlt sich fast unglaublich an, wie ein plötzlicher Atemzug." (kissing... | [young adult somewhat feminine, very low-energy, slow; fatigue exhaustion and relief] | stage | 0.665048 | 1.754 | 4.407 | 2.59 | 0.181818 | 0.956225 | 0.85582 | 0.95267 | 1.7489 | 4.9372 | 3.1257 | 1.9023 | 3.9032 | 0 | [] | Fatigue_Exhaustion | 2.47 | 3.717385 | 1 | 177 | 12 | [
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- Reference(s):
<|audio|>
- Instruction:
GENERAL: A single isolated kissing noises, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(kissing noises, isolated, nothing else) "Das ist wirklich der ewige Jugendelixier, auf den die Menschheit hingearntet hat? Es fühlt sich fast u... | <user_inst>
- Reference(s):
Speaker: Emma
- Instruction:
GENERAL: A single isolated kissing noises, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(kissing noises, isolated, nothing else) "Das ist wirklich der ewige Jugendelixier, auf den die Menschheit hingearntet hat? Es fühlt sich fa... | [
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anime_000__B__lip_smack__de.c022 | anime_000 | Emma | female | vprof_base-00000 | anime_000__B__lip_smack__de.c022.mp3 | anime_000|B|lip_smack|de | 22 | A | 22 | burst_isolated | de | B|lip_smack | B|lip_smack | burstiso::lip_smack | null | null | null | null | null | null | null | null | null | false | Oh, der Hals hat so viele Blutgefäße, die zum Gehirn abzweigen. Es ist ein komplexes anatomisches Netzwerk, das ziemlich bemerkenswert ist. | Oh, der Hals hat so viele Blutgefäße, die zum Gehirn abzweigen. (contented sigh) Es ist ein komplexes anatomisches Netzwerk, das ziemlich bemerkenswert ist. | 21 | ok | 12.56 | GENERAL: A single isolated lip smack, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(lip smack, isolated, nothing else) "Oh, der Hals hat so viele Blutgefäße, die zum Gehirn abzweigen. Es ist ein komplexes anatomisches Netzwerk, das ziemlich bemerkenswert ist." (lip smack) | Speak with an elderly feminine voice. Keep the delivery very low-energy, slow, relaxed and variable. Let the timbre sit slightly warm, very dark, smooth and slightly thin. Colour it with relief, awe and fatigue exhaustion. The affect should read negative, submissive and vulnerable. | directive | 0.748993 | 1.76 | 5.45 | 2.388 | 0.047619 | 0.957039 | 0.918246 | 0.887928 | 1.6488 | 5.9218 | 2.9713 | 1.8171 | 3.8022 | 1 | [
"Contented Sigh"
] | Interest | 2.3816 | 3.65114 | 2 | 157 | 12 | [
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- Reference(s):
<|audio|>
- Instruction:
GENERAL: A single isolated lip smack, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(lip smack, isolated, nothing else) "Oh, der Hals hat so viele Blutgefäße, die zum Gehirn abzweigen. Es ist ein komplexes anatomisches Netzwerk, das ... | <user_inst>
- Reference(s):
Speaker: Emma
- Instruction:
GENERAL: A single isolated lip smack, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(lip smack, isolated, nothing else) "Oh, der Hals hat so viele Blutgefäße, die zum Gehirn abzweigen. Es ist ein komplexes anatomisches Netzwerk, ... | [
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anime_000__B__lip_smack__de.c029 | anime_000 | Emma | female | vprof_base-00000 | anime_000__B__lip_smack__de.c029.mp3 | anime_000|B|lip_smack|de | 29 | A | 29 | burst_isolated | de | B|lip_smack | B|lip_smack | burstiso::lip_smack | null | null | null | null | null | null | null | null | null | false | Uff, ich muss die Bewegung beherrschen, ohne gegen irgendwas zu stoßen, oder? Dann kann ich Positionen in jedem Koordinatensystem anfahren und korrigieren. | (contented sigh) Uff, ich muss die Bewegung beherrschen, ohne gegen irgendwas zu stoßen, oder? Dann kann ich Positionen in jedem Koordinatensystem anfahren und korrigieren. | 22 | ok | 14.48 | GENERAL: A single isolated lip smack, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(lip smack, isolated, nothing else) "Uff, ich muss die Bewegung beherrschen, ohne gegen irgendwas zu stoßen, oder? Dann kann ich Positionen in jedem Koordinatensystem anfahren und korrigieren." (lip sma... | VOICE: young adult feminine
DELIVERY: very low-energy, measured, relaxed, moderately variable
TIMBRE: slightly warm, neutral-bright, fairly smooth, slightly thin
SPEECH: somewhat unclear, some disfluency, fairly narrow pitch, normal breath
AFFECT: mildly negative, submissive, vulnerable
EMOTION: fatigue exhaustion, rel... | dossier | 0.715359 | 1.855 | 4.6 | 2.371 | 0.045455 | 0.969369 | 0.870716 | 0.88068 | 1.9897 | 5.4949 | 3.1287 | 1.8555 | 3.8198 | 1 | [
"Contented Sigh"
] | Concentration | 2.3626 | 3.601445 | 3 | 181 | 12 | [
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- Reference(s):
<|audio|>
- Instruction:
GENERAL: A single isolated lip smack, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(lip smack, isolated, nothing else) "Uff, ich muss die Bewegung beherrschen, ohne gegen irgendwas zu stoßen, oder? Dann kann ich Positionen in jedem ... | <user_inst>
- Reference(s):
Speaker: Emma
- Instruction:
GENERAL: A single isolated lip smack, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(lip smack, isolated, nothing else) "Uff, ich muss die Bewegung beherrschen, ohne gegen irgendwas zu stoßen, oder? Dann kann ich Positionen in je... | [
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anime_000__B__lip_smack__de.c030 | anime_000 | Emma | female | vprof_base-00000 | anime_000__B__lip_smack__de.c030.mp3 | anime_000|B|lip_smack|de | 30 | A | 30 | burst_isolated | de | B|lip_smack | B|lip_smack | burstiso::lip_smack | null | null | null | null | null | null | null | null | null | false | Mit dieser Seilvorrichtung schaffe ich es wieder, den Rumpf zu sichern. Nur... puh... gib mir eine Sekunde, um diesen Knoten richtig zu machen. | null | 23 | ok | 12.72 | GENERAL: A single isolated lip smack, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(lip smack, isolated, nothing else) "Mit dieser Seilvorrichtung schaffe ich es wieder, den Rumpf zu sichern. Nur... puh... gib mir eine Sekunde, um diesen Knoten richtig zu machen." (lip smack) | elderly strongly feminine, infatuation, 12.7s | minimal | 0.55839 | 2.145 | 3.419 | 2.594 | 0.043478 | 0.989535 | 0.761335 | 0.953759 | 2.1228 | 3.2892 | 2.8949 | 1.7824 | 3.7317 | 0 | [] | Interest | 2.5819 | 3.658388 | 1 | 159 | 12 | [
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66,
... | <user_inst>
- Reference(s):
<|audio|>
- Instruction:
GENERAL: A single isolated lip smack, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(lip smack, isolated, nothing else) "Mit dieser Seilvorrichtung schaffe ich es wieder, den Rumpf zu sichern. Nur... puh... gib mir eine Sekunde, um d... | <user_inst>
- Reference(s):
Speaker: Emma
- Instruction:
GENERAL: A single isolated lip smack, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(lip smack, isolated, nothing else) "Mit dieser Seilvorrichtung schaffe ich es wieder, den Rumpf zu sichern. Nur... puh... gib mir eine Sekunde, ... | [
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anime_000__B__person_whistling_playfully__de.c003 | anime_000 | Emma | female | vprof_base-00000 | anime_000__B__person_whistling_playfully__de.c003.mp3 | anime_000|B|person_whistling_playfully|de | 3 | A | 3 | burst_isolated | de | B|person_whistling_playfully | B|person_whistling_playfully | burstiso::person_whistling_playfully | null | null | null | null | null | null | null | null | null | true | Du denkst also, spirituell bedeutet immer, innerlich vollkommen still, ruhig und unbewegt zu sein, oder? Als ob dein Geist komplett verstummt sein müsste, ganz friedlich, niemals einen Gedanken auftauchen lassen. | null | 30 | ok | 14.56 | GENERAL: A single isolated person whistling playfully, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(person whistling playfully, isolated, nothing else) "Du denkst also, spirituell bedeutet immer, innerlich vollkommen still, ruhig und unbewegt zu sein, oder? Als ob dein Geist komplett... | Reads as sourness, infatuation and contemplation, in a young adult feminine voice. Affect negative, submissive and vulnerable. Delivered very low-energy, measured, relaxed and variable. | emotive | 0.673376 | 1.538 | 2.944 | 2.405 | 0.033333 | 0.916932 | 0.702501 | 0.895464 | 1.4678 | 3.0133 | 3.0803 | 1.8245 | 3.7889 | 0 | [] | Interest | 2.3974 | 3.41036 | 3 | 182 | 12 | [
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- Reference(s):
<|audio|>
- Instruction:
GENERAL: A single isolated person whistling playfully, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(person whistling playfully, isolated, nothing else) "Du denkst also, spirituell bedeutet immer, innerlich vollkommen still, ruhig u... | <user_inst>
- Reference(s):
Speaker: Emma
- Instruction:
GENERAL: A single isolated person whistling playfully, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
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anime_000__B__person_whistling_playfully__de.c004 | anime_000 | Emma | female | vprof_base-00000 | anime_000__B__person_whistling_playfully__de.c004.mp3 | anime_000|B|person_whistling_playfully|de | 4 | A | 4 | burst_isolated | de | B|person_whistling_playfully | B|person_whistling_playfully | burstiso::person_whistling_playfully | null | null | null | null | null | null | null | null | null | true | Und dann sah man, ein beträchtlicher Markt für diese obdachlosen Dollar hatte sich wirklich auf den Devisenmärkten Westeuropas entwickelt. Einfach... wow. | null | 21 | ok | 11.68 | GENERAL: A single isolated person whistling playfully, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(person whistling playfully, isolated, nothing else) "Und dann sah man, ein beträchtlicher Markt für diese obdachlosen Dollar hatte sich wirklich auf den Devisenmärkten Westeuropas entw... | Good recording and quiet background. Source is a child feminine voice. Articulation: clear, no disfluency, wide pitch range and audible breath. Spectral character: neutral-toned, neutral-bright, fairly smooth and slightly thin. Genuineness 1.6/6, burst blend 1.9/10, 11.7s. | technical | 0.739913 | 1.608 | 2.001 | 2.642 | 0.095238 | 0.932366 | 0.555379 | 0.961695 | 1.6219 | 1.8812 | 3.0657 | 1.8694 | 3.7329 | 0 | [] | Interest | 2.6209 | 3.411136 | 2 | 146 | 12 | [
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- Reference(s):
<|audio|>
- Instruction:
GENERAL: A single isolated person whistling playfully, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(person whistling playfully, isolated, nothing else) "Und dann sah man, ein beträchtlicher Markt für diese obdachlosen Dollar hatte ... | <user_inst>
- Reference(s):
Speaker: Emma
- Instruction:
GENERAL: A single isolated person whistling playfully, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
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anime_000__B__person_whistling_playfully__de.c022 | anime_000 | Emma | female | vprof_base-00000 | anime_000__B__person_whistling_playfully__de.c022.mp3 | anime_000|B|person_whistling_playfully|de | 22 | A | 22 | burst_isolated | de | B|person_whistling_playfully | B|person_whistling_playfully | burstiso::person_whistling_playfully | null | null | null | null | null | null | null | null | null | true | Die schrecklichen Massaker, besonders dieses Blutbad in der Florida-Schule, haben die Studenten in den Vereinigten Staaten wirklich zum Protest gebracht. Es muss jetzt um strengere Waffengesetze gehen, nach all diesen Jahren, in denen nichts passiert ist. | null | 36 | ok | 17.28 | GENERAL: A single isolated person whistling playfully, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(person whistling playfully, isolated, nothing else) "Die schrecklichen Massaker, besonders dieses Blutbad in der Florida-Schule, haben die Studenten in den Vereinigten Staaten wirklich... | - voice: elderly feminine
- delivery: very low-energy, slow, relaxed, variable
- timbre: slightly warm, slightly dark, fairly smooth, slightly thin
- speech: clear, no disfluency, very wide pitch range, audible breath
- affect: negative, submissive, vulnerable
- emotion: fear, disappointment, distress
- style: narratio... | bullets | 0.660546 | 1.512 | 6.187 | 2.425 | 0.138889 | 0.910785 | 0.946211 | 0.904038 | 1.497 | 6.7433 | 2.7362 | 1.6322 | 3.6091 | 0 | [] | Interest | 2.3808 | 3.665073 | 1 | 216 | 12 | [
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- Reference(s):
<|audio|>
- Instruction:
GENERAL: A single isolated person whistling playfully, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
(person whistling playfully, isolated, nothing else) "Die schrecklichen Massaker, besonders dieses Blutbad in der Florida-Schule, ha... | <user_inst>
- Reference(s):
Speaker: Emma
- Instruction:
GENERAL: A single isolated person whistling playfully, produced on its own rather than inside speech, involuntary and natural.
SCRIPT:
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- Read this first
- Ranking — how the 3 of 48 were chosen
- Reference-clip selection
- The material this is built from
- Provenance of every number, and which annotation tree was used
- The procedural caption is regenerated here, not copied
- MOSS codes — layout, and the "32 tokens" question
- The two conditioning modes
- Names
- Column dictionary
- Limitations, honestly
- Reproducing
- Licence and attribution
LAION Voice Profiles — TTS supervised fine-tuning set
Authors: Christoph Schuhmann and LAION.
1,200,531 instruction-tuning samples for reference-conditioned TTS, drawn from 500 synthetic voice profiles: for each of the 842 acting conditions of each voice, the best 3 of its 48 candidate takes, each paired with a different clip of the same voice from another group as the reference, plus the exact conditioning prompt, MOSS audio codes for both target and reference, word-level forced alignment, and the full corrected annotation.
Every record carries two prompts — one conditioned on reference audio + caption, one on the speaker's name — so the same data trains voice cloning and voice memorisation.
- 1,200,531 samples · 500 voices · 2,401 per voice · 6.3 GB · en + de
- target and reference shipped as MOSS-Audio-Tokenizer-v2 codes, not waveforms
- DPO companion:
laion/laion-voice-profiles-dpo
Read this first
- This is codes, not audio. Targets and references are MOSS RVQ codes (
(frames, 12)uint16). That is what the base model consumes and emits. Decode with the codec if you want to listen.uidjoins to the waveform inlaion/laion-voice-profiles-annotated. - The reference is deliberately never the profile's own reference clip, and never a clip from the same group. It is another take of the same voice, usually a different emotion, chosen fresh per record so the model cannot learn a fixed pairing.
- WER was not used to select anything, on purpose — see §"Ranking".
- Speaker identity against the nominal reference is weak corpus-wide, and that is a property
of the source material, not of this selection. Per-voice mean
spk_simhas median 0.445 (range 0.176 to 0.691), and the median voice has only ~20 % of its takes atspk_sim >= 0.60. The takes of one voice are much more like each other than like the profile's reference clip — which is why a within-voice reference at cosine 0.60 is easy to find while 0.60 against the nominal reference is not. Train on this and you get the voice the generator actually produced, which is consistently a voice but often not the reference clip's.spk_simandref_spk_simare on every row. - Nobody has listened to this in a controlled study. Every quality number is a model output.
Ranking — how the 3 of 48 were chosen
score = norm(genuineness) + norm(blend) + 2 * norm(emo_strength)
Emotion strength counts double, by design: the point of this corpus is acting, and genuineness and burst blend are means to it.
norm is a per-voice quantile (rank) transform — rank(x) / (n - 1) over all valid takes of
that voice, giving each term a uniform [0, 1] marginal before summing. Per-voice, because the
three scores have visibly different scales and spreads from voice to voice (a per-voice mean
spk_sim ranges from 0.20 to 0.86 across the 500, and blend is heavily right-skewed), so a
global z-score would be dominated by the loudest voices and by blend's tail. The rank transform
makes the "2x" weight mean exactly what it says: emotion strength gets twice the ordinal pull.
The unnormalised inputs (genuineness, blend, emo_strength) and the normalised terms
(n_genuineness, n_blend, n_emo_strength) are both shipped, so you can re-rank differently
without re-reading the corpus.
WER is ignored. The corpus was re-annotated end to end, and the generation-time wer compares
a whisper transcript against a prompt that deliberately contains vocal-burst tags and non-verbal
direction; a take that hits the direction perfectly can score a terrible WER. It is shipped
(wer) but was not consulted.
Takes are eligible if they are non-empty, at least 0.5 s, and present in the tokenised corpus.
Reference-clip selection
For each sample, the reference is another take of the same voice, from a different gid,
required to satisfy
cos(ECAPA(sample), ECAPA(reference)) >= 0.60
spk_emb is the generator's own 192-d ECAPA embedding. It was verified against the corpus's
spk_sim column before use: recovering the profile's reference embedding by least squares from
40k takes reproduces spk_sim with correlation 1.00000 and RMSE 1e-5, so this is exactly the
space the project's speaker thresholds live in.
Why 0.60. It is the project's own MIN_SPK_TRAIN, and it is where the null distribution dies:
measured over 44.2 million genuinely cross-voice pairs (24 voices, all pairs),
P(cos >= 0.60) = 0.0042. So a reference admitted at this threshold has a 0.42 % chance of
being what the corpus would call a different speaker. At 0.40 — the corpus's "not the same
speaker" floor — that rises to 3.6 %; at 0.70 it falls to 0.09 % but coverage drops sharply.
There is deliberately no floor on the reference's own spk_sim. The requirement is similarity
to the current sample, not to the profile's nominal reference. An early build gated the pool at
spk_sim >= 0.60 as well and collapsed the low-identity voices — emolia_c0241 produced 6
samples instead of ~2,400, because 0.005 % of its takes reach 0.60 against its own reference —
while changing the healthy voices by nothing at all. ref_spk_sim is shipped so you can re-impose
that gate if you want it.
Varying the pairing. The pool is up to 3 takes per gid (highest spk_sim first), 2–25 s,
capped at 1,500 per voice. Assignment walks the samples in random order and gives each the
least-used eligible reference, ties broken at random, so the load spreads: about
1,297 distinct reference clips per voice serve 2,401 samples, and the
mean realised cosine is 0.659. ref_emotion / ref_block differ from the target's on
the large majority of rows — different emotion is the normal case, as intended.
Coverage. For each gid the top 8 candidates by score are considered and the best 3
that can be paired with a valid reference are kept, so a candidate that is too far off-identity
for any reference to match is replaced by the next-best take rather than dropping the slot.
Realised: 95.1 % on average (median 95.3 %, worst voice 86.8 %) of the nominal 842 x 3 = 2,526 per voice. The shortfall is concentrated in
voices whose takes are mutually inconsistent; it is not uniform.
The material this is built from
500 synthetic voice profiles. Each profile is one reference speaker driven through the same
fixed matrix of acting conditions in English and German, keeping every candidate take rather
than only the winners. Generator
laion/moss-tts-local-transformer-4.55b-voice-acting-v2,
codec OpenMOSS-Team/MOSS-Audio-Tokenizer-v2,
run tag PPILOT2. The full 20,125,736-take corpus with audio is
laion/laion-voice-profiles-annotated;
the per-voice LoRAs and reference clips are
laion/moss-voice-profile-loras-500.
The group structure, measured
Per voice: 842 condition groups (gid), of which 832 have 48 takes and 10 have 32.
Each gid splits into subset A = 32 takes and subset B = 16 takes.
Two things about this are easy to get wrong, and both were checked against the data rather than taken from prose:
- A
gidis not one sentence. All 48 takes of agidcarry different text — 807 of 842gids have 48 distinct sentences.text_slotis a slot label (char::granite-titan), not a sentence. The one-sentence-many-takes reading of agidis wrong. - The minimal pairs live in subset B, across
gids. The same sentence is reused at(voice, parent_key, lang, sub_idx)— i.e. the same B-slot of everygidunder oneparent_key. That yields ~3,055 same-sentence quadruples per voice: the same line rendered at the 4 levels of one VoiceNet dimension, or under the 4 acting conditions (A/B/C/D) of one emotion. Nothing else in the corpus is a same-sentence set.
The "832" figure that circulated for this corpus is exactly right — it is the 832 full-size
gids — and "16" and "32" are subsets B and A of each of them, not group sizes. 832 x 3 x 500
= 1,248,000 is the arithmetic the ~1.25 M target came from.
condition and level
Emotion cells are E|<Emotion>|<A|B|C|D>, where A/B/C/D is the 2x2 of intensity x containment:
| code | intensity | containment | prompt gloss |
|---|---|---|---|
A |
intense | free | maximum emotion, freely let out |
B |
moderate | free | mild emotion, freely expressed |
C |
intense | contained | very strong but held back — it leaks through |
D |
moderate | contained | mild, quietly controlled |
VoiceNet cells are V|<DIM>|<level> over the ladder
extremely_low < moderately_low < moderately_high < very_high.
Provenance of every number, and which annotation tree was used
This corpus has a known defect: the annotation layer of the live release
laion-tts-annotated-v1/index/vprof_base was computed on a half-speed decode — a stereo mp3
bug doubled the sample count. Every duration, every emotion intensity and all 57 VoiceNet
dimensions in that tree are wrong. Nothing in this dataset comes from it. Two independent checks
confirm which tree is which, both run for this build:
dur_sin the live tree is exactly 2.000x the re-annotateddur_son all 9,916 rows of shard 0 (std 0.000).- the re-annotated
dur_sequals the generator's owndurto the digit (ratio 1.000, std 0). The generator measured it on the in-memory waveform before mp3 encode, so it never saw the bug.
The MOSS codes were re-tokenised too, and that was checked on the bytes, not on the index.
For the same six utterances, the .moss.npy member of the re-annotated tar has shape
(199, 12), (170, 12), (186, 12), (400, 12), (186, 12), (159, 12) — exactly
round(generator_dur * 12.5) in every case — while the live tree's tar has
(398, 12), (340, 12), (372, 12), (800, 12), (372, 12), (318, 12), i.e. double.
Across shard 0, moss_frames / (generator_dur * 12.5) is 1.000 (std 0) in the re-annotated
tree and 2.000 (std 0) in the live one. The codes shipped here are the corrected ones. This
matters more than any other check in this build: the earlier half-speed MOSS codes are unusable,
and an index-only comparison could not have caught it — moss_frames == round(dur_s * 12.5)
passed at 100 % on the broken data precisely because both terms were doubled.
Accordingly:
| field group | source | why |
|---|---|---|
genuineness, blend, emo_strength, spk_sim, spk_emb, dur, wer |
the generator's own meta-*.parquet (shipped verbatim as index/vprof_base_scores) |
measured pre-encode; unaffected by the decode bug |
emotion, condition, dim, level, cond_key, parent_key, subset, sub_idx |
same | these exist nowhere else |
instruction_generation |
the generator's caption column |
the literal conditioning string the model was given |
40 emo_*, 57 vn_*_reg, 4 qual_*, blend_0_10, genuineness_0_6, n_bursts, text, caption_general |
the corrected re-annotation tree laion-tts-annotated-v1-reann |
recomputed on correctly decoded audio |
words_json |
<uid>.json in the re-annotated tars — MMS_FA forced alignment of the prompt text |
|
*_codes |
<uid>.moss.npy in the re-annotated tars |
The procedural caption is regenerated here, not copied
instruction_caption is rendered in this build from the numeric columns. The corpus's own
caption column is deliberately not shipped, because it was being regenerated corpus-wide while
this dataset was built and copying it would have baked a caption into a training set that
disagrees with the corpus a downstream user reads. Two independent defects are fixed:
1. Polarity. The GEND and BKGN prose ladders ran backwards — high vn_GEND_reg is
masculine and high vn_BKGN_reg is cleaner, and the ladders said the opposite. In the
live corpus tree the mean vn_GEND_reg of clips captioned masculine is 0.81 against 2.49
for feminine. Captions here use the corrected ladders (caption_render.py, polarity="v2" —
the same tables as caption2.py, md5 ec55b223bab60f9f1cfb7b9bedfdf76f). The numeric columns
were always correct; only the words inverted. The polarity is now confirmed four independent ways:
chest-resonance correlation (+0.87), head-resonance (−0.55), the corrected ladder's own
derivation, and 89.2 % agreement between numeric vn_GEND_reg and each profile's independent
design-spec card_gender — a figure that would be ~11 % if the polarity were inverted.
2. The emotion gate. Which emotions a caption names is decided here by a percentile
gate rather than an absolute threshold: an emotion is named only if its value lands in the top
10 % of that emotion's own distribution, at most the top 3, and nothing at all if none clears
the floor. The distribution comes from the tie-aware mid-rank ECDF in
$NB/emonorm/out/capnorm.npz — 4,096-bin histograms over 132,833,726 rows pooled across 8
datasets and both languages. This matters because the 40 emotion heads sit on very different
scales: measured on 120,659 rows of this corpus, emo_Interest has median 1.969 and no
values at or below zero, while emo_Infatuation has median −0.015 and 81.7 % of its
values at or below zero. One absolute threshold cannot be right for both.
Tie-awareness is what makes this work rather than a plain 0.90-quantile value threshold: several
heads have a majority point mass at zero, so a value threshold would sit at zero and admit
everything, while mid-rank gives the whole tied group a percentile near 0.5 and correctly declines
to name it. Implementation and validation runs are in code/capgate.py.
One claim about this that I could not reproduce, stated because it shaped the design. The
percentile gate was introduced on the premise that the absolute gate named Interest on ~95 % of
captions. On this corpus that is not what happens: the shipped caption_general of the
re-annotated tree names "interest" on 2.3 % of 120,659 sampled rows. So the gate here is a
principled normalisation across incommensurable heads — which the median/zero figures above do
justify — and not a fix for a runaway-Interest bug, which this corpus does not exhibit. If you
prefer the corpus's own wording, regenerate it with caption_render.render(row, polarity="v2");
every column it needs is shipped.
Realised on the captions actually shipped here, measured on 95,680 of them: Interest
4.4 % of clips, all 40/40 emotion heads appear, 2.93 emotions
named per clip, and 0.00 % carry "no dominant emotion". That last figure is essentially
zero because of selection, not because of the gate: every row here is one of the top-3 takes of
its cell ranked with
emotion strength weighted double, so essentially every clip clears a top-10 % floor on
something. Do not read these numbers as corpus statistics — they are statistics of a deliberately
emotional subset. instruction_caption is nullable and is null on 2 of the sampled rows
where the renderer could not build a caption from the row's numbers.
The prompts were never affected by any of this. prompt_reference and prompt_name embed
instruction_generation — the generator's own GENERAL:/SCRIPT: conditioning string, which is
what the model was actually given at generation time and is not a procedural caption at all. Swap
instruction_caption into the - Instruction: slot to train caption-following instead.
MOSS codes — layout, and the "32 tokens" question
target_codes / chosen_codes / rejected_codes / ref_codes / donor_codes are raw
little-endian uint16, shape (frames, 12) after reshape.
import numpy as np
codes = np.frombuffer(row["target_codes"], dtype="<u2").reshape(row["target_frames"], row["n_vq"])
- 12 codebooks x 1024 entries, 12.5 fps.
frames == round(dur_s * 12.5)holds on every row. - The atomic unit is one frame = 12 tokens = 80 ms. There is no 32-token block, no delay
pattern and no interleaving: the model emits all 12 channels of one frame sequentially inside a
1-layer local ("depth") transformer with
n_positions = n_vq + 1 = 13, RQ-Transformer style. - The 32 associated with this stack is the codec's
num_quantizers: 32. The codec ships 32 residual quantizers; the TTS model consumes only the first 12 (codes[:, :n_vq]). It is a depth, not a block size. Every cut in this dataset is therefore aligned to a 12-token frame boundary, which is the only alignment the format actually has.
The two conditioning modes
Every record carries both, as complete strings, in the base model's own <user_inst> template
(processing_moss_tts.py::UserMessage), and also as the components so you can re-template:
prompt_reference — reference audio + caption. <|audio|> is where the reference clip's MOSS
codes are spliced in as a prefix (ref_codes, ref_frames):
<user_inst>
- Reference(s):
<|audio|>
- Instruction:
GENERAL: A voice intensely expressing affection, ... impossible to hide.
SCRIPT:
(letting it out / not hiding it, warm and open, unguarded) "..."
- Tokens:
19
- Quality:
None
- Sound Event:
None
- Ambient Sound:
None
- Language:
German
- Text:
Für die letzten zwei Tage dieser langen Reise ...
</user_inst>
prompt_name — the speaker's name in place of the reference audio, so the model can
memorise the voice. Byte-identical to prompt_reference except the Reference(s): slot:
- Reference(s):
Speaker: Katrin
- Quality:, - Sound Event: and - Ambient Sound: are None because the generator never
passed them — that is the literal prompt shape the model saw. - Tokens: is a reconstruction:
the generator passed a length budget derived from the word count, raised for non-verbal carriers
like screams and groans; the value here is the aligned n_words of the same text, which agrees
with it on ordinary lines but not necessarily on the burst-heavy ones. It is the one field of the
prompt that is rebuilt rather than lifted. Everything else in prompt_reference is either the
generator's own string (instruction_generation) or a corpus column.
Train on either mode, or mix them per step; speaker_name and ref_* are both present on every row.
instruction_generation is the generator's own conditioning string; instruction_caption is an
independently rendered description of the delivered audio, drawn from the corrected numeric
annotation using one of the 16 procedural templates (caption_template says which — it is
rotated per record so no template dominates). Swap one for the other in the - Instruction: slot
to train caption-following rather than direction-following.
Names
Each profile has one unique given name, and an acoustic gender class measured from
vn_GEND_reg over that profile's own takes (high = masculine, verified: +0.87 with chest
resonance, −0.55 with head resonance across the 500 per-voice means). Pooled over 1,003,974
clips the distribution is bimodal, modes at 1.587 and 4.867, 50/50 boundary at
3.2103; a voice is male when >= 85 % of its takes sit above it, female when <= 15 % do,
uncertain otherwise — 209 / 170 / 121. Uncertain voices get names that read as unisex in
Germany or the US. 125 German names, 375 English, following card_language where it exists.
names.csv / names.json ship in this repo, and the same mapping is in
laion/moss-voice-profile-loras-500 (name in manifest.parquet, voice.json, profile.json).
The pre-existing card_gender label — a VLM's read of the reference clip and the voice's design
spec, not of the generated takes — agrees on 89.2 % of the 379 confidently classified voices
and disagrees on 41, which names.csv flags. The disagreements track speaker-identity failure:
their rate falls from 15.8 % in the weakest quartile of frac_ge06 (share of takes reaching
spk_sim >= 0.60) to 3.2 % in the strongest, monotonically. Note also that the uncertain
bucket is mostly measured ambiguity, not designed: only 12 of 121 carry
card_gender = Androgynous.
Column dictionary
sft columns
| column | type | meaning |
|---|---|---|
uid |
large_string |
utterance id; joins to laion/laion-voice-profiles-annotated and to the score index |
voice |
large_string |
voice-profile id (one of 500) |
speaker_name |
large_string |
the assigned unique given name for this voice |
speaker_gender |
large_string |
acoustic gender class: male / female / uncertain (from vn_GEND_reg) |
shard |
large_string |
source shard of the corpus (vprof_base-NNNNN) |
audio_key |
large_string |
<gid>.cNNN.mp3 — the key inside the corpus tar |
gid |
large_string |
condition group: ` |
cand |
int64 |
candidate index 0..47 within the gid |
subset |
large_string |
A (32 takes, own sentences) or B (16 takes, the minimal-pair slots) |
sub_idx |
int64 |
index within the subset; with parent_key and lang it identifies the sentence in B |
block |
large_string |
emotion / voicenet / edge / character / burst_isolated / explicit / sports |
lang |
large_string |
en or de |
cond_key |
large_string |
the (emotion, condition) or (dim, level) cell, without language |
parent_key |
large_string |
the emotion or dimension the cell belongs to; groups the 4 conditions/levels |
text_slot |
large_string |
slot label of the sentence pool, NOT the sentence |
emotion |
large_string |
requested emotion (emotion block only) |
condition |
large_string |
requested acting condition A/B/C/D (emotion block only) |
intensity |
large_string |
intense / moderate — decoded from condition |
containment |
large_string |
free / contained — decoded from condition |
dim |
large_string |
requested VoiceNet dimension (voicenet block only) |
level |
large_string |
requested level: extremely_low / moderately_low / moderately_high / very_high |
edge |
large_string |
edge-case id (edge block only) |
character |
large_string |
character id (character block only) |
burst_class |
large_string |
vocal-burst class the generator asked for, if any |
is_holdout |
bool |
the gid was a validation gid in the LoRA work; not excluded here |
text |
large_string |
the prompt text, verbatim |
text_with_bursts |
large_string |
the same text with detected vocal bursts marked inline |
n_words |
int64 |
word count; also the - Tokens: budget in the prompt |
align_status |
large_string |
forced-alignment status from the re-annotation (ok or an error string) |
dur_s |
double |
duration in seconds, from the generator's pre-encode measurement |
instruction_generation |
large_string |
the literal GENERAL:/SCRIPT: string the generator was conditioned on |
instruction_caption |
large_string |
an independently rendered description of the delivered audio, from the corrected numeric annotation |
caption_template |
large_string |
which of the 16 procedural templates instruction_caption uses |
spk_sim |
double |
ECAPA cosine of this take to the PROFILE's reference embedding (generation time) |
genuineness |
double |
generation-time genuineness, 0-6 |
blend |
double |
generation-time vocal-burst blend, 0-10 |
emo_strength |
double |
generation-time emotion strength |
wer |
double |
generation-time WER — shipped, not used |
n_genuineness |
double |
per-voice quantile rank of genuineness |
n_blend |
double |
per-voice quantile rank of blend |
n_emo_strength |
double |
per-voice quantile rank of emo_strength |
genuineness_0_6 |
double |
re-annotated genuineness |
blend_0_10 |
double |
re-annotated vocal-burst blend |
qual_overall |
double |
re-annotated overall quality head |
qual_speech |
double |
re-annotated speech quality head |
qual_background |
double |
re-annotated background quality head |
n_bursts |
int64 |
re-annotated vocal-burst count |
burst_labels |
list<element: string> |
re-annotated vocal-burst labels |
top_emotion |
large_string |
argmax of the 40 re-annotated emotion intensities |
top_emotion_value |
double |
its value |
sft_score |
double |
n_genuineness + n_blend + 2*n_emo_strength |
sft_rank |
int64 |
1..3 within the gid |
target_frames |
int64 |
MOSS frames of the target |
n_vq |
int64 |
codebooks per frame — always 12 |
target_codes |
binary |
target MOSS codes, little-endian uint16, reshape (target_frames, 12) |
words_json |
large_string |
MMS_FA word alignment: [{w, s, e}, ...], seconds |
ref_cos |
double |
ECAPA cosine between this sample and its reference clip (>= 0.60 by construction) |
ref_same_parent |
bool |
whether the reference came from the same parent_key |
ref_uid |
large_string |
uid of the reference clip |
ref_gid |
large_string |
its gid — always different from gid |
ref_parent_key |
large_string |
its parent_key |
ref_lang |
large_string |
its language |
ref_block |
large_string |
its block |
ref_emotion |
large_string |
its emotion, if any — usually different from the target's |
ref_dur_s |
double |
its duration |
ref_spk_sim |
double |
its own ECAPA cosine to the profile reference |
ref_frames |
int64 |
its MOSS frames |
ref_codes |
binary |
its MOSS codes, same encoding as target_codes |
prompt_reference |
large_string |
complete prompt, reference-audio mode (`< |
prompt_name |
large_string |
complete prompt, name mode (Speaker: <speaker_name>, no audio) |
emo_vector |
binary |
the 40 re-annotated emotion intensities, float32 little-endian, alphabetical |
vn_reg_vector |
binary |
the 57 re-annotated VoiceNet regressions, float32 little-endian, alphabetical |
Limitations, honestly
- No human has listened to any of this in a controlled study. Every selection criterion here is a model output — VoiceNet dimensions, EmoNet intensities, an ECAPA cosine, a genuineness head. "Best 3 of 48" means best by those proxies.
- The
emotionDPO family is a same-sentence, different-condition comparison, not a same-prompt resample. The corpus contains no repeated generations of one prompt, so the negative was generated under a different instruction. It is a legitimate "this line, wrong reading" negative, and it is not an "identical prompt, worse sample" negative. Anyone expecting the latter should know they are not getting it. vocal_burstandblendin the family-(a) formula are the same physical quantity measured twice (re-annotation vs generation time). The terms are correlated; the ranking is effectively ~2x burst blend + 2x target emotion. Kept as specified rather than silently changed.- Truncation and continuation negatives are constructed, not observed. A real model failure looks different from a clean prefix or a hard splice. These teach the shape of the failure, not its texture. The continuation seam has no crossfade.
- Speaker identity is weak against the nominal reference, everywhere. Per-voice mean
spk_simspans 0.176 to 0.691, median 0.445; the median voice has ~20 % of its takes at 0.60 or above. 138 voices sit below 0.40. The takes are mutually consistent — which is why every voice still yields references at cosine 0.60 — but "sounds like this profile's reference clip" is a much weaker claim than "sounds like one consistent speaker". This is inherited from the generation run; nothing in this build could fix it. Filter onspk_sim/ref_spk_simif voice fidelity to the reference matters more than coverage. - The name-conditioned prompt inherits that. For a drifted voice,
Speaker: <name>will teach the drifted voice, not the reference clip. is_holdoutmarks thegids reserved as the per-voice validation split in the LoRA work. They are included here — exclude them yourself if you intend to compare against those numbers.- Forced alignment is imperfect.
align_statusisokon the large majority but not all rows; where alignment failed there are no words, so no truncation pair was emitted for that take. - German and English are balanced by construction (one
gidper language per cell), but the text pools differ in origin and the German is partly translated. - Everything here is model output, including the reference clips. No take is a recording of a
person. Only the
emolia_*family traces back to real recorded speech upstream, and that upstream dataset is itself CC-BY-4.0.
Reproducing
Build code is in code/ in this repo: build_voice.py (selection, reference assignment,
truncation points), emit.py (record assembly), run_seq.py / run_all.sbatch (500-way fan-out),
aggregate.py + make_cards.py (the verification below and this card), namepools.py,
quickstart.py. It is CPU-only and cost zero GPU-hours — every model score it consumes
already existed in the corpus. Actual compute is ~11.1 core-hours of work; it was run as
4 booster nodes for about half an hour, which the site bills at 288 core-h per node-hour whether
or not the GPUs are used.
Verification run on the shipped files
| check | result |
|---|---|
| rows shipped | SFT 1,200,531 · emotion 1,064,594 · truncation 1,186,406 · continuation 1,200,531 |
| every parquet footer opens, no stray temp files | yes, all 2000 |
| files | 500 + 500 + 500 + 500 parquet, no loose files |
| size | 6.3 GB + 19.1 GB |
target_frames == round(dur_s * 12.5) |
95,680 / 95,680 rows |
code buffer length == frames * 12 |
1,600 / 1,600 sampled |
| all codes in 0..1023 | 1,600 / 1,600 sampled |
reference is from another gid |
95,680 / 95,680 |
ref_cos >= 0.60 |
95,680 / 95,680 |
last word end <= dur_s |
1,600 / 1,600 sampled |
duplicate uid within a voice |
0 |
| distinct speaker names in 40 sampled voices | 40 |
| truncation cut is a whole frame, inside the clip | 23,578 / 23,578 |
DPO emotion: text == rejected_text |
21,118 / 21,118 |
| DPO emotion: condition or level differs | 21,118 / 21,118 |
DPO emotion: target_gap >= 0.15 |
21,118 / 21,118 |
| caption gender agrees with the voice's measured class | 40 / 40 voices |
...share of captions saying masculine for male voices |
97.2 % |
...share saying feminine for female voices |
97.6 % |
DPO continuation: donor from another gid |
23,825 / 23,825 |
DPO continuation: rejected_frames == chosen + donor |
23,825 / 23,825 |
| DPO continuation: donor <= 3 s | 23,825 / 23,825 (mumble 16062, near_silent 7507, short_failed_take 256) |
Each check reads the released parquet and re-derives the property from a different quantity than
the writer used — frames against dur_s * 12.5, code length against the declared frame count,
ref_gid against gid, text against rejected_text — rather than re-running the builder.
Licence and attribution
CC-BY-4.0. Credit Christoph Schuhmann and LAION, and the upstream sources listed in
laion/laion-voice-profiles-annotated.
The 500 profiles are synthetic; 385 of them are model re-interpretations whose source identifiers
are deliberately not reconstructible from any release.
@misc{laion_voice_profiles_tts_2026,
title = {LAION Voice Profiles — TTS fine-tuning sets (SFT and DPO)},
author = {Schuhmann, Christoph and {LAION}},
year = {2026},
url = {https://huggingface.co/datasets/laion/laion-voice-profiles-sft}
}
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