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Lossy audio compression is used in a wide range of applications. In addition to the direct applications (mp3 players or computers), digitally compressed audio streams are used in most video DVDs, digital television, streaming media on the internet, satellite and cable radio, and increasingly in terrestrial radio broadcasts. Lossy compression typically achieves far greater compression than lossless compression (data of 5 percent to 20 percent of the original stream, rather than 50 percent to 60 percent), by discarding less-critical data.
To determine what information in an audio signal is perceptually irrelevant, most lossy compression algorithms use transforms such as the modified discrete cosine transform (MDCT) to convert time domain sampled waveforms into a transform domain. Once transformed, typically into the frequency domain, component frequencies can be allocated bits according to how audible they are. Audibility of spectral components calculated using the absolute threshold of hearing and the principles of simultaneous masking—the phenomenon wherein a signal is masked by another signal separated by frequency—and, in some cases, temporal masking—where a signal is masked by another signal separated by time. Equal-loudness contours may also be used to weight the perceptual importance of components. Models of the human ear-brain combination incorporating such effects are often called psychoacoustic models.
Other types of lossy compressors, such as the linear predictive coding (LPC) used with speech, are source-based coders. These coders use a model of the sound's generator (such as the human vocal tract with LPC) to whiten the audio signal (i.e., flatten its spectrum) before quantization. LPC may be thought of as a basic perceptual coding technique: reconstruction of an audio signal using a linear predictor shapes the coder's quantization noise into the spectrum of the target signal, partially masking it.
Latency results from the methods used to encode and decode the data. Some codecs will analyze a longer segment of the data to optimize efficiency, and then code it in a manner that requires a larger segment of data at one time to decode. (Often codecs create segments called a "frame" to create discrete data segments for encoding and decoding.) The inherent latency of the coding algorithm can be critical; for example, when there is a two-way transmission of data, such as with a telephone conversation, significant delays may seriously degrade the perceived quality.
In contrast to the speed of compression, which is proportional to the number of operations required by the algorithm, here latency refers to the number of samples that must be analysed before a block of audio is processed. In the minimum case, latency is zero samples (e.g., if the coder/decoder simply reduces the number of bits used to quantize the signal). Time domain algorithms such as LPC also often have low latencies, hence their popularity in speech coding for telephony. In algorithms such as MP3, however, a large number of samples have to be analyzed to implement a psychoacoustic model in the frequency domain, and latency is on the order of 23 ms (46 ms for two-way communication)).
If the data to be compressed is analog (such as a voltage that varies with time), quantization is employed to digitize it into numbers (normally integers). This is referred to as analog-to-digital (A/D) conversion. If the integers generated by quantization are 8 bits each, then the entire range of the analog signal is divided into 256 intervals and all the signal values within an interval are quantized to the same number. If 16-bit integers are generated, then the range of the analog signal is divided into 65,536 intervals.
A literature compendium for a large variety of audio coding systems was published in the IEEE Journal on Selected Areas in Communications (JSAC), February 1988. While there were some papers from before that time, this collection documented an entire variety of finished, working audio coders, nearly all of them using perceptual (i.e. masking) techniques and some kind of frequency analysis and back-end noiseless coding. Several of these papers remarked on the difficulty of obtaining good, clean digital audio for research purposes. Most, if not all, of the authors in the JSAC edition were also active in the MPEG-1 Audio committee.
The world's first commercial broadcast automation audio compression system was developed by Oscar Bonello, an engineering professor at the University of Buenos Aires. In 1983, using the psychoacoustic principle of the masking of critical bands first published in 1967, he started developing a practical application based on the recently developed IBM PC computer, and the broadcast automation system was launched in 1987 under the name Audicom. Twenty years later, almost all the radio stations in the world were using similar technology manufactured by a number of companies.
The majority of video compression algorithms use lossy compression. Uncompressed video requires a very high data rate. Although lossless video compression codecs perform at a compression factor of 5-12, a typical MPEG-4 lossy compression video has a compression factor between 20 and 200. As in all lossy compression, there is a trade-off between video quality, cost of processing the compression and decompression, and system requirements. Highly compressed video may present visible or distracting artifacts.
Some video compression schemes typically operate on square-shaped groups of neighboring pixels, often called macroblocks. These pixel groups or blocks of pixels are compared from one frame to the next, and the video compression codec sends only the differences within those blocks. In areas of video with more motion, the compression must encode more data to keep up with the larger number of pixels that are changing. Commonly during explosions, flames, flocks of animals, and in some panning shots, the high-frequency detail leads to quality decreases or to increases in the variable bitrate.
Video data may be represented as a series of still image frames. The sequence of frames contains spatial and temporal redundancy that video compression algorithms attempt to eliminate or code in a smaller size. Similarities can be encoded by only storing differences between frames, or by using perceptual features of human vision. For example, small differences in color are more difficult to perceive than are changes in brightness. Compression algorithms can average a color across these similar areas to reduce space, in a manner similar to those used in JPEG image compression. Some of these methods are inherently lossy while others may preserve all relevant information from the original, uncompressed video.
The most powerful used method works by comparing each frame in the video with the previous one. If the frame contains areas where nothing has moved, the system simply issues a short command that copies that part of the previous frame, bit-for-bit, into the next one. If sections of the frame move in a simple manner, the compressor emits a (slightly longer) command that tells the decompressor to shift, rotate, lighten, or darken the copy. This longer command still remains much shorter than intraframe compression. Interframe compression works well for programs that will simply be played back by the viewer, but can cause problems if the video sequence needs to be edited.
Because interframe compression copies data from one frame to another, if the original frame is simply cut out (or lost in transmission), the following frames cannot be reconstructed properly. Some video formats, such as DV, compress each frame independently using intraframe compression. Making 'cuts' in intraframe-compressed video is almost as easy as editing uncompressed video: one finds the beginning and ending of each frame, and simply copies bit-for-bit each frame that one wants to keep, and discards the frames one doesn't want. Another difference between intraframe and interframe compression is that, with intraframe systems, each frame uses a similar amount of data. In most interframe systems, certain frames (such as "I frames" in MPEG-2) aren't allowed to copy data from other frames, so they require much more data than other frames nearby.
Today, nearly all commonly used video compression methods (e.g., those in standards approved by the ITU-T or ISO) apply a discrete cosine transform (DCT) for spatial redundancy reduction. The DCT that is widely used in this regard was introduced by N. Ahmed, T. Natarajan and K. R. Rao in 1974. Other methods, such as fractal compression, matching pursuit and the use of a discrete wavelet transform (DWT) have been the subject of some research, but are typically not used in practical products (except for the use of wavelet coding as still-image coders without motion compensation). Interest in fractal compression seems to be waning, due to recent theoretical analysis showing a comparative lack of effectiveness of such methods.
Genetics compression algorithms are the latest generation of lossless algorithms that compress data (typically sequences of nucleotides) using both conventional compression algorithms and genetic algorithms adapted to the specific datatype. In 2012, a team of scientists from Johns Hopkins University published a genetic compression algorithm that does not use a reference genome for compression. HAPZIPPER was tailored for HapMap data and achieves over 20-fold compression (95% reduction in file size), providing 2- to 4-fold better compression and in much faster time than the leading general-purpose compression utilities. For this, Chanda, Elhaik, and Bader introduced MAF based encoding (MAFE), which reduces the heterogeneity of the dataset by sorting SNPs by their minor allele frequency, thus homogenizing the dataset. Other algorithms in 2009 and 2013 (DNAZip and GenomeZip) have compression ratios of up to 1200-fold—allowing 6 billion basepair diploid human genomes to be stored in 2.5 megabytes (relative to a reference genome or averaged over many genomes).
The Sun had the largest circulation of any daily newspaper in the United Kingdom, but in late 2013 slipped to second largest Saturday newspaper behind the Daily Mail. It had an average daily circulation of 2.2 million copies in March 2014. Between July and December 2013 the paper had an average daily readership of approximately 5.5 million, with approximately 31% of those falling into the ABC1 demographic and 68% in the C2DE demographic. Approximately 41% of readers are women. The Sun has been involved in many controversies in its history, including its coverage of the 1989 Hillsborough football stadium disaster. Regional editions of the newspaper for Scotland, Northern Ireland and the Republic of Ireland are published in Glasgow (The Scottish Sun), Belfast (The Sun) and Dublin (The Irish Sun) respectively.
On 26 February 2012, The Sun on Sunday was launched to replace the closed News of the World, employing some of its former journalists. In late 2013, it was given a new look, with a new typeface. The average circulation for The Sun on Sunday in March 2014 was 1,686,840; but in May 2015 The Mail on Sunday sold more copies for the first time, an average of 28,650 over those of its rival: 1,497,855 to 1,469,195. Roy Greenslade issued some caveats over the May 2015 figures, but believes the weekday Daily Mail will overtake The Sun in circulation during 2016.
Research commissioned by Cecil King from Mark Abrams of Sussex University, The Newspaper Reading Public of Tomorrow, identified demographic changes which suggested reasons why the Herald might be in decline. The new paper was intended to add a readership of 'social radicals' to the Herald's 'political radicals'. Launched with an advertising budget of £400,000 the brash new paper "burst forth with tremendous energy", according to The Times. Its initial print run of 3.5 million was attributed to 'curiosity' and the 'advantage of novelty', and had declined to the previous circulation of the Daily Herald (1.2 million) within a few weeks.
Seizing the opportunity to increase his presence on Fleet Street, he made an agreement with the print unions, promising fewer redundancies if he acquired the newspaper. He assured IPC that he would publish a "straightforward, honest newspaper" which would continue to support Labour. IPC, under pressure from the unions, rejected Maxwell's offer, and Murdoch bought the paper for £800,000, to be paid in instalments. He would later remark: "I am constantly amazed at the ease with which I entered British newspapers."
Murdoch found he had such a rapport with Larry Lamb over lunch that other potential recruits as editor were not interviewed and Lamb was appointed as the first editor of the new Sun. He was scathing in his opinion of the Mirror, where he had recently been employed as a senior sub-editor, and shared Murdoch's view that a paper's quality was best measured by its sales, and he regarded the Mirror as overstaffed, and primarily aimed at an ageing readership. Lamb hastily recruited a staff of about 125 reporters, who were mostly selected for their availability rather than their ability.
Sex was used as an important element in the content and marketing the paper from the start, which Lamb believed was the most important part of his readers' lives. The first topless Page 3 model appeared on 17 November 1970, German-born Stephanie Rahn; she was tagged as a "Birthday Suit Girl" to mark the first anniversary of the relaunched Sun. A topless Page 3 model gradually became a regular fixture, and with increasingly risqué poses. Both feminists and many cultural conservatives saw the pictures as pornographic and misogynistic. Lamb expressed some regret at introducing the feature, although denied it was sexist. A Conservative council in Sowerby Bridge, Yorkshire, was the first to ban the paper from its public library, shortly after Page 3 began, because of its excessive sexual content. This decision was reversed after a sustained campaign by the newspaper itself lasting 16 months, and the election of a Labour-led council in 1971.
Politically, The Sun in the early Murdoch years, remained nominally Labour. It supported the Labour Party led by Harold Wilson in the 1970 General Election, with the headline "Why It Must Be Labour" but by February 1974 it was calling for a vote for the Conservative Party led by Edward Heath while suggesting that it might support a Labour Party led by James Callaghan or Roy Jenkins. In the October election an editorial asserted: "ALL our instincts are left rather than right and we would vote for any able politician who would describe himself as a Social Democrat."
The editor, Larry Lamb, was originally from a Labour background, with a socialist upbringing while his temporary replacement Bernard Shrimsley (1972–75) was a middle-class uncommitted Conservative. An extensive advertising campaign on the ITV network in this period, voiced by actor Christopher Timothy, may have helped The Sun to overtake the Daily Mirror's circulation in 1978. Despite the industrial relations of the 1970s – the so-called "Spanish practices" of the print unions – The Sun was very profitable, enabling Murdoch to expand his operations to the United States from 1973.
The Daily Star had been launched in 1978 by Express Newspaper, and by 1981 had begun to affect sales of The Sun. Bingo was introduced as a marketing tool and a 2p drop in cover price removed the Daily Star's competitive advantage opening a new circulation battle which resulted in The Sun neutralising the threat of the new paper. The new editor of The Sun, Kelvin MacKenzie, took up his post in 1981 just after these developments, and "changed the British tabloid concept more profoundly than [Larry] Lamb did", according to Bruce Page, MacKenzie The paper became "more outrageous, opinionated and irreverent than anything ever produced in Britain".
On 1 May, The Sun claimed to have 'sponsored' a British missile. Under the headline "Stick This Up Your Junta: A Sun missile for Galtieri’s gauchos", the newspaper published a photograph of a missile, (actually a Polaris missile stock shot from the Ministry of Defence) which had a large Sun logo printed on its side with the caption "Here It Comes, Senors..." underneath. The paper explained that it was 'sponsoring' the missile by contributing to the eventual victory party on HMS Invincible when the war ended. In copy written by Wendy Henry, the paper said that the missile would shortly be used against Argentinian forces. Despite this, it was not well received by the troops and copies of The Sun were soon burnt. Tony Snow, The Sun journalist on HMS Invincible who had 'signed' the missile, reported a few days later that it had hit an Argentinian target.
One of the paper's best known front pages, published on 4 May 1982, commemorated the torpedoing of the Argentine ship the General Belgrano by running the story under the headline "GOTCHA". At MacKenzie's insistence, and against the wishes of Murdoch (the mogul was present because almost all the journalists were on strike), the headline was changed for later editions after the extent of Argentinian casualties became known. John Shirley, a reporter for The Sunday Times, witnessed copies of this edition of The Sun being thrown overboard by sailors and marines on HMS Fearless.
After HMS Sheffield was wrecked by an Argentinian attack, The Sun was heavily criticised and even mocked for its coverage of the war in The Daily Mirror and The Guardian, and the wider media queried the veracity of official information and worried about the number of casualties, The Sun gave its response. "There are traitors in our midst", wrote leader writer Ronald Spark on 7 May, accusing commentators on Daily Mirror and The Guardian, plus the BBC's defence correspondent Peter Snow, of "treason" for aspects of their coverage.
These years included what was called "spectacularly malicious coverage" of the Labour Party by The Sun and other newspapers. During the general election of 1983 The Sun ran a front page featuring an unflattering photograph of Michael Foot, then aged almost 70, claiming he was unfit to be Prime Minister on grounds of his age, appearance and policies, alongside the headline "Do You Really Want This Old Fool To Run Britain?" A year later, in 1984, The Sun made clear its enthusiastic support for the re-election of Ronald Reagan as president in the USA. Reagan was two weeks off his 74th birthday when he started his second term, in January 1985.
The Sun, during the Miners' strike of 1984–85, supported the police and the Thatcher government against the striking NUM miners, and in particular the union's president, Arthur Scargill. On 23 May 1984, The Sun prepared a front page with the headline "Mine Führer" and a photograph of Scargill with his arm in the air, a pose which made him look as though he was giving a Nazi salute. The print workers at The Sun refused to print it. The Sun strongly supported the April 1986 bombing of Libya by the US, which was launched from British bases. Several civilians were killed during the bombing. Their leader was "Right Ron, Right Maggie". That year, Labour MP Clare Short attempted in vain to persuade Parliament to outlaw the pictures on Page Three and gained opprobrium from the newspaper for her stand.
Murdoch has responded to some of the arguments against the newspaper by saying that critics are "snobs" who want to "impose their tastes on everyone else", while MacKenzie claims the same critics are people who, if they ever had a "popular idea", would have to "go and lie down in a dark room for half an hour". Both have pointed to the huge commercial success of the Sun in this period and its establishment as Britain's top-selling newspaper, claiming that they are "giving the public what they want". This conclusion is disputed by critics. John Pilger has said that a late-1970s edition of the Daily Mirror, which replaced the usual celebrity and domestic political news items with an entire issue devoted to his own front-line reporting of the genocide in Pol Pot's Cambodia, not only outsold The Sun on the day it was issued but became the only edition of the Daily Mirror to ever sell every single copy issued throughout the country, something never achieved by The Sun.
According to Max Clifford: Read All About It, written by Clifford and Angela Levin, La Salle invented the story out of frustration with Starr who had been working on a book with McCaffrey. She contacted an acquaintance who worked for The Sun in Manchester. The story reportedly delighted MacKenzie, who was keen to run it, and Max Clifford, who had been Starr's public relations agent. Starr had to be persuaded that the apparent revelation would not damage him; the attention helped to revive his career. In his 2001 autobiography Unwrapped, Starr wrote that the incident was a complete fabrication: "I have never eaten or even nibbled a live hamster, gerbil, guinea pig, mouse, shrew, vole or any other small mammal."
Eventually resulting in 17 libel writs in total, The Sun ran a series of false stories about the pop musician Elton John from 25 February 1987. They began with an invented account of the singer having sexual relationships with rent boys. The singer-songwriter was abroad on the day indicated in the story, as former Sun journalist John Blake, recently poached by the Daily Mirror, soon discovered. After further stories, in September 1987, The Sun accused John of having his Rottweiler guard dogs voice boxes surgically removed. In November, the Daily Mirror found their rival's only source for the rent boy story and he admitted it was a totally fictitious concoction created for money. The inaccurate story about his dogs, actually Alsatians, put pressure on The Sun, and John received £1 million in an out of court settlement, then the largest damages payment in British history. The Sun ran a front-page apology on 12 December 1988, under the banner headline "SORRY, ELTON". In May 1987 gay men were offered free one-way airline tickets to Norway to leave Britain for good: "Fly Away Gays - And We Will Pay" was the paper's headline. Gay Church of England clergymen were described in one headline in November 1987 as "Pulpit poofs".
Television personality Piers Morgan, a former editor of the Daily Mirror and of The Sun's Bizarre pop column, has said that during the late 1980s, at Kelvin MacKenzie's behest, he was ordered to speculate on the sexuality of male pop stars for a feature headlined "The Poofs of Pop". He also recalls MacKenzie headlining a January 1989 story about the first same-sex kiss on the BBC television soap opera EastEnders "EastBenders", describing the kiss between Colin Russell and Guido Smith as "a homosexual love scene between yuppie poofs ... when millions of children were watching".
On 17 November 1989, The Sun headlined a page 2 news story titled "STRAIGHT SEX CANNOT GIVE YOU AIDS – OFFICIAL." The Sun favourably cited the opinions of Lord Kilbracken, a member of the All Parliamentary Group on AIDS. Lord Kilbracken said that only one person out of the 2,372 individuals with HIV/AIDS mentioned in a specific Department of Health report was not a member of a "high risk group", such as homosexuals and recreational drug users. The Sun also ran an editorial further arguing that "At last the truth can be told... the risk of catching AIDS if you are heterosexual is "statistically invisible". In other words, impossible. So now we know – everything else is homosexual propaganda." Although many other British press services covered Lord Kilbracken's public comments, none of them made the argument that the Sun did in its editorial and none of them presented Lord Kilbracken's ideas without context or criticism.
Critics stated that both The Sun and Lord Kilbracken cherry-picked the results from one specific study while ignoring other data reports on HIV infection and not just AIDS infection, which the critics viewed as unethical politicisation of a medical issue. Lord Kilbracken himself criticised The Sun's editorial and the headline of its news story; he stated that while he thought that gay people were more at risk of developing AIDS it was still wrong to imply that no one else could catch the disease. The Press Council condemned The Sun for committing what it called a "gross distortion". The Sun later ran an apology, which they ran on Page 28. Journalist David Randall argued in the textbook The Universal Journalist that The Sun's story was one of the worst cases of journalistic malpractice in recent history, putting its own readers in harm's way.
Under a front page headline "The Truth", the paper printed allegations provided to them that some fans picked the pockets of crushed victims, that others urinated on members of the emergency services as they tried to help and that some even assaulted a police constable "whilst he was administering the kiss of life to a patient." Despite the headline, written by Kelvin MacKenzie, the story was based on allegations either by unnamed and unattributable sources, or hearsay accounts of what named individuals had said – a fact made clear to MacKenzie by Harry Arnold, the reporter who wrote the story.
The front page caused outrage in Liverpool, where the paper lost more than three-quarters of its estimated 55,000 daily sales and still sells poorly in the city more than 25 years later (around 12,000). It is unavailable in many parts of the city, as many newsagents refuse to stock it. It was revealed in a documentary called Alexei Sayle's Liverpool, aired in September 2008, that many Liverpudlians will not even take the newspaper for free, and those who do may simply burn or tear it up. Liverpudlians refer to the paper as 'The Scum' with campaigners believing it handicapped their fight for justice.
On 7 July 2004, in response to verbal attacks in Liverpool on Wayne Rooney, just before his transfer from Everton to Manchester United, who had sold his life story to The Sun, the paper devoted a full-page editorial to an apology for the "awful error" of its Hillsborough coverage and argued that Rooney (who was still only three years old at the time of Hillsborough) should not be punished for its "past sins". In January 2005, The Sun's managing editor Graham Dudman admitting the Hillsborough coverage was "the worst mistake in our history", added: "What we did was a terrible mistake. It was a terrible, insensitive, horrible article, with a dreadful headline; but what we'd also say is: we have apologised for it, and the entire senior team here now is completely different from the team that put the paper out in 1989."
The Sun remained loyal to Thatcher right up to her resignation in November 1990, despite the party's fall in popularity over the previous year following the introduction of the Poll tax (officially known as the Community Charge). This change to the way local government is funded was vociferously supported by the newspaper, despite widespread opposition, (some from Conservative MPs), which is seen as having contributed to Thatcher's own downfall. The tax was quickly repealed by her successor John Major, whom The Sun initially supported enthusiastically, believing he was a radical Thatcherite – despite the economy having entered recession at this time.
Despite its initial opposition to the closures, until 1997, the newspaper repeatedly called for the implementation of further Thatcherite policies, such as Royal Mail privatisation,[verification needed] and social security cutbacks, with leaders such as "Peter Lilley is right, we can't carry on like this",[verification needed] The paper showed hostility to the EU and approval of public spending cuts, tax cuts, and promotion of right-wing ministers to the cabinet, with leaders such as "More of the Redwood, not Deadwood".
The Sun switched support to the Labour party on 18 March 1997, six weeks before the General Election victory which saw the New Labour leader Tony Blair become Prime Minister with a large parliamentary majority, despite the paper having attacked Blair and New Labour up to a month earlier. Its front page headline read THE SUN BACKS BLAIR and its front page editorial made clear that while it still opposed some New Labour policies, such as the Minimum Wage and Devolution, it believed Blair to be "the breath of fresh air this great country needs". John Major's Conservatives, it said, were "tired, divided and rudderless". Blair, who had radically altered his party's image and policies, noting the influence the paper could have over its readers' political thinking, had courted it (and Murdoch) for some time by granting exclusive interviews and writing columns.
In exchange for Rupert Murdoch's support, Blair agreed not to join the European Exchange Rate Mechanism – which John Major had withdrawn the country from in September 1992 after barely two years. Cabinet Minister Peter Mandelson was "outed" by Matthew Parris (a former Sun columnist) on BBC TV's Newsnight in November 1998. Misjudging public response, The Sun's editor David Yelland demanded to know in a front page editorial whether Britain was governed by a "gay mafia" of a "closed world of men with a mutual self-interest". Three days later the paper apologised in another editorial which said The Sun would never again reveal a person's sexuality unless it could be defended on the grounds of "overwhelming public interest".
In 2003 the paper was accused of racism by the Government over its criticisms of what it perceived as the "open door" policy on immigration. The attacks came from the Prime Minister's press spokesman Alastair Campbell and the Home Secretary David Blunkett (later a Sun columnist). The paper rebutted the claim, believing that it was not racist to suggest that a "tide" of unchecked illegal immigrants was increasing the risk of terrorist attacks and infectious diseases. It did not help its argument by publishing a front page story on 4 July 2003, under the headline "Swan Bake", which claimed that asylum seekers were slaughtering and eating swans. It later proved to have no basis in fact. Subsequently The Sun published a follow-up headlined "Now they're after our fish!". Following a Press Complaints Commission adjudication a "clarification" was eventually printed, on page 41. In 2005 The Sun published photographs of Prince Harry sporting a Nazi costume to a fancy dress party. The photographs caused outrage across the world and Clarence House was forced to issue a statement in response apologising for any offence or embarrassment caused.
Despite being a persistent critic of some of the government's policies, the paper supported Labour in both subsequent elections the party won. For the 2005 general election, The Sun backed Blair and Labour for a third consecutive election win and vowed to give him "one last chance" to fulfil his promises, despite berating him for several weaknesses including a failure to control immigration. However, it did speak of its hope that the Conservatives (led by Michael Howard) would one day be fit for a return to government. This election (Blair had declared it would be his last as prime minister) resulted in Labour's third successive win but with a much reduced majority.
On 22 September 2003 the newspaper appeared to misjudge the public mood surrounding mental health, as well as its affection for former world heavyweight champion boxer Frank Bruno, who had been admitted to hospital, when the headline "Bonkers Bruno Locked Up" appeared on the front page of early editions. The adverse reaction, once the paper had hit the streets on the evening of 21 September, led to the headline being changed for the paper's second edition to the more sympathetic "Sad Bruno In Mental Home".
The Sun has been openly antagonistic towards other European nations, particularly the French and Germans. During the 1980s and 1990s, the nationalities were routinely described in copy and headlines as "frogs", "krauts" or "hun". As the paper is opposed to the EU it has referred to foreign leaders who it deemed hostile to the UK in unflattering terms. Former President Jacques Chirac of France, for instance, was branded "le Worm". An unflattering picture of German chancellor Angela Merkel, taken from the rear, bore the headline "I'm Big in the Bumdestag" (17 April 2006).
On 7 January 2009, The Sun ran an exclusive front page story claiming that participants in a discussion on Ummah.com, a British Muslim internet forum, had made a "hate hit list" of British Jews to be targeted by extremists over the Gaza War. It was claimed that "Those listed [on the forum] should treat it very seriously. Expect a hate campaign and intimidation by 20 or 30 thugs." The UK magazine Private Eye claimed that Glen Jenvey, a man quoted by The Sun as a terrorism expert, who had been posting to the forum under the pseudonym "Abuislam", was the only forum member promoting a hate campaign while other members promoted peaceful advocacy, such as writing 'polite letters'. The story has since been removed from The Sun's website following complaints to the UK's Press Complaints Commission.
On 9 December 2010, The Sun published a front-page story claiming that terrorist group Al-Qaeda had threatened a terrorist attack on Granada Television in Manchester to disrupt the episode of the soap opera Coronation Street to be transmitted live that evening. The paper cited unnamed sources, claiming "cops are throwing a ring of steel around tonight's live episode of Coronation Street over fears it has been targeted by Al-Qaeda." Later that morning, however, Greater Manchester Police categorically denied having "been made aware of any threat from Al-Qaeda or any other proscribed organisation." The Sun published a small correction on 28 December, admitting "that while cast and crew were subject to full body searches, there was no specific threat from Al-Qaeda as we reported." The apology had been negotiated by the Press Complaints Commission. For the day following the 2011 Norway attacks The Sun produced an early edition blaming the massacre on al-Qaeda. Later the perpetrator was revealed to be Anders Behring Breivik, a Norwegian nationalist.
In January 2008 the Wapping presses printed The Sun for the last time and London printing was transferred to Waltham Cross in the Borough of Broxbourne in Hertfordshire, where News International had built what is claimed to be the largest printing centre in Europe with 12 presses. The site also produces The Times and Sunday Times, Daily Telegraph and Sunday Telegraph, Wall Street Journal Europe (also now a Murdoch newspaper), London's Evening Standard and local papers. Northern printing had earlier been switched to a new plant at Knowsley on Merseyside and the Scottish Sun to another new plant at Motherwell near Glasgow. The three print centres represent a £600 million investment by NI and allowed all the titles to be produced with every page in full colour from 2008. The Waltham Cross plant is capable of producing one million copies an hour of a 120-page tabloid newspaper.
Politically, the paper's stance was less clear under Prime Minister Gordon Brown who succeeded Blair in June 2007. Its editorials were critical of many of Brown's policies and often more supportive of those of Conservative leader David Cameron. Rupert Murdoch, head of The Sun's parent company News Corporation, speaking at a 2007 meeting with the House of Lords Select Committee on Communications, which was investigating media ownership and the news, said that he acts as a "traditional proprietor". This means he exercises editorial control on major issues such as which political party to back in a general election or which policy to adopt on Europe.
During the campaign for the United Kingdom general election, 2010, The Independent ran ads declaring that "Rupert Murdoch won't decide this election – you will." In response James Murdoch and Rebekah Wade "appeared unannounced and uninvited on the editorial floor" of the Independent, and had an energetic conversation with its editor Simon Kelner. Several days later the Independent reported The Sun's failure to report its own YouGov poll result which said that "if people thought Mr Clegg's party had a significant chance of winning the election" the Liberal Democrats would win 49% of the vote, and with it a landslide majority.
On election day (6 May 2010), The Sun urged its readers to vote for David Cameron's "modern and positive" Conservatives in order to save Britain from "disaster" which the paper thought the country would face if the Labour government was re-elected. The election ended in the first hung parliament after an election for 36 years, with the Tories gaining the most seats and votes but being 20 seats short of an overall majority. They finally came to power on 11 May when Gordon Brown stepped down as prime minister, paving the way for David Cameron to become prime minister by forming a coalition with the Liberal Democrats.
On 28 January 2012, police arrested four current and former staff members of The Sun, as part of a probe in which journalists paid police officers for information; a police officer was also arrested in the probe. The Sun staffers arrested were crime editor Mike Sullivan, head of news Chris Pharo, former deputy editor Fergus Shanahan, and former managing editor Graham Dudman, who since became a columnist and media writer. All five arrested were held on suspicion of corruption. Police also searched the offices of News International, the publishers of The Sun, as part of a continuing investigation into the News of the World scandal.
The main party leaders, David Cameron, Nick Clegg and Ed Miliband, were all depicted holding a copy of the special issue in publicity material. Miliband's decision to pose with a copy of The Sun received a strong response. Organisations representing the relatives of Hillsborough victims described Miliband's action as an "absolute disgrace" and he faced criticism too from Liverpool Labour MPs and the city's Labour Mayor, Joe Anderson. A statement was issued on 13 June explaining that Miliband "was promoting England's bid to win the World Cup", although "he understands the anger that is felt towards the Sun over Hillsborough by many people in Merseyside and he is sorry to those who feel offended."
On 2 June 2013, The Sun on Sunday ran a front page story on singer-songwriter Tulisa Contostavlos. The front page read: "Tulisa's cocaine deal shame"; this story was written by The Sun On Sunday's undercover reporter Mahzer Mahmood, who had previously worked for the News of the World. It was claimed that Tulisa introduced three film producers (actually Mahmood and two other Sun journalists) to a drug dealer and set up a £800 deal. The subterfuge involved conning the singer into believing that she was being considered for a role in an £8 million Bollywood film.
At her subsequent trial, the case against Tulisa collapsed at Southwark Crown Court in July 2014, with the judge commenting that there were "strong grounds" to believe that Mahmood had lied at a pre-trial hearing and tried to manipulate evidence against the co-defendant Tulisa. Tulisa was cleared of supplying Class A drugs. After these events, The Sun released a statement saying that the newspaper "takes the Judge's remarks very seriously. Mahmood has been suspended pending an immediate internal investigation."
In October 2014, the trial of six senior staff and journalists at The Sun newspaper began. All six were charged with conspiring to commit misconduct in a public office. They included The Sun's head of news Chris Pharo, who faced six charges, while ex-managing editor Graham Dudman and ex-Sun deputy news editor Ben O'Driscoll were accused of four charges each. Thames Valley district reporter Jamie Pyatt and picture editor John Edwards were charged with three counts each, while ex-reporter John Troup was accused of two counts. The trial related to illegal payments allegedly made to public officials, with prosecutors saying the men conspired to pay officials from 2002–11, including police, prison officers and soldiers. They were accused of buying confidential information about the Royal Family, public figures and prison inmates. They all denied the charges. On 16 January 2015, Troup and Edwards were cleared by the jury of all charges against them. The jury also partially cleared O'Driscoll and Dudman but continued deliberating over other counts faced by them, as well as the charges against Pharo and Pyatt. On 21 January 2015, the jury told the court that it was unable to reach unanimous verdicts on any of the outstanding charges and was told by the judge, Richard Marks, that he would accept majority verdicts. Shortly afterwards, one of the jurors sent a note to the judge and was discharged. The judge told the remaining 11 jurors that their colleague had been "feeling unwell and feeling under a great deal of pressure and stress from the situation you are in", and that under the circumstances he was prepared to accept majority verdicts of "11 to zero or 10 to 1". On 22 January 2015, the jury was discharged after failing to reach verdicts on the outstanding charges. The Crown Prosecution Service (CPS) announced that it would seek a retrial.
On 6 February 2015, it was announced that Judge Richard Marks is to be replaced by Judge Charles Wide at the retrial. Two days earlier, Marks had emailed counsel for the defendants telling them: "It has been decided (not by me but by my elders and betters) that I am not going to be doing the retrial". Reporting the decision in UK newspaper The Guardian, Lisa O’Carroll wrote: "Wide is the only judge so far to have presided in a case which has seen a conviction of a journalist in relation to allegations of unlawful payments to public officials for stories. The journalist, who cannot be named for legal reasons, is appealing the verdict". Defence counsel for the four journalists threatened to take the decision to judicial review, with the barrister representing Pharo, Nigel Rumfitt QC, saying: "The way this has come about gives rise to the impression that something has been going on behind the scenes which should not have been going on behind the scenes and which should have been dealt with transparently". He added that the defendants were "extremely concerned" and "entitled" to know why Marks was being replaced by Wide.
On 22 May 2015, Sun reporter Anthony France was found guilty of aiding and abetting misconduct in a public office between 2008 and 2011. France’s trial followed the London Metropolitan Police's Operation Elveden, an ongoing investigation into alleged payments to police and officials in exchange for information. He had paid a total of more than £22,000 to PC Timothy Edwards, an anti-terrorism police officer based at Heathrow Airport. The police officer had already pleaded guilty to misconduct in a public office and given a two-year gaol sentence in 2014, but the jury in France’s trial was not informed of this. Following the passing of the guilty verdict, the officer leading Operation Elveden, Detective Chief Superintendent Gordon Briggs said France and Edwards had been in a "long-term, corrupt relationship".
The BBC reported that France was the first journalist to face trial and be convicted under Operation Elveden since the Crown Prosecution Service (CPS) had revised its guidance in April 2015 so that prosecutions would only be brought against journalists who had made payments to police officers over a period of time. As a result of the change in the CPS’ policy, charges against several journalists who had made payments to other types of public officials – including civil servants, health workers and prison staff - had been dropped. In July 2015, Private Eye magazine reported that at a costs hearing at the Old Bailey The Sun's parent company had refused to pay for the prosecution costs relating to France’s trial, leading the presiding judge to express his "considerable disappointment" at this state of affairs. Judge Timothy Pontius said in court that France’s illegal actions had been part of a "clearly recognised procedure at The Sun", adding that, "There can be no doubt that News International bears some measure of moral responsibility if not legal culpability for the acts of the defendant". The Private Eye report noted that despite this The Sun's parent organisation was "considering disciplinary actions" against France whilst at the same time it was also preparing to bring a case to the Investigatory Powers Tribunal against the London Metropolitan Police Service for its actions relating to him and two other journalists.
In August 2013, The Irish Sun ended the practice of featuring topless models on Page 3. The main newspaper was reported to have followed in 2015 with the edition of 16 January supposedly the last to carry such photographs after a report in The Times made such an assertion. After substantial coverage in the media about an alleged change in editorial policy, Page 3 returned to its usual format on 22 January 2015. A few hours before the issue was published, the Head of PR at the newspaper said the reputed end of Page 3 had been "speculation" only.
On 17 April 2015, The Sun's columnist Katie Hopkins called migrants to Britain "cockroaches" and "feral humans" and said they were "spreading like the norovirus". Her remarks were condemned by the United Nations High Commission for Human Rights. In a statement released on 24 April 2015, High Commissioner Zeid Ra'ad Al Hussein stated that Hopkins' used "language very similar to that employed by Rwanda's Kangura newspaper and Radio Mille Collines during the run up to the 1994 genocide", and noted that both media organizations were subsequently convicted by an international tribunal of public incitement to commit genocide.
Hopkins' column also drew criticism on Twitter, including from Russell Brand, to whom Hopkins responded by accusing Brand's "champagne socialist humanity" of neglecting taxpayers. Simon Usborne, writing in The Independent, compared her use of the word "cockroach" to previous uses by the Nazis and just before the Rwandan Genocide by its perpetrators. He suspected that if any other contributor had written the piece it would not have been published and questioned her continued employment by the newspaper. Zoe Williams commented in The Guardian: "It is no joke when people start talking like this. We are not 'giving her what she wants' when we make manifest our disgust. It is not a free speech issue. I’m not saying gag her: I’m saying fight her".
On 9 March 2016, The Sun's front page proclaimed that Queen Elizabeth II was backing "Brexit", a common term for a British withdrawal from the European Union. It claimed that in 2011 at Windsor Castle, while having lunch with Deputy Prime Minister Nick Clegg, the monarch criticised the union. Clegg denied that the Queen made such a statement, and a Buckingham Palace spokesperson confirmed that a complaint had been made to the Independent Press Standards Organisation over a breach of guidelines relating to accuracy.
The term Carnival is traditionally used in areas with a large Catholic presence. However, the Philippines, a predominantly Roman Catholic country, does not celebrate Carnival anymore since the dissolution of the Manila Carnival after 1939, the last carnival in the country. In historically Lutheran countries, the celebration is known as Fastelavn, and in areas with a high concentration of Anglicans and Methodists, pre-Lenten celebrations, along with penitential observances, occur on Shrove Tuesday. In Eastern Orthodox nations, Maslenitsa is celebrated during the last week before Great Lent. In German-speaking Europe and the Netherlands, the Carnival season traditionally opens on 11/11 (often at 11:11 a.m.). This dates back to celebrations before the Advent season or with harvest celebrations of St. Martin's Day.
Traditionally a carnival feast was the last opportunity to eat well before the time of food shortage at the end of the winter during which one was limited to the minimum necessary. On what nowadays is called vastenavond (the days before fasting) all the remaining winter stores of lard, butter and meat which were left would be eaten, for it would soon start to rot and decay. The selected livestock had in fact already been slaughtered in November and the meat would be no longer preservable. All the food that had survived the winter had to be eaten to assure that everyone was fed enough to survive until the coming spring would provide new food sources.
Several Germanic tribes celebrated the returning of the daylight. A predominant deity was during this jubilee driven around in a noisy procession on a ship on wheels. The winter would be driven out, to make sure that fertility could return in spring. A central figure was possibly the fertility goddess Nerthus. Also there are some indications that the effigy of Nerthus or Freyr was placed on a ship with wheels and accompanied by a procession of people in animal disguise and men in women's clothes. Aboard the ship would the marriage of a man and woman be consummated as a fertility ritual.
Carnival (see other spellings and names) is a Christian festive season that occurs before the Christian season of Lent. The main events typically occur during February or early March, during the period historically known as Shrovetide (or Pre-Lent). Carnival typically involves a public celebration and/or parade combining some elements of a circus, masks and public street party. People wear masks and costumes during many such celebrations, allowing them to lose their everyday individuality and experience a heightened sense of social unity. Excessive consumption of alcohol, meat, and other foods proscribed during Lent is extremely common. Other common features of carnival include mock battles such as food fights; social satire and mockery of authorities; the grotesque body displaying exaggerated features especially large noses, bellies, mouths, and phalli or elements of animal bodies; abusive language and degrading acts; depictions of disease and gleeful death; and a general reversal of everyday rules and norms.
Tacitus wrote in his Germania: Germania 9.6: Ceterum nec cohibere parietibus deos neque in ullam humani oris speciem adsimulare ex magnitudine caelestium arbitrator – "The Germans, however, do not consider it consistent with the grandeur of celestial beings to confine the gods within walls, or to liken them to the form of any human countenance." Germania 40: mox vehiculum et vestis et, si credere velis, numen ipsum secreto lacu abluitur – "Afterwards the car, the vestments, and, if you like to believe it, the divinity herself, are purified in a secret lake."
Traditionally the feast also applied to sexual desires, which were supposed to be suppressed during the following fasting. Before Lent began, all rich food and drink were consumed in what became a giant celebration that involved the whole community, and is thought to be the origin of Carnival. The Lenten period of the Liturgical calendar, the six weeks directly before Easter, was originally marked by fasting and other pious or penitential practices. During Lent, no parties or celebrations were held, and people refrained from eating rich foods, such as meat, dairy, fat and sugar.
While christian festivals such as corpus christi were church-sanctioned celebrations, Carnival was also a manifestation of European folk culture. In the Christian tradition the fasting is to commemorate the 40 days that Jesus fasted in the desert according to the New Testament and also to reflect on Christian values. As with many other Christian festivals such as Christmas which was originally a pagan midwinter festival, the Christian church has found it easier to turn the pagan Carnaval in a catholic tradition than to eliminate it. Unlike today, carnival in the Middle Ages took not just a few days, but it covered almost the entire period between Christmas and the beginning of Lent. In those two months, several Catholic holidays were seized by the Catholic population as an outlet for their daily frustrations.
In the year 743 the synod in Leptines (Leptines is located near Binche in Belgium) spoke out furiously against the excesses in the month of February. Also from the same period dates the phrase: "Whoever in February by a variety of less honorable acts tries to drive out winter is not a Christian, but a pagan." Confession books from around 800 contain more information about how people would dress as an animal or old woman during the festivities in January and February, even though this was a sin with no small penance. Also in Spain, San Isidoro de Sevilla is written complaint in the seventh century that people coming out into the streets disguised in many cases the opposite gender.
While forming an integral part of the Christian calendar, particularly in Catholic regions, many Carnival traditions resemble those antedating Christianity. Italian Carnival is sometimes thought to be derived from the ancient Roman festivals of Saturnalia and Bacchanalia. The Saturnalia, in turn, may be based on the Greek Dionysia and Oriental festivals. For the start of the Roman Saturnalia, on December 17 authorities chose an enemy of the Roman people to represent the Lord of Misrule in each community. These men and women were forced to indulge in food and physical pleasures throughout the week, horribly murdered on December 25th: "destroying the forces of darkness".
While medieval pageants and festivals such as Corpus Christi were church-sanctioned, Carnival was also a manifestation of medieval folk culture. Many local Carnival customs are claimed to derive from local pre-Christian rituals, such as elaborate rites involving masked figures in the Swabian–Alemannic Fastnacht. However, evidence is insufficient to establish a direct origin from Saturnalia or other ancient festivals. No complete accounts of Saturnalia survive and the shared features of feasting, role reversals, temporary social equality, masks and permitted rule-breaking do not necessarily constitute a coherent festival or link these festivals. These similarities may represent a reservoir of cultural resources that can embody multiple meanings and functions. For example, Easter begins with the resurrection of Jesus, followed by a liminal period and ends with rebirth. Carnival reverses this as King Carnival comes to life, a liminal period follows before his death. Both feasts are calculated by the lunar calendar. Both Jesus and King Carnival may be seen as expiatory figures who make a gift to the people with their deaths. In the case of Jesus, the gift is eternal life in heaven and in the case of King Carnival, the acknowledgement that death is a necessary part of the cycle of life. Besides Christian anti-Judaism, the commonalities between church and Carnival rituals and imagery suggest a common root. Christ's passion is itself grotesque: Since early Christianity Christ is figured as the victim of summary judgement, is tortured and executed by Romans before a Jewish mob ("His blood is on us and on our children!" Matthew 27:24–25). Holy Week processions in Spain include crowds who vociferously insult the figure of Jesus. Irreverence, parody, degradation and laughter at a tragicomic effigy God can be seen as intensifications of the sacred order. In 1466, the Catholic Church under Pope Paul II revieved customs of the Saturnalia carnival: Jews were forced to race naked through the streets of the city of Rome. “Before they were to run, the Jews were richly fed, so as to make the race more difficult for them and at the same time more amusing for spectators. They ran… amid Rome’s taunting shrieks and peals of laughter, while the Holy Father stood upon a richly ornamented balcony and laughed heartily”, an eyewitness reports.
Some of the best-known traditions, including carnal parades and masquerade balls, were first recorded in medieval Italy. The carnival of Venice was, for a long time, the most famous carnival (although Napoleon abolished it in 1797 and only in 1979 was the tradition restored). From Italy, Carnival traditions spread to Spain, Portugal and France and from France to New France in North America. From Spain and Portugal it spread with colonization to the Caribbean and Latin America. In the early 19th century in the German Rhineland and Southern Netherlands, the weakened medieval tradition also revive. Continuously in the 18th and 19th centuries CE, as part of the annual Saturnalia abuse of the carnival in Rome, rabbis of the ghetto were forced to march through the city streets wearing foolish guise, jeered upon and pelted by a variety of missiles from the crowd. A petition of the Jewish community of Rome sent in 1836 to Pope Gregory XVI to stop the annual anti-semitic Saturnalia abuse got a negation: “It is not opportune to make any innovation.”
Carnival was introduced by Portuguese settlers. The celebration is celebrated on each of the archipelago's nine inhabited islands. In Mindelo, São Vicente groups challenge each other for a yearly prize. It has imported various Brazilian carnival traditions. The celebration in SãoNicolau is more traditional, where established groups parade through the Ribeira Brava, gathering in the town square, although it has adopted drums, floats and costumes from Brazil. In São Nicolau three groups, Copa Cabana, Estrela Azul and Brilho Da Zona constructs a painted float using fire, newspaper for the mold, iron and steel to for structure. Carnival São Nicolau is celebrated over three days: dawn Saturday, Sunday afternoon, and Tuesday.
In India, Carnival is celebrated only in the state of Goa and a Roman Catholic tradition, where it is known as Intruz which means swindler while Entrudo, the appropriate word in Portuguese for Carnival. The largest celebration takes place in the city of Panjim which was part of Velha Conquista, Goa, but now is celebrate throughout the state. The tradition was introduced by the Portuguese who ruled Goa for over four centuries. On Tuesday preceding Ash Wednesday, the European Tradition of Fat Tuesday is celebrated with the partaking of eating of crepes also called as "AleBelle." The crepes are filled with freshly grated coconut and heat condensed coconut sap that sequentially converts it into a brown sweet molasses and additional heat concentration solidifies it to jaggery. The celebrations of Carnival peak for three days and nights and precede Ash Wednesday. When the legendary King Momo takes over the state. All-night parades occur throughout the state with bands, dances and floats and grand balls are held in the evenings.
The Carnival of Malmedy is locally called Cwarmê. Even if Malmedy is located in the east Belgium, near the German-speaking area, the Cwarmê is a pure walloon and Latin carnival. The celebration takes place during 4 days before the Shrove Tuesday. The Cwarmê Sunday is the most important and insteresting to see. All the old traditional costumes parade in the street. The Cwarmê is a "street carnival" and is not only a parade. People who are disguised pass through the crowd and perform a part of the traditional costume they wear. The famous traditional costumes at the Cwarmê of Malmedy are the Haguète, the Longuès-Brèsses and the Long-Né.
Some Belgian cities hold Carnivals during Lent. One of the best-known is Stavelot, where the Carnival de la Laetare takes place on Laetare Sunday, the fourth Sunday of Lent. The participants include the Blancs-Moussis, who dress in white, carry long red noses and parade through town attacking bystanders with confetti and dried pig bladders. The town of Halle also celebrates on Laetare Sunday. Belgium's oldest parade is the Carnival Parade of Maaseik, also held on Laetare Sunday, which originated in 1865.
Many towns in Croatia's Kvarner region (and in other parts of the country) observe the Carnival period, incorporating local traditions and celebrating local culture. Just before the end of Carnival, every Kvarner town burns a man-like doll called a "Jure Piškanac", who is blamed for all the strife of the previous year. The Zvončari, or bell-ringers, wear bells and large head regalia representing their areas of origin (for example, those from Halubje wear regalia in the shape of animal heads). The traditional Carnival food is fritule, a pastry. This festival can also be called Poklade.
Carnival has been celebrated for centuries. The tradition was likely established under Venetian rule around the 16th century. It may have been influenced by Greek traditions, such as festivities for deities such as Dionysus. The celebration originally involved dressing in costumes and holding masked balls or visiting friends. In the twentieth century it became an organized event held during the 10 days preceding Lent (according to the Greek Orthodox calendar). The festival is celebrated almost exclusively in the city of Limassol.
Three main parades take place during Carnival. The first is held on the first day, during which the "Carnival King" (either a person in costume or an effigy) rides through the city on his carriage. The second is held on the first Sunday of the festival and the participants are mainly children. The third and largest takes place on the last day of Carnival and involves hundreds of people walking in costume along the town's longest avenue. The latter two parades are open to anyone who wishes to participate.
In Norway, students having seen celebrations in Paris introduced Carnival processions, masked balls and Carnival balls to Christiana in the 1840s and 1850s. From 1863, the artist federation kunstnerforeningen held annual Carnival balls in the old Freemasons lodge, which inspired Johan Svendsens compositions "Norsk Kunstnerkarneval" and "Karneval in Paris". The following year, Svendsens Festpolonaise was written for the opening procession. Edvard Grieg attended and wrote "aus dem Karneval" (folkelivsbilleder Op. 19). Since 1988, the student organization Tårnseilerne has produced annual masquerade balls in Oslo, with masks, costumes and processions after attending an opera performance. The Carnival season also includes Fastelavens søndag (with cream buns) and fastelavensris with decorated branches.
The "Rheinische" Carnival is held in the west of Germany, mainly in the states of North Rhine-Westphalia or Nordrhein-Westfalen, Rhineland Palatinate or Rheinland-Pfalz, but also in Hessen [including Oberhessen], Bavaria and other states. Some cities are more famous for celebrations such as parades and costume balls. Köln or Cologne Carnival, as well as Mainz and Düsseldorf are the largest and most famous. Other cities have their own, often less well-known celebrations, parades and parties such as Worms am Rhein, Speyer, Kaiserslautern, Frankfurt, Darmstadt, Mannheim, Ludwigshafen, Stuttgart, Augsburg and München [Munich] Nürnberg. On Carnival Thursday (called "Old Women Day" or "The Women's Day") in commemoration of an 1824 revolt by washer-women, women storm city halls, cut men's ties, and are allowed to kiss any passing man.
In Greece Carnival is also known as the Apokriés (Greek: Αποκριές, "saying goodbye to meat"), or the season of the "Opening of the Triodion", so named after the liturgical book used by the church from then until Holy Week. One of the season's high points is Tsiknopempti, when celebrants enjoy roast beef dinners; the ritual is repeated the following Sunday. The following week, the last before Lent, is called Tyrinē (Greek: Τυρινή, "cheese [week]") because meat is forbidden, although dairy products are not. Lent begins on "Clean Monday", the day after "Cheese Sunday". Throughout the Carnival season, people disguise themselves as maskarádes ("masqueraders") and engage in pranks and revelry.
Other regions host festivities of smaller extent, focused on the reenactment of traditional carnevalic customs, such as Tyrnavos (Thessaly), Kozani (West Macedonia), Rethymno (Crete) and in Xanthi (East Macedonia and Thrace). Tyrnavos holds an annual Phallus festival, a traditional "phallkloric" event in which giant, gaudily painted effigies of phalluses made of papier maché are paraded, and which women are asked to touch or kiss. Their reward for so doing is a shot of the famous local tsipouro alcohol spirit. Every year, from 1 to 8 January, mostly in regions of Western Macedonia, Carnival fiestas and festivals erupt. The best known is the Kastorian Carnival or "Ragoutsaria" (Gr. "Ραγκουτσάρια") [tags: Kastoria, Kastorian Carnival, Ragoutsaria, Ραγκουτσαρια, Καστοριά]. It takes place from 6 to 8 January with mass participation serenaded by brass bands, pipises, Macedonian and grand casa drums. It is an ancient celebration of nature's rebirth (fiestas for Dionysus (Dionysia) and Kronos (Saturnalia)), which ends the third day in a dance in the medieval square Ntoltso where the bands play at the same time.
Carnival in the Netherlands is called Carnaval, Vastenavond or Vastelaovend(j), and is most celebrated in traditionally Catholic regions, mainly the southern provinces North Brabant and Limburg. Dutch Carnaval is officially celebrated on the Sunday through Tuesday preceding Ash Wednesday. Although traditions vary from town to town, some common characteristics of Dutch Carnaval include a parade, a "prince" plus cortège ("Jester/adjutant and Council of 11"), a Peasant Wedding (boerenbruiloft), and eating herring (haring happen) on Ash Wednesday.
The Strumica Carnival (Macedonian: Струмички Карневал, translated Strumichki Karneval) has been held since at least 1670, when the Turkish author Evlija Chelebija wrote while staying there, "I came into a town located in the foothills of a high hillock and what I saw that night was masked people running house–to–house, with laughter, scream and song." The Carnival took an organized form in 1991; in 1994, Strumica became a member of FECC and in 1998 hosted the XVIII International Congress of Carnival Cities. The Strumica Carnival opens on a Saturday night at a masked ball where the Prince and Princess are chosen; the main Carnival night is on Tuesday, when masked participants (including groups from abroad) compete in various subjects. As of 2000, the Festival of Caricatures and Aphorisms has been held as part of Strumica's Carnival celebrations.
The Slovenian countryside displays a variety of disguised groups and individual characters among which the most popular and characteristic is the Kurent (plural: Kurenti), a monstrous and demon-like, but fluffy figure. The most significant festival is held in Ptuj (see: Kurentovanje). Its special feature are the Kurents themselves, magical creatures from another world, who visit major events throughout the country, trying to banish the winter and announce spring's arrival, fertility, and new life with noise and dancing. The origin of the Kurent is a mystery, and not much is known of the times, beliefs, or purposes connected with its first appearance. The origin of the name itself is obscure.
The most famous groups are the chirigotas, choirs and comparsas. The chirigotas are well known witty, satiric popular groups who sing about politics, new times and household topics, wearing the same costume, which they prepare for the whole year. The Choirs (coros) are wider groups that go on open carts through the streets singing with an orchestra of guitars and lutes. Their signature piece is the "Carnival Tango", alternating comical and serious repertory. The comparsas are the serious counterpart of the chirigota in Cádiz, and the poetic lyrics and the criticism are their main ingredients. They have a more elaborated polyphony that is easily recognizable by the typical countertenor voice.
In Catalonia people dress in masks and costume (often in themed groups) and organize a week-long series of parties, pranks, outlandish activities such as bed races, street dramas satirizing public figures and raucous processions to welcome the arrival of Sa Majestat el Rei Carnestoltes (His Majesty King Carnival), known by various titles, including el Rei dels poca-soltes (King of the Crackpots), Princep etern de Cornudella (Eternal Prince of Cuckoldry), Duc de ximples i corrumputs (Duke of Fools and the Corrupt), Marquès de la bona mamella (Marquis of the lovely breast), Comte de tots els barruts (Count of the Insolent), Baró de les Calaverades (Baron of Nocturnal Debaucheries), and Senyor de l'alt Plàtan florit, dels barraquers i gamberrades i artista d'honor dalt del llit (Lord of the Tall Banana in Bloom, of the Voyeurs and Punks and the Artist of Honor upon the Bed).
The King presides over a period of misrule in which conventional social rules may be broken and reckless behavior is encouraged. Festivities are held in the open air, beginning with a cercavila, a ritual procession throughout the town to call everyone to attend. Rues of masked revelers dance alongside. On Thursday Dijous Gras (Fat Thursday) is celebrated, also called 'omelette day' (el dia de la truita), coques (de llardons, butifarra d'ou, butifarra) and omelettes are eaten. The festivities end on Ash Wednesday with elaborate funeral rituals marking the death of King Carnival, who is typically burned on a pyre in what is called the burial of the sardine (enterrament de la sardina), or, in Vilanova, as l'enterro.
The Carnival of Vilanova i la Geltrú has documented history from 1790 and is one of the richest in the variety of its acts and rituals. It adopts an ancient style in which satire, the grotesque body (particularly cross-dressing and displays of exaggerated bellies, noses and phalli) and above all, active participation are valued over glamorous, media-friendly spectacles that Vilanovins mock as "thighs and feathers". It is best known for Les Comparses (held on Sunday), a tumultuous dance in which 12,000 or more dancers organized into rival groups throw 75 tons of hard candies at one other. The women protect their faces with Mantons de Manila (Manila shawls) but eye-patches and slings for broken arms are common the following week. Vilanovins organize an elaborate ritual for the arrival of King Carnival called l'Arrivo that changes every year. It includes a raucous procession of floats and dancers lampooning current events or public figures and a bitingly satiric sermon (el sermo) delivered by the King himself. On Dijous Gras, Vilanovin children are excused from school to participate in the Merengada, a day-long scene of eating and fighting with sticky, sweet meringue.
Adults have a meringue battle at midnight at the historic Plaça de les Cols. In the mysterious sortida del Moixo Foguer (the outing of Little-Bird-Bonfire) accompanied by the Xerraire (jabberer) who insults the crowd. In the King's precession he and his concubines scandalize the town with their sexual behavior. A correfoc (fire run) or Devil's dance (Ball de diables, features dancing youth amid the sparks and explosions of the ritual crew of devils. Other items includes bed races in the streets, the debauched Nit dels Mascarots, Karaoke sausage roasts, xatonades, the children's party, Vidalet, the last night of revelry, Vidalot, the talking-dance of the Mismatched Couples (Ball de Malcasats) and the children's King Caramel whose massive belly, long nose and sausage-like hair hint at his insatiable appetites.
For the King's funeral, people dress in elaborate mourning costume, many of them cross-dressing men who carry bouquets of phallic vegetables. In the funeral house, the body of the King is surrounded by an honor guard and weeping concubines, crying over the loss of sexual pleasure brought about by his death. The King's body is carried to the Plaça de la Vila where a satiric eulogy is delivered while the townspeople eat salty grilled sardines with bread and wine, suggesting the symbolic cannibalism of the communion ritual. Finally, amid rockets and explosions, the King's body is burned in a massive pyre.
Carnaval de Solsona takes place in Solsona, Lleida. It is one of the longest; free events in the streets, and nightly concerts run for more than a week. The Carnival is known for a legend that explains how a donkey was hung at the tower bell − because the animal wanted to eat grass that grew on the top of the tower. To celebrate this legend, locals hang a stuffed donkey at the tower that "pisses" above the excited crowd using a water pump. This event is the most important and takes place on Saturday night. For this reason, the inhabitants are called "matarrucs" ("donkey killers").
Tarragona has one of the region's most complete ritual sequences. The events start with the building of a huge barrel and ends with its burning with the effigies of the King and Queen. On Saturday, the main parade takes place with masked groups, zoomorphic figures, music and percussion bands, and groups with fireworks (the devils, the dragon, the ox, the female dragon). Carnival groups stand out for their clothes full of elegance, showing brilliant examples of fabric crafts, at the Saturday and Sunday parades. About 5,000 people are members of the parade groups.
Carnival means weeks of events that bring colourfully decorated floats, contagiously throbbing music, luxuriously costumed groups of celebrants of all ages, King and Queen elections, electrifying jump-ups and torchlight parades, the Jouvert morning: the Children's Parades and finally the Grand Parade. Aruba's biggest celebration is a month-long affair consisting of festive "jump-ups" (street parades), spectacular parades and creative contests. Music and flamboyant costumes play a central role, from the Queen elections to the Grand Parade. Street parades continue in various districts throughout the month, with brass band, steel drum and roadmarch tunes. On the evening before Lent, Carnival ends with the symbolic burning of King Momo.
Carnival is known as Crop Over and is Barbados's biggest festival. Its early beginnings were on the sugar cane plantations during the colonial period. Crop over began in 1688, and featured singing, dancing and accompaniment by shak-shak, banjo, triangle, fiddle, guitar, bottles filled with water and bones. Other traditions included climbing a greased pole, feasting and drinking competitions. Originally signaling the end of the yearly cane harvest, it evolved into a national festival. In the late 20th century, Crop Over began to closely mirror the Trinidad Carnival. Beginning in June, Crop Over runs until the first Monday in August when it culminates in the finale, The Grand Kadooment.
A major feature is the calypso competition. Calypso music, originating in Trinidad, uses syncopated rhythm and topical lyrics. It offers a medium in which to satirise local politics, amidst the general bacchanal. Calypso tents, also originating in Trinidad, feature cadres of musicians who perform biting social commentaries, political exposés or rousing exhortations to "wuk dah waistline" and "roll dat bumper". The groups compete for the Calypso Monarch Award, while the air is redolent with the smells of Bajan cooking during the Bridgetown Market Street Fair. The Cohobblopot Festival blends dance, drama and music with the crowning of the King and Queen of costume bands. Every evening the "Pic-o-de-Crop" Show is performed after the King of Calypso is finally crowned. The climax of the festival is Kadooment Day celebrated with a national holiday when costume bands fill the streets with pulsating Barbadian rhythms and fireworks.

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