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The 50th anniversary of the novel's release was met with celebrations and reflections on its impact. Eric Zorn of the Chicago Tribune praises Lee's "rich use of language" but writes that the central lesson is that "courage isn't always flashy, isn't always enough, but is always in style". Jane Sullivan in the Sydney Morning Herald agrees, stating that the book "still rouses fresh and horrified indignation" as it examines morality, a topic that has recently become unfashionable. Chimamanda Ngozi Adichie writing in The Guardian states that Lee, rare among American novelists, writes with "a fiercely progressive ink, in which there is nothing inevitable about racism and its very foundation is open to question", comparing her to William Faulkner, who wrote about racism as an inevitability. Literary critic Rosemary Goring in Scotland's The Herald notes the connections between Lee and Jane Austen, stating the book's central theme, that "one’s moral convictions are worth fighting for, even at the risk of being reviled" is eloquently discussed.
Native Alabamian Allen Barra sharply criticized Lee and the novel in The Wall Street Journal calling Atticus a "repository of cracker-barrel epigrams" and the novel represents a "sugar-coated myth" of Alabama history. Barra writes, "It's time to stop pretending that To Kill a Mockingbird is some kind of timeless classic that ranks with the great works of American literature. Its bloodless liberal humanism is sadly dated". Thomas Mallon in The New Yorker criticizes Atticus' stiff and self-righteous demeanor, and calls Scout "a kind of highly constructed doll" whose speech and actions are improbable. Although acknowledging that the novel works, Mallon blasts Lee's "wildly unstable" narrative voice for developing a story about a content neighborhood until it begins to impart morals in the courtroom drama, following with his observation that "the book has begun to cherish its own goodness" by the time the case is over.[note 2] Defending the book, Akin Ajayi writes that justice "is often complicated, but must always be founded upon the notion of equality and fairness for all." Ajayi states that the book forces readers to question issues about race, class, and society, but that it was not written to resolve them.
Furthermore, despite the novel's thematic focus on racial injustice, its black characters are not fully examined. In its use of racial epithets, stereotyped depictions of superstitious blacks, and Calpurnia, who to some critics is an updated version of the "contented slave" motif and to others simply unexplored, the book is viewed as marginalizing black characters. One writer asserts that the use of Scout's narration serves as a convenient mechanism for readers to be innocent and detached from the racial conflict. Scout's voice "functions as the not-me which allows the rest of us—black and white, male and female—to find our relative position in society". A teaching guide for the novel published by The English Journal cautions, "what seems wonderful or powerful to one group of students may seem degrading to another". A Canadian language arts consultant found that the novel resonated well with white students, but that black students found it "demoralizing". Another criticism, articulated by Michael Lind, is that the novel indulges in classist stereotyping and demonization of poor rural "white trash".
Diane McWhorter, Pulitzer Prize-winning historian of the Birmingham civil rights campaign, asserts that To Kill a Mockingbird condemns racism instead of racists, and states that every child in the South has moments of racial cognitive dissonance when they are faced with the harsh reality of inequality. This feeling causes them to question the beliefs with which they have been raised, which for many children is what the novel does. McWhorter writes of Lee, "for a white person from the South to write a book like this in the late 1950s is really unusual—by its very existence an act of protest."[note 4] Author James McBride calls Lee brilliant but stops short of calling her brave: "I think by calling Harper Lee brave you kind of absolve yourself of your own racism ... She certainly set the standards in terms of how these issues need to be discussed, but in many ways I feel ... the moral bar's been lowered. And that's really distressing. We need a thousand Atticus Finches." McBride, however, defends the book's sentimentality, and the way Lee approaches the story with "honesty and integrity".
According to a National Geographic article, the novel is so revered in Monroeville that people quote lines from it like Scripture; yet Harper Lee herself refused to attend any performances, because "she abhors anything that trades on the book's fame". To underscore this sentiment, Lee demanded that a book of recipes named Calpurnia's Cookbook not be published and sold out of the Monroe County Heritage Museum. David Lister in The Independent states that Lee's refusal to speak to reporters made them desire to interview her all the more, and her silence "makes Bob Dylan look like a media tart". Despite her discouragement, a rising number of tourists made to Monroeville a destination, hoping to see Lee's inspiration for the book, or Lee herself. Local residents call them "Mockingbird groupies", and although Lee was not reclusive, she refused publicity and interviews with an emphatic "Hell, no!"
Solar energy is radiant light and heat from the Sun harnessed using a range of ever-evolving technologies such as solar heating, photovoltaics, solar thermal energy, solar architecture and artificial photosynthesis.
The Earth receives 174,000 terawatts (TW) of incoming solar radiation (insolation) at the upper atmosphere. Approximately 30% is reflected back to space while the rest is absorbed by clouds, oceans and land masses. The spectrum of solar light at the Earth's surface is mostly spread across the visible and near-infrared ranges with a small part in the near-ultraviolet. Most people around the world live in areas with insolation levels of 150 to 300 watts per square meter or 3.5 to 7.0 kWh/m2 per day.
Solar radiation is absorbed by the Earth's land surface, oceans – which cover about 71% of the globe – and atmosphere. Warm air containing evaporated water from the oceans rises, causing atmospheric circulation or convection. When the air reaches a high altitude, where the temperature is low, water vapor condenses into clouds, which rain onto the Earth's surface, completing the water cycle. The latent heat of water condensation amplifies convection, producing atmospheric phenomena such as wind, cyclones and anti-cyclones. Sunlight absorbed by the oceans and land masses keeps the surface at an average temperature of 14 °C. By photosynthesis green plants convert solar energy into chemically stored energy, which produces food, wood and the biomass from which fossil fuels are derived.
The total solar energy absorbed by Earth's atmosphere, oceans and land masses is approximately 3,850,000 exajoules (EJ) per year. In 2002, this was more energy in one hour than the world used in one year. Photosynthesis captures approximately 3,000 EJ per year in biomass. The amount of solar energy reaching the surface of the planet is so vast that in one year it is about twice as much as will ever be obtained from all of the Earth's non-renewable resources of coal, oil, natural gas, and mined uranium combined,
Solar technologies are broadly characterized as either passive or active depending on the way they capture, convert and distribute sunlight and enable solar energy to be harnessed at different levels around the world, mostly depending on distance from the equator. Although solar energy refers primarily to the use of solar radiation for practical ends, all renewable energies, other than geothermal and tidal, derive their energy from the Sun in a direct or indirect way.
Active solar techniques use photovoltaics, concentrated solar power, solar thermal collectors, pumps, and fans to convert sunlight into useful outputs. Passive solar techniques include selecting materials with favorable thermal properties, designing spaces that naturally circulate air, and referencing the position of a building to the Sun. Active solar technologies increase the supply of energy and are considered supply side technologies, while passive solar technologies reduce the need for alternate resources and are generally considered demand side technologies.
In 1897, Frank Shuman, a U.S. inventor, engineer and solar energy pioneer built a small demonstration solar engine that worked by reflecting solar energy onto square boxes filled with ether, which has a lower boiling point than water, and were fitted internally with black pipes which in turn powered a steam engine. In 1908 Shuman formed the Sun Power Company with the intent of building larger solar power plants. He, along with his technical advisor A.S.E. Ackermann and British physicist Sir Charles Vernon Boys, developed an improved system using mirrors to reflect solar energy upon collector boxes, increasing heating capacity to the extent that water could now be used instead of ether. Shuman then constructed a full-scale steam engine powered by low-pressure water, enabling him to patent the entire solar engine system by 1912.
Shuman built the world’s first solar thermal power station in Maadi, Egypt, between 1912 and 1913. Shuman’s plant used parabolic troughs to power a 45–52 kilowatts (60–70 hp) engine that pumped more than 22,000 litres (4,800 imp gal; 5,800 US gal) of water per minute from the Nile River to adjacent cotton fields. Although the outbreak of World War I and the discovery of cheap oil in the 1930s discouraged the advancement of solar energy, Shuman’s vision and basic design were resurrected in the 1970s with a new wave of interest in solar thermal energy. In 1916 Shuman was quoted in the media advocating solar energy's utilization, saying:
Solar hot water systems use sunlight to heat water. In low geographical latitudes (below 40 degrees) from 60 to 70% of the domestic hot water use with temperatures up to 60 °C can be provided by solar heating systems. The most common types of solar water heaters are evacuated tube collectors (44%) and glazed flat plate collectors (34%) generally used for domestic hot water; and unglazed plastic collectors (21%) used mainly to heat swimming pools.
As of 2007, the total installed capacity of solar hot water systems is approximately 154 thermal gigawatt (GWth). China is the world leader in their deployment with 70 GWth installed as of 2006 and a long-term goal of 210 GWth by 2020. Israel and Cyprus are the per capita leaders in the use of solar hot water systems with over 90% of homes using them. In the United States, Canada and Australia heating swimming pools is the dominant application of solar hot water with an installed capacity of 18 GWth as of 2005.
In the United States, heating, ventilation and air conditioning (HVAC) systems account for 30% (4.65 EJ/yr) of the energy used in commercial buildings and nearly 50% (10.1 EJ/yr) of the energy used in residential buildings. Solar heating, cooling and ventilation technologies can be used to offset a portion of this energy.
Thermal mass is any material that can be used to store heat—heat from the Sun in the case of solar energy. Common thermal mass materials include stone, cement and water. Historically they have been used in arid climates or warm temperate regions to keep buildings cool by absorbing solar energy during the day and radiating stored heat to the cooler atmosphere at night. However, they can be used in cold temperate areas to maintain warmth as well. The size and placement of thermal mass depend on several factors such as climate, daylighting and shading conditions. When properly incorporated, thermal mass maintains space temperatures in a comfortable range and reduces the need for auxiliary heating and cooling equipment.
A solar chimney (or thermal chimney, in this context) is a passive solar ventilation system composed of a vertical shaft connecting the interior and exterior of a building. As the chimney warms, the air inside is heated causing an updraft that pulls air through the building. Performance can be improved by using glazing and thermal mass materials in a way that mimics greenhouses.
Deciduous trees and plants have been promoted as a means of controlling solar heating and cooling. When planted on the southern side of a building in the northern hemisphere or the northern side in the southern hemisphere, their leaves provide shade during the summer, while the bare limbs allow light to pass during the winter. Since bare, leafless trees shade 1/3 to 1/2 of incident solar radiation, there is a balance between the benefits of summer shading and the corresponding loss of winter heating. In climates with significant heating loads, deciduous trees should not be planted on the Equator facing side of a building because they will interfere with winter solar availability. They can, however, be used on the east and west sides to provide a degree of summer shading without appreciably affecting winter solar gain.
Solar cookers use sunlight for cooking, drying and pasteurization. They can be grouped into three broad categories: box cookers, panel cookers and reflector cookers. The simplest solar cooker is the box cooker first built by Horace de Saussure in 1767. A basic box cooker consists of an insulated container with a transparent lid. It can be used effectively with partially overcast skies and will typically reach temperatures of 90–150 °C (194–302 °F). Panel cookers use a reflective panel to direct sunlight onto an insulated container and reach temperatures comparable to box cookers. Reflector cookers use various concentrating geometries (dish, trough, Fresnel mirrors) to focus light on a cooking container. These cookers reach temperatures of 315 °C (599 °F) and above but require direct light to function properly and must be repositioned to track the Sun.
Solar concentrating technologies such as parabolic dish, trough and Scheffler reflectors can provide process heat for commercial and industrial applications. The first commercial system was the Solar Total Energy Project (STEP) in Shenandoah, Georgia, USA where a field of 114 parabolic dishes provided 50% of the process heating, air conditioning and electrical requirements for a clothing factory. This grid-connected cogeneration system provided 400 kW of electricity plus thermal energy in the form of 401 kW steam and 468 kW chilled water, and had a one-hour peak load thermal storage. Evaporation ponds are shallow pools that concentrate dissolved solids through evaporation. The use of evaporation ponds to obtain salt from sea water is one of the oldest applications of solar energy. Modern uses include concentrating brine solutions used in leach mining and removing dissolved solids from waste streams. Clothes lines, clotheshorses, and clothes racks dry clothes through evaporation by wind and sunlight without consuming electricity or gas. In some states of the United States legislation protects the "right to dry" clothes. Unglazed transpired collectors (UTC) are perforated sun-facing walls used for preheating ventilation air. UTCs can raise the incoming air temperature up to 22 °C (40 °F) and deliver outlet temperatures of 45–60 °C (113–140 °F). The short payback period of transpired collectors (3 to 12 years) makes them a more cost-effective alternative than glazed collection systems. As of 2003, over 80 systems with a combined collector area of 35,000 square metres (380,000 sq ft) had been installed worldwide, including an 860 m2 (9,300 sq ft) collector in Costa Rica used for drying coffee beans and a 1,300 m2 (14,000 sq ft) collector in Coimbatore, India, used for drying marigolds.
Solar distillation can be used to make saline or brackish water potable. The first recorded instance of this was by 16th-century Arab alchemists. A large-scale solar distillation project was first constructed in 1872 in the Chilean mining town of Las Salinas. The plant, which had solar collection area of 4,700 m2 (51,000 sq ft), could produce up to 22,700 L (5,000 imp gal; 6,000 US gal) per day and operate for 40 years. Individual still designs include single-slope, double-slope (or greenhouse type), vertical, conical, inverted absorber, multi-wick, and multiple effect. These stills can operate in passive, active, or hybrid modes. Double-slope stills are the most economical for decentralized domestic purposes, while active multiple effect units are more suitable for large-scale applications.
Solar water disinfection (SODIS) involves exposing water-filled plastic polyethylene terephthalate (PET) bottles to sunlight for several hours. Exposure times vary depending on weather and climate from a minimum of six hours to two days during fully overcast conditions. It is recommended by the World Health Organization as a viable method for household water treatment and safe storage. Over two million people in developing countries use this method for their daily drinking water.
Solar energy may be used in a water stabilisation pond to treat waste water without chemicals or electricity. A further environmental advantage is that algae grow in such ponds and consume carbon dioxide in photosynthesis, although algae may produce toxic chemicals that make the water unusable.
Solar power is anticipated to become the world's largest source of electricity by 2050, with solar photovoltaics and concentrated solar power contributing 16 and 11 percent to the global overall consumption, respectively.
Commercial CSP plants were first developed in the 1980s. Since 1985 the eventually 354 MW SEGS CSP installation, in the Mojave Desert of California, is the largest solar power plant in the world. Other large CSP plants include the 150 MW Solnova Solar Power Station and the 100 MW Andasol solar power station, both in Spain. The 250 MW Agua Caliente Solar Project, in the United States, and the 221 MW Charanka Solar Park in India, are the world’s largest photovoltaic plants. Solar projects exceeding 1 GW are being developed, but most of the deployed photovoltaics are in small rooftop arrays of less than 5 kW, which are grid connected using net metering and/or a feed-in tariff. In 2013 solar generated less than 1% of the worlds total grid electricity.
In the last two decades, photovoltaics (PV), also known as solar PV, has evolved from a pure niche market of small scale applications towards becoming a mainstream electricity source. A solar cell is a device that converts light directly into electricity using the photoelectric effect. The first solar cell was constructed by Charles Fritts in the 1880s. In 1931 a German engineer, Dr Bruno Lange, developed a photo cell using silver selenide in place of copper oxide. Although the prototype selenium cells converted less than 1% of incident light into electricity, both Ernst Werner von Siemens and James Clerk Maxwell recognized the importance of this discovery. Following the work of Russell Ohl in the 1940s, researchers Gerald Pearson, Calvin Fuller and Daryl Chapin created the crystalline silicon solar cell in 1954. These early solar cells cost 286 USD/watt and reached efficiencies of 4.5–6%. By 2012 available efficiencies exceed 20% and the maximum efficiency of research photovoltaics is over 40%.
Concentrating Solar Power (CSP) systems use lenses or mirrors and tracking systems to focus a large area of sunlight into a small beam. The concentrated heat is then used as a heat source for a conventional power plant. A wide range of concentrating technologies exists; the most developed are the parabolic trough, the concentrating linear fresnel reflector, the Stirling dish and the solar power tower. Various techniques are used to track the Sun and focus light. In all of these systems a working fluid is heated by the concentrated sunlight, and is then used for power generation or energy storage.
The common features of passive solar architecture are orientation relative to the Sun, compact proportion (a low surface area to volume ratio), selective shading (overhangs) and thermal mass. When these features are tailored to the local climate and environment they can produce well-lit spaces that stay in a comfortable temperature range. Socrates' Megaron House is a classic example of passive solar design. The most recent approaches to solar design use computer modeling tying together solar lighting, heating and ventilation systems in an integrated solar design package. Active solar equipment such as pumps, fans and switchable windows can complement passive design and improve system performance.
Urban heat islands (UHI) are metropolitan areas with higher temperatures than that of the surrounding environment. The higher temperatures are a result of increased absorption of the Solar light by urban materials such as asphalt and concrete, which have lower albedos and higher heat capacities than those in the natural environment. A straightforward method of counteracting the UHI effect is to paint buildings and roads white and plant trees. Using these methods, a hypothetical "cool communities" program in Los Angeles has projected that urban temperatures could be reduced by approximately 3 °C at an estimated cost of US$1 billion, giving estimated total annual benefits of US$530 million from reduced air-conditioning costs and healthcare savings.
Agriculture and horticulture seek to optimize the capture of solar energy in order to optimize the productivity of plants. Techniques such as timed planting cycles, tailored row orientation, staggered heights between rows and the mixing of plant varieties can improve crop yields. While sunlight is generally considered a plentiful resource, the exceptions highlight the importance of solar energy to agriculture. During the short growing seasons of the Little Ice Age, French and English farmers employed fruit walls to maximize the collection of solar energy. These walls acted as thermal masses and accelerated ripening by keeping plants warm. Early fruit walls were built perpendicular to the ground and facing south, but over time, sloping walls were developed to make better use of sunlight. In 1699, Nicolas Fatio de Duillier even suggested using a tracking mechanism which could pivot to follow the Sun. Applications of solar energy in agriculture aside from growing crops include pumping water, drying crops, brooding chicks and drying chicken manure. More recently the technology has been embraced by vinters, who use the energy generated by solar panels to power grape presses.
Greenhouses convert solar light to heat, enabling year-round production and the growth (in enclosed environments) of specialty crops and other plants not naturally suited to the local climate. Primitive greenhouses were first used during Roman times to produce cucumbers year-round for the Roman emperor Tiberius. The first modern greenhouses were built in Europe in the 16th century to keep exotic plants brought back from explorations abroad. Greenhouses remain an important part of horticulture today, and plastic transparent materials have also been used to similar effect in polytunnels and row covers.
Development of a solar-powered car has been an engineering goal since the 1980s. The World Solar Challenge is a biannual solar-powered car race, where teams from universities and enterprises compete over 3,021 kilometres (1,877 mi) across central Australia from Darwin to Adelaide. In 1987, when it was founded, the winner's average speed was 67 kilometres per hour (42 mph) and by 2007 the winner's average speed had improved to 90.87 kilometres per hour (56.46 mph). The North American Solar Challenge and the planned South African Solar Challenge are comparable competitions that reflect an international interest in the engineering and development of solar powered vehicles.
In 1975, the first practical solar boat was constructed in England. By 1995, passenger boats incorporating PV panels began appearing and are now used extensively. In 1996, Kenichi Horie made the first solar powered crossing of the Pacific Ocean, and the sun21 catamaran made the first solar powered crossing of the Atlantic Ocean in the winter of 2006–2007. There were plans to circumnavigate the globe in 2010.
In 1974, the unmanned AstroFlight Sunrise plane made the first solar flight. On 29 April 1979, the Solar Riser made the first flight in a solar-powered, fully controlled, man carrying flying machine, reaching an altitude of 40 feet (12 m). In 1980, the Gossamer Penguin made the first piloted flights powered solely by photovoltaics. This was quickly followed by the Solar Challenger which crossed the English Channel in July 1981. In 1990 Eric Scott Raymond in 21 hops flew from California to North Carolina using solar power. Developments then turned back to unmanned aerial vehicles (UAV) with the Pathfinder (1997) and subsequent designs, culminating in the Helios which set the altitude record for a non-rocket-propelled aircraft at 29,524 metres (96,864 ft) in 2001. The Zephyr, developed by BAE Systems, is the latest in a line of record-breaking solar aircraft, making a 54-hour flight in 2007, and month-long flights were envisioned by 2010. As of 2015, Solar Impulse, an electric aircraft, is currently circumnavigating the globe. It is a single-seat plane powered by solar cells and capable of taking off under its own power. The designed allows the aircraft to remain airborne for 36 hours.
Solar chemical processes use solar energy to drive chemical reactions. These processes offset energy that would otherwise come from a fossil fuel source and can also convert solar energy into storable and transportable fuels. Solar induced chemical reactions can be divided into thermochemical or photochemical. A variety of fuels can be produced by artificial photosynthesis. The multielectron catalytic chemistry involved in making carbon-based fuels (such as methanol) from reduction of carbon dioxide is challenging; a feasible alternative is hydrogen production from protons, though use of water as the source of electrons (as plants do) requires mastering the multielectron oxidation of two water molecules to molecular oxygen. Some have envisaged working solar fuel plants in coastal metropolitan areas by 2050 – the splitting of sea water providing hydrogen to be run through adjacent fuel-cell electric power plants and the pure water by-product going directly into the municipal water system. Another vision involves all human structures covering the earth's surface (i.e., roads, vehicles and buildings) doing photosynthesis more efficiently than plants.
Hydrogen production technologies been a significant area of solar chemical research since the 1970s. Aside from electrolysis driven by photovoltaic or photochemical cells, several thermochemical processes have also been explored. One such route uses concentrators to split water into oxygen and hydrogen at high temperatures (2,300–2,600 °C or 4,200–4,700 °F). Another approach uses the heat from solar concentrators to drive the steam reformation of natural gas thereby increasing the overall hydrogen yield compared to conventional reforming methods. Thermochemical cycles characterized by the decomposition and regeneration of reactants present another avenue for hydrogen production. The Solzinc process under development at the Weizmann Institute uses a 1 MW solar furnace to decompose zinc oxide (ZnO) at temperatures above 1,200 °C (2,200 °F). This initial reaction produces pure zinc, which can subsequently be reacted with water to produce hydrogen.
Thermal mass systems can store solar energy in the form of heat at domestically useful temperatures for daily or interseasonal durations. Thermal storage systems generally use readily available materials with high specific heat capacities such as water, earth and stone. Well-designed systems can lower peak demand, shift time-of-use to off-peak hours and reduce overall heating and cooling requirements.
Phase change materials such as paraffin wax and Glauber's salt are another thermal storage media. These materials are inexpensive, readily available, and can deliver domestically useful temperatures (approximately 64 °C or 147 °F). The "Dover House" (in Dover, Massachusetts) was the first to use a Glauber's salt heating system, in 1948. Solar energy can also be stored at high temperatures using molten salts. Salts are an effective storage medium because they are low-cost, have a high specific heat capacity and can deliver heat at temperatures compatible with conventional power systems. The Solar Two used this method of energy storage, allowing it to store 1.44 terajoules (400,000 kWh) in its 68 cubic metres storage tank with an annual storage efficiency of about 99%.
Off-grid PV systems have traditionally used rechargeable batteries to store excess electricity. With grid-tied systems, excess electricity can be sent to the transmission grid, while standard grid electricity can be used to meet shortfalls. Net metering programs give household systems a credit for any electricity they deliver to the grid. This is handled by 'rolling back' the meter whenever the home produces more electricity than it consumes. If the net electricity use is below zero, the utility then rolls over the kilowatt hour credit to the next month. Other approaches involve the use of two meters, to measure electricity consumed vs. electricity produced. This is less common due to the increased installation cost of the second meter. Most standard meters accurately measure in both directions, making a second meter unnecessary.
Pumped-storage hydroelectricity stores energy in the form of water pumped when energy is available from a lower elevation reservoir to a higher elevation one. The energy is recovered when demand is high by releasing the water, with the pump becoming a hydroelectric power generator.
The 1973 oil embargo and 1979 energy crisis caused a reorganization of energy policies around the world and brought renewed attention to developing solar technologies. Deployment strategies focused on incentive programs such as the Federal Photovoltaic Utilization Program in the US and the Sunshine Program in Japan. Other efforts included the formation of research facilities in the US (SERI, now NREL), Japan (NEDO), and Germany (Fraunhofer Institute for Solar Energy Systems ISE).
Commercial solar water heaters began appearing in the United States in the 1890s. These systems saw increasing use until the 1920s but were gradually replaced by cheaper and more reliable heating fuels. As with photovoltaics, solar water heating attracted renewed attention as a result of the oil crises in the 1970s but interest subsided in the 1980s due to falling petroleum prices. Development in the solar water heating sector progressed steadily throughout the 1990s and growth rates have averaged 20% per year since 1999. Although generally underestimated, solar water heating and cooling is by far the most widely deployed solar technology with an estimated capacity of 154 GW as of 2007.
The International Energy Agency has said that solar energy can make considerable contributions to solving some of the most urgent problems the world now faces:
The International Organization for Standardization has established a number of standards relating to solar energy equipment. For example, ISO 9050 relates to glass in building while ISO 10217 relates to the materials used in solar water heaters.
It is an important source of renewable energy and its technologies are broadly characterized as either passive solar or active solar depending on the way they capture and distribute solar energy or convert it into solar power. Active solar techniques include the use of photovoltaic systems, concentrated solar power and solar water heating to harness the energy. Passive solar techniques include orienting a building to the Sun, selecting materials with favorable thermal mass or light dispersing properties, and designing spaces that naturally circulate air.
The large magnitude of solar energy available makes it a highly appealing source of electricity. The United Nations Development Programme in its 2000 World Energy Assessment found that the annual potential of solar energy was 1,575–49,837 exajoules (EJ). This is several times larger than the total world energy consumption, which was 559.8 EJ in 2012.
In 2011, the International Energy Agency said that "the development of affordable, inexhaustible and clean solar energy technologies will have huge longer-term benefits. It will increase countries’ energy security through reliance on an indigenous, inexhaustible and mostly import-independent resource, enhance sustainability, reduce pollution, lower the costs of mitigating global warming, and keep fossil fuel prices lower than otherwise. These advantages are global. Hence the additional costs of the incentives for early deployment should be considered learning investments; they must be wisely spent and need to be widely shared".
The potential solar energy that could be used by humans differs from the amount of solar energy present near the surface of the planet because factors such as geography, time variation, cloud cover, and the land available to humans limits the amount of solar energy that we can acquire.
Geography effects solar energy potential because areas that are closer to the equator have a greater amount of solar radiation. However, the use of photovoltaics that can follow the position of the sun can significantly increase the solar energy potential in areas that are farther from the equator. Time variation effects the potential of solar energy because during the nighttime there is little solar radiation on the surface of the Earth for solar panels to absorb. This limits the amount of energy that solar panels can absorb in one day. Cloud cover can effect the potential of solar panels because clouds block incoming light from the sun and reduce the light available for solar cells.
In addition, land availability has a large effect on the available solar energy because solar panels can only be set up on land that is unowned and suitable for solar panels. Roofs have been found to be a suitable place for solar cells, as many people have discovered that they can collect energy directly from their homes this way. Other areas that are suitable for solar cells are lands that are unowned by businesses where solar plants can be established.
In 2000, the United Nations Development Programme, UN Department of Economic and Social Affairs, and World Energy Council published an estimate of the potential solar energy that could be used by humans each year that took into account factors such as insolation, cloud cover, and the land that is usable by humans. The estimate found that solar energy has a global potential of 1,575–49,837 EJ per year (see table below).
Solar power is the conversion of sunlight into electricity, either directly using photovoltaics (PV), or indirectly using concentrated solar power (CSP). CSP systems use lenses or mirrors and tracking systems to focus a large area of sunlight into a small beam. PV converts light into electric current using the photoelectric effect.
Sunlight has influenced building design since the beginning of architectural history. Advanced solar architecture and urban planning methods were first employed by the Greeks and Chinese, who oriented their buildings toward the south to provide light and warmth.
A solar balloon is a black balloon that is filled with ordinary air. As sunlight shines on the balloon, the air inside is heated and expands causing an upward buoyancy force, much like an artificially heated hot air balloon. Some solar balloons are large enough for human flight, but usage is generally limited to the toy market as the surface-area to payload-weight ratio is relatively high.
Beginning with the surge in coal use which accompanied the Industrial Revolution, energy consumption has steadily transitioned from wood and biomass to fossil fuels. The early development of solar technologies starting in the 1860s was driven by an expectation that coal would soon become scarce. However, development of solar technologies stagnated in the early 20th century in the face of the increasing availability, economy, and utility of coal and petroleum.
In 2011, a report by the International Energy Agency found that solar energy technologies such as photovoltaics, solar hot water and concentrated solar power could provide a third of the world’s energy by 2060 if politicians commit to limiting climate change. The energy from the sun could play a key role in de-carbonizing the global economy alongside improvements in energy efficiency and imposing costs on greenhouse gas emitters. "The strength of solar is the incredible variety and flexibility of applications, from small scale to big scale".
Kanye Omari West (/ˈkɑːnjeɪ/; born June 8, 1977) is an American hip hop recording artist, record producer, rapper, fashion designer, and entrepreneur. He is among the most acclaimed musicians of the 21st century, attracting both praise and controversy for his work and his outspoken public persona.
Raised in Chicago, West briefly attended art school before becoming known as a producer for Roc-A-Fella Records in the early 2000s, producing hit singles for artists such as Jay-Z and Alicia Keys. Intent on pursuing a solo career as a rapper, West released his debut album The College Dropout in 2004 to widespread commercial and critical success, and founded record label GOOD Music. He went on to explore a variety of different musical styles on subsequent albums that included the baroque-inflected Late Registration (2005), the arena-inspired Graduation (2007), and the starkly polarizing 808s & Heartbreak (2008). In 2010, he released his critically acclaimed fifth album, the maximalist My Beautiful Dark Twisted Fantasy, and the following year he collaborated with Jay-Z on the joint LP Watch the Throne (2011). West released his abrasive sixth album, Yeezus, to further critical praise in 2013. Following a series of recording delays and work on non-musical projects, West's seventh album, The Life of Pablo, was released in 2016.
West is one of the best-selling artists of all time, having sold more than 32 million albums and 100 million digital downloads worldwide. He has won a total of 21 Grammy Awards, making him one of the most awarded artists of all time and the most Grammy-awarded artist of his age. Three of his albums rank on Rolling Stone's 2012 "500 Greatest Albums of All Time" list; two of his albums feature at first and eighth, respectively, in Pitchfork Media's The 100 Best Albums of 2010–2014. He has also been included in a number of Forbes annual lists. Time named him one of the 100 most influential people in the world in 2005 and 2015.
Kanye Omari West was born on June 8, 1977 in Atlanta, Georgia. His parents divorced when he was three and he and his mother moved to Chicago, Illinois. His father, Ray West, is a former Black Panther and was one of the first black photojournalists at The Atlanta Journal-Constitution. Ray West was later a Christian counselor, and in 2006, opened the Good Water Store and Café in Lexington Park, Maryland with startup capital from his son. West's mother, Dr. Donda C. (Williams) West, was a professor of English at Clark Atlanta University, and the Chair of the English Department at Chicago State University before retiring to serve as his manager. West was raised in a middle-class background, attending Polaris High School in suburban Oak Lawn, Illinois after living in Chicago.
At the age of 10, West moved with his mother to Nanjing, China, where she was teaching at Nanjing University as part of an exchange program. According to his mother, West was the only foreigner in his class, but settled in well and quickly picked up the language, although he has since forgotten most of it. When asked about his grades in high school, West replied, "I got A's and B's. And I'm not even frontin'."
West demonstrated an affinity for the arts at an early age; he began writing poetry when he was five years old. His mother recalled that she first took notice of West's passion for drawing and music when he was in the third grade. Growing up in the city,[which?] West became deeply involved in its hip hop scene. He started rapping in the third grade and began making musical compositions in the seventh grade, eventually selling them to other artists. At age thirteen, West wrote a rap song called "Green Eggs and Ham" and began to persuade his mother to pay $25 an hour for time in a recording studio. It was a small, crude basement studio where a microphone hung from the ceiling by a wire clothes hanger. Although this wasn't what West's mother wanted, she nonetheless supported him. West crossed paths with producer/DJ No I.D., with whom he quickly formed a close friendship. No I.D. soon became West's mentor, and it was from him that West learned how to sample and program beats after he received his first sampler at age 15.
After graduating from high school, West received a scholarship to attend Chicago's American Academy of Art in 1997 and began taking painting classes, but shortly after transferred to Chicago State University to study English. He soon realized that his busy class schedule was detrimental to his musical work, and at 20 he dropped out of college to pursue his musical dreams. This action greatly displeased his mother, who was also a professor at the university. She later commented, "It was drummed into my head that college is the ticket to a good life... but some career goals don't require college. For Kanye to make an album called College Dropout it was more about having the guts to embrace who you are, rather than following the path society has carved out for you."
Kanye West began his early production career in the mid-1990s, making beats primarily for burgeoning local artists, eventually developing a style that involved speeding up vocal samples from classic soul records. His first official production credits came at the age of nineteen when he produced eight tracks on Down to Earth, the 1996 debut album of a Chicago rapper named Grav. For a time, West acted as a ghost producer for Deric "D-Dot" Angelettie. Because of his association with D-Dot, West wasn't able to release a solo album, so he formed and became a member and producer of the Go-Getters, a late-1990s Chicago rap group composed of him, GLC, Timmy G, Really Doe, and Arrowstar. His group was managed by John "Monopoly" Johnson, Don Crowley, and Happy Lewis under the management firm Hustle Period. After attending a series of promotional photo shoots and making some radio appearances, The Go-Getters released their first and only studio album World Record Holders in 1999. The album featured other Chicago-based rappers such as Rhymefest, Mikkey Halsted, Miss Criss, and Shayla G. Meanwhile, the production was handled by West, Arrowstar, Boogz, and Brian "All Day" Miller.
West spent much of the late-1990s producing records for a number of well-known artists and music groups. The third song on Foxy Brown's second studio album Chyna Doll was produced by West. Her second effort subsequently became the very first hip-hop album by a female rapper to debut at the top of the U.S. Billboard 200 chart in its first week of release. West produced three of the tracks on Harlem World's first and only album The Movement alongside Jermaine Dupri and the production duo Trackmasters. His songs featured rappers Nas, Drag-On, and R&B singer Carl Thomas. The ninth track from World Party, the last Goodie Mob album to feature the rap group's four founding members prior to their break-up, was co-produced by West with his manager Deric "D-Dot" Angelettie. At the close of the millennium, West ended up producing six songs for Tell 'Em Why U Madd, an album that was released by D-Dot under the alias of The Madd Rapper; a fictional character he created for a skit on The Notorious B.I.G.'s second and final studio album Life After Death. West's songs featured guest appearances from rappers such as Ma$e, Raekwon, and Eminem.
West got his big break in the year 2000, when he began to produce for artists on Roc-A-Fella Records. West came to achieve recognition and is often credited with revitalizing Jay-Z's career with his contributions to the rap mogul's influential 2001 album The Blueprint. The Blueprint is consistently ranked among the greatest hip-hop albums, and the critical and financial success of the album generated substantial interest in West as a producer. Serving as an in-house producer for Roc-A-Fella Records, West produced records for other artists from the label, including Beanie Sigel, Freeway, and Cam'ron. He also crafted hit songs for Ludacris, Alicia Keys, and Janet Jackson.
Despite his success as a producer, West's true aspiration was to be a rapper. Though he had developed his rapping long before he began producing, it was often a challenge for West to be accepted as a rapper, and he struggled to attain a record deal. Multiple record companies ignored him because he did not portray the gangsta image prominent in mainstream hip hop at the time. After a series of meetings with Capitol Records, West was ultimately denied an artist deal.
According to Capitol Record's A&R, Joe Weinberger, he was approached by West and almost signed a deal with him, but another person in the company convinced Capitol's president not to. Desperate to keep West from defecting to another label, then-label head Damon Dash reluctantly signed West to Roc-A-Fella Records. Jay-Z later admitted that Roc-A-Fella was initially reluctant to support West as a rapper, claiming that many saw him as a producer first and foremost, and that his background contrasted with that of his labelmates.
West's breakthrough came a year later on October 23, 2002, when, while driving home from a California recording studio after working late, he fell asleep at the wheel and was involved in a near-fatal car crash. The crash left him with a shattered jaw, which had to be wired shut in reconstructive surgery. The accident inspired West; two weeks after being admitted to the hospital, he recorded a song at the Record Plant Studios with his jaw still wired shut. The composition, "Through The Wire", expressed West's experience after the accident, and helped lay the foundation for his debut album, as according to West "all the better artists have expressed what they were going through". West added that "the album was my medicine", as working on the record distracted him from the pain. "Through The Wire" was first available on West's Get Well Soon... mixtape, released December 2002. At the same time, West announced that he was working on an album called The College Dropout, whose overall theme was to "make your own decisions. Don't let society tell you, 'This is what you have to do.'"
Carrying a Louis Vuitton backpack filled with old disks and demos to the studio and back, West crafted much of his production for his debut album in less than fifteen minutes at a time. He recorded the remainder of the album in Los Angeles while recovering from the car accident. Once he had completed the album, it was leaked months before its release date. However, West decided to use the opportunity to review the album, and The College Dropout was significantly remixed, remastered, and revised before being released. As a result, certain tracks originally destined for the album were subsequently retracted, among them "Keep the Receipt" with Ol' Dirty Bastard and "The Good, the Bad, and the Ugly" with Consequence. West meticulously refined the production, adding string arrangements, gospel choirs, improved drum programming and new verses. West's perfectionism led The College Dropout to have its release postponed three times from its initial date in August 2003.
The College Dropout was eventually issued by Roc-A-Fella in February 2004, shooting to number two on the Billboard 200 as his debut single, "Through the Wire" peaked at number fifteen on the Billboard Hot 100 chart for five weeks. "Slow Jamz", his second single featuring Twista and Jamie Foxx, became an even bigger success: it became the three musicians' first number one hit. The College Dropout received near-universal critical acclaim from contemporary music critics, was voted the top album of the year by two major music publications, and has consistently been ranked among the great hip-hop works and debut albums by artists. "Jesus Walks", the album's fourth single, perhaps exposed West to a wider audience; the song's subject matter concerns faith and Christianity. The song nevertheless reached the top 20 of the Billboard pop charts, despite industry executives' predictions that a song containing such blatant declarations of faith would never make it to radio. The College Dropout would eventually be certified triple platinum in the US, and garnered West 10 Grammy nominations, including Album of the Year, and Best Rap Album (which it received). During this period, West also founded GOOD Music, a record label and management company that would go on to house affiliate artists and producers, such as No I.D. and John Legend. At the time, the focal point of West's production style was the use of sped-up vocal samples from soul records. However, partly because of the acclaim of The College Dropout, such sampling had been much copied by others; with that overuse, and also because West felt he had become too dependent on the technique, he decided to find a new sound.
Beginning his second effort that fall, West would invest two million dollars and take over a year to craft his second album. West was significantly inspired by Roseland NYC Live, a 1998 live album by English trip hop group Portishead, produced with the New York Philharmonic Orchestra. Early in his career, the live album had inspired him to incorporate string arrangements into his hip-hop production. Though West had not been able to afford many live instruments around the time of his debut album, the money from his commercial success enabled him to hire a string orchestra for his second album Late Registration. West collaborated with American film score composer Jon Brion, who served as the album's co-executive producer for several tracks. Although Brion had no prior experience in creating hip-hop records, he and West found that they could productively work together after their first afternoon in the studio where they discovered that neither confined his musical knowledge and vision to one specific genre. Late Registration sold over 2.3 million units in the United States alone by the end of 2005 and was considered by industry observers as the only successful major album release of the fall season, which had been plagued by steadily declining CD sales.
While West had encountered controversy a year prior when he stormed out of the American Music Awards of 2004 after losing Best New Artist, the rapper's first large-scale controversy came just days following Late Registration's release, during a benefit concert for Hurricane Katrina victims. In September 2005, NBC broadcast A Concert for Hurricane Relief, and West was a featured speaker. When West was presenting alongside actor Mike Myers, he deviated from the prepared script. Myers spoke next and continued to read the script. Once it was West's turn to speak again, he said, "George Bush doesn't care about black people." West's comment reached much of the United States, leading to mixed reactions; President Bush would later call it one of the most "disgusting moments" of his presidency. West raised further controversy in January 2006 when he posed on the cover of Rolling Stone wearing a crown of thorns.
Fresh off spending the previous year touring the world with U2 on their Vertigo Tour, West felt inspired to compose anthemic rap songs that could operate more efficiently in large arenas. To this end, West incorporated the synthesizer into his hip-hop production, utilized slower tempos, and experimented with electronic music and influenced by music of the 1980s. In addition to U2, West drew musical inspiration from arena rock bands such as The Rolling Stones and Led Zeppelin in terms of melody and chord progression. To make his next effort, the third in a planned tetralogy of education-themed studio albums, more introspective and personal in lyricism, West listened to folk and country singer-songwriters Bob Dylan and Johnny Cash in hopes of developing methods to augment his wordplay and storytelling ability.
West's third studio album, Graduation, garnered major publicity when its release date pitted West in a sales competition against rapper 50 Cent's Curtis. Upon their September 2007 releases, Graduation outsold Curtis by a large margin, debuting at number one on the U.S. Billboard 200 chart and selling 957,000 copies in its first week. Graduation once again continued the string of critical and commercial successes by West, and the album's lead single, "Stronger", garnered the rapper his third number-one hit. "Stronger", which samples French house duo Daft Punk, has been accredited to not only encouraging other hip-hop artists to incorporate house and electronica elements into their music, but also for playing a part in the revival of disco and electro-infused music in the late 2000s. Ben Detrick of XXL cited the outcome of the sales competition between 50 Cent's Curtis and West's Graduation as being responsible for altering the direction of hip-hop and paving the way for new rappers who didn't follow the hardcore-gangster mold, writing, "If there was ever a watershed moment to indicate hip-hop's changing direction, it may have come when 50 Cent competed with Kanye in 2007 to see whose album would claim superior sales."
West's life took a different direction when his mother, Donda West, died of complications from cosmetic surgery involving abdominoplasty and breast reduction in November 2007. Months later, West and fiancée Alexis Phifer ended their engagement and their long-term intermittent relationship, which had begun in 2002. The events profoundly affected West, who set off for his 2008 Glow in the Dark Tour shortly thereafter. Purportedly because his emotions could not be conveyed through rapping, West decided to sing using the voice audio processor Auto-Tune, which would become a central part of his next effort. West had previously experimented with the technology on his debut album The College Dropout for the background vocals of "Jesus Walks" and "Never Let Me Down." Recorded mostly in Honolulu, Hawaii in three weeks, West announced his fourth album, 808s & Heartbreak, at the 2008 MTV Video Music Awards, where he performed its lead single, "Love Lockdown". Music audiences were taken aback by the uncharacteristic production style and the presence of Auto-Tune, which typified the pre-release response to the record.
808s & Heartbreak, which features extensive use of the eponymous Roland TR-808 drum machine and contains themes of love, loneliness, and heartache, was released by Island Def Jam to capitalize on Thanksgiving weekend in November 2008. Reviews were positive, though slightly more mixed than his previous efforts. Despite this, the record's singles demonstrated outstanding chart performances. Upon its release, the lead single "Love Lockdown" debuted at number three on the Billboard Hot 100 and became a "Hot Shot Debut", while follow-up single "Heartless" performed similarly and became his second consecutive "Hot Shot Debut" by debuting at number four on the Billboard Hot 100. While it was criticized prior to release, 808s & Heartbreak had a significant effect on hip-hop music, encouraging other rappers to take more creative risks with their productions.
In 2012, Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."
West's controversial incident the following year at the 2009 MTV Video Music Awards was arguably his biggest controversy, and led to widespread outrage throughout the music industry. During the ceremony, West crashed the stage and grabbed the microphone from winner Taylor Swift in order to proclaim that, instead, Beyoncé's video for "Single Ladies (Put a Ring on It)", nominated for the same award, was "one of the best videos of all time". He was subsequently withdrawn from the remainder of the show for his actions. West's tour with Lady Gaga was cancelled in response to the controversy, and it was suggested that the incident was partially responsible for 808s & Heartbreak's lack of nominations at the 52nd Grammy Awards.
Following the highly publicized incident, West took a brief break from music and threw himself into fashion, only to hole up in Hawaii for the next few months writing and recording his next album. Importing his favorite producers and artists to work on and inspire his recording, West kept engineers behind the boards 24 hours a day and slept only in increments. Noah Callahan-Bever, a writer for Complex, was present during the sessions and described the "communal" atmosphere as thus: "With the right songs and the right album, he can overcome any and all controversy, and we are here to contribute, challenge, and inspire." A variety of artists contributed to the project, including close friends Jay-Z, Kid Cudi and Pusha T, as well as off-the-wall collaborations, such as with Justin Vernon of Bon Iver.
My Beautiful Dark Twisted Fantasy, West's fifth studio album, was released in November 2010 to rave reviews from critics, many of whom described it as his best work that solidified his comeback. In stark contrast to his previous effort, which featured a minimalist sound, Dark Fantasy adopts a maximalist philosophy and deals with themes of celebrity and excess. The record included the international hit "All of the Lights", and Billboard hits "Power", "Monster", and "Runaway", the latter of which accompanied a 35-minute film of the same name. During this time, West initiated the free music program GOOD Fridays through his website, offering a free download of previously unreleased songs each Friday, a portion of which were included on the album. This promotion ran from August 20 - December 17, 2010. Dark Fantasy went on to go platinum in the United States, but its omission as a contender for Album of the Year at the 54th Grammy Awards was viewed as a "snub" by several media outlets.
Following a headlining set at Coachella 2011 that was described by The Hollywood Reporter as "one of greatest hip-hop sets of all time", West released the collaborative album Watch the Throne with Jay-Z. By employing a sales strategy that released the album digitally weeks before its physical counterpart, Watch the Throne became one of the few major label albums in the Internet age to avoid a leak. "Niggas in Paris" became the record's highest charting single, peaking at number five on the Billboard Hot 100. In 2012, West released the compilation album Cruel Summer, a collection of tracks by artists from West's record label GOOD Music. Cruel Summer produced four singles, two of which charted within the top twenty of the Hot 100: "Mercy" and "Clique". West also directed a film of the same name that premiered at the 2012 Cannes Film Festival in custom pyramid-shaped screening pavilion featuring seven screens.
Sessions for West's sixth solo effort begin to take shape in early 2013 in his own personal loft's living room at a Paris hotel. Determined to "undermine the commercial", he once again brought together close collaborators and attempted to incorporate Chicago drill, dancehall, acid house, and industrial music. Primarily inspired by architecture, West's perfectionist tendencies led him to contact producer Rick Rubin fifteen days shy of its due date to strip down the record's sound in favor of a more minimalist approach. Initial promotion of his sixth album included worldwide video projections of the album's music and live television performances. Yeezus, West's sixth album, was released June 18, 2013 to rave reviews from critics. It became the rapper's sixth consecutive number one debut, but also marked his lowest solo opening week sales. Def Jam issued "Black Skinhead" to radio in July 2013 as the album's lead single. On September 6, 2013, Kanye West announced he would be headlining his first solo tour in five years, to support Yeezus, with fellow American rapper Kendrick Lamar accompanying him along the way.
In June 2013, West and television personality Kim Kardashian announced the birth of their first child, North. In October 2013, the couple announced their engagement to widespread media attention. November 2013, West stated that he was beginning work on his next studio album, hoping to release it by mid-2014, with production by Rick Rubin and Q-Tip. In December 2013, Adidas announced the beginning of an official apparel collaboration with West, to be premiered the following year. In May 2014, West and Kardashian were married in a private ceremony in Florence, Italy, with a variety of artists and celebrities in attendance. West released a single, "Only One", featuring Paul McCartney, on December 31, 2014. "FourFiveSeconds", a single jointly produced with Rihanna and McCartney, was released in January 2015. West also appeared on the Saturday Night Live 40th Anniversary Special, where he premiered a new song entitled "Wolves", featuring Sia Furler and fellow Chicago rapper, Vic Mensa. In February 2015, West premiered his clothing collaboration with Adidas, entitled Yeezy Season 1, to generally positive reviews. This would include West's Yeezy Boost sneakers. In March 2015, West released the single "All Day" featuring Theophilus London, Allan Kingdom and Paul McCartney. West performed the song at the 2015 BRIT Awards with a number of US rappers and UK grime MC's including: Skepta, Wiley, Novelist, Fekky, Krept & Konan, Stormzy, Allan Kingdom, Theophilus London and Vic Mensa. He would premiere the second iteration of his clothing line, Yeezy Season 2, in September 2015 at New York Fashion Week.
Having initially announced a new album entitled So Help Me God slated for a 2014 release, in March 2015 West announced that the album would instead be tentatively called SWISH. Later that month, West was awarded an honorary doctorate by the School of the Art Institute of Chicago for his contributions to music, fashion, and popular culture, officially making him an honorary DFA. The next month, West headlined at the Glastonbury Festival in the UK, despite a petition signed by almost 135,000 people against his appearance. At one point, he told the audience: "You are now watching the greatest living rock star on the planet." Media outlets, including social media sites such as Twitter, were sharply divided on his performance. NME stated, "The decision to book West for the slot has proved controversial since its announcement, and the show itself appeared to polarise both Glastonbury goers and those who tuned in to watch on their TVs." The publication added that "he's letting his music speak for and prove itself." The Guardian said that "his set has a potent ferocity – but there are gaps and stutters, and he cuts a strangely lone figure in front of the vast crowd."
In December 2015, West released a song titled "Facts". He announced in January 2016 on Twitter that SWISH would be released on February 11, after releasing new song "Real Friends" and a snippet of "No More Parties in L.A." with Kendrick Lamar. This also revived the GOOD Fridays initiative in which Kanye releases new singles every Friday. On January 26, 2016, West revealed he had renamed the album from SWISH to Waves, and also announced the premier of his Yeezy Season 3 clothing line at Madison Square Garden. In early 2016, several weeks prior to the release of his new album, West became embroiled in a short-lived social media altercation with rapper Wiz Khalifa on Twitter that eventually involved their mutual ex-partner, Amber Rose, who protested to West's mention of her and Khalifa's child. The feud involved allegations by Rose concerning her sexual relationship with West, and received significant media attention. As of February 2, 2016, West and Khalifa had reconciled. Several days ahead of the album's release, West again changed the title, this time to The Life of Pablo. On February 11, West premiered the album at Madison Square Garden as part of the presentation of his Yeezy Season 3 clothing line. Following the preview, West announced that he would be modifying the track list once more before its release to the public, and further delayed its release to finalize the recording of the track "Waves" at the behest of co-writer Chance the Rapper. He released the album exclusively on Tidal on 14 February 2016 following a performance on SNL.
West's musical career has been defined by frequent stylistic shifts, and has seen him develop and explore a variety of different musical approaches and genres throughout his work. When asked about his musical inspirations, he has named A Tribe Called Quest, Stevie Wonder, Michael Jackson, George Michael, LL Cool J, Phil Collins and Madonna as early interests. He has further described musician David Bowie as one of his "most important inspirations," and named producer Puff Daddy as the "most important cultural figure in my life." Early in his career, West pioneered a style of production dubbed "chipmunk soul" which utilized pitched-up vocal samples, usually from soul and R&B songs, along with his own drums and instrumentation. His first major release featuring his trademark soulful vocal sampling style was "This Can't Be Life", a track from Jay-Z’s The Dynasty: Roc La Familia. West has said that Wu-Tang Clan producer RZA influenced him in his style, and has named Wu-Tang rappers Ghostface Killah and Ol' Dirty Bastard as inspirations. RZA spoke positively of the comparisons, stating in an interview for Rolling Stone, "All good. I got super respect for Kanye [...] [he] is going to inspire people to be like him." West further developed his style on his 2004 debut album, The College Dropout. After a rough version was leaked, he meticulously refined the production, adding string arrangements, gospel choirs, and improved drum programming.
For his second album, Late Registration (2005), he collaborated with film score composer Jon Brion and drew influence from non-rap influences such as English trip hop group Portishead. Blending West's primary soulful hip hop production with Brion's elaborate chamber pop orchestration, the album experimentally incorporated a wide array of different genres and prominent orchestral elements, including string arrangements, piano chords, brass flecks, and horn riffs among other symphonic instrumentation. It also incorporated a myriad of foreign and vintage instruments not typical in popular music, let alone hip hop, such as a celesta, harpsichord, Chamberlin, CS-80 analog synthesizer, Chinese bells and berimbau, vibraphones, and marimba. Rolling Stone described Late Registration as West claiming "the whole world of music as hip-hop turf" chronicling the album as "his mad quest to explode every cliché about hip-hop identity." Critic Robert Christgau wrote that "there's never been hip-hop so complex and subtle musically." For a period of time, Kanye West stood as the sole current pop star to tour with a string section, as audible on his 2006 live album Late Orchestration.
With his third album, Graduation (2007), West moved away from the sound of his previous releases and towards a more atmospheric, rock-tinged, electronic-influenced soundscape. The musical evolution arose from him listening to music genres encompassing European Britpop and Euro-disco, American alternative and indie-rock, and his native Chicago house. Towards this end, West retracted much of the live instrumentation that characterized his previous album and replaced it with heavy, gothic synthesizers, distorted synth-chords, rave stabs, house beats, electro-disco rhythms, and a wide array of modulated electronic noises and digital audio-effects. In addition, West drew musical inspiration from arena rock bands such as The Rolling Stones, U2, and Led Zeppelin in terms of melody and chord progression.
West's fourth studio album, 808s & Heartbreak (2008), marked an even more radical departure from his previous releases, largely abandoning rap and hip hop stylings in favor of a stark electropop sound composed of virtual synthesis, the Roland TR-808 drum machine, and explicitly auto-tuned vocal tracks. Drawing inspiration from artists such as Gary Numan, TJ Swan and Boy George, and maintaining a "minimal but functional" approach towards the album's studio production, West explored the electronic feel produced by Auto-Tune and utilized the sounds created by the 808, manipulating its pitch to produce a distorted, electronic sound; he then sought to juxtapose mechanical sounds with the traditional sounds of taiko drums and choir monks. The album's music features austere production and elements such as dense drums, lengthy strings, droning synthesizers, and somber piano, and drew comparisons to the work of 1980s post-punk and new wave groups, with West himself later confessing an affinity with British post-punk group Joy Division. Rolling Stone journalist Matthew Trammell asserted that the record was ahead of its time and wrote in a 2012 article, "Now that popular music has finally caught up to it, 808s & Heartbreak has revealed itself to be Kanye’s most vulnerable work, and perhaps his most brilliant."
West's fifth album, My Beautiful Dark Twisted Fantasy, has been noted by writers for its maximalist aesthetic and its incorporation of elements from West's previous four albums. Entertainment Weekly's Simon Vozick-Levinson perceives that such elements "all recur at various points", namely "the luxurious soul of 2004's The College Dropout, the symphonic pomp of Late Registration, the gloss of 2007's Graduation, and the emotionally exhausted electro of 2008's 808s & Heartbreak". Sean Fennessey of The Village Voice writes that West "absorb[ed] the gifts of his handpicked collaborators, and occasionally elevat[ed] them" on previous studio albums, noting collaborators and elements as Jon Brion for Late Registration, DJ Toomp for Graduation, and Kid Cudi for 808s & Heartbreak.
Describing his sixth studio album Yeezus (2013) as "a protest to music," West embraced an abrasive style that incorporated industrial music, acid house, dancehall, punk, electro, and Chicago drill. Inspired by the minimalist design of Le Corbusier and primarily electronic in nature, the album features distorted drum machines and "synthesizers that sound like they're malfunctioning, low-resolution samplers that add a pixelated digital aura to the most analog sounds." To this end, the album incorporates glitches reminiscent of CD skips or corrupted MP3's, and Auto-Tuned vocals are modulated to a point in which they are difficult to decipher. It also continues West's practice of eclectic samples: he employs a sample of Nina Simone's "Strange Fruit," an obscure Hindi sample on "I Am a God", and a sample of 1970s Hungarian rock group Omega on "New Slaves". "On Sight" interpolates a melody from "Sermon (He'll Give Us What We Really Need)" by the Holy Name of Mary Choral Family. Rolling Stone called the album a "brilliant, obsessive-compulsive career auto-correct".
In September 2005, West announced that he would release his Pastelle Clothing line in spring 2006, claiming "Now that I have a Grammy under my belt and Late Registration is finished, I am ready to launch my clothing line next spring." The line was developed over the following four years – with multiple pieces teased by West himself – before the line was ultimately cancelled in 2009. In 2009, West collaborated with Nike to release his own shoe, the Air Yeezys, with a second version released in 2012. In January 2009, West introduced his first shoe line designed for Louis Vuitton during Paris Fashion Week. The line was released in summer 2009. West has additionally designed shoewear for Bape and Italian shoemaker Giuseppe Zanotti.
On October 1, 2011, Kanye West premiered his women's fashion label, DW Kanye West at Paris Fashion Week. He received support from DSquared2 duo Dean and Dan Caten, Olivier Theyskens, Jeremy Scott, Azzedine Alaïa, and the Olsen twins, who were also in attendance during his show. His debut fashion show received mixed-to-negative reviews, ranging from reserved observations by Style.com to excoriating commentary by The Wall Street Journal, The New York Times, the International Herald Tribune, Elleuk.com, The Daily Telegraph, Harper's Bazaar and many others. On March 6, 2012, West premiered a second fashion line at Paris Fashion Week. The line's reception was markedly improved from the previous presentation, with a number of critics heralding West for his "much improved" sophomore effort.
On December 3, 2013, Adidas officially confirmed a new shoe collaboration deal with West. After months of anticipation and rumors, West confirmed the release of the Adidas Yeezy Boosts with a Twitter announcement directing fans to the domain yeezy.supply. In 2015, West unveiled his Yeezy Season clothing line, premiering Season 1 in collaboration with Adidas early in the year. The release of the Yeezy Boosts and the full Adidas collaboration was showcased in New York City on February 12, 2015, with free streaming to 50 cinemas in 13 countries around the world. An initial release of the Adidas Yeezy Boosts was limited to 9000 pairs to be available only in New York City via the Adidas smartphone app; the Adidas Yeezy Boosts were sold out within 10 minutes. The shoes released worldwide on February 28, 2015, were limited to select boutique stores and the Adidas UK stores. He followed with Season 2 later that year at New York Fashion Week. On February 11, West premiered his Yeezy Season 3 clothing line at Madison Square Garden in conjunction with the previewing of his album The Life of Pablo.
In August 2008, West revealed plans to open 10 Fatburger restaurants in the Chicago area; the first was set to open in September 2008 in Orland Park. The second followed in January 2009, while a third location is yet to be revealed, although the process is being finalized. His company, KW Foods LLC, bought the rights to the chain in Chicago. Ultimately, in 2009, only two locations actually opened. In February 2011, West shut down the Fatburger located in Orland Park. Later that year, the remaining Beverly location also was shuttered.
West founded the record label and production company GOOD Music in 2004, in conjunction with Sony BMG, shortly after releasing his debut album, The College Dropout. John Legend, Common, and West were the label's inaugural artists. The label houses artists including West, Big Sean, Pusha T, Teyana Taylor, Yasiin Bey / Mos Def, D'banj and John Legend, and producers including Hudson Mohawke, Q-Tip, Travis Scott, No I.D., Jeff Bhasker, and S1. GOOD Music has released ten albums certified gold or higher by the Recording Industry Association of America (RIAA). In November 2015, West appointed Pusha T the new president of GOOD Music.
On January 5, 2012, West announced his establishment of the creative content company DONDA, named after his late mother Donda West. In his announcement, West proclaimed that the company would "pick up where Steve Jobs left off"; DONDA would operate as "a design company which will galvanize amazing thinkers in a creative space to bounce their dreams and ideas" with the "goal to make products and experiences that people want and can afford." West is notoriously secretive about the company's operations, maintaining neither an official website nor a social media presence. In stating DONDA's creative philosophy, West articulated the need to "put creatives in a room together with like minds" in order to "simplify and aesthetically improve everything we see, taste, touch, and feel.". Contemporary critics have noted the consistent minimalistic aesthetic exhibited throughout DONDA creative projects.
On March 30, 2015, it was announced that West is a co-owner, with various other music artists, in the music streaming service Tidal. The service specialises in lossless audio and high definition music videos. Jay Z acquired the parent company of Tidal, Aspiro, in the first quarter of 2015. Including Beyoncé and Jay-Z, sixteen artist stakeholders (such as Rihanna, Beyoncé, Madonna, Chris Martin, Nicki Minaj and more) co-own Tidal, with the majority owning a 3% equity stake. The idea of having an all artist owned streaming service was created by those involved to adapt to the increased demand for streaming within the current music industry, and to rival other streaming services such as Spotify, which have been criticised for their low payout of royalties. "The challenge is to get everyone to respect music again, to recognize its value", stated Jay-Z on the release of Tidal.

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