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Manhattan Island is linked to New York City's outer boroughs and New Jersey by several tunnels as well. The Lincoln Tunnel, which carries 120,000 vehicles a day under the Hudson River between New Jersey and Midtown Manhattan, is the busiest vehicular tunnel in the world. The tunnel was built instead of a bridge to allow unfettered passage of large passenger and cargo ships that sailed through New York Harbor and up the Hudson River to Manhattan's piers. The Holland Tunnel, connecting Lower Manhattan to Jersey City, New Jersey, was the world's first mechanically ventilated vehicular tunnel when it opened in 1927. The Queens-Midtown Tunnel, built to relieve congestion on the bridges connecting Manhattan with Queens and Brooklyn, was the largest non-federal project in its time when it was completed in 1940. President Franklin D. Roosevelt was the first person to drive through it. The Hugh L. Carey Tunnel runs underneath Battery Park and connects the Financial District at the southern tip of Manhattan to Red Hook in Brooklyn.
New York's high rate of public transit use, over 200,000 daily cyclists as of 2014, and many pedestrian commuters make it the most energy-efficient major city in the United States. Walk and bicycle modes of travel account for 21% of all modes for trips in the city; nationally the rate for metro regions is about 8%. In both its 2011 and 2015 rankings, Walk Score named New York City the most walkable large city in the United States. Citibank sponsored the introduction of 10,000 public bicycles for the city's bike-share project in the summer of 2013. Research conducted by Quinnipiac University showed that a majority of New Yorkers support the initiative. New York City's numerical "in-season cycling indicator" of bicycling in the city hit an all-time high in 2013.
New York City is supplied with drinking water by the protected Catskill Mountains watershed. As a result of the watershed's integrity and undisturbed natural water filtration system, New York is one of only four major cities in the United States the majority of whose drinking water is pure enough not to require purification by water treatment plants. The Croton Watershed north of the city is undergoing construction of a US$3.2 billion water purification plant to augment New York City's water supply by an estimated 290 million gallons daily, representing a greater than 20% addition to the city's current availability of water. The ongoing expansion of New York City Water Tunnel No. 3, an integral part of the New York City water supply system, is the largest capital construction project in the city's history.
The Mayor and council members are elected to four-year terms. The City Council is a unicameral body consisting of 51 council members whose districts are defined by geographic population boundaries. Each term for the mayor and council members lasts four years and has a three consecutive-term limit, but can resume after a four-year break. The New York City Administrative Code, the New York City Rules, and the City Record are the code of local laws, compilation of regulations, and official journal, respectively.
The Democratic Party holds the majority of public offices. As of November 2008, 67% of registered voters in the city are Democrats. New York City has not been carried by a Republican in a statewide or presidential election since President Calvin Coolidge won the five boroughs in 1924. In 2012, Democrat Barack Obama became the first presidential candidate of any party to receive more than 80% of the overall vote in New York City, sweeping all five boroughs. Party platforms center on affordable housing, education, and economic development, and labor politics are of importance in the city.
Much of the scientific research in the city is done in medicine and the life sciences. New York City has the most post-graduate life sciences degrees awarded annually in the United States, with 127 Nobel laureates having roots in local institutions as of 2004; while in 2012, 43,523 licensed physicians were practicing in New York City. Major biomedical research institutions include Memorial Sloan–Kettering Cancer Center, Rockefeller University, SUNY Downstate Medical Center, Albert Einstein College of Medicine, Mount Sinai School of Medicine, and Weill Cornell Medical College, being joined by the Cornell University/Technion-Israel Institute of Technology venture on Roosevelt Island.
Each year HHC's facilities provide about 225,000 admissions, one million emergency room visits and five million clinic visits to New Yorkers. HHC facilities treat nearly one-fifth of all general hospital discharges and more than one third of emergency room and hospital-based clinic visits in New York City.
Sociologists and criminologists have not reached consensus on the explanation for the dramatic decrease in the city's crime rate. Some attribute the phenomenon to new tactics used by the NYPD, including its use of CompStat and the broken windows theory. Others cite the end of the crack epidemic and demographic changes, including from immigration. Another theory is that widespread exposure to lead pollution from automobile exhaust, which can lower intelligence and increase aggression levels, incited the initial crime wave in the mid-20th century, most acutely affecting heavily trafficked cities like New York. A strong correlation was found demonstrating that violent crime rates in New York and other big cities began to fall after lead was removed from American gasoline in the 1970s. Another theory cited to explain New York City's falling homicide rate is the inverse correlation between the number of murders and the increasingly wetter climate in the city.
New York City has been described as the cultural capital of the world by the diplomatic consulates of Iceland and Latvia and by New York's Baruch College. A book containing a series of essays titled New York, culture capital of the world, 1940–1965 has also been published as showcased by the National Library of Australia. In describing New York, author Tom Wolfe said, "Culture just seems to be in the air, like part of the weather."
Lincoln Center for the Performing Arts, anchoring Lincoln Square on the Upper West Side of Manhattan, is home to numerous influential arts organizations, including the Metropolitan Opera, New York City Opera, New York Philharmonic, and New York City Ballet, as well as the Vivian Beaumont Theater, the Juilliard School, Jazz at Lincoln Center, and Alice Tully Hall. The Lee Strasberg Theatre and Film Institute is in Union Square, and Tisch School of the Arts is based at New York University, while Central Park SummerStage presents performances of free plays and music in Central Park.
New York City is home to hundreds of cultural institutions and historic sites, many of which are internationally known. Museum Mile is the name for a section of Fifth Avenue running from 82nd to 105th streets on the Upper East Side of Manhattan, in an area sometimes called Upper Carnegie Hill. The Mile, which contains one of the densest displays of culture in the world, is actually three blocks longer than one mile (1.6 km). Ten museums occupy the length of this section of Fifth Avenue. The tenth museum, the Museum for African Art, joined the ensemble in 2009, however its Museum at 110th Street, the first new museum constructed on the Mile since the Guggenheim in 1959, opened in late 2012. In addition to other programming, the museums collaborate for the annual Museum Mile Festival, held each year in June, to promote the museums and increase visitation. Many of the world's most lucrative art auctions are held in New York City.
The New York area is home to a distinctive regional speech pattern called the New York dialect, alternatively known as Brooklynese or New Yorkese. It has generally been considered one of the most recognizable accents within American English. The classic version of this dialect is centered on middle and working-class people of European descent. However, the influx of non-European immigrants in recent decades has led to changes in this distinctive dialect, and the traditional form of this speech pattern is no longer as prevalent among general New Yorkers as in the past.
The traditional New York area accent is characterized as non-rhotic, so that the sound [ɹ] does not appear at the end of a syllable or immediately before a consonant; hence the pronunciation of the city name as "New Yawk." There is no [ɹ] in words like park [pɑək] or [pɒək] (with vowel backed and diphthongized due to the low-back chain shift), butter [bʌɾə], or here [hiə]. In another feature called the low back chain shift, the [ɔ] vowel sound of words like talk, law, cross, chocolate, and coffee and the often homophonous [ɔr] in core and more are tensed and usually raised more than in General American. In the most old-fashioned and extreme versions of the New York dialect, the vowel sounds of words like "girl" and of words like "oil" became a diphthong [ɜɪ]. This would often be misperceived by speakers of other accents as a reversal of the er and oy sounds, so that girl is pronounced "goil" and oil is pronounced "erl"; this leads to the caricature of New Yorkers saying things like "Joizey" (Jersey), "Toidy-Toid Street" (33rd St.) and "terlet" (toilet). The character Archie Bunker from the 1970s sitcom All in the Family (played by Carroll O'Connor) was a notable example of having used this pattern of speech, which continues to fade in its overall presence.
In soccer, New York City is represented by New York City FC of Major League Soccer, who play their home games at Yankee Stadium. The New York Red Bulls play their home games at Red Bull Arena in nearby Harrison, New Jersey. Historically, the city is known for the New York Cosmos, the highly successful former professional soccer team which was the American home of Pelé, one of the world's most famous soccer players. A new version of the New York Cosmos was formed in 2010, and began play in the second division North American Soccer League in 2013. The Cosmos play their home games at James M. Shuart Stadium on the campus of Hofstra University, just outside the New York City limits in Hempstead, New York.
Mass transit in New York City, most of which runs 24 hours a day, accounts for one in every three users of mass transit in the United States, and two-thirds of the nation's rail riders live in the New York City Metropolitan Area.
New York City's commuter rail network is the largest in North America. The rail network, connecting New York City to its suburbs, consists of the Long Island Rail Road, Metro-North Railroad, and New Jersey Transit. The combined systems converge at Grand Central Terminal and Pennsylvania Station and contain more than 250 stations and 20 rail lines. In Queens, the elevated AirTrain people mover system connects JFK International Airport to the New York City Subway and the Long Island Rail Road; a separate AirTrain system is planned alongside the Grand Central Parkway to connect LaGuardia Airport to these transit systems. For intercity rail, New York City is served by Amtrak, whose busiest station by a significant margin is Pennsylvania Station on the West Side of Manhattan, from which Amtrak provides connections to Boston, Philadelphia, and Washington, D.C. along the Northeast Corridor, as well as long-distance train service to other North American cities.
The Staten Island Railway rapid transit system solely serves Staten Island, operating 24 hours a day. The Port Authority Trans-Hudson (PATH train) links Midtown and Lower Manhattan to northeastern New Jersey, primarily Hoboken, Jersey City, and Newark. Like the New York City Subway, the PATH operates 24 hours a day; meaning three of the six rapid transit systems in the world which operate on 24-hour schedules are wholly or partly in New York (the others are a portion of the Chicago 'L', the PATCO Speedline serving Philadelphia, and the Copenhagen Metro).
Multibillion US$ heavy-rail transit projects under construction in New York City include the Second Avenue Subway, the East Side Access project, and the 7 Subway Extension.
Other features of the city's transportation infrastructure encompass more than 12,000 yellow taxicabs; various competing startup transportation network companies; and an aerial tramway that transports commuters between Roosevelt Island and Manhattan Island.
Despite New York's heavy reliance on its vast public transit system, streets are a defining feature of the city. Manhattan's street grid plan greatly influenced the city's physical development. Several of the city's streets and avenues, like Broadway, Wall Street, Madison Avenue, and Seventh Avenue are also used as metonyms for national industries there: the theater, finance, advertising, and fashion organizations, respectively.
New York City also has an extensive web of expressways and parkways, which link the city's boroughs to each other as well as to northern New Jersey, Westchester County, Long Island, and southwestern Connecticut through various bridges and tunnels. Because these highways serve millions of outer borough and suburban residents who commute into Manhattan, it is quite common for motorists to be stranded for hours in traffic jams that are a daily occurrence, particularly during rush hour.
New York City is located on one of the world's largest natural harbors, and the boroughs of Manhattan and Staten Island are (primarily) coterminous with islands of the same names, while Queens and Brooklyn are located at the west end of the larger Long Island, and The Bronx is located at the southern tip of New York State's mainland. This situation of boroughs separated by water led to the development of an extensive infrastructure of bridges and tunnels. Nearly all of the city's major bridges and tunnels are notable, and several have broken or set records.
The Queensboro Bridge is an important piece of cantilever architecture. The Manhattan Bridge, Throgs Neck Bridge, Triborough Bridge, and Verrazano-Narrows Bridge are all examples of Structural Expressionism.
New York City has focused on reducing its environmental impact and carbon footprint. Mass transit use in New York City is the highest in the United States. Also, by 2010, the city had 3,715 hybrid taxis and other clean diesel vehicles, representing around 28% of New York's taxi fleet in service, the most of any city in North America.
The city government was a petitioner in the landmark Massachusetts v. Environmental Protection Agency Supreme Court case forcing the EPA to regulate greenhouse gases as pollutants. The city is also a leader in the construction of energy-efficient green office buildings, including the Hearst Tower among others. Mayor Bill de Blasio has committed to an 80% reduction in greenhouse gas emissions between 2014 and 2050 to reduce the city's contributions to climate change, beginning with a comprehensive "Green Buildings" plan.
Newtown Creek, a 3.5-mile (6-kilometer) a long estuary that forms part of the border between the boroughs of Brooklyn and Queens, has been designated a Superfund site for environmental clean-up and remediation of the waterway's recreational and economic resources for many communities. One of the most heavily used bodies of water in the Port of New York and New Jersey, it had been one of the most contaminated industrial sites in the country, containing years of discarded toxins, an estimated 30 million US gallons (110,000 m3) of spilled oil, including the Greenpoint oil spill, raw sewage from New York City's sewer system, and other accumulation.
New York City has been a metropolitan municipality with a mayor-council form of government since its consolidation in 1898. The government of New York is more centralized than that of most other U.S. cities. In New York City, the city government is responsible for public education, correctional institutions, public safety, recreational facilities, sanitation, water supply, and welfare services.
Each borough is coextensive with a judicial district of the state Unified Court System, of which the Criminal Court and the Civil Court are the local courts, while the New York Supreme Court conducts major trials and appeals. Manhattan hosts the First Department of the Supreme Court, Appellate Division while Brooklyn hosts the Second Department. There are also several extrajudicial administrative courts, which are executive agencies and not part of the state Unified Court System.
Uniquely among major American cities, New York is divided between, and is host to the main branches of, two different US district courts: the District Court for the Southern District of New York, whose main courthouse is on Foley Square near City Hall in Manhattan and whose jurisdiction includes Manhattan and the Bronx, and the District Court for the Eastern District of New York, whose main courthouse is in Brooklyn and whose jurisdiction includes Brooklyn, Queens, and Staten Island. The US Court of Appeals for the Second Circuit and US Court of International Trade are also based in New York, also on Foley Square in Manhattan.
New York is the most important source of political fundraising in the United States, as four of the top five ZIP codes in the nation for political contributions are in Manhattan. The top ZIP code, 10021 on the Upper East Side, generated the most money for the 2004 presidential campaigns of George W. Bush and John Kerry. The city has a strong imbalance of payments with the national and state governments. It receives 83 cents in services for every $1 it sends to the federal government in taxes (or annually sends $11.4 billion more than it receives back). The city also sends an additional $11 billion more each year to the state of New York than it receives back.
In 2006, the Sister City Program of the City of New York, Inc. was restructured and renamed New York City Global Partners. New York City has expanded its international outreach via this program to a network of cities worldwide, promoting the exchange of ideas and innovation between their citizenry and policymakers, according to the city's website. New York's historic sister cities are denoted below by the year they joined New York City's partnership network.
To Kill a Mockingbird is a novel by Harper Lee published in 1960. It was immediately successful, winning the Pulitzer Prize, and has become a classic of modern American literature. The plot and characters are loosely based on the author's observations of her family and neighbors, as well as on an event that occurred near her hometown in 1936, when she was 10 years old.
As a Southern Gothic novel and a Bildungsroman, the primary themes of To Kill a Mockingbird involve racial injustice and the destruction of innocence. Scholars have noted that Lee also addresses issues of class, courage, compassion, and gender roles in the American Deep South. The book is widely taught in schools in the United States with lessons that emphasize tolerance and decry prejudice. Despite its themes, To Kill a Mockingbird has been subject to campaigns for removal from public classrooms, often challenged for its use of racial epithets.
Reaction to the novel varied widely upon publication. Literary analysis of it is sparse, considering the number of copies sold and its widespread use in education. Author Mary McDonough Murphy, who collected individual impressions of To Kill a Mockingbird by several authors and public figures, calls the book, "an astonishing phenomenon". In 2006, British librarians ranked the book ahead of the Bible as one "every adult should read before they die". It was adapted into an Oscar-winning film in 1962 by director Robert Mulligan, with a screenplay by Horton Foote. Since 1990, a play based on the novel has been performed annually in Harper Lee's hometown of Monroeville, Alabama.
To Kill a Mockingbird was Lee's only published book until Go Set a Watchman, an earlier draft of To Kill a Mockingbird, was published on July 14, 2015. Lee continued to respond to her work's impact until her death in February 2016, although she had refused any personal publicity for herself or the novel since 1964.
Born in 1926, Harper Lee grew up in the Southern town of Monroeville, Alabama, where she became close friends with soon-to-be famous writer Truman Capote. She attended Huntingdon College in Montgomery (1944–45), and then studied law at the University of Alabama (1945–49). While attending college, she wrote for campus literary magazines: Huntress at Huntingdon and the humor magazine Rammer Jammer at the University of Alabama. At both colleges, she wrote short stories and other works about racial injustice, a rarely mentioned topic on such campuses at the time. In 1950, Lee moved to New York City, where she worked as a reservation clerk for British Overseas Airways Corporation; there, she began writing a collection of essays and short stories about people in Monroeville. Hoping to be published, Lee presented her writing in 1957 to a literary agent recommended by Capote. An editor at J. B. Lippincott , who bought the manuscript, advised her to quit the airline and concentrate on writing. Donations from friends allowed her to write uninterrupted for a year.
After finishing the first draft and returning it to Lippincott, the manuscript, at that point titled "Go Set a Watchman", fell into the hands of Therese von Hohoff Torrey — known professionally as Tay Hohoff — a small, wiry veteran editor in her late 50s. Hohoff was impressed. “[T]he spark of the true writer flashed in every line,” she would later recount in a corporate history of Lippincott. But as Hohoff saw it, the manuscript was by no means fit for publication. It was, as she described it, “more a series of anecdotes than a fully conceived novel.” During the next couple of years, she led Lee from one draft to the next until the book finally achieved its finished form and was retitled To Kill a Mockingbird.
Lee had lost her mother, who suffered from mental illness, six years before she met Hohoff at Lippincott’s offices. Her father, a lawyer on whom Atticus was modeled, would die two years after the publication of To Kill a Mockingbird.
Ultimately, Lee spent over two and a half years writing To Kill a Mockingbird. The book was published on July 11, 1960. After rejecting the "Watchman" title, it was initially re-titled Atticus, but Lee renamed it "To Kill a Mockingbird" to reflect that the story went beyond just a character portrait. The editorial team at Lippincott warned Lee that she would probably sell only several thousand copies. In 1964, Lee recalled her hopes for the book when she said, "I never expected any sort of success with 'Mockingbird.' ... I was hoping for a quick and merciful death at the hands of the reviewers but, at the same time, I sort of hoped someone would like it enough to give me encouragement. Public encouragement. I hoped for a little, as I said, but I got rather a whole lot, and in some ways this was just about as frightening as the quick, merciful death I'd expected." Instead of a "quick and merciful death", Reader's Digest Condensed Books chose the book for reprinting in part, which gave it a wide readership immediately. Since the original publication, the book has never been out of print.
The story takes place during three years (1933–35) of the Great Depression in the fictional "tired old town" of Maycomb, Alabama, the seat of Maycomb County. It focuses on six-year-old Jean Louise Finch (Scout), who lives with her older brother, Jem, and their widowed father, Atticus, a middle-aged lawyer. Jem and Scout befriend a boy named Dill, who visits Maycomb to stay with his aunt each summer. The three children are terrified of, and fascinated by, their neighbor, the reclusive Arthur "Boo" Radley. The adults of Maycomb are hesitant to talk about Boo, and, for many years few have seen him. The children feed one another's imagination with rumors about his appearance and reasons for remaining hidden, and they fantasize about how to get him out of his house. After two summers of friendship with Dill, Scout and Jem find that someone leaves them small gifts in a tree outside the Radley place. Several times the mysterious Boo makes gestures of affection to the children, but, to their disappointment, he never appears in person.
Judge Taylor appoints Atticus to defend Tom Robinson, a black man who has been accused of raping a young white woman, Mayella Ewell. Although many of Maycomb's citizens disapprove, Atticus agrees to defend Tom to the best of his ability. Other children taunt Jem and Scout for Atticus's actions, calling him a "nigger-lover". Scout is tempted to stand up for her father's honor by fighting, even though he has told her not to. Atticus faces a group of men intent on lynching Tom. This danger is averted when Scout, Jem, and Dill shame the mob into dispersing by forcing them to view the situation from Atticus' and Tom's points of view.
Atticus does not want Jem and Scout to be present at Tom Robinson's trial. No seat is available on the main floor, so by invitation of Rev. Sykes, Jem, Scout, and Dill watch from the colored balcony. Atticus establishes that the accusers—Mayella and her father, Bob Ewell, the town drunk—are lying. It also becomes clear that the friendless Mayella made sexual advances toward Tom, and that her father caught her and beat her. Despite significant evidence of Tom's innocence, the jury convicts him. Jem's faith in justice becomes badly shaken, as is Atticus', when the hapless Tom is shot and killed while trying to escape from prison.
Despite Tom's conviction, Bob Ewell is humiliated by the events of the trial, Atticus explaining that he "destroyed [Ewell's] last shred of credibility at that trial." Ewell vows revenge, spitting in Atticus' face, trying to break into the judge's house, and menacing Tom Robinson's widow. Finally, he attacks the defenseless Jem and Scout while they walk home on a dark night after the school Halloween pageant. One of Jem's arms is broken in the struggle, but amid the confusion someone comes to the children's rescue. The mysterious man carries Jem home, where Scout realizes that he is Boo Radley.
Sheriff Tate arrives and discovers that Bob Ewell has died during the fight. The sheriff argues with Atticus about the prudence and ethics of charging Jem (whom Atticus believes to be responsible) or Boo (whom Tate believes to be responsible). Atticus eventually accepts the sheriff's story that Ewell simply fell on his own knife. Boo asks Scout to walk him home, and after she says goodbye to him at his front door he disappears again. While standing on the Radley porch, Scout imagines life from Boo's perspective, and regrets that they had never repaid him for the gifts he had given them.
Lee has said that To Kill a Mockingbird is not an autobiography, but rather an example of how an author "should write about what he knows and write truthfully". Nevertheless, several people and events from Lee's childhood parallel those of the fictional Scout. Lee's father, Amasa Coleman Lee, was an attorney, similar to Atticus Finch, and in 1919, he defended two black men accused of murder. After they were convicted, hanged and mutilated, he never tried another criminal case. Lee's father was also the editor and publisher of the Monroeville newspaper. Although more of a proponent of racial segregation than Atticus, he gradually became more liberal in his later years. Though Scout's mother died when she was a baby, Lee was 25 when her mother, Frances Cunningham Finch, died. Lee's mother was prone to a nervous condition that rendered her mentally and emotionally absent. Lee had a brother named Edwin, who—like the fictional Jem—was four years older than his sister. As in the novel, a black housekeeper came daily to care for the Lee house and family.
Lee modeled the character of Dill on her childhood friend, Truman Capote, known then as Truman Persons. Just as Dill lived next door to Scout during the summer, Capote lived next door to Lee with his aunts while his mother visited New York City. Like Dill, Capote had an impressive imagination and a gift for fascinating stories. Both Lee and Capote were atypical children: both loved to read. Lee was a scrappy tomboy who was quick to fight, but Capote was ridiculed for his advanced vocabulary and lisp. She and Capote made up and acted out stories they wrote on an old Underwood typewriter Lee's father gave them. They became good friends when both felt alienated from their peers; Capote called the two of them "apart people". In 1960, Capote and Lee traveled to Kansas together to investigate the multiple murders that were the basis for Capote's nonfiction novel In Cold Blood.
The origin of Tom Robinson is less clear, although many have speculated that his character was inspired by several models. When Lee was 10 years old, a white woman near Monroeville accused a black man named Walter Lett of raping her. The story and the trial were covered by her father's newspaper which reported that Lett was convicted and sentenced to death. After a series of letters appeared claiming Lett had been falsely accused, his sentence was commuted to life in prison. He died there of tuberculosis in 1937. Scholars believe that Robinson's difficulties reflect the notorious case of the Scottsboro Boys, in which nine black men were convicted of raping two white women on negligible evidence. However, in 2005, Lee stated that she had in mind something less sensational, although the Scottsboro case served "the same purpose" to display Southern prejudices. Emmett Till, a black teenager who was murdered for flirting with a white woman in Mississippi in 1955, and whose death is credited as a catalyst for the Civil Rights Movement, is also considered a model for Tom Robinson.
Writing about Lee's style and use of humor in a tragic story, scholar Jacqueline Tavernier-Courbin states: "Laughter ... [exposes] the gangrene under the beautiful surface but also by demeaning it; one can hardly ... be controlled by what one is able to laugh at." Scout's precocious observations about her neighbors and behavior inspire National Endowment of the Arts director David Kipen to call her "hysterically funny". To address complex issues, however, Tavernier-Courbin notes that Lee uses parody, satire, and irony effectively by using a child's perspective. After Dill promises to marry her, then spends too much time with Jem, Scout reasons the best way to get him to pay attention to her is to beat him up, which she does several times. Scout's first day in school is a satirical treatment of education; her teacher says she must undo the damage Atticus has wrought in teaching her to read and write, and forbids Atticus from teaching her further. Lee treats the most unfunny situations with irony, however, as Jem and Scout try to understand how Maycomb embraces racism and still tries sincerely to remain a decent society. Satire and irony are used to such an extent that Tavernier-Courbin suggests one interpretation for the book's title: Lee is doing the mocking—of education, the justice system, and her own society by using them as subjects of her humorous disapproval.
Critics also note the entertaining methods used to drive the plot. When Atticus is out of town, Jem locks a Sunday school classmate in the church basement with the furnace during a game of Shadrach. This prompts their black housekeeper Calpurnia to escort Scout and Jem to her church, which allows the children a glimpse into her personal life, as well as Tom Robinson's. Scout falls asleep during the Halloween pageant and makes a tardy entrance onstage, causing the audience to laugh uproariously. She is so distracted and embarrassed that she prefers to go home in her ham costume, which saves her life.
Scholars have characterized To Kill a Mockingbird as both a Southern Gothic and coming-of-age or Bildungsroman novel. The grotesque and near-supernatural qualities of Boo Radley and his house, and the element of racial injustice involving Tom Robinson contribute to the aura of the Gothic in the novel. Lee used the term "Gothic" to describe the architecture of Maycomb's courthouse and in regard to Dill's exaggeratedly morbid performances as Boo Radley. Outsiders are also an important element of Southern Gothic texts and Scout and Jem's questions about the hierarchy in the town cause scholars to compare the novel to Catcher in the Rye and Adventures of Huckleberry Finn. Despite challenging the town's systems, Scout reveres Atticus as an authority above all others, because he believes that following one's conscience is the highest priority, even when the result is social ostracism. However, scholars debate about the Southern Gothic classification, noting that Boo Radley is in fact human, protective, and benevolent. Furthermore, in addressing themes such as alcoholism, incest, rape, and racial violence, Lee wrote about her small town realistically rather than melodramatically. She portrays the problems of individual characters as universal underlying issues in every society.
As children coming of age, Scout and Jem face hard realities and learn from them. Lee seems to examine Jem's sense of loss about how his neighbors have disappointed him more than Scout's. Jem says to their neighbor Miss Maudie the day after the trial, "It's like bein' a caterpillar wrapped in a cocoon ... I always thought Maycomb folks were the best folks in the world, least that's what they seemed like". This leads him to struggle with understanding the separations of race and class. Just as the novel is an illustration of the changes Jem faces, it is also an exploration of the realities Scout must face as an atypical girl on the verge of womanhood. As one scholar writes, "To Kill a Mockingbird can be read as a feminist Bildungsroman, for Scout emerges from her childhood experiences with a clear sense of her place in her community and an awareness of her potential power as the woman she will one day be."
The second part of the novel deals with what book reviewer Harding LeMay termed "the spirit-corroding shame of the civilized white Southerner in the treatment of the Negro". In the years following its release, many reviewers considered To Kill a Mockingbird a novel primarily concerned with race relations. Claudia Durst Johnson considers it "reasonable to believe" that the novel was shaped by two events involving racial issues in Alabama: Rosa Parks' refusal to yield her seat on a city bus to a white person, which sparked the 1955 Montgomery Bus Boycott, and the 1956 riots at the University of Alabama after Autherine Lucy and Polly Myers were admitted (Myers eventually withdrew her application and Lucy was expelled, but reinstated in 1980). In writing about the historical context of the novel's construction, two other literary scholars remark: "To Kill a Mockingbird was written and published amidst the most significant and conflict-ridden social change in the South since the Civil War and Reconstruction. Inevitably, despite its mid-1930s setting, the story told from the perspective of the 1950s voices the conflicts, tensions, and fears induced by this transition."
Scholar Patrick Chura, who suggests Emmett Till was a model for Tom Robinson, enumerates the injustices endured by the fictional Tom that Till also faced. Chura notes the icon of the black rapist causing harm to the representation of the "mythologized vulnerable and sacred Southern womanhood". Any transgressions by black males that merely hinted at sexual contact with white females during the time the novel was set often resulted in a punishment of death for the accused. Tom Robinson's trial was juried by poor white farmers who convicted him despite overwhelming evidence of his innocence, as more educated and moderate white townspeople supported the jury's decision. Furthermore, the victim of racial injustice in To Kill a Mockingbird was physically impaired, which made him unable to commit the act he was accused of, but also crippled him in other ways. Roslyn Siegel includes Tom Robinson as an example of the recurring motif among white Southern writers of the black man as "stupid, pathetic, defenseless, and dependent upon the fair dealing of the whites, rather than his own intelligence to save him". Although Tom is spared from being lynched, he is killed with excessive violence during an attempted escape from prison, shot seventeen times.
The theme of racial injustice appears symbolically in the novel as well. For example, Atticus must shoot a rabid dog, even though it is not his job to do so. Carolyn Jones argues that the dog represents prejudice within the town of Maycomb, and Atticus, who waits on a deserted street to shoot the dog, must fight against the town's racism without help from other white citizens. He is also alone when he faces a group intending to lynch Tom Robinson and once more in the courthouse during Tom's trial. Lee even uses dreamlike imagery from the mad dog incident to describe some of the courtroom scenes. Jones writes, "[t]he real mad dog in Maycomb is the racism that denies the humanity of Tom Robinson .... When Atticus makes his summation to the jury, he literally bares himself to the jury's and the town's anger."
In a 1964 interview, Lee remarked that her aspiration was "to be ... the Jane Austen of South Alabama." Both Austen and Lee challenged the social status quo and valued individual worth over social standing. When Scout embarrasses her poorer classmate, Walter Cunningham, at the Finch home one day, Calpurnia, their black cook, chastises and punishes her for doing so. Atticus respects Calpurnia's judgment, and later in the book even stands up to his sister, the formidable Aunt Alexandra, when she strongly suggests they fire Calpurnia. One writer notes that Scout, "in Austenian fashion", satirizes women with whom she does not wish to identify. Literary critic Jean Blackall lists the priorities shared by the two authors: "affirmation of order in society, obedience, courtesy, and respect for the individual without regard for status".
Scholars argue that Lee's approach to class and race was more complex "than ascribing racial prejudice primarily to 'poor white trash' ... Lee demonstrates how issues of gender and class intensify prejudice, silence the voices that might challenge the existing order, and greatly complicate many Americans' conception of the causes of racism and segregation." Lee's use of the middle-class narrative voice is a literary device that allows an intimacy with the reader, regardless of class or cultural background, and fosters a sense of nostalgia. Sharing Scout and Jem's perspective, the reader is allowed to engage in relationships with the conservative antebellum Mrs. Dubose; the lower-class Ewells, and the Cunninghams who are equally poor but behave in vastly different ways; the wealthy but ostracized Mr. Dolphus Raymond; and Calpurnia and other members of the black community. The children internalize Atticus' admonition not to judge someone until they have walked around in that person's skin, gaining a greater understanding of people's motives and behavior.
The novel has been noted for its poignant exploration of different forms of courage. Scout's impulsive inclination to fight students who insult Atticus reflects her attempt to stand up for him and defend him. Atticus is the moral center of the novel, however, and he teaches Jem one of the most significant lessons of courage. In a statement that foreshadows Atticus' motivation for defending Tom Robinson and describes Mrs. Dubose, who is determined to break herself of a morphine addiction, Atticus tells Jem that courage is "when you're licked before you begin but you begin anyway and you see it through no matter what".
Charles Shields, who has written the only book-length biography of Harper Lee to date, offers the reason for the novel's enduring popularity and impact is that "its lessons of human dignity and respect for others remain fundamental and universal". Atticus' lesson to Scout that "you never really understand a person until you consider things from his point of view—until you climb around in his skin and walk around in it" exemplifies his compassion. She ponders the comment when listening to Mayella Ewell's testimony. When Mayella reacts with confusion to Atticus' question if she has any friends, Scout offers that she must be lonelier than Boo Radley. Having walked Boo home after he saves their lives, Scout stands on the Radley porch and considers the events of the previous three years from Boo's perspective. One writer remarks, "... [w]hile the novel concerns tragedy and injustice, heartache and loss, it also carries with it a strong sense [of] courage, compassion, and an awareness of history to be better human beings."
Just as Lee explores Jem's development in coming to grips with a racist and unjust society, Scout realizes what being female means, and several female characters influence her development. Scout's primary identification with her father and older brother allows her to describe the variety and depth of female characters in the novel both as one of them and as an outsider. Scout's primary female models are Calpurnia and her neighbor Miss Maudie, both of whom are strong willed, independent, and protective. Mayella Ewell also has an influence; Scout watches her destroy an innocent man in order to hide her desire for him. The female characters who comment the most on Scout's lack of willingness to adhere to a more feminine role are also those who promote the most racist and classist points of view. For example, Mrs. Dubose chastises Scout for not wearing a dress and camisole, and indicates she is ruining the family name by not doing so, in addition to insulting Atticus' intentions to defend Tom Robinson. By balancing the masculine influences of Atticus and Jem with the feminine influences of Calpurnia and Miss Maudie, one scholar writes, "Lee gradually demonstrates that Scout is becoming a feminist in the South, for with the use of first-person narration, she indicates that Scout/ Jean Louise still maintains the ambivalence about being a Southern lady she possessed as a child."
Absent mothers and abusive fathers are another theme in the novel. Scout and Jem's mother died before Scout could remember her, Mayella's mother is dead, and Mrs. Radley is silent about Boo's confinement to the house. Apart from Atticus, the fathers described are abusers. Bob Ewell, it is hinted, molested his daughter, and Mr. Radley imprisons his son in his house until Boo is remembered only as a phantom. Bob Ewell and Mr. Radley represent a form of masculinity that Atticus does not, and the novel suggests that such men as well as the traditionally feminine hypocrites at the Missionary Society can lead society astray. Atticus stands apart as a unique model of masculinity; as one scholar explains: "It is the job of real men who embody the traditional masculine qualities of heroic individualism, bravery, and an unshrinking knowledge of and dedication to social justice and morality, to set the society straight."
Allusions to legal issues in To Kill a Mockingbird, particularly in scenes outside of the courtroom, has drawn the attention from legal scholars. Claudia Durst Johnson writes that "a greater volume of critical readings has been amassed by two legal scholars in law journals than by all the literary scholars in literary journals". The opening quote by the 19th-century essayist Charles Lamb reads: "Lawyers, I suppose, were children once." Johnson notes that even in Scout and Jem's childhood world, compromises and treaties are struck with each other by spitting on one's palm and laws are discussed by Atticus and his children: is it right that Bob Ewell hunts and traps out of season? Many social codes are broken by people in symbolic courtrooms: Mr. Dolphus Raymond has been exiled by society for taking a black woman as his common-law wife and having interracial children; Mayella Ewell is beaten by her father in punishment for kissing Tom Robinson; by being turned into a non-person, Boo Radley receives a punishment far greater than any court could have given him. Scout repeatedly breaks codes and laws and reacts to her punishment for them. For example, she refuses to wear frilly clothes, saying that Aunt Alexandra's "fanatical" attempts to place her in them made her feel "a pink cotton penitentiary closing in on [her]". Johnson states, "[t]he novel is a study of how Jem and Scout begin to perceive the complexity of social codes and how the configuration of relationships dictated by or set off by those codes fails or nurtures the inhabitants of (their) small worlds."
Songbirds and their associated symbolism appear throughout the novel. The family's last name of Finch also shares Lee's mother's maiden name. The titular mockingbird is a key motif of this theme, which first appears when Atticus, having given his children air-rifles for Christmas, allows their Uncle Jack to teach them to shoot. Atticus warns them that, although they can "shoot all the bluejays they want", they must remember that "it's a sin to kill a mockingbird". Confused, Scout approaches her neighbor Miss Maudie, who explains that mockingbirds never harm other living creatures. She points out that mockingbirds simply provide pleasure with their songs, saying, "They don't do one thing but sing their hearts out for us." Writer Edwin Bruell summarized the symbolism when he wrote in 1964, "'To kill a mockingbird' is to kill that which is innocent and harmless—like Tom Robinson." Scholars have noted that Lee often returns to the mockingbird theme when trying to make a moral point.
Despite her editors' warnings that the book might not sell well, it quickly became a sensation, bringing acclaim to Lee in literary circles, in her hometown of Monroeville, and throughout Alabama. The book went through numerous subsequent printings and became widely available through its inclusion in the Book of the Month Club and editions released by Reader's Digest Condensed Books.
One year after its publication To Kill a Mockingbird had been translated into ten languages. In the years since, it has sold more than 30 million copies and been translated into more than 40 languages. The novel has never been out of print in hardcover or paperback, and has become part of the standard literature curriculum. A 2008 survey of secondary books read by students between grades 9–12 in the U.S. indicates the novel is the most widely read book in these grades. A 1991 survey by the Book of the Month Club and the Library of Congress Center for the Book found that To Kill a Mockingbird was rated behind only the Bible in books that are "most often cited as making a difference".[note 1] It is considered by some to be the Great American Novel.
Many writers compare their perceptions of To Kill a Mockingbird as adults with when they first read it as children. Mary McDonagh Murphy interviewed celebrities including Oprah Winfrey, Rosanne Cash, Tom Brokaw, and Harper's sister Alice Lee, who read the novel and compiled their impressions of it as children and adults into a book titled Scout, Atticus, and Boo.
One of the most significant impacts To Kill a Mockingbird has had is Atticus Finch's model of integrity for the legal profession. As scholar Alice Petry explains, "Atticus has become something of a folk hero in legal circles and is treated almost as if he were an actual person." Morris Dees of the Southern Poverty Law Center cites Atticus Finch as the reason he became a lawyer, and Richard Matsch, the federal judge who presided over the Timothy McVeigh trial, counts Atticus as a major judicial influence. One law professor at the University of Notre Dame stated that the most influential textbook he taught from was To Kill a Mockingbird, and an article in the Michigan Law Review claims, "No real-life lawyer has done more for the self-image or public perception of the legal profession," before questioning whether, "Atticus Finch is a paragon of honor or an especially slick hired gun".
In 1992, an Alabama editorial called for the death of Atticus, saying that as liberal as Atticus was, he still worked within a system of institutionalized racism and sexism and should not be revered. The editorial sparked a flurry of responses from attorneys who entered the profession because of him and esteemed him as a hero. Critics of Atticus maintain he is morally ambiguous and does not use his legal skills to challenge the racist status quo in Maycomb. However, in 1997, the Alabama State Bar erected a monument to Atticus in Monroeville, marking his existence as the "first commemorative milestone in the state's judicial history". In 2008, Lee herself received an honorary special membership to the Alabama State Bar for creating Atticus who "has become the personification of the exemplary lawyer in serving the legal needs of the poor".
To Kill a Mockingbird has been a source of significant controversy since its being the subject of classroom study as early as 1963. The book's racial slurs, profanity, and frank discussion of rape have led people to challenge its appropriateness in libraries and classrooms across the United States. The American Library Association reported that To Kill a Mockingbird was number 21 of the 100 most frequently challenged books of 2000–2009.
One of the first incidents of the book being challenged was in Hanover, Virginia, in 1966: a parent protested that the use of rape as a plot device was immoral. Johnson cites examples of letters to local newspapers, which ranged from amusement to fury; those letters expressing the most outrage, however, complained about Mayella Ewell's attraction to Tom Robinson over the depictions of rape. Upon learning the school administrators were holding hearings to decide the book's appropriateness for the classroom, Harper Lee sent $10 to The Richmond News Leader suggesting it to be used toward the enrollment of "the Hanover County School Board in any first grade of its choice". The National Education Association in 1968 placed the novel second on a list of books receiving the most complaints from private organizations—after Little Black Sambo.
The novel is cited as a factor in the success of the civil rights movement in the 1960s, however, in that it "arrived at the right moment to help the South and the nation grapple with the racial tensions (of) the accelerating civil rights movement". Its publication is so closely associated with the Civil Rights Movement that many studies of the book and biographies of Harper Lee include descriptions of important moments in the movement, despite the fact that she had no direct involvement in any of them. Civil Rights leader Andrew Young comments that part of the book's effectiveness is that it "inspires hope in the midst of chaos and confusion" and by using racial epithets portrays the reality of the times in which it was set. Young views the novel as "an act of humanity" in showing the possibility of people rising above their prejudices. Alabama author Mark Childress compares it to the impact of Uncle Tom's Cabin, a book that is popularly implicated in starting the U.S. Civil War. Childress states the novel "gives white Southerners a way to understand the racism that they've been brought up with and to find another way. And most white people in the South were good people. Most white people in the South were not throwing bombs and causing havoc ... I think the book really helped them come to understand what was wrong with the system in the way that any number of treatises could never do, because it was popular art, because it was told from a child's point of view."
Lee's childhood friend, author Truman Capote, wrote on the dust jacket of the first edition, "Someone rare has written this very fine first novel: a writer with the liveliest sense of life, and the warmest, most authentic sense of humor. A touching book; and so funny, so likeable." This comment has been construed to suggest that Capote wrote the book or edited it heavily. In 2003, a Tuscaloosa newspaper quoted Capote's biological father, Archulus Persons, as claiming that Capote had written "almost all" of the book. In 2006, a Capote letter was donated to Monroeville's literary heritage museum; in a letter to a neighbor in Monroeville in 1959, Capote mentioned that Lee was writing a book that was to be published soon. Extensive notes between Lee and her editor at Lippincott also refute the rumor of Capote's authorship. Lee's older sister, Alice, responded to the rumor, saying: "That's the biggest lie ever told."
During the years immediately following the novel's publication, Harper Lee enjoyed the attention its popularity garnered her, granting interviews, visiting schools, and attending events honoring the book. In 1961, when To Kill a Mockingbird was in its 41st week on the bestseller list, it was awarded the Pulitzer Prize, stunning Lee. It also won the Brotherhood Award of the National Conference of Christians and Jews in the same year, and the Paperback of the Year award from Bestsellers magazine in 1962. Starting in 1964, Lee began to turn down interviews, complaining that the questions were monotonous, and grew concerned that attention she received bordered on the kind of publicity celebrities sought. Since the, she declined talking with reporters about the book. She also steadfastly refused to provide an introduction, writing in 1995: "Introductions inhibit pleasure, they kill the joy of anticipation, they frustrate curiosity. The only good thing about Introductions is that in some cases they delay the dose to come. Mockingbird still says what it has to say; it has managed to survive the years without preamble."
In 2001, Lee was inducted into the Alabama Academy of Honor. In the same year, Chicago mayor Richard M. Daley initiated a reading program throughout the city's libraries, and chose his favorite book, To Kill a Mockingbird, as the first title of the One City, One Book program. Lee declared that "there is no greater honor the novel could receive". By 2004, the novel had been chosen by 25 communities for variations of the citywide reading program, more than any other novel. David Kipen of the National Endowment of the Arts, who supervised The Big Read, states "people just seem to connect with it. It dredges up things in their own lives, their interactions across racial lines, legal encounters, and childhood. It's just this skeleton key to so many different parts of people's lives, and they cherish it."
In 2006, Lee was awarded an honorary doctorate from the University of Notre Dame. During the ceremony, the students and audience gave Lee a standing ovation, and the entire graduating class held up copies of To Kill a Mockingbird to honor her.[note 5] Lee was awarded the Presidential Medal of Freedom on November 5, 2007 by President George W. Bush. In his remarks, Bush stated, "One reason To Kill a Mockingbird succeeded is the wise and kind heart of the author, which comes through on every page ... To Kill a Mockingbird has influenced the character of our country for the better. It's been a gift to the entire world. As a model of good writing and humane sensibility, this book will be read and studied forever."
The book was made into the well-received 1962 film with the same title, starring Gregory Peck as Atticus Finch. The film's producer, Alan J. Pakula, remembered Universal Pictures executives questioning him about a potential script: "They said, 'What story do you plan to tell for the film?' I said, 'Have you read the book?' They said, 'Yes.' I said, 'That's the story.'" The movie was a hit at the box office, quickly grossing more than $20 million from a $2-million budget. It won three Oscars: Best Actor for Gregory Peck, Best Art Direction-Set Decoration, Black-and-White, and Best Writing, Screenplay Based on Material from Another Medium for Horton Foote. It was nominated for five more Oscars including Best Actress in a Supporting Role for Mary Badham, the actress who played Scout.
Harper Lee was pleased with the movie, saying: "In that film the man and the part met... I've had many, many offers to turn it into musicals, into TV or stage plays, but I've always refused. That film was a work of art." Peck met Lee's father, the model for Atticus, before the filming. Lee's father died before the film's release, and Lee was so impressed with Peck's performance that she gave him her father's pocketwatch, which he had with him the evening he was awarded the Oscar for best actor. Years later, he was reluctant to tell Lee that the watch was stolen out of his luggage in London Heathrow Airport. When Peck eventually did tell Lee, he said she responded, "'Well, it's only a watch.' Harper—she feels deeply, but she's not a sentimental person about things." Lee and Peck shared a friendship long after the movie was made. Peck's grandson was named "Harper" in her honor.
In May 2005, Lee made an uncharacteristic appearance at the Los Angeles Public Library at the request of Peck's widow Veronique, who said of Lee: "She's like a national treasure. She's someone who has made a difference...with this book. The book is still as strong as it ever was, and so is the film. All the kids in the United States read this book and see the film in the seventh and eighth grades and write papers and essays. My husband used to get thousands and thousands of letters from teachers who would send them to him."
The book has also been adapted as a play by Christopher Sergel. It debuted in 1990 in Monroeville, a town that labels itself "The Literary Capital of Alabama". The play runs every May on the county courthouse grounds and townspeople make up the cast. White male audience members are chosen at the intermission to make up the jury. During the courtroom scene the production moves into the Monroe County Courthouse and the audience is racially segregated. Author Albert Murray said of the relationship of the town to the novel (and the annual performance): "It becomes part of the town ritual, like the religious underpinning of Mardi Gras. With the whole town crowded around the actual courthouse, it's part of a central, civic education—what Monroeville aspires to be."
Sergel's play toured in the UK starting at West Yorkshire Playhouse in Leeds in 2006, and again in 2011 starting at the York Theatre Royal, both productions featuring Duncan Preston as Atticus Finch. The play also opened the 2013 season at Regent's Park Open Air Theatre in London where it played to full houses and starred Robert Sean Leonard as Atticus Finch, his first London appearance in 22 years. The production is returning to the venue to close the 2014 season, prior to a UK Tour.
An earlier draft of To Kill a Mockingbird, titled Go Set a Watchman, was controversially released on July 14, 2015. This draft, which was completed in 1957, is set 20 years after the time period depicted in To Kill a Mockingbird but is not a continuation of the narrative. This earlier version of the story follows an adult Scout Finch who travels from New York to visit her father, Atticus Finch, in Maycomb, Alabama, where she is confronted by the intolerance in her community. The Watchman manuscript was believed to have been lost until Lee's lawyer Tonja Carter discovered it; although this claim has been widely disputed. Watchman contains early versions of many of the characters from To Kill a Mockingbird. According to Lee's agent Andrew Nurnberg, Mockingbird was originally intended to be the first book of a trilogy: "They discussed publishing Mockingbird first, Watchman last, and a shorter connecting novel between the two." This assertion has been discredited however by the rare books expert James S. Jaffe, who reviewed the pages at the request of Lee's attorney and found them to be only another draft of "To Kill a Mockingbird". The statement was also contrary to Jonathan Mahler's description of how "Watchman" was seen as just the first draft of "Mockingbird". Instances where many passages overlap between the two books, in some case word for word, also refutes this assertion.
The novel is renowned for its warmth and humor, despite dealing with the serious issues of rape and racial inequality. The narrator's father, Atticus Finch, has served as a moral hero for many readers and as a model of integrity for lawyers. One critic explains the novel's impact by writing, "In the twentieth century, To Kill a Mockingbird is probably the most widely read book dealing with race in America, and its protagonist, Atticus Finch, the most enduring fictional image of racial heroism."
The strongest element of style noted by critics and reviewers is Lee's talent for narration, which in an early review in Time was called "tactile brilliance". Writing a decade later, another scholar noted, "Harper Lee has a remarkable gift of story-telling. Her art is visual, and with cinematographic fluidity and subtlety we see a scene melting into another scene without jolts of transition." Lee combines the narrator's voice of a child observing her surroundings with a grown woman's reflecting on her childhood, using the ambiguity of this voice combined with the narrative technique of flashback to play intricately with perspectives. This narrative method allows Lee to tell a "delightfully deceptive" story that mixes the simplicity of childhood observation with adult situations complicated by hidden motivations and unquestioned tradition. However, at times the blending causes reviewers to question Scout's preternatural vocabulary and depth of understanding. Both Harding LeMay and the novelist and literary critic Granville Hicks expressed doubt that children as sheltered as Scout and Jem could understand the complexities and horrors involved in the trial for Tom Robinson's life.
Harper Lee has remained famously detached from interpreting the novel since the mid-1960s. However, she gave some insight into her themes when, in a rare letter to the editor, she wrote in response to the passionate reaction her book caused: "Surely it is plain to the simplest intelligence that To Kill a Mockingbird spells out in words of seldom more than two syllables a code of honor and conduct, Christian in its ethic, that is the heritage of all Southerners."
When the book was released, reviewers noted that it was divided into two parts, and opinion was mixed about Lee's ability to connect them. The first part of the novel concerns the children's fascination with Boo Radley and their feelings of safety and comfort in the neighborhood. Reviewers were generally charmed by Scout and Jem's observations of their quirky neighbors. One writer was so impressed by Lee's detailed explanations of the people of Maycomb that he categorized the book as Southern romantic regionalism. This sentimentalism can be seen in Lee's representation of the Southern caste system to explain almost every character's behavior in the novel. Scout's Aunt Alexandra attributes Maycomb's inhabitants' faults and advantages to genealogy (families that have gambling streaks and drinking streaks), and the narrator sets the action and characters amid a finely detailed background of the Finch family history and the history of Maycomb. This regionalist theme is further reflected in Mayella Ewell's apparent powerlessness to admit her advances toward Tom Robinson, and Scout's definition of "fine folks" being people with good sense who do the best they can with what they have. The South itself, with its traditions and taboos, seems to drive the plot more than the characters.
Tom Robinson is the chief example among several innocents destroyed carelessly or deliberately throughout the novel. However, scholar Christopher Metress connects the mockingbird to Boo Radley: "Instead of wanting to exploit Boo for her own fun (as she does in the beginning of the novel by putting on gothic plays about his history), Scout comes to see him as a 'mockingbird'—that is, as someone with an inner goodness that must be cherished." The last pages of the book illustrate this as Scout relates the moral of a story Atticus has been reading to her, and in allusions to both Boo Radley and Tom Robinson states about a character who was misunderstood, "when they finally saw him, why he hadn't done any of those things ... Atticus, he was real nice," to which he responds, "Most people are, Scout, when you finally see them."
The novel exposes the loss of innocence so frequently that reviewer R. A. Dave claims that because every character has to face, or even suffer defeat, the book takes on elements of a classical tragedy. In exploring how each character deals with his or her own personal defeat, Lee builds a framework to judge whether the characters are heroes or fools. She guides the reader in such judgments, alternating between unabashed adoration and biting irony. Scout's experience with the Missionary Society is an ironic juxtaposition of women who mock her, gossip, and "reflect a smug, colonialist attitude toward other races" while giving the "appearance of gentility, piety, and morality". Conversely, when Atticus loses Tom's case, he is last to leave the courtroom, except for his children and the black spectators in the colored balcony, who rise silently as he walks underneath them, to honor his efforts.
Initial reactions to the novel were varied. The New Yorker declared it "skilled, unpretentious, and totally ingenious", and The Atlantic Monthly's reviewer rated it as "pleasant, undemanding reading", but found the narrative voice—"a six-year-old girl with the prose style of a well-educated adult"—to be implausible. Time magazine's 1960 review of the book states that it "teaches the reader an astonishing number of useful truths about little girls and about Southern life" and calls Scout Finch "the most appealing child since Carson McCullers' Frankie got left behind at the wedding". The Chicago Sunday Tribune noted the even-handed approach to the narration of the novel's events, writing: "This is in no way a sociological novel. It underlines no cause ... To Kill a Mockingbird is a novel of strong contemporary national significance."
Not all reviewers were enthusiastic. Some lamented the use of poor white Southerners, and one-dimensional black victims, and Granville Hicks labeled the book "melodramatic and contrived". When the book was first released, Southern writer Flannery O'Connor commented, "I think for a child's book it does all right. It's interesting that all the folks that are buying it don't know they're reading a child's book. Somebody ought to say what it is." Carson McCullers apparently agreed with the Time magazine review, writing to a cousin: "Well, honey, one thing we know is that she's been poaching on my literary preserves."
The 50th anniversary of the novel's release was met with celebrations and reflections on its impact. Eric Zorn of the Chicago Tribune praises Lee's "rich use of language" but writes that the central lesson is that "courage isn't always flashy, isn't always enough, but is always in style". Jane Sullivan in the Sydney Morning Herald agrees, stating that the book "still rouses fresh and horrified indignation" as it examines morality, a topic that has recently become unfashionable. Chimamanda Ngozi Adichie writing in The Guardian states that Lee, rare among American novelists, writes with "a fiercely progressive ink, in which there is nothing inevitable about racism and its very foundation is open to question", comparing her to William Faulkner, who wrote about racism as an inevitability. Literary critic Rosemary Goring in Scotland's The Herald notes the connections between Lee and Jane Austen, stating the book's central theme, that "one’s moral convictions are worth fighting for, even at the risk of being reviled" is eloquently discussed.
Native Alabamian Allen Barra sharply criticized Lee and the novel in The Wall Street Journal calling Atticus a "repository of cracker-barrel epigrams" and the novel represents a "sugar-coated myth" of Alabama history. Barra writes, "It's time to stop pretending that To Kill a Mockingbird is some kind of timeless classic that ranks with the great works of American literature. Its bloodless liberal humanism is sadly dated". Thomas Mallon in The New Yorker criticizes Atticus' stiff and self-righteous demeanor, and calls Scout "a kind of highly constructed doll" whose speech and actions are improbable. Although acknowledging that the novel works, Mallon blasts Lee's "wildly unstable" narrative voice for developing a story about a content neighborhood until it begins to impart morals in the courtroom drama, following with his observation that "the book has begun to cherish its own goodness" by the time the case is over.[note 2] Defending the book, Akin Ajayi writes that justice "is often complicated, but must always be founded upon the notion of equality and fairness for all." Ajayi states that the book forces readers to question issues about race, class, and society, but that it was not written to resolve them.
Furthermore, despite the novel's thematic focus on racial injustice, its black characters are not fully examined. In its use of racial epithets, stereotyped depictions of superstitious blacks, and Calpurnia, who to some critics is an updated version of the "contented slave" motif and to others simply unexplored, the book is viewed as marginalizing black characters. One writer asserts that the use of Scout's narration serves as a convenient mechanism for readers to be innocent and detached from the racial conflict. Scout's voice "functions as the not-me which allows the rest of us—black and white, male and female—to find our relative position in society". A teaching guide for the novel published by The English Journal cautions, "what seems wonderful or powerful to one group of students may seem degrading to another". A Canadian language arts consultant found that the novel resonated well with white students, but that black students found it "demoralizing". Another criticism, articulated by Michael Lind, is that the novel indulges in classist stereotyping and demonization of poor rural "white trash".
Diane McWhorter, Pulitzer Prize-winning historian of the Birmingham civil rights campaign, asserts that To Kill a Mockingbird condemns racism instead of racists, and states that every child in the South has moments of racial cognitive dissonance when they are faced with the harsh reality of inequality. This feeling causes them to question the beliefs with which they have been raised, which for many children is what the novel does. McWhorter writes of Lee, "for a white person from the South to write a book like this in the late 1950s is really unusual—by its very existence an act of protest."[note 4] Author James McBride calls Lee brilliant but stops short of calling her brave: "I think by calling Harper Lee brave you kind of absolve yourself of your own racism ... She certainly set the standards in terms of how these issues need to be discussed, but in many ways I feel ... the moral bar's been lowered. And that's really distressing. We need a thousand Atticus Finches." McBride, however, defends the book's sentimentality, and the way Lee approaches the story with "honesty and integrity".
According to a National Geographic article, the novel is so revered in Monroeville that people quote lines from it like Scripture; yet Harper Lee herself refused to attend any performances, because "she abhors anything that trades on the book's fame". To underscore this sentiment, Lee demanded that a book of recipes named Calpurnia's Cookbook not be published and sold out of the Monroe County Heritage Museum. David Lister in The Independent states that Lee's refusal to speak to reporters made them desire to interview her all the more, and her silence "makes Bob Dylan look like a media tart". Despite her discouragement, a rising number of tourists made to Monroeville a destination, hoping to see Lee's inspiration for the book, or Lee herself. Local residents call them "Mockingbird groupies", and although Lee was not reclusive, she refused publicity and interviews with an emphatic "Hell, no!"
Solar energy is radiant light and heat from the Sun harnessed using a range of ever-evolving technologies such as solar heating, photovoltaics, solar thermal energy, solar architecture and artificial photosynthesis.
The Earth receives 174,000 terawatts (TW) of incoming solar radiation (insolation) at the upper atmosphere. Approximately 30% is reflected back to space while the rest is absorbed by clouds, oceans and land masses. The spectrum of solar light at the Earth's surface is mostly spread across the visible and near-infrared ranges with a small part in the near-ultraviolet. Most people around the world live in areas with insolation levels of 150 to 300 watts per square meter or 3.5 to 7.0 kWh/m2 per day.
Solar radiation is absorbed by the Earth's land surface, oceans – which cover about 71% of the globe – and atmosphere. Warm air containing evaporated water from the oceans rises, causing atmospheric circulation or convection. When the air reaches a high altitude, where the temperature is low, water vapor condenses into clouds, which rain onto the Earth's surface, completing the water cycle. The latent heat of water condensation amplifies convection, producing atmospheric phenomena such as wind, cyclones and anti-cyclones. Sunlight absorbed by the oceans and land masses keeps the surface at an average temperature of 14 °C. By photosynthesis green plants convert solar energy into chemically stored energy, which produces food, wood and the biomass from which fossil fuels are derived.
The total solar energy absorbed by Earth's atmosphere, oceans and land masses is approximately 3,850,000 exajoules (EJ) per year. In 2002, this was more energy in one hour than the world used in one year. Photosynthesis captures approximately 3,000 EJ per year in biomass. The amount of solar energy reaching the surface of the planet is so vast that in one year it is about twice as much as will ever be obtained from all of the Earth's non-renewable resources of coal, oil, natural gas, and mined uranium combined,
Solar technologies are broadly characterized as either passive or active depending on the way they capture, convert and distribute sunlight and enable solar energy to be harnessed at different levels around the world, mostly depending on distance from the equator. Although solar energy refers primarily to the use of solar radiation for practical ends, all renewable energies, other than geothermal and tidal, derive their energy from the Sun in a direct or indirect way.
Active solar techniques use photovoltaics, concentrated solar power, solar thermal collectors, pumps, and fans to convert sunlight into useful outputs. Passive solar techniques include selecting materials with favorable thermal properties, designing spaces that naturally circulate air, and referencing the position of a building to the Sun. Active solar technologies increase the supply of energy and are considered supply side technologies, while passive solar technologies reduce the need for alternate resources and are generally considered demand side technologies.
In 1897, Frank Shuman, a U.S. inventor, engineer and solar energy pioneer built a small demonstration solar engine that worked by reflecting solar energy onto square boxes filled with ether, which has a lower boiling point than water, and were fitted internally with black pipes which in turn powered a steam engine. In 1908 Shuman formed the Sun Power Company with the intent of building larger solar power plants. He, along with his technical advisor A.S.E. Ackermann and British physicist Sir Charles Vernon Boys, developed an improved system using mirrors to reflect solar energy upon collector boxes, increasing heating capacity to the extent that water could now be used instead of ether. Shuman then constructed a full-scale steam engine powered by low-pressure water, enabling him to patent the entire solar engine system by 1912.

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