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After watching this movie on DVD, I watched the trailer. The voice-over describes the movie as surreal. Well, there's surreal, and there's surreal. <br /><br />There was really only one part of the film that seemed surreal to me, but frankly, it was more confusing than surreal. The other unusual imagery, particularly the lunchroom scene where everybody is on the floor, were so nonsensical they had no meaning. I don't mind imagery that doesn't mean anything, but these scenes just seemed irrelevant.<br /><br />My impression is that the director was trying to convey Logan's inner monologue. I don't know what else would explain what was going on. Unfortunately, nothing I saw gave me any clue what Logan was thinking about, what his perspective was, or even his emotional state. All I could tell was that he wasn't particularly happy with his physical appearance, and that he had a crush on an older boy. <br /><br />I thought the ending signaled what the relationship between the boys had become, but not much else did. Purposely juxtaposing ambiguous scenes with those that were more straightforward seemed more like a cop out than an artistic decision. <br /><br />Still, as tiresome and as content-free the movie was for me, it was a definite change of pace. I very much liked Madagascar Skin, and I had the feeling this movie aspired to that kind of narrative, and perhaps even style. It didn't even come close. For me there's no question about it: this movie deserves an A for effort, but a D for execution.
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Negative
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The story is seen before, but that does'n matter if you can figure out to make a proper storyboard. It is clear that the director haven't spent his work on the storyboard. Alongside this, the cameraman spent far too much time leaning angles that do not match the message of the movie. The funniest is, however, if you take a look at the movie's website, you can read that it was on purpose that the director has chosen to make the film with bad camera angles. Because it remind us about hunting. But I have never heard of hunting with poor camera angles ;-) It will have 1 stars because the story is OK. It is a pity that Ti West, has not spent more time to review his story. It is as if the movie was more important than the planning. Because you have a camera does not mean you should make a movie right away... come. Everyone can make a movie, but not all will be just as good. So a word of advice to Ti West are: stop and labeling what you want. Use your time to start planning and not filming until everything has come down on a storyboard. You certainly have the ability and desire - so don't abuse your talent.
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Negative
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....because if I was, I may have wished it was me being crucified on a wooden cross! I'm still trying to determine the plot of this movie - and I'm being "generous" that there was even a plot to begin with. As previously mentioned, it's a misnomer on the cover of the DVD that Richard Dreyfuss is actually the star. He was barely in the movie. And if he was indeed "frustrated" as the back cover indicated he was, well, that's probably because he said YES to be in this disaster of a movie and couldn't get out of it! The movie really seemed to focus on Jared Martin, and what his role in the movie was supposed to be, other than the extreme close -ups, was not as big of a mystery as to what Gene Barry's role actually was - or wasn't. And speaking of "big"...whomever had the bright idea to fit Gene Barry in the Humpty Dumpty attire, which showcased his trousers literally pulled up to his chin, should be sentenced to hard time by watching this movie stoned sober. I could go on and on about how horrendous this movie was, from the dialogue not matching the "actors'" mouths (think Clutch Cargo), to the erratic jumping from scene to scene (again, being generous even calling the frames of pictures "scenes"), to the lack of a plot.... However, if you're into bad early 70s genre and if you're in a cottage in Michigan with nothing but this movie and a box of kid & cat pictures, I recommend having a good bottle of wine before you embark on this weird ride of a movie because you'll be thankful that you may not remember it the next day!
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Negative
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Even if you could get past the idea that these boring characters personally witnessed every Significant Moment of the 1960s (ok, so Katie didn't join the Manson Family, and nobody died at Altamont), this movie was still unbelievably awful. I got the impression that the "writers" just locked themselves in a room and watched "Forrest Gump," "The Wonder Years," and Oliver Stone's 60s films over and over again and called it research. A Canadian television critic called the conclusion of the first episode "head spinning". He was right.
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Negative
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We have reached the ceiling of implausibility with this movie. Basically, Dinosaurs come aboard this ship piloted by some weird old fart named Neweyes(which I needed after I watched this movie). Apparently, Neweyes hears the wishes of children everywhere and decides that he should grant the wish of children that Dinosaurs be brought into modern times to be seen by everybody for shameless exploitation. The dinosaurs eat this stuff that makes them smarter(Too bad the screenwriters didn't have it). By the way, does it seem weird that out of ALL the wishes of the children in the world, Neweyes grants the wish of bringing Dinosaurs to modern times? Why not grant the wishes of kids to stop famine? Disease? War? I mean come on! Doesn't Neweyes have anything better to do with all this power he has??? Finally, when the Dinosaurs get to modern times they start singing, dancing and wrecking havoc(basically the kind of thing you might see on a bad LSD trip, I mean where else could you see a T-Rex playing golf and jumping on a balloon of Spider-man?). They end up in the circus and Neweyes Brother Screweyes(???) makes the kids that have befriended the dinosaurs sign a blank contract. Why? Why would kids sign a blank contract??? Screweyes says that if the dinosaurs take some..."Brain-Drain" That he will let the children go. The dinosaurs instead of tearing apart the evil Screweyes limb from limb, give in and agree to his terms. What?! This is stupid! They could have just menaced him, made him drop the contract, eaten it then walked off with the kids. I think the filmmakers were trying to show that violence is bad, which is a moot point when finally the dinosaurs escape and a bunch of crows envelop Screweyes and apparently completely eat him. Oh yeah, that's not violent at all! We're back makes no sense, it's not fun, it's goofy, it's stupid, poorly written and contains some of the biggest plot holes ever committed to film. Even for a kid's film... this is BAD.
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Negative
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Camera work - Why is the camera work in this movie so jumpy? This is annoying and distracting. Editing - the Flashes of the still pictures were way too short. Many of the other scenes were too short also. Just flashes. Sound - the background music was way too loud and covered up the voices. One should not have to rewind and replay to catch what was said. Doesn't anybody check these things and make them do it over again. Please reduce the volume of the background music in future. Is adjustment of the relative sound levels the job of the editor, Julia Wong? The plot had way too many loose ends. The basic story line had potential. I think the film needed more work. Was it rushed? Perhaps they ran out of money. Like a lot of movies, it started out great but just petered out toward the end. I really don't understand this, you know you have the story board before it goes into production so why doesn't all the loose ends get taken care of in the storyboard.<br /><br />Sorry to be so critical.
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Negative
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This movie was on t.v the other day, and I didn't enjoy it at all. The first George of the jungle was a good comedy, but the sequel.... completely awful. The new actor and actress to play the lead roles weren't good at all, they should of had the original actor (Brendon Fraiser) and original actress (i forgot her name) so this movie gets the 0 out of ten rating, not a film that you can sit down and watch and enjoy, this is a film that you turn to another channel or take it back to the shop if hired or bought. It was good to see Ape the ape back, but wasn't as fun as the first, they should of had the new George as Georges son grown up, and still had Bredon and (whats her face) in the film, that would've been a bit better then it was.
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Negative
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There have been more interesting polish documentaries on worm farming, in brail_!! The competition (worm farming) had a better plot and more interesting characters. I was physically ill after watching this movie. The cheating husband (i think dougray_scott_) was a joke in every meaning of the word. Poor Jennifer must really need the work, and what was with the accent!!. The locations and random meetings reminded me of a high school prank, and showed the humility of a 10 year old in cooking class. It was that bad that I think I will write the sequel named "this is not a laxitive". Thank you for listening it was a great weight of my conscious.
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Negative
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Guy is a loser. Can't get girls, needs to build up, is picked on by stronger more successful guys, etc. Seen it, saw it, moved on. I'd have to say that Rob needs to move past the Adam Sandler part of his life. And get out of the Adam Sandler plots. There are two funny parts in the whole movie. I couldn't even finish the last 5 minutes. I was getting bored. "The Animal" is an alright film. I do usually enjoy Adam Sandler films that have the same plot. But this was trying too hard to impress. The jokes are very old. So, trust me. This is not a film that most people could really get into. But some did, so I'll be nice.<br /><br />3/10
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Negative
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Like most comments I saw this film under the name of The Witching which is the reissue title. Apparently Necromancy which is the original is better but I doubt it.<br /><br />Most scenes of the witching still include most necromancy scenes and these are still bad. In many ways I think the added nudity of the witching at least added some entertainment value! But don't be fooled -there's only 3 scenes with nudity and it's of the people standing around variety. No diabolique rumpy pumpy involved!<br /><br />This movie is so inherently awful it's difficult to know what to criticise first. The dialogue is awful and straight out of the Troma locker. At least Troma is tongue in cheek though. This is straight-faced boredom personified. The acting is variable with Pamela Franklin (Flora the possessed kid in The Innocents would you believe!) the worst with her high-pitched screechy voice. Welles seems merely waiting for his pay cheque. The other female lead has a creepy face so I don't know why Pamela thought she could trust her in the film! And the doctor is pretty bad too. He also looks worringly like Gene Wilder.<br /><br />It is ineptly filmed with scenes changing for no reason and editing is choppy. This is because the witching is a copy and paste job and not a subtle one at that. Only the lighting is OK. The sound is also dreadful and it's difficult to hear with the appalling new soundtrack which never shuts up. The 'ghost' mother is also equally rubbish but the actress is so hilariously bad at acting that at least it provides some unintentional laughs.<br /><br />Really this film (the witching at least) is only for the unwary. It can't have many sane fans as it's pretty unwatchable and I actually found it mind-numbingly dull! <br /><br />The best bit was when the credits rolled - enough said so simply better to this poor excuse for a movie LIKE THE PLAGUE!
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Negative
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Imagine the scenario - you are at the movie theater only because you are in Washington for the weekend and it's raining and you're finished with the Museums. You think you might go see the Sarah Marshall movie as the trailer look so so and you don't have to engage your brain. It's sold out. Options? - The Bank Job, In Bruges, The Leatherheads or Prom night. You've seen the Bank Job (suprisingly decent heist movie that) and In Bruges (again, pretty good) so you're down to two. You don't fancy watching Clooney or the nice one from the Office run around in 1930 football uniforms, so you go see Prom Night right? Wrong. You take the $8.50, walk up to a stranger in the street and ask him to punch you in the face for $8.50. It would be money better spent.<br /><br />It actually plays like more of a comedy than a horror/thriller or whatever it is supposed to be. If I was financing that movie and they showed me that as a final cut I wouldn't know whether to laugh or cry. Probably both. An insult to anyone's intelligence... my roommate was laughing out loud most of the movie, as for the acting, they might as well have cast robots (or maybe dogs) in the roles, they would have been more realistic. The detective has to be possibly the worst actor I have ever seen (Ben Affleck and Hayden Christansan (I hate his acting so much I don't care how you spell his name) you are relieved on your title(s)) <br /><br />So in summary 'not good'
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Negative
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Basically a typical propaganda film for the last good war. But there were a couple things that struck me. First was the use of mouthed epithets. In two cases the Scott character mouths one, once at the beginning when he drops his bomb off target during the bomb-off ("dammit") and once when he is trying to sway a bombardier into being a pilot ("s*%t"). I could be wrong about the second instance but I replayed it several times and that's what it looks like to me. The third case is when the Anne Shirley character wishes the O'Brien character goodbye and good luck ("Give 'em hell") over the roar of the engines. She must have thought that was too unladylike because she clearly says "heck". I also found interesting the character that has moral problems with bombing, specifically bombing civilians. The avuncular superior officer assures him that only military targets will be hit due to the precision of the bombsight used. Given what we know about the LeMay's later strategy of firebombing Japanese cities into oblivion this scene plays with not a little irony. I remember McNamara's quoting of LeMay in "The Fog of War", something to the effect that if the US did not win the conflict he would be tried as a war criminal. The ending is way overwrought, in keeping with the movie. It reminded me a bit of the end of White Heat (I'm not comparing the films, just the ending!). Maybe it's just 'cause he gets blowed up. Blowed up real good!!!
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Negative
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Peter Sellers plays Dick Scratcher (ha,ha), a cook for a pirate ship who takes over as captain after he murders the previous one. Although he's witnessed a treasure being buried, he begins losing his memory and the treasure map he obtains becomes blank. Thus, Dick is forced to find someone who can see and communicate with ghosts (do you place an ad for that?) and help lead a path to the treasure. It's mind boggling how anyone could have bankrolled this pointless film. Former Goon Spike Milligan replaced Medak as director, and given Medak's talents in the film The Ruling Class, you can probably guess which of the grainy, poorly lit scenes had Milligan in the director's chair. Peter Boyle makes a brief appearance in the film's first 10 minutes as the doomed pirate captain. He's probably quite thankful that Young Frankenstein was released the same year this was filmed and canned, so that he can keep this off his resume. Franciosa looks dashing as the handsome power-behind-Scratcher but he and Seller both look pretty desperate, with even Sellers' makeup and hair looking quite terrible. They had to know this movie was bombing even as they were filming it. With lines like these, I can understand any possible unease:<br /><br />PIERRE: (about to be hanged) You'll pay for this.<br /><br />SCRATCHER: No, I won't. I'll do it for free.<br /><br />And that's one of the GOOD jokes. It's amazing to me that much of Sellers prolific material is still in the vaults, but this was made available on VHS more than 15 years ago! How about someone stepping up to the plate and releasing in the US the well-received British TV program "A Show Called Fred" starring Sellers, Milligan, and directed by the great Richard Lester?
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Negative
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Director Kevin Connor and wannabe action-hero / romantic lead Doug McClure, re-team in this ghost story set in Japan. They had been moderately successful together in the 1970's, with the likes of 'The Land that Time Forgot' (1975), 'At the Earth's Core' (1976) etc. Without plastic monsters to carry the narrative along though, the results are shabby and derivative in the most corny way.<br /><br />The film begins with a prologue set in the 19th Century, with a samurai husband killing his wife and her lover before committing suicide. A move forward to the present introduces married couple Ted & Laura, visiting Japan and moving in to the house where the tragedy took place.<br /><br />No surprises as to what happens next, with the spirits of the dead starting to take over the new inhabitants with family friend Alex (McClure) assuming the role of the wife's lover.<br /><br />Everything rumbles clumsily along with the elegance and grace of a charging elephant, to an inevitable ( but surprisingly downbeat ) conclusion. Main points of interest are two feeble decapitations ( 'The Omen' has a lot to answer for in promoting this as a standard horror set-piece ), and the love-making scenes featuring the doe-eyed but extremely kinky Susan George. The first is a long 'Don't Look Now' inspired piece with her hubby, complete with piano music; the second a much shorter (probably at her insistence) entanglement with McClure, both looking pretty uncomfortable. Anyway, every cloud has a silver lining and both scenes show of her fantastic knockers so all is not lost.<br /><br />Overall I can't decide whether 'The House where Evil Dwells' is rubbish, watchable rubbish, or entertaining in a masochistic kind of way. If you're not into the genre there is nothing here at all, but for horror fans there is probably enough to provoke the odd rye smile and appreciative nod of respect for effort.<br /><br />BEST SCENE - in any other film the big, black, tree-climbing, Japanese-muttering mechanical crabs would have stolen the show. They are eclipsed though by the legendary family meal scene, where a ghostly head appears in the daughters soup. On seeing this apparition she asks what kind of soup it is (!!!!), to be told beef and vegetable, before uttering the immortal line "Ugh - there's an awful face in my soup". If this wasn't enough the reply is "C'mon, eat your soup for Daddy." Laurel & Hardy rest in piece.
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Negative
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I am a huge fan of Ted V Mikels and the original "Corpse Grinders" is the main reason why but this is quite possibly the worst film I have ever seen. Even the brilliant casting of the legendary Liz Renay ("Desperate Living") could not save this worthless piece of garbage. This film should serve as a lesson to all past, present and future film makers...when you have a film as successful as the original "Corpse Grinders" was you should probably leave sleeping dogs lie and you should definitely not try to revitalize it over twenty years later (unless you have the financial backing to pull of a superior sequel such as Herschel Gordon Lewis did with "Blood Feast 2: All U can Eat") Even if you do decide to do this you should probably spend a little bit more money than you did on the original and for god's sake...NEVER film a movie onto video...why do film makers even attempt to do this when everyone knows the quality is going to turn out hideous...I personally have yet to see one film made in this fashion that's even worth the powder to blow it to hell...if you can't afford to make a sequel that is better than your original film then sell the rights of the film to someone who can...and what was Ted V Mikels thinking about (or smoking) when he wrote this god-awful script? I mean come on, dog and cat "aliens" from another planet? A cardboard box painted to look like a devastating machine capable of grinding up human bodies...bones and clothes and all? If any of these actors, aside from Liz Renay, were paid more than five dollars for their hideous performances than they are grossly overpaid! Avoid this film at all costs and watch the original instead.
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Negative
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'Major Payne' is a film about a major who makes life a living Hell for his small group of boys in the marines. This film does not really have a lot to offer, but it provides several hilarious moments that are well-worth a watch. Don't expect it to be a memorable film, however. Just expect to laugh your way through the film and at the expense of other people. The confrontation between Major Payne and the chubby boy were hilarious, and that's really all I remember about the film except for the boys wanting revenge on Major Payne. Again, it is not a great film, and it is probably best watched on a rainy day when you need some laughter.
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Negative
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What a shame that Alan Clarke has to be associated with this tripe. That doesn't rule it out however; get a group of lads and some Stellas together and have a whale of a time running this one again and again and rolling around on the floor in tears of laughter. Great wasted night stuff. Al Hunter homes in on a well publicised theme of the late 80s- that hooligans were well organised and not really interested in the football itself- often with respectable jobs (estate agent???). But how Clarke can convince us that any of the two-bit actors straying from other TV productions of low quality (Grange Hill) or soon to go on to poor quality drama (Eastenders) can for a nanosecond make us believe that they are tough football thugs is laughable. Are we really to believe that the ICF (on whom of course the drama is based) would EVER go to another town to fight with just SIX blokes?<br /><br />The ICF would crowd out tube stations and the like with HUNDREDS. Andy Nicholls' Scally needs to be read before even contemplating a story of this nature. The acting is appalling and provides most of the laughs- Oldman is so camp it is unbelievable. Most of them look as though they should be in a bubble of bath of Mr Matey. A true inspiration to anyone with a digital video camera who thinks they can make a flick- go for it.
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Negative
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Bad acting. Bad writing. This was a poorly written film. It's too bad because it had some potential. It's not even close to American Pie or Something about Mary as previous comments might have you believe. Rent it at dollar night from you local video store if you're kind of bored.
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Negative
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I gave this 3 stars out of a possible 10 - because the stories are open-ended and left unexplained, and because of the nauseating scenes of someone eating in an extremely disgusting way, plus scenes of a decaying corpse. <br /><br />Neither of the above needed to be shown in such a graphic manner.<br /><br />The film's plot, such as it is, concerns three loosely interconnecting stories, none of which conclude satisfactorily.<br /><br />The bounty hunter, played by Bruce Dern, is the character that connects all three vignettes.<br /><br />First we have Dylan McDermott, looking darn fine, as a wanted criminal who is fleeing to Mexico to escape both the law and the bounty hunter, when he rides through a border town and spots a sad-faced saloon girl played by Helen Hunt.<br /><br />Then we have one of the Hemingway girls, not sure which one, playing a western wife out on the lonely frontier who goes over to see about a neighbor woman, an attractive redhead, whom we soon realize has been out in the badlands a little too long.<br /><br />The conclusion of the film returns to the bounty hunter and what happens to him, with the final scene in the film being completely beyond rational comprehension.
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Negative
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Look, I loved the PROPER Anchorman film, but this was reaaaaallly bad. The kind of bad that makes you wish you could get that time back in your life, the kind of bad that makes you think "what on Earth were they thinking to film this in the first place", the kind of bad that makes you wish you'd taken 50 more minutes when stepping into the kitchen to grab a snack during the film, the kind of bad that makes leprosy look fun, the kind of bad that makes you think you wish you rented a Pauly Shore film instead....seriously, I cannot explain how very bad this was.<br /><br />Having said that....there were some semi-amusing laughs, but they are all so much LESS funny than Anchorman. Sure, they tried to make it entertaining and fun, but the entire subplot that was left out of Anchorman that made it here was genuinely left out for a good reason...it wasn't even a little bit good.<br /><br />Do yourself a favour (or in the USA, a favor), and don't watch this DVD...it will tarnish the good movie that Anchorman is and you don't want to do that.<br /><br />Okay...I'm alright now.
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Negative
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Frank Capra's creativity must have been just about spent by the time he made this film. While it has a few charming moments, and many wonderful performers, Capra's outright recycling of not just the script but considerable footage from his first version of this story, Broadway Bill (1934), is downright shoddy. It is understandable that he would re-use footage from the climactic horse race, which is thrilling. But he uses entire dialogue scenes with minor actors, then brings back those actors and apparently expects us not to notice, for example, that Ward Bond is 14 years older! Unless you want to see one of the last appearances of Oliver Hardy, skip this one and watch Broadway Bill instead.
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Negative
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I'm surprised about the many female voters who even give this film better marks. My thought about this film was that the target audience is adult and male. Whipped and tortured women, merciless revenge and a high body count are typical ingredients, introduced into film history by the spaghetti subgenre. The opening and the hand-smashing are DJANGO rip-offs. THE SHOOTER however lacks the style of e.g. DJANGO. Score, acting and cinematography are mediocre at best but if you look for the above mentioned ingredients you are in the right place here. And the actors don't have an Italian accent.<br /><br />4 / 10.
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Negative
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Cage (1989) was another one of those low budget "buddy" action flicks that were produced during the 80's thanks in large part due to the films such as 48hrs. and Lethal Weapon. This one stars Reb Brown and Lou Ferrigno as to former Vietnam Vets who happen to run a local dive bar. Reb takes care of Lou because he saved his life in 'Nam. But Lou was shot in the head and is now pretty soft. Although he's huge, Lou has the brain of a child. One day some ruffians throw their wait around in the bar and Lou and Rebb beat the tar out of them. But payback's a mother. They crash the bar leaving Lou and Reb with nothing. That is until these two thugs come into the picture (one of them's a real nice guy) who have a plan in mind.<br /><br />The film's a waste of time. Maybe if they went all they way and made a hard core action flick instead of trying to tone down the gruesomeness of the situation perhaps it could have worked. Alas, it doesn't and the audience is left holding the bag. Oh well. It's too bad because you have all the elements for a great B-movie. Better luck next time, I guess.<br /><br />Not recommended.<br /><br />xxx
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Negative
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I thought the film was good in parts.the start was exciting .the first 30 minutes of the film were good.the camera angles in the first 30 minutes were strange and i did not like it coz the were they not covering the actors entirely.<br /><br />i think the last 25 minutes of the film were really not that great from which we expect a lot in case of such films.<br /><br />the dialoques did not make sense and i don't think they were very witty.<br /><br />i felt as if they were trying to copy films like phonebooth in terms of dialogues,but failed miserably.it seemed as if they many of the scenes between the actors were put for sake of it and did not make any sense to the story.<br /><br />the entire film features only law and caine.<br /><br />i don't think it was a waste of time,its an OK film,but not gr8
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Negative
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This has got to be one of the worst movies I've ever seen! There were people leaving the theatre, others were falling asleep (ok, it was a late night show)... This is a no-sense movie, one of those who can make you never want to see an out of mainstream picture again. I would love to watch the making-off of this movie as I am deeply interested on what goes on the minds of the authors of such garbage. Do they laugh when they create all this ridiculous stuff or do they actually think they're doing something interesting? I wonder... The soundtrack is awful apart from some instrumental stuff that reminds you of a previous Bjork album. Even if you're a fan of Bjork's music, stay home. It's the best thing to do. The little, tiny, pieces of nice music are no reason for you to go out and submit yourself to this torture. God!...
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Negative
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My 10-year-old daughter, Alexandra, writes:<br /><br />I thought it was very boring, and I thought it was just a repeat of stuff from "101 Dalmatians." I couldn't wait for the movie to end. The best part was the credits at the beginning - they were cute and well done. The rest of the film is not worth watching. Thank you.
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Negative
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Interesting? Hardly. The 'scientific evidence' the movie provides for its point (which is basicly that Jews are a cancer) is so stupid and lame, it's almost laughable (if we didn't know what happened in that era).<br /><br />Important? Nah. I can't imagine Germans (even at that horrid time) would like or believe this movie. Compare it to Riefenstahl's Triumf des Willens. Now that was I movie I was impressed with. This is just silly garbage.<br /><br />'Best' part is a scene from M (one of my all-time favorites) where (the jew, as the announcer so eloquently keeps reminding us) Lorre plays a child-molester and murderer. In the eyes of these film-makers, only a depraved mind can do so. Uh-huh. Didn't know M was Hitler's favorite movie, right?<br /><br />No, it's just plain STUPID. Even for it's nazi-propaganda genre. 2/10.
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Negative
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Interesting? Yes. The 'scientific evidence' the movie provides for its point (Jews are a cancer) is so novel and well-planned, it's almost perfect (we do know what happened in that era).<br /><br />Important? Yes. I can imagine Germans (especially during the horrid time) would believe and love this movie. Compare it to Riefenstahl's Triumf des Willens. That was a movie I was also impressed with. This one is just better.<br /><br />'Worst' part is a scene from M (one of my all-time favorites) where (the jew, as the announcer so eloquently keeps reminding us) Lorre plays a child-molester and murderer. In the eyes of these film-makers, only a depraved mind can do so. Didn't know M was Hitler's favorite movie, right?<br /><br />Overall, it's just plain BEAUTIFUL. 8/10.
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Positive
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I joined this site to see what comments people would make about this absolute disaster of a film. I wasn't drawn in for even a second. The characters were all one-dimensional. They threw every topic they could think of hoping something would stick. I would bet (and hope) that everyone involved in Teachers looks back with embarrassment. There are some great actors here but you would never know it. Thank God it didn't destroy Morgan Freeman's or Judd Hirsh's or Nick Nolte's or Laura Dern's careers. There was no vision, no labor of love here, only a horrible effort gone wrong. BTW I don't think the writer ever set foot in a real school.
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Negative
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It is pretty surreal what these flies can do... eh well... this is a cartoon, so anything can happen in it.<br /><br />At first I must tell you that I love animated movies. Unfortunately this year's repertoire is very weak. This cartoon is nothing but a list of flaws:<br /><br />1) I quoted the tag line. It suggests that this movie has great 3D effects. Well, I did not see any, at least not something special I never saw before.<br /><br />2) The "flies" in this movie look nothing like real flies. At least they could've make them black. But cyan flies, seriously? With giant heads and slim torsos?<br /><br />3) The story. I guess it was written for 6 year old kids. I could tell it in two sentences it is so over simplified.<br /><br />4) Excessive patriotism. For example: "They are American files after all!" Oh, give me a break.
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Negative
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I still find it difficult to comprehend that a movie as bad as this could be made in Hollywood. The acting and story is simply pathetic & the direction is awful. I don't see any logic behind this trash except may be that the director had nothing good to do. I took me ten minutes to realize that i had wasted my precious thirty rupees. It filled me with dismay that i was going to waste some more time of my life on this crap. I bet the movie was made in less than a day. I don't know what category it falls into. Please, avoid this movie at all costs, just do anything, even bang your head against walls but don't go for this movie.
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Negative
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I think my summary sums it up. I found it inane and stupid. I also saw the ending a mile a way. Everyone is copying that ending anymore when doing a TV/Theater crossover anymore. Sometimes, it's better to let the movie stand alone.<br /><br />Others, its better to forget the movie altogether. This is one of the others....
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Negative
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Will they ever make movies without nudity and sex? This came on at 3:00 on Sunday afternoon and I couldn't believe what they showed. Thank God my son was outside or I would have been freaked out if he had seen the soft/medium porn! Do people who make movies not care who they offend or corrupt? Kids could have been watching after church and that is what they show???!!! The acting was good and I enjoyed the suspense but GEE! There was violence and bad guys but that is to be expected in a western movie. Randy Travis was really good in his role. If the writers, directors and producers would just quit putting on so much uncalled for sex scenes. What has to happen to get them to quit going in that direction? Where can I complain?
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Negative
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"They Are Among Us" is poor science fiction at best. Mediocre acting bogs down this film. The plot holes are numerous. Aliens that somehow came to earth on a meteor and have been hiding among us for over 100 years, but need a plastic surgeon to make them appear human. In their alien form they supposedly have exo-skeletons (which is why they need the plastic surgery) but when you see them they have teeth and fingernails. The heroine's father "disappeared" after Project Blue Book closed, but was supposedly an F-16 pilot. And on and on. If you want to see an alien invasion movie, pick "Invasion of the Body Snatchers", and see how it is done right.
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Negative
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Corridors of time. The movie you can watch if you're looking for a sophisticated way of suicide. Some use guns, ropes, or gas, but you want to ruin your brains ? Do not wait any longer ! Corridors of time is probably one of the biggest possible mistakes : thinking Christian Clavier is able to act and to bring you fun. I do not miss the 45 francs this poor thing cost me : sometimes, one has to reset its evaluation system looking at the absolute zero. This film deserves a 2/10, but that's only because I like Jean Reno. Too bad for him, he also stars in Ronin. I think I'm gonna dislike him...
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Negative
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I'm a nice guy, and I like to think of myself as genre-tolerant. And, I guess by that, I mean I try to consider a movie in the context of the genre that it resides in. If nothing else, that saves me from feeling like I should be saying really nasty things about people or films, which I don't like doing.<br /><br />The plot in this one was patently obvious, the production values very low and sets, uhm, simplistic. The acting rose into "good for a high school play" territory from time to time. My feeling was this was filmed in a day -- please tell me it was.<br /><br />Worst of all, the sex , while reasonably plentiful, was fairly mundane, hampered by, at least in my copy, a "sound-over" that was inconsistent with the action (climatic moans and shrieks while lying on a bed undoing a bra???). There was definitely no "edge" to it at all--nothing distinguishing or interesting, and with surprisingly quick cuts.<br /><br />My vote is a "1" then, with the following summary statement: would have been better if the filler stripper material at the club was expanded, and the rest of the movie condensed.
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Negative
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ET's obsession with Dannielynn Smith is despicable. Leave the child alone. With all the constant attention she'll most likely grow up psychotic, depressed or worse. Think of Princess Diana and how she longed for privacy. Now poor little rich girl Ashley Olson just wants to be left alone. No wonder Greta Garbo became a recluse and said "I want to be alone". How much does ET make off this little girl? Does ET not have anything better to report on? I bet there's lots of people who really don't care what color her birthday cake and balloons were. By the way, I never heard that Anna Nichole ever won any of those court cases over the will and her inheritance. Who is paying for the lifestyle of Larry, Howard and little Dannielynn? Could it be ET?
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Negative
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I've been watching this movie by hoping to find a pretty and interesting story yet the story line wasn't good at all. The play of the actors weren't any better.<br /><br />Of course Shahrukh Khan was there yet he wasn't enough to make this movie "credible" and interesting.<br /><br />I've read that this movie was based on the novel of Flaubert "Madame Bovary" yet for me I didn't see it matching with the Indian mentality.<br /><br />In general we buy movie to dream and have a good time, not to waste our time and change our mood into worse. I just can't understand how it could get such a "high" vote with an average of 6.8/10.<br /><br />So it's the kind of movie you should run away & ignore because there is nothing to appreciate in it! You will just waste your time unless if you like "dark movie" with "strange and non sense story".
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Negative
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This is the worst movie I've ever seen in my life. This is saying quite a bit, considering some of the choices I've made in film rentals.<br /><br />I got this on netflix based entirely on the fact that someone I went to high school with is topless in it. The topless scene lasted all of about 5 seconds and the rest of the movie was about as much fun as having pungee sticks driven underneath my toenails whilst being forced to listen to Roseanne sing Big Spender.<br /><br />The "skits" are stupid and consist of the worst kind of juvenile bathroom humor and locker-room gags, and it's such a blatant (and poor) rip-off of The Kentucky Fried Movie that you'll be begging for Big Jim Slade to crash through the wall and save us from the stupidity of "Vince Offer" (whoever that is).<br /><br />Unless you are a masochist, avoid this pile of rubbish.
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Negative
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Before I give Spike Lee's mess of a film SUMMER OF SAM a well-deserved thrashing, I would like to make one thing clear. I do not revile this film simply for its abundance of sleazy and unpleasant images. What makes this film so unwatchable is the fact that Lee seems to believe that SUMMER OF SAM should be taken seriously as a socially enlightening drama. The crime caper films of Quentin Tarantino, for example, are filled with violence, profanity, and other sleaze, but are nonetheless highly watchable because Tarantino does not attempt to pass these films off as socially redeeming works of art. He knows that such films are for entertainment value only. On the other hand, serious dramas such as SAVING PRIVATE RYAN and SCHINDLER'S LIST are often unpleasant to watch, but the unpleasantness serves to develop the film's plot and characters, with the end goal of getting the audience emotionally involved with the story and characters onscreen. SUMMER OF SAM, unfortunately, merely wallows in its own sensationalism and sleaze, while believing that it is serving as social commentary, much like other trash epics .<br /><br />SUMMER OF SAM does not serve as a serious drama because its characters are merely cardboard-cutout stereotypes. Its plot purports to show the emotional impact of the hysteria over the Son of Sam murders on the residents of the predominately Italian-American north Bronx neighborhood where the murders ocurred. However, instead of of presenting the locals as a diverse mix of personalities, Lee simply wheels out every negative Italian stereotype imaginable. The men are ignorant, lazy, oversexed goombahs. The women are split between weak, complacent "good girls" (Mira Sorvino's Dionna) and promiscuous "bad girls" (Jennifer Esposito's Ruby). Lee seems to vindictively wants to "payback" Hollywood for their years of negative African-American stereotyping by wheeling out stereotypes of his own, and few critics seem to care. If Martin Scorsese, for example, presented residents of an African-American neighborhood as a bunch of Amos 'n Andy and Aunt Jemima stereotypes, critics would rightfully condemn such blatant stereotyping. More importantly, one-dimensional, stereotypical characters undermine any film that attempts to be a serious social commentary.<br /><br />Without exception, the cast of SUMMER OF SAM is excellent. However, the acting, for the most part, is uninspired. The cast is either just going through the motions, or they have little to work with scriptwise. Additionally, there is notable miscasting. Comedian John Leguizamo is very talented, but his Vinny character seems to be a stale, comedic impersonation of John Travolta's Tony Manero from SATURDAY NIGHT FEVER. And Michael Badalucco, a perennial "nice guy" actor, is badly miscast as serial killer David Berkowitz, coming across as funny rather than frightening. The only performance worth paying attention to is Adrien Brody as the troubled, but sincere, neighborhood misfit Ritchie. The Brody performance and the typically stylish Lee cinematography are this film's only virtues.<br /><br />*1/2 out of ****
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Negative
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An absolutely wretched waste of film!! Nothing ever happens. No ghosts, hardly any train, no mystery, no interest. The constant and BRUTAL attempts at comedy are painful. Everything else is pathetic. The premise is idiotic: a bunch of people stranded in the middle of no-place, because their train was held up for less than 3 minutes. What? And the railroad leaves them no place to stay, in a heavy storm? I think not. Oh, they can walk 4 miles across the dead-black fields. umm, yeah. Sure. Or, they can force themselves on the railroad's hospitality, and stay at the 'haunted' train station. A station which proved to be nothing but DEADLY BORING, utterly without ghosts, interest, or plot.<br /><br />So very terribly dull that this seems impossible.<br /><br />This ought to be added to the LOST FILMS list !! aargh !!
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Negative
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Horrible. I see many user comments on how great this show is. It truly is a Wanna-Be-Friends - Made in Taiwan knockoff. The jokes are lame as...and the plot is ridiculous. The actors are obviously struggling to be funny and are probably cringing when they hit those awful punchlines (if you can call them that). The bulk of the other users who have commented are obviously from another planet (or at least another continent). There are obviously reasons that TV companies cancel shows...and none of then are when shows are doing well. Make sense? Anyway, steer clear - even if it is raining and there is absolutely nothing else on this planet to do...go stand in the rain instead - more fun.
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Negative
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Budget, decent actors ...who knew these things were important. Don't waste your time on this piece of junk. The effects are crap. The acting is crap. The only thing that could have made this even tolerable was a little cheap T&A and that gets squandered in the first 20 minutes.<br /><br />The only even remotely redeeming quality about this movie is the very awkward profanity. It was like they found the only 7 people on the planet who have never cursed before. Hats off!<br /><br />If you want to see some dude in a bad suit just go back and look at old prom photos. The only way for a Bigfoot flick to be any good is for it to have a big budget and some actors who didn't come from Frogballs Community Theater.
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Negative
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wow...this has got to be the DUMBEST movie I've ever seen. We watched it in english class...and this movie made ABSOLUTELY no sense. I would never, EVER watch this movie again...and my sympathy to those who have ever PAID to see it.
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Negative
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Feeding The Masses was just another movie trying to make a little money off of the zombie craze that is going around, mostly due to the popularity of movies such as Land Of The Dead and the Resident Evil series.<br /><br />It starts at a television station, which is guarded by the military, and are reporting that The Lazarus Virus (zombies) are close to containment and the city will soon be free to do their business again. The problem is, this is totally false. Zombies are running rampantly and only a small minority of people are aware. Among them are Torch (William Garberina), the camera man, Sherry (Rachael Morris), the lead anchor woman (who for some reason is listed as playing Shelly on this website) and Roger (Patrick Cohen), their military escort. Torch and Sherry are against lying to the people but the station is being run by secret service (or some other government agency) and they are heavily censored.<br /><br />This movie gives itself a pat on the back on the box-cover saying "We hold FEEDING THE MASSES on a higher level than any o the three 'of the Dead' films by George A. Rombero." The source of that quote has lost ALL credibility with me.<br /><br />Let me just say that this movie is BAD. I don't mean bad like I was expecting more (I obviously was, though) but I mean bad in that I could not find any redeeming qualities in the film, whatsoever. The acting in all parts are either over done or too wooden. Did anybody remember their lines or are they reading off of cue cards? I can't even think of what the best part of the movie was or the best actor/actress. There really was not one. If I had to give a nod to someone, I would say Roger, the military escort was probably the most interesting character but that is really not saying much.<br /><br />I would have to recommend to pass on this movie, despite the box-cover looking pretty good (It's what originally drew me to the movie). 3/10
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Negative
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If there's one thing that annoys me most in seeing a bad film, it's seeing it done by experienced film-makers who ought to know better. This "re-imagining" of Planet of the Apes could have used some imagination, to say nothing of essential elements of character development. Nova, the girl in the original Planet of the Apes, was a better developed character than Daena in this version, for all that she does not say a single word. One certainly expected a lot better from Tim Burton, a man who has hitherto combined an incredible visual imagination with intelligence, wit and humour, all of which were notably absent from this production.<br /><br />There were problems in basic plot development. The first big mistake was allowing the humans to talk. This was the fundamental difference between apes and men that made *all* the difference in the original film. Even while he was mute, his ability to communicate was what marked out Heston's Taylor as being different from the other humans. In the current film, Mark Wahlberg encourages the (talking) human slaves to revolt, but there is no overpowering reason for them to have not revolted and reclaimed their emancipation already. They are dexterous tool-users and have the ability to communicate in order to form plans, something mute humans can't do. It needs no man to fall from the stars to save them. Indeed, since he comes from a technological civilisation and finds himself in a pre-technology era without (at first) any gadgets to help him, it is Wahlberg who ought to be at a disadvantage, not the humans who are used to living there.<br /><br />It was sad to see Helena Bonham Carter working so hard to generate some kind of spark between herself and that unresponsive brick wall Mark Wahlberg. Her best scenes were with the villainous Tim Roth.<br /><br />The humans were practically ignored until they were needed in the third act, at which point Daena started showing some actual interest in Davidson (Wahlberg), and a young boy suddenly changed from part of the background to a feisty gung-ho freedom-fighter. This was poor character development. (Estella Warren, in particular, looked as if she would have been capable of a great deal more than she was given in the script). Wahlberg's puzzlement at the end as to what these humans see in him was certainly shared by me, as he has scarcely interacted with the humans throughout.<br /><br />Creating the apes: half a plus point and two minuses: Ape make-up was excellent on the males, particularly Michael Clarke Duncan who has incredibly expressive eyes (which was why he was so good in The Green Mile), and the makeup design allowed him to use them fully. But the ape females looked like nothing on earth, neither ape nor human. The minuses were the ape jumps which looked about as realistic as Flash Gordon's rocket: jumping apes looked as if they'd just been fired from a catapult, they had none of the long-limbed grace of genuine apes. Secondly, the poor sound mixing - when the gorillas roar it is quite clearly dubbed from some animal, probably feline, making them sound ridiculous and unrealistic.<br /><br />In the original film, the various "human" things the apes do and say are handled as light relief ("I never knew an ape I didn't like." "Human see, human do!"). Here, the apes just talk matter-of-factly exactly as 21st Century humans do, and there is no humour in it at all. The only genuinely original idea was Ari writing with her feet.<br /><br />Nothing made me cringe more than the "V-Ger from Star Trek" moment near the end of the film. First of all, the apes had apparently been able to read Roman lettering in the distant past, for them to know the name of the Forbidden Zone in its partly concealed form. Secondly, the mysterious inscription giving the name is merely covered with sand which Wahlberg just brushes away, something any ape could have done centuries ago. This moment was, for me, far worse than the much-maligned ending of the movie.<br /><br />Things of that nature, however, are typical of most science fiction movies of today. Back in the '60s and '70s, they generally didn't have the budget to make convincing futuristic sets, but they dealt with genuinely original themes and ideas which were truly science fictional. I'm thinking of 2001: A Space Odyssey, the 1967 Planet of the Apes, THX1138, Soylent Green, Silent Running and the 1972 Solaris. The first Planet of the Apes even utilised the only scientifically valid and physically possible method of travelling forward in time. However, this film includes just about every bad science fiction cliché going: space storms, anomalies and worm holes straight out of Star Trek; the planets of the solar system and their moons apparently all visible together as large globes (in reality from any one planet, all other bodies, even their own moons, are just points of light); a conventional rocket powered shuttle travelling from Saturn to Earth in a matter of minutes instead of years; two-thousand year old equipment firing up and fully working the minute the hero presses the button. To say nothing of a conveniently bulletproof internal glass door. In a contemporary setting, you'd have to explain *why* it was bullet proof, but because it's "science fiction" you don't have to!<br /><br />Overall, Burton's most disappointing film.
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Negative
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How can you tell that a horror movie is terrible? when you can't stop laughing about it of course! The plot has been well covered by other reviewers, so I'll just add a few things on the hilarity of it all.<br /><br />Some reviews have placed the location in South America, others in Africa, I thought it was in some random island in the Pacific. Where exactly does this take place, seems to be a mystery. The cannibal tribe is conformed by a couple of black women some black men, and a man who looks like a young Frank Zappa banging the drums... the Devil God is a large black man with a terrible case of pink eyes.<br /><br />One of the "freakiest" moments in the film is when, "Pablito" find his partner hanging from a tree covered in what seems to be an orange substance that I assume is blood, starts screaming for minutes on and on (that's actually funny), and then the head of his partner falls in the ground and "Pablito" kicks it a bit for what I assume is "shits n' giggles" and the eyes actually move...<br /><br />But, of course, then the "freak" is gone when you realize the eyes moved because the movie is just bad...<br /><br />I hadn't laughed like this in a loooong while, and I definitely recommend this film for a Sunday afternoon with your friends and you have nothing to do... grab a case of beers and start watching this film, you'll love it! If you are looking for a real horror or gore movie, though... don't' bother.
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Negative
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I find it hard to understand why this piece of utter trash was repackaged. The only saving grace in the whole thing is the body of Ariauna in her sexy uniform. Her humour is also to be appreciated. She is a definite plus but alas it would take a magician to salvage this garbage. However she must be positively recognised for her heroic effort & true professionalism. Can't say the same for her co star Lilith with her whining voice that grates on your nervous system. Appeared disinterested & gave the impression that just her presence on the set was all that was needed. All said apart from Ariauna's performance it is indeed utter trash.
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Negative
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I always found Betsy Drake rather creepy, and this movie reinforces that. As another review said, this is a stalker movie that isn't very funny. I watched it because it has CG in it, but he hardly gets any screen time. It's no "North by Northwest"...
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Negative
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One star for the "plot". One star for the acting. One star for the dubbing into squeaky-voiced American. Five stars for Monica Broeke and Inge Maria Granzow, with their propensity for taking all their clothes off. And ten out of ten for the divine Emmanuelle Béart, two years before she made 'Manon des sources'. Béart also undresses a couple of times, but even fully-clothed her presence is enough to make this film eminently watchable. Watch out for the scene where she tells her friend about the three "first times" for a girl. It's corny, but still far more erotic than the rather laughably choreographed "love scenes" featuring Broeke, Granzow and Patrick Bauchau. Incidentally, the cinematography is not great; the stills for the closing credits are a better indication of what David Hamilton is capable of.
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Negative
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This is the kind of movie that wants to be good but sucks. First thing, what the hell are those punk trying to do with the school? I think the kids doesn't seem to realize the gravity of the situation. Deker guy say to the girl that they under his responsibility when she ask why he wants to go back for them but right after this he gives a gun to the wheel chair dude and wants him to go alone repair the phone line. Where is the responsibility there? I understand poor actors must pay their food but why not just give them the money that takes to make a stupid movie like that or give that money to a charity. Oh yea and none of them knows how to aim. The stupid punk guy shoots in the cafeteria nowhere like a crazy. They all want to look professional but they all suck. One more thing I don't believe that there's no emergency exit in the school the kids are trying several doors but they all locked. What happens if there's a fire and the dumass security guard is dead? It is illegal to not have an emergency exit in school. Anyway there's a lot more to say but it would be too long. I spent some time of my life to watch a crap.
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Negative
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A drama at its very core, "Anna" displays that genuine truth that all actors age, and sometimes, fade away. Anna is a character that believes America is her safety net, her home, and it can do her no wrong but she refuses to belittle herself to do work she doesn't believe in. She is hard-nosed, optimistic, stubborn, and arrogant when it comes to her life, yet not afraid to let others in, yet drop them at a moments notice. Anna flip-flops between personalities, which makes this film ideal of an aging star, but not idea of the viewing audience. "Anna" has been praised for its star Sally Kirkland, and her ability to get "grungy" for the role, but a month into 2008, "Anna" does not remain a staple of film culture. It is dated, dull, and formulaically chaotic.<br /><br />Director Yurek Bogayevicz has a message hidden within "Anna" about the falsehoods of Czechoslovakia, both politically and socially, but Kirkland refuses to let them upstage her. Bogayevicz is not afraid to play with the camera, to use wooden frames to allow Kirkland to stand out, and he is not afraid to lessen the surrounding characters so that when you walk away from the film, it is Kirkland you remember. If it isn't obvious, this film didn't sit well with me. From the opening of the first act and deep within the second, "Anna" felt like a high school theater production. The characters were non-existent, there was no enlightening pre-story, and there was no definition of time or place. There was Sally Kirkland, stubbornly saying that she is better than the other actresses vying for the same lifestyle that she wants. Randomly she encounters a friend, a young girl that has also traveled a long distance to get to America for the glitz and glamour, and two of them (within the span of 20 minutes) build a friendship that could break all walls. It is emotionally boring and unbelievable. Again, randomly, we meet Anna's boyfriend Daniel (played by the weak Robert Fields), who brings nothing to the table in terms of definition or character only to boost the attention onto Kirkland's Anna. Through the course of nearly two hours, we watch as more random acts coupled with unnamed characters intertwine together to feebly create a story that is held together by loose threads and SALLY KIRKLAND. Arg, it pains me to continue to say this but "Anna" could have been a fantastic film had Bogayevicz presented equal time between Anna, Daniel, and Krystina, but instead we are forced into a one-sided game where emotional scenes speak louder than plot.<br /><br />Is this where Charlize Theron found inspiration for her beauty-less role in "Monster", or Halle Berry in "Monster's Ball"? Was Sally Kirkland one of the early actresses discover that by letting themselves go for a character Oscar will shine in their direction? Throughout this film I was disgusted by Kirkland's portrayal of Anna, and Bogayevicz's lack of excitement for anything else fluent. Bogayevicz gives us an Anna that doesn't work hard for her parts, doesn't care for others, and is generally mean spirited yet we are to feel sympathy for her? Near the beginning of the film, she forces what she wants to do onto others, and gets upset when she doesn't get her way. Sure, aging actresses my have that appeal to them, but Kirkland creates a more childish character instead of a mature one. That is where "Anna" could have improved. If this was a mature Kirkland, I would have gobbled it up, but this stammering childish Anna was impossible to believe. While my favorite scene was near the end where Anna goes to watch one of her older films playing (included is absurd make-out characters) and the film burns, this scene is also one of my least favorite. Anna has made a phenomenal life for herself, creating films and building the dream, yet when anyone else wants to enter that spotlight, she gets jealous and outraged. This didn't make for a character I wanted to stand behind nor win Oscars. Coupled with the classic 80s background synthesizer, the outrageous over-the top wardrobe, and the displaced ending (where did that come from and what happened??) "Anna" slipped far in the scope of amazing cinema. It was a show-piece, an opportunity for an aging star to yell at the world one more time. In this one it worked, but I don't think I will be fooled again.<br /><br />Overall, I cannot say that I was impressed with this film. "Anna" is not a film about an aging film star; it is about Sally Kirkland, and ONLY Sally Kirkland. Bogayevicz tries to do more with the story, but fails either because Kirkland will not allow him or he just realizes that there isn't enough to support a full story. There are one or two decent scenes in this film, but nothing that promotes this film as innovative or influential. Bogayevicz did not create a character that audiences would believe, tear up for, or dedicate a Sunday afternoon with he created an annoyance. Kirkland wasn't Anna, she was an actress playing her a bit overdone and crusty on the sides. Perhaps I missed the scope of this film, but what makes films like this work is the cooperation of everyone involved. That wasn't the case here. In "Anna", Kirkland orders Daniel to act like a dog (apparently as a symbolic act) and yet during the entire emotional scene, I couldn't help but think that was what Kirkland was like to those on the set. She didn't make this into a film, she transformed it into her own production, and because of it "Anna" failed. I cannot suggest this to anyone from one Czech to another skip it! <br /><br />Grade: * ½ out of ***** (for that pesky theater scene that creeped me out)
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Negative
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This Movie is complete crap! Avoid this waste of celluloid at all costs, it is rambling and incoherent. I pride myself on plumbing the depths of 70's sleaze cinema from everything from Salo to Salon Kitty. I like being shocked, but I need a coherent story. However if watching horses mate gets you off this film is for you. The saddest part was that lame werewolf suit with the functional wang. I mean its just plain hard to sit through, not to mention the acting is terrible and the soundtrack is dubbed badly. Please, I know the cover is interesting (what looks like a gorillas hands reaching for a woman's bare ass)but don't waste your time or money as you won't get either back.
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Negative
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R O B O T J O X.<br /><br />Burn the master.<br /><br />Grotesquely horrible.<br /><br />No ending; no closure.<br /><br />Completely and utterly the worst movie ever made.<br /><br />Replaces "The Adventures of Pluto Nash" as the worst movie of all time.<br /><br />I hate this utterly unacted, unedited, unscripted, undirected, unproduced mess of a thing called "Robot Jox" - and I just found out - THEY MADE A SECOND ONE!?!? I apologize to Adma Sandler (Zohar the Beauticin) and Eddie Murphy (Pluto Nash) for hating their movies. This mess of a thing makes those movies only bad - not terrible horrible and grotesque like this thing. This is the only movie for which I have ever said this - REMOVE IT FROM NETFLIX - NOW!!! 10,000 out of 10 people found this comment helpful.
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Negative
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What is it with Americans and their hang-up with religious gobbledy-gook? To think this was a best-selling novel is incredible, but to pull it off as a movie you really need good acting and a script that delivers. In this case, all the good actors have gone to heaven and we're left with Kirk Cameron as a CNN-type journalist(!) trying to discover why a lot of people have simply disappeared. Oh yeah, there's a subplot about an evil world conspiracy and famine, or something. The good news is that this is done so cheaply, and with such inane dialogue, that it has sheer entertainment value in all of its unintended laughs. Not recommended for anyone with a 3-digit IQ.
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Negative
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Larry Buchanan. Yep, same guy who did "Attack of the THE Eye Creatures" and two (count 'em: TWO) conspiracy movies about Marilyn Monroe. He's to blame, here.<br /><br />Adding onto his ever-growing pile of folders left over from Oliver Stone's "eh-I-grew-out-of-it" conspiracy drawer, here's "Down On Us (i.e.- "Beyond the Doors") which is the working definition of historical inaccuracy.<br /><br />Forget everything you THOUGHT you knew about Jimi Hendrix, Janis Joplin and Jim Morrison, says Big Lar', cuz this is the real deal! Y'see, the three big names in rock of the '60s were KILLED BY THE GOVERNMENT because they were subversives or counter-productive to Truth, Justice and the American Way, or sumpthin' like that there. I knew it all along.<br /><br />Anyway, three people (Chatman, Meryl, Wolf) who look eerily like their real life shadows (that is, if you completely close your eyes, turn your backs and walk five miles away from them) show that instead of their recorded deaths, the good old US of A put hits out on them! Yep, it's the truth!<br /><br />Man, I cannot believed I watched this movie. It's facts, when not stretching credibility to the snapping point, are ludicrous; the acting makes TV commercials look like high drama and if you honestly watch it through to the end, you deserve the "twist" ending. You really, really do; I swear. Genius.<br /><br />But like the man said: "Rock and roll is dead - long live rock and roll."<br /><br />Not this flick, though.<br /><br />No stars for "Down on Us". And that's the movie audience describing the film, by the way....
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Negative
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When I look back on my college days at Ohio University, there will always be one event in which I will remember with fond memories. Channel 23 is OU's local access channel and until the last few years, pretty much played anything they were sent. This included many DIY movies ranging from a guy microwaving marshmallow Peeps and then scanning pictures of them online, to a version of Macbeth starring 8th graders who had apparently just learned how to make squibs.<br /><br />However, the king, in my opinion, of the channel 23 lineup was Midnight Skater. The first time I watched it was around 2AM. I should have been studying. Or sleeping. Or watching regular TV. But no, all that is for pussies. My roommate and I watched Midnight Skater, and when it was complete, I don't think either of us believed that any of the movie had just happened. But sure enough, it was on a few nights later, and we had to come to grips that this movie did, in fact, exist.<br /><br />I could go on and on about how awful it is, but its the sort of awful that makes life worth living. The plot is disjointed, the acting terrible, the everything soul scarring, but by god, if there are others watching with you, its impossible not to have a good time watching it. Its sort of like the first time you hear "Guts" by Chuck Pahalniuk. You hear it, you're disgusted and shaken, but five minutes later, all you want and desire is to make someone else experience the abject horror you just endured.<br /><br />Long story short, Midnight Skater, for all of its epic flaws, makes for some very late night fun. Plus, I desperately want the Theme to Midnight Skater. Kudos to whoever wrote it and sang it. Sweet God I love that song.
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Negative
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I absolutely adore the 'Toxic Avenger' series, but this weak offering by the Troma people didn't make any sense, and it had me yawning all the time.<br /><br />A leaking nuclear plant (and the growing weed next to it) makes the youngsters of Tromaville High go nuts, which causes them to join a gang, have sex, explode, and whatever. Also there's some sort of monster breeding in the high school... my God, this movie's a mess.<br /><br />The actors pretty much stopped their efforts after this one and they should. The (intended) overacting started to get on my nerves in about 5 minutes...<br /><br />Disappointing. 2/10.
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Negative
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<br /><br />Attack Of The Killer Tomatoes is a "parody" of bad monster movies which ends up being worse than the movies it spoofs. The (very meager) story tells of tomatoes who revolt against those who treat them badly. Basically,they spin and growl (yes,they growl) and the next thing you know the person is covered in ketchup. The actors are no-names who never made movies after this,so there would be no point to name them. There's a guy who's hired by the governement to try and stop the menace of tomatoes. He's accompanied by a black guy who's master of disguise and a girl and a guy who dives. Anyway, there's another woman who spies on the first guy that works for the government. if this isn't making much sense to you, you understand. This movie never would have been very good in the first place, but it even lacks the fun of laughing at stupid attack scenes. The movie is horribly cheezy, which although being the whole point,really really hurts what could've been a (reasonably) entertaining movie. At one point, a giant wax tomato "slides" on an unconcealed plank of wood with wheels on it! Maybe I would've recommended the movie if it would have enjoyable camp value, but even this is lacking from this terrible movie. 2/10
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Negative
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I've never been impressed by JD anyway, and Final Justice (which I hadn't seen prior to its MST3k airing) proves to be no exception. It's not that the character is any less likeable than Mitchell: it's just that there's less that Geronimo ("Call me 'Heronimo') to dislike.<br /><br />In fact, one suspects that Mitchell and Final Justice were all schemes of a revenge-seeking agent of Joe Don's trying to get the "star" killed by inducing a heart attack.<br /><br />Joe Don must have found a new agent, since he's now graduated to "comic relief" in James Bond movies. The problem is, it's hard to tell the difference between his comedy characters there, and his "serious" characters in his action-movies like this one.<br /><br />As for the plot...umm, what plot? They repeat the same set pieces so repeatedly you'll think you were watching Groundhog's Day 2. Presumably, the fact they keep using the same scene of Geronimo getting out of jail is supposed to be comic relief of some sort. Ummm, yeah, whatever.<br /><br />On the plus side, the Malta scenery is pretty gorgeous, so that kicked it up to a 2 for me. One suspects this flick set Maltese tourism back a couple of decades, though.
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Negative
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As a gamer, I can't say I like this film. Fact is, I down right hate it. I tried to watch it as open minded as possible, but when it gets down to it, it feels rather insulting to my social group.<br /><br />To me, there are several reasons why.<br /><br />1. The characters seem unnatural. I've met lots of players, of all different walks of life. I don't know any who act like any of the characters in the film. It's like the producers of the film have taken the worst aspects of the worst stereotypes and put them all into 5 people. Most gamers are rather social people, some with rather active lives.<br /><br />2. The style doesn't work. The mockumentary style is ill suited to the subject matter of the film. An actual documentary on gamers would actually work better. While it is good looking (I.E. cleanly put together), it isn't very good.<br /><br />3. The dialogue feels forced, unnatural. It also seems to lack any real world context. Gamers swear, I'll admit that, but we don't have Tourette's Syndrome.<br /><br />4. The humor is lacking. While self-deprecating humor is a mainstay of my group and several other groups I've encountered, this is less self-deprecation, and more like toilet humor. Likewise, a large part of gamer humor is full of in-jokes and anecdotes, not toilet humor. Most gamers would balk at and shun anybody who made such jokes.<br /><br />5. The biggest problem to me is basically this: Accuracy. I don't mean rules, but instead dynamics. Invariably, this film is going to be compared to the even lower budget films The Gamers and The Gamers: Dorkness Rising, both of which portray the players as actual people playing an actual game. The difference is, Gamers: The Movie presents a situation where you want to beat the players senseless vs. The Gamers, where you can say something like: "Huh, I know a guy like that... Yep, that's definitely like Gary."
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Negative
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I have been learning about the Zodiac for four years now. And I'm not saying I know much more than anyone else...in fact out of most of the people who know and read and learn about Z, I am prolly the one with the least knowledge...But I do know or at least I think I know that most of the stuff in this wouldn't happen...From how he signed his name...to how he killed people...I thought that Godfather was the worst film ever...<br /><br />The cinematography was that of a five year old...not saying that my films are any better but I am not someone who is making movies for the mass population...<br /><br />The acting I thought for the most part was pretty good really I did...the lead didn't talk that much on camera or at all I forget and don't know because I stopped watching...his voice overs where good...<br /><br />But really spend the four dollars and 70 cents on something else...like a large pizza or something...<br /><br />Until I learn how to write a review, Psycho Phil
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Negative
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Maaan, where do i start with this god awful movie. Bad bad bad story telling. I do not know what the director was thinking when he made this movie. Namaste London was quite an enjoyable movie to be honest..even the soundtrack was good. But in this one..oh my good..for a movie which is supposed to be a musical one..the songs are soooo bad. AR Rahman should have been the music director. <br /><br />Given two great actors a much better job should have been done by the director. Even though the first half sucks, the last 30 mins of the movie are OK. Performances from Salman and Ajay save the movie from being a total disaster.<br /><br />Watch it if you have nothing better to do. The last good movie from Bollywood i watched ( and i do watch a load of them) is Dev D and Wake Up Sid.
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Negative
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This film is a flagrant rip-off of one of the best novels of all time, Silas Marner by George Eliot.<br /><br />The details of the film shown on IMDb do give acknowledgement to the original authoress but I did not see this at the beginning of the film, only a credit at the end of it saying "suggested by the book Silas Marner". Suggested? It was nothing but a complete rip- off of all the essential elements of the story:<br /><br />A wronged and sad old man, an artisan, poor and lonely, has all his money stolen. One night a child wanders up to his door as her mother lies dying in the snow outside. The man takes her in and brings her up until one day the local squire (or rich politician here) demands to adopt the child. It is he who has fathered the child during an illicit affair years before. The battle then ensues as to who should have legal custody of the child.<br /><br />In this and every other aspect of the film, the story is exactly the same. In only one can I find a difference. Silas Marner had epilepsy - but perhaps that would have strained the acting abilities of Mr Martin too far. On top of that he has his hair dyed in some carrot juice concoction (presumably to make him look younger, but actually making him look more the clown that he is)! There is also the addition of meaningless jokes, that this offbeat comedian cannot resist bringing into the story which have no part in it and only detract from the profoundness of the story. Like when the child cries in the courthouse declaring she can only be happy with the man who has fathered her all these years. This is conveyed in the film by the girl applying nasal decongestant to the bridge of her nose to make her tearful!<br /><br />I am surprised that legalities and integrity within the film industry permit such a film to be made. If I was a trustee of George Eliot's I would insist on reparation. If I was Steve Martin I would send the profits to that estate, or to the poor. At the very least it should be entitled Silas Marner - adapted by S Martin. Or better still removed from the archives!<br /><br />If you are interested in this story - and I hope you are - dismiss this completely and watch Silas Marner. Or read the book! The BBC made an excellent adaptation of it in the 1980's.
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Negative
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I know the people and I did some of the animation and graphic design and the show is horrible! They are rich little kids who don't have any talent, and probably just begged Nick to accept them! Alex has played the drums for one yearm, I've played for 4 1/2! The movie is terrible and so is the show! This is the craziest most mixed up comedy that even isint funny I've ever seen. It is so stupid it makes me want to barf!!! It is just so crazy that Nickelodeon would ever accept something like this and so dumb! They are sooo stupid and weird! I hate them and their show and think once Nick realizes how stupid it is they will most hopefully take it off!
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Negative
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What was with all the Turkish actors? No offense but I thought it was all for nothing for all these actors. The film had no script to test any actors acting skill or ability. It demanded next to nothing I bought this film to see Michael Madsen. He is one of my favorite actors but this film was another failure for him. The script was so bad. Their was just nothing to sink your teeth into and all the characters were two dimensional. Madsen tried to act like a hard ass but the script and direction didn't even allow him to do enough with his character to make it more interesting or 3 dimensional.<br /><br />Even the sound effects of the gunfight at the beginning of the film sounded like the noise of paint ball guns when they are fired in a skirmish. It was really weird and they didn't sound like real guns. A video game had better sound effects than this film. There was also a really annoying bloke at the beginning of the film who was a member of the robbery gang. He had this American whining voice like a girl shouting lines like "Lets get the F#$k out of here" and What are we going to do man". He sounded like a girl. As a positive It was funny to watch and it made me laugh too. For a few seconds. Whoo Hoo ! Dumb Film. Poor Madsen. He will bounce back...
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Negative
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Rather foolish attempt at a Hitchcock-type mystery-thriller, improbably exchanging espionage for archaeology and based on the Robin Cook novel; incidentally, I’ve recently acquired another adaptation of his work – COMA (1978) – in honor of the late Richard Widmark. For the record, director Schaffner had just made THE BOYS FROM BRAZIL (1978) – a similarly fanciful but much more engrossing suspenser and, unfortunately, SPHINX was a false step from which his so-far impressive career would not recover.<br /><br />Despite its scope and reasonably decent cast, however, this one proved a critical and commercial flop – mainly because the narrative just isn’t very thrilling: in fact, it’s quite dreary (feeble attempts at horror – the archaeologist heroine having to put up with entombment, rotting corpses galore, and even an attack by a flurry of bats – notwithstanding). Lesley Anne-Down is the lovely leading lady, stumbling upon a lost treasure – it’s actually been hidden away by a local sect to prevent it from falling into the hands of foreigners, who have appropriated much of the country’s heritage (under the pretext of culture) for far too long. Sir John Gielgud turns up in a thankless bit early on as the antique dealer who puts Down on the way of the loot, and pays for this ‘act of treason’ with his life.<br /><br />Typically, it transpires that some characters are the opposite of what they claim to be – so that apparent allies (such as Maurice Ronet) are eventually exposed as villains, while an ambiguous figure (Frank Langella, whom I saw at London in early 2007 in a West End performance of “Frost/Nixon”, which has now been turned into a film) goes from Down’s antagonist to her lover and back again, as he determines to keep the wealth belonging to Egyptian high priest Menephta a national treasure.
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Negative
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I can't say that Wargames: The Dead Code is the worst movie I've ever seen, as it had one or two decent moments, but I can easily say it's the most transparent movie I've ever seen. Not once did a plot device present itself without me guessing it 10+ minutes in advance. There was no subtlety to anything the movie did, no intelligence evident at all behind the scenes. Every spoken or typed line's intent was so glaringly obvious it was impossible to "get into" the movie.<br /><br />I found myself laughing at the horribly thought out plot line, and the bumbled attempts to reclaim the audience, far more often than I found myself enjoying the movie.
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Negative
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What a waste of time and money! My hubby and I saw this movie - after seeing the previews and thinking it "might be funny". WRONG! This movie is about 90 minutes too long. The actors are trapped in a poorly written script and can't get out. The jokes are weak and tired, and not even seeing Wilson's naked behind can redeem any part of this film. The special effects.....aren't. I half expected to see the harness and wires holding up Uma in her flying scenes. And when the effects people apparently could not master the superhero's faster-than-a-speeding-bullet flying or fight scenes, they covered over everything with a swirling vortex of blurred screen - which hid the awful effects quite nicely. Wilson's sidekick was a lame excuse for a man and Wilson had no chemistry with either Uma or his office co-worker. The sex scenes weren't sexy and the funny scenes weren't funny. I guess I just expected too much from these actors. None of the characters were really sympathetic, so I ended up not caring a flying fig about any of them. The only memorable performances were the kids who played Bedlam and G-Girl as teenagers - at least THEY had some chemistry. Overall, a super stinko movie - I wouldn't even recommend it as a rental - it would still be a waste of money!
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Negative
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Disappointing, predictable film in which a woman (Mc Teer) travels with her daughter from state to state because she can't maintain relationships and find happiness. In this genre 'Anywhere but here' starring Susan Sarandon and Natalie Portman gave a much better insight into a mother/daughter relationship. With Better acting as well.
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Negative
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The film begins with people on Earth discovering that their rocket to Mars had not been lost but was just drifting out in Space near out planet. When it's retrieved, one of the crew members is ill, one is alive and the other two are missing. What happened to them is told through a flashback by the surviving member.<br /><br />While on Mars, the crew was apparently attacked by a whole host of very silly bug-eyed monsters. Oddly, while the sets were pretty good, the monsters were among the silliest I have seen on film. Plus, in an odd attempt at realism, the production used a process called "Cinemagic". Unfortunately, this wonderful innovation just made the film look pretty cheap when they were on the surface of Mars AND the intensity of the redness practically made my eyes bleed--it was THAT bad!! Despite all the cheese, the film did have a somewhat interesting plot as well as a good message about space travel. For lovers of the genre, it's well worth seeing. For others, you may just find the whole thing rather silly--see for yourself and decide.<br /><br />While by today's standards this isn't an especially good sci-fi film, compared with the films being made at the time, it stacks up pretty well.<br /><br />PS--When you watch the film, pay careful attention to Dr. Tremayne. He looks like the spitting image of Dr. Quest from the "Jonny Quest" cartoon! Plus, he sounds and acts a lot like him, too.
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Negative
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...for the Lt to have chosen this one. First, the film wasn't horrible, it was just Hollywood. Worst case I-need-this-to-happen-or-we-have-no-movie scenario: if Willis' mission was to save the doctor, but she was adamant that her "people" make it out of the missionary, he would have put her on that first chopper and marched those refugees to the border without her. He would not have compromised his package for the refugees. That's not how it works. But, as I pointed out, this is Hollywood, we must have drama. This is why we make movies, because reality isn't quite so complicated. However, I did think that Willis and the good doctor had workable chemistry. That said, there are also some well done battle scenes in the film. It's not a waste of time, "Tears of the Sun" is worth the dvd rental fee. Check it out on a rainy day and you'll be satisfied.
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Negative
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This film was hard to get a hold of, and when I eventually saw it the disappointment was overwhelming. I mean, this is one of the great stories of the twentieth century: an unknown man takes advantage of the unsuspecting airline industry and GETS AWAY with millions in ransom without hurting anyone or bungling the attempt. With all of this built-in interest, how could anyone make such a lackluster, talk-laden flick of this true-life event. While Williams is always interesting, the screenwriters assumed that the D.B. Cooper persona was stereotypically heroic like a movie star, s what we get is a type-without any engaging details or insights into the mind of a person daring enough and clever enough to have pulled it off. Harrold practically steals the movie with her spunk and pure beauty, but the real letdown was in the handling of the plot and the lame direction. Shame on this film for even existing.
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Negative
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This is an interesting treatment of a subject that is quite controversial, (just read the other comments on this film). Apparently, you either love it or hate it and it seems most people make that distinction based on whether they believe the tribulation and end times will happen as portrayed in the movie.<br /><br />Basically, the film - and its sequels - were made for about $1.30 each. The production values are right down there with "Plan 9 From Outer Space" and the acting is about on the same level as "Glen or Glenda", (my apologies to Ed Wood). Putting aside the religious message, the story is as scary as they come. Add in even the slightest thought that the story might actually be close to something that might happen in the future and it becomes even scarier.<br /><br />This movie, and its sequels, didn't try to bring in the reasons why the tribulation happened when it did. "Left Behind" and "The Omega Code" tried to get in everything "Thief" did and to explain all the politics and maneuvering in the Middle East leading up to it. The net effect was "Thief" did a much better job on the scary part of movie, instead of spreading itself too thin trying to explain what was happening in the Middle East at the same time. <br /><br />Forget the politics and watch this movie, and its sequels, for what they are - horror stories. That they may be horror stories told, indirectly, by God makes them just that much more frightening. If it makes you think about the subject, it has done its job - even if you never believe.
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Negative
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I saw this film over the weekend and while I was impressed as always with the beauty and polish of Church-produced films, I left disappointed that this one fell so short, failing to inform members and leaving investigators with many unanswered questions.<br /><br />The film is 70 minutes of vignettes from the life of Joseph Smith. It's not a true biopic because there's no real coherent narrative. Most of the episodes concern Joseph doing good deeds, playing baseball, running races and laughing with children, often in sloooow motion. What a great, just folks kind of guy that Joseph was, huh? Look at him out there beating rugs for his wife Emma. Well, howzbout the rugs of his 33 plural wives?? No mention whatsoever is made of polygamy. A glaring omission.<br /><br />And it is in such omissions where the film falters. It supplies too little information and leaves critical thinking audience members wondering WHY is Joseph getting tarred and feathered, WHY is he getting thrown in jail and WHY does that mob want to kill him? The film's climax is of course Joseph and Hyrum's trek to Carthage jail (riding past a veritable United Nations of faces looking out from Nauvoo's doorways). But no mention is ever made about WHY. Nothing about Smith suppressing the Nauvoo Expositor newspaper and ordering its press destroyed for its revealing the secret teaching of polygamy. The audience is left to wonder or to assume it's just more baseless persecution of the Church. No mention of Joseph being charged with treason for declaring martial law and calling out the Nauvoo militia.<br /><br />Of course I certainly did not expect this Church-produced film to present the Joseph of Richard Bushman's recent biography Rough Stone Rolling, but I was surprised and taken aback at just how little of substance was actually presented.<br /><br />And worse, what substance that was presented was often inaccurate. Two examples jumped out at me. First, the translation of the Book of Mormon. The film shows Joseph reading right off the golden plates in their two-ring binder, which plates in reality were hidden far from the site. It's well known that Joseph did his translating by burying his face in his hat, peering at the seer stone in there. The second inaccuracy occurs at Carthage jail, where the mob storms the cell. The History of the Church reports that Joseph had a six-shooter and even fired off a few rounds before jumping out the window and giving the Masonic signal of distress (as reported in Times & Seasons).<br /><br />Maybe showing the reality of the gunfight would have shattered the heart-tugging mood the filmmakers had created, but by omitting it they were unfaithful to history and failed to show Joseph as he really was: handy with a gun and able to defend himself. In fact, the impression the film gives is that Joseph was a nice guy, but also something of a milquetoast that everybody beat up, tossed in jail and eventually murdered in cold blood. He was far from that; Joseph was a disciplined and determined man who endured a lot of hardship and struggle to bring to fruition that in which he believed.<br /><br />See the film, but know going in that's it's cotton candy. Then get your meat and potatoes by reading a copy of Bushman's biography of Smith, Rough Stone Rolling <br /><br />PS: Church-produced films have no credits, but seasoned eyes can pick out a couple familiar faces. Rick Macy is excellent as Joseph Smith, Sr. and Bruce Newbold, beloved as Thomas in Finding Faith in Christ, here plays the cranky Methodist minister who failed to show Christian love to a young seeker after Truth.
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Negative
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If it wasn't for the bad dialogues and script. I mean, the direction was really in touch with it's subject. The actors were doing good at bringing their characters to life. But in the end, the thing that was really missing was a solid script to hold all the pieces together. I would highly suggest not to watch this. Unless you're a Al Pacino enthusiast like I am and will watch everything he is playing in. Even if the result lately are rather poor. This is, after S1m0ne, a second very bad movie for this actor that once knew how to choose roles.
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Negative
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A bit of a disappointing film, I'd say: the acting was stilted, somehow. In many cases, I just couldn't feel that the facial expressions matched the words spoken or the intent of the scene. An angry (or sad, happy, frustrated) character should make the viewer believe that he's angry (or sad, happy, frustrated). That doesn't happen here.<br /><br />The comment about the writers assuming you already know the characters was apt. They do things and say things which come out of nowhere: the character Andrew accuses his parents of sending signals to each other at dinner; then he blows up and storms out, telling his father "Don't touch me, you f***!". Maybe, if we'd seen the prequel, we would understand where all that comes from, but there is no prequel, so we're somewhat at sea as to the reason! <br /><br />One odd, quirky thing that Andrew does is to go to an old stone quarry, sit down on the edge overlooking the "still water" below; then he reaches into his jeans pocket and extracts a pack of cigarettes and lights one up. He did this same thing three times during the film; I guess we're supposed to see this as some tortured act of being alone and angry? Maybe once, but three times? It might even have been four times, I lost count.<br /><br />To be honest, there is the fact that he's recently found out that he's adopted; this happens very early in the film so there's no sense of any dramatic change he might be undergoing because of this discovery. It's not really clear if that's why he's so bitter or if it's about something else.<br /><br />I guess there is a sort of Lynchian feel to the film but should a first-time director really be trying to scale such a mountain so early in his career?
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Negative
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This movie deserves more than a 1. But I'm giving it a one because so many fricken fan boys have given it a 10 resulting in it getting a rating that'll take it into the top 100 list. Seriously it's not that great its not that bad. Its a stupid cult classic with so many fricken fan boys it's ridiculous. These are the types who probably still laugh at Chuck Norris jokes and still say "I'm rick james b!tch" No matter how old or annoying it gets. I dread having to hear "I'm tired of MFn snakes on this MFn plane" months from now from idiots trying to be funny. Its crappy plot crap acting etc. Its Okay to love a bad movie, but you still gotta admit its a bad movie.<br /><br />Wait for the Marine starring John Cena if you wanna see a real movie
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Negative
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((NB: Spoiler warning, such as it is!))<br /><br />First off, this is a teen slasher flick -- the Spam-In-A-Cabin genre, as Joe Bob Briggs piquantly put it. If you're looking for Roshambo, this isn't it and wasn't going to BE it. I'm desperately unimpressed by stabs at its cinematography, directing or acting performances.<br /><br />Secondly, this wasn't Zuniga's first horror flick, it was her first screen appearance period, cinema, TV, whatever. For what it is worth; neither is Daphne Zuniga Susan Sarandon or Katherine Hepburn.<br /><br />Thirdly, you have to give even a lame slasher flick props. Sure, it follows the deeply insulting formulaic message of its genre: any young woman having or showing interest in sex is beef on the hoof, and the harvest time is now.<br /><br />Except this one gives the chop to the sweet, virginal protagonist as well! Now THERE is a mediocre teen death film that has the courage of its convictions! Interesting that this was said ingenue's only film role. Another One Hit Wonder, except that term gives the lass too much credit.<br /><br />(Then again, this film probably has one of the highest percentage of one-movie actors in history. Of the nineteen credited actors, a whopping thirteen never appeared in any other film. Three appeared in one other movie by the same producers. Only one other besides Zuniga has as many as six screen credits. What was this, the Has Been And Never Were Mutual Aid Society?)<br /><br />Granted, I saw this a long time ago on late night cable when I was bored and never anticipate being that bored in my life again, but I see no reason to hunt down everyone involved and toss them in the incinerator with Joanne.<br /><br />2/10.
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Negative
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First of all, this film is GLACIALLY slow-moving, and I can see most viewers losing patience with it altogether in the first thirty minutes.<br /><br />The film's subject matter was one I think would form the basis of an excellent film; what was most lacking here was a plot that would advance the underlying themes.<br /><br />It's unfortunate, because in the hands of a writer like (say) Lanford Wilson, I think symbolism like a mountain-lion invading a school campus could take on great, Tragic proportions without being heavy-handed.<br /><br />I think, with a good script supporting the film, the same filmmaker, with the same tastes, and even with the same actors (who didn't really even get a chance to impress me), might have been able to present a meaningful and touching depiction of the pains and struggles that a boy goes through when he develops a powerful "crush" on an older boy that he admires.<br /><br />However, I'm sorry to say that without this foundation, and armed with a vague, dull-witted, and vastly uninteresting script, without any sort of plot in sight, and lacking any sort of sensible structure (for example, after viewing it, I believe you will find that you cannot point to climactic scenes, and instead, will find yourself enumerating "well, maybe that scene, or that one, were climaxes...")--the result is 95 minutes of tedium.<br /><br />Without a good plot, we never get terribly interested in any of the characters; their trials and difficulties are simply dull and boring.<br /><br />Without a good plot, dramatic devices and surrealistic directorial liberties become puzzling and confusing rather than enhancements to the story-line. I never really could believe, for example, the creation of "Leah" and I think that most viewers would be utterly baffled by the conventional way in which her telephone calls were filmed.<br /><br />As the film stands, I'm afraid it's one I cannot recommend at all. What I can never understand is why a film like THIS one isn't re-made by an enterprising film-maker...instead of all the mediocre remakes of films that were superlatively good in the first release! All it needs is a good script, written by good writers, and I think this film could be easily turned into an unforgettable classic about an aspect of male coming-of-age that is rarely treated in drama. All the elements that were so tedious and seemed so recherche in the film (the messages written on the boy's belly, the "Leah" scenes, the television-screen fantasies) could become rich if underpinned with a good STORYLINE.<br /><br />I see in quite a few comments that people are talking of this film as somehow being about a "gay" subject, and I think that's mistaken. Obviously, the "crush" depicted is that of a newly pubescent boy on an older adolescent boy, but the character of Logan is far too young to have settled on any particular sexual choices, and, indeed, in his depicted masturbation fantasies, we see all sorts of stimuli, sexual and non-sexual, as we would expect in a very young boy like him. I believe "crushes" such as Logan's are common among male youths who grow up to have a decided preference for female sex-partners.
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Negative
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The Cat in the Hat is just a slap in the face film. Mike Myers as The Cat in the Hat is downright not funny and Mike Myers could not have been any worse. This is his worst film he has ever been in. The acting and the story was just terrible. I mean how could they make the most beloved stories by Dr. Seuss be made into film and being one of the worst films of all-time and such a disappointment. I couldn't have seen a more worst film than this besides, maybe Baby Geniuses. But this film is just so bad I can't even describe how badly they made this film. Bo Welch should be fired or the writer should. <br /><br />Hedeen's outlook: 0/10 No Stars F
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Negative
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I should have figured that any movie with the Poltergeist lady in it isn't going to be good. It actually starts out okay, but during the first murder scene you find out that the movie you're watching is a movie inside of a movie. There's people sitting in a movie theatre watching that movie. One girl in the audience is so annoying that I would have turned around and strangled her. A bit strange, but far from good.
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Negative
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The movie's premise is spooky: a woman gets pregnant when kissed by a stranger in a bar.<br /><br />But as soon as the movie begins, a horrible opening scene establishes that this is a C type Sci-Fi TV movie. It's a big Star Trek and a bit X-files, but more than anything else it's boring.<br /><br />When the movie kicks into action everything is predictable and cliche. It looked more like a 2 parter in a bad Sci-Fi TV series. No suspense and no thrills, but not for a lack of trying. Just a lot of predictable dramatic conflicts between the main characters.<br /><br />Don't waste your time.
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Negative
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Channel surfing and caught this on LOGO. It was one of those "I have to watch this because it's so horribly bad" moments, like Roadhouse without the joy. The writing is atrocious; completely inane and the acting is throw-up-in-your-mouth bad.<br /><br />There's low budget and then there is the abyss which is where this epic should be tossed and never seen from again. I mean, the main characters go to a ski retreat in some rented house and the house is, well, ordinary which is no big deal, but they choose to show all the houseguests pouring over it like it was the Sistine Chapel. I'm sorry but watching 6 guys stare into every 10'x10' boring room with a futon in it and gushing is lame. I guess they didn't learn anything from the Bad News Bears in Breaking Training (see hotel room check scene)...wow a toilet !!! yaayyyyy !!!! I don't buy the its all over the top so anything goes routine. If it smells like...and it looks like...well, you know the rest.<br /><br />Avoid like the plague.<br /><br />edit: Apparently other more close minded reviewers believe that since I disliked this movie, I am an "obvious hater" which I can only assume means I am phobic, which of course is not true. I decided to do this wacky, crazy thing and judge the movie based on the actual content of the film and not by its mere presence (i.e. its refreshing to see...)<br /><br />Sure, it may be refreshing to see but that doesn't equate into a great movie, just give them some better material to work with and tighter direction. In fact, I applaud the effort. Frankly, I'd rather go listen to my Kitchens of Distinction catalogue than watch this again.
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Negative
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Before I begin, you need to know that I am a huge fan of many of Sonny Chiba's films. His biographical series of the life of his master, Mas Oyama, were amazing and among the best martial arts films ever made, as were most of his Street Fighter films. The action was practically non-stop and with the possible exception of Bruce Lee (depending on who you ask), he was the greatest martial arts practitioner on film during the 1970s. Because they are so good, I've seen at least 15 of his films and recently bought some more (which I am in the process of watching).<br /><br />Unfortunately, despite my love of these films, I am NOT a mind-numbed zombie who worships the man to such a degree that I rate EVERY film a 10. There are a few reviews like this here on IMDb and I truly think that anyone giving this film a 10 should be ignored because this is such a bad film from a technical standpoint and isn't even close to the being Chiba's best work. A score of 10 isn't a real rating--it's some zombie fan trying to make a statement about Chiba, not this film! As I said, technically this film is awful. Some of this was the result of my seeing the American dubbed version, with its irrelevant prologue and bad dubbing. But most of the problem would still exist with the original Japanese print. The camera-work is simply atrocious--like it was done by chimps (smart chimps, but still chimps nonetheless). Often, much of the fast martial arts action is missed because the camera is so slow or the tops of the actors heads are clipped off due to the shoddiness of production. And, again and again, the camera pans in and out like it is a new toy being used by an idiot plus the editing is beyond wretched--with cuts being done haphazardly and confusingly.<br /><br />I don't know whether the musical score is original or not--but it was also very, very bad. Sort of like acid rock of 1970 blended poorly with Ennio Morricone's "Spaghetti Western" music--it was annoying, distracting and just plain silly.<br /><br />As for the martial arts action, I think that having chimps do the choreography would have improved things a bit. Instead of the great fight scenes you'd look forward to in a Chiba film, the fights are too brief and often missed by the camera!! So what you are left with is the story...and this MIGHT just be the worst part of the film! It's supposed to be an anti-drug film starring Sonny Chiba as....Sonny Chiba! And when the film begins, he vows to destroy the drug trade in Japan. But, the Mafia (complete with not a single member who looks Italian, but who are ALL Japanese) vows to stop Chiba. And, when a lady comes to Chiba with promises to give him information about how to destroy the drug trade, he agrees to help her and risk his life with no conditions--even though she's NEVER forthright about telling him what she knows! In fact, later it turns out she is just trying to use Chiba to protect her while she herself sells a huge briefcase full of cocaine--and he CONTINUES trying to protect her!! This makes no sense at all and throughout much of the film it looks as if they just shot the film without a script--such as when they went into the bars and brothels and had Chiba walking about as if he was drunk.<br /><br />So if it was THAT bad, why still does it merit a 3? Well, first, there are many more horrid marital arts films (such as many of those from Hong Kong in the 1970s)--including one with guys dressed up in gorilla suits doing kung fu and their handlers with 3 foot long tongues they used for fighting (now THAT'S bad). Second, while the action is very bad compared to other Sonny Chiba films, compared to its contemporaries, it's not that bad. Still, you could easily do a lot better than this horrid little film.<br /><br />By the way, if you are wondering if this is the worst Sonny Chiba film, it certainly is not! In one of his first films, INVASION OF THE NEPTUNE MEN, Chiba plays a leotard-wearing super-hero who battles pointy-headed invaders from the planet Neptune. It's so bad that it rivals PLAN 9 FROM OUTER SPACE and THEY SAVED HITLER'S BRAIN for awfulness.<br /><br />A final note to parents--Like most of Sonny Chiba's films, this one is very violent and has its share of boobies. DON'T let little kids watch this no matter how much they beg! Make them wait until they are older before you let them watch wretched rated-R martial arts films!
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Negative
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What happened? What we have here is basically a solid and plausible premise and with a decent and talented cast, but somewhere the movie loses it. Actually, it never really got going. There was a little excitement when we find out that Angie is not really pregnant, then find out that she is after all, but that was it. Steve Martin, who is a very talented person and usually brings a lot to a movie, was dreadful and his entire character was not even close to being important to this movie, other than to make it longer. I really would have liked to see more interactions between the main characters, Kate and Angie, and maybe try not for a pure comedy, which unfortunately it was not, but maybe a drama with comedic elements. I think if the movie did this it could have been very funny since both actresses are quite funny in their own ways and sitting here I can think of numerous scenarios that would have been a riot.
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Negative
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This is easily one of the worst martial arts films I've ever seen, and that's saying something. The chant of viva Chiba, viva Chiba is heard at the title, soon you will be chanting to yourself stupid, stupid. The basic story is that the mafia is running drugs into Japan and one man vowels to stop them, of course that's our man Sonny Chiba. The Karate master offers up his service to anyone who can provide information on the drug lords. A woman comes forward and he becomes the bodyguard, but what are her true intentions? Let me say at this point who cares? Soon we are treated to or tortured by a series of poorly choreographed fights and a lame storyline that becomes more and more laughable at every moment. Sonny eventually wipes out the bad guys with his karate skills, end of story. Oh yeah the woman was corrupt too. Congratulations you may have just watched the funniest film ever.<br /><br />As stated already this is one of the worst martial arts films I have ever seen. What makes it semi watchable is to see how badly made a film can be. Some have already mentioned the infamous American intro put into the film. That's probably the most entertaining part of the film and it's beyond funny. I would agree its worth watching just to see how lame the 70's karate scene was at the time. Watch as Aaron Banks leaves a guy hanging by his nuts then flips a fat student (bad editing) punching him in the throat. But everything is badly done in this film. Terrible unbelievable fights, fake I mean fake blood, bad acting, dubbing, wardrobe, and let's not forget the story. One man to take out an entire drug problem in a country? I bet. Fight after fight is laughable. This was the 70's when people still believed karate was effective in a fight, but Chiba brings it to new levels with some of the nonsense put out in this movie. Let's see he kicks a gun in half, kicks a guy so hard what looks like his dentures fall out and of course chopping the bottle scene, give me a break. Not to mention the fact that it's very hard to tell what happens in the fights because it's filmed so poorly. One part that was amusing was when he broke the guys arm through the door giving him a compound fracture. OK. As the action goes on we are treated to gobs of blood, really fake blood. Too say it looked poorly made is and understatement. The acting is totally non existent in this film. I don't expect much from a film of this caliber anyway as long as the action is good, but it wasn't and as expected the dubbing is extremely poor. Was it my imagination or did they dub the Asian go go dancer with a black accent? As expected from a 70's wardrobe you'll be in stitches laughing at some of the trends and nasty women put forth for the gratuitous nudity that comes with these flicks. Also why would the mafia be so obvious and all where black trench coats and hats all the time? Don't try and hide it now. The characters were stupid as well. The pimp club owner's one of whom is decked out in a Japanese pimp suit and the other who has a taste for bores head looks like fat hippie. Also one last thing that bothered me throughout the film was the awful music with some woman whaling. It was very annoying.<br /><br />Overall this is a terrible film by both martial arts standards and good movie making. That doesn't mean that it's not entertaining. With a film made so poorly it's hard not to laugh through most of this film, if you can stomach it. This was an old favorite watch with my best friend. If it was purely bad I would give one star, but the laughs it delivers bumps it up. 4 out 10.
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Negative
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This movie has some fatal flaws in it, how someone could walk through an open back door of a highly secure medical facility is unbelievable. Then this same person just walks around the facility and enters the Dr.'s office, is just bad writing or bad editing. <br /><br />Very very very predictable movie. <br /><br />I am not sure how this film got made, except it is was filmed in Canada, and probably received a government grant. <br /><br />I must say the person playing Aaron, Cory Monteith, did a good job.<br /><br />Unless you are really bored and there is nothing else to watch on television then I would say it will kill some time, but otherwise, it is a movie no actor would want on their resume.
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Negative
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In the Tower of Babel installment of the mini-series, the narrator describes the builders of the tower as "the descendants of Moses."<br /><br />That's like saying George Washington lived many centuries before Alexander the Great.<br /><br />Or that the light bulb was invented before the wheel.<br /><br />Or that the guided missile was the forerunner of the bow-and-arrow.<br /><br />Need I say more?<br /><br />The writers of The Greatest Heroes of the Bible should have at least paid closer attention to the chronologies of Biblical people and events.
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Negative
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"The Screaming Skull" opens with a warning and an offer for free burial services if you should die watching it - Now there's a hook! The story itself has a fairly interesting premise for a horror flick: scheming husband marries a wealthy woman with a history of mental illness, then attempts to convince her that she's going insane with shrill noises, mysterious knocking and skulls that turn up at inopportune times. Add to the formula a sufficiently creepy gardener who still cherishes the memory of the man's first wife who he was devoted to. Maybe it's just that the 1950's didn't have the technology to pull off some of the scare scenes needed to juice up this movie, the techniques used here seem contrived and mundane. But then again, when I first saw "House on Haunted Hill" as a nine year old, it gave me the heebie jeebies in the same way I'm sure this film did for young viewers of the same era.<br /><br />Don't get me wrong, the film is not terrible, it just seems to get tedious at times. But there's some great atmospheric tension in the generally huge but unfurnished Whitlock home, and the gardens and pool are a nice touch. For me the best played out scene involves Eric Whitlock (John Hudson) going maniacal in the pond attempting to retrieve the hidden skull, he just wades right in clothes and all, in neat contrast to the mentally challenged gardener (director Alex Nicol in a dual role). It makes you wonder who the real dimwit was.<br /><br />In it's own good way, perhaps the most shocking thing about the film: how about that neat roadster the Whitlock's make their first appearance in - gull wing doors in 1958! That at least made me jump out of my seat!
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Negative
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This miserable film is a remake of a 1927 film. They should have let it remain that way.<br /><br />What a colossal bomb! Douglas Fairbanks displays absolutely no charisma here. Cesar Romero is subjected to a role as a real jerk and Bette Grable sings with a chorus- What I'll Do to that Hungarian!<br /><br />The ridiculous plot deals with a picture of a woman in a castle in 1561 Rome that saved the day by killing a conqueror. (Fairbanks) Now, let's fast forward to 300 years later, where Grable, just married to the Count Romero, faces a similar situation, when on her wedding night, there is an invasion by Hungarian soldiers.<br /><br />Romero acts cowardly and flees before the army arrives. He disguises himself as a gypsy and is made to remain at the castle when his violin playing pleases Fairbanks. The ending is worse than the entire wretched film when Grable meets Fairbanks to tell him the good news-an enraged Romero has annulled the marriage.<br /><br />This poor imitation of a movie was made in 1948. As Harry Davenport, a veteran supporting player who is in it, died in 1949; this must have been his last film. What a bomb to go out with after such a distinguished career.<br /><br />Walter Abel co-stars but he can do little with such poor writing. The costumes look more like those that would come out of the stone age. I can't fathom what Fairbanks was wearing.
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Negative
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Thin story concerns two small town brothers and their struggles over family honor. David Morse is the responsible, straight-laced cop and 'good' brother; Viggo Mortensen, the 'bad' boy, is a former soldier and ex-convict. As an actor (particularly in his earliest years), Sean Penn seems to have modulated his performances under the Method. Turning first-time writer and director for this arty, obtuse drama, he works his script and characters out through the same methodical process, slowing the pacing down to a crawl (ostensibly so we can catch every nuance and inflection). This approach might be fascinating if there were three-dimensional characters to care about, but photogenic Morse and Mortensen aren't really convincing as siblings. Worse, we expect more from prominently-billed veterans Charles Bronson and Sandy Dennis, who hardly get a chance to come through with anything interesting. The picture is balky with turgid sequences, a wobbly narrative and confusing editing (always slanted to point up the artistic excesses). Penn's tricks with the camera show off a talented eye, yet they are mostly an irritation. *1/2 from ****
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Negative
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First, a little summary. This reporter named Torch is basically trying to get out the story of a zombie outbreak and finds the military & government censoring him. Nice message, government censorship and all that, but the way they DID the movie was, well let me explain.<br /><br />This movie is beyond description. The idea that somebody holds it in higher regard than anything by George Romero is justification enough for the reviewer to be committed to a mental institution. The script is atrocious on its own, like it was written by a sixth grader.As for special effects, I understand that independent films have low budgets, and some gore effects looked acceptable, but if you want a scene with fire, here's a tip: buy some nonflammable material, have an extinguisher ready, and get a fire going! Don't digitally add it in and make it look like an explosion from a Nintendo 64 game. The acting, well let's put it this way. In my summer theater program, a cold reading of the script is, compared to this, The Godfather. I won't even go into the inconsistencies. Find them yourself.<br /><br />What disturbed me the most, though, was when everything was finished after shooting and editing, somebody might have said, "Okay, this looks good. Let's release it." It sends a chill down my spine to even think about it, to think somebody felt that this was good enough for DVD release. This isn't DVD quality. This isn't Sci-Fi channel quality. Hell, this isn't even film school quality. If you were to submit this in for a project at a film school, you would get an F. No, not even an F, more like an F-. I wouldn't be surprised if he would try to get you expelled.<br /><br />I felt used after I saw this thing. Blockbuster and the makers of this movie have my money right now, and I'd prefer not to think of what they're doing with it. I have been the pawn of some elaborate, nefarious scheme at legalized theft, and it doesn't feel good to think that I walked right into it, looking at the back cover with pleasant memories of 28 Days Later only to find a film Ed Wood would watch and say afterwards, "I didn't much care for this." This film is the single most terrible movie I have seen. I have not seen anything by Ed Wood, but I have confidence this is worse. If you are looking for serious cinema, so much as being within ten feet of it will probably give you a bad headache. If not, I still recommend that you personally write the director and ask how he sleeps at night. However, if you are the kind of person who get a laugh out of really bad stuff then I recommend you check this out. You won't be disappointed.
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Negative
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I'm actually surprised at the amount of good ratings this anti-Christian pseudo-documentary got. Now, I respect the guy's opinion and faith, I myself am not, at this state, believer of the taught Christian doctrine. However, anti-Christian propaganda is somewhat of a different issue.<br /><br />This film has valid points, but they are very few and represented in a very biased context. I'm not recommending against seeing it. In fact, I think everyone should see it and decide on their own whether they believe it or not. And this is actually more of a chance than the one the director gives to Christian teachings. Rather than an inquiring approach on the subject, it looks like a personal vendetta on the Christian school that affected his childhood. It also misrepresents the Christians most of the times as either incredibly naive or fundamentalists, no moderation in between.<br /><br />The director uses movie scenes from Passion of Christ without permission, sets up an interview with the headmaster of his former school and presents almost solely anti-Christian historians and writers. I actually found the headmaster to be the most down-to-earth person and think that his attitude was fully justified. I also strongly doubt that any of the Christian believers who were interviewed were consulted afterwords or even told before the interview the purpose of the inquiry.<br /><br />With this being said, there are certainly new and interesting facts to be found here and some very original thoughts on the question of Christianity. But the way in which this whole think is produced is often offensive, highly unprofessional and dreadfully biased.
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Negative
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After having seen the movie the first question arising in my mind was: Is this supposed to be irony or not? After reading a few comments about the character Doc Savage and the comic series, I knew this film was not meant to be ironic. So, the story tells us about an US-American Super-Doc saving a south American republic from evil. Sounds like a typical story. But this one comes in such an unrealistic way that it becomes ridiculous. The mandatory end-fight shows the worst presentation of martial arts I have ever seen. The film might be interesting for low budget movie designers as a bad example.
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Negative
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Absolutely the worst film yet by Burton, who seems to be getting worse with each film he directs. A miserable script loaded with cliches is only the first of many objectionable aspects to this film. This is the kind of movie where every time something happens, you'll be sure to hear someone shout out "he's lost his gun!" or whatever it is to let everybody know. Carter is really awful and so is Wahlberg, who can't play this straight and be convincing. Very nice effects and photography, but poor music in the John Williams mold by Burton's crony Elfman. Heston appears in a nonsensichal scene to spout out his most famous catch-phrases from the first movie. Very poor results.<br /><br />If anyone else out there also saw "Sleepy Hollow", they will probably have noticed, as I have, the declining quality of Burton's films. I've heard that this particular project was produced by others and that Burton was brought in as director, in which case his judgement should be questioned. But I think he has allowed any possible vision he might have had earlier in his career to slip; the evidence is there in the films. In "Sleepy Hollow", he couldn't decide what kind of movie he was making, whether it was a comedy or a real horror movie, and the population of british character actors (Chris Lee, etc.) made you also think it was kind of a monster rally film (those are never scary, as horror fans know). The movie couldn't succeed on either horror or comedy because it was so schizophrenic, and no style had been developed to smooth the two together. "Planet of the Apes" is much the same way, and the result comes off more like "Total Recall" or "Tango and Cash" than like sci-fi. He's also fallen into the rut of so many other "big" directors of trying to satisfy the entire possible audience. Word to Burton, if you're out there -- pick something and do it straight, or use some style to peice it all together (as in "Mars Attacks" or "Beetlejuice") or you might as well retire, because people like me that are fans of your movies will stop going.
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Negative
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Can we say retarded? This girl has no talent what so ever, nothing but complete garbage. You people are just marking 10 stars because you know most people hate this pathetic woman, if its such a "great" show then why did it get canceled after 6 measly episodes? exactly. People that support her, please seek help you do NOT know what is funny. Her stand up comedy is just so stupid, seriously how do you find this trash funny? The show tries to poke fun at stereo types and other things that are not funny at all. Carlos Mencia is funny and to that stupid poster, he actually has fans and his show is on the air so I'm sorry your a redneck who doesen't get his jokes. Please give me my 20 minutes of my life back.
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Negative
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OMG this is one of the worst films iv ever seen and iv seen a lot I'm a Film student. I don't understand why Angelina Jolie would be in this movie? Did she need the money that badly? I love AJ and have seen almost everything shes ever been in so i watched this 2 tick another one off. It was SOO bad! not even good bad, just bad bad. It had 1 or 2 funny little moments but all in all it was bad n a waste of 101 minutes. I cant even say AJ looked good in it because well she didn't. The plot is predictable unless you r expecting a re-telling of Romeo and Juliet then its not. All round disappointing. Maybe if your 12 this could be a good film otherwise I really don't recommend it.
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Negative
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I'm not looking for quality; I'm just trying to get through the 74 famous video nasties that were banned in Britain. This one was initially banned and re-released in 2001 with a whole 10 seconds cut.<br /><br />Some college kids spend their Christmas vacation preparing a dorm for renovation. There are some creepy characters lurking about along with the four kids. Which of them is the slasher? The actual killings are not very gory, so this video nastie is not really nasty. There is the requisite flashing of the boobies, but it has nothing to do with the college kids.<br /><br />I had a suspect very quickly and I turned out to be right. Maybe I've seen too many of these. The end twist was clever; I have to give the writers credit for that bit of originality.
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Negative
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It was everything this isn't: it had pace, pop, and actors who weren't afraid to chew the scenery. It also had a decent script. This one had me scratching my head. If Farrah isn't really "serious" about a career, why does she have a manager (and why is he wasting his time)? If Kate and Barney are "artists," why do they sign up for The Mother of All Jiggle Shows (like the "Brady Bunch" movie where Robert Reed wants to do Shakespeare, only to find himself on BB)? They weren't industry names, but they weren't exactly starving, either. And while they got the history right (the poster was released before Farrah got the show), Silverman rejecting pitches for "Funniest Home Videos" and "American Idol" and Spelling promising his baby girl Tori someday he'll create a show for her obviously did not happen.<br /><br />What bothered me was how Spelling's role is distorted. He's shown as the show-runner and creator when he was neither. And how he "comes up" with the "idea" for CA was is laughable!<br /><br />How were Spelling and Goldberg allowed to enforce Farrah's oral contract when the others were signed? And why didn't Farrah or Bernstein tell them she was leaving not because she discovered her Inner Diva, but because Majors wanted her to? This is why, when it tries tries to created conflict and tension by setting Farrah up as the "bad girl" (like Suzanne Somers), it fails because the groundwork was never laid -- that was where the "Three's Company" pic delivered.
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Negative
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How many fricken' times do we have to see a spook walking by in the background & peaking through a mirror's reflection? It's been done in two dozen movies in recent memory & four dozen times in this choppy, poorly done film. There were only two freaky moments to appreciate....when the ghosts invaded the personal spaces of two characters. Speaking of characters, the acting was as flat as the Diet Coke in the 64 oz. cup I was drawing it from. The side characters could have been pulled from various Scooby Doo cartoons. There was the friendly, aged sheriff. There was the kooky weirdo living in the backwoods with the Alabama drawl. Lots'o'characters with no development. The most disturbing image was that of a murdered child in the beginning. But rather than explore the child's murder, which would have been interesting, they just let us know that she was dead & her parents had a hard time reconciling her death with the community & each other. When they reach the cabin, the scenes rarely flowed together....with flashing images of the dead daughter interjected here & there. Oh...and the eerie sounds were also overdone. You know what I mean....creaking doors that open by themselves, crickets in the forest, yada yada yada. Ooooohhhh. Haven't seen that before. Again, you'll see the amazing self-opening door in the movie over and over an over again. NOTE TO DIRECTOR: a scary scene is only scary if it's not repeated every 5 minutes in the same film. Think these things out before calling out "it's a wrap!"
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Negative
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