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I like this film for several reasons. I have a soft spot for films about intricately plotted criminal plots like TOPKAPI. I also enjoy films (like TOPKAPI and BIG DEAL ON MADONNA STREET) that spoof the the genre. One of the best ones is DISORGANIZED CRIME.<br /><br />Corbin Bernsen has met four cons over the years, and he decides they can all be useful in a bank robbery he is planning in a small Montana town. But he hasn't given any details on the crime to the fellows, nor do they really know each other at all. Shortly after he sends for them Bernsen is arrested by two New Jersey policemen (Ed O'Neill and Daniel Roebuck) whom he escaped from before and have a warrant to bring him back. While he is in their custody the four cons (Fred Gwynne, Lou Diamond Philips, Ruben Blades, and Will Russ) show up without a clue about why they are there except that Bernsen was planning something. <br /><br />The first twenty minutes of the film deal with the four cons slowly getting used to each other, with Gwynne and Philips managing to push away their own suspicions to figure out they have to trust each other. At the same time we see Bernsen patiently waiting for the right moment to escape from O'Neill and Roebuck again - not too difficult as they are not the brightest bulbs who ever existed. The result are two sets of plots that will keep juxtaposing against each other throughout the film: the four cons trying to figure out what Bernsen's scheme was, and how to put it into operation, and Bernsen trying to maintain his own freedom from his pursuers and regain his cabin (and hopefully find his gang there for him to take command of). There is also a third, smaller, plot involving the growing annoyance and anger of local Sheriff Hoyt Axton against the idiots from New Jersey who keep getting into his hair.<br /><br />There are many delightful moments in the film, such as Axton, egged on by O'Neil and Roebuck, into surrounding a house in the town that Bernsen is supposed to be hiding inside of, and yelling (through a megaphone, "Come out, we have you surrounded!!", only to have the scene switch to a huge, Montana plain that Bernsen is struggling and stumbling through miles from where the police think he is at that moment. There are moments of misadventures by our four cons, who fortunately put the oldest (Gwynne) into leadership position. This does not always guarantee anything. At one point their car won't start, and they have to thumb a ride by truck. Unfortunately it is a truck carrying manure.<br /><br />The conclusion with the gang successfully carrying out the robbery, including disabling all the police cars at the critical time (Philips specialty is cars) is also a gem of timing, suspense, and comic results. The film is very entertaining, and certainly worth watching.
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Ayone who whines about how this movie was crap or that it had no plot must have been looking for "Jean de Florrette". HELLO! this film was made to be a random act of comedy and in no way involves a plot in any way shape or form. I would also like to remind these whiners that if you are going to flay the crap out of this film that they seem to be missing the point. This film is clearly made for people who don't appreciate the so called "american humour" which seems to me just a pile of smutty crap. The point is everyone has an opinion and you should be a bit more appreciative that some peoples sense of humour may not be in line with your own before shooting your mouth off.<br /><br />Thankyou
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"Who Done It?" contains many surefire laughs and gags. It is not only one of the best Stooges films with Shemp, it is one of the finest short comedies Columbia produced. Director Bernds originally wrote the screenplay in 1946 for the Stooges, but when Curly Howard suffered a career-ending stroke, it was tailored for the Columbia comedy team of Schilling and Lane (their version was released as "Pardon My Terror.") It obviously was too good for the Stooges to pass up, and it was finally filmed by the Stooges at the end of 1947.<br /><br />Old Man Goodrich calls ace detectives Shemp, Larry, and Moe out of fear that he will be murdered. When they arrive at his home, Goodrich has disappeared, and his niece and assorted goons try to get rid of the Stooges. Will they find Goodrich and bring the niece and goons to justice? <br /><br />Shemp is particularly funny in this film. His reactions after being given a mickey by Christine McIntyre are superb; he gives his trademark sound (eeeb-eeeb-eeeb) and Miss McIntyre is noticeably trying not to laugh! Other funny scenes: the close-up of Moe's mug looking through the camera lens; and the in-the-dark fight with all cast members involved.<br /><br />Nikko the goon (played by Duke York) is one of the most unusual looking characters ever portrayed in a Stooges film. With his kinked hair, he could almost pass for a Stooge, if he didn't tower over everyone else! "Who Done It?" is a gem among the Stooges films with Shemp. Even die-hard Curly fans will enjoy this one! A true Stooge classic. 9 out of 10.
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When I learned of Sir Alec Guinness' death, this was the first of his many films I thought of re-seeing. What a wonderful droll commentary the film provides even after all these years. And Guinness helps to weave the charm into every frame. His eyes and face are as luminous as that white suit he wears. Both he and the film have to be considered lifetime favorites.
Positive
When I learned of Sir Alec Guinness' death, this was the last of his many films I thought of re-seeing. What a stupid droll commentary the film provides even after all these years. Only Guinness helps to weave the charm into every frame others not so much. His eyes and face are as luminous as that white suit he wears. Only he and definitely not the film have to be considered lifetime favorites.
Negative
Following a roughly 7 year rocky road on NBC, it was decided to do just one last Super Installment. The Series had been on the bubble several times thanks to not having the numbers that would qualify it as a block-buster of a TV hour. It had always had a sizable, hard core of hard corps of followers. <br /><br />It was almost as if the series with the full title of "HOMICIDE: LIFE ON THE STREET" (1993-99) was a sort of "Mr. In-Between" of series. It was too big to just cancel, but too small to get a case of 'Rabid Ratings Ravings' over. <br /><br />During the precarious tenure on Friday evenings, they had presented some of the best and most daringly Artistic of Hourly Dramas. There, I've said it Artistic, Artistic!! But please, remember we mean Artistic, but not just Phony, Pretentious, Pedantic, Politically Correct preaching.<br /><br />When at last, it was a sure thing that it was the end of the line for "HOMICIDE"; this super episode was prepared as this 2 hour made for TV Movie. <br /><br />Looking at all the past seasons' happenings and parade of regular characters, the Production team went out and gave us what proved to be a super send off.<br /><br />OUR STORY………. As we join the story, we find that Baltimore Homicide Unit Commanding Officer, Lt. Al Giardello has "pulled the pin", Retired from the job, that is. But 'G' isn't ready to really retire-retire yet. So, instead of a rocking chair o a fishing rod, we find that Al is running for Mayor of 'Charm City.'<br /><br />While out in the City, making some campaign stops and speeches, the former Detective Lieutenant takes an assassin's bullet. Alive, but in a comatose state, he is taken to the Hospital. <br /><br />News spreads quickly and as if officially summoned, we find all of the Detectives of the Baltimore Unit we've seen on the show showing up to offer their services and assistance. There is a great meeting of all of these former and present gumshoes as they pitch in and follow every lead and possibility of a lead.<br /><br />The Producer found a way to deal with those who had died previously in bringing their memory into the story. They managed to answer some long standing questions and even introduced some here to unrevealed ones. The whole story winds up the series in a most satisfying and original way. But at least for now, we'll leave that as "classified".<br /><br />In wrapping up everything into a neat, little package, this TV Movie surely gets our endorsement. As for grading "THE HOMICIDE MOVIE", we must give it an A or A+, even. But, no matter the Grade here, it didn't score as high as a typical weekly episode.
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Along with Fernando Fragata, João Mário Grilo, Abi Feijó, Leonel Vieira, étc...(other commercial directors), Diamantino Costa is one of the best Portuguese Directors; "O Lampião da Estrela" was his (Diamantino Costa) First movie, before he made several successful commercials. This title is starred by one of the best Portuguese comedians of all times, Herman José and José Pedro Gomes are great. Its a very funny movie!! (28/07/2000)<br /><br />BOA SORTE DIAMANTINO...
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I think this movie would be more enjoyable if everyone thought of it as a picture of colonial Africa in the 50's and 60's rather than as a story. Because there is no real story here. Just one vignette on top of another like little points of light that don't mean much until you have enough to paint a picture. The first time I saw Chocolat I didn't really "get it" until having thought about it for a few days. Then I realized there were lots of things to "get", including the end of colonialism which was but around the corner, just no plot. Anyway, it's one of my all-time favorite movies. The scene at the airport with the brief shower and beautiful music was sheer poetry. If you like "exciting" movies, don't watch this--you'll be bored to tears. But, for some of you..., you can thank me later for recommending it to you.
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If I'm going to watch a porn movie, I prefer it to have some sort of plot, and a descent dialogue. Behind Bedroom Doors is one of the few I've come across with those attributes.<br /><br />The new girl next door scams on the neighbor's human nature and weaknesses where seduction and sex concerned. Chelsea Blue,(I mean Brooke LaVelle) is the choice actress to play the part of the blackmailing seductress, and plays the part magnificently. Chelsea Blue is a very talented and extremely beautiful actress. The movie get's an overall 10 just because she is in it. Her partner in the movie, Monique Alexander is a definite cutie. The two should do more work together. In this movie, though, Monique, who plays Gigi, doesn't have a whole lot to do or say. That's too bad. She seems like she has more talent to be shared. I like the girl who was the (possible) DA's wife next. I forget her name, but she's pretty good looking, and not a bad actress. Nicole Sheridan...I'm still trying to figure out what some people are so excited about. It's obvious there are parts of her bought an paid for. Which is okay, but is she finished? Sorry, but come on! I'm afraid her performance here would have dropped the rating some, except Chelsea's talent and beauty overrides any negatives. Overall, This movie is a good one.
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Fairly funny Jim Carrey vehicle that has him as a News reporter who temporarily gets the power of God and wrecks havoc. Carrey is back in familiar ground here and looks to be having a good time, and Jennifer Aniston as his put upon girlfriend is also charming and affecting. The story is predictible to the extreme but the cast (including Morgan Freeman as "God") is great and makes the film worth catching. GRADE: B
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I was hooked from beginning to end. Great horror comes from disturbing imagery and organic shocks that are created not to make you jump, but to make you go "What the f*ck did I just see?" All the other commentators gave short summaries of what the film is about, so I won't rehash what has already been said. I was telling other people about this movie days after I had seen it just because it still haunted me. I even had a bad dream after seeing it, and I am a true horror fan, not easily spooked by tripe like "The Grudge" or even "Silent Hill". What gave me the bad dreams was the unease I felt about what I would do if I were in that cell with those guys. What would my personal horror be? my subconscious took me there, and it was not pleasant. That my friends is what a good horror flick does to you! The best part of this movie is that it is subtle. It's not about Bogeymen that jump out at you,alien invasions, or tons of gore. It's the opposite. The horror you create in your own mind. The irony for the four characters is that the horror comes not from an external force that asserts it's power over them. Simply, the men ask for the one thing they desire, and they get it...but not in the way they imagined. So on the one hand, they get what they wish for from an occult book, but may ultimately wish they hadn't. Sometimes being locked in a jail cell is the best place to be!
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Though I really didn't feel anything for Lance's character, and felt his wife could have done much better with anyone else. It could have been a much stronger movie if they had spent more time on character development, perhaps with Lance- I would have liked it better.<br /><br />However, I have to completely agree with DoyleLuver, when they said "And to quote Glenn Quinn's character Ben: 'I'm the star here in it, that's right I'm the talented one!'" If you watch the movie, just watch him, even when he's in the background... just his facial expressions, all in the eyes, you KNOW for sure what motivates Ben, exactly how he feels about comments, even if it's a quick look behind a character's back. Great acting in a fair film.
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Clark Gable plays a con man who busts into the life of hard-boiled dame Jean Harlow. He tries to sucker her while she brushes him off with her tough-gal attitude. Despite their cynicism and cons they fall in love. When Gable accidentally kills a man during a sting he runs out leaving loyal Harlow to women's prison where she discovers she's pregnant. Anita Loos' and Howard Emmett Rogers' writing is excellent throughout with many well-drawn and surprising characters (including a Jewish socialist woman inmate and a black woman inmate and her preacher father played with hardly a trace of stereotype). Gable and Harlow show their mettle as actors adding telling nuances and quirks to their characters that send them beyond the typical Gable and Harlow roles. And the direction is much better than you'd expect from Sam Wood. One beautiful shot has Harlow being inducted into the prison, then led out into a surprisingly snowy courtyard as the camera tracks after her. This is one of the best of both the "criminals in love" and "women's prison" genres and has some of the best hard-boiled dialogue ever written.
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OK, I would not normally watch a Farrelly brothers movie. I can't recall ever watching one. I also don't recall watching a Jimmy Fallon movie. Alright, I did watch taxi, but I said penance and was forgiven for that mistake. But, this movie had Drew Barrymore and I just think she is the cutest thing. I don't know what it is about her, but I just smile the whole time I am watch her. She just captivates me that way. I mean I even watched Adam Sandler just to see her in 50 First Dates. How sad is that? This wasn't the greatest baseball movie - it wasn't supposed to be. It was a love story about a sad puppy that hung on to the only thing that never let him down until he found something worth giving that up for. It had a predictable ending, but there was so much on the way there that made it worthwhile.
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I watched this movie when I was almost quite a kid, and, naturally, was moved to tears by this story of a fox family. The fantastic scenery at Hokkaidô, the excellent storytelling and last not least the wonderful soundtrack provide a rare intimacy with the protagonists. I am still searching for some copy of the gorgeous soundtrack. To German viewers it might be useful to know that the DEFA-dubbing is the only one worth listening to. I taped both (DEFA and BR) but I keep viewing the first one only.
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Outrage is pretty good movie! Robert Culp was very good in the movie and was perfect for the part! Its hard to believe that this is a true story but what can you do? When I watched this I thought why do they have to do all of those things. It isn't right but they learned their lesson when they picked on the wrong man! Anyway if you ever see this movie on TV watch it because its a good one!
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Anyone who finds this film boring is a hopeless bonehead who should stick to car chase movies and romantic comedies. This film is riveting and doesn't have a boring moment. Why? Because it is comprised largely of intelligent dialogue between real people in a moment of crisis and details their efforts to survive that crisis. I repeat--intelligent dialogue! That is what characterizes nearly all of Rohmer's films, and that is why a lot of people don't like them. They prefer action. Fine, let them spend the rest of their lives watching action films, while those of us with taste and discrimination will continue to seek out films like this.<br /><br />Rohmer has always been accused of being "talky." Well, he is, but to me that's a compliment, not a criticism. Shakespeare was talky, too. Is there a talkier play than "Hamlet?" Whenever the subject, or theme, of a work of art consists of ideas and conflicts over values, there must of necessity be a discussion of these ideas and values, an that is largely what this film is all about. Aristocracy and noble birth vs. egalitarianism; loyalty to old friends that is put to the ultimate test when that friend takes what we believe to be a wrong path; the value of human life and the responsibility to help save that life, even if the person possessing that life is not so nice, or even despicable. (Anyone ever hear of Dostoyevsky, or "Crime and Punishment?") These are what this film is all about.<br /><br />The two leads in this film are impeccable, as if they were born to play these roles. Lucy Russell, who is English and speaks French as her second language, is especially brilliant. Do yourself a favor and see this riveting film. It may be the last film by this screen Master.
Positive
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I enjoyed watching Brigham Young and found it to be a positive and largely true portrayal of the LDS faith. I think that a remake of this epic journey across the plains would be beneficial, since many people today are not familiar with the trials and persecutions faced by the early Mormon church. It is an incredible story of a strong and devoted people.<br /><br />As a member of the church, the single most disturbing aspect of the film (most of the historical inaccuracies did not bother me much) was the portrayal of Brigham Young as one that had "knowingly deceived" church members into believing he had been called to be Joseph's successor as the prophet. Although I understand the dramatic reasons for this plot line, it creates the impression that his doubts in this regard are historical fact, when in reality, both Brigham and the bulk of the church members understood and believed firmly that he had been called to lead the church. Brigham did not knowingly deceive the saints; rather he led them confidently by inspiration. The point is important for Mormons because on it hinges an important aspect of our faith: that God truly speaks to prophets today, and that Brigham Young, like Joseph Smith, was an inspired prophet of God.<br /><br />Whether or not you believe this statement or not, just know that the film does not accurately portray what Brigham himself believed.
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I'm a fan of Crash and Blade Runner and this movie explores some of those highway death and 80s film noir themes that I like to see, so I enjoyed it.<br /><br />In general though, the essential stupidity of the film noir protagonist is not pulled off well by the female lead and her hero is nearly a neanderthal, hence the kitch warning.
Positive
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Okay, my title is kinda lame, and almost sells this flick short. I remember watching Siskel & Ebert in '94 talking about this movie, and then playing a clip or two. Not being a rap-conscious guy (although I could identify Snoop Dogg, Vanilla Ice, and MC Hammer music), I wasn't much interested when they started talking about the film. But then, S&E showed the scene where the band explains how they picked their name (using some "shady" logic and a bunch of "made up" facts), and then another scene where the band, and their rival band, both visit a school to promote getting involved (and, of course, NWH comes up with some "info" about how the rival band leader is a loser because he got good grades in school and was on the yearbook committee). So I filed it away that I should see this movie.<br /><br />A couple of years later, this thing shows up on HBO and I recorded it, only to laugh my butt off for hours. Yes, it has a "Spinal Tap" kind of rhythm to it...even the documentarist takes essentially the same "tone" in setting up the clips, and the band follows a similar path (what I now call the "Behind the Music" phenomenon - smalltime band has good chemistry, gets famous, too much money too fast, squabbling, drugs, some type of death, band breaks up, then reconciles, finishing with a hope for more albums in the future, and fade to black). The one thing that is true is that in Spinal Tap, you catch the band perhaps with a little more success in their past. But Tap drags at some points, and in my mind is reduced to laughs that are set up by specific scenes. Oh, this is his rant about the backstage food, this is spot where he wants the amp to go to "ELEVEN", this is the spot where the guy makes the pint-sized stonehenge, etc...<br /><br />Contrasting to FoaBH, which seems to have more "unexpected" humor. You can see some of it coming, but there isn't a big setup for every joke. Sometimes, the jokes just kinda flow. Cundieff and the other actors in the band had a real chemistry that worked. Also, the direct references to Vanilla Ice, Hammer, and a bunch of other caricature-type rappers really worked well. This strikes me as a film you watch once to get the main story and laughs, and then go back and watch to catch the subtle jokes. And the songs. Is "My Peanuts" better than "Big Bottom" (from Spinal Tap)? I don't know - but they're both damn funny. Tone Def's awful video during his "awakening" phase is so bizarre, yet so funny.<br /><br />I could go on awhile, but save your time and don't waste it on CB4. I watched the first half hour, and got bored. You don't get bored on FoaBH. There are slightly less funny moments, but you can never tell when something good is about to happen. Perhaps my favorite scene is when Ice Cold and Tastey Taste (name ripoffs if I've ever heard any) discover they've been sharing the same girl....at one point, you've got those two pointing guns at each other, and the next thing you know, the manager, the photographer, the girl, and I think even Tone Def are in the room pointing guns at each other, switching targets back and forth. And, of course, someone does get shot.<br /><br />I did find it odd that NWH's managers suffered similar fates to Spinal Tap's drummers (although none spontaneously combusted, I don't think). There were enough similarities that I cannot ignore the likelihood that Cundieff saw "Spinal Tap" prior to writing this film, although this is clearly much more the Spinal Tap of hip-hop. While some similarities exist, the humor is different, and the movie seems more like a real documentary (maybe because we don't recognize a single actor in this thing, even the guy who played "Lamar" from "Revenge of the Nerds"). All in all, this movie has, in my opinion, "street cred". Kinda like NWH.
Positive
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where would one start a review of the film Snitch'd? James Cahill, god rest his soul, made one of the most daring insights into the human psyche since Encino Man. his beautiful story unravels around a drug squad cop McClure, which is a name synonymous with a character from the simpsons who also happens to be an actor! said cop delves deep into the underworld that is high school drug taking, and discovers a gang war to rival that of Police Academy 1, and i mean the one where Jones is racially vilified by his new partner, but manages to come out with some of the funniest sounds you will EVER HEAR.<br /><br />Cahill's grasp of effects, both visual and aural is electrifying, the slight pause between action on screen and from the speakers adds to the drama that is snitch'd, a real gritty like underground thriller. also, kudos to his brilliant use of makeup, such as the supremely convincing burn marks a gang member suffers in his showdown with an indoor barbecue! YUCK! i feel the world of film is much less from James' passing, his memory will linger on and on and on, reborn with every passing mention of his flagship production, Snitch'd. his insightful director's commentary released a coke-hit up the nose of any discerning film goer, truly appropriate with the harsh reality that is life on the streets, captured in all the beauty of a roughneck punk knocking over a rubbish bin in a brawl.<br /><br />but i ask you, why did the big bosses swimming pool look so cheap? i'll tell you why, because thats life in Santa Ana baby, its not all drive bys and hastily constructed principle's offices, oh no. there are some folk who must infiltrate the soft, tattooed underbelly of street life in LA to kick their way through in moves that would not seem out of place at a School For Special Children's production of Double Dragon: The Play.<br /><br />the only qualm i have with this film, is that there was never a sequel made. come on Steven Spielberg, come on George Lucas, come on guy that made revenge of the nerds 1 through 23, how hard could it be to step it up a notch and pay tribute to this great man, James Cahill.<br /><br />he discovered Eva Longoria you know. oh yeah, that he did.<br /><br />Jonah
Positive
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I love this show and my 11 year-old daughter and I LOVE watching it together. It teaches good old fashioned values in a fun, adventuresome and entertaining way (albeit with a somewhat predictable story most of the time). It's also really fun to make fun of...you know, rewind and insert your own dialog, in place of the actors'.<br /><br />I have my DVR set to record all the episodes and I happened to catch the tail end of an episode (just prior to the next one starting...so I don't know what episode it was) but there was an absolutely TERRIBLE sequencing mistake! Adam had handed Sheriff Coffee a small swatch of "leather", which was torn from some outlaw's coat as he tried to make his getaway, I suppose.<br /><br />Well, Roy happened to have the coat, so he laid it out on his desk and placed the swatch right where it had been torn from. The swatch was EXACTLY rectangular...which I reckon would be nearly impossible to tear from a piece of leather (post-1950's Naugahyde? Yes. Leather? I don't think so). Well, the swatch lined up perfectly and the mystery was solved.<br /><br />Not 10 seconds later in the scene, we see the coat again, still lying on Roy's desk. But this time the swatch is more like the shape of North Carolina and is now in a COMPLETELY different place on the coat (but still perfectly aligned with the hole in the coat) and the seam (which WAS smack-dab in the middle of the swatch) is now gone...as is the seam in the coat. My daughter enjoyed a good laugh as we played the short scene over and over and over again! It's prime for youtube, I tell ya!<br /><br />We still totally LOVE the show though and the sequencing errors make it lots of fun!
Positive
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this movie is another on the list that i did not want to see. i was talked into it and dragged into the theater, but boy am i glad for that. i thought it was going to be just another love story, but it turns out to be SOOO much more than that. definatly an intellectual flick, one of those movies you have to pay attention to.
Positive
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Actually, Goldie Hawn is from Washington (Takoma Park, Maryland), but I digress. This is sort of a Mr. Smith goes to Washington type of movie, with some variations but the same premise. I taped this movie off of cable years ago because I had a huge crush on Goldie Hawn. The story is interesting, but it's highly unlikely that some cocktail waitress will get an important job in the government just because she saved some big shot's life. It made me laugh and made me mad at the same time. It made me laugh because some of the situations she found herself in were so ridiculous, I had to laugh. (POSSIBLE SPOILER AHEAD). It made me mad to think that our government would set up an average citizen in the manner she was set up. And the speech she made at the end...beautiful. Too bad not many people have guts like that in real life.
Positive
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So-so thriller starring Brad Pitt and Juliette Lewis, who join David Duchovny and Michelle Forbes on a road trip out west. The latter couple are researching notorious murder sites for an upcoming book; Pitt's a serial killer on the lam (unbeknownst to Dave) and Juliette is his poor, not-all-there companion. This is a good cast and the story moves along, but Pitt isn't belivably scary as a serial killer, although it is one of his better earlier roles. The best thing is here is Michelle Forbes, who always manages to shine, whether in her roles on `Homicide: Life on the Street' or in the brief series `Wonderland.'<br /><br />Vote: 6
Positive
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This movie deserved better It's great fun, has some wonderful jokes and sight gags, some in-stuff for the "Geeks" amongst us (And we know who we are), and the effects are indeed effectual. Watching Paul Reubens fart in the face of an Academy Award winner is worth the price of admission alone. I never read the comics series before I saw the movie, but have since. as good as they are, I still recommend MM the film. (Although having the Flaming Carrot as a character would have been cool, too) Greg Kinnear is, well,...amazing as Captain Amazing, and NO ONE ELSE could be The Shoveller except William H. Macy My favorite line in the film? "We've got a blind date with Destiny. And it looks like she's ordered the lobster." See this film. BUY this film! It's only 5 bucks and some change at your local Wal-Mart. You'll thank me. Really you will. Oh, and Ms. Garafolo is in it. THAT ALONE makes it watch-worthy
Positive
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This film is one of the finest American B-movies of the 90s. If you're looking for a serious film, look elsewhere. However, if you're looking for some action, a lot of laughs, and a tongue in cheek variation on cops fighting gangsters, this is well worth watching. Everyone chews the scenery a bit, but that's really what the film is all about, and everyone is quite funny. Donald Sutherland and John Lithgow have great chemistry and need to do another film together.
Positive
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Finally a thriller which omits the car chases, explosions and other eye catching effects. The movie combines a simple plot (assasination of a french president) with an excellent background. It takes a look behind mans behavior with authorities, and explains why we would obey almost every order (even murder) which would be given to us.<br /><br />Furthermore it shows us how secret services can manipulate the run of history and how hardly they can be controlled. The best thing on this movie is, that there is no classic "Hollywood end" which can easily be predicted.
Positive
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I'm not aware of "Largo Winch" as a comic book (or is it graphic novel? I actually don't know), but I have to admit, hearing about an agent/hero movie, I did expect quite something different, than what I actually got.<br /><br />While it was startling to watch this at first, it was nice watching this move along. You could never really tell where it would go (some twists are foreseeable, but in general, you can never really say, were it will end up going). A more than stellar performance from the lead actor and a really good support cast, make this an enjoyable watch. Not as action packed as some might hope or expect for a movie like that, but a really good mixture.
Positive
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Another reason to watch this delightful movie is Florence Rice. Florence who? That was my first reaction as the opening credits ran on the screen. I soon found out who Florence Rice was, A real beauty who turns in a simply wonderful performance. As they all do in this gripping ensemble piece. From 1939, its a different time but therein lies the charm. It transports you into another world. It starts out as a light comedy but then turns very serious. Florence Rice runs the gamut from comedienne to heroine. She is absolutely delightful, at the same time strong, vulnerable evolving from a girl to a woman.Watch her facial expressions at the end of the movie. She made over forty movies, and I am going to seek out the other thirty nine. Alan Marshal is of the Flynn/Gable mode and proves a perfect match for Florence. Buddy Ebsen and Una Merkel provide some excellent comic moments, but the real star is Florence Rice. Fans of 30's/40's movies, Don't miss this one!
Positive
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I just thought it was excellent and I still do. I'm grateful we're still able to see different stuff from what Hollywood almost floods us with. Saving Grace is smart and enjoyable - those who feel offended by the marijuana thing better go see the America's bride sort of movie.<br /><br />Saving Grace also shows that a funny movie doesn't have to be stupid. I was laughing my ass off during most of it but also pondering questions about what was the female lead character supposed to do to pay her deceased husband's debts.<br /><br />In a nutshell - a witty storyline with typical English humour and good acting and directing. You couldn't ask for more.<br /><br />7/10.
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Right from the start you see that "Anchors Aweigh" is a great comedy. Gene Kelly and Frank Sinatra make such a funny team! The songs they sing together are pure entertainment. Kathryn Grayson is gorgeous and really sweet. Dean Stockwell is the cutiest child actor I've never seen. If you are fond of piano, you'll be amazed by José Iturbi. This movie was the first one to combine animation with real actors and it did that wonderfully in an unforgettable dance number. Undoubtedly one of Kelly's funniest movies.
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Holes (2003, Dir Andrew Davis) <br /><br />When Stanley Yelnats IV is wrongfully convicted of stealing, he is sent to 'Camp Green Lake'. At this camp, the Warden, and her two henchman, Mr. Sir and Dr. Pendanski command the campmates to dig holes after hole after hole. But for what reason? Stanley plans to find out.<br /><br />I never really had any intention in watching 'Holes', and i must admit, i only really watched the film, because i'm such a fan of Shia LaBeouf, but even if you are not a fan of him, then it doesn't matter. 'Holes' is one of those Disney film that the whole family can enjoy. The story is lovely written and incorporates a wonderful idea of including flashbacks to the past. These are not distracting and really gives a great back story. All the cast are great. The young stars act well and the addition of Jon Voight and Sigourney Weaver are a joy. Shia LaBeouf shows that even at 17, he can act without any flaws. This is one Disney film, you definitely would enjoy as a family.<br /><br />"I learn from failure." - Stanley Yelnats III (Henry Winkler)
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Shakespeare Behind Bars was the most surprising and delightful film I've seen all year. It's about a prison program, somewhere in California if I recall correctly, where the inmates have rehearsed and performed a different Shakespeare play every year for the past 14 years. The film follows their production of "The Tempest" from casting through performance, and in the process we learn some pretty amazing things about these men, who are all in for the most serious of crimes. Truth is indeed stranger than fiction -- if anyone tried to adapt this story into a fiction film, the audience would never buy it, but knowing that it's real makes it breathtaking to watch -- literally; I gasped out loud when I learned of one particularly gifted felon's crime. It's like some loopy episode of Oz, and all the more entertaining because the characters and their bizarre stories are real.
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Jeff Wincott is not only a Hunk, he can kick butt! This movie has some of the best Martial arts moves I've seen in a very long time. Ok, so maybe Bridgette Nielson isn't the first person I'd hire to play a ruthless politician, she did a GREAT job nontheless! And let's not forget that Wincott has a partner in this movie played by Martial arts expert/stuntwoman Karen Sheperd. So she's not Cynthia Rothrock, Who CARES?! She's just as good, if not BETTER! (just check out her fight scene at the end of the movie, one word: OUCH!!). My suggestion would be to buy this movie as soon as possible, because if you haven't seen it, you're really missing out on some great martial arts action.
Positive
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Being that I am not a fan of Snoop Dogg, as an actor, that made me even more anxious to check out this flick. I remember he was interviewed on "Jay Leno," and said that he turned down a role in the big-budget Adam Sandler comedy "The Longest Yard" to be in this film. So obviously, Snoop was on a serious mission to prove that he has acting chops. I'm not going to overpraise Snoop for his performance in "The Tenants." There are certainly better rapper/actors, like Mos Def, who could've done more with his role. But the point is Snoop did a "good" job. He can't seem to shake off some of his trademark body movements and vocal inflections, but that's something even Jack Nicholson has a problem doing. The point is I found him convincing in the role, and the tension between him and Dylan McDermott's character captivating. McDermott, by the way, gives the best performance in the film, though his subtle acting will most likely be overshadowed by Snoop's not-so-subtle acting. Being a big reader and aspiring writer myself, I couldn't help but find the characters and plot somewhat fascinating. It did aggravate me how Snoop's character would constantly ask McDermott to read his work, and berate him for criticizing it. But you know what? I'm sure a lot of writers are like that. His character was supposed to be flawed, as was McDermott's, in his own way. My only mild criticism of the film would be its ending. For some reason, it just felt too rushed for me, though the resolution certainly made sense and was motivated by the characters, rather than plot.
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This is a movie that should be seen by everyone if you want to see great acting. Mr. Torn and Ms Farrel do an outstanding job. I think they should have it on TV again so a new audience can enjoy it. Wonderful performances.<br /><br />It gives you a real feel of what the pioneers had to go through both physically and emotionally. Great unheard of movie.<br /><br />It was done when Ms. Farrel was very young. I had always thought of her as a comedian, but this certainly is not a comedy and she is just wonderful. There is very little dialogs, but that just make it seem more real. Mr. Torn as always is a great presence and just his breathing has great feeling. I must see movie.
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I don't know what it is I find so endearing about this film, but the first time I saw it, I wanted to see how it ended. I'm not a big fan of Paul Winfield nor of war-dramas, but I was truly wondering just how and when Winfield would find his child. All he knows is that the boy has green eyes. Truth be told, I have not seen this movie in years nor has it been shown on TV in a while, but this movie is somewhat of one man's odyssey after the pains of war. Winfield shows a very sympathetic and heart warming portrayal of a man lost by his memories. There is an underlying message in this movie that he is looking for the last shred of human morality in the aftermath of this war and the reality that he does confront. Why this movie is not yet on DVD or video is a mystery to me.
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I really enjoyed this debut by Ring director, Hideo Nakata. If you've seen Ring beforehand then you'll be familiar with the style and idea of this flick. It's got a subtle spookiness about it that works better than the constant (and predictable) stingers that infest most mainstream movies of this genre. If you like films that give you the chills, then you will probably like this one. A good, creepy debut by Hideo Nakata. 8/10
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Easily the greatest low budget horror film of all time. I first saw this movie when I was around nine years of age, and I have to say that it scared the hell out of me. Now that I'm all growed up, however, I see this movie for what it really is... a work of genius. Everyone, or at least everyone with any taste, has dreamed of seeing a snowman going around killing people, even if they won't admit it. I have always found something genuinely frightening about snowmen, so naturally, for a horror junkie such as myself, thismovie was a dream come true. Some people say that this movie is silly, or otherwise void of any intelligence... it's a movie about a serial killer snowman, what the hell did you expect? Anyone who gave this film a low score is obviously too uptight to sit back and have a good laugh at stupid one-liners and cheap gore. I love this movie for what it is, a comedy, and until the movie industry wises up and makes a serious horror flick about a killer snowman (which seems impossible, unfortunately) I will forever hold this great piece of indie horror close to my heart.
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An OUR GANG Comedy Short.<br /><br />The Gang coerces Spanky into watching their younger siblings. Caring for these FORGOTTEN BABIES turns out to be quite a chore, leaving the little nipper with no choice but to come up with some ingenious solutions to the baby-sitting problem...<br /><br />Spanky is in his glory in this hilarious little film, arguably his best. Highlight: Spanky's retelling the plot of the TARZAN movie he's recently seen to the audience of infants. Movie mavens will recognize Billy Gilbert's voice in the radio drama.
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THE GREAT CARUSO was the biggest hit in the world in 1951 and broke all box office records at Radio City Music Hall in a year when most "movergoers" were stay-at-homes watching their new 7" Motorola televisions. Almost all recent box office figures are false --- because they fail to adjust inflation. Obviously today's $10 movies will dominate. In 1951 it cost 90c to $1.60 at Radio City; 44c to 75c first run at Loew's Palace in Washington DC, or 35c to 50c in neighborhood runs. What counts is the number of people responding to the picture, not unadjusted box office "media spin." The genius of THE GREAT CARUSO was that the filmmakers took most of the actual life of Enrico Caruso (really not a great story anyway) and threw it in the trash. Instead, 90% of the movie's focus was on the music. Thus MGM gave us the best living opera singer MARIO LANZA doing the music of the best-ever historic opera singer ENRICO CARUSO. The result was a wonderful movie. Too bad LANZA would throw his life and career away on overeating. Too fat to play THE STUDENT PRINCE, Edmund Purdom took his place --- with Lanza's voice dubbed in, and with the formerly handsome and not-fat Lanza pictured in the advertising. If you want to see THE GREAT CARUSO, it's almost always on eBay for $2.00 or less. Don't be put off by the low price, as it reflects only the easy availability of copies, not the quality of the movie.
Positive
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This is a very amusing and sometimes quite creepy anthology, that if a bit short in the screenwriting department, more than makes up for the shortcoming in the acting, location work and overall exuberance. The best episodes of this are the first with Denholm Elliot playing a horror writer stalked by a character from his novel in the works ( a perfect example of the acting pulling this out of the merely pedestrian); the third, with Christopher Lee as a man terrified of his own daughter and the final episode with the late great Jon Pertwee as a pompous horror film star who gets more than just a new role on his latest project. The dialogue between Pertwee and Ingrid Pitt is sparkling and inspired, both obviously relishing the opportunity to really ham it up! Cushing is typically good in the weakest segment, which certainly isn't helped by the fact that the wax figure of the woman he's obsessed with down at the local wax museum, is anything but "beautiful" as we are told to believe she is! Someone of shocking beauty was needed and instead we're given a woman with a jaw of a turtle. Minor quibbles aside this movie and it's wonderful country house setting is one to catch when you can.
Positive
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"The Brak Show " is good .Probably not in the same level than "Aqua Teen Hunger " or "Space Ghost Coast to Coast ", but definitely it have many brilliant moments .Basically it follows the life of Zorak and Brak that have normal lives and go to the school ,living in a neighborhood on the style of the 50 'sitcoms . The humor and the animation of this show it's very much as "Aqua Teen Hunger " (and in one episode you could see Meatwad) with bizarre situations and strange characters .But it is good ,it have funny parts . Some of the songs are great ,others not very much but I like this show . The funniest character is the father of Brak . (that is a human ,nobody knows why )
Positive
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Marvelous cult film from 1979 in which the students of Vince Lombardi High School are confronted with a new, dictatorial principal named Miss Togar (Mary Woronov). Togar is a music hater and blames the musical tastes of the students for their transgressions. Leading the charge against her is fun-loving Riff Randell (P.J. Soles), the #1 Ramones fan who, more than anything, wants the rock group to record her songs.<br /><br />Now *this* is an impossible movie to resist. First and foremost, the soundtrack is incredible, with songs by such artists as Alice Cooper and the Velvet Underground in addition to the infectious non-stop assortment of Ramones songs. "Teenage Lobotomy", "Sheena is a Punk Rocker", and "Blitzkrieg Bop" are just a few of them. Next, the cast truly gives it their all, with Soles an ideal choice for the role of Riff; she is a true delight. Vincent Van Patten and Dey Young are earnest as Tom and Kate, Woronov is well cast against type as the snooty and disdainful Togar, Clint Howard has one of his best ever parts as washroom-occupying entrepreneur Eaglebauer, and New World regulars such as Dick Miller, Paul Bartel (particularly fun as music teacher Mr. McGree) and The Real Don Steele are fun as always. And, of course, it's a treat to see The Ramones playing themselves.<br /><br />The movie has true spirit. The energy level is high, with co-story author and director Allan Arkush bringing a great deal of flair to the proceedings. There's also a great sense of humor. The paper airplane gag is a superb example of this. This extends right to the "wipe" style of scene transitions. There are even hilarious giant mice created by future makeup effects notable Rob Bottin, in one of his earliest gigs.<br /><br />About as good as an authority-defying, defend-one's-right-to-party film can get. "Rock 'n' Roll High School" is, quite simply, a wonderful cult film.<br /><br />8/10
Positive
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This early version of the tale 'The Student of Prague' was made in Germany in 1913, starring Paul Wegener (who was also in 'The Golem' a few years later). In this film he plays a dual role (technically impressive for a 95 year old film to see them in the same shot) after meeting a mysterious old man who makes a pact with him for gold - the gold he needs to woo a countess he's previously saved from drowning.<br /><br />Moving at a fast pace (the film runs just over an hour) and fairly well written and characterised, 'The Student of Prague' has echoes of the Faust legend as well as Dr Jekyll and Mr Hyde, starting as it does with a pact with a mysterious figure of potential evil, and developing into good and evil sides of the same person.
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This is absolutely one of the best movies I've ever seen. It takes me on a a roller-coaster of emotions. I laugh and cry and get disgusted and happy and in love! All this in a little over two hours of time! <br /><br />The actors are all brilliant! I have to mention the leading actor of course, Michael Nyquist. He does a remarkable job!! I also admire the actor who plays Tore, who plays this mentally-challenged young man in such a convincing way! He sort of reminded me of Leonardo di Caprios roll in Gilbert Grape! And then there is the most beautiful song in the world: Gabriella's sång.<br /><br />I recommend this for everyone to see and enjoy!
Positive
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In the hands of lesser actors than Claudette Colbert and Robert Ryan this film could have become silly and trite. But, with these two experienced thespians leading the way, I found "Silent Fury" to be a most exciting and pleasurable little mystery. When their wedding is interrupted by a stranger who claims that Colbert is already married, and that he was best man at that wedding, one can sense that there is some sort of plot against her at work. As Colbert, Ryan, and her attorney set out to disprove the strangers claim of a prior marriage, they are met at every turn by more evidence that seems to reinforce the claim that she is indeed already wed. Although it's not very difficult to figure out just who the main "baddie" is, it's still lots of fun as the intensity and pace of the story increases. All in all, a good, solid mystery film with fine performances by the two leading actors and a fine supporting cast which includes the often underrated Paul Kelly.
Positive
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I love playing football and I thought this movie was great because it contained a lot of football in it. This was a good Hollywood/bollywood film and I am glad it won 17 awards. Parminder Nagra and Kiera Knightley were good and so was Archie Punjabi. Jonathon Rheyes Meyers was great at playing the coach. Jazz (Parminder Nagra) loves playing football but her parents want her to learn how to cook an want her to get married. When Jazz starts playing for a football team secretly she meets Juliet (Kiera Knightlety) and Joe (Jonathon Rhyes Meyers) who is her coach. When her parents find out trouble strikes but her dad lets her play the big match on her sisters Pinky (Archie Punjabi's) wedding. At the end her parents realise how much she loves football and let her go abroad to play.
Positive
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"Dangerous Offender" is the story of a seemingly anti-social girl, and how she got that way. It's based on a true story, and though I was irritated by the one-note depiction i.e. ever scowling, of the title character, and the hard-to-believe dedication of her lawyer, I'm forced to accept that life does imitate art, and that there are people out there like that.<br /><br />The movie succeeds, for me, because, although there's little softening of the title character's demeanour until almost the end, one is gradually moved to sympathy for her, as the movie shows how she got to her present state - which proves to be self-destructive, rather than anti-social.<br /><br />Truly a moving movie, which will bring a lump to your throat, when you think on it - which will be often.<br /><br />Despite its many flaws,(including that it's hard to watch, sometimes, because of bodily functions, and suicide attempts)this is another production that I'm proud to call Canadian.
Positive
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This movie had me smiling from beginning to end, partly at the humor, partly at Meg Ryan (this is the perfect character for her), and always because it's just one of the best feel-good movies I've seen. Hopefully the DVD will be out soon.
Positive
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And that goes especially for lawyers & cops. Puerto Rico,which boasts of a small,but potent film production firm,brings this multi layered tale of corruption,due to the on going drug cartel that starts in South America,makes a pit stop on the island commonwealth,and then northbound into North America. Steven Bauer,the most recognizable face on screen here,leads a cast of top notch actors,in a story of "can you spot the only respectable face in the crowd?". Ricardo Mendez Matta moves up from directing mainly action adventure fare for American television,in a screenplay written by Matta,along with Poli Marichal. The rest of the cast (Elpidia Carrillo,Magda Rivera,Jose Herredia,Luz Maria Randon,to mention a few)turn in oh so fine roles,in a film that will keep you wondering "is there any respectable characters here?". Spoken in Spanish with English subtitles. Rated 'R' by the MPAA,this film contains outbursts of vulgar language,brief flashes of nudity,adult content & violence,some of which is quite lurid.
Positive
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In the very first episode of Friends, which aired 22 Sept 1994 "The One Where Monica Gets A Roommate" there is a song playing as Rachel sits in the window towards the end of the show, the line that plays is: "If you ever need holding".... does anyone know the artist singing or the title of the song? It is seems as if it is a great song....I would love to get a copy of it. Thanks for the assistance. I am looking for the album/cd it is on so I can purchase it. <br /><br />I have the shows which are available for purchase and enjoy this show over and over again. It just seemed to be believable...thanks for the hours of entertainment you have provided over the years.
Positive
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Saw this at the Hawaii Film Festival where the director and his wife (who produced it) took a Q&A afterwards.<br /><br />I found it hard to believe this is a first time director and all kudos to Harvey Keitel for once again taking a risk and going out on a limb for a script he liked.<br /><br />Certainly reminiscent of Cinema Paradiso, it tells the story of the young director on the turning of the revolution in Cuba. However, don't expect this to be a movie about the revolution, it's political stance is wonderfully ambiguous. Many references to the directors obvious love of film history (a great "Bicycle Thief" homage") and some whimsical scenes which work with out being pretentious.<br /><br />Enjoy!
Positive
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Time for Hollywood to sit up and take notice! If the actors are acting snooty, all you need to do is get the animators who worked on this little marvel. Renaissance is probably the first animation flick which makes you forget that you are not seeing human beings. Although the voice overs by the cast (Craig, McCormack, Pryce etc.) are some of the best i have ever heard but even then the emotions portrayed by the 'cartoons' are unnerving.<br /><br />This style of animation is not very new but the use of light and shadows makes the movie a living painting. Ironically, such technical wizardry makes you forget that this is actually a very very nice movie. The pacing and plot development are marvelous and the dialogs crisp.<br /><br />Plot: Disappearance of a mega corporation's top employee unravels a tale of deceit and corruption with a Cold hearted hero at the helm. Can't say much without giving it all away...except that while the movie keeps you at the edge of your seat, the climax leaves you speechless.<br /><br />A must watch..even for the 'grown-ups' who smirk at 'cartoons'
Positive
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Incredible documentary captured all the frenzied chaos and misery which loomed over NYC on that fateful morning of September 11th. Intense, personal, and completely riveting, 9/11 is perhaps the greatest documentary ever made by accident, which kind of gives it an even greater appeal. Up until that morning, filmmakers Gideon and Jules Naudet had been following around a New York firefighter team, concentrating specifically on one new recruit in a little piece they were shooting dealing with the rigorous training to become a fireman. Out with the team that morning filming yet another simple routine cleanup, Jules lifts his camera up to the sky just in time to record one of the only known images of the first plane hitting the World Trade Center, and from there a simple documentary was no more.<br /><br />Viewers are given a first hand account of what it was like to be in and around ground zero, as the amazing group of fire-fighters and one profoundly bewildered cameraman attempt to navigate this disaster. Without hesitation, Naudet follows these automatically programmed heroes into the tower while it's entire support crumbles around them. The raw fear of an unknown, impending doom lurks with more viability then any fictional production could ever fathom as we watch less and less become audible and visible for those trapped inside. Nearly as memorable is older brother Gideon's candid capturing of an entire city in the throngs of a larger and more palpable fear then anything they had collectively witnessed. By the time we get to see the second tower collapse, as the cameraman shields himself from apocalyptic debris, we should all but be rinsing the dirt off ourselves from the amazingly up-close footage captured.<br /><br />Obviously the filmmakers deserve only as much credit as being in the right place at the right time to document such an extraordinary event, though one can only admire the two brothers in their extraordinary adaptation to such an event; in a few desperate minutes we witness them become like the firemen they document- only instead of saving lives they knew they had to save footage, even if it cost them their own safety.<br /><br />After viewing 9/11, and seeing that it came out in 2002, I feel much more resentment towards Oliver Stone's recent rendition, the big budgeted World Trade Center. Many had criticized the film for ignorantly narrowing down the focus to those two survivors trapped in rubble, and although I enjoyed the movie just fine for the small and sentimental Hollywood focus it brought, 9/11 all but renders his film completely obsolete. Not only will this utterly gripping footage remain the only definitive collection from that day, but the sublime transfer of motives midway ensures that this documentary has all the heart and character needed to never sensationalize the event again.
Positive
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This movie is great! Brad Pitt will never be able to out act the performance he gave in this movie. Duchovny was top notch, as was Forbes and Lewis. The 4 main characters embark on a scenic road tour of historic murder sites, in one of the coolest cars ever made, 1960's model Lincoln Continental. Early Grace is a simpleton with a taste for dry toothbrushes and carnage. He likes his women to not curse or smoke, and wear PWT dresses. Duchovny and Forbes are a pair of artists from the city, while Early and Lewis are Trailer parkers from the rural outskirts. Even though the majority tone in the film is dark, there are plenty of funny scenes to be had. The writing, directing, and acting are brilliant. If you like road movies, murder, humor, and narration, watch this film. Everyone delivers, and you will want more when the credits roll. One of my all time favorites. "hey...shave that dog n teach it to hunt!"
Positive
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This show is wonderful. It has some of the best writing I ever seen. It has brilliant directing by Dvid Trainer who also directed another smart television series called BOY MEETS WORLD.<br /><br />This show is with out a dought one of the greatest. Like THREE'S COMPANY, ROSEANNE, and the famous COSBY SHOW this will be on television for a long time to come.<br /><br />From it's perfectly crafted jokes to the great performances you would only dream of this is a wonderful show for people who lived in the seventies and the people who didn't. This show appeals to the young and the young at heart. A perfect show.
Positive
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Writer/Director John Hughes covered all bases (as usual) with this bitter-sweet "Sunday Afternoon" family movie. "Curly Sue" is a sweet, precocious orphan, cared for from infancy by "Bill". The pair live off their wits as they travel the great US of A. Fate matches them with a "very pretty" yuppie lawyer, and the rest is predictable.<br /><br />Kids will love this film, as they can relate to the heroine, played by 9 year old Alisan Poter (who went on to be the "you go girl!" of Pepsi commercials). The character is supposed to be about 6 or 7, as she is urged to think about going to school. Some of her vocabulary suggests that she is every day of 9 or older.<br /><br />Similar to "Home Alone", there is plenty of slap-stick and little fists punching big fat chins. Again, this is "formula" film making, aimed at a young audience. Entertaining and heartwarming. Don't look for any surprises, but be prepared to shed a tear or two.
Positive
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Prominent attorney Walter Pidgeon takes a murder case pro bono, wins an acquittal and discovers that his client (Keefe Braselle) was not only guilty but part of an extortion ring reaching to the highest eschelons of the city. Panged by his own complicity, he undertakes an investigation, stumbles onto the identity of the "unknown man" who heads the syndicate, and murders him.<br /><br />The ironies engage when Braselle is charged with this second murder and Pidgeon must defend him by pointing to the existence of another "unknown man" -- himself. Though somewhat short of urban grit and long on rhetoric, the Unknown Man belongs to the noir cycle less by style or structure than by its acknowledgement of the pervasive corruption of American municipal politics that came to light in the postwar years.
Positive
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A surprisingly good movie! It has quite a few good jokes thru out the whole movie. The only negative thing is that some scenes go to the extremes to show just how stupid the two main characters are. We get it, stupid blondes, get on with it! <br /><br />The plot just barely dodges being called "corny". And boobies are always a plus altho the movie for some strange reason doesn't play with that card very much even tho the plot line introduces two black haired women who act as the evil counter part of our two blondes.<br /><br />So all in all, a good movie to watch. I almost gave it an 8/10, but let's not get crazy.
Positive
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This was a wonderful film. How these women tried to save their husbands. I thought that the performances of the actors were great. I had to think about the film for a very long time. I think that every student should see this film so that they can think about war, relationships, friendship and love. I liked the film because it told and showed me how strong love can be. I wish I could be so strong as a woman. I really liked it because it told me something about relationships and that is what I like to see in a movie. I think you can compare the film with Der Untergang, The pianist. If you put these three films together, you have a great sight of what happened during the war. We should remember something like the war forever.
Positive
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The story has been told before. A deadly disease is spreading around... But the extra in this film is Peter Weller, his interpretation of Muller on the run is real. He is indeed a desperate person just going home to see his child. This person could be working next to you.
Positive
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It's sort of crazy, but I taped from TCM both, this german version of MGM's "Anna Christie", and the english one...but I got to see this one first, 'cos I'd heard that many people thought it was better than the english version.<br /><br />Without having seen the other one, I cannot compare them, but anyway this is an excellent early talkie, with a straight-from-the-heart performance by Garbo. She looks very beautiful in this film, her face shines throughout, especially when Cameraman William Daniels, gets those gorgeous close-ups of her.<br /><br />The atmosphere of the film seems different from the regular MGM stuff made on that era, it looks very similar to french or german expressionistic films from the thirties, well it was directed by a great french director, Monsieur Jacques Feyder, who had directed Garbo in 1929 in "The Kiss".<br /><br />Theo Shall is excellent and gives an absolutelly believable performance as Anna's sweetheart, the hard-boiled, tough, sailor, who's just a kid in man's body. Also Hans Junkermann gives a very fine performance, as Anna's alcoholic father and Salka Viertel too, as a good-hearted old cheap floozie.<br /><br />In all quite an experience, because it's the only film were you can listen to Garbo speak in a foreign language...'cos all the other films she did in either Sweden or Germany, were during the Silent Era.<br /><br />Serious Flick.
Positive
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Greetings again from the darkness. What a relief ... a thriller that actually is thrilling! New "IT" girl Rachel McAdams ("Wedding Crashers" and "The Notebook") dominates screen time in this nice little classic suspense thriller from famed horror film director Wes Craven ("Scream" movies and "A Nightmare on Elm Street"). Craven even has a cameo as one of the passengers on the plane.<br /><br />What makes this one work, is the realism of the first 15-20 minutes as we see McAdams interact with 4 or 5 people either in person or on the phone. She is a natural. When she meets Cillian Murphy (the Scarecrow in "Batman Begins") in what appears to be happenstance, the film really takes flight. Watching the two yuppie-types flirt while the audience knows something evil is brewing, is bewitching film-making! The plane boarding sequence is mesmerizing and the 30 plus minutes onboard is excruciatingly claustrophobic. Craven keeps us guessing as to the involvement of others and if anyone will come to her rescue.<br /><br />As with many thrillers, the only letdown occurs during the climax when the lamb turns into a superhero. An interesting plot device leads us to believe little Rachel has the necessary pent up frustration to see this through, but we can't help but cringe a bit. The most overdone scenes involve irate hotel guests, an annoying airline passenger, Cillian's injury and the FX at the hotel. The strength of the film is in the character development and psychological games between the leads. Sadly the fine screen veteran Brian Cox is under-utilized, but overall this is an above-average suspense thriller worth seeing for all but the finale.
Positive
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It seems to be a perfect day for swimming. A normal family wants to gain advantage from it and takes a trip to the beach. Unfortunately it happens that the father is trapped under a pier and neither his wife nor the small son is able to help him out of this - whereas the tide is rising. The woman (Barbara Stanwyck) takes the car and searches for help.<br /><br />John Sturges' short movie (69 minutes) is powerful because of unanswered questions. Stanwyck finds a guy who could help, but there is a price she has to pay for this. There is a double question the movie poses. How far would you go to help the man that you love, and on the other hand - observing Stanwyck's behaviors towards the stranger - does she really love her husband? Like a good short story this movie leaves the viewer to himself with questions he can only answer himself.
Positive
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I really truly enjoyed this movie. (Which is why it surprised me that it got such a low rating from so many users at this site!) I am not saying that it is a cinematic masterpiece but it was a great way to spend a cold, snowy Saturday night. It is funny, poignant, and a great tales of the ups and downs of female friendships lasting through difficult times and the bad things that female friends tend to do to each others! (fess up ladies, we have ALL BEEN THERE!) Bill Paterson shines as the Reverand Gerald Marsden and Andie McDowell proves that she can be a fine actress when the role is right and she puts her mind to it. (And truly, there is the best "wedding escape" that I have ever seen or dreamed up in this film ... more guts than anyone I have ever known!) You will laugh and you will cry --- ignore any marketing campaigns and how this film is being marketing .... it is a hidden gem that should have done TONNES of box office. (now I have to look around to purchase a copy!)
Positive
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This low-budget erotic thriller that has some good points, but a lot more bad one. The plot revolves around a female lawyer trying to clear her lover who is accused of murdering his wife. Being a soft-core film, that entails her going undercover at a strip club and having sex with possible suspects. As plots go for this type of genre, not to bad. The script is okay, and the story makes enough sense for someone up at 2 AM watching this not to notice too many plot holes. But everything else in the film seems cheap. The lead actors aren't that bad, but pretty much all the supporting ones are unbelievably bad (one girl seems like she is drunk and/or high). The cinematography is badly lit, with everything looking grainy and ugly. The sound is so terrible that you can barely hear what people are saying. The worst thing in this movie is the reason you're watching it-the sex. The reason people watch these things is for hot sex scenes featuring really hot girls in Red Shoe Diary situations. The sex scenes aren't hot they're sleazy, shot in that porno style where everything is just a master shot of two people going at it. The woman also look like they are refuges from a porn shoot. I'm not trying to be rude or mean here, but they all have that breast implants and a burned out/weathered look. Even the title, "Deviant Obsession", sounds like a Hardcore flick. Not that I don't have anything against porn - in fact I love it. But I want my soft-core and my hard-core separate. What ever happened to actresses like Shannon Tweed, Jacqueline Lovell, Shannon Whirry and Kim Dawson? Women that could act and who would totally arouse you? And what happened to B erotic thrillers like Body Chemistry, Nighteyes and even Stripped to Kill. Sure, none of these where masterpieces, but at least they felt like movies. Plus, they were pushing the envelope, going beyond Hollywood's relatively prude stance on sex, sexual obsessions and perversions. Now they just make hard-core films without the hard-core sex.
Positive
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This was one of the best movies I have seen. The movie relates to real life and how drugs CAN play a major part. Although this movie appears to be produced from a low budget, I found it to be exhilarating to watch.<br /><br />Some may not like the story and say the script is lacking direction. However, when a person gets as deep into drugs as these characters, there is no direction is life. I feel this movie is an accurate representation of what might happen to a person if they are faced with extreme temptations.<br /><br />Most of the cast are newcomers to the industry. However, they all pulled it off very well. Everyone seemed to do their job well and get into character appropriately.<br /><br />I think this movie might be a good tool to use when dealing with a person or loved one that is involved in drugs and appears to be spiraling out of control. This movie might just scare them enough to change their ways.
Positive
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For someone who remembers Jane in the Daily Mirror strip cartoon, viewing this film is an exercise in nostalgia. In that context it is wonderful, but younger viewers would undoubtedly find the comedy limp and would miss the point that the actors are cartoon characters. The plotline is also a bit limp for today's audience, but reflects the naivety of the 40s and 50s very well. Jane, you must remember, was part of the escapist fantasy of the wartime years, created to boost the morale of the troops. She gave a double meaning to the "strip" in strip cartoon.<br /><br />The story has something in common with the tales of Edgar Rice Burroughs and Rider Haggard. The theme would have been a familiar one to readers in that era, a bunch of bumbling Nazis thwarted by a few equally bumbling Englanders, and set in the African jungle of course.<br /><br />For Jane fans, a must see. For the rest of you, a damp squib.<br /><br />
Positive
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I really liked this film. All three stars(Connery,Fishburne and Underwood) give credible performances;and Harris is enjoyably over the top. The lighting and shot angles in some of Harris' scenes make his face look truly diabolical. The surprising turn of plot at the end makes it interesting. Not a great movie, but an enjoyable one. I gave it 7 of 10.
Positive
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'How to Lose Friends and Alienate People' is an entertaining, if loose, adaptation of Toby Young's memoir of the same name. It's also a great title for helping to fill up the line requirement in IMDb reviews! The basic gist is the same as the book with certain incidents dramatised, but a romantic plot is added and the ending is certainly Hollywoodised. Simon Pegg, despite playing an essentially irritating person, is his usual likable and funny self and pretty much carries the film. Strange to think only a few years ago he was just a TV sitcom guy and now he's rubbing shoulders with Hollywood names. There's a good supporting cast and it's an amusing, easy watch - kind of a male 'Ugly Betty', but funnier.
Positive
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PUT THE CAMERA ON ME is a deceptively cute film. It is actually a complex glimpse at the psychology of children and offers interesting insights into the development of adults and an artist. On the surface this is a nostalgic look at some home movies made in the 80's by a group of upper class neighborhood kids. One of the film's directors, Darren Stein, had access to a video camera and quickly took over as the artistic leader for all of the movies. Sure, these are just some cute kids having fun. But, this is also much more. This is a look into some moments in time as children grapple with a number of confusing issues that all of us face in life --- fear, sexual awakening, unrequited love, loneliness and just trying to make sense of the adult world which seems to explode all around us. As we get older we tend to forget how overwhlelming the realities of life were when we were little. <br /><br />What makes this film all the more valid is to watch a young Darren Stein turn into a little general of a filmmaker. It is clear that Darren is running this show and these little movies are his vision but they are all informed by his friends, their problems, the interpersonal dynamics and the general confusion regarding the horrors of adult life. A lot of children make home movies, but I've never heard of or seen children create "little" movies about the holocaust, homosexuality, nuclear war and the inability to fit in and make friends. These kids are confronting and dealing with some heavy stuff! <br /><br />The power of this film is the way Stein and Shell pull various scenes together so tightly with running interviews with the kids --- all now adults and all still friends. This adds a new angle to the film. How many of us have stayed in touch with our childhood friends? These guys have. And, many of the issues with which they were dealing are still running between them two decades later. <br /><br />Among the conflicts -- a confession of a crush reveals a heart still broken, a very normal childhood sexual experience continues to be a "sticky" subject between two of the men, some ongoing resentments over the dynamics of relationships and there is still a member of this team who remains very much in charge and in center stage! Which makes perfect sense as one watches these home movies progress over the course of a couple of years. Darren Stein is a director. No doubt about it. <br /><br />Stein and Shell take turns chatting with each other from time to time and one can't help but imagine the awkwardness of allowing us to peek into the young lives of these people. This is particularly true for Stein who has gone on to a great deal of success in the entertainment industry as a film producer, writer and director. From the first moment of PUT THE CAMERA ON ME we can see the emergence of a gay little boy trying to figure it all out. We also see sides of the artistic mind and personality that are not always "nice" or "caring" --- and, this is a bold move for any artist to share with an audience. <br /><br />There are so many revealing moments, but the most disturbing and complex moments involve a movie in which we see a Jewish concentration camp victim being tortured and killed by a Nazi. We discover thru interviews and narration that the Nazi is played by a Jewish child and the part of the victim is played by a gentile child. It is a painfully disturbing moment that glimpses into the darker side of fear and the way children work thru the horrors of the adult world that are beyond adult understanding much less that of a child. <br /><br />This is much more than some home movies. This documentary captures the pain, beauty, joy and sadness of growing up. Powerful stuff --- and well worth seeing! <br /><br />:
Positive
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An Insomniac's Nightmare is the story of a man's plunge into insanity. Having chronic Insomnia, Jack is plagued by hallucinations; causing him to try and determine what is real and what isn't.<br /><br />We find out interesting things about Jack near the end, and think that by the time the movie is over we will have a "happily ever after" Hollywood ending. Wrong. This is New York City, the place where nobody sleeps.<br /><br />Tess Nanavati (Writer and Director) has herself a good film in 'An Insomniac's Nightmare'. A talented filmmaker and writer (she made this film right after her High School Graduation), she has real potential and will be one to watch in the upcoming future.<br /><br />As I watched this short film I was constantly uncomfortable; between the music, bleak scenery, and realistic portrayal of an insomniac by Dominic Monaghan (as Jack), I desperately wanted to turn this off at times just to escape from it.
Positive
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This is a really funny film, especially the second, third and fourth time you watch it. It's a pretty short film, and i definitely recommend watching it more than once, you will 'get it' more the second time.<br /><br />It's like spinal tap but the rap version. It has a lot of attitude in it which can be a negative thing in rap influenced films, but it's just a total p**s take and isn't a problem because of the irony it creates.<br /><br />Plenty of stand-out bits, one of those types of films which you will find yourself quoting lines with your mates, and it WILL raise laughter.<br /><br />My personal favourite part is the 'guerrillas in the midst' section. Great video, superb!
Positive
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I very much enjoyed "The Revolution Will Not Be Televised". It gave me, once again, a positive feeling about the power of people to decide for themselves how they wish to be governed.<br /><br />It is unfortunate that in Venezuela the twenty percent of wealthy citizens have made all of the decisions for the eighty percent of the poor for decades, if not centuries. However, when their coup failed; after the interim government dissolved the Supreme Court, and The Constitution, and the Ombudsman, and the Electoral Boards, and all Civil Rights, no one took the plotters out behind a barn somewhere and shot them. They haven't even gone to jail. The major plotters are living in Florida, carrying on. And the protection that they had was the "Bolivarian Constitution" passed by a large majority of the Venezuelan People. It is not only History that Bites. Democracy can give you one hell of a nip if you let it loose. And in Venezuela it is loose.
Positive
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What a fun filled, sexy movie! They certainly don't make them like this anymore. 4 sexy au pairs arrive in London and have all sorts of sexual misadventures. The tone is oddly innocent, as the considerable nudity evolves out of stock farcical situations, rather than any overt sexual desire on the part of the characters. It is only when the actresses accidentally lose their clothes that the male characters become rampant. Richard O' Sullivan literally gets 'Randi'(sic). The film certainly betrays the origins of the softcore feature as lying in the nudie cuties and naturism films of the old school. My special interest in 'Au Pair Girls' is that I am a huge fan of Gabrielle Drake. If any actress has ever looked better naked (she's slim but wonderfully curvy), or clothed, come to that (I've loved her since the original run of UFO - who else could carry off a purple wig!), I'll eat my hat.
Positive
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Paul Reiser is one of my favorite people in show business. I have read both of his books and think that he is great. Peter Faulk can deliver a punch line with the best of them. The combination of the two is magic.<br /><br />This is a story about a family really getting to know each other. Through a road trip a father and son connect for the first time in their lives in the midts of a family crisis. They do all the things that fathers and sons are suppose to do in life...they are just doing them much later in life. The situations are very funny, but have the feeling that they could actually happen to people in real life (not obsurdly over the top or cartoonish). This is the first time that I watch Paul Reiser and fully believed every emotion that was portrayed. At times, his eyes look so sad.<br /><br />Gret movie and great story and plot. It has comedy and emotion but an uplifting message...Olympia Dukakas does a great job also :)
Positive
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'Presque Rien' is a beautifully observed portrait of the experiences of a young French homosexual. Eschewing both stereotypes and preaching, it's a wonderfully naturalistic film, superbly acted, shot with a feel for the seaside town where the action takes place, never melodramatic but often painfully real. If anything it's almost too realistic, as there's little in the way of conventional plot, just scenes from a life. But the absence of conventional dramatic tension counts for less than it might in a world so subtly drawn. 'Presque Rien' might not be the most exciting film ever made; but its simple humanism serves it well compared with the pre-conceived celebratory or bigoted viewpoints that often mar treatments of this theme. Worth a watch.
Positive
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Sunday July 16, 8:00pm The Castro, San Francisco<br /><br />"As a Southern colonel your make-up is very Indiana"<br /><br />The yammering gossips of Hollywood have managed to sling more than a little mud in Marion Davies direction over the years. That she had fame handed to her and was undeserving, is often speculated. Considering the mawkish dramas she was so often pushed into, this criticism would seem to have some validity. As a comedienne however, her star shone very brightly. Left to pursue a career in light comedy and slapstick she might have rivaled Mabel Normand. One of her better outings was King Vidor's Show People (1928), which survives and is so well known largely because MGM filled it with star cameos. This happy coincidence inadvertently saved what is surely among the best work of its two stars, Davies and that notorious Joe College wise-cracker, William Haines. Rumor has it Show People was loosely based on the life of Gloria Swanson, who began in Sennett comedies and rose to grand drama (And don't think she didn't spend the rest of her life reminding everyone!) with von Stroheim, Walsh and DeMille. Coincidentally, the comedy studios used in this film are the original digs Keystone had abandoned the year before (Think of who worked there!).<br /><br />Colonel Marmaduke Oldfish Pepper (Dell Henderson) drives his daughter Peggy (Davies) from Georgia to Hollywood to star in the movies. These two country hicks are unsuspecting fodder for incorrigible Billy Boone (Haines), " – a custard pie artist …" who descends on their cafeteria table in an outrageously funny entrance (watch for the bit with the noodle), and then helps Peggy land a part in his next picture. What she thinks is high drama turns out to be screwball, but a job is a job and Billy convinces her " . . all the stars have to take it on the chin – ". At the preview, Billy and Peggy bump into ….. Charlie Chaplin, who asks for her autograph! She pushes the little fellow aside and a horrified Billy grabs the book and makes her sign. Chaplin climbs in his car and Billy tells Peggy who shes just snubbed, so naturally, she faints. It's so very funny, considering Davies character isn't supposed to recognize this guy! Peggy soon moves on to work at the High Art Studios, changes her name to 'Patricia Pepoire' and leaves poor Billy behind. Davies does a wonderful send-up of a serious actress, with all the prerequisite fluttering eyelashes and quivering lips. Vidor throws in a parade of stars eating lunch in a long tracking shot (and they're all sitting shoulder to shoulder, facing the camera!) that includes Polly Moran (Who's also sensationally funny playing Davies' maid), Louella Parsons (one of the friendly vampires), Estelle Taylor, Claire Windsor Aileen Pringle, the comedy duo of Karl Dane (with his arm in a sling) and George K. Arthur (pretending he's stealing the silverware), Leatrice Joy (amused by Arthur's antics), Renee Adoree, Rod (eating and smoking) La Rocque, Mae Murray, John (in a robe) Gilbert (who also appears driving through the MGM gates early in the picture), Norma (eeeww!) Talmadge (looking bitchy and aloof as usual) and Patricia dressed like Marie Antoinette, sandwiched between Douglas Fairbanks (as he does an amusing trick) and William S. Hart (protecting her from Doug). Billy runs into the High Art crew on location when the comedy troupe disrupts their filming, with predictably nutty results. Vidor even works himself into the final scene as the director of Peggy's current production. Also worth noting are Harry Gribbon as the comedy director doing a great caricature of Eddie Sedgwick, Sidney Bracy as the dramatic director who can't get Peggy to cry for her screen test and then can't stop her once she does, and Paul Ralli as Andre, her dramatic love interest and a hilarious phony. When her character tries to 'act' its as though Davies is poking fun at all the awful dramas she'd been forced into and she's brilliant doing it.<br /><br />While it's true Show People is a hokey satire of the 'good ole days' ten years hence, it remains a highly entertaining example of quality work from MGM, Irving Thalberg, and their tremendous wealth of assembled talent. What a shame so much has been lost. There are also far too many examples of great films like The Patsy (1928), Vidor and Davies' hugely successful comedy from earlier that same year, languishing in vaults when they could be seen and enjoyed.
Positive
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I don't watch soaps. My grandmother still watches that one with the hour glass. I made fun of them it when I was ten (it was so easy).<br /><br />But this movie takes parody and spells it a new way. I found the story pretty damn funny. The fashions of the 80's - shoulder pads, sequins, and polyester - just top it off. The huge hair, the high heels, and the histrionics - what a combination.<br /><br />And all the actors just go to town, chewing up their parts and spitting them out in a big well scripted pile. Sally, Kevin, Elisabeth - wonderful! Whoopi - great! Robert Downey - refreshing to see him back when he had such potential, before the tabloids. And Garry: why did we have to wait so long to see him on film? Leesa Gibbons - hadn't been missing her, but nice to include her as a real life entertainment reporter (and where do you apply for THAT job, anyway?).<br /><br />Admittedly, I could have done without Sally climbing the drainpipe. Lucy Ricardo did it, how many times?, as has every comedienne from Carol Burnett to I don't know who and I'm so done with it now, I could spit peanuts if I had them. Apparently it's what you do when you're being funny in a tall building in New York. I'm just thankful they didn't pull out the flagpole bit.<br /><br />But it was cute, it was funny, it had plot twists, it had an after credits ending before that was common, it had clothes worthy of a second glance, it had a great cast and it's got personal memories for me. Really, what more do you need?
Positive
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"Radiofreccia" is still a good surprise in Italian cinema. The film is based on a book of Italian songwriter Luciano Ligabue, who also directs the movie and writes the music score -of course.<br /><br />The film is a portrait of north Italian province life, in the Emilia Romagna region. We're in 1975, the time of the first free radios -one of the boys of the movie creates "Radioraptus". Youth wishes, friendship, love, sex, individual dramas and unemployment are among the themes, but the film speaks also about drugs -Freccia, the main character, is a victim of heroin slavery.<br /><br />Without being boring and moralist, the story flows very well; the spontaneity of actors is strong and the way of directing as well. Obviously Luciano "Liga" Ligabue is neither Fellini nor a movie professional, first of all he's a musician. But he succeeds in making a good product. Unfortunately he'll not repeat the success with his second movie "Da zero a dieci" -not good at all.<br /><br />In "Radiofreccia" actors are generally not very famous, the only star is Stefano Accorsi -one of the most popular young Italian actors. See in a small role another Italian songwriter -Francesco Guccini, he's the nice communist barman and football trainer!
Positive
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This video is so hilariously funny, it makes everything else<br /><br />by Eddie Murphy seem very disappointing (even Beverly Hills Cop and The Nutty Professor, which just goes to show you how good this really is). To be honest, I don't think that I've ever<br /><br />laughed at something as much as this, including Naked Gun and the rarely seen Bargearse. This show is amazing, although it must be said that it is certainly filled with the word beginning with F that is four letters long (plus its extended version beginning with M) but it didn't bother me. See it, the funniest thing I've ever seen and probably the funniest you ever have too.
Positive
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What is really sad, shows like Six Degree's and Brothers & Sisters are the true reality TV, not that garbage that are nothing more than glorified game shows. I think the ground swell of discontent has been there for the past few years with very premature cancellation's of numerous shows with a cult following. But with the more vocal backlash the fans of Jericho (which I also enjoy) and other shows, networks may start to reverse this trend. I am like others, I will not support ANY new shows until they have been given a second season. I'll then possibly make a decision to watch and catch up via DVD's and online viewing. Until then ABC, you have lost me as a viewer to ANY new show.
Positive
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I've watched the first 17 episodes and this series is simply amazing! I haven't been this interested in an anime series since Neon Genesis Evangelion. This series is actually based off an h-game, which I'm not sure if it's been done before or not, I haven't played the game, but from what I've heard it follows it very well.<br /><br />I give this series a 10/10. It has a great story, interesting characters, and some of the best animation I've seen. It also has some great Japanese music in it too!<br /><br />If you haven't seen this series yet, check it out. You can find subbed episodes on some anime websites out there, it's straight out of Japan.
Positive
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So I rented "Still Crazy" instead. When I described Hardcore Logo to the guy at the video store, he said that sounded kind of like Still Crazy. So I rented it. Was I disappointed? Well, yes, as Still Crazy focuses on a classic rock band rather than a punk band, but that's OK. Still Crazy tells the story of the Strange Fruit, a rock band that broke up in the 70s at the peak of their popularity at a large rock festival. Twenty years later, the band members are all struggling to make a living, and are offered the opportunity to play a concert at the twenty year anniversary of this festival. They take up the offer and decide to reform on a permanent basis, touring Europe in the process. Some quite funny hijinks ensue, and all the characters go through subtle changes. Watching this movie, you feel more like a viewer of a carefully edited documentary than a participant. And that's not bad at all.
Positive
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Hello again, I have to comment on this wonderful, exciting, and believable tale of romance and intrigue. The music in wonderful and memorable. Very good colorful movie. Another movie I liked as well later on was High Society with Bing Crosby. Wonderful music. Thanks for listening, Florence Forrester-Stockton, Reno, Nevada
Positive
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A very strange and compelling movie. It's about a very awkward and tightly wound man who attempts to navigate his life as a door-to-door fundraiser/salesman. The director was able to capture a very unnerving tone that really served the story well. Original and unsettling while also finding a great deal of humor in the pain that accompanies life. There is a sequence at a testing facility that really stood out and made me laugh out loud which is not something I do as frequently as I should. One of the more memorable films I've seen in a long while. Hasn't left my mind and I look forward to future efforts by Bronstein. Fantastic performances all around. The simple line "I really appreciate it." is now iconic to me.
Positive
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I just watched this movie, by mistake. What a little gem. This film made in 1956 looks, and feels, like a late Seventies movie. And is in fact better, more restrained and correct than, say, Blue Soldier. The environmental, anthropological undertones are way ahead of its time. The understated cinematography is superb and terribly realistic. Much more than Dances with Wolves, The Last Hunt manages to convey the look and feel of the buffalo "killing fields" of the late 1800s. Probably because those in the movie were real killing fields. The movie was shot during legal forestry directed buffalo culls, so the animals you see are really being shot, the bones are real. In conclusion, a very under-rated western masterpiece, superbly acted, directed and shot.
Positive
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-Kidnappings in Mexico are as common as honeys giving me their phone numbers so if you're rich then you'll need a good bodyguard to keep you and your kids safe. A couple hires a washed up bodyguard called Creasy to protect their adorable kid Pita. At first, their relationship is a tad buggy but after a while, Creasy eases up to the girl and the two develop a father/daughter relationship. One day Pita is kidnapped and Creasy is badly injured in the process. When he wakes up he finds out that the girl has been killed due to a ransom negotiations that went wrong and this sets Creasy on a path find the men responsible for her death and make sure they are brought to his brand of justice.<br /><br />-Keep some Tylenol next to you while watching this movie because you will need to take some after watching it. I really love the story here of going to the extreme to obtain revenge because most movies usually just want revenge but really never go too far where as this movie they show how far a man can go to do what he feels is right. The only problem is the annoying visual style, which will either make you hate the movie or hate Tony Scott. I really feel sorry for the cinematographer because I'm sure he came into this movie thinking he was going to be filming an action movie and probably got all excited but instead he got stuck being the DP for a filmmaker that feels that the whole movie should look like it's been possessed by demons. I wouldn't have mind if the crappy visuals were restricted to a few action scenes but when it's spread through out the whole movie then that's when we have some problems. The same annoying style was recently used on "Domino" and much like with this movie the style did hurt that otherwise great movie.<br /><br />-Another person I feel sorry on this movie was the soon to be great Harry Gregson Williams who had the impossible task of trying to compose music out of the jagged images. Somehow, Williams wrote some decent music for the movie but I'm sure if the movie had been more stable then the music would have turned out a lot better. The sound is wrongfully used throughout the movie and instead of enhancing the movie experience, it rather makes you feel like you're being punished. The overuse of the subwoofer is irritating as every 5 seconds or so you can hear an ungodly low end sound coming out of it. I don't know why Scott thought the audience needed to be bombarded by the subwoofer but it really takes you away from the movie.<br /><br />-The acting in the movie is a beast despite the visuals. Little Fanning does yet another great job here and the scene at the end of the movie just breaks my heart. If the end of the movie doesn't make anyone cry then they're dead on the inside. Denzel Washington breaks his rule of not making any action movies with this movie and luckily, for him he gets to play a great character. The whole idea of a man that's lost in life and all of a sudden due to a tragedy finds a purpose in his life is nothing new but Washington brings some heart and emotion to the otherwise flat character. I love how we witness him from being a loner to actually learning to have emotion and after the kidnapping becoming a cold instrument of revenge. Radha Mitchell plays Marc Anthony's wife and she along with Fanning are the two reasons why I can't hate the movie too much. J.Lo's husband comes and goes in the movie but he doesn't really stand out much. Mickey Rourke and Chris Walken all have minimal roles in the movie but they do make an impact.<br /><br />-One thing that makes me laugh is how the filmmakers try to makeup for the crappy way they portray Mexico by calling it a fine city at the end of the movie. A little too late for that if you ask me. Let's hope that Tony Scott is done with this phase of intentionally trying to ruin his career because a filmmaker as talented as him CAN and must do better than this.
Positive
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<br /><br /> I suppose this is not the best film ever made but I voted it at 10 stars all the same. Mainly because of my feelings at the end. I and all the people around me were simply touched. This is something you don't often feel . We are all getting a bit cynical and fed up with over sentimentality, lazy manipulation or preaching in modern films. The story of the film centres around Jane a young woman in the last stages of MND and the friendship that grows between her and Richard, a man on the verge of a breakdown. This could have so easily been a dull and worthy piece but it is so humorous, humane and lacking in sentimentality that it wins you over completely and against the odds is a feel good movie. <br /><br />The acting from Branagh and Bonham-Carter is superb especially the latter who is always believable and strong in her role. The chemistry between the two also lifts the movie. <br /><br />The title comes from Richards masterpiece, a plane made of junk and his old paintings. Flying here is a symbol for both Richards and Janes living life to the full so that one can carry on and the other can face the end. <br /><br />A beautiful and funny movie that I would recommend to anyone. don't let the subject matter put you off.
Positive
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I found this a very entertaining small kids movie that actually is geared more for adults with a lot of jokes and humor only they would understand. A few things are inappropriate for the kiddies, but just a few. Othewise, "The Grinch" (Jim Carrey) cracks so many jokes you can't keep up with them all, ranging from sexual to cultural to insider-Hollywood to racial.<br /><br />The film is very colorful and looks great on DVD. The little girl in here, "Cindy Lou Who" (Taylor Momsen) is really cute and the costumes and hairdos of the little people in here are fun to view. Anthony Hopkins' voice is pleasing, too, so having his narrate this elevates the movie further. His rhymes are fun to hear.<br /><br />I saw this in the theater, though it was "fair," but on DVD, it was far better. I've seen in three times and it got better each time.
Positive
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shakespeare's plays have a way of transcending time. The language somehow breaks the time barrier. but perhaps it is the actors who really do that.<br /><br />after the disappointment in Romeo and Juliet (the version with Claire Danes and Leonardo DiCaprio), was hesitant take on another modern rendition of Shakespeare. To my surprise Othello was great!<br /><br />Iago's character was played so well by the Kenneth fellow! even thoough Iago is really evil and despicable, the character was played so well that it does what shakespeare intended for the charater to be, a pleasure for the audience to hate. i have to say that fishburne's performance here was really good as well.<br /><br />i recommend this for shakespeare scholars and lazy students (who refuse to read the book) alike.
Positive
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Beautiful and touching movie. Rich colors, great settings, good acting and one of the most charming movies I have seen in a while. I never saw such an interesting setting when I was in China. My wife liked it so much she asked me to log on and rate it so other would enjoy too.
Positive
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Best Stephen King film alongside IT, though this one is more fun than scary. <br /><br />This one's got it all: <br /><br />-a great cast with a Alice Krige and Brian Krause and a fun cameo from King himself;<br /><br />-well dosed horror in an amusing storyline;<br /><br />-great use of music, Santo & Johnny's "Sleepwalk" in particular;<br /><br />-likeable characters in a typical King setting: middle of nowhere village;<br /><br />-lots of humor. You can't really get good scares here because it's too much fun and over the top;<br /><br />-old but really nice makeup effects like they don't make anymore!<br /><br />A 4,5 rating: I don't get it really. When was the last time a horror film was as much fun as this one?
Positive
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So you think a talking parrot is not your cup of tea huh? Well, think again. Paulie is a wonderful film filled with touching moments.The characters are all lovable especially Paulie as he enters the lives of many people on his journey.It is journey worth experiencing. Don't miss it! It is available on home video.
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THE JIST: See something else.<br /><br />This film was highly rated by Gene Siskel, but after watching it I can't figure out why. The film is definitely original and different. It even has interesting dialogue at times, some cool moments, and a creepy "noir" feel. But it just isn't entertaining. It also doesn't make a whole lot of sense, in plot but especially in character motivations. I don't know anyone that behaves like these characters do.<br /><br />This is a difficult movie to take on -- I suggest you don't accept the challenge.
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to communicate in film essential things of life - like what is life, does it have a meaning? - is sheer impossible. Of course possible answers to these questions are demonstrated in every film (story), but communication needs a direct appeal to consciousness. This happens if the input from the senses overrules the "input" from our mind, i.e. our thoughts. Few directors know how to communicate essential things. Tarkovsky, is one. His "Stalker" shows images of existence, communicates life as it shows itself and yet escapes your mind. I think De Zee and De Graaff do the same.
Positive
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I have always been keen on watching Hong Kong movies, but all of them failed to meet my expectations...until now! BURNING PARADISE doesn't contain the flat humor most HK movies have, nor a second rate story line that has been dragged into the film. The story is not complex, but there are never scenes that are just there to fill some "intelligent" space (the only truely intelligent martial arts film I have seen is CROUCHING TIGER, but since Hollywood is involved it is no true HK movie for me). There are some incredible fight scenes in this movie, from the first one(which is one of the coolest I have ever seen, yet so short) to the last main scenes! But mind, there's also a lot of blood that flows (people cut in half, decapitated, etc). The production is pretty good and the special effects show that the fantasy of the writer can be fulfilled even though some shots must be pretty technical (notice: the sheet of paper that he throws and got pinned into a wall!). Yep, it's not Tsui Hark or John Woo that made my favorite Hong Kong film, it's Ringo Lam! And I'm sure as hell going to check out more from this director! Ace.
Positive
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I recently saw I.Q. and even though I'm not a romantic comedy type of gal, I think that it was just a nice and sweet movie to watch. So many movies in my opinion lack honesty. You know that feeling when you're watching a movie and you just feel robbed because it's taking something from the story and it was like the director just threw it together like it was trash? The story between the scientists is a sweet and funny one. How they stuck together and they tried to help Tim Robbins character become smart. I liked the love story between Tim and Meg because it was simple and brought up a good point when it comes to love, "nothing is what it seems". I would recommend this for a Sunday morning.<br /><br />7/10
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I got this one a few weeks ago and love it! It's modern, light but filled with true complexities of life. It questions and answers, just like other Eytan Fox movies. This is my favorite, along with Jossi & Jagger. This pictures a lot more, universally, than only the bubbles we may live in. You don't need to be Jewish or homosexual to enjoy this - I'm not, but the movie goes directly to my top ten movies. At first it seems like pure entertainment but it does make you think further. Relationships we have to live with are superficial, meaningful, deep, fatal, you name it. You don't know what's coming, and you definitely don't know where this story is heading as you watch it the first time. It is worth seeing several times. Fox movies include great bonus material - here a great music video and "the making of" (including explanation of the title, interviewing Lior Ashknenazi who plays himself in the movie and Arabs with doubts about the Israeli life styles).
Positive
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