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jig; I would not so much as make water but in a sink-a-pace. What |
dost thou mean? Is it a world to hide virtues in? I did think, by |
the excellent constitution of thy leg, it was form'd under the |
star of a galliard. |
AGUECHEEK. Ay, 'tis strong, and it does indifferent well in |
flame-colour'd stock. Shall we set about some revels? |
SIR TOBY. What shall we do else? Were we not born under Taurus? |
AGUECHEEK. Taurus? That's sides and heart. |
SIR TOBY. No, sir; it is legs and thighs. Let me see the caper. Ha, |
higher! Ha, ha, excellent! Exeunt |
SCENE IV. |
The DUKE'S palace |
Enter VALENTINE, and VIOLA in man's attire |
VALENTINE. If the Duke continue these favours towards you, Cesario, |
you are like to be much advanc'd; he hath known you but three |
days, and already you are no stranger. |
VIOLA. You either fear his humour or my negligence, that you call |
in question the continuance of his love. Is he inconstant, sir, |
in his favours? |
VALENTINE. No, believe me. |
Enter DUKE, CURIO, and ATTENDANTS |
VIOLA. I thank you. Here comes the Count. |
DUKE. Who saw Cesario, ho? |
VIOLA. On your attendance, my lord, here. |
DUKE. Stand you awhile aloof. Cesario, |
Thou know'st no less but all; I have unclasp'd |
To thee the book even of my secret soul. |
Therefore, good youth, address thy gait unto her; |
Be not denied access, stand at her doors, |
And tell them there thy fixed foot shall grow |
Till thou have audience. |
VIOLA. Sure, my noble lord, |
If she be so abandon'd to her sorrow |
As it is spoke, she never will admit me. |
DUKE. Be clamorous and leap all civil bounds, |
Rather than make unprofited return. |
VIOLA. Say I do speak with her, my lord, what then? |
DUKE. O, then unfold the passion of my love, |
Surprise her with discourse of my dear faith! |
It shall become thee well to act my woes: |
She will attend it better in thy youth |
Than in a nuncio's of more grave aspect. |
VIOLA. I think not so, my lord. |
DUKE. Dear lad, believe it, |
For they shall yet belie thy happy years |
That say thou art a man: Diana's lip |
Is not more smooth and rubious; thy small pipe |
Is as the maiden's organ, shrill and sound, |
And all is semblative a woman's part. |
I know thy constellation is right apt |
For this affair. Some four or five attend him- |
All, if you will, for I myself am best |
When least in company. Prosper well in this, |
And thou shalt live as freely as thy lord |
To call his fortunes thine. |
VIOLA. I'll do my best |
To woo your lady. [Aside] Yet, a barful strife! |
Whoe'er I woo, myself would be his wife. |
SCENE V. |
OLIVIA'S house |
Enter MARIA and CLOWN |
MARIA. Nay, either tell me where thou hast been, or I will not open |
my lips so wide as a bristle may enter in way of thy excuse; my |
lady will hang thee for thy absence. |
CLOWN. Let her hang me. He that is well hang'd in this world needs |
to fear no colours. |
MARIA. Make that good. |
CLOWN. He shall see none to fear. |
MARIA. A good lenten answer. I can tell thee where that saying was |
born, of 'I fear no colours.' |
CLOWN. Where, good Mistress Mary? |
MARIA. In the wars; and that may you be bold to say in your |
foolery. |
CLOWN. Well, God give them wisdom that have it; and those that are |
fools, let them use their talents. |
MARIA. Yet you will be hang'd for being so long absent; or to be |
turn'd away- is not that as good as a hanging to you? |
CLOWN. Many a good hanging prevents a bad marriage; and for turning |
away, let summer bear it out. |
MARIA. You are resolute, then? |
CLOWN. Not so, neither; but I am resolv'd on two points. |
MARIA. That if one break, the other will hold; or if both break, |
your gaskins fall. |
CLOWN. Apt, in good faith, very apt! Well, go thy way; if Sir Toby |
would leave drinking, thou wert as witty a piece of Eve's flesh |
as any in Illyria. |
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