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FIRST OFFICER. No, sir, no jot; I know your favour well,
Though now you have no sea-cap on your head.
Take him away; he knows I know him well.
ANTONIO. I Must obey. [To VIOLA] This comes with seeking you;
But there's no remedy; I shall answer it.
What will you do, now my necessity
Makes me to ask you for my purse? It grieves me
Much more for what I cannot do for you
Than what befalls myself. You stand amaz'd;
But be of comfort.
SECOND OFFICER. Come, sir, away.
ANTONIO. I must entreat of you some of that money.
VIOLA. What money, sir?
For the fair kindness you have show'd me here,
And part being prompted by your present trouble,
Out of my lean and low ability
I'll lend you something. My having is not much;
I'll make division of my present with you;
Hold, there's half my coffer.
ANTONIO. Will you deny me now?
Is't possible that my deserts to you
Can lack persuasion? Do not tempt my misery,
Lest that it make me so unsound a man
As to upbraid you with those kindnesses
That I have done for you.
VIOLA. I know of none,
Nor know I you by voice or any feature.
I hate ingratitude more in a man
Than lying, vainness, babbling drunkenness,
Or any taint of vice whose strong corruption
Inhabits our frail blood.
ANTONIO. O heavens themselves!
SECOND OFFICER. Come, sir, I pray you go.
ANTONIO. Let me speak a little. This youth that you see here
I snatch'd one half out of the jaws of death,
Reliev'd him with such sanctity of love,
And to his image, which methought did promise
Most venerable worth, did I devotion.
FIRST OFFICER. What's that to us? The time goes by; away.
ANTONIO. But, O, how vile an idol proves this god!
Thou hast, Sebastian, done good feature shame.
In nature there's no blemish but the mind:
None can be call'd deform'd but the unkind.
Virtue is beauty; but the beauteous evil
Are empty trunks, o'erflourish'd by the devil.
FIRST OFFICER. The man grows mad. Away with him.
Come, come, sir.
ANTONIO. Lead me on. Exit with OFFICERS
VIOLA. Methinks his words do from such passion fly
That he believes himself; so do not I.
Prove true, imagination, O, prove true,
That I, dear brother, be now ta'en for you!
SIR TOBY. Come hither, knight; come hither, Fabian; we'll whisper
o'er a couplet or two of most sage saws.
VIOLA. He nam'd Sebastian. I my brother know
Yet living in my glass; even such and so
In favour was my brother; and he went
Still in this fashion, colour, ornament,
For him I imitate. O, if it prove,
Tempests are kind, and salt waves fresh in love! Exit
SIR TOBY. A very dishonest paltry boy, and more a coward than a
hare. His dishonesty appears in leaving his friend here in
necessity and denying him; and for his cowardship, ask Fabian.
FABIAN. A coward, a most devout coward, religious in it.
AGUECHEEK. 'Slid, I'll after him again and beat him.
SIR TOBY. Do; cuff him soundly, but never draw thy sword.
AGUECHEEK. And I do not- Exit
FABIAN. Come, let's see the event.
SIR TOBY. I dare lay any money 'twill be nothing yet.
Exeunt
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ACT IV. SCENE I.
Before OLIVIA'S house
Enter SEBASTIAN and CLOWN
CLOWN. Will you make me believe that I am not sent for you?
SEBASTIAN. Go to, go to, thou art a foolish fellow; let me be clear
of thee.
CLOWN. Well held out, i' faith! No, I do not know you; nor I am not
sent to you by my lady, to bid you come speak with her; nor your
name is not Master Cesario; nor this is not my nose neither.
Nothing that is so is so.
SEBASTIAN. I prithee vent thy folly somewhere else.
Thou know'st not me.
CLOWN. Vent my folly! He has heard that word of some great man, and