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Rise resty Muse, my love's sweet face survey,
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If time have any wrinkle graven there,
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If any, be a satire to decay,
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And make time's spoils despised everywhere.
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Give my love fame faster than Time wastes life,
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So thou prevent'st his scythe, and crooked knife.
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101
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O truant Muse what shall be thy amends,
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For thy neglect of truth in beauty dyed?
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Both truth and beauty on my love depends:
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So dost thou too, and therein dignified:
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Make answer Muse, wilt thou not haply say,
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'Truth needs no colour with his colour fixed,
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Beauty no pencil, beauty's truth to lay:
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But best is best, if never intermixed'?
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Because he needs no praise, wilt thou be dumb?
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Excuse not silence so, for't lies in thee,
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To make him much outlive a gilded tomb:
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And to be praised of ages yet to be.
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Then do thy office Muse, I teach thee how,
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To make him seem long hence, as he shows now.
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102
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My love is strengthened though more weak in seeming,
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I love not less, though less the show appear,
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That love is merchandized, whose rich esteeming,
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The owner's tongue doth publish every where.
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Our love was new, and then but in the spring,
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When I was wont to greet it with my lays,
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As Philomel in summer's front doth sing,
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And stops her pipe in growth of riper days:
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Not that the summer is less pleasant now
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Than when her mournful hymns did hush the night,
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But that wild music burthens every bough,
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And sweets grown common lose their dear delight.
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Therefore like her, I sometime hold my tongue:
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Because I would not dull you with my song.
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103
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Alack what poverty my muse brings forth,
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That having such a scope to show her pride,
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The argument all bare is of more worth
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Than when it hath my added praise beside.
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O blame me not if I no more can write!
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Look in your glass and there appears a face,
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That over-goes my blunt invention quite,
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Dulling my lines, and doing me disgrace.
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Were it not sinful then striving to mend,
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To mar the subject that before was well?
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For to no other pass my verses tend,
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Than of your graces and your gifts to tell.
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And more, much more than in my verse can sit,
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Your own glass shows you, when you look in it.
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104
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To me fair friend you never can be old,
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For as you were when first your eye I eyed,
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Such seems your beauty still: three winters cold,
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Have from the forests shook three summers' pride,
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Three beauteous springs to yellow autumn turned,
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In process of the seasons have I seen,
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Three April perfumes in three hot Junes burned,
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Since first I saw you fresh which yet are green.
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Ah yet doth beauty like a dial hand,
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Steal from his figure, and no pace perceived,
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So your sweet hue, which methinks still doth stand
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Hath motion, and mine eye may be deceived.
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For fear of which, hear this thou age unbred,
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Ere you were born was beauty's summer dead.
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105
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Let not my love be called idolatry,
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Nor my beloved as an idol show,
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Since all alike my songs and praises be
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To one, of one, still such, and ever so.
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Kind is my love to-day, to-morrow kind,
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Still constant in a wondrous excellence,
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Therefore my verse to constancy confined,
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One thing expressing, leaves out difference.
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Fair, kind, and true, is all my argument,
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Fair, kind, and true, varying to other words,
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And in this change is my invention spent,
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Three themes in one, which wondrous scope affords.
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Fair, kind, and true, have often lived alone.
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Which three till now, never kept seat in one.
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106
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When in the chronicle of wasted time,
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I see descriptions of the fairest wights,
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And beauty making beautiful old rhyme,
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In praise of ladies dead, and lovely knights,
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Then in the blazon of sweet beauty's best,
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Of hand, of foot, of lip, of eye, of brow,
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