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the movie strains to stay on the light , comic side of the issue , despite the difficulty of doing so when dealing with the destruction of property and , potentially , of life itself .
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like a veteran head cutter , barbershop is tuned in to its community .
1
an undistinguished attempt to make a classic theater piece cinematic .
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no reason for anyone to invest their hard-earned bucks into a movie which obviously did n't invest much into itself either .
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williams absolutely nails sy 's queasy infatuation and overall strangeness .
1
this is the kind of movie where the big scene is a man shot out of a cannon into a vat of ice cream .
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if you saw benigni 's pinocchio at a public park , you 'd grab your kids and run and then probably call the police .
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this film is so different from the apple and so striking that it can only encourage us to see samira makhmalbaf as a very distinctive sensibility , working to develop her own film language with conspicuous success .
1
an ugly-duckling tale so hideously and clumsily told it feels accidental .
0
ends up being mostly about ravishing costumes , eye-filling , wide-screen production design and joan 's wacky decision to stand by her man , no matter how many times he demonstrates that he 's a disloyal satyr .
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polished , well-structured film .
1
colorful and deceptively buoyant until it suddenly pulls the rug out from under you , burkinabe filmmaker dani kouyate 's reworking of a folk story whose roots go back to 7th-century oral traditions is also a pointed political allegory .
1
a celebration of quirkiness , eccentricity , and certain individuals ' tendency to let it all hang out , and damn the consequences .
1
we started to wonder if some unpaid intern had just typed 'chris rock , ' 'anthony hopkins ' and 'terrorists ' into some univac-like script machine .
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with nary a glimmer of self-knowledge , [ crane ] becomes more specimen than character -- and auto focus remains a chilly , clinical lab report .
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do not , under any circumstances , consider taking a child younger than middle school age to this wallow in crude humor .
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absorbing and disturbing -- perhaps more disturbing than originally intended -- but a little clarity would have gone a long way .
1
seldahl 's barbara is a precise and moving portrait of someone whose world is turned upside down , first by passion and then by illness .
1
ms . fulford-wierzbicki is almost spooky in her sulky , calculating lolita turn .
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it 's as if allen , at 66 , has stopped challenging himself .
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an engrossing portrait of uncompromising artists trying to create something original against the backdrop of a corporate music industry that only seems to care about the bottom line .
1
it 's really yet another anemic and formulaic lethal weapon-derived buddy-cop movie , trying to pass off its lack of imagination as hip knowingness .
0
a decided lack of spontaneity in its execution and a dearth of real poignancy in its epiphanies .
1
anemic , pretentious .
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a directorial tour de force by bernard rose , ivans xtc . is one of this year 's very best pictures .
1
you really have to salute writer-director haneke ( he adapted elfriede jelinek 's novel ) for making a film that is n't nearly as graphic but much more powerful , brutally shocking and difficult to watch .
1
credibility levels are low and character development a non-starter .
0
maryam is more timely now than ever .
1
it 's not a bad premise , just a bad movie .
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there 's no conversion effort , much of the writing is genuinely witty and both stars are appealing enough to probably have a good shot at a hollywood career , if they want one .
1
go for la salle 's performance , and make do as best you can with a stuttering script .
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the creative animation work may not look as fully 'rendered ' as pixar 's industry standard , but it uses lighting effects and innovative backgrounds to an equally impressive degree .
1
another love story in 2002 's remarkable procession of sweeping pictures that have reinvigorated the romance genre .
1
well-meant but unoriginal .
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insufferably naive .
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hartley adds enough quirky and satirical touches in the screenplay to keep the film entertaining .
1
the corpse count ultimately overrides what little we learn along the way about vicarious redemption .
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campbell scott finds the ideal outlet for his flick-knife diction in the role of roger swanson .
1
on its own , it 's not very interesting . as a remake , it 's a pale imitation .
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it 's a sometimes interesting remake that does n't compare to the brilliant original .
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it 's hard to understand why anyone in his right mind would even think to make the attraction a movie . and it 's harder still to believe that anyone in his right mind would want to see the it .
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assured , glossy and shot through with brittle desperation .
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a portrait of hell so shattering it 's impossible to shake .
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despite the pyrotechnics , narc is strictly by the book .
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a plodding look at the french revolution through the eyes of aristocrats .
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a rich tale of our times , very well told with an appropriate minimum of means .
1
worth catching for griffiths ' warm and winning central performance .
1
a tone of rueful compassion . . . reverberates throughout this film , whose meaning and impact is sadly heightened by current world events .
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a beautifully observed character piece .
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comes off more like a misdemeanor , a flat , unconvincing drama that never catches fire .
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it never rises to its clever what-if concept .
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does n't get the job done , running off the limited chemistry created by ralph fiennes and jennifer lopez .
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a huge box-office hit in korea , shiri is a must for genre fans .
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the lower your expectations , the more you 'll enjoy it .
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all mood and no movie .
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carrying off a spot-on scottish burr , duvall ( also a producer ) peels layers from this character that may well not have existed on paper .
1
mediocre fable from burkina faso .
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. . . although this idea is `` new `` the results are tired .
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it 's an example of sophisticated , challenging filmmaking that stands , despite its noticeable lack of emotional heft , in welcome contrast to the indulgent dead-end experimentation of the director 's previous full frontal .
1
it 's clotted with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long .
0
the new film of anton chekhov 's the cherry orchard puts the 'ick ' in 'classic . '
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whether or not you buy mr . broomfield 's findings , the film acquires an undeniable entertainment value as the slight , pale mr . broomfield continues to force himself on people and into situations that would make lesser men run for cover .
1
'abandon all hope , ye who enter here ' . . . you should definitely let dante 's gloomy words be your guide .
0
taylor appears to have blown his entire budget on soundtrack rights and had nothing left over for jokes .
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it 's not only dull because we 've seen [ eddie ] murphy do the genial-rogue shtick to death , but because the plot is equally hackneyed .
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an intriguing cinematic omnibus and round-robin that occasionally is more interesting in concept than in execution .
1
like old myths and wonder tales spun afresh .
1
de oliveira creates an emotionally rich , poetically plump and visually fulsome , but never showy , film whose bittersweet themes are reinforced and brilliantly personified by michel piccoli .
1
basically a static series of semi-improvised ( and semi-coherent ) raps between the stars .
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coral reef adventure is a heavyweight film that fights a good fight on behalf of the world 's endangered reefs -- and it lets the pictures do the punching .
1
the members manage to pronounce kok exactly as you think they might , thus giving the cast ample opportunity to use that term as often as possible . it 's very beavis and butthead , yet always seems to elicit a chuckle .
1
there is something that is so meditative and lyrical about babak payami 's boldly quirky iranian drama secret ballot . . . a charming and evoking little ditty that manages to show the gentle and humane side of middle eastern world politics
1
none of these characters resembles anyone you 've ever met in real life , unless you happen to know annoyingly self-involved people who speak in glib sentences that could have only come from the pen of a screenwriter .
0
it follows the basic plot trajectory of nearly every schwarzenegger film : someone crosses arnie . arnie blows things up .
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a very depressing movie of many missed opportunities .
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acting , particularly by tambor , almost makes `` never again `` worthwhile , but [ writer/director ] schaeffer should follow his titular advice
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visually , 'santa clause 2 ' is wondrously creative .
1
it 's so full of wrong choices that all you can do is shake your head in disbelief -- and worry about what classic oliver parker intends to mangle next time .
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a mediocre exercise in target demographics , unaware that it 's the butt of its own joke .
0
by no means a great movie , but it is a refreshingly forthright one .
1
a film so tedious that it is impossible to care whether that boast is true or not .
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just as the lousy tarantino imitations have subsided , here comes the first lousy guy ritchie imitation .
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i 'm not sure which is worse : the poor acting by the ensemble cast , the flat dialogue by vincent r . nebrida or the gutless direction by laurice guillen .
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a sensual performance from abbass buoys the flimsy story , but her inner journey is largely unexplored and we 're left wondering about this exotic-looking woman whose emotional depths are only hinted at .
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it 's . . . worth the extra effort to see an artist , still committed to growth in his ninth decade , change while remaining true to his principles with a film whose very subject is , quite pointedly , about the peril of such efforts .
1
`` bad `` is the operative word for `` bad company , `` and i do n't mean that in a good way .
0
we get light showers of emotion a couple of times , but then -- strangely -- these wane to an inconsistent and ultimately unsatisfying drizzle .
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for its seriousness , high literary aspirations and stunning acting , the film can only be applauded .
1
i could just feel the screenwriter at every moment 'tap , tap , tap , tap , tapping away ' on this screenplay .
0
britney spears ' phoniness is nothing compared to the movie 's contrived , lame screenplay and listless direction .
0
a remarkably insightful look at the backstage angst of the stand-up comic .
1
. . . is there a deeper , more direct connection between these women , one that spans time and reveals meaning ? you bet there is and it 's what makes this rather convoluted journey worth taking .
1
. . . a lesson in prehistoric hilarity .
1
it 's better suited for the history or biography channel , but there 's no arguing the tone of the movie - it leaves a bad taste in your mouth and questions on your mind .
0
so refreshingly incisive is grant that for the first time he 'll probably appeal more to guys than to their girlfriends who drag them to this movie for the hugh factor .
1
even if you do n't understand what on earth is going on , this is a movie that will stimulate hours of post viewing discussion , if only to be reminded of who did what to whom and why .
1
throughout , mr . audiard 's direction is fluid and quick .
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harris commands the screen , using his frailty to suggest the ravages of a life of corruption and ruthlessness .
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what 's so striking about jolie 's performance is that she never lets her character become a caricature -- not even with that radioactive hair .
1
a genuinely moving and wisely unsentimental drama .
1