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the overall vibe is druggy and self-indulgent , like a spring-break orgy for pretentious arts majors .
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i doubt anyone will remember the picture by the time christmas really rolls around , but maybe it 'll be on video by then .
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it 's harmless , diverting fluff . but it 's hard to imagine a more generic effort in the genre .
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as a director , paxton is surprisingly brilliant , deftly sewing together what could have been a confusing and horrifying vision into an intense and engrossing head-trip .
1
i have n't seen such self-amused trash since freddy got fingered .
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goldmember is funny enough to justify the embarrassment of bringing a barf bag to the moviehouse .
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in its own way , joshua is as blasphemous and nonsensical as a luis buM-quel film without the latter 's attendant intelligence , poetry , passion , and genius .
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like watching a dress rehearsal the week before the show goes up : everything 's in place but something 's just a little off-kilter .
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generic thriller junk . teens only .
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the film has the uncanny ability to right itself precisely when you think it 's in danger of going wrong .
1
a pretentious mess .
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often overwrought and at times positively irritating , the film turns into an engrossing thriller almost in spite of itself .
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if damon and affleck attempt another project greenlight , next time out they might try paying less attention to the miniseries and more attention to the film it is about .
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this film 's relationship to actual tension is the same as what christmas-tree flocking in a spray can is to actual snow : a poor -- if durable -- imitation .
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feels like the grittiest movie that was ever made for the lifetime cable television network .
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not only is undercover brother as funny , if not more so , than both austin powers films , but it 's also one of the smarter , savvier spoofs to come along in some time .
1
this ill-conceived and expensive project winds up looking like a bunch of talented thesps slumming it .
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a film that will enthrall the whole family .
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at a brief 42 minutes , we need more x and less blab .
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it was only a matter of time before some savvy producer saw the potential success inherent in the mixture of bullock bubble and hugh goo .
1
although largely a heavy-handed indictment of parental failings and the indifference of spanish social workers and legal system towards child abuse , the film retains ambiguities that make it well worth watching .
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a tender , witty , captivating film about friendship , love , memory , trust and loyalty .
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a colorful , vibrant introduction to a universal human impulse , lushly photographed and beautifully recorded .
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a film that will probably please people already fascinated by behan but leave everyone else yawning with admiration .
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halloween : resurrection is n't exactly quality cinema , but it is n't nearly as terrible as it cold have been .
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human nature is a goofball movie , in the way that malkovich was , but it tries too hard .
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its audacious ambitions sabotaged by pomposity , steven soderbergh 's space opera emerges as a numbingly dull experience .
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slackers ' jokey approach to college education is disappointingly simplistic -- the film 's biggest problem -- and there are no unforgettably stupid stunts or uproariously rude lines of dialogue to remember it by .
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if a horror movie 's primary goal is to frighten and disturb , then they works spectacularly well . . . a shiver-inducing , nerve-rattling ride .
1
you can thank me for this . i saw juwanna mann so you do n't have to .
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those with a modicum of patience will find in these characters ' foibles a timeless and unique perspective .
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may offend viewers not amused by the sick sense of humor .
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davis . . . is so enamored of her own creation that she ca n't see how insufferable the character is .
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hoffman 's performance is authentic to the core of his being .
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the concept behind kung pow : enter the fist is hilarious . it 's too bad nothing else is .
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whether or not ram dass proves as clear and reliable an authority on that as he was about inner consciousness , fierce grace reassures us that he will once again be an honest and loving one .
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barely goes beyond comic book status .
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it 's a rare window on an artistic collaboration .
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an opportunity missed .
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suspend your disbelief here and now , or you 'll be shaking your head all the way to the credits .
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it 's a strange film , one that was hard for me to warm up to .
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[ davis ] has a bright , chipper style that keeps things moving , while never quite managing to connect her wish-fulfilling characters to the human race .
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the premise is overshadowed by the uberviolence of the clericks as this becomes just another kung-fu sci-fi movie with silly action sequences .
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blade ii merges bits and pieces from fighting games , wire fu , horror movies , mystery , james bond , wrestling , sci-fi and anime into one big bloody stew .
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simply does n't have sufficient heft to justify its two-hour running time .
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an off-beat and fanciful film about the human need for monsters to blame for all that is amiss in the world .
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a sermonizing and lifeless paean to teenage dullards .
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the whole thing plays like a tired tyco ad .
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if this disposable tissue has one wild card , it 's john turturro , who 's simply fab as a spanish butler with a foot fetish .
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a charming romantic comedy that is by far the lightest dogme film and among the most enjoyable .
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intelligent , caustic take on a great writer and dubious human being .
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this riveting world war ii moral suspense story deals with the shadow side of american culture : racial prejudice in its ugly and diverse forms .
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most new movies have a bright sheen . some , like ballistic , arrive stillborn . . . looking like the beaten , well-worn video box cover of seven years into the future .
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cuts right through the b . s . giving a big middle-fingered `` shut up `` to those who talk up what is nothing more than two guys beating the hell outta one another .
1
its cast full of caffeinated comedy performances more than make up for its logical loopholes , which fly by so fast there 's no time to think about them anyway .
1
it appears to have been made by people to whom the idea of narrative logic or cohesion is an entirely foreign concept .
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grown-up quibbles are beside the point here . the little girls understand , and mccracken knows that 's all that matters .
1
a beguiling splash of pastel colors and prankish comedy from disney .
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imagine susan sontag falling in love with howard stern .
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`` the dangerous lives of altar boys `` has flaws , but it also has humor and heart and very talented young actors
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bloody sunday has the grace to call for prevention rather than to place blame , making it one of the best war movies ever made . it 's a movie that accomplishes so much that one viewing ca n't possibly be enough .
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an earnest , heartrending look at the divide between religious fundamentalists and their gay relatives . it 's also heavy-handed and devotes too much time to bigoted views .
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the movie succumbs to being nothing more than a formulaic chase in the dark .
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here 's a case of two actors who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior .
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the inherent limitations of using a video game as the source material movie are once again made all too clear in this schlocky horror/action hybrid .
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the dialogue is cumbersome , the simpering soundtrack and editing more so .
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definitely funny stuff , but it 's more of the 'laughing at ' variety than the 'laughing with . '
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a dreary movie .
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it may not be as cutting , as witty or as true as back in the glory days of weekend and two or three things i know about her , but who else engaged in filmmaking today is so cognizant of the cultural and moral issues involved in the process ?
1
. . . manages to fall closer in quality to silence than to the abysmal hannibal .
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not a movie but a live-action agitprop cartoon so shameless and coarse , it 's almost funny .
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as much as i laughed throughout the movie , i can not mount a cogent defense of the film as entertainment , or even performance art , although the movie does leave you marveling at these guys ' superhuman capacity to withstand pain .
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a relentless , bombastic and ultimately empty world war ii action flick .
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turturro is fabulously funny and over the top as a 'very sneaky ' butler who excels in the art of impossible disappearing/reappearing acts
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a bodice-ripper for intellectuals .
1
exploring value choices is a worthwhile topic for a film -- but here the choices are as contrived and artificial as kerrigan 's platinum-blonde hair .
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the film has a few cute ideas and several modest chuckles but it is n't exactly kiddie-friendly alas , santa is more ho-hum than ho-ho-ho and the snowman ( who never gets to play that flute ) has all the charm of a meltdown .
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is it really an advantage to invest such subtlety and warmth in an animatronic bear when the humans are acting like puppets ?
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by taking entertainment tonight subject matter and giving it humor and poignancy , auto focus becomes both gut-bustingly funny and crushingly depressing .
1
charly comes off as emotionally manipulative and sadly imitative of innumerable past love story derisions .
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crush is so warm and fuzzy you might be able to forgive its mean-spirited second half .
1
would you laugh if a tuba-playing dwarf rolled down a hill in a trash can ? do you chuckle at the thought of an ancient librarian whacking a certain part of a man 's body ? if you answered yes , by all means enjoy the new guy .
1
kirshner and monroe seem to be in a contest to see who can out-bad-act the other . ( kirshner wins , but it 's close . )
0
could the country bears really be as bad as its trailers ? in a word -- yes .
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it 's coherent , well shot , and tartly acted , but it wears you down like a dinner guest showing off his doctorate .
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a very good film sits in the place where a masterpiece should be .
1
lacks the visual flair and bouncing bravado that characterizes better hip-hop clips and is content to recycle images and characters that were already tired 10 years ago .
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jacobi , the most fluent of actors , is given relatively dry material from nijinsky 's writings to perform , and the visuals , even erotically frank ones , become dullingly repetitive .
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neither as scary-funny as tremors nor demented-funny as starship troopers , the movie is n't tough to take as long as you 've paid a matinee price .
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to be influenced chiefly by humanity 's greatest shame , reality shows -- reality shows for god 's sake ! -- is a crime that should be punishable by chainsaw .
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this kind of dark comedy requires a delicate , surgical touch . but director danny devito and screenwriter adam resnick ( remember cabin boy ? ) just pound away .
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novak manages to capture a cruelly hilarious vein of black comedy in the situation with his cast of non-actors and a gritty , no-budget approach .
1
fans of so-bad-they're-good cinema may find some fun in this jumbled mess .
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damon brings the proper conviction to his role as [ jason bourne ] .
1
it gets onto the screen just about as much of the novella as one could reasonably expect , and is engrossing and moving in its own right .
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much of what is meant to be 'inspirational ' and 'uplifting ' is simply distasteful to audiences not already sharing [ the movie 's ] mindset .
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there 's not much to fatale , outside of its stylish surprises . . . but that 's ok .
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with jump cuts , fast editing and lots of pyrotechnics , yu clearly hopes to camouflage how bad his movie is . he fails .
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the acting is amateurish , the cinematography is atrocious , the direction is clumsy , the writing is insipid and the violence is at once luridly graphic and laughably unconvincing .
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nothing in waking up in reno ever inspired me to think of its inhabitants as anything more than markers in a screenplay .
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