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the best way to hope for any chance of enjoying this film is by lowering your expectations . then lower them a bit more .
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some people want the ol ' ball-and-chain and then there are those who just want the ball and chain .
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the film is based on truth and yet there is something about it that feels incomplete , as if the real story starts just around the corner .
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it 's a piece of handiwork that shows its indie tatters and self-conscious seams in places , but has some quietly moving moments and an intelligent subtlety .
1
though tom shadyac 's film kicks off spookily enough , around the halfway mark it takes an abrupt turn into glucose sentimentality and laughable contrivance .
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though intrepid in exploring an attraction that crosses sexual identity , ozpetek falls short in showing us antonia 's true emotions . . . but at the very least , his secret life will leave you thinking .
1
painfully padded .
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how i killed my father would be a rarity in hollywood . it 's an actor 's showcase that accomplishes its primary goal without the use of special effects , but rather by emphasizing the characters -- including the supporting ones .
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a charming , quirky and leisurely paced scottish comedy -- except with an outrageous central gimmick that could have been a reject from monty python 's meaning of life .
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a movie where story is almost an afterthought amidst a swirl of colors and inexplicable events .
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solaris `` is a shapeless inconsequential move relying on the viewer to do most of the work .
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spousal abuse is a major problem in contemporary society , but the film reduces this domestic tragedy to florid melodrama .
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enchanted with low-life tragedy and liberally seasoned with emotional outbursts . . . what is sorely missing , however , is the edge of wild , lunatic invention that we associate with cage 's best acting .
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somehow both wildly implausible and strangely conventional .
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you just know something terrible is going to happen . but when it does , you 're entirely unprepared .
1
. . . the movie is just a plain old monster .
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self-congratulatory , misguided , and ill-informed , if nonetheless compulsively watchable .
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an unbelievably stupid film , though occasionally fun enough to make you forget its absurdity .
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while you have to admit it 's semi-amusing to watch robert deniro belt out `` when you 're a jet , you 're a jet all the way , `` it 's equally distasteful to watch him sing the lyrics to `` tonight . ``
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the film , despite the gratuitous cinematic distractions impressed upon it , is still good fun .
1
byler reveals his characters in a way that intrigues and even fascinates us , and he never reduces the situation to simple melodrama .
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takes a simple premise and carries it to unexpected heights .
1
jones has tackled a meaty subject and drawn engaging characters while peppering the pages with memorable zingers .
1
the attempt to build up a pressure cooker of horrified awe emerges from the simple fact that the movie has virtually nothing to show .
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the central story lacks punch .
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it collapses when mr . taylor tries to shift the tone to a thriller 's rush .
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for those of us who respond more strongly to storytelling than computer-generated effects , the new star wars installment has n't escaped the rut dug by the last one .
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mushes the college-friends genre ( the big chill ) together with the contrivances and overwrought emotion of soap operas .
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one of those movies where you walk out of the theater not feeling cheated exactly , but feeling pandered to , which , in the end , might be all the more infuriating .
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grating and tedious .
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a movie that sends you out of the theater feeling like you 've actually spent time living in another community .
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should have been worth cheering as a breakthrough but is devoid of wit and humor .
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call me a cynic , but there 's something awfully deadly about any movie with a life-affirming message .
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the performers are so spot on , it is hard to conceive anyone else in their roles .
1
with this masterful , flawless film , [ wang ] emerges in the front ranks of china 's now numerous , world-renowned filmmakers .
1
i could n't help but feel the wasted potential of this slapstick comedy .
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vividly conveys both the pitfalls and the pleasures of over-the-top love .
1
its story about a young chinese woman , ah na , who has come to new york city to replace past tragedy with the american dream is one that any art-house moviegoer is likely to find compelling .
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a sweet , tender sermon about a 12-year-old welsh boy more curious about god than girls , who learns that believing in something does matter .
1
this version 's no classic like its predecessor , but its pleasures are still plentiful .
1
the film is reasonably entertaining , though it begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy .
1
there is more than one joke about putting the toilet seat down . and that should tell you everything you need to know about all the queen 's men .
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woody allen can write and deliver a one liner as well as anybody . but i had a lot of problems with this movie .
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boasts a handful of virtuosic set pieces and offers a fair amount of trashy , kinky fun .
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you need n't be steeped in '50s sociology , pop culture or movie lore to appreciate the emotional depth of haynes ' work . though haynes ' style apes films from the period . . . its message is not rooted in that decade .
1
by the final whistle you 're convinced that this mean machine was a decent tv outing that just does n't have big screen magic .
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[ a ] crushing disappointment .
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narratively , trouble every day is a plodding mess .
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just how these families interact may surprise you .
1
the movie has very little to offer besides unintentional laughs .
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bad . very bad . stultifyingly , dumbfoundingly , mind-numbingly bad .
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it has a way of seeping into your consciousness , with lingering questions about what the film is really getting at .
1
juliette binoche 's sand is vivacious , but it 's hard to sense that powerhouse of 19th-century prose behind her childlike smile .
0
far too clever by half , howard 's film is really a series of strung-together moments , with all the spaces in between filled with fantasies , daydreams , memories and one fantastic visual trope after another .
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sound the trumpets : for the first time since desperately seeking susan , madonna does n't suck as an actress .
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has a long and clunky ending . . . which forces the audience to fidget through ten pseudo-serious minutes while waiting for the ending credits and the deleted scenes montage to break the audience 's awkward silence
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a wildly inconsistent emotional experience .
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filmmaker stacy peralta has a flashy editing style that does n't always jell with sean penn 's monotone narration , but he respects the material without sentimentalizing it .
1
denis o'neill 's script avoids the prime sports cliche , a last-second goal to win the championship , but it neglects few others .
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the sweetest thing is expressly for idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance .
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its salient points are simultaneously buried , drowned and smothered in the excesses of writer-director roger avary .
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ram dass fierce grace moulds itself as an example to up-and-coming documentarians , of the overlooked pitfalls of such an endeavour .
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a beautiful and haunting examination of the stories we tell ourselves to make sense of the mundane horrors of the world .
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'es en verdad una pena que mandoki estM-i realizando cintas tan malas desde hace algM-zn tiempo , pues talento tiene , pero quiM-in sabe dM-snde lo tiene escondido . '
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time stands still in more ways that one in clockstoppers , a sci-fi thriller as lazy as it is interminable .
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maryam is a small film , but it offers large rewards .
1
if you recognize zeus ( the dog from snatch ) it will make you wish you were at home watching that movie instead of in the theater watching this one .
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while bollywood/hollywood will undoubtedly provide its keenest pleasures to those familiar with bombay musicals , it also has plenty for those ( like me ) who are n't .
1
i liked a lot of the smaller scenes .
1
was i scared ? only at the prospect of beck 's next project . let 's see , a haunted house , a haunted ship , what 's next . . . ghost blimp ?
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uno de los policiales mM-as interesantes de los M-zltimos tiempos .
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will only satisfy those who ca n't tell the difference between the good , the bad and the ugly .
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it becomes gimmicky instead of compelling . `` interview `` loses its overall sense of mystery and becomes a tv episode rather than a documentary that you actually buy into .
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'tobey maguire is a poster boy for the geek generation . '
1
the cast is phenomenal , especially the women .
1
jason x has cheesy effects and a hoary plot , but its macabre , self-deprecating sense of humor makes up for a lot .
1
miyazaki has created such a vibrant , colorful world , it 's almost impossible not to be swept away by the sheer beauty of his images .
1
what starts off as a potentially incredibly twisting mystery becomes simply a monster chase film .
0
while most films these days are about nothing , this film seems to be about everything that 's plaguing the human spirit in a relentlessly globalizing world .
1
mordantly funny and intimately knowing . . .
1
an engrossing and grim portrait of hookers : what they think of themselves and their clients .
1
one of those movies that catches you up in something bigger than yourself , namely , an archetypal desire to enjoy good trash every now and then .
1
an offbeat , sometimes gross and surprisingly appealing animated film about the true meaning of the holidays .
1
i do n't think this movie loves women at all .
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there 's not one decent performance from the cast and not one clever line of dialogue .
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a film with almost as many delights for adults as there are for children and dog lovers .
1
no such thing breaks no new ground and treads old turf like a hippopotamus ballerina .
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so routine , familiar and predictable , it raises the possibility that it wrote itself as a newly automated final draft computer program .
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this movie got me grinning . there 's a part of us that can not help be entertained by the sight of someone getting away with something .
1
eisenstein lacks considerable brio for a film about one of cinema 's directorial giants .
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the lady and the duke is eric rohmer 's economical antidote to the bloated costume drama
1
in exactly 89 minutes , most of which passed as slowly as if i 'd been sitting naked on an igloo , formula 51 sank from quirky to jerky to utter turkey .
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expect to be reminded of other , better films , especially seven , which director william malone slavishly copies .
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foster and whitaker are especially fine . she is a lioness , protecting her cub , and he a reluctant villain , incapable of controlling his crew .
1
manages to show life in all of its banality when the intention is quite the opposite .
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the whole thing feels like a ruse , a tactic to cover up the fact that the picture is constructed around a core of flimsy -- or , worse yet , nonexistent -- ideas .
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a sly game of cat and mouse that 's intense and thrilling at times , but occasionally stretches believability to its limits and relies on predictable plot contrivances .
1
we 've liked klein 's other work but rollerball left us cold .
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it does n't offer audiences any way of gripping what its point is , or even its attitude toward its subject .
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why come up with something even quasi-original , when you can pillage from shirley jackson , richard matheson . . . and puke up something like rose red ?
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