Replace speculative tags with archive descriptors
#4
by maxwellinked - opened
README.md
CHANGED
|
@@ -2,29 +2,37 @@
|
|
| 2 |
license: cc-by-nc-4.0
|
| 3 |
pretty_name: Time-Lapse Artifacts
|
| 4 |
annotations_creators:
|
| 5 |
-
-
|
| 6 |
source_datasets:
|
| 7 |
- original
|
|
|
|
|
|
|
| 8 |
size_categories:
|
| 9 |
- n<1K
|
| 10 |
task_categories:
|
|
|
|
| 11 |
- feature-extraction
|
| 12 |
tags:
|
| 13 |
-
-
|
| 14 |
-
- time-series
|
| 15 |
- longitudinal-study
|
|
|
|
|
|
|
|
|
|
| 16 |
- computer-vision
|
| 17 |
-
-
|
| 18 |
-
-
|
| 19 |
-
-
|
| 20 |
---
|
| 21 |
|
| 22 |
# time-lapse-artifacts
|
| 23 |
|
| 24 |
-
467 time-lapse recordings of
|
| 25 |
-
|
| 26 |
-
|
| 27 |
-
|
|
|
|
|
|
|
|
|
|
| 28 |
recordings with lighter descriptive metadata.
|
| 29 |
|
| 30 |
The underlying practice also includes a 2012–2016 livestream layer, but those
|
|
@@ -178,9 +186,25 @@ describe the published encoded file. Historical canonicalization may include a
|
|
| 178 |
rotation, crop, or transcode; those transformations are documented only where
|
| 179 |
evidence currently exists and must not be inferred from dimensions alone.
|
| 180 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 181 |
## Annotation State
|
| 182 |
|
| 183 |
-
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 184 |
|
| 185 |
- frame-level bounding boxes or segmentation masks
|
| 186 |
- hand, pen-tip, pose, or stroke labels
|
|
@@ -197,7 +221,8 @@ source `record_id` and pinned repository revision.
|
|
| 197 |
### Reasonable uses in the current release
|
| 198 |
|
| 199 |
- archival and drawing-process research
|
| 200 |
-
- qualitative within-creator
|
|
|
|
| 201 |
- self-supervised video representation experiments
|
| 202 |
- frame-change, scene, and workspace analysis
|
| 203 |
- development of annotation and tracking methods
|
|
|
|
| 2 |
license: cc-by-nc-4.0
|
| 3 |
pretty_name: Time-Lapse Artifacts
|
| 4 |
annotations_creators:
|
| 5 |
+
- expert-generated
|
| 6 |
source_datasets:
|
| 7 |
- original
|
| 8 |
+
language:
|
| 9 |
+
- en
|
| 10 |
size_categories:
|
| 11 |
- n<1K
|
| 12 |
task_categories:
|
| 13 |
+
- video-classification
|
| 14 |
- feature-extraction
|
| 15 |
tags:
|
| 16 |
+
- drawing-process
|
|
|
|
| 17 |
- longitudinal-study
|
| 18 |
+
- traditional-art
|
| 19 |
+
- single-subject
|
| 20 |
+
- video
|
| 21 |
- computer-vision
|
| 22 |
+
- video-understanding
|
| 23 |
+
- creative-process
|
| 24 |
+
- human-motion
|
| 25 |
---
|
| 26 |
|
| 27 |
# time-lapse-artifacts
|
| 28 |
|
| 29 |
+
467 time-lapse recordings of one artist's traditional drawing practice across
|
| 30 |
+
nearly two years (September 2024–August 10, 2026), with standardized acquisition
|
| 31 |
+
since July 15, 2025. Across approximately 1.89 TB of video, the archive follows
|
| 32 |
+
the same artist working in physical media—including pencil, ballpoint pen,
|
| 33 |
+
fountain pen, graphite, and ink—on fixed-format paper and illustration board.
|
| 34 |
+
The release combines 338 canonical Standard videos with per-record content
|
| 35 |
+
hashes and validated technical metadata, plus 129 earlier Pre-Standard
|
| 36 |
recordings with lighter descriptive metadata.
|
| 37 |
|
| 38 |
The underlying practice also includes a 2012–2016 livestream layer, but those
|
|
|
|
| 186 |
rotation, crop, or transcode; those transformations are documented only where
|
| 187 |
evidence currently exists and must not be inferred from dimensions alone.
|
| 188 |
|
| 189 |
+
The July 15, 2025 protocol boundary is explicitly encoded in canonical
|
| 190 |
+
metadata. It supports era-aware comparison of repeated physical-media practice,
|
| 191 |
+
but it is an acquisition change, not a skill-change label. Differences across
|
| 192 |
+
that boundary may reflect capture conditions as well as practice development.
|
| 193 |
+
|
| 194 |
## Annotation State
|
| 195 |
|
| 196 |
+
Session-level descriptive and provenance metadata are curated by the creator
|
| 197 |
+
from the physical practice, filenames, file properties, and retained historical
|
| 198 |
+
evidence. This is the scope of `annotations_creators: expert-generated`; it does
|
| 199 |
+
not mean that frame-level task labels exist. Likewise, `language: en` describes
|
| 200 |
+
the filename vocabulary, metadata, and documentation, not incidental audio.
|
| 201 |
+
|
| 202 |
+
The `video-classification` task facet refers to possible session-level targets
|
| 203 |
+
such as documented tool, medium, and support. The release does not define label
|
| 204 |
+
encodings, an official benchmark, or train/validation/test partitions.
|
| 205 |
+
|
| 206 |
+
The videos themselves are primarily raw and unannotated. The release does not
|
| 207 |
+
provide:
|
| 208 |
|
| 209 |
- frame-level bounding boxes or segmentation masks
|
| 210 |
- hand, pen-tip, pose, or stroke labels
|
|
|
|
| 221 |
### Reasonable uses in the current release
|
| 222 |
|
| 223 |
- archival and drawing-process research
|
| 224 |
+
- qualitative within-creator analysis of practice and skill development across
|
| 225 |
+
repeated physical-media sessions
|
| 226 |
- self-supervised video representation experiments
|
| 227 |
- frame-change, scene, and workspace analysis
|
| 228 |
- development of annotation and tracking methods
|