id stringlengths 2 4 | pieceNumber int64 1 24 | composer stringclasses 13
values | title stringclasses 25
values | modality stringclasses 4
values | fullQuestion stringlengths 23 358 | answerObjectType stringclasses 14
values | answerFormat stringclasses 54
values | answerQuantity stringclasses 4
values | answerExample stringlengths 2 73 | cleanedReorganizedScoreFilename stringclasses 24
values | withoutContextScoreFilename stringclasses 24
values | audioFilename stringclasses 24
values |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
Q301 | 13 | Mozart | Piano Sonata 12, movement 3 | SP | The fourth notes played in bar 4, what cue in the score makes them being emphasized the way they are? | Category label | Dynamic marking or term written in full | Single | ["mezzo-piano"] | scores/cleaned_reorganized/piece-13.pdf | scores/without_context/piece-13.pdf | audio/piece-13.mp3 |
Q302 | 13 | Mozart | Piano Sonata 12, movement 3 | SP | With which pitch does the ornamentation in measure 53 start? | Pitch | Pitch names in scientific pitch notation with required octave numbers | Single | ["A4", "G#3", "Bb2"] | scores/cleaned_reorganized/piece-13.pdf | scores/without_context/piece-13.pdf | audio/piece-13.mp3 |
Q303 | 13 | Mozart | Piano Sonata 12, movement 3 | SP | In measure 243, some note in the right hand gets an emphasis in the performance, perhaps accidentally, slightly breaking the flow of the melody. Which note? | Pitch | Pitch classes with accidentals and no octave numbers | Single | ["G#", "Bb", "Fx"] | scores/cleaned_reorganized/piece-13.pdf | scores/without_context/piece-13.pdf | audio/piece-13.mp3 |
Q304 | 13 | Mozart | Piano Sonata 12, movement 3 | SP | If one were to continue to count at the same tempo as it was in measure 244, how many beats would measure 245 count? Count until the pedal is lifted. | Duration / ratio | Count in beats (according to the meter) written with digits | Single | ["2", "4.5", "7.25"] | scores/cleaned_reorganized/piece-13.pdf | scores/without_context/piece-13.pdf | audio/piece-13.mp3 |
Q305 | 13 | Mozart | Piano Sonata 12, movement 3 | SP | At what time does an authentic cadence to the piece's relative minor first occur? Provide the time of when the leading tone is struck in the soprano. Hint: it occurs in the exposition of the piece. | Timestamp | Timestamp in M:SS or MM:SS | Single | ["02:54"] | scores/cleaned_reorganized/piece-13.pdf | scores/without_context/piece-13.pdf | audio/piece-13.mp3 |
Q306 | 13 | Mozart | Piano Sonata 12, movement 3 | SP | In which 2 bars does the performer slow down most between bars 170 and 180? | Bar / beat | Bar number written with digits only | Pair | ["18, 42"] | scores/cleaned_reorganized/piece-13.pdf | scores/without_context/piece-13.pdf | audio/piece-13.mp3 |
Q307 | 14 | Rachmaninoff | Prelude Op. 23 No. 4 | SP | Which right-hand chord in measure 51 is played the longest? Answer with the name of the top note. | Pitch | Pitch classes with accidentals and no octave numbers | Single | ["A", "G#", "Bb"] | scores/cleaned_reorganized/piece-14.pdf | scores/without_context/piece-14.pdf | audio/piece-14.mp3 |
Q308 | 14 | Rachmaninoff | Prelude Op. 23 No. 4 | SP | In the first two bars, the performer plays rubato as if there are two tempi: one slower and one faster tempo. Which notes in the first bar are played with the significantly slower tempo? | Pitch | Pitch names in scientific pitch notation with required octave numbers | List ordered by appearance | ["A4, G#3, Bb2"] | scores/cleaned_reorganized/piece-14.pdf | scores/without_context/piece-14.pdf | audio/piece-14.mp3 |
Q309 | 14 | Rachmaninoff | Prelude Op. 23 No. 4 | SP | Which main-melody note across measures 65 through 67 carries the loudest written dynamic (and is also played the loudest)? | Pitch | Pitch names in scientific pitch notation with required octave numbers | Single | ["A4", "G#3", "Bb2"] | scores/cleaned_reorganized/piece-14.pdf | scores/without_context/piece-14.pdf | audio/piece-14.mp3 |
Q310 | 15 | Schubert | Moment musical No. 3 | SP | In measure 36, the melodic line is not clear. Although there are multiple notes that don't sound clearly, there is one note that does not sound at the time it should be played. Which one? | Pitch | Pitch names in scientific pitch notation with required octave numbers | Single | ["A4", "G#3", "Bb2"] | scores/cleaned_reorganized/piece-15.pdf | scores/without_context/piece-15.pdf | audio/piece-15.mp3 |
Q311 | 15 | Schubert | Moment musical No. 3 | SP | At some point in bar 75-78, the performer uses a rubato that significantly and unexpectedly delays the arrival of a particular beat, without a gradual slowdown preceding it. Divide each measure into four beats. In which bar and at which beat does this rubato take place? | Bar / beat | Bar and beat | Single | ["18, 3", "42, 1", "24, 2"] | scores/cleaned_reorganized/piece-15.pdf | scores/without_context/piece-15.pdf | audio/piece-15.mp3 |
Q312 | 16 | Schumann | Arabeske Op. 18 | SP | What unwritten performance technique does the performer use in bar 215? | Category label | Performance-technique label written in full | Single | ["glissando"] | scores/cleaned_reorganized/piece-16.pdf | scores/without_context/piece-16.pdf | audio/piece-16.mp3 |
Q313 | 16 | Schumann | Arabeske Op. 18 | SP | Which passage has a more decisive, static character, relative to the overall lyrical character of the piece? Indicate the first and last bar of this passage. | Bar / beat | Bar number written with digits only | Pair | ["18, 42"] | scores/cleaned_reorganized/piece-16.pdf | scores/without_context/piece-16.pdf | audio/piece-16.mp3 |
Q314 | 16 | Schumann | Arabeske Op. 18 | SP | In bars 224-226, a rather unexpected note in the melody is played with special care, creating a suspenseful moment. At what time? | Timestamp | Timestamp in M:SS or MM:SS | Single | ["02:54"] | scores/cleaned_reorganized/piece-16.pdf | scores/without_context/piece-16.pdf | audio/piece-16.mp3 |
Q315 | 17 | Scriabin | Etude Op. 8 No. 11 | SP | Which note did the performer miss in the last two bars? | Composite answer | Two answer components in the formats specified in the question | Single | ["flute, 42"] | scores/cleaned_reorganized/piece-17.pdf | scores/without_context/piece-17.pdf | audio/piece-17.mp3 |
Q316 | 17 | Scriabin | Etude Op. 8 No. 11 | SP | In bar 8, does the performer play crescendo, diminuendo, or equally loud/soft in the whole bar? | Choice | One choice copied exactly from the question | Single | [] | scores/cleaned_reorganized/piece-17.pdf | scores/without_context/piece-17.pdf | audio/piece-17.mp3 |
Q317 | 17 | Scriabin | Etude Op. 8 No. 11 | SP | Through pronounced rubato across measures 37-38, the performer creates a sense of temporal and harmonic suspension over a single chord. Which chord (most) produces this effect? | Chord | Lead-sheet chord symbol in root position | Single | ["Esus2", "D#maj7", "B7b5"] | scores/cleaned_reorganized/piece-17.pdf | scores/without_context/piece-17.pdf | audio/piece-17.mp3 |
Q318 | 17 | Scriabin | Etude Op. 8 No. 11 | SP | Which sixteenth note has the most rubato in bar 20? | Pitch | Pitch names in scientific pitch notation with required octave numbers | Single | ["A4", "G#3", "Bb2"] | scores/cleaned_reorganized/piece-17.pdf | scores/without_context/piece-17.pdf | audio/piece-17.mp3 |
Q319 | 17 | Scriabin | Etude Op. 8 No. 11 | SP | From 1:47 onwards, which note is the last one to be played with force, before the first subsequent F major chord? | Pitch | Pitch names in scientific pitch notation with required octave numbers | Single | ["A4", "G#3", "Bb2"] | scores/cleaned_reorganized/piece-17.pdf | scores/without_context/piece-17.pdf | audio/piece-17.mp3 |
Q320 | 18 | Scriabin | Piano Sonata No. 5 | SP | The work features a complete spelling of the mystic chord in bar 264. At which time is the chord struck? | Timestamp | Timestamp in M:SS or MM:SS | Single | ["02:54"] | scores/cleaned_reorganized/piece-18.pdf | scores/without_context/piece-18.pdf | audio/piece-18.mp3 |
Q321 | 18 | Scriabin | Piano Sonata No. 5 | SP | The passage played at 11:17-11:18 reminds of which theme in the piece? Name the theme by the marking associated with it. | Short text | Expressive term or phrase | Single | ["opening theme"] | scores/cleaned_reorganized/piece-18.pdf | scores/without_context/piece-18.pdf | audio/piece-18.mp3 |
Q322 | 18 | Scriabin | Piano Sonata No. 5 | SP | What is the upper voice melody that sounds in bars 203-206, as emphasized by the performer? | Pitch | Pitch names in scientific pitch notation with required octave numbers | List ordered by appearance | ["A4, G#3, Bb2"] | scores/cleaned_reorganized/piece-18.pdf | scores/without_context/piece-18.pdf | audio/piece-18.mp3 |
Q323 | 18 | Scriabin | Piano Sonata No. 5 | SP | Which voice does the performer bring to the foreground, starting in bar 251-257? List the notes. | Pitch | Pitch classes with accidentals and no octave numbers | List ordered by appearance | ["A, G#, Bb"] | scores/cleaned_reorganized/piece-18.pdf | scores/without_context/piece-18.pdf | audio/piece-18.mp3 |
Q324 | 18 | Scriabin | Piano Sonata No. 5 | SP | At what time does the exposition of the piece start? | Timestamp | Timestamp in M:SS or MM:SS | Single | ["02:54"] | scores/cleaned_reorganized/piece-18.pdf | scores/without_context/piece-18.pdf | audio/piece-18.mp3 |
Q325 | 1 | Bach | Fugue BWV 875 | S/P | What is the form of this piece? | Category label | Formal label written in full | Single | ["rondo"] | scores/cleaned_reorganized/piece-01.pdf | scores/without_context/piece-01.pdf | audio/piece-01.mp3 |
Q326 | 1 | Bach | Fugue BWV 875 | S/P | What is the tonality of this piece? | Key / tonality | Tonic and mode with accidentals | Single | ["Eb major", "C# minor", "D Dorian"] | scores/cleaned_reorganized/piece-01.pdf | scores/without_context/piece-01.pdf | audio/piece-01.mp3 |
Q327 | 1 | Bach | Fugue BWV 875 | S/P | How many times is the theme played in full, though it may be transposed or mirrored? Consider the theme being played when at least its first bar is played in full. | Integer | Non-negative integer written with digits | Single | ["4"] | scores/cleaned_reorganized/piece-01.pdf | scores/without_context/piece-01.pdf | audio/piece-01.mp3 |
Q328 | 3 | Balakirev | Islamey | S/P | In the beginning of the piece, passages are repeated one after the other (almost) literally, except with different dynamics. How many times does this happen? Ignore small differences and focus on the broad musical material. | Integer | Non-negative integer written with digits | Single | ["4"] | scores/cleaned_reorganized/piece-03.pdf | scores/without_context/piece-03.pdf | audio/piece-03.mp3 |
Q329 | 3 | Balakirev | Islamey | S/P | Which instrument section of the symphonic orchestra does the very opening of this piece bring to mind most? | Short text | Short phrase | Single | ["woodwinds"] | scores/cleaned_reorganized/piece-03.pdf | scores/without_context/piece-03.pdf | audio/piece-03.mp3 |
Q330 | 4 | Beethoven | Piano Sonata 23, movement 1 | S/P | In which key is the secondary theme written in (when it is first played)? Hint: it uses material from the first theme. | Key / tonality | Tonic and mode with accidentals | Single | ["Eb major", "C# minor", "D Dorian"] | scores/cleaned_reorganized/piece-04.pdf | scores/without_context/piece-04.pdf | audio/piece-04.mp3 |
Q331 | 4 | Beethoven | Piano Sonata 23, movement 1 | S/P | At what point in the opening (0:00-0:43, bars 1-17) does the music repeat its melodic 'question' in the original key after stating it in another key? | Timestamp | Timestamp in M:SS or MM:SS | Single | ["02:54"] | scores/cleaned_reorganized/piece-04.pdf | scores/without_context/piece-04.pdf | audio/piece-04.mp3 |
Q332 | 4 | Beethoven | Piano Sonata 23, movement 1 | S/P | The opening (00:00-00:43, bars 1-17) contains what may seem like a question-answer dialogue between two people. At what point does the questioner seem so dissatisfied with the repeated answer that they enter a state of fright? | Timestamp | Timestamp in M:SS or MM:SS | Single | ["melancholic", "joyful", "agitated"] | scores/cleaned_reorganized/piece-04.pdf | scores/without_context/piece-04.pdf | audio/piece-04.mp3 |
Q333 | 4 | Beethoven | Piano Sonata 23, movement 1 | S/P | What note creates the effect of a relentless pulse in the beginning of the recapitulation? | Pitch | Pitch names in scientific pitch notation with required octave numbers | Single | ["A4", "G#3", "Bb2"] | scores/cleaned_reorganized/piece-04.pdf | scores/without_context/piece-04.pdf | audio/piece-04.mp3 |
Q334 | 4 | Beethoven | Piano Sonata 23, movement 1 | S/P | The coda reviews the two main themes: in what order? For example, if the first theme is reviewed three times, separated by different musical material, write '1, 1, 1'. | Integer | Non-negative integer written with digits | List ordered by appearance | ["opening theme, second subject, closing theme"] | scores/cleaned_reorganized/piece-04.pdf | scores/without_context/piece-04.pdf | audio/piece-04.mp3 |
Q335 | 5 | Beethoven | Piano Sonata No. 21, movement 1 | S/P | In this piece, the recapitulation starts similarly as in the exposition, but takes an unexpected turn, taking the listener into a different tonality. Which pitch creates this anacoluthon effect? | Pitch | Pitch classes with accidentals and no octave numbers | Single | ["A", "G#", "Bb"] | scores/cleaned_reorganized/piece-05.pdf | scores/without_context/piece-05.pdf | audio/piece-05.mp3 |
Q336 | 19 | Beethoven | Symphony No. 2, movement 1 | S/P | How many notes do the violins play before the flutes enter? | Integer | Non-negative integer written with digits | Single | ["4"] | scores/cleaned_reorganized/piece-19.pdf | scores/without_context/piece-19.pdf | audio/piece-19.mp3 |
Q337 | 22 | Beethoven | Symphony No. 5, movement 1 | S/P | How many times is the Klopfmotiv played in total? Count simultaneous performances by multiple instruments as one occurrence. | Integer | Non-negative integer written with digits | Single | ["4"] | scores/cleaned_reorganized/piece-22.pdf | scores/without_context/piece-22.pdf | audio/piece-22.mp3 |
Q338 | 24 | Beethoven | Symphony No. 9, movement 1 | S/P | What is the tonality of this piece? | Key / tonality | Tonic and mode with accidentals | Single | ["Eb major", "C# minor", "D Dorian"] | scores/cleaned_reorganized/piece-24.pdf | scores/without_context/piece-24.pdf | audio/piece-24.mp3 |
Q339 | 6 | Chopin | Ballade No. 1 | P | What scale is played between 8:12 and 8:16? | Key / tonality | Scale or mode name with accidentals | Single | ["C major", "F# minor", "D Dorian"] | scores/cleaned_reorganized/piece-06.pdf | scores/without_context/piece-06.pdf | audio/piece-06.mp3 |
Q340 | 6 | Chopin | Ballade No. 1 | S/P | Consider a thought to be a continuous piece of music without rests. How many thoughts are expressed before the theme in G minor starts? | Integer | Non-negative integer written with digits | Single | ["4"] | scores/cleaned_reorganized/piece-06.pdf | scores/without_context/piece-06.pdf | audio/piece-06.mp3 |
Q341 | 6 | Chopin | Ballade No. 1 | S/P | The composer writes in different genres/forms: sonatas, nocturnes... What specific musical genre/form (that is also typical for the composer) does the material introduced in measure 8 evoke? | Short text | Style or genre descriptor | Single | ["Romantic"] | scores/cleaned_reorganized/piece-06.pdf | scores/without_context/piece-06.pdf | audio/piece-06.mp3 |
Q342 | 7 | Chopin | Etude Op. 10 No. 4 | S/P | The piece starts with which harmonic function? | Category label | Harmonic-function label written in full | Single | ["tonic"] | scores/cleaned_reorganized/piece-07.pdf | scores/without_context/piece-07.pdf | audio/piece-07.mp3 |
Q343 | 8 | Debussy | Reflets dans l'eau | S/P | In the opening of the piece up until the moment where the two hands start playing parallel octave-chords moving in opposite direction, decorative lines that start on high pitches and move toward the center of the piano may create the impression of flickering light on the surface of the water. What intervals are formed ... | Interval | Interval quality and number | Pair | ["major third, minor seventh"] | scores/cleaned_reorganized/piece-08.pdf | scores/without_context/piece-08.pdf | audio/piece-08.mp3 |
Q344 | 8 | Debussy | Reflets dans l'eau | S/P | What is the highest note of the piece? | Pitch | Pitch names in scientific pitch notation with required octave numbers | Single | ["A4", "G#3", "Bb2"] | scores/cleaned_reorganized/piece-08.pdf | scores/without_context/piece-08.pdf | audio/piece-08.mp3 |
Q345 | 9 | Glinka | The Lark | S/P | What kind of animal are measures 3-4 most likely representing: kangaroo, bumblebee, bird, tiger, dolphin, bat, or owl? | Choice | One choice copied exactly from the question | Single | [] | scores/cleaned_reorganized/piece-09.pdf | scores/without_context/piece-09.pdf | audio/piece-09.mp3 |
Q346 | 9 | Glinka | The Lark | S/P | Which of the four elements of nature is most conceivable in measure 64? | Short text | Short phrase | Single | ["serene"] | scores/cleaned_reorganized/piece-09.pdf | scores/without_context/piece-09.pdf | audio/piece-09.mp3 |
Q347 | 9 | Glinka | The Lark | S/P | This song is a transcription of a piece for which two instruments? | Short text | Short phrase | Pair | ["right hand, left hand"] | scores/cleaned_reorganized/piece-09.pdf | scores/without_context/piece-09.pdf | audio/piece-09.mp3 |
Q348 | 10 | Haydn | Keyboard Sonata 48, movement 2 | SP | At which timestamp does the written trill in measure 195 begin? | Timestamp | Timestamp in M:SS or MM:SS | Single | ["02:54"] | scores/cleaned_reorganized/piece-10.pdf | scores/without_context/piece-10.pdf | audio/piece-10.mp3 |
Q349 | 10 | Haydn | Keyboard Sonata 48, movement 2 | S/P | The composer employs a motif to announce the beginning of the main melody of the piece. Of which note values does this motif consist? | Duration / ratio | Count followed by notated note value | Single | ["4 quarter notes", "6 eighth notes", "8 sixteenth notes"] | scores/cleaned_reorganized/piece-10.pdf | scores/without_context/piece-10.pdf | audio/piece-10.mp3 |
Q350 | 10 | Haydn | Keyboard Sonata 48, movement 2 | S/P | What form is this piece in? | Category label | Formal label written in full | Single | ["ternary form"] | scores/cleaned_reorganized/piece-10.pdf | scores/without_context/piece-10.pdf | audio/piece-10.mp3 |
Q351 | 11 | Liszt | Ballade No. 2 | P | When does the rumble appear for the second time? | Timestamp | Timestamp in M:SS or MM:SS | Single | ["02:54"] | scores/cleaned_reorganized/piece-11.pdf | scores/without_context/piece-11.pdf | audio/piece-11.mp3 |
Q352 | 11 | Liszt | Ballade No. 2 | S | For which instrument is the score written? | Short text | Short phrase | Single | ["right hand"] | scores/cleaned_reorganized/piece-11.pdf | scores/without_context/piece-11.pdf | audio/piece-11.mp3 |
Q353 | 11 | Liszt | Ballade No. 2 | S/P | Which classical music period does this composition belong to? | Short text | Style or genre descriptor | Single | ["Romantic"] | scores/cleaned_reorganized/piece-11.pdf | scores/without_context/piece-11.pdf | audio/piece-11.mp3 |
Q354 | 12 | Mozart | Piano Sonata 12, movement 1 | SP | At which timestamp does the Recapitulation begin? | Timestamp | Timestamp in M:SS or MM:SS | Single | ["02:54"] | scores/cleaned_reorganized/piece-12.pdf | scores/without_context/piece-12.pdf | audio/piece-12.mp3 |
Q355 | 14 | Rachmaninoff | Prelude Op. 23 No. 4 | S/P | How many accompaniment notes are played before the melody first enters at the beginning of the piece? | Integer | Non-negative integer written with digits | Single | ["4"] | scores/cleaned_reorganized/piece-14.pdf | scores/without_context/piece-14.pdf | audio/piece-14.mp3 |
Q356 | 15 | Schubert | Moment musical No. 3 | P | What is the articulation used in the first three seconds of the piece, before the right hand enters? | Articulation | Articulation term written in full | Single | ["legato"] | scores/cleaned_reorganized/piece-15.pdf | scores/without_context/piece-15.pdf | audio/piece-15.mp3 |
Q357 | 15 | Schubert | Moment musical No. 3 | S/P | There is a clear main theme presented at the very beginning of the piece. How many times is this played in full throughout the piece? | Integer | Non-negative integer written with digits | Single | ["4"] | scores/cleaned_reorganized/piece-15.pdf | scores/without_context/piece-15.pdf | audio/piece-15.mp3 |
Q358 | 17 | Scriabin | Etude Op. 8 No. 11 | S/P | What key is declared at the beginning of the piece? | Key / tonality | Tonic and mode with accidentals | Single | ["Eb major", "C# minor", "D Dorian"] | scores/cleaned_reorganized/piece-17.pdf | scores/without_context/piece-17.pdf | audio/piece-17.mp3 |
Q359 | 17 | Scriabin | Etude Op. 8 No. 11 | S/P | Would you say the character of the piece is mostly happy, ecstatic, angry, pondering, or aching? | Choice | One choice copied exactly from the question | Single | [] | scores/cleaned_reorganized/piece-17.pdf | scores/without_context/piece-17.pdf | audio/piece-17.mp3 |
Q360 | 17 | Scriabin | Etude Op. 8 No. 11 | S/P | What would you say is the source for the main challenge for the pianist in this piece? Polyphonic texture, complex polyrhythms, expressive depth, virtuosic arpeggios, large leaps, hand synchronization, or rapid scales? | Choice | One choice copied exactly from the question | Single | [] | scores/cleaned_reorganized/piece-17.pdf | scores/without_context/piece-17.pdf | audio/piece-17.mp3 |
Q361 | 1 | Bach | Fugue BWV 875 | S/P | Who composed this piece? | Short text | Short phrase | Single | ["Johannes Brahms"] | scores/cleaned_reorganized/piece-01.pdf | scores/without_context/piece-01.pdf | audio/piece-01.mp3 |
Q362 | 1 | Bach | Fugue BWV 875 | S/P | What is the title of this work? | Short text | Short phrase | Single | ["Piano Sonata No. 2, Op. 2"] | scores/cleaned_reorganized/piece-01.pdf | scores/without_context/piece-01.pdf | audio/piece-01.mp3 |
Q363 | 1 | Bach | Fugue BWV 875 | S/P | What is the principal tonality of this piece? | Key / tonality | Tonic and mode with accidentals | Single | ["E major"] | scores/cleaned_reorganized/piece-01.pdf | scores/without_context/piece-01.pdf | audio/piece-01.mp3 |
Q364 | 1 | Bach | Fugue BWV 875 | S/P | What is the overall form of this piece? | Category label | Musical form written in full | Single | ["sonata"] | scores/cleaned_reorganized/piece-01.pdf | scores/without_context/piece-01.pdf | audio/piece-01.mp3 |
Q365 | 2 | Bach | Prelude BWV 848 | S/P | Who composed this piece? | Short text | Short phrase | Single | ["Johannes Brahms"] | scores/cleaned_reorganized/piece-02.pdf | scores/without_context/piece-02.pdf | audio/piece-02.mp3 |
Q366 | 2 | Bach | Prelude BWV 848 | S/P | What is the title of this work? | Short text | Short phrase | Single | ["Piano Sonata No. 2, Op. 2"] | scores/cleaned_reorganized/piece-02.pdf | scores/without_context/piece-02.pdf | audio/piece-02.mp3 |
Q367 | 2 | Bach | Prelude BWV 848 | S/P | What is the principal tonality of this piece? | Key / tonality | Tonic and mode with accidentals | Single | ["E major"] | scores/cleaned_reorganized/piece-02.pdf | scores/without_context/piece-02.pdf | audio/piece-02.mp3 |
Q368 | 2 | Bach | Prelude BWV 848 | S/P | What is the overall form of this piece? | Category label | Musical form written in full | Single | ["sonata"] | scores/cleaned_reorganized/piece-02.pdf | scores/without_context/piece-02.pdf | audio/piece-02.mp3 |
Q369 | 3 | Balakirev | Islamey | S/P | Who composed this piece? | Short text | Short phrase | Single | ["Johannes Brahms"] | scores/cleaned_reorganized/piece-03.pdf | scores/without_context/piece-03.pdf | audio/piece-03.mp3 |
Q370 | 3 | Balakirev | Islamey | S/P | What is the title of this work? | Short text | Short phrase | Single | ["Piano Sonata No. 2, Op. 2"] | scores/cleaned_reorganized/piece-03.pdf | scores/without_context/piece-03.pdf | audio/piece-03.mp3 |
Q371 | 3 | Balakirev | Islamey | S/P | What is the principal tonality of this piece? | Key / tonality | Tonic and mode with accidentals | Single | ["E major"] | scores/cleaned_reorganized/piece-03.pdf | scores/without_context/piece-03.pdf | audio/piece-03.mp3 |
Q372 | 3 | Balakirev | Islamey | S/P | What is the overall form of this piece? | Category label | Musical form written in full | Single | ["sonata"] | scores/cleaned_reorganized/piece-03.pdf | scores/without_context/piece-03.pdf | audio/piece-03.mp3 |
Q373 | 4 | Beethoven | Piano Sonata 23, movement 1 | S/P | Who composed this piece? | Short text | Short phrase | Single | ["Johannes Brahms"] | scores/cleaned_reorganized/piece-04.pdf | scores/without_context/piece-04.pdf | audio/piece-04.mp3 |
Q374 | 4 | Beethoven | Piano Sonata 23, movement 1 | S/P | What is the title of this work? | Short text | Short phrase | Single | ["Piano Sonata No. 2, Op. 2"] | scores/cleaned_reorganized/piece-04.pdf | scores/without_context/piece-04.pdf | audio/piece-04.mp3 |
Q375 | 4 | Beethoven | Piano Sonata 23, movement 1 | S/P | What is the principal tonality of this piece? | Key / tonality | Tonic and mode with accidentals | Single | ["E major"] | scores/cleaned_reorganized/piece-04.pdf | scores/without_context/piece-04.pdf | audio/piece-04.mp3 |
Q376 | 4 | Beethoven | Piano Sonata 23, movement 1 | S/P | What is the overall form of this piece? | Category label | Musical form written in full | Single | ["sonata"] | scores/cleaned_reorganized/piece-04.pdf | scores/without_context/piece-04.pdf | audio/piece-04.mp3 |
Q377 | 5 | Beethoven | Piano Sonata No. 21, movement 1 | S/P | Who composed this piece? | Short text | Short phrase | Single | ["Johannes Brahms"] | scores/cleaned_reorganized/piece-05.pdf | scores/without_context/piece-05.pdf | audio/piece-05.mp3 |
Q378 | 5 | Beethoven | Piano Sonata No. 21, movement 1 | S/P | What is the title of this work? | Short text | Short phrase | Single | ["Piano Sonata No. 2, Op. 2"] | scores/cleaned_reorganized/piece-05.pdf | scores/without_context/piece-05.pdf | audio/piece-05.mp3 |
Q379 | 5 | Beethoven | Piano Sonata No. 21, movement 1 | S/P | What is the principal tonality of this piece? | Key / tonality | Tonic and mode with accidentals | Single | ["E major"] | scores/cleaned_reorganized/piece-05.pdf | scores/without_context/piece-05.pdf | audio/piece-05.mp3 |
Q380 | 5 | Beethoven | Piano Sonata No. 21, movement 1 | S/P | What is the overall form of this piece? | Category label | Musical form written in full | Single | ["sonata"] | scores/cleaned_reorganized/piece-05.pdf | scores/without_context/piece-05.pdf | audio/piece-05.mp3 |
Q381 | 6 | Chopin | Ballade No. 1 | S/P | Who composed this piece? | Short text | Short phrase | Single | ["Johannes Brahms"] | scores/cleaned_reorganized/piece-06.pdf | scores/without_context/piece-06.pdf | audio/piece-06.mp3 |
Q382 | 6 | Chopin | Ballade No. 1 | S/P | What is the title of this work? | Short text | Short phrase | Single | ["Piano Sonata No. 2, Op. 2"] | scores/cleaned_reorganized/piece-06.pdf | scores/without_context/piece-06.pdf | audio/piece-06.mp3 |
Q383 | 6 | Chopin | Ballade No. 1 | S/P | What is the principal tonality of this piece? | Key / tonality | Tonic and mode with accidentals | Single | ["E major"] | scores/cleaned_reorganized/piece-06.pdf | scores/without_context/piece-06.pdf | audio/piece-06.mp3 |
Q384 | 6 | Chopin | Ballade No. 1 | S/P | What is the overall form of this piece? | Category label | Musical form written in full | Single | ["sonata"] | scores/cleaned_reorganized/piece-06.pdf | scores/without_context/piece-06.pdf | audio/piece-06.mp3 |
Q385 | 7 | Chopin | Etude Op. 10 No. 4 | S/P | Who composed this piece? | Short text | Short phrase | Single | ["Johannes Brahms"] | scores/cleaned_reorganized/piece-07.pdf | scores/without_context/piece-07.pdf | audio/piece-07.mp3 |
Q386 | 7 | Chopin | Etude Op. 10 No. 4 | S/P | What is the title of this work? | Short text | Short phrase | Single | ["Piano Sonata No. 2, Op. 2"] | scores/cleaned_reorganized/piece-07.pdf | scores/without_context/piece-07.pdf | audio/piece-07.mp3 |
Q387 | 7 | Chopin | Etude Op. 10 No. 4 | S/P | What is the principal tonality of this piece? | Key / tonality | Tonic and mode with accidentals | Single | ["E major"] | scores/cleaned_reorganized/piece-07.pdf | scores/without_context/piece-07.pdf | audio/piece-07.mp3 |
Q388 | 7 | Chopin | Etude Op. 10 No. 4 | S/P | What is the overall form of this piece? | Category label | Musical form written in full | Single | ["sonata"] | scores/cleaned_reorganized/piece-07.pdf | scores/without_context/piece-07.pdf | audio/piece-07.mp3 |
Q389 | 8 | Debussy | Reflets dans l'eau | S/P | Who composed this piece? | Short text | Short phrase | Single | ["Johannes Brahms"] | scores/cleaned_reorganized/piece-08.pdf | scores/without_context/piece-08.pdf | audio/piece-08.mp3 |
Q390 | 8 | Debussy | Reflets dans l'eau | S/P | What is the title of this work? | Short text | Short phrase | Single | ["Piano Sonata No. 2, Op. 2"] | scores/cleaned_reorganized/piece-08.pdf | scores/without_context/piece-08.pdf | audio/piece-08.mp3 |
Q391 | 8 | Debussy | Reflets dans l'eau | S/P | What is the principal tonality of this piece? | Key / tonality | Tonic and mode with accidentals | Single | ["E major"] | scores/cleaned_reorganized/piece-08.pdf | scores/without_context/piece-08.pdf | audio/piece-08.mp3 |
Q392 | 8 | Debussy | Reflets dans l'eau | S/P | What is the overall form of this piece? | Category label | Musical form written in full | Single | ["sonata"] | scores/cleaned_reorganized/piece-08.pdf | scores/without_context/piece-08.pdf | audio/piece-08.mp3 |
Q393 | 9 | Glinka | The Lark | S/P | Who composed this piece? | Short text | Short phrase | Single | ["Johannes Brahms"] | scores/cleaned_reorganized/piece-09.pdf | scores/without_context/piece-09.pdf | audio/piece-09.mp3 |
Q394 | 9 | Glinka | The Lark | S/P | What is the title of this work? | Short text | Short phrase | Single | ["Piano Sonata No. 2, Op. 2"] | scores/cleaned_reorganized/piece-09.pdf | scores/without_context/piece-09.pdf | audio/piece-09.mp3 |
Q395 | 9 | Glinka | The Lark | S/P | What is the principal tonality of this piece? | Key / tonality | Tonic and mode with accidentals | Single | ["E major"] | scores/cleaned_reorganized/piece-09.pdf | scores/without_context/piece-09.pdf | audio/piece-09.mp3 |
Q396 | 9 | Glinka | The Lark | S/P | What is the overall form of this piece? | Category label | Musical form written in full | Single | ["sonata"] | scores/cleaned_reorganized/piece-09.pdf | scores/without_context/piece-09.pdf | audio/piece-09.mp3 |
Q397 | 10 | Haydn | Keyboard Sonata 48, movement 2 | S/P | Who composed this piece? | Short text | Short phrase | Single | ["Johannes Brahms"] | scores/cleaned_reorganized/piece-10.pdf | scores/without_context/piece-10.pdf | audio/piece-10.mp3 |
Q398 | 10 | Haydn | Keyboard Sonata 48, movement 2 | S/P | What is the title of this work? | Short text | Short phrase | Single | ["Piano Sonata No. 2, Op. 2"] | scores/cleaned_reorganized/piece-10.pdf | scores/without_context/piece-10.pdf | audio/piece-10.mp3 |
Q399 | 10 | Haydn | Keyboard Sonata 48, movement 2 | S/P | What is the principal tonality of this piece? | Key / tonality | Tonic and mode with accidentals | Single | ["E major"] | scores/cleaned_reorganized/piece-10.pdf | scores/without_context/piece-10.pdf | audio/piece-10.mp3 |
Q400 | 10 | Haydn | Keyboard Sonata 48, movement 2 | S/P | What is the overall form of this piece? | Category label | Musical form written in full | Single | ["sonata"] | scores/cleaned_reorganized/piece-10.pdf | scores/without_context/piece-10.pdf | audio/piece-10.mp3 |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.