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Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.
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What was one of his revered woodcuts he made in his twenties Death and the Devil
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Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.
|
What was one of his revered woodcuts he made in his twenties Death and the Devil
|
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work.
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What was one of his revered woodcuts he made in his twenties Saint Jerome in his Study
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Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.
|
What was one of his revered woodcuts he made in his twenties Saint Jerome in his Study
|
Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.
|
What was one of his revered woodcuts he made in his twenties Saint Jerome in his Study
|
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work.
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What was one of his revered woodcuts he made in his twenties Melencolia
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Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.
|
What was one of his revered woodcuts he made in his twenties Melencolia
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Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.
|
What was one of his revered woodcuts he made in his twenties Melencolia
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Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints.
|
Who was the painter, print maker and theorist of the German Renaissance that was born in Nuremberg Germany Albrecht Durer
|
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
|
Who was the painter, print maker and theorist of the German Renaissance that was born in Nuremberg Germany Albrecht Durer
|
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation.
|
Who was the painter, print maker and theorist of the German Renaissance that was born in Nuremberg Germany Albrecht Durer
|
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints.
|
In what town and in what year was Durer born Nuremberg, 1471
|
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance.
|
In what town and in what year was Durer born Nuremberg, 1471
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The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.
|
In what town and in what year was Durer born Nuremberg, 1471
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He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance.
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Durer secured his reputation in Northern Europe by the knowledge of what specific artists Giovanni Bellini
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He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work.
|
Durer secured his reputation in Northern Europe by the knowledge of what specific artists Giovanni Bellini
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His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
|
Durer secured his reputation in Northern Europe by the knowledge of what specific artists Giovanni Bellini
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He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance.
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Durer secured his reputation in Northern Europe by the knowledge of what specific artists Leonardo da Vinci
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He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work.
|
Durer secured his reputation in Northern Europe by the knowledge of what specific artists Leonardo da Vinci
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His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
|
Durer secured his reputation in Northern Europe by the knowledge of what specific artists Leonardo da Vinci
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He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance.
|
Durer secured his reputation in Northern Europe by the knowledge of what specific artists Raphael
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He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work.
|
Durer secured his reputation in Northern Europe by the knowledge of what specific artists Raphael
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His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
|
Durer secured his reputation in Northern Europe by the knowledge of what specific artists Raphael
|
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance.
|
Durer secured his reputation in Northern Europe by the knowledge of what specific artists Raphael, Giovanni Bellini and Leonardo da Vinci
|
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work.
|
Durer secured his reputation in Northern Europe by the knowledge of what specific artists Raphael, Giovanni Bellini and Leonardo da Vinci
|
His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
|
Durer secured his reputation in Northern Europe by the knowledge of what specific artists Raphael, Giovanni Bellini and Leonardo da Vinci
|
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance.
|
How did communication with major Italian artists at the time help him later in life He was able to introduce classical motifs into his work, therefore securing him a reputation of one of the most important figures of the Northern Renaissance
|
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance.
|
How did communication with major Italian artists at the time help him later in life He was able to introduce classical motifs into his work, therefore securing him a reputation of one of the most important figures of the Northern Renaissance
|
This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.
|
How did communication with major Italian artists at the time help him later in life He was able to introduce classical motifs into his work, therefore securing him a reputation of one of the most important figures of the Northern Renaissance
|
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance.
|
How did communication with major Italian artists at the time help him later in life He was patronized by emperor Maximilian I
|
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance.
|
How did communication with major Italian artists at the time help him later in life He was patronized by emperor Maximilian I
|
This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.
|
How did communication with major Italian artists at the time help him later in life He was patronized by emperor Maximilian I
|
The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. ||||| His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.
|
What are three mediums that he is known for Painter
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints.
|
What are three mediums that he is known for Painter
|
This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.
|
What are three mediums that he is known for Painter
|
The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. ||||| His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.
|
What are three mediums that he is known for Wood cutting, engraving and watercolor
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints.
|
What are three mediums that he is known for Wood cutting, engraving and watercolor
|
This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.
|
What are three mediums that he is known for Wood cutting, engraving and watercolor
|
The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. ||||| His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.
|
What are three mediums that he is known for Theorist
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints.
|
What are three mediums that he is known for Theorist
|
This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.
|
What are three mediums that he is known for Theorist
|
The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. ||||| His well-known engravings include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.
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What are three mediums that he is known for Printmaker
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. ||||| Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints.
|
What are three mediums that he is known for Printmaker
|
This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.
|
What are three mediums that he is known for Printmaker
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
|
What three specific types of work earned Durer a good reputation Woodcuts
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance.
|
What three specific types of work earned Durer a good reputation Woodcuts
|
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance.
|
What three specific types of work earned Durer a good reputation Woodcuts
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
|
What three specific types of work earned Durer a good reputation Watercolors, woodcuts, and theoretical treatises
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance.
|
What three specific types of work earned Durer a good reputation Watercolors, woodcuts, and theoretical treatises
|
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance.
|
What three specific types of work earned Durer a good reputation Watercolors, woodcuts, and theoretical treatises
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
|
What three specific types of work earned Durer a good reputation Engraving
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance.
|
What three specific types of work earned Durer a good reputation Engraving
|
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance.
|
What three specific types of work earned Durer a good reputation Engraving
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
|
What three specific types of work earned Durer a good reputation Watercolours
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| Durer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance.
|
What three specific types of work earned Durer a good reputation Watercolours
|
He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. ||||| Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance.
|
What three specific types of work earned Durer a good reputation Watercolours
|
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.
|
Which type of prints earned Durer a reputation across Europe while he was still in his twenties and revolutionized the potential of that medium Woodcuts
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
|
Which type of prints earned Durer a reputation across Europe while he was still in his twenties and revolutionized the potential of that medium Woodcuts
|
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.
|
Which type of prints earned Durer a reputation across Europe while he was still in his twenties and revolutionized the potential of that medium Woodcuts
|
Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties, due to his high-quality woodcut prints. ||||| His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.
|
Which type of prints earned Durer a reputation across Europe while he was still in his twenties and revolutionized the potential of that medium Woodcut prints
|
His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. ||||| This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions.
|
Which type of prints earned Durer a reputation across Europe while he was still in his twenties and revolutionized the potential of that medium Woodcut prints
|
Albrecht Durer (/'dU@r@r, 'djU@r@r/; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker and theorist of the German Renaissance. ||||| He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. His vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books.
|
Which type of prints earned Durer a reputation across Europe while he was still in his twenties and revolutionized the potential of that medium Woodcut prints
|
However, he was relatively young when he died, and Ogden suggests that Alexander's matrimonial record is more impressive than his father's at the same age. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| He lost another child when Roxana miscarried at Babylon.
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Alexander's father had how many children when he had Alexander's age when Alexander died Less than 3
|
He lost another child when Roxana miscarried at Babylon. ||||| Hephaestion's death devastated Alexander. ||||| Alexander accumulated a harem in the style of Persian kings, but he used it rather sparingly; showing great self-control in "pleasures of the body".
|
Alexander's father had how many children when he had Alexander's age when Alexander died Less than 3
|
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| Nevertheless, Plutarch described how Alexander was infatuated by Roxana while complimenting him on not forcing himself on her. ||||| This event may have contributed to Alexander's failing health and detached mental state during his final months.
|
Alexander's father had how many children when he had Alexander's age when Alexander died Less than 3
|
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine.
|
Did Alexander marry the mother of Heracles of Macedon No, she was his mistress
|
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble.
|
Did Alexander marry the mother of Heracles of Macedon No, she was his mistress
|
No ancient sources stated that Alexander had homosexual relationships, or that Alexander's relationship with Hephaestion was sexual. ||||| Noting that the word eromenos (ancient Greek for beloved) does not necessarily bear sexual meaning, Alexander may have been bisexual, which in his time was not controversial.
|
Did Alexander marry the mother of Heracles of Macedon No, she was his mistress
|
Hephaestion's death devastated Alexander. ||||| This event may have contributed to Alexander's failing health and detached mental state during his final months.
|
What was the event that precipitated Alexander's death Hephaestion's death
|
Hephaestion's death devastated Alexander. ||||| Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble.
|
What was the event that precipitated Alexander's death Hephaestion's death
|
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| Noting that the word eromenos (ancient Greek for beloved) does not necessarily bear sexual meaning, Alexander may have been bisexual, which in his time was not controversial.
|
What was the event that precipitated Alexander's death Hephaestion's death
|
Hephaestion's death devastated Alexander. ||||| This event may have contributed to Alexander's failing health and detached mental state during his final months.
|
What was the event that precipitated Alexander's death Hephaestion's death devastated Alexander
|
Hephaestion's death devastated Alexander. ||||| Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble.
|
What was the event that precipitated Alexander's death Hephaestion's death devastated Alexander
|
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| Noting that the word eromenos (ancient Greek for beloved) does not necessarily bear sexual meaning, Alexander may have been bisexual, which in his time was not controversial.
|
What was the event that precipitated Alexander's death Hephaestion's death devastated Alexander
|
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| He lost another child when Roxana miscarried at Babylon.
|
How many time Roxana was pregnant form Alexander Twice
|
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| Green suggested that, in the context of the period, Alexander formed quite strong friendships with women, including Ada of Caria, who adopted him, and even Darius's mother Sisygambis, who supposedly died from grief upon hearing of Alexander's death.
|
How many time Roxana was pregnant form Alexander Twice
|
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| Apart from wives, Alexander had many more female companions.
|
How many time Roxana was pregnant form Alexander Twice
|
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| He lost another child when Roxana miscarried at Babylon.
|
How many time Roxana was pregnant form Alexander Two times
|
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| Green suggested that, in the context of the period, Alexander formed quite strong friendships with women, including Ada of Caria, who adopted him, and even Darius's mother Sisygambis, who supposedly died from grief upon hearing of Alexander's death.
|
How many time Roxana was pregnant form Alexander Two times
|
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| Apart from wives, Alexander had many more female companions.
|
How many time Roxana was pregnant form Alexander Two times
|
Green argues that there is little evidence in ancient sources that Alexander had much carnal interest in women; he did not produce an heir until the very end of his life. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine.
|
In what part of Alexander's life that Heracles of Macedon was born Heracles of Macedon was born from his mistress Barsine
|
Green argues that there is little evidence in ancient sources that Alexander had much carnal interest in women; he did not produce an heir until the very end of his life. ||||| Nevertheless, Plutarch described how Alexander was infatuated by Roxana while complimenting him on not forcing himself on her.
|
In what part of Alexander's life that Heracles of Macedon was born Heracles of Macedon was born from his mistress Barsine
|
Hephaestion's death devastated Alexander. ||||| Alexander's sexuality has been the subject of speculation and controversy.
|
In what part of Alexander's life that Heracles of Macedon was born Heracles of Macedon was born from his mistress Barsine
|
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine.
|
Were Alexander's sons born of his wives Yes, Alexander IV of Macedon of Roxana
|
Alexander married twice: Roxana, daughter of the Bactrian nobleman Oxyartes, out of love; and Stateira II, a Persian princess and daughter of Darius III of Persia, for political reasons. ||||| Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble.
|
Were Alexander's sons born of his wives Yes, Alexander IV of Macedon of Roxana
|
This event may have contributed to Alexander's failing health and detached mental state during his final months. ||||| Aelian, however, writes of Alexander's visit to Troy where "Alexander garlanded the tomb of Achilles and Hephaestion that of Patroclus, the latter riddling that he was a beloved of Alexander, in just the same way as Patroclus was of Achilles".
|
Were Alexander's sons born of his wives Yes, Alexander IV of Macedon of Roxana
|
Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble. ||||| Hephaestion's death devastated Alexander.
|
Why did Hephaestion's death devastate Alexander Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion
|
Hephaestion's death devastated Alexander. ||||| No ancient sources stated that Alexander had homosexual relationships, or that Alexander's relationship with Hephaestion was sexual.
|
Why did Hephaestion's death devastate Alexander Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion
|
Aelian, however, writes of Alexander's visit to Troy where "Alexander garlanded the tomb of Achilles and Hephaestion that of Patroclus, the latter riddling that he was a beloved of Alexander, in just the same way as Patroclus was of Achilles". ||||| This event may have contributed to Alexander's failing health and detached mental state during his final months.
|
Why did Hephaestion's death devastate Alexander Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion
|
Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble. ||||| Hephaestion's death devastated Alexander.
|
Why did Hephaestion's death devastate Alexander He was close with him and they were friends
|
Hephaestion's death devastated Alexander. ||||| No ancient sources stated that Alexander had homosexual relationships, or that Alexander's relationship with Hephaestion was sexual.
|
Why did Hephaestion's death devastate Alexander He was close with him and they were friends
|
Aelian, however, writes of Alexander's visit to Troy where "Alexander garlanded the tomb of Achilles and Hephaestion that of Patroclus, the latter riddling that he was a beloved of Alexander, in just the same way as Patroclus was of Achilles". ||||| This event may have contributed to Alexander's failing health and detached mental state during his final months.
|
Why did Hephaestion's death devastate Alexander He was close with him and they were friends
|
Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble. ||||| No ancient sources stated that Alexander had homosexual relationships, or that Alexander's relationship with Hephaestion was sexual.
|
Did any ancient sources confirm that Alexander had a sexual relationship with his bodyguard No
|
Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble. ||||| Hephaestion's death devastated Alexander.
|
Did any ancient sources confirm that Alexander had a sexual relationship with his bodyguard No
|
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| Green suggested that, in the context of the period, Alexander formed quite strong friendships with women, including Ada of Caria, who adopted him, and even Darius's mother Sisygambis, who supposedly died from grief upon hearing of Alexander's death.
|
Did any ancient sources confirm that Alexander had a sexual relationship with his bodyguard No
|
Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble. ||||| No ancient sources stated that Alexander had homosexual relationships, or that Alexander's relationship with Hephaestion was sexual.
|
Did any ancient sources confirm that Alexander had a sexual relationship with his bodyguard No, No ancient sources stated that Alexander had homosexual relationships, or that Alexander's relationship with Hephaestion was sexual
|
Alexander also had a close relationship with his friend, general, and bodyguard Hephaestion, the son of a Macedonian noble. ||||| Hephaestion's death devastated Alexander.
|
Did any ancient sources confirm that Alexander had a sexual relationship with his bodyguard No, No ancient sources stated that Alexander had homosexual relationships, or that Alexander's relationship with Hephaestion was sexual
|
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| Green suggested that, in the context of the period, Alexander formed quite strong friendships with women, including Ada of Caria, who adopted him, and even Darius's mother Sisygambis, who supposedly died from grief upon hearing of Alexander's death.
|
Did any ancient sources confirm that Alexander had a sexual relationship with his bodyguard No, No ancient sources stated that Alexander had homosexual relationships, or that Alexander's relationship with Hephaestion was sexual
|
He apparently had two sons, Alexander IV of Macedon of Roxana and, possibly, Heracles of Macedon from his mistress Barsine. ||||| He lost another child when Roxana miscarried at Babylon.
|
How many kids of Alexander's did Roxana carry Two - a son and one that she lost
|
He lost another child when Roxana miscarried at Babylon. ||||| Alexander's sexuality has been the subject of speculation and controversy.
|
How many kids of Alexander's did Roxana carry Two - a son and one that she lost
|
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