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Oceans and mountains play a huge role in climates around the world. ||||| Should places at the same distance from the equator have the same climate? ||||| They are big features and big factors.
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Name at least one factor of climat Moutains
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So what are these factors? ||||| Think bigger. ||||| You are still not close.
|
Name at least one factor of climat Moutains
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We are talking about mountains and oceans. ||||| Oceans and mountains play a huge role in climates around the world. ||||| Only one of those factors is latitude, or distance from the equator.
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Name at least one factor of climat Mountains, ocean, longitude, latitude
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Oceans and mountains play a huge role in climates around the world. ||||| Should places at the same distance from the equator have the same climate? ||||| They are big features and big factors.
|
Name at least one factor of climat Mountains, ocean, longitude, latitude
|
So what are these factors? ||||| Think bigger. ||||| You are still not close.
|
Name at least one factor of climat Mountains, ocean, longitude, latitude
|
We are talking about mountains and oceans. ||||| Oceans and mountains play a huge role in climates around the world. ||||| Only one of those factors is latitude, or distance from the equator.
|
Name at least one factor of climat Mountains
|
Oceans and mountains play a huge role in climates around the world. ||||| Should places at the same distance from the equator have the same climate? ||||| They are big features and big factors.
|
Name at least one factor of climat Mountains
|
So what are these factors? ||||| Think bigger. ||||| You are still not close.
|
Name at least one factor of climat Mountains
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
Is Toyoo Madame White Snake's Lover in "Eternal Prisoner" No, he is her lover in, "Lust of the White Serpent"
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
Is Toyoo Madame White Snake's Lover in "Eternal Prisoner" No, he is her lover in, "Lust of the White Serpent"
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| "Femme" is an apt description of the depiction of Madame White Snake and all her incarnations.
|
Is Toyoo Madame White Snake's Lover in "Eternal Prisoner" No, he is her lover in, "Lust of the White Serpent"
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
Who is Toyoo's lover in "Lust of the White Serpant? A woman described as femme
|
In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. ||||| "Femme" is an apt description of the depiction of Madame White Snake and all her incarnations.
|
Who is Toyoo's lover in "Lust of the White Serpant? A woman described as femme
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
Who is Toyoo's lover in "Lust of the White Serpant? A woman described as femme
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
Who is Toyoo's lover in "Lust of the White Serpant? Madame White Snake
|
In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. ||||| "Femme" is an apt description of the depiction of Madame White Snake and all her incarnations.
|
Who is Toyoo's lover in "Lust of the White Serpant? Madame White Snake
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
Who is Toyoo's lover in "Lust of the White Serpant? Madame White Snake
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What works are about Madame White Snake Lust of the White Serpant and Eternal Prisoner
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
What works are about Madame White Snake Lust of the White Serpant and Eternal Prisoner
|
In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. ||||| In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
What works are about Madame White Snake Lust of the White Serpant and Eternal Prisoner
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What works are about Madame White Snake Lust of the White Serpent, and Eternal Prisoner
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
What works are about Madame White Snake Lust of the White Serpent, and Eternal Prisoner
|
In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. ||||| In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
What works are about Madame White Snake Lust of the White Serpent, and Eternal Prisoner
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What works are about Madame White Snake Works with , "Serpent", and, "Prisoner", in their names
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
What works are about Madame White Snake Works with , "Serpent", and, "Prisoner", in their names
|
In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. ||||| In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
What works are about Madame White Snake Works with , "Serpent", and, "Prisoner", in their names
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What are the two incarnations of Madame White Snake Lust of the White Serpant and Eternal Prisoner
|
In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
What are the two incarnations of Madame White Snake Lust of the White Serpant and Eternal Prisoner
|
In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". ||||| "Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
What are the two incarnations of Madame White Snake Lust of the White Serpant and Eternal Prisoner
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What are the two incarnations of Madame White Snake A woman in, "Eternal Prisoner", and, "Lust of the White Serpent"
|
In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
What are the two incarnations of Madame White Snake A woman in, "Eternal Prisoner", and, "Lust of the White Serpent"
|
In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". ||||| "Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
What are the two incarnations of Madame White Snake A woman in, "Eternal Prisoner", and, "Lust of the White Serpent"
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What are the two incarnations of Madame White Snake Lover of Toyoo and Lover of Hsu
|
In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
What are the two incarnations of Madame White Snake Lover of Toyoo and Lover of Hsu
|
In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". ||||| "Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
What are the two incarnations of Madame White Snake Lover of Toyoo and Lover of Hsu
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What are the two incarnations of Madame White Snake A beautiful and seductive women in two different stores
|
In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
What are the two incarnations of Madame White Snake A beautiful and seductive women in two different stores
|
In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". ||||| "Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
What are the two incarnations of Madame White Snake A beautiful and seductive women in two different stores
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
What does femme refer to Femme refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What does femme refer to Femme refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
What does femme refer to Femme refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
What does femme refer to A sexually seductive woman
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What does femme refer to A sexually seductive woman
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
What does femme refer to A sexually seductive woman
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
What does femme refer to A bewitchingly beautiful woman
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What does femme refer to A bewitchingly beautiful woman
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
What does femme refer to A bewitchingly beautiful woman
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
What does femme refer to Woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What does femme refer to Woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
What does femme refer to Woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty".
|
Who does Toyso dream about in "Lust of the White Serpent" "Madame White snake"
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
Who does Toyso dream about in "Lust of the White Serpent" "Madame White snake"
|
In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. ||||| "Femme" is an apt description of the depiction of Madame White Snake and all her incarnations.
|
Who does Toyso dream about in "Lust of the White Serpent" "Madame White snake"
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
Why is Madam White Snake described as a "femme" Negative connotations with her beauty
|
In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
Why is Madam White Snake described as a "femme" Negative connotations with her beauty
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
Why is Madam White Snake described as a "femme" Negative connotations with her beauty
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
Why is Madam White Snake described as a "femme" She is bewitchingly beautiful
|
In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
Why is Madam White Snake described as a "femme" She is bewitchingly beautiful
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
Why is Madam White Snake described as a "femme" She is bewitchingly beautiful
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
Why is Madam White Snake described as a "femme" Her beauty stays in the mind over her lovers and agitates them
|
In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
Why is Madam White Snake described as a "femme" Her beauty stays in the mind over her lovers and agitates them
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
Why is Madam White Snake described as a "femme" Her beauty stays in the mind over her lovers and agitates them
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What are the names of Madame White's Snake lovers Men whose names start with T and H
|
In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. ||||| "Femme" is an apt description of the depiction of Madame White Snake and all her incarnations.
|
What are the names of Madame White's Snake lovers Men whose names start with T and H
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
What are the names of Madame White's Snake lovers Men whose names start with T and H
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What are the names of Madame White's Snake lovers Toyoo and Hsu
|
In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. ||||| "Femme" is an apt description of the depiction of Madame White Snake and all her incarnations.
|
What are the names of Madame White's Snake lovers Toyoo and Hsu
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
What are the names of Madame White's Snake lovers Toyoo and Hsu
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
What are the names of Madame White's Snake lovers Hsü and Toyoo
|
In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. ||||| "Femme" is an apt description of the depiction of Madame White Snake and all her incarnations.
|
What are the names of Madame White's Snake lovers Hsü and Toyoo
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
What are the names of Madame White's Snake lovers Hsü and Toyoo
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
In this passage, "Femme" is referring to what kind of woman A sexually attractive woman
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
In this passage, "Femme" is referring to what kind of woman A sexually attractive woman
|
In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
In this passage, "Femme" is referring to what kind of woman A sexually attractive woman
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
In this passage, "Femme" is referring to what kind of woman A beautiful woman
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
In this passage, "Femme" is referring to what kind of woman A beautiful woman
|
In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
In this passage, "Femme" is referring to what kind of woman A beautiful woman
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
In this passage, "Femme" is referring to what kind of woman One that is dangerously attractive and lures men to their downfall with her sexual attractiveness
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
In this passage, "Femme" is referring to what kind of woman One that is dangerously attractive and lures men to their downfall with her sexual attractiveness
|
In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
In this passage, "Femme" is referring to what kind of woman One that is dangerously attractive and lures men to their downfall with her sexual attractiveness
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
In this passage, "Femme" is referring to what kind of woman Bewitching beauty
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
In this passage, "Femme" is referring to what kind of woman Bewitching beauty
|
In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
In this passage, "Femme" is referring to what kind of woman Bewitching beauty
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty".
|
Who is the her in "Toyoo, her human lover" Madame White Snake
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
Who is the her in "Toyoo, her human lover" Madame White Snake
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
Who is the her in "Toyoo, her human lover" Madame White Snake
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty".
|
Who is the her in "Toyoo, her human lover" A beautiful woman
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness.
|
Who is the her in "Toyoo, her human lover" A beautiful woman
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
Who is the her in "Toyoo, her human lover" A beautiful woman
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
Name three effect Madame white snack beauty has on her lovers Distraction, Sexuality and downfall
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
Name three effect Madame white snack beauty has on her lovers Distraction, Sexuality and downfall
|
In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". ||||| In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful.
|
Name three effect Madame white snack beauty has on her lovers Distraction, Sexuality and downfall
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction.
|
Name three effect Madame white snack beauty has on her lovers Disctraction, disturbed and agitated
|
Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty". ||||| In addition to distracting sexuality, the irregular characterization of Madame White Snake might be another trait her character has in common with the archetypical noir femme fatale.
|
Name three effect Madame white snack beauty has on her lovers Disctraction, disturbed and agitated
|
In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not". ||||| In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful.
|
Name three effect Madame white snack beauty has on her lovers Disctraction, disturbed and agitated
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty".
|
What does Madame White Snake use to distract and deceive Her beauty
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
What does Madame White Snake use to distract and deceive Her beauty
|
In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| In "Eternal Prisoner," Madame White Snake's bewitching beauty follows her lover Hsü into his dreams, and the next morning "he was so distracted that he could not concentrate on doing business." Both of these stories align negative connotations with her beauty, suggesting that her sexuality is the cause of their distraction. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
What does Madame White Snake use to distract and deceive Her beauty
|
"Femme" is an apt description of the depiction of Madame White Snake and all her incarnations. ||||| It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| Toyoo, her human lover in "Lust of the White Serpant" cannot shake the image of her beauty from his mind and dreams of her, and finds himself "disturbed and agitated" by her "ethereal beauty".
|
What does Madame White Snake use to distract and deceive Sexual attractiveness and ethereal beauty
|
It refers to a woman who is dangerously attractive, and lures men to their downfall with her sexual attractiveness. ||||| In both incarnations of Madame White snake, the authors depict her as bewitchingly beautiful. ||||| In her essay analyzing the noir film from a feminist perspective, Christine Gledhill writes "Not only is the hero frequently not sure whether the woman is honest or a deceiver, but the heroine's characterisation is itself fractured so that it is not evident to the audience whether she fills the [femme fatale] stereotype or not".
|
What does Madame White Snake use to distract and deceive Sexual attractiveness and ethereal beauty
|
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